#eyes scared

[kii0mi]

Ok so, hear me out, what if Danny thinks he and clockwork have a mentor and mentee relationship, almost like a family dynamic even. He gets to sleep on a couch on clockworks tower, hang around, and clockwork might sometimes even help him.

He’s happy, it’s everything he didn’t have with the Fentons, but, what if, clockwork only did it to avoid a bad timeline? He didn’t actually care about Danny, could care less what happened to him as long as it didn’t affect the timeline, and Danny discovers it for the first time when clockwork is very willing, and not at all affected, to end his life if he doesn’t complete a certain task for a “better timeline”

It’s not even a definite will, it’s just a slight chance of the timeline going wrong, and then Danny truly sees how little their relationship means to clockwork. It all crumbles around him as he realizes that the only “healthy” relationship he thought he had was build on straight up lies, he grieves for the mentor he apparently never even had on the first place.

Danny finishes the mission, and as clockwork goes to Pat him in the head for a good job so similar to a dog, a loyal pet to just follow orders in exchange for the bare minimum of affection and care, Danny avoids his hand and just flies away, core empty, void of any meaningful relationship, alone

He stops visiting clockwork altogether, and clockwork doesn’t visit either, barely keeping an eye on the boy to make sure he doesn’t step out of line, and if they capture and experiment on the kid? It’s not his problem as long as the timeline turns out alright

[astronomodome]

HELLO?????

[chloesimaginationthings]

Mike’s POV during the FNAF movie

[shushmal]

"Dude," Steve says, pressing on his eyes because he feels like he's about to cry. "What the fuck."

"What?" Dustin squeaks, alarmed. "What? Steve, you're freaking me out!"

"Good!" Because Steve just worked eighteen hours and it's past midnight and he got thrown up on twice and there was a bed pan incident and even though he showered at the hospital he probably smells awful and it rained and he lost his keys so he had to take the bus and he's sweaty and tired and wet and cold and Dustin's DnD friend is hot. "I can't believe you'd do this to me!" Okay, maybe Steve's feeling a little delirious.

"Do what??" Dustin is full on shrieking right now. His hot friend is standing in their apartment looking more and more worried and hot.

"You didn't tell me he was hot!"

The expressions that go across Dustin's face is impressive, before they stop and he settles on a flat glare. "Seriously??"

Hot guy is now blushing and Steve will collapse if he doesn't keep with the righteous fury.

"I've been TRYING to get you two to meet for months now!"

"You didn't tell me he was hot, though! Dustin!!"

"I don't know what guys are hot, Steve!" Dustin says indignantly. "I thought you didn't like nerds!"

"Dustin!"

"Um," says hot guy. He looks like he's panicking.

Dustin's face changes again. "Oh, no. Oh, no, you're right."

"All this time!" Steve says and he really is close to tears. "You've been nagging on me all this time to find my soulmate, and you had the perfect guy right here?? You had him in my home??? Dustin!"

"Whoa," whispers hot guy.

"I'm sorry," Dustin wails now, just as distraught. "You love nerds, all your favorite people are nerds, I don't know what I was thinking, oh my god!" He whirls on hot guy. "Eddie, give Steve your number right now!"

"Okay," says hot guy Eddie, immediately. His face is super red and his eyes are wide, and he looks scared out of his mind as he fumbles his pocket for his phone. "Yeah-Yep-Absolutely. This is a thing that's happening."

Steve, tears burning in his eyes, watches as Dustin punches his number into Eddie's phone. "Okay," he says a little nasally, wiping quickly at his face. "Okay, I'm going to shower and then sleep for two days, and then pretend like this never happened so I can look hot guy in the eye when he asks me on a date. Sound good?"

"Sounds great!" Dustin says, all cheery now. Behind him, still looking vaguely scared for his life, hot guy gives him a shaky thumbs up.

[lavender-rroses]

jrwi dump from the past few months while i slog thru school and college apps

[heartorbit]

find another role, carry on the show

[ministarfruit]

felt like drawing sweetheart (omori) today

[xlandloud]

arkhamverse tim doodles bc i’ve been playing ssktjl too much

nonsense under the cut bc i thought it was funny

[the-thing-inside-your-closet]

Danny and Ellie are forced to flee Amity Park. And find themselves in Coast City.

I started writing this with the intention of only writing a short prompt, but then I just kept going until I felt like I’d written enough.

Danny gets caught up in yet another fight with Skulker, only this time it wasn’t because Skulker had come for Danny. No. He’d come for Ellie. And she was already weak from fleeing the GIW who had shot at her the moment she arrived in Amity Park.

Whether Skulker is after Ellie for Vlad, or because he wants her pelt can be up to you.

Either way, he manages to beat Skulker and captures him in the thermos. Just as he lets out a long sigh of relief he hears the sound of an ecto-gun being fired and then his side is burning and he’s falling. He’s falling too fast and it hurts and he can’t stop-

Danny guys the ground hard. His head is spinning, his skin feels like it’s burning, and he can hear the stomping of feet as someone runs towards him.

He needs to get up. He needs to get away. Find Ellie and make sure she’s safe. He’s needs to MOVE- but he can’t. Black spots for his vision as he manages to stand up and his eyes meet the end of his mother’s gun.

Before anyone can speak, he’s falling again, handing face first in the dirt. And the familiar feeling of de-transforming washes over him.

The last thing he hears before loosing consciousness is the grief stricken sound of his parent’s voice as three voices shout in unison.

“OH MY GOD DANNY!”

“DANNY ARE YOU OKAY?!”

“NO, GET AWAY FROM HIM!”

When Danny wakes up again, he’s in his room, the curtains are drawn but he can see the sliver of sunlight pouring in through the gap underneath. He notes that his body aches, but not as much as usual after a fight like that. And there’s a warmth enveloping his hand. It’s soothing, and he almost considers going back to sleep when he notices that there’s a ghost in the room. And all too fast he’s sitting up and staring into the exhausted, red, puffy eyes of his mother looking back at him from where she’s sitting holding his hand in hers.

Just behind her he sees Ellie floating just above the ground talking quietly with his dad.

“Danny,” his mother’s voice draws his attention along with Jack and Ellie’s. “How are you feeling, sweetheart? Are you in any pain?”

He didn’t notice when she’d helped him to lay back down again. “Do you need anything? Ellie here was just telling us about how regular pain medication doesn’t work as well for the two of you. But I’m sure we could find something for you that might-”

“Mom,” Danny rasps. Man his throat was dry.

As if reading him mind Ellie appears by his mother’s side holding out a glass of water with a straw in it. Maddie helps Danny to sit up a little more so he can drink.

“Mom,” he tries again, sounding better this time, “I’m okay. I promise. It’s not that bad!” He starts to lie as the panic sets in. He de-transformed in front of them. He knows he did. And the fear shows on his face, it must, because before he can even begin trying to think up an excuse his mother is crying.

“Oh Danny, it’s okay. We know. And we’re not angry at you. We love you. So much.”

And Danny’s heart swells at hearing it. “You don’t hate me for being Phantom?” He asks quietly.

“No! We could never hate you Dann-o!” His dad’s cheery tone doesn’t disguise the sadness and guilt etched into his face. “We’re just…so sorry that we never noticed before. And that we…” he can’t finish his sentence but he doesn’t need to. Danny already knows what he’s apologise for.

“I’m okay. I promise. I heal fast!” Danny tied to reassure them.

It seems to help a little, though his parents still have a grim look in their eyes. As they make connections in just how Danny would know that about himself.

And Ellie, with perfect timing to cut the tension, announces happily, “Danny! Good news! Your parents said I could stay with you!”

Ellie had told his parents while Danny was unconscious about being his clone. She saw how they fretted over Danny, cleaning and dressing his injuries with the love and care she only imagined from a parent that truly loves you. And they had accepted her almost right away. Jack even crying as he proudly declared himself a father of three.

Jack soon excused himself, saying he’ll go see if Jazz needs any help with cooking lunch. Danny and his mother share a look, and with a final kiss to his head says she’ll go make sure nothing gets brought back to life. And she asks Ellie to please make sure Danny stays in bed and rests.

Danny and Ellie are left alone in his room, and it gives Danny the chance to really revel in everything. His parents accept him. They love him, both sides of him. And they accepted Ellie too! And said she can stay! She doesn’t have to be alone anymore.

Now, a lot can happen in the span of a few seconds, let alone minutes. In the time it took for Maddie to reach the kitchen, their front door was kicked down and a group of GIW agents had stormed in demanding they hand over the ectoplasmic scum they were harbouring.

Jack and Maddie drew their weapons and planted themselves directly in front of the GIW agents. The agents state that a ghost shield was put up around the house to prevent any ghosts from escaping, and by law any ghosts within the premises were ti be handed over for destruction immediately. Jazz runs upstairs to Danny’s room to warn them that the GIW were inside the house and that they needed to run. They need to get to the portal NOW.

With all the authority of an older sister Jazz tells Ellie to grab the go bag Danny had insisted on having prepared, and picks Danny up despite his protests that he could walk. Or well, fly. Ellie turns them all invisible and intangible and takes them down to the lab.

They can hear the sound of shouting, and something breaking and a gun being fired all coming from upstairs as Jazz opens the portal for Danny and Ellie.

Another shot rings out. And then another, and more shouting.

“Quickly you two need to go!”

Another shot.

“Aren’t you coming with us?” Danny, now Phantom, asks suddenly as he and Ellie are preparing to enter the Ghost Zone.

Two more shots.

“Someone needs to be here to deactivate the portal in case the guys in white make it down here. I’ll be fine. Mom and dad will be okay, they’re not here for us so you two need to go. Now!” There’s banging on the lab’s door and Jazz shoves both Danny and Ellie into the portal. The last thing Danny hears before the portal closes behind them is another shot being fired.

Danny is scared and angry as he and Ellie are forced to fly through the zone with no currently known way to get back to his family. He needs to make sure they’re okay. He needs to protect them.

But right now Danny is still hurt, and he needs to get himself and Ellie somewhere safe. They begin to slowly make their way through the zone, looking for somewhere to rest and avoiding any ghosts that might want to pick a fight.

Ellie isn’t sure how long she and Danny have been moving for. It feels like it could have been days, or hours, or even minutes. But Danny can’t fly as quickly right now. He’s trying to keep a brave face for Ellie’s sake but she can see the exhaustion beginning to take hold of him.

So Ellie makes the executive decision to touch down somewhere to rest. She tells Danny she’s tired. Danny knows she isn’t and it’s only because she’s worried and wants him to rest. So he goes along with it and they make their way to the next floating island they come across and thank the ancients it’s empty. The two halfas touch down and Danny slumps over as he sits against a nearby rock. Ellie pulls out some energy bars that were tucked away in the go bag and hands one over to Danny.

They do this a few times, stopping to rest, as they gradually make their way to the Far Frozen. Ellie had insisted on going there, Frostbite would know what to do, and he would be able to help Danny with his injuries that had started bleeding again in all the commotion of escaping, and then flying and hiding from ghosts known to attack Danny regularly.

But unfortunately luck is not on their side yet again as a natural portal rips open directly in front of them, and closes behind them after spitting them out in a city they didn’t recognise.

That’s how Danny and Ellie find themselves in Coast City, hiding out in an old warehouse by the docs while Danny heals and they figure out how they’re going to get back home.

That is, until now.

Danny stares up at his little sister and sighs with the resigned tone of an exasperated older sibling.

“Ellie,” he takes a breath, “what did you do?”

“I’m my defence,” Ellie glares up at Green Lantern, who has Ellie scruffed by the back of her hoodie, before looking back at Danny, “I simply do not vibe with the law.”

[emacrow]

The civilization trapped in an ice meteorite.

Superman, after saving the earth from another earth ending bomb, breeze through space, were glowing clouds of gas and dust known as a planetary nebula floated around aimlessly with glowing green dwarf particles as if a solar system was sucked into, but there only lays a sun and 7 planets here before before something caught his eye.

A pusling aimlessly floating ball like metorite full of frozen white ice with green dipped in the bottom in the middle of space. The pulsing glow flickers like a couple of very slow heartbeats.

Superman used his x ray vision to see inside, and what he saw immediately immediately griped the ice and speed flew over through back to the Watchtower which was not far from here.

Superman spoke in the coms of his oxygen mask to the Watchtower.

"Open the space entrance gates, and someone calls in Beatriz Da Costa. I found a floating town trapped in metorite ice with what seems civilians' insides." Superman spoke in the coms as he pushed the metorite carefully toward the watchtower, unaware of the gigantic glowing transparent being with 8 neon green eyes staring at him wrapped around the ice metorite like a Serpent to it's eggs.

[ewwww-what]

You’re a piece of work, kid.

[brainbleedo]

Hyperventilating rn

[churomo]

when you switch their expressions…

[yyyipes]

Sweetheart's photo shoot!

[falafels]

pt.20!! <pt.19 pt.21>

tsc heavy bc i miss them and my bones are vibrating with the countdown to tgr

tag gang @andrewsleftarmband @blurryhour @you-know-i-get-itt @notexactlythatgirl @strangeoffputtingrat @tessasilverswan @minyard-05 @carbon-dated-gal @bisexualchaosdemon @stormiiflies @watercoloureyes01 @vampire-overlord @iron-sides @azure-wing @buffalo-fox @ohgodnotagainplease @pink-hydrangea @jaywalkerss

[drgnflyteabox]

red ochre [4]

series masterlist previous || part four -> orchil || part five -> kermes

> summary: double-edged swords, field trips, and wolf figurines > tags/warnings: religious & sexual guilt / shame, stockholm syndrome, inner turmoil, suicidal thoughts (minor), violent thoughts, oral (f), dubcon/noncon, stockholm syndrome, reader says "stop" / "no" but johnny continues, reader has some puritanical ideas about sex (virtue, virginity) but shes a nun so give her a break, power imbalance, thoughts of death/afterlife, self hatred, "little" used affectionately not as a size indicator lol

You wake up to the sound of a childs’ babbles the next morning, disoriented and confused - had sister Margery taken in another orphan girl to raise up in the convent? The softness of the bed beneath you betrays your confusion, rocking you slowly into reality as you blearily open your eyes.

Johnny sits at the table, cooing to a baby on his knee. He bounces them as they make sounds, soft happy ones that contrast with his muscles and scars and hair. In your observation of him you think about how a man so coarse-looking could be so soft to lay against, how he could go from sweet to firmer than stone in a moment. How his hands held you down not two days past, and soothed the skin that still ached as you shifted in bed now.

A conflicted series of emotions had risen in you since, and though something had calmed inside you, the primary tide was a pervasive sense of shame and it tended to overpower everything else.

“Who's that?” Johnny says, his voice high-pitched. “Is that my wife?”

He's cooing to the child, but still you burn and twist with too many things to dwell on lest you go mad.

Simon is nowhere to be found, but that's not been unusual in these winter mornings.

“Who's this?” You murmur, sitting up. Your woolen shift is warm, a soft red colour dyed by one of the village women that Johnny told you he'd traded for specially. Red ochre, he’d said, fingering the cloth. A beautiful muted red kind of colour.

A little like dried blood.

“Gaz's bairn,” Johnny says. “His house is gettin’ invaded by some rowdy boys, and the lasses’ are at the river.” 

He must see the confusion on your face, because he adds, “boys are gettin’ ready for a hunting party.”

The baby shrieks, clapping clumsily as Johnny lifts a carved wooden toy up to them. He crinkles his eyes, looking between you and the baby. You want to discourage whatever thoughts he's having, so you stand and move to the fire, away from his wandering blues.

“Should I make something?” You don't dare look at him.

“So sweet of ye,” Johnny hums. “The baby eats eggs.”

You nod.

As you steadily become more awake, thoughts begin to cloud your mind.

Guilt is strange; it spreads like a plague, tainting anything you've decided to take some control of. Cooking, chores, talking cautiously with the men or allowing your heart to soften. The poison has grown from your first peak, spreading outward from your core and into your mind, leaving you worse off.

Simon hadn't done anything else, nor had Johnny. You'd cooked them lunch and breakfast, asked for sewing equipment for mending and receiving it promptly after. From Gaz's woman, Johnny had said. She says hello. Any contact outside of Johnny or Simon hadn't once crossed your mind, especially not since having sat on Simon's lap at the feast like a prize.

But you were a prize, a stolen woman, taken to wife. However you spun the narrative it was hard to get past that fact and harder still to get past that it might fulfill something inside you that nothing else could or could've. That perhaps you were tainted, and the taking had been because they saw it in you somehow. Sniffed the false servant of God as you worked, not anything by coincidence but guided by some instinct that told them you were just as bad.

Your little book, the one you missed dearly, the one piece of physical evidence that damned you. 

Though God had never spoken to you back, you'd imagined in the convent that when you passed he'd simply show you the blasphemous, lustful evidence of your filthy mind and send you to burn.

Now you knew that He wouldn't have to do that. You'd simply burn without any chance, damned worse now by your treacherous cunt.

“-nun? Where's my little nun gone?” You turn, startled. The eggs are crisp, and darkening by the second.

You hurry to pull them out of the hot fat as Johnny watches you, still cooing and bouncing. 

“Sorry,” you slide him a nearly burnt egg. “Can the baby still eat them?”

 “Should be fine,” he tears the egg with his fingers, offering tiny pieces.

It's hard, but not too tough or burnt. Just browned, fried and crispy. You wonder if this could count as a sin, how nearly wasting food would weigh against coming on the fingers of a viking heathen.

The hopelessness gets you sometimes, gets you as you try to sleep and in moments like these. What option do you have? Adapt, or what? Sure, it's probably better to take advantage of their lack of extreme violence and make your predicament as best as possible, especially without an escape route and without the strength to fight them. 

You feel watched, judged, observed on all sides. Giving in and navigating how to be a viking wife might be better than resisting forever, but the unseen eye of divine judgement and its gaze rests heavily on you. In fact, it's like it seeps into you through your skin and connects with the shame to compound both feelings.

“There she goes again,” Johnny says, but you hear him this time.

“I'm here,” you say. The baby smacks their lips, enjoying the egg despite its texture.

“No ye aren't,” his blue eyes are piercing, cutting through the fog of unease. “Ye getting all worked up again? I better not catch ye out back again.”

You shake your head, though he's right to think that way. Cleansing yourself has been on the back of your mind, not only the holy kind but what they can bring you with a different kind of force. 

There's the sprout of desire that's grown bigger and bigger, as if some dry seed had always resided inside you and they had watered it back to life.

“I'm not,” you finally say, though too much time has passed and it's clear Johnny doesn't believe you.

The door opens and you're saved by the interruption. A new anxiety forms as multiple people enter, curling suddenly like a hook. Simon, Gaz, Gaz's wife and Price step in.

“Tyra,” Gaz says. “Where's my little Tyra?”

The baby shrieks again, reaching her hands out. You see the resemblance to both Gaz and her mother now, seeing them up close again. She claps for Gaz, her mother behind him and smiling at you gently.

“How are ye, Kari?” 

“I'm well, thank you,” Kari says. She's always so soft, so glowy every time you see her. No wonder Gaz has scooped her up, you think you'd have also planted a baby in her belly if you were both able and a viking. Such thoughts sometimes arrested you at random in the convent, admiring the other women and dismissing them as silly. 

You try not to put more weight into them now, as it doesn't serve your predicament. 

But still, you admire Kari. 

“And you?” her eyes soften.

“Well,” you parrot. There’s no way to explain how unwell you really are - or how your well-ness is causing that unwellness. It's confusing enough for you.

“She's settling in,” Simon says. He's trading looks like Price, whose beard is becoming a little overgrown.

Gaz takes Tyra, who babbles happily. For a moment it's like this place isn't all evil and temptation, but also love and care. It's easy to get lost in the image of Gaz and Kari making kissy faces to Tyra, who is unknowing of the world and happy to be in it.

They don't linger long. There are words exchanged that you don't pay attention to, hands clapped and Tyra kissed goodbye. You learn that she's nearly two, still a baby but getting bigger. Price teases the couple about their next as they leave, making Kari laugh a hearty laugh that fills you with warmth.

It evaporates a little when you're left with Simon and Johnny and silence, the atmosphere changing to something unfamiliar. This boundary you'd crossed with them has left you someplace awkward, with you mostly lost in your head.

Simon is good at getting you out of that space, but he's been gone often since the incident and Johnny's intensity tends to push you further inward.

He comes up behind you, now, and sets his heavy hands on your shoulders.

“She been like this all day?” He asks Johnny, who hums affirmatively.

Simon leans down, lips brushing the top of your head, hands squeezing your shoulders, before he pulls you backwards into his torso.

“Your god speaking to ya?” He asks. 

“No,” you say honestly. “He's silent.”

“Silent, eh?” There's a chuckle, then two. They're heathens, you remind yourself. Heathens.

“Lamb, why don't ye spend some time with the wee lady Tyra?” Johnny scoots forward on the bench, touches your knee, smiles.

“Might do you some good,” Simon agrees. “‘specially since we're goin’ on a hunt.”

You pause.

“A hunt?”

Johnny nods. 

“I'll be stayin’ behind,” he says. “Watch our little nun.”

Simon finally sits behind you, hands sliding from your shoulders to the softness of your upper arms, still squeezing.

“It's past time,” Simon says quietly behind you. He explains the yearly hunt, the walrus in the right location, the ivory they will sell and the oil they will gain for use. There's a whisper of something there, maybe longing, maybe not. You can't tell, not with his aloofness. He's closed off as a default, but he rubs your arms like he's comforting you and you decide to take it as such.

There's nothing left for you to say, so you just nod. You're still trying to resist taking on an intimate role, a wifely role, something that will make them think you've given up. You haven't yet, you might not. You have options, even if they're unpleasant or permanent. 

A shiver passes through you. That isn't what you want. You're stuck, but you have to rationalize: it isn't what you thought it would be.

You've felt good. You feel good now. The remaining pain comes from the twisting, growing shame that slowly turns in a circle and ensnares your insides.

That, and the taking. It still feels unfair, feels wrong. If you think on it too hard you start to feel like a thing, not a person.

Johnny seems regretful that night, a mix of pride and love for Simon warring with his need to stay home with you. He sleeps in the middle, leaving you near the wall and opting to join hands with Simon through the night. These moments humanize them to you as well – to your distress, and to your softening. 

They love each other in the way you've seen some of the villagers love each other, in the way that love is universal; it's a little different, because they're different, but it's tender nonetheless. 

Love is luck, you think. Luck enough to find someone to be tender with in a world that is hard to live in, that is so utilitarian, so survival dependent. 

Simon leaves the next morning with a group of hunters. Price leads the pack of them, slapping the backs of some of the younger ones who for them it'll be their first or second winter hunt, encouraging them. It's a mixed group with both men and women, younger and older, seasoned and green. 

You stand beside Johnny at the door, watching the group move through the village until they are gone. Johnny tells you that they’ll ride horses, but they’re further out. Lest we smell the horse shite, he laughs. Got enough on our plate with Si. The joke has a thread of longing in it.

You’ve never been truly alone with either of them, you realize. Sure, a few hours here and there, but never for the days that Simon plans to be gone. Never slept alone with either of them.

Simon has been somewhat of a buffer, even if he’s the one who initiated the incident and carried it out. He balances the infinite well of restlessness Johnny has.

It’s frightening and comforting all at once. For one, you don’t feel like a bug pinned by its wings, even if that means you’re even more anchor-less than before. Simon is solid despite his surliness, and without him to steady the dynamic you worry.

“Ah dinnae know what to make,” Johnny bemoans. He wants to prepare some kind of gift as a surprise. “Already got too many statues.”

“Statues?” you ask, tilting your head towards him.

“Aye,” he nods, moving to a far corner of the house. He produces a little leather pouch, then little carved wooden figurines. One of them is a wolf, the other a bird.

“You made this?” you take one delicately in your hand, as if it would break. Statues, he said. They’re cute, clearly having been made with care.

Turning the wolf in your hand, you admire the polished shine of the wood.

“Aye,” he says again. “Si’s got too many.”

He spends a portion of the day puttering about, stoking the fire, sharpening various tools. You can’t tell if he’s restless because Simon is gone, or if you hadn’t noticed his restless nature as much because Simon was his outlet.

An urge rises in you, that screaming urge you know more intimately than anything else, awakened and restless like a hungry beast – it stirs as Johnny stokes the fire, crouched and with his back to you.

The only way to go if not out is in and you won’t. Push him in, you think. If you want out, push him in. 

But you won't. There’s darkness at the core of you to be sure, but not that kind of darkness. Not the kind both he and Simon are steeped in. Violence, sadism maybe.

That would make you the other side of the coin. 

The same swirling pattern of thoughts plague you even as Johnny serves you fish and more turnip for dinner, even as he pulls you into bed for that night and wraps himself around you.

You want to kick. To scream. To have a fit. Some insane, perverse fit; something that would have earned you an exorcism or an execution in the village. These thoughts come unbidden to you as you try not to feel the grasp of Johnny’s hand to your waist, nor the scruff of his beard on your throat. 

Your identity has shifted, already. You aren't dead inside, not anymore. Not hoping for some outer force to take you away.

An outer force has taken you, and now you wrestle with the ramifications on your spirit.

It's unclean now, surely. But hadn't it always been?

Hadn't you willed this?

Happy faces appear in your mind. Kari. Tyra. Gaz. Price. Johnny. Simon is too hard to read, but the way he treats Johnny is enough to convey some kind of contentment.

And then the look at breakfast. The baby. Johnny’s gentle cooing, his attention. Simon’s hands squeezing you, reassuring you.

They contribute to the degradation of your spirit, to each rend of the glue that has held you together since first consciousness.

You try to hold onto the fear from before. Their words from before – behave and we won’t kill you. Does that still apply? Are you still under an ever present, looming threat? Were they only trying to get you moving? 

Some part of you shudders to realize that it doesn’t feel that way. Even when they had sprung it on you to marry you, you hadn’t felt the same mortal fear as when they had absconded with you. 

No, it had been hurt. Disappointment. The fear had shifted with your identity, staying present but becoming unfamiliar.

The you that they had taken was unfamiliar too. She’d have never built snowmen, nor ground her pussy into the hand of a viking and relaxed into another’s hold as you are now.

You wanted to live, you think. Even then.

A couple days pass. Johnny finally finds a suitable enough gift for Simon, a double edged blade he’s carving and sharpening.

The sight of it makes something tighten in your chest, so you avoid looking at it.

Between you both, it’s less awkward than you worried about. You come to a different understanding of him, one that comes from watching his independence without Simon. They truly do fit together, you think. Complement each other.

What about you? Are you here for them to have other options? A cunt, you think crudely. Something that gets wet without extra effort, something easy. You’ve certainly not made it hard. The thought puts you in another stink, frowning down at the pair of linen summer pants you’d found and started to mend.

“What’s this face ye got on?” Johnny steps up to you, setting the heavy blade on the table, and sitting.

You don’t speak, you just sew. Are you just a womb? Is that it?

“Awe, lamb,” he leans forward, hands finding the tops of your thighs and leaning on them. “So sour.”

When you still don’t respond, he reaches to take your sewing. You lose some bearing and prick him with the needle, frissy that he’s trying to take you out of your ruminations.

Provocative.

“Och,” he waves his hand, then laughs. “Prickly, are we?”

He forces the fabric from your hands, squeezing your hand until it opens with the needle and thread. You make some kind of irritated sound, like a growling cat, still half in reality and half in your mind.

“Ye’ve been stuck,” he pokes your forehead. “Stuck here, eh? Let me fix that.”

And then you’re pulled up to your feet, steered to the bed, and pushed before you can adapt.

“Simon’ll have’tae forgive me,” he murmurs. You’re sat on the edge, looking down at him with a frown.

“What-” you make a strange, caught off guard squeaking sound as he pushes you by the shoulders, lifting the edge of your dress.

“Sh,” he says sharply. “Should’a done this days ago.”

“Wait- don’t-” you slam your knees shut, trying to sit back up. Something sharp you can’t name explodes outwards from your chest, sharp spikes pricking your lungs and your heart, twisting.

Your struggle is mostly futile, though it’s easier that Simon isn’t here. Your arms flail, your legs scoot you away up the bed.

“Noo-” you try again. Your fear stems mostly from the uncertainty of what he’ll do, of the fear that he’ll steal the last true thing you have; your virtue. 

“Relax,” he strong-arms you into lying down, arms crossed at your chest and his huge hand keeping them pushed down.

He positions himself parallel to you, replacing his hand with his bigger knee, his face right where he wants it.

“Ye should’ve asked me, lamb,” he murmurs, then kisses the hair above your pussy. Your stomach tightens, breath coming out in strained gasps from the combined weight of his knee and your shame.

You’re wet.

“I won’t smack ye if I don’t have tae,” he says. His hands rub up your hips, then your thighs, before coming up to your pussy and spreading your lips open.

Your clit strains in the open air, a cool breeze from the gaps in the door making it jump. He watches for a moment, cruelly, listening to the sound of your laboured breathing.

Then he dives in, tongue first. Because of the angle, his tongue dips down towards your hole while his lower lip catches your clit, making you gasp.

“Let me,” he hums, pauses. “Let me take care of ye, lamb.”

And God, he does. Johnny licks over you like a starved man, sucking your labia before flicking the tip of his tongue over your clit again as sounds come out of you like someone is pounding a fist into your chest.

He slurps your wetness obscenely, using his fingers to scoop whatever leaks from your hole as best he can and bringing them to his mouth to suck clean. He murmurs fervently about how good you taste, how he can smell the desperation from you.

“So neglected,” he sucks the wetness from your hair, even. “Forgive me.”

He’s talking to your cunt again, leaving you trembling against the bed and tightening, tightening, rising, rising–

He stops. 

You damn near scream, but the sound gets trapped where he’s still putting his weight on you.

“I’m gonnae move, and yer gonnae stay right there all sweet for me, aren’t ye?” he turns to look at you, and though you can hardly see him you nod.

He lifts off, making you grunt involuntarily, then switches positions so he’s on his hands and knees nearly on top of you.

“Open those legs,” he says. Leans down to kiss your sternum over the fabric of your dress. “Let me ease yer mind.”

You can feel yourself falling further from grace, but God help you – you open your legs.

Johnny keeps eye contact as he slides down, getting on his stomach with those piercing blue eyes cutting through you.

When his mouth touches your cunt again, you feel yourself start to shake, growing more insane by the second. His tongue touches your hot, swollen flesh, dragging wetly against everything sensitive. He’s like an animal, you think. A heathen. No wonder these people have not seen God’s light. No wonder it does not reach here.

Something so sinful, so good, couldn’t possibly exist in the puritanical world you’d been taken from.

God, you think again, body twisting against the sheets, is this really what they kept from us?

“Please,” you cry out. Please stop? Please continue? It’s a plea for more than just Johnny, more than God. It’s a question that burrows deep in your mind and begs you to understand yourself, to untangle, to feel and release.

And oh, you’re breathing, breathing in, breathing in perhaps for the first time in your life. You wrench his hair in your fists, uncaring, screaming into the cold winter afternoon without a care. Your back arches, tilting your cunt further into his face, legs straining, gushing. Blood rushes in your ears, deafening you, once again turning the world into a small point where you can neither hear nor see.

All you can do is feel, ride, undulate. This is that fit you’d wanted earlier, it’s some insane hysteria, some sin that feels like ecstasy. 

Your nipples tighten, stimulated by the chill of the air and the scratch of your woolen dress. Your peak is maddening, drawn-out and pushed further by Johnny’s lips suctioned around your clit and sucking in hard.

The moment you truly finish, when the stimulation turns to discomfort, you release his hair and push at his head.

“Stop,” you gasp. “Stop it.”

He doesn’t. His hands find your thighs, holding you open, running his tongue from your clit and then piercing it into your hole. His nose rubs on you, and though tears spill from your eyes you grind into it, crying for him to end it.

“One more,” he grunts.

“No,” you moan. Then you peak again, mouth open in a silent scream and eyes screwing shut, the fusion of sharp, near-painful pleasure and actual, overstimulated pain brings you a climax you could have never imagined of on your own.

You weep again as he pulls away, feeling raw and tender. 

Boneless.

You wake in the middle of the night bundled and in both furs and arms. You’re pleasantly sore, pulsing a little still between your legs where Johnny’s thigh keeps you company. He’s so warm, so comfortable, that it’s easy for you to fall back asleep.

You wake again in the early morning, so early that the light of dawn hasn't yet breached the cabin.

Johnny snuffles behind you. Nose on your shoulder, hands migrating to rest just below your breasts.

“Mmmlamb,” he murmurs.

Your muscles are heavy, still. Weighed down with relaxation. It's true that you had gotten worked up, and that his actions had helped. You don't find any shame, not now. You've found a rare pocket of respite.

Simon is due back in a day or two unless there are extenuating circumstances. A winter storm, maybe. Or an errant predator. 

What would life look like if he never returned? It’s an uncomfortable thought. You’re still on the edge of how you feel, teetering between extremes, but you rely on them both for survival.

Where could you go? Even when you’d ran, the plan had been borne of heart, not mind. Without Simon or Johnny, you’d be in a terrible precarious situation.

Without Simon permanently? You weren’t sure.

You very slowly extricate yourself from Johnny’s arms, sliding out of bed and into the cold air. The fire is just coals, so you add a few pieces of wood and stoke it for the day. In the dark, you can see the reflection of the fire in the sword Johnny had left on the table.

You pad to it, staring, curious and afraid. It looked orange from the fire, only darker. It looked like your beautiful red ochre dress, your blood dress.

You reach your fingers out and stroke along the blade, breathing shallowly in the dark.

Dawn breaks.