#excerpt of stories

[justthinking005]

“I owe it to her to be a better person.”

Okay. Fine. But what about me? Don’t you think you owe it to me to work on yourself? To be a better person so you never hurt anyone again like you’ve hurt me? For the last 5 years, you’ve dragged me through the mud, pushed and pulled me in so many different directions and caused so much heartache and pain. You drop me at every bad turn because you don’t want to deal with the consequences of your actions but it leaves me dealing with them. The pain is real. The heartache never seems to go away. And after 5 years of this fucking bullshit, you owe it to me to be a better person because I’m the one you consistently fuck over. I’m the one you consistently hurt. If you owe anyone, anything - you owe me the biggest apology, the biggest turn around and the biggest hug. Because I can’t seem to stop hurting. And it’s all your fault. And I wish I could hate you for it, for all of it. I wish I could hate you. I’ve tried and I’ve tried. But I can’t. And I find myself missing you when you’re not here. I’m missing the friendship more than anything. You owe it to yourself but you also owe it to me. Because I don’t think the heartache and pain is ever going to stop. And I need it to stop.

[minaminokyoko]

I know nobody cares, but...

Marvel picked MY fucking short story, "Lost Cause," to be the official excerpt for the updated announcement of the Captain America: The Shield of Sam Wilson anthology.

No, really, look: https://www.marvel.com/articles/culture-lifestyle/captain-america-the-shield-of-sam-wilson-features-original-short-stories-excerpt-cover

I'm fucking shocked they picked mine. What a tremendous honor to represent our boy. <3

On the off chance someone cares, info below!

As a Black man in America, Sam Wilson knows he has to be twice as good to get half as much credit. He must be a paragon of virtue for a nation that has mixed feelings towards him. In these thirteen brand-new stories, the all-new Captain America must thwart an insurrectionist plot, travel back in time, foil a racist conspiracy, and save the world over and over again.

As the Falcon, Sam Wilson was the first African American super hero in mainstream comic books. Sam’s trials and tribulations reflect the struggles many Black Americans go through today, as Sam balances fighting supervillains and saving the world with the difficulties of being the first Black Captain America. This action-packed anthology inspired by the Marvel comic book universe, will see Sam team up with familiar friends like Steve Rogers, Redwing and Nomad, while fighting HYDRA, Sabretooth, Kingpin, and other infamous villains.

These are stories of death-defying courage, Black love and self-discovery. These are the stories of a super hero learning what it means to be a symbol. These are the stories of Sam Wilson.

Release date: January 14, 2025

Pre-order now in ebook, hardcover, or audiobook: https://www.amazon.com/Captain-America-Shield-Sam-Wilson/dp/1803363878

And can I pretty please get some notes? PWEASE? Struggling indie black author here, just saying.

[thewaitingluna]

I’d like to disappear for a while. I don’t want to talk to anyone. I don’t want to know anything.

[fairydrowning]

"Well, let it pass; April is over, April is over. There are all kinds of love in the world, but never the same love twice."

– F. Scott Fitzgerald, The Short Stories

[lucidloving]

Richard Siken, "The Torn-up Road" // Lora Mathis, "If There's A Way Out I'll Take It"

[vomitingwords]

and then I learned

how to cry

without tears

falling from my eyes

behind clouds // ma.c.a

[cvtastrophee]

i have yet to find the end to this pain.

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[charmingwinds]

I read somewhere that the act of peeling oranges for someone is considered love. I found it stupid.

Then one day, I was home after a tiring day and there were oranges sitting on the counter. I knew they had to be eaten that day, a day later, they’d be rotten.

I was just too tired.

I completed my chores, and the oranges were still there, colourful and nudging, hoping I’d pick them up.

I walked past, and found my bed. My head comfortably rested on the pillows.

Those damn oranges.

I got up, sat on the counter and peeled them grudgingly. As I ate in silence, I understood what they meant. It was love alright, not peeling oranges but being taken care of.

[olis-inkwell-symposium]

How to Create a Flawless Villain: A Comprehensive Guide to Crafting Your Perfect Antagonist

Every great story needs a great villain. Whether you’re writing an epic fantasy or a gritty thriller, the villain is often the character readers can’t forget. They’re complex, morally grey, and create tension that drives the story forward. But how do you avoid clichés and create a villain who sticks with readers long after the book is closed? Let’s dive deep into the art of villain creation, exploring their psychological makeup, societal role, and relationships with the hero. We’ll also touch on how esoteric philosophies or occultism can shape their worldview, motivating them to chase power, forbidden knowledge, or even reshape reality itself.

Core Identity and Origins

A villain’s origin story is the root of their motivations. Were they betrayed by those they trusted? Once a noble hero, now twisted by tragedy? Crafting a rich backstory will set the stage for whom they become.

Name and Meaning: Choose a name that reflects their essence or offers an ironic twist. Consider names rooted in ancient languages, forbidden texts, or alchemical symbols if your villain is into esoteric or occult knowledge.

Defining Childhood Event: What critical moment led them to this path? A betrayal, a prophecy, or perhaps a dark inheritance? This event should haunt them, driving their desire for revenge, power, or forbidden enlightenment.

Motivations, Desires, and Philosophy

Villains aren’t evil for the sake of it. Their motivations—whether it’s control, vengeance, or the pursuit of something beyond mortality—must be clear and compelling.

Primary Goal: What is their ultimate aim? Power, control, or maybe freedom from their own pain? If they’re driven by esoteric philosophies, perhaps they seek to transcend the mortal realm or unlock the universe's hidden truths.

Inner Desires: Beyond their surface goals, what do they truly long for? To become one with a cosmic force? To destroy the current reality and rebuild it in their own image?

Occult and Esoteric Motivations: Do they crave ancient knowledge? Are they obsessed with dark gods, lost magical practices, or the mysteries of existence? These deeper motivations give your villain texture, turning them into something more than just an antagonist.

Psychological and Emotional Depth

To make your villain fully realized, dig into their mind and emotions. They’re driven by traumas, fears, and warped worldviews—making them unpredictable and dangerous.

IQ and Emotional Intelligence: Is your villain a cold mastermind or someone who operates on gut emotion, manipulating others through fear or charisma? Are they emotionally detached or frighteningly intuitive about others’ desires and fears?

Philosophical Depth: Does your villain have a worldview rooted in esoteric thought? Perhaps they believe in alchemical transformation or view themselves as a chosen agent of cosmic order (or chaos).

Fear and Trauma: What do they fear most? Losing control? Facing an entity more powerful than them? How do their traumas influence their choices?

Powers, Strengths, and Weaknesses

Your villain’s abilities should reflect their inner self. Whether they dominate through sheer strength or subtle manipulation, their powers, and weaknesses make them memorable.

Unique Powers: Can they control dark forces or warp reality? Perhaps they’ve mastered necrotic magic or gained immortality at a great cost. Their powers should align with their motivations—reflecting their esoteric pursuits or thirst for control.

Weaknesses: Every great villain has a flaw. Are they vulnerable to their own hubris, bound by cosmic forces they can’t fully control, or haunted by their mortality? This flaw should not only humanize them but also create a vulnerability in their power.

Relationships and Rivalries

Villains thrive in their relationships with others—especially with the hero. Craft dynamic relationships to give your villain emotional stakes.

Relationship with the Hero: The best villain-hero dynamics are deeply personal. Maybe the hero represents a path the villain once rejected. Perhaps they’re old allies, or twisted reflections of one another.

Esoteric Mentors or Rivals: Who taught your villain their dark arts? Did a mentor pass on forbidden knowledge, or does a rival compete for the same cosmic power?

Arc and Transformation

Villains should evolve. Show how they became who they are, whether through corruption or a gradual descent into darkness.

Origin of Villainy: Were they once idealistic, only to be warped by ambition or dark forces? What pushed them from seeking enlightenment to seeking dominance? Their fall from grace should feel inevitable, tied to their deepest desires.

Villain’s Endgame: What do they ultimately want? Is their goal to transcend mortality or reshape reality? By the end of the story, their final form should feel like the culmination of everything they’ve sacrificed.

Visual and Symbolic Representation

Villains often have visual cues that represent their power or past. Their appearance should reflect their inner darkness and esoteric connections.

Appearance: Do they bear occult symbols, alchemical tattoos, or physical scars from dark rituals? Their look should reflect their journey into darkness.

Symbolism: Consider what motifs represent your villain—death, chaos, transformation. These should be woven into their appearance, powers, and actions.

Legacy and Role in the World

Even after your villain is defeated, their influence should remain. They might leave behind followers, secret societies, or prophecies that keep their legacy alive.

Impact on Society: How does your villain shape the world? Do they leave behind grimoires, magical artifacts, or a legacy of fear? Their reign should leave scars that ripple long after they’re gone.

Villain’s Endgame: Whether they succeed or fail, what was their ultimate goal? Were they trying to unravel reality itself, merge with cosmic forces, or create a utopia in their image?

Twists, Secrets, and Moral Complexity

Villains become iconic when they are morally complex. Add twists to make them more than just evil—they might believe they’re saving the world in their own way.

Secret Past or Hidden Identity: Does your villain have a dark secret, perhaps a heroic past or a forbidden bloodline? These secrets add layers to their character, making them more unpredictable.

Moral Complexity: Does your villain believe their actions are necessary for balance? Are they more tragic than evil, motivated by a cosmic truth that others can’t see?

By incorporating esoteric philosophies and occult influences, your villain can become a driving force not just against the hero but against the very core of your world.

[excerptsofstories]

You can’t just touch my soul and then leave me.

Excerpt from a book I will never write #1400 // our memories cross my brain everyday

[childrenofcain-if]

Nobody gets C like I do, okay? I need them in every way possible 😩

mrs. martell didn’t get paid to think about any of her students’ personal life. matter of fact, she’d rather not think about it at all. but it was rather curious that two students who were at constant odds with each other would end up so inexorably intertwined.

it was quite possible that no two students at aldervale prep had ever come away with such a thorough understanding of the latin language (or, possibly, of each other).

[dotjpeg]

more self-indulgent memes I didn’t feel like actually drawing out

[thewaitingluna]

currently in an unhealthy relationship with myself.

[thesewordsaremymusings]

“I want to take my heart off my sleeve, it has grown too heavy.”

-m.n.

[salemoleander]

catching signals that sound in the dark webweave

Created as a gift for @droidofmay for her incredible fic!

// Sources under readmore //

What is a webweave? Previous art: Third Life | Void Falling | Attempt 33 | Limited Life | Nightingale | solving counting sheep | Hunger au

Also, you seem unstable… speech bubble / via imperiuswrecked ◆ Naka-Choko [the inherent homoeroticism of wound tending] / @dontbelasagnax ◆ Excerpts from Your Lover (The Galloping Hour: French Poems) / Alejandra Pizarnik via @feral-ballad ◆ Constellation No. 26 / Zhao Zhao via @psikonauti ◆ Excerpt from Hush / C. Dale Young via @grocerystoredean ◆ Excerpt from Refrigerator General (Fjords I) / Zachary Schomburg ◆ Carafe Nº6 / Etienne Meneau ◆ Red wings / Natalia Karna ◆ Would you murder me… texts / sparklebussy (deactivated) ◆ Président de la nuit / Carole Rabe via @huariqueje ◆ Give until I’m… poll / @orewing ◆ Out of touch / Denis Sarazhin ◆ fill me up, fill me full up / @taohun ◆ Excerpt from Heed the Hollow / Malcolm Tariq via @geryone ◆ Excerpt from No I Don’t Want to Connect with You on LinkedIn / Emily Skaja via @serratedpens ◆ Happiness is- / National Institutes of Health ◆ Fire reflected on birds in smoke / Coen Robben via @theanimalblog ◆ Constructual 5 / Juana Gomez ◆ With all the holes… (Survival series) / Jenny Holzer via @valtsv ◆ New York Winter 2014 2015 / Lina Scheynius ◆ I did not hunt down the moment edit [[Need More Bandages / TMG | Night Lights, Berlin / Lesser Ury]] / a-doctor-not-a-fangirl (deactivated) ◆ Lie (Peripety series) / Jen Mazza ◆ Excerpts from From The Book of Time (Devotions) / Mary Oliver via @liriostigre ◆ Excerpts from Having It Out with Melancholy / Jane Kenyon via @cithaerons