#except for one and a side character who is far more interesting then anyone in the main cast

[creed-of-cats]

Love reading books where it would've been so much more interesting were the protagonist not the protagonist...

[loosescrewslefty]

Screaming, crying and OBSESSING over the way Anya and Demetrius are on opposite sides of the Neurodivergent scale and also far more similar to one another than either one realizes. More than any other character we've seen so far, it feels like these two are Yin and Yang, opposite sides of the same coin.

Demetrius easily absorbs facts, figures, and other information that follows a set pattern. But people confuse and frustrate him, and he deals with that by not dealing with it. Anya has the ability to understand more about strangers she passes on the street than people who see them regularly ever could, but traditional academics can overwhelm her so she is resistant to studying. And yet both of them are othered and seen as abnormal by everyone around them, building a wall between them and their peers that they both find difficult to overcome.

Anya tries to fit in through masking, pretending as hard as she can to be normal (with limited success) but Demetrius has given up after going so long without anyone helping him better understand others which leads to him disassociating in social situations as a self defense mechanism, to get in and out as quickly and painlessly as possible while telling himself it doesn't matter.

Except it does.

Demetrius didn't need to ask about Damian's stella. But he did. Because he wants to find some sort of common ground with his brother even as he reassures himself that it doesn't matter and he doesn't care. He doesn't pick up on the fact that this makes Damian feel self conscious, that he's comparing his one stella to Demetrius' six and worried their father will love him less for not being as successful. Demetrius doesn't understand how the subject switched to Donovan at all, and shuts down hard when their father is mentioned. Just like he did when Damian called and asked him to be a bridge between them way back when.

(Demetrius warning Damian not to get his hopes up about Donovan coming to meet him also conflicts with his internal dialog about how the people around him don't matter and he doesn't need to care about understanding them. If it actually doesn't matter to him, then he wouldn't care if Donovan blew Damian off.)

Circling back to the original thought though, I desperately hope that we're going to get Demetrius and Anya interacting directly with one another at some point in the future because I have a feeling that Anya's blunt, child-like nature will lead to her just directly telling Demetrius the things that are eluding him when he interacts with others, demystifying all the unspoken social cues he's supposed to yet cannot intuit for the first time in his life. And he is going to be in awe of this child for her ability to not only understand others, but translate for him when he cannot grasp whatever it is they are trying and failing to say to him.

Demetrius could appreciate Anya's abilities, rather than being afraid of or disturbed by them. And they could both understand the feeling of not fitting in with the crowd. Of knowing that others regard them with fear and contempt, or want to use the things that make them different for their own purposes and treat them like they are just a tool instead of a person. The potential is there for a very interesting platonic relationship between two kids who have spent their whole lives feeling like their differences alienated them from everyone else in their life, and in Anya's case a fear that the discovery of that difference would lead to her losing the love of everyone important to her in her life.

[specialagentartemis]

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[vigilskeep]

when you first start the cousland origin, you can have some conversations with arl howe, teyrn cousland, and duncan that shed some interesting light on the political situation in ferelden. it’s definitely the origin where you get the most context on the rebellion and on cailan and his father. while howe isn’t exactly the most trustworthy of sources, he is also one of the most openly critical of cailan that we have access to, which i think is worthy of interest

howe remembers maric with what the toolset describes as “genuine fondness”: “your father hasn’t spoken of our time with him? that man took care of his friends. as they say, he was large as life and twice as tall!” i think we should pay particular attention to that man took care of his friends.

what howe’s talking about is a really important aspect of kingship, where you win the consent and enthusiasm of the nobility for your rule by offering rewards like wealth, land, and prestige to the loyal. kingship is always less stable than it’s portrayed, and this is one of the ways that kings must essentially sell to the nobility that answering to them is worth their time, which would be especially important in ferelden given everything we know about its culture. fereldans believe someone only has power when it is given by the loyalty of those below them, who have the right to freely rescind that loyalty. the dao codex says that “the sight of [fereldan kings] asking for—and working to win—the support of ‘lesser’ men is a source of constant wonder to foreign ambassadors.”

i suspect howe is remembering a maric fresh from the victories of the rebellion, who was able to reward those who had followed him with the spoils of those victories. at the end of the stolen throne, we see that in the final days of the rebellion, maric was killing those who had betrayed his mother to the orlesians even when they arrived under truce to meet him on holy ground. in dao, we see no lingering orlesian nobility except for those who married in and continue to be met with marked hostility. i think we can safely surmise that maric elected to make no conciliatory measures and give everything to those who had followed him; with the orlesians on the run and his people out for blood, he was in a strong enough position to do so, and it certainly served to win the fond memories of men like howe.

by contrast, howe goes on to say, “it’s too bad cailan isn’t half that.” the toolset notes establish very clearly that it’s the same issue, elaborating on howe’s thoughts: “bitter turn, i don’t get as much from the current king”, and “disdainful, i have no use for him, he does me no favours”. this isn’t a minor character detail, if howe’s last words when killed by the player are anything to go by. “maker spit on you... i deserved... more...” whatever it is that howe feels he should have been given, by the crown or anyone else, it characterises his actions and his defining treachery.

it’s in these same conversations that we see another side of this demonstrated. there are two points where howe can openly criticise the king, and bryce immediately admonishes him for both. one even has the toolset note: “speaks sharply, as a lord to a lesser man, not a friend to an equal”. it definitely comes across that way; the way he tells howe “that’s enough” is not far off the voice he uses when the player, his child, displeases him. bryce can’t tolerate any criticism of cailan, as the couslands in dao are ardent supporters of the king. to venture some hc, i suspect that this is not merely royalist fervour, and that howe’s resentment for having been given less is matched by bryce’s awareness of the precariousness of having more.

over the centuries, the theirins have consolidated their power and eradicated almost all the teyrns (the noble rank that is second only to the king). with the only other lingering teyrn being loghain, who is essentially part and parcel of the royal family, the couslands stand alone as the only real rivals to theirin power within ferelden. there are rumours that bryce was once considered for king instead of the theirins; he too could have decided to believe he “deserved more”. but unlike howe, and perhaps understandably given his strong position and happy growing family, he is satisfied with what he has. he will not take the risk of even the slightest challenge being made within his hall

(i expect that bryce’s satisfaction with the current situation further spurred howe’s dissatisfaction to its heights, given the complicated cousland-howe history and the fact that he was expected to accept a friend he had fought beside as a superior for the rest of his life.)

i don’t think howe’s judgement on cailan is likely to be without basis. we don’t hear about any victories the young king has to his name, from which he could have passed around spoils. (to be fair, cailan had harder luck than maric in this regard. a king who raises a successful rebellion gets to bring glory and prestige to everyone who follows him, whereas a king trying to rebuild after that rebellion mostly gets to bring, uh, taxes probably. especially on wealthy centres of trade like howe’s amaranthine, one might assume.) cailan also takes a far more diplomatic approach to the question of orlais, which perhaps predictably did not win over many nobles of howe’s generation. it makes sense that cailan’s strongest supporters would instead be men like bryce who hope for things to simply continue, peacefully, as they are. perhaps in another world where cailan had won the battle of ostagar, he might have earned wider respect. (you could actually argue on this basis that there’s more sense and purpose to cailan’s glory-seeking than he usually gets credit for.) but howe already acts before ostagar, which can only demonstrate his certainty in cailan’s failings at this point: his belief that even if cailan could win, he would not be stable enough to pursue justice for the couslands

[guided-by-stars]

Everyone’s always talking about facades in ISAT. Loop’s facade weaving itself into their true self, Siffrin’s acting breaking down over hundreds of performances, how Isabeau uses masks to cover his insecurities. But not all facades are constructed purposefully and not all are so consciously maintained.

I think a lot of people underestimate Mirabelle. Both in our world, and in theirs. She’s very disarming, isn’t she? Anxious, biting her nails, conciliatory, kind, overly careful with others. The first member of the party, the protagonist, but always letting everyone but herself take the lead, except when dealing the final blow on the King. You’d be forgiven for thinking she’s shy. But she’s not, is she? She was given incredible responsibility by her mentor that could, by all her knowledge, be dead, and instead of crumpling under that pressure, like many might have, she seeks out the Defenders to ask for their help, and even after they deny her, she ventures out, with only one person by her side, unquestionably dedicated to her quest to save Vaugarde.

She’s incredibly brave! And smart too! It’s hard to stand out in that regard, when you’re traveling with a Researcher, head always buried in books, reached the age of 40, almost twice as long on this world as you have been, and a man who grew up the literal stereotype of a nerd, who still knows how to calculate numbers in his head in an instant as if it’s nothing, and this mysterious traveller who has been disarming all these traps for you and finding all these keys and has an incredible number of random skills and survived on his own for how many years? But Mirabelle is clever and perceptive! And the most emotionally intelligent and least repressed out of anyone there. She always notices when Siffrin is feeling awful and attempting to hide it. In Dormont, in Act 3, she asks if he’s okay, and when he says that he is, she straight up pushes back against it and says that she’s pretty sure that he’s lying about being fine. She’s aware that Siffrin has put up a wall, she just doesn’t like overstepping. If she was the type who didn’t care about pushing boundaries, she would have confronted him far before Act 5. And she knows how to do so many things!! She’s taken over a hundred classes. One thing about Mirabelle, is she’s absolutely ravenous to learn. Everything.

Sure, she holds some things back. She’s not open about how much responsibility she feels has been placed on her back, and is nervous about how others will perceive her lack of interest in dating, but overall, she’s far more open about her own feelings than anyone else in the party. When she’s anxious, she says it. When she needs help, she accepts it. Now this. Is crazy.

And then there’s her interest in the schadenfreude of it all. The morbid. Mild mannered Mirabelle loves seeing little guys being put through… the horrors. (Oh Mirabelle…you would love In Stars and Time) She has a collection of gory books in her bedroom, and takes the horror anthology into her pocket when you find it. Part of it is because seeing others in danger makes her aware of how safe she is by comparison, part of it is the catharsis, the emotional relief of seeing the Chase being fulfilled. But I think some of it is just fascination and curiosity. As mentioned earlier, she desires very deeply to Learn Everything. Learning how someone might be torn to bloody pieces by the Beast? Part of that.

Mirabelle is kind, sweet, and cute. Yes. But she is also incredibly capable, clever and perceptive, tremendously brave and courageous, and is fascinated with horror and gore and danger. When Euphrasie blessed her, said that she was the only person who could have done it, she was right. I feel like people in general are prone to flattening out optimistic and positive characters and seeing them as more shallow, while digging deeper into more negative and externally emotionally turbulent ones. Mirabelle is not shallow!!!

And all of that is said without any mention of her fixation on Changing!! I am going to explode!! This post is too long already but maybe I’ll make another one about her unhealthy fixation on always Changing and how that drives almost everything she does, both before and during the same!! It is so core to her psyche! Ahhh fantasy religion!!

[penguwastaken]

Nobody Understands Mukuro Ikusaba (aka Mukuro Character Analysis)

...except for the people that do (lol).

But first I want to clarify what I mean by this title and why I even wrote this thread in the first place. Mukuro is my second favorite Danganronpa character, only beaten out by Kyoko. There's a lot of reasons why I really like Mukuro, but one of them is her writing.

I think she's one of the best written characters in the series. But unfortunately, she also happens to be one of the most misunderstood characters as well. Not even by the people who don't like her, but also by her own fans.

"Mukuro has incestuous feelings for Junko" "Danganronpa 3 retconned her character" "Mukuro was just a plot device" These are all claims that baffle me because simply just consuming the media will say otherwise.

To many, Mukuro is either a one note incest freak or a pure innocent cinnamon roll who did nothing wrong and both of those interpretations are wildly incorrect. I've been meaning to write this post for a while, but we're finally here.

Nobody understands Mukuro Ikusaba (a ""🧵"") (Spoiler warning for the entire series)

Story Overview

We don't actually know too much about Mukuro's backstory aside from the fact that at a young age, she was separated from her younger twin sister Junko. Before being taken away, she claims that she was homeless and after she was taken she was forced to become a member of the military group Fenrir.

So clearly Mukuro never really had the chance to have a normal life, and more importantly: never had a chance to feel the care of another person.

Her sister, who Mukuro had not seen in years, suddenly got in contact with her and called Mukuro over to participate in her plan to overthrow Hope's Peak Academy (and the world). Mukuro, who already felt bad for losing her sister and was desperate for any kind of affection, accepted and began working for Junko.

Junko took advantage of Mukuro's desperation and had her basically work as a servant to her plans. She started by having Mukuro wipe out the entirety of a middle school in order to prove Mukuro's skills and how far Mukuro would go for her.

With that out of her way, Junko made Mukuro obey like her servant in order to overthrow Hope's Peak and cause the tragedy. Mukuro did so without batting an eye and disregarding any second thoughts she might have had, all while facing Junko's abuse.

During her time attending Hope's Peak, Mukuro met Makoto Naegi. Unlike most of her classmates, Makoto was friendly to her and showed her compassion. This confused her as we already established that Mukuro wasn't used to affection. Because of this and her tendency to latch onto anyone who shows her even an ounce of care, she began to develop feelings for Makoto (that even Junko acknowledged).

"In the past two years, Ikusaba had gained an interest in the world beyond her sister. And in that world, Makoto Naegi--the first person who smiled at her and bridged the gap between her and the world--had become like a sapling of sincerity taking root in her heart." -Danganronpa IF confirming Mukuro's feelings for Makoto

"Upupupu… I wonder what kind of fun you were having in the infirmary? Did you take care of your rival in love, or did you wish them a happy marriage? Either way, don't you think our nice guy Naegi standing side-by-side with Kirigiri makes for a wonderful picture? If this were a thriller, they'd be the last surviving couple!" "Upupupupu… Or how about just killing all of the others? If everyone but you and Naegi die, then the two of you can spend the rest of your student lives together! After all, we can't even hold a trial if there's only two people left. Maybe it'll be best if you just hole up here, safe in the building forever!" "And what're you going to do once he goes back to his old self? It's not as if you were dating Naegi, right? You were just watching him from afar all this time! Now this is a shock. You can shoot right through people's heads and hearts without even blinking, but you can't even steal away some skinny little boy's heart! You want me to tell you who Naegi had a crush on before his memories were erased? Upupupupu…" -Junko teasing Mukuro about her feelings as she aids Makoto in Danganronpa IF

Once the tragedy occured, Mukuro was locked inside of Hope's Peak with Junko and the rest of their classmates and she helped orchestrate the killing game. She disguised herself as Junko, under the impression that Junko would fake her death and they could spend the rest of the game together.

This is when the seeds of doubt began to sprout inside of Mukuro. I wouldn't say that she necessarily began to go against her sister, but she definitely was starting to get a little more hesitant.

"It was only recently that she began to question her mindset. Hearing about this plan from Junko and watching the world burn at the hands of people in Monobear masks did nothing to sway her, but when she heard that Junko was intending to plunge Naegi and the others into a game of murder, something within her began to move. The seed of doubt soon took root, sprouting into a thorny vine that twisted around her feet. And the moment she met her friends for the first time under the identity of Junko Enoshima and realized their memories were truly gone, the vines quickly tightened around her ankles." -Danganronpa IF describing Mukuro's feelings when the killing game began

To Makoto and the player who are under the impression that this is Junko, they assume that she's referring to not wanting to be a model anymore. But given her backstory of never being able to live a normal life and always having to fend for herself or follow the orders of others, we can infer what she actually means. She expresses disappointment in the fact that she never really had a chance to do what she wanted.

This all culminates in the moment where Junko was supposed to fake the death of Mukuro, but that isn't what happened. Instead, Junko killed Mukuro and betrayed her. To say that Junko felt no remorse from this action would be a lie, however. Junko only did this because she knew it would hurt both of them.

...but what if that wasn't what happened? What if Mukuro wasn't killed? What would happen then? That brings us to:

Danganronpa IF

Danganronpa IF answers the hypothetical question of what if Mukuro survived Junko's attack. Of course this means it isn't canon, but due to Kodaka being involved with its creation and its existence as an event that hypothetically could have happened, it is canon compliant. This means that while the events didn't happen in canon, they could have and things like characterization are all accurate. Think of it like an extended free time event. While the events themselves aren't canon, the things they say and imply are. I'll also be referencing Danganronpa IF a lot because since it's told from Mukuro's perspective, it gives a lot of insight on her thought process.

After regaining his memories, Makoto recognizes and rescues Mukuro seconds before her would-be death and he gets impaled by one of the spears. Mukuro rushes to save him, abandoning her disguise and goal.

During this time, Mukuro does a lot of thinking. Why did Junko try to kill her? For all the time they've been working together, Mukuro always assumed that her job was to prop Junko up and help her achieve despair.

It turns out that Junko didn't want Mukuro to obey Junko's every order, Junko wanted Mukuro to retaliate. She didn't want Mukuro to submit to her, but instead to fight back.

With this Mukuro changes her mind, choosing to fight Junko instead of assisting her. Not because she's on the side of hope, she never cared about hope or despair, but because she only wants what's best for the only person in her life who cared for her.

"'That's why… I'll take responsibility. I'll make you happy, Junko . I'll make youdespair. I'll save Naegi-kun… I'll make sure none of our friends die. I'll get them all out of here. And I'll kill every last one of the ones on the outside. You planned this for years and killed so many people to make this work… so I'll destroy every last trace of it.' She was not driven by resentment at the sister who abandoned her. Ikusaba would do all this for her sister's sake." -Mukuro changing her approach to making Junko happy in Danganronpa IF

Who is Mukuro Ikusaba?

Now this is the part where I finally exit the synopsis phase and finally get into the character analysis, explaining why Mukuro acts the way she does in all entries.

Now, I want to begin with a common critique of Mukuro's character, specifically one that's attributed to Danganronpa 3. The one that says that Mukuro's behavior is not only out of character, but also claims that she has romantic feelings for her sister.

First point out of the way, Mukuro's blushy and flustered attitude is nothing new when it comes to her character. It's been an aspect of her since the very beginning of her characterization.

"'I don’t know if… she attracts despair, or despair attracts her, but… she’s lived her whole life with despair by her side. She lived while immersed in despair. That’s why she began looking for despair in others; she began to enjoy pushing people into despair. But you know… that’s normal. It’s no different than someone cursed by misfortune falling into hatred for those who are better off than them. But what’s special about her was that… she learned to enjoy inflicting despair upon herself. That’s how the link to despair began: as she chased down despair, she pushed it onto others along the way. Doing so caused her to crave falling into despair even more… and because of that chain to despair, the Ultimate Despair was born.' While she spoke, it was like she fell into a fever; the expressions on her face slowly turned into ecstasy. It was so completely absurd that it would have been difficult for anybody to think of it as anything but a joke, but I could tell that this was real. It might have been the hazy memories of Junko Enoshima inside me that led to that conclusion. 'You don’t get it right? That’s fair, I don’t think anybody could… But you know, only I can understand it…' Consumed by ecstasy, even Ikusaba’s breathing had begun to turn ragged." -Mukuro describing Junko in Danganronpa Zero

The second (and more important) point to address is the one that Mukuro holds some kind of romantic feelings for her sister. Now, in all honestly, I can't hold this against anyone for thinking this even if I think it's a wild misinterpretation of her behavior. Danganronpa has a track record of using incest for comedic effect (to always poor results). However, Mukuro's relationship with Junko is not used to comedic effect and it's portrayed in a negative light. Not only that, we know that Mukuro does not enjoy behaving that way.

"'She hoped that, perhaps her sister on the screen would say something like 'Not! You seriously thought I'd say something that sappy? Jeez, you're annoying! Can't you just disappear forever or something?'. She hoped that Junko might criticizeher and call her useless. Ikusaba was no masochist, but she would have preferred to hear scornful laughter and be shot at rather than continue to endure this pain." -Danganronpa IF explaining Mukuro's "masochism"

Mukuro doesn't behave the way she does because she has feelings for Junko, she does so because she believes that's how Junko wants her to behave. Danganronpa Zero and IF makes it clear that Mukuro was wrong about how Junko wanted her to behave.

“'You don’t get it right? That’s fair, I don’t think anybody could… But you know, only I can understand it…' Consumed by ecstasy, even Ikusaba’s breathing had begun to turn ragged. 'Only I’m able to understand her… That’s why she needs me. She still hasn’t realized it, but… maybe she’s only pretending not to. Ufu… It’s because she’s so shy. Ufufufu…'” -Mukuro explaining that Junko needs her in Danganronpa Zero

"Ikusaba knew that not even she herself was her own ally. After all, despite the fact that Junko had betrayed her and very nearly killed her, Ikusaba still believed that she was the only one who could understand her little sister. And that was why she felt that she had to protect her. That's right… you were just being you, Junko. You just wanted despair, right? It's because you love me. You wanted to kill me and fall into despair. That must have been it" -Mukuro in denial in Danganronpa IF

"Ikusaba believed that she alone could understand the despair known as Junko Enoshima. It was a ludicrous notion. The moment Junko said, 'I love you', Ikusaba realized--to her agony--that she never truly understood her sister. Only now had she come to realize Junko's feelings." -Mukuro realizing that she didn't understand Junko in Danganronpa IF

Because of Mukuro's incorrect interpretation of understanding Junko, Mukuro believes that Junko expects her to respond to her abuse with acceptance and masochism. Even if she was uncomfortable to, as long as it made Junko happy, that's what mattered. Of course, we learn that Junko wanted Mukuro to respond her abuse with retaliation, and as soon as Mukuro realizes that her behavior immediately shifts. Mukuro holds a great deal of admiration for Junko, so much so that she only wants to do what would please Junko the most.

She does not have romantic feelings for her sister and to say so misses the point entirely. She isn't behaving that way because she's a masochist, she behaves that way because she believes it's how she's expected to, even if she's visibly uncomfortable. Once she learns this isn't what's expected, she immediately changes course.

Danganronpa 3 also has official relationship charts that depict the relationship between characters. In this chart, crushes or explicitly shown romantic feelings are labeled with a heart (as seen with Kazuichi's attraction to Sonia or Toko's attraction to Byakuya). Mukuro's relationship does NOT feature this heart. You would think that if Mukuro's very obvious admiration towards Junko was romantic it would have a heart, but it doesn't because it isn't. If what I said before didn't convince you, I think this itself is proof enough.

Mukuro's admiration doesn't extend to just Junko though. Due to her unfortunate upbringing, Mukuro has a tendency to get attached to anyone who shows her the affection she's desperate for. So much so that her behavior changes completely around the people she cares about.

"The mass of monochrome spun round and round, making it look as though they were projecting a hypnotic image from three directions, but Ikusaba remained expressionless. In fact, the bizarre sight unfolding before her compelled the Super High School Level Soldier to regain her focus. She was an entirely different person from the girl who had panicked at Naegi's injury in the gymnasium." -Mukuro while fighting in Danganronpa IF, behaving completely differently from when she panicked over Makoto's injury

"Not only that, if anyone who knew her as the Super High School Level Soldier and mercenary were to see her now, the difference in her attitude might even make her look like another person altogether. And Monobear continued to drive the girl into a corner." -Mukuro panicking over Makoto's injury in Danganronpa IF

"The mask of ice she wore around others was entirely unlike the face she showed her sister, making it almost seem as though she had multiple personalities." -Danganronpa IF explaining that Mukuro's behavior around Junko is different from her typical icey expression

This is why around most people, Mukuro has a pretty blank expression. However when she's around Makoto or Junko, the two people who she cares about, she displays a much more soft and emotional side.

That being said, an often overlooked aspect of Mukuro is that she actually has a slight ego and is proud of her skill. This is especially obvious in her fight with Peko in Danganronpa 3. Of course, if I spent years in the military without getting a single scratch, I'd probably have an ego too.

Mukuro is also capable of turning off her feelings and going into a "killing machine mode" whenever the situation demands it, mostly when she's carrying out some mission. It's not because she doesn't feel bad for what she's doing or isn't having any second thoughts, it's that she pushes any doubts to the side to focus on getting the job done.

"In battlefields, where she made her home, her main mission was to kill and survive. And in that setting Ikusaba was invincible. She could put her own emotions on a leash in order to become a killing machine." -Danganronpa IF explaining how Mukuro is capable of ignoring her own feelings

"With a single whisper that was drowned out by the sound of gunfire, Ikusaba went completely silent. Thanks to her status as a member of Super High School Level Despair, her heart was filling with joy. And as if to offset the sudden surge of emotions, the sparkle in her eyes disappeared." -Mukuro turning her emotions off while fighting in Danganronpa IF

So Basically...

Due to her upbringing Mukuro is someone who gets attached to people easily, particularly those who give her attention. Junko took advantage of this to make Mukuro essentially act as her servant. Believing that Junko expected her to return the abuse she faced with enjoyment, she forced herself to do just that. Even if it made her uncomfortable, making her sister happy at her own expense is better than being alone. She's capable of turning off and ignoring her emotions to following orders when necessary and is generally a proud and skilled soldier, though she has a softer side that she only shows to people who she cares for.

That is who Mukuro Ikusaba is.

Conclusion

There's a lot of reasons I really like Mukuro. I think she's silly and cute and I like her singing voice. But I also think her characterization is really good in all of her appearances. I think a lot of the critiques made towards her (especially towards her appearance in Danganronpa 3) are misguided or just a result of her being misunderstood.

She's not a plot device or a character exclusively there to act as an extension of Junko. She's filled to the brim with character depth and interesting writing and has plenty of characterization on her own. I'll admit that her presence in Danganronpa: Trigger Happy Havoc is a bit limited, however she doesn't just become an important character in four other entries without getting some kind of development.

Many think her characterization is inconsistent or different across entries, but I honestly think it couldn't be any MORE consistent. The only times where I'd say she acts out of character is in the comic anthologies, but those are non-canon media that's kinda known for flanderizing characters for the sake of comedy.

Basically, I like Mukuro. I hope I managed to change some minds or shed a new light on her to anyone who didn't before. And if you already liked her, I hope maybe I could make you appreciate her a bit more or just help you explain her in some way.

anyways follow me on twitter cough cough

Also special thanks to Twitter user @LKSixtyfour for their tweets about Mukuro's characterization, many helped me organize my thoughts to form the thread that you just read.

Edit: didn't make any changes to the post, just fixed some typos

[makenoplans]

all gale banter! (that i am currently aware of)

hiii gale enthusiasts, i just spent the past few hours picking through videos trying to find all of gales party banter and transcribing it! check under the cut for verbose details

copied directly from the doc i transcribed this into so youll have to bear with the initials to denote who is speaking when! generally speaking, initials are a=astarion, g=gale, h=halsin, j=jaheira, k=karlach, l=lae'zel, m=minthara, s=shadowheart, and w=wyll

(except for two minsc quotes that are also m, both where he mentions his name so like... it's obvious)

transcribed with attention paid to particular noises characters make that aren't quite whole words and also words that are emphasized!

please let me know if youre aware of any banter ive missed!

warning: long

G: Karlach! A hypothetical question for you. If someone - not me, of course - detected a hint of romantic interest in them from another… unnamed individual, erm, what might that someone… do about it?

K: Whoever it is, just talk to them, Gale! And leave out the hypotheticals.

G: Talking. Right! I'm good at that!

A: So, Gale, how is your sad, hopeless pining going?

G: [Ach!] I'm hardly pining! Been a year or more since Mystra cast me aside!

A: Oh, my dear wizard, I wasn't talking about Mystra.

W: I used to believe the beauty of first love was unable to be surpassed, but Gale, you are so much more tolerable now that you've found your second.

G: I'll take that comment with the sincerity and good will I assume it was intended.

G: Have you noticed any attachments of the more, er, romantic variety flourishing in our camp, Wyll?

W: I think I'm not the right person to be asking. I can recognize a troll silhouette on a far horizon, but I wouldn't know a flirtation if you whacked me alongside the head with it.

G: I see you waste no time pursuing your quarry, Astarion.

A: Hmph! I rather thought I was a little slow this time. Usually they're begging me to dream them on the first night.

G: Tell me - you always woo your lovers with such patient attention?

A: As the vampire ascendant I can grant my lover immortality and bind them to me forever.

G: Hmm. I trust you speak of the bonds of love, not the shackles of servitude.

G: Am I to understand that you are in love now, Karlach?

K: I sure am. [heh] If there's hope for me, there's hope for anyone.

G: I'm surprised you're permitted to choose a partner outside of your own people.

L: We had to use and misuse each civilization in the stars in every way we know. I do not conquer by blade alone, Gale.

G: I can't imagine Mother Gith would approve. Doesn't she prefer us lesser species enslaved? Or eviscerated?

M: You've been smiling like a fool of late, wizard. Explain yourself.

G: I found love. Surely even you wouldn't begrudge me some happiness?

M: All I can say on the matter is that you were wise to lower your standards from the godly to the ghastly.

G: Tell me, Lae'zel: is it common for githyanki to fall in love?

L: Love? Is that this feeling in me, then? This passion to peel every layer of one's heart to see what light and shadows lurk there? I doubt I am the first githyanki to… to feel this way, but few would ever declare it. Githyanki have playmates, thrill partners but I've never heard anyone profess love, nor read of it in our slates.

L: Gale, I've heard you talking in your sleep. Your mate needs better rest for our journey.

G: And deprive them of the pleasure of hearing my nocturnal postulations? I'd never be so cruel. The mind absorbs much while we believe ourselves dormant. To lie beside Gale of Waterdeep is positively educational.

G: If you're feeling faint after your bout with Cazador, Astarion, I don't mind donating some blood.

A: Aha! Well, you're still full of that Netherese bile, I'll pass, thank you! Besides, I have someone else to nibble on, and they are delicious.

G: I'm glad to know you have a softer side, Minthara. I was beginning to think you rather… heartless.

M: Loving another is not soft, wizard. It is one of the hardest things a person can do.

G: So you admit you found love! Aww. How delightful. I'm happy for you both.

A: So, how was your night with Gale? Did you have a long, hard debate?

G: Ugh. Ignore him. Astarion envies the depth of a bond because he's of a shallower inclination.

G: So Astarion, I hear your relationship has taken on a new aspect recently.

A: My life has taken on "a new aspect." It's only natural that my relationships change as well.

G: Halsin! You must have accumulated considerable wisdom on matters of the heart in your long life. Anything you'd like to pass on to a… strapping, lovestruck wizard such as myself?

H: [hehehe] Dispensing advice on matters of the heart would be like swapping boots. What suits me may be a… poor fit for you.

G: Ah. Well. There's no faulting that logic. At least you didn't tell me to "be myself."

H: Oh no, perish the thought. That can be outright cruel advice to offer in certain cases.

G: Indulge me, Lae'zel, as someone unfettered by Faerunian beauty standards: how would you appraise my appearance?

L: Your beard looks like the hairy tufts upon the [surlon], the largest of wyrmkind that sliver our skies.

G: Hm. I suppose that's… a bad thing? No. Don't answer that.

G: Wild-shaping must sprinkle some spice on your love life, Halsin.

H: Heh. Indeed it does. Did you… never experience such delights with Mystra? I, uh, hear the gods enjoy taking on the forms of swans, horses, eagles and the like when… visiting with mortals?

G: Oh no, quite the opposite, actually! She mostly preferred our interactions to be abstract, and incorporeal. Most invigorating.

G: So, Lae'zel, have you ever been tempted to use psionics in your, uh, romantic endeavors?

L: Only once. Did you know, in low-gravity settings, githyanki can maintain aerial suspension for hours at a time?

G: Fascinating! I think the arch-mage Tasha described a spell with similar affect! I really must look that up.

G: I've always felt flames to be a rather perfect expression of love, Karlach. Passionate! Primal! Capable of bestowing the most life-affirming comfort - or - inflicting the profoundest damage.

L: That's… pretty nice. Never thought about it like that. But… now I will.

G: I've been pondering something, Lae'zel. Why is it that githyanki have bellybuttons, hm? When they hatch from eggs?

L: I did not grant you permission to gaze upon my midriff.

G: I- I wasn't gazing! Merely observing! Though that can hardly be said for a certain someone else.

G: Y'know, Karlach, there are other ways to express love beyond run-of-the-mill physicality.

K: Ugh! Are you going to try and teach me about exceptional uses for a mage hand or what?

G: W-well actually, I was thinking of poetry!

K: Oops. Sorry. But, uh, now that I think of it… is mage hand especially hard to learn?

G: Even shaped by shadow as it is, Sharran architecture has a kind of beauty to it.

K: Beautifully intimidating. This place was meant to scare people into submission.

G: There you go. Cutting right through the ephemera to the heart of the matter. Hm! Your finest quality, I think.

K: Uh. Here I thought I rubbed you the wrong way.

G: Nothing wrong with a bit of friction now and then. You help me keep my mind sharp.

K: Aw, thanks, pal! I think.

G: When we met, Shadowheart, your gaze seemed to linger in the distance on some unseen goal, some insubstantial purpose. But I notice now your gaze settles on something or someone much closer.

S: Is it that obvious?

G: Of course! There's nothing escapes a wizard's powers of observation.

A: I gave my return to Baldur's Gate a lot of thought. I never pictured this, though.

G: Ah, what did you have in mind? A quiet party? Toasting your own return with a few good friends?

A: Less "quiet party with friends", more "days of hedonistic debauchery", but otherwise… yes!

G: Hmm. Sounds like a recipe for disaster. But you know what? I'm learning to enjoy the taste of chaos. Count me in.

G: I've heard that in Baldur's Gate, "wizard" is also a term used for one who eschews their more, [hr-hrm] carnal desires. Is that true, Wyll?

W: Where are we going with this, Gale?

G: Oh, nowhere. Just think it's a rather cruel misnomer, not at all reflective of the glamor wizarding life affords.

A: So Gale, you laid with a goddess? You must have some sordid tales to tell.

G: Sordid? I lay with the Mother of Magic herself! What we had was… transcendent. Euphoric. Incandescent. Not sordid!

A: You actually made sleeping with a goddess sound boring. Hm. Incredible.

A: I am enjoying our walks together, aren't you, Gale?

G: Uhh… sure! In silence.

G: When you've loved a goddess as I have, people often think you less experienced in the way of romance.

S: She just lives on another plane! [heh] Only jesting. I'm in no position to judge, especially after what happened with Shar.

G: It's true for a time, I neglected the physical in favor of celestial euphoria. But our relationship was no less real for it.

G: I feel I've been rather hasty to judge you, Astarion. One heartbreak was quite enough for me, but to experience it as many times as you have… must change a person.

A: Thank you, Gale, but let us both hope that broken hearts are a thing of the past.

A: So, do you have loves waiting for you once this is all over?

G: You know what, that is not the easiest of questions for me to answer.

S: You mean just… waiting? Like a lovesick puppy?

M: Do you have elder siblings, wizard?

G: You're about to say something awful, aren't you?

M: In Menzoberranzan, after a house has two sons, every subsequent male-born child is slaughtered at birth, as it is useless, even for breeding. You have the aura of a third child about you.

G: The architect who built this must have been remarkable. Pity their vision didn't stand the test of time.

K: All's not lost. I mean, just look at this place!

G: You've quite the knack for finding the bright side of things, haven't you?

K: Hope keeps you going.

K: So Gale, got any book recommendations for me?

G: You can read?

K: Hmph. Yes, very funny. I can read. School put me off big, boring tomes. Sometimes I wonder what I'm missing.

G: Ah! Say no more. I'll find the perfect book for you. I might even lend it to you from my library in Waterdeep, ooh.

K: Ooh, something with magic please! And no devils!

G: Do you feel that? The darkness, pulling at the strands of the Weave?

K: Er, you'll still be able to do your wizard thing though, right?

G: Of course. Doesn't make the shadows less dangerous.

K: Joy.

M: Gale. Minsc worries you might send a fireball up his butt with all of this… stringy hair in your face.

G: Is that why you keep your head shaved? I assumed it was a custom of some sort.

M: Oh, no. Most warriors of [Rashinan] wear long battle braids weighed down with stone. Minsc can show you, when next we camp.

G: Thank you, but I'm more wizard than warrior. Not sure my scalp would stand up to such a plaiting.

A: Gods! We're not back, are we?

G: On the Nautiloid, no. This is a different nursery. Similar, but not identical. There's likely one in every colony.

A: I don't care what's in every mind flayer colony, Gale. Nobody does. Except you.

A: Ugh, another ruined temple full of foul-smelling beasts spoiling for a fight.

G: No mere temple. This was a monastery, devoted as much to study as to worship.

A: Oh, how ignorant of me. So it'll be free of foul-smelling beasts then?

G: Quite the opposite. Some monastic orders celebrated their pungency as proof of their devotion. "To think is to stink" was the motto of one ill-fated brotherhood near Arm. Oh! Huh, but you meant beasts of the life-threatening variety. Yes I'm sure it's teeming with those.

A: Moonlanterns to keep the curse back? Burly guards to fight off any monsters? I could get used to this place.

G: Don't get too comfortable. We shouldn't overstay our welcome in such a place.

A: No, of course! Why stay somewhere safe and comfortable when we could be in mortal peril?

H: Ah, Last Light Inn. Half aglow and lanterns lit. Just like a hundred years ago.

G: I imagine the vista was more idyllic back then. As were its patrons' chances of surviving the walk home.

H: [Grunt.] Still though, when you are expecting nothing but desolation, even a small glimmer of hope fills the heart. To think long ago, the druids feared this market down would grow into a city and threaten nature's realm… little did we realize what the true threat was.

G: Divination is a skill few can master. The rest of us must simply muddle along, content to view the past with a clarity the future rarely offers.

H: Perhaps I can yet turn hindsight into foresight, provided the curse is lifted. The better way for all. Whole generations were denied their chance to flourish… I must put this right, for them.

A: That orb seems powerful. What could it do once it's extracted?

G: Nothing good can come of it unless it is contained. Why.

A: It might be useful. Who knows?

G: I must tell you, Shadowheart, the bathing waters here leave much to be desired. The ablutions offered at the Temple of Beauty in Waterdeep were far superior - and, they have the most excellent soaps.

S: Hmm. I was wondering why you always smelled like a wealthy dowager.

A: From sweet woodland to stinking swamp. Can you do tricks like that, Gale?

G: Easiest thing in the world. Though I'd do it the other way around.

H: Brickwork and stonework. This place is far out of balance with nature, but the Oak Father will reclaim this all eventually.

G: Not too soon, I hope! I've a craving for a soft bed, a hot bath, and a large glass of Arabellan Dry. None of which I've ever found hidden under a log.

H: Hah, you may thrive, but what of other life? A city is no place for wild creatures.

G: Cities teem with life! Rats, pigeons, flies… they count no less, for all their more pestilent qualities.

G: The Society of brilliance has quite the reputation. Even Waterdhavian academics refer to their works from time to time.

S: They talk a great deal but do very little. Which may be for the best.

G: I take it you're not inclined to study the wonders of the Underdark?

S: Its inhabitants and cultures, maybe. Its fungi and cave slime, no thank you.

W: Ethel mentioned Netherese magic. What in blazes does that mean?

G: Magic from the fallen empire of Netheril. Ancient. Exceedingly dangerous. And quite unrivalled.

A: Wonderful. I'd hate to be destroyed by any common old magic.

G: Home and hearth, reduced to ruins. The shadow curse stole more than the light from this place.

H: That is why it must be stopped. Imagine a whole century of life and love denied the chance to ever take place.

G: A hidden shrine dedicated to the Moonmaiden herself. Even amidst this darkness, Selunites are stubborn enough to cling on.

K: Pretty beautiful, isn't it?

G: Look around you! Indulge your curiosity! Sorcerous Sundries is the finest purveyor of magical miscellany for miles around.

K: Where's the axes?

G: What they sell is far more precious than mere sword or shield! They sell knowledge! Ingenuity! The wisdom of mages past.

K: [yawns] Ugh, sounds like more your thing than mine.

K: Doing alright, Gale?

G: Oh, you know. Still alive and kicking despite being surrounded on all sides by an endless manifestation of… darkness and decay.

K: I feel it too. Here if you need a pick-me-up.

G: It strikes me that, for a mind flayer colony, there are remarkably few mind flayers about the place.

K: Squiddies have gone to war, is my guess.

G: On the Absolute's behalf? Now there's an alliance I'd've been quite happy without.

K: Aw, man, adventuring is thirsty work.

G: There used to be a monastery in this region known for producing a wonderful ale.

K: Ah, that sounds like heaven. Wait. Used to?

G: Oh yes, long ruined, I'm afraid. No chance of a frothing pitcher awaiting us there, but still. At least your thirst for knowledge is quenced!

K: Ugh!

W: It might seem a bit ramshackle, but this place is a boastworthy bar.

G: A bar is only as good as its cellars. Which vintages can we expect on its racks?

W: Here, a bottle is judged more by its ability to crack heads than the quality of its contents.

G: Ah. If that's the main criteria then I shall reset my expectations accordingly. Water it is!

K: We're not taking a boat to Baldur's Gate, right?

G: And give the Absolute free reign to use us as target practice from the banks? I think not!

K: Ugh. My mum always said the Chionthat was unlucky.

G: I don't suppose you've any clue where we are in relation to Waterdeep?

K: From this distance between Elturel and Baldur's Gate, I'd say… a long way away.

G: Ah. That will make getting word to my mother rather tricky. No matter. What she doesn't know can't hurt her. Not at this distance, anyway.

G: Nothing like a brisk stroll through the forest to invigorate the spirit.

K: I was just thinking the same thing! But… poetically.

G: And without so much as a stirring from our tadpoles.

K: A girl could get used to this.

L: These children and their pets lack discipline. Were they githyanki, I'd recommend further training.

G: Not everyone approaches the raising of their young with such militaristic vigor.

L: That is the very purpose of training. To determine which children shall be warriors, and which are suited to other roles. As for the unruly animals, they would make for nutritious marching rations.

G: Mm, that's certainly one way to make them behave.

L: These flowers are quite vivid, not to mention pungent. Not to my liking.

G: Are there no flowers in [tunirath]?

L: In the city of death, the m'lar cultivate the fruiting bodies that sprout from the corpses of the slain.

G: Huh. I'd rather get them from my florist in Waterdeep, if it's all the same to you.

G: That zaith'isk you mentioned intrigues me. Care to tell me a bit more?

L: An intricate device crafted by m'lar, our most gifted artisans. I am sworn to say no more.

S: Why must the Dead Three be so obvious and ugly with their decor? Blood and bones, bones and blood… Pointy nonsense. At least Shar had some panache.

G: As did Mystra's home on Elysium. Her ribbed vaults and buttresses created a magic entirely of their own… not to mention their pleasure domes.

S: Hah! Pleasure dome.

G: It's a perfectly legitimate architectural feature!

G: The road to Baldur's Gate is a long one. Who knows how long it'll take these folks to get there on foot.

S: If they make it. They're slow, vulnerable. Half or more will die long before Basilisk Gate.

G: Doesn't seem to trouble you a jot.

S: What good would it do for me to be troubled? We can't save them all.

S: You seem to know a good deal about our condition, Gale.

G: Everything, really. Not to put too fine a point on it.

S: A humble specimen, aren't you?

G: On occasion.

G: They're not mutually exclusive! The weave is served best with a dash of eloquence.

G: There's magic here, but it's of a rancid, impure form. Nothing like the true Weave at all.

L: This is why I appreciate a sharp blade to a ball of fire or a bolt of lightning. The Weave is inconsistent, unruly.

G: The Weave is constant, but its users - anything but. We must be on our guard.

L: A githyanki warrior hardly needs to be told that.

L: What is this? This place makes me feel sad, melancholy.

G: Ah, so you're susceptible to the tragedy of a broken home. Maybe you've more in common with us weaker beings than you thought.

L: There's no call to be insulting.

G: Not to diminish our efforts, but. Was rather simple getting here in the end, wasn't it?

L: The obstacles ahead prove to be higher still, which will make the pleasure of overcoming them all the more potent. Imagine the glorious din of it all, the streaming banners, the charging knights. The piles of severed limbs and heads.

G: Mm, I'd rather not, if it's all the same to you.

G: Whatever I expected to find lurking in this cursed gloom, it certainly wasn't this. A glimmer of hope amidst the darkness.

S: That's one way of looking at it. You could also say it's a prime target, the one pocket of light in the gloom.

G: Oh pragmatism, thy name is Shadowheart. You're not wrong, though. Best we keep our sojourn here to a minimum.

G: So! Shadowheart. Such a name implies yours is a difficult heart to find.

S: It's not that hard to find. Perhaps any difficulty is more telling of you, Gale.

G: I always wondered what a vampire's lair would look like. Can't say I pictured it being quite this… theatrical.

L: I find it surprisingly similar to Queen Vlaakith's aesthetic.

G: That makes sense. She does have a flair for the dramatic.

G: No day, no night. It's as though time itself has abandoned this place. Similar to the Astral Plane in some ways, wouldn't you say, Lae'zel?

L: Mm, hardly. It is said that the Astral Plane is threaded with light and silver, life-giving and wondrous in all directions. Nothing like this dismal abyss.

G: Tell me, Lae'zel, what is it like on the Astral Plane? Your home realm intrigues me.

L: Githyanki lay their eggs on other planes. They cannot mature in the Astral.

L: A tadpole nursery, as on the Nautiloid.

G: Quite right, so long as the attempt won't leave us similarly dismantled.

L: Caution is commendable. Boldness is extraordinary. In this case, I recommend the latter.

W: You're an impressive fighter, Gale. You should consider a new name.

G: I take it you have some suggestions?

W: The Wizard Wonder. Or, how about… the Master of the Weave?

G: Tempting, but I think we already have the maximum number of theatrical titles.

G: Pigeons, gulls, sparrows. These streets would make a fine hunting ground for a tressym like Tara.

M: In the Underdark, we have packs of winged hounds to deal with vermin like your precious Tara.

G: Flying hounds? Come now, you're pulling my leg. Aren't you?

M: Yes, I am. It is the bats that would make a meal of her.

M: Umberlee. Her clerics possess a nasty streak as wide as her oceans.

G: So their reputation suggests, especially among the good folk of Waterdeep. I'm curious to learn how you fell foul of them.

M: Blasphemy, said the temple priestess, but Minsc says do not give horns to your statues if you do not wish the visitors to try and make them toot.

G: Yes. That would probably do it.

W: I admire your courage, Gale.

G: Thank you! Any particular reason?

W: Between the orb and the bug, you've got more than your fair share of unwelcome passengers.

G: What can I say? Mother always told me to be a gracious host.

G: My, my. Well I'll say this for the bonecloaks: they know their mushrooms.

S: Perhaps they should expand their horizons. Too much time spent obsessing over fungi seems to leave them a bit, well… like them.

G: Oh, a byproduct of their profession. Few can spend a lifetime inhaling fungal spores without turning out a bit… muddled between the years.

W: This is it, Gale. Today, we annihilate the heart of the Absolute's power.

G: Entirely unnecessary. Though, if they are so inclined, I might be convinced to share a stanza or two of my own for inspiration! Whatever outcome of what's just ahead… it will be the stuff of legends.

G: I knew you were a graceful man, Wyll, but I hear you're quite the dancer, too! I've been known to trip the light fantastic myself. Mine was a popular hand at the annual Blackstaff's Ball.

W: I'd have loved to have witnessed it, Gale. I wager you are as elegant on the dance floor as you are on the battlefield.

S: What did you mean before, Gale? "A woman with shadows for eyes", you said.

G: Merely that if the eyes are the mirror to the soul, yours have dark curtains across the mirror. No offense taken, I hope.

S: Not necessarily. I haven't made up my mind about you yet.

A: Ever heard of a vampire called Cazador, Wyll?

W: I don't think so, no. Why? Friend of yours?

G: He's patriarch of the Szarr family. Nasty fellow, if the histories are accurate.

A: I imagine they are.

L: The right of these prisoners to die in mortal combat was stolen from them.

G: Hardly the worst atrocity the Absolute's committed.

L: One of many, but by no means the least. To die properly is a matter of honor.

W: This is no aimless horde. The Absolute's forces are organized. What do you make of it, Gale?

G: All enemies have some chink in their armor, no matter how much they like to believe themselves invulnerable.

W: And if we don't find any clear weakness?

G: Then we hope our mutual strengths are enough to dominate them. Or! We die nobly in the attempt.

G: I was wondering about your queen, Vlaakith. What tales of her reach us are terrifying. I suppose that's not how you would describe her.

L: Vlaakith is unity. Fear and beauty, life and unlife… eyes like onyx, teeth like daggers. There is none more perfect.

S: Sounds vile. I assume the meaning of perfect was lost in translation.

G: Moonrise Towers lies ahead. We're nearing the heart of the Absolute, I'm certain of it.

W: Then let us push forward, head high, weapons in hand, and turn this tower to rubble.

G: Your confidence is encouraging, but a little premature. Let's keep our eyes on the task ahead- or eye, as the case may be.

W: Who's in charge of the mind flayers, Lae'zel? Is there a squid king or something?

L: No. Each ghaik is servant to an elder brain. No king unites elders, only their collective tyranny.

G: A mind flayer monarch! Imagine that. Such a thing could shatter worlds!

K: Ready to enter the belly of the beast?

G: Ugh. It's the stairs I'm dreading.

G: No sign of tentacles so far.

S: The same. Except for a knot of worry in my stomach that's in no rush to go away.

G: That I can relate to.

G: The masons here thought they were building something to last. How wrong they were.

W: Perhaps it's a blessing that none of them survived to see it fall to the shadows.

G: No need for such a grim assumption. Halsin helped many to escape these shadows before the town was consumed.

W: Then some masons were more blessed still, if they could put their talent to use elsewhere. Perhaps some of their work even graces Baldur's Gate.

S: You seemed quite forward with your compliments earlier. We'd only just met.

G: Seize the day, I say. More now than ever.

S: Careful you don't pull a muscle in this place.

S: Isn't it so that every time you speak as you cast a spell, you're endeavoring to call upon Mystra? I'm surprised she still listens to you.

G: She has no choice. She's sworn to hear all magic users. Even me. I'm sure she at least stuffs her fingers in her ears to muffle my invocations.

G: The history of the city itself is captured in the archives here. A fascinating resource.

W: I wonder what those archives will reveal about us a hundred years hence.

G: Only the most excellent and complimentary things. With some encouragement from us, of course.

G: Look at this place. Such horrors defy description.

S: Silence can be best. Give it a try sometime.

S: What if this creche doesn't work out, Lae'zel? What if your kin fail you?

L: If I can reach the creche, my kin will provide. Any failure will be mine alone.

S: If you say so. Just don't expect me to put all my eggs in the same basket.

G: That expression must sound curious to a githyanki ear, given the way they're birthed.

G: Gods. Who knew such a vile abscess lurked in the bedrock of this city? The very stone reeks of misery and despair.

J: Mm. A sad shrine kept by the lunatic and the lost. The last time I was here, I promised myself I would die beneath open sky. I have not changed my mind.

G: Nor should you. Far better to feel a cool breeze on your skin than whatever foul expirations blow through these halls.

A: Eh, can't say I love what they've done with the place.

G: Unsurprising, really. Fanatical cultists tend to care more for ambience then aesthetics.

A: Hrm. Reason enough to put them all to the sword, I say.

A: Heh, what's this? A clever little hideaway. A little too clever, if you ask me. Watch out for traps.

G: Not just clever. Rather ingenious! Somehow its construction keeps the shadow curse away.

S: The end must be near. No regrets, Gale? You may have been better off staying inside this boulder.

G: Unlikely. Had I stayed there much longer, the orb would have reduced it to rubble. Besides, think of all the fun I'd've missed out on.

S: Fun? Well, yes… I suppose we did manage to make the best of things.

[lordofdestructionm]

The not so subtle sentimentality of Mordecai Heller

With the Lackadaisy Short Film  teaser trailer hitting over 800K views one line from Serafine got me thinking about a side of Mordecai that is not often discussed but is crucial to his character and may play a key part in the comics story before the end

Though it is easy for both other characters in the story and readers to see Mordecai as just a cold killer that cares more about stains on his shirt than ending multiple lives in grizzly ways (and that is true for anyone who makes the mistake of getting in the way of him completing his work) a closer look reveals that, while reserved for a short list of people, there is a strong streak of sentimentality hidden behind the buttoned down aloof professional persona he tries so hard to maintain

His Mother and Sisters

Mordecai was dealt a very bad starting hand in life. With his father dying when he and his sisters were still very young, despite his loving and hard working mother doing her best to provide for them, the family lived in poverty in the slums of New York

As a result Mordecai has to start working at a very early age and being naturally gifted with numbers he becomes a book keeper and soon enough gets drawn into running the numbers for gambling and loan sharking gangs.

All of this was done to try and make life better for his mother and his sisters. In a flashback to when he was on the run from the criminals he had been working for after being caught embezzling funds from them, his life is in danger and he needs to get out of town in a hurry and so jumps on a train in either 1920 or 1921.

Despite this he fixates on writing a letter to send to his mother in which he explains the location of his ill gotten savings and urges her to move with his sisters to cleaner better ventilated housing.

Because the money wasn’t primarily for his benefit

Mordecai clearly loved his sisters very much and they could break him out of his reserved bookish demeanor. We can see even as an adult Modecai holds the memory of his childhood with his sisters, impoverished and hard though it clearly was, very close. Close enough that thinking about them are enough to bring out his very small but very genuine smile that could not be further away from his “ice pick look”.

Atlas

The next imporant relationship in his life is with Atlas May. When on that getaway train he soon realized that cut throats from his former employers are already in the carriage waiting for their moment to pounce

Mordecai is 100% certain that he is about to get a bullet to the head and the tunnel will provide the hitmen with the perfect cover as the darkness and noise descends.

Only for a ray of light to suddenly appear

Atlas gave Mordecai the means to survive, not just by literally giving him what he needed to escape his would be murderers, but by employing him and providing a new purpose when he had nowhere else to go and no idea what to do.

Atlas being dead by the time of the main story, by design we know very little about his personality and relationships with others except for what the people who knew him have to say.

But is is very clear that Mordecai felt a deep loyalty to Atlas. It may even be speculated that he became a surrogate father figure for him, having lost his own father so young and having been moulded while working for him from the scared youth in shabby second hand clothes to a dapper professional bookkeeping bootlegger

This loyalty has not ended with Atlas’s death. He is determined to get to the bottom of the mystery of his murder. This is despite the fact it would be a much smarter move by far for the sake of both professionalism and survival to let dead former employers lie and simply carry out his new role with the Marigold gang no questions asked

Instead it is clear the entire reason he has abandoned The Lackadaisy is not, as Mitzi and the rest think, cold self interest but so he can investigate if the rival gang had any role in his mentors death

Even discussing the topic causes his cold passive exterior to crack and makes him look broken and overwhelmed

Viktor  (You knew this was coming)

As anyone who has followed this account will know this is one of my (and many other fans) favourite dynamics in the series

At fist it seems there is little reason for these two to have any kind of bond. Mordecai is pretty much obsessed with good grooming, high quality tailoring, correct grammar, and tends to go on one-sided rambles when perturbed.

 This clashes hard with the surly Slovak who is often unshaven, relatively casual in his attire, speaks a broken English, and hates people chattering or “noise, noise, noise” as he calls it. Indeed the two often bicker and act as if they can’t stand the other

However for whatever reason, in spite of these big differences, the big bruiser mechanic and the fussy nerdy sharp shooter are able to work very well together and soon become key weapons in Atlas’s arsenal

And in spite of their differences there is evidence, that over the course of the roughly six years they were working together before their bosses death, that these two extremely anti-social personalities actually began to form an unlikely rapport

On the one known occasion when Mordecai actually drank strong alcohol, and predictably got hilariously drunk, one of his chosen topics of conversation is his “friend” Viktor and how “great” he is (including a possibly telling comment about his large physique *cough*)

Mordecai also, despite being the type of person who you would assume would just radiate Scrooge energy, makes a point of buying Viktor a Christmas/hanukka present. Though he keeps up appearances by presenting it as another criticism of Viktor’s fashion sense

Tellingly Viktor voluntarily wears the tie for the rest of the day, something only Ivy (someone Viktor treats as a surrogate daughter) is able to get away with as well.

The two also not only work well together in a professional capacity, but seem to truly look out for each others welfare when on the job. Not only does Mordecai save Viktor from being shot while distracted, Viktor then goes out of his way to retrieve Mordecai’s pince-nez from the staircase of a burning building

While a hilarious moment as Mordecai fails to react in the “correct” way to having just survived a bloody shoot out, it also sums up his entire attitude to people, that he separates the world into those who count and those who don’t. The former are a short list

Viktor, along with the others on here, counts for Mordecai

This is made clear at his chat with Mitzi at the lunch meeting.

Mordecai may have kneecapped Viktor when he left the Lackadaisy gang, but from what we know now this was clearly an attempt to get Viktor out of harms way by forcing him to retire from bootlegging, and quite possibly to avoid Marigold putting him in a position where he would have to fight Viktor if he was told to finish off the failing speakeasy. Something he could hardly refuse if he wanted to keep investigating Atlas’s death

Mitzi seems to know Viktor is a chink in Mordecai’s armour, and of course exploits that to the fullest. When she informs him that his theft of the Lackadaisy arsenal put Viktors life in danger Mordecai’s face makes less than neutral expression

As Mitzi keeps twisting that screw Mordecai knows he is in danger of giving something away and with Asa right next to him he needs to restore his barriers.

In this case quite literally using a menu to cover his face to ensure he doesn’t slip up again

It seem to work as Asa laughs of the idea of Mordecai having a heart beneath the cold exterior (something we know is a big mistake)

Even when the attention is off him and the topic of conversation moves on his gaze remains firmly fixed down at the table.

Until Atlas lets slip some crucial information about Atlas’s last days. So much for there being “no heartstrings to tug on”

I am sure the Lackadaisy Animated Movie is going to be amazing and hopefully will only lead to ever more popularity and attention for this amazing world and its characters

[nanabansama]

Tsukasa's Winter Uniform

Many people forget, but Tsukasa has appeared in TBHK since the very first chapter. He even shows up before Kou, less you count the pilot adaptation.

The odd thing is, despite Tsukasa later confirming he only wore the winter uniform to match his older brother, Tsukasa shows up in the winter uniform much earlier than their fated rooftop encounter. About a month earlier, at least.

If that weren't enough, he even shows up wearing it in the reflection of Hanako's knife, implying he wore it when he died.

Previously I guessed this was done because AidaIro hadn't finalized the designs of Amane (specifically, alive!Hanako) and Tsukasa yet, but upon further reflection I like to think it was to wordlessly show the deep connection between Hanako and Tsukasa. To leave hints for the reader, and keep them second-guessing.

I mean, who's to say the character handling the radio in Chapter 1 wasn't Hanako? It's unlikely with what we know now, but it's something a lot of people probably thought when they first read it. And I think that's kind of brilliant, given that the twins are mirror images of each other in everything except clothes. When we can't see Tsukasa's identical face, it only makes sense to give them the same clothes.

It's interesting when Tsukasa first shows up on the rooftop, too. Tsukasa has a few differences between himself and his twin, but in this encounter he shares much of the same traits. He lacks his pointy teeth and you can't even see his eyes till the end, which don't even look particularly Tsukasa-like.

The only true major difference is his kokujoudai and the black seal, which really lack any individuality at all... they are just black-colored versions of Hanako's own seal and tsueshiro. It's a very interesting choice; the least I can say is Tsukasa really went all out in matching his brother.

In some ways, it's a bit underwhelming for his face reveal. In others, it's not: I mean, Hanako's murder victim literally shares his face! What a compelling surprise! I can only imagine AidaIro was trying to emphasize this.

Later, Tsukasa returns to the broadcasting club room and catches up with Natsuhiko and Sakura. This is where his individuality begins to shine.

He changes into his hakama outfit, his pupils get tiny or his eyes go completely black, and while not every panel has them he's drawn with his signature pointy canines in a few.

His personality changes, too. You get to see Tsukasa's more childlike, innocent side. He's so much more serious when he's with Hanako, you feel a lot of tension and maybe even resentment there. But here, he becomes so carefree. While the rooftop has him feeling more like a spectre of Hanako's guilt rather than his own person, here it really sinks in that this is not just some recolored Hanako we're dealing with.

On that note, I find it interesting the twins seem more carefree when they're away from each other... hmm...

Anyway, one thing I like about this era of Tsukasa is the art AidaIro made of him. I'm a big fan of early TBHK art, and the matching baggy winter uniforms really look nice together.

I like how this art emphasizes a sort of perverted sentimentality between the two of them. They can't help reaching out to each other. I like how Hanako distinctly doesn't look happy either, something Tsukasa inquires when they meet again. He looks distressed, helplessly so. And he is: he can't break away from his guilt of killing Tsukasa, nor Tsukasa himself, who is content to keep eating away at him while he still can, knowing Amane will be his doom. It's mutual self-destruction--They can't live with each other, can't live without each other...

My love for chapter frontispieces aside, thanks for reading this far! I used to not have much appreciation for Tsukasa's winter uniform but I've come to love its symbolism a lot more as time has gone on. Perhaps I'm reading too deep into things, but what do you think?

Also before anyone tries to tell me the Chapter 17 frontispiece isn't Tsukasa allow me to introduce you to the top right corner:

[whetstonefires]

Very fun thing actually about Jin Guangyao is he spent so much time and energy passing himself off as normal. The Normalest Guy, Look How Normal I Am. The Very Best And Most Skilled At Normal Things, Like Being Normal And Having Normal Opinions.

Which is great because on the one hand it reflects how he was kind of aware he absolutely was not. (And that by default this isolated him and this was Very Unsafe.) But on the other you see, with all the times he falls into the typical mind fallacy under stress and projects weird shit onto people, he also on some level believed everyone was doing this.

That being a Normal Person who had Normal Reactions to things, like being appalled by brutal violence, was an elaborate social lie everyone had to maintain to keep up the facade of civil society, and actually everyone was basically the same as him deep down. He was just better at it, and also the smartest.

Which is a very long way to say his character arc is heavily tied up with his evolving relationship with and skills at masking. I'm not gonna armchair diagnose him because that's beside the point, the point is that he is trying so fucking hard to be normal, but without a particularly well-developed definition of what's abnormal about him to begin with, resulting in some misfires.

And then you contrast him to some other characters and it gets more fun. One of his direct foils is Nie Mingjue, who literally does not know how to mask at all, not the slightest bit, but is fortunate enough to have been born the exact kind of weirdo his position in life demands, with special interests in 'saber training' and 'destroying evil.'

(He explicitly, per narration from wwx being inside his head, has no other interests and doesn't really understand the idea of having more than one activity you care about, do not tell me Nie Mingjue is walking around with a normal brain.)

So he is (jgy has a point about this, although he actually makes it about the luxury of having moral compunctions) free to totally embrace the conviction that everyone should basically be their authentic selves at all times, and just not do evil things about it.

On the other hand, and this really illuminates their relationship for me, Lan Xichen is absolutely trying to be normal. Like, he does try to excel, he wants to be best and he knows he's good, but as a person he is also trying to be as normal as circumstances allow.

He understands 'being normal about things' as a goal not in jgy's terms as an elaborate social fiction but as aspirational shaping of the self; if everyone is normal about everything then there won't be needless conflict. Living as normally as possible will optimize your mental health and your respect for others, and it's just a good baseline from which to be good.

Which is fine as far as it goes, but means harmless eccentricity (including gay) is to be tolerated and swept under the rug rather than really supported, and prejudices him to instinctively side with Jin Guangyao and anyone else who is pushing for Let's Be Normal About This, even when the people being weird are in the right.

(This is also to a non-zero degree a trauma response behavior; what Lan Xichen experienced as the largest existential threat to him growing up was something along the lines of being perceived as a selfish disruptor of norms, like his father.)

And then contrast that to Jiang Cheng and Lan Wangji, who are both very concerned at least initially with how things and people and they themselves are supposed to be, and feel some responsibility for ensuring this supposed-to is reflected in reality.

But neither of them makes any particular attempt to be normal about it.

And then ofc Wei Wuxian, another jgy narrative foil, never attempts to pass himself off as normal. He will sell 'I'm better than everyone ever' and 'I'm scum of the earth' in the same breath before he will try for normal.

Except that he genuinely seems to think his most virtuous traits, his throw-himself-between-victim-and-weapon impulses, are basically normal. If not everyone (who isn't a total shithead) does it, it's because not everyone has his insane confidence they can pull it off.

Which in a good mood he would say is fair, because he is in fact awesome and really good at winning. (In a worse state of mind he would definitely hate on all the selfish cowards.)

Nie Huaisang is probably the most genuinely normal human being in the main cast, probably even more normal than Jiang Yanli, and he's very happy to play that up and present himself as actually even more normal and average than he is, in order to keep expectations down.

Up until his whole life gets fucked and this little pretense turns into the most elaborate and successful mask in the entire book.

[dare-to-dm]

I have such a love/hate relationship with the Assassin's Creed series.

On the one hand, I hate that it feels like Ubisoft is maliciously designing this franchise to eternally suck money out of my wallet without ever giving me narrative closure or quality design. Like, there are so many cynical at best design decisions in this series. For context, I'm currently playing Assassin's Creed Valhalla, and I've already played every mainline title up to this one, except for AC: Unity, because I've decided to die mad about the whole "It's too hard to make a female playable character" thing. And for a long time now, it feels like each new title is shallowly chasing industry trends in order to try to appeal to a more mainstream audience. In AC Valhalla, there are so many mechanics straight up lifted from other popular games, but implemented so poorly and in such a vestigial way that it doesn't feel cohesive. Like, they tried to implement the pawn system from Dragon's Dogma for some reason, or the puzzles from Senua's Sacrifice. And this is a sad look for a series that was at one time so groundbreaking that it was influencing other franchises instead. In addition to just stealing a grab bag of mechanics from other games, Assassin's Creed is sacrificing its own unique identity to emulate other popular genres, with the combat in AC: Valhalla feeling way more soul-sy than it has any rights to. I mean, there are straight up boss battles in this game.

Boss Battles. In an Assassin's Creed game.

And you can't even just straight up assassinate anyone anymore. Like, if the opponent NPC is a higher level than you, than an assassination is basically just a fancy attack that does a little extra damage. Meaning there's hardly a reason to bother with stealth anymore, you might as well open up combat with a big flashy ability that will at least stun other opponents.

To their credit, you can change this in the Settings. In fact, if there's one thing they put a lot of effort into designing, it's the difficulty options. You can make it so assassinations are always an instant kill. You can make it so that opponents are always the same level as you. You can precisely calibrate how much damage you give and receive. There are also difficulty options for the stealth and for the exploration. You can literally remap the controls however you like. Honestly, I laud them for this. Although a cynical side of me feels like it's also indicative of a weak vision for the game. Rather than crafting an experience for a specific audience, it's another attempt to design for broad appeal.

All this is not to mention all the crap they've gotten up to with their monetization strategies. That could be a whole other post.

I've stuck with the series due to my interest in the story, and it feels a little like they're holding that interest hostage. Each new release gives me tantalizing bread crumbs, but little if anything is ever truly resolved or answered. It leaves me wondering if there's any kind of master plan for the whole thing, or if they're literally just stringing me along with whatever bullshit they think will keep me engaged with no end in sight.

But on the other hand, sometimes those bread crumbs are so good.

Like, there's at least one person on the development team (and probably far more) who is putting real time and effort into making a well researched, intricate, interconnecting story. Someone who makes me feel rewarded for my 100% completion tendencies with all these little nuggets of story and character and clues that feels like it all adds up to something special.

A moment for me in AC Valhalla that reminded me of why I like this series so much is when the viking protagonist travels to "Vinland" and meets some First World People there, who in the game are speaking Iroquois. And there is no translation. Like the protagonist, you are stuck guessing what they are saying from their body language and context clues. It's such a cool way of getting you immersed in the story and setting, and it really stuck with me. And then of course I searched online for a translation, and it feels like the writing team integrated the lore and culture here very respectfully. Like with ACIII, it's clear they consulted with real current speakers of the language, and in addition there is an inclusion of a Mohawk creation myth (which also ties into tidbits explored in both ACIII and AC Rogue). And those creation myths might have been shared simply as a nod to the culture being presented here, but it might also tie into the greater mystery surrounding the Isu, which is cool to speculate about.

Basically, there are some really cool storytelling things happening in this series, and it often motivates me to research and learn a bit more about real history. I just can't give it up.

I've heard that AC Mirage was more of a "return to basics", and optimistically I hope that means the game mechanics are returning to more of what gives Assassin's Creed it's own unique identity. But as long as they keep giving me those narrative nuggets of gold, I'm stuck for the ride.

[flicklikesstuff]

Hazbin Hotel Ep 8 Ramble and Theory

⚠️ SPOILERS!! ⚠️

Surprisingly, the show’s first season really got me hooked with its storyline and I can’t wait what’s in store for the upcoming season 2.

I’ve had my suspicions with Alastor since the pilot, and it just keeps growing with every episode. Even then, his real motivations are just hard to really see and it’s what makes his character intriguing. One moment, he’s lurking in the shadows like some sort of villain, and then the next, we see him maaaybe caring for his friends?? If he even considers them that. Idk 🤷

I’ve always thought that maybe he’s sticking around and playing nice to get Charlie’s guard down in the long run. Waiting for her to get desperate so he can strike a deal with her. So he could ask her for any favour in the future. And guess what? That’s what he exactly does in Ep 7.

And if I’m recalling correctly, Alastor helped Charlie with the war, but Charlie is yet to grant her own end of the deal. Alastor STILL is owed a favour from her.

(Where am I going with this theory and analysis? I’m getting there-)

At one point, maybe he did genuinely care for the hotel and the people in it. Regardless what his motives were. He even admits it’s a “surprising thrill” to watch them form connections. But the word choices he uses in this scene are just sooo…weird?

“Almost??” “Could get accustomed??”

It sounds like he admits feeling attached to the other characters but at the same time, doesn’t want to commit to it. Does he have far more nefarious intentions in mind for them and that’s why he’s so distant?

Alastor probably noticed this in the ending of Ep 8 too. His altruistic self almost got control of him. He almost risked his life to help his “friends.” And he didn’t like that one bit. Perhaps, he sees this trait as a weakness.

It really sounds like the verse“Great Alastor Altruist died” is equal to him stating that “there’s no more Mr. Nice Guy” from now on. He’s disconnecting and staying firm to whatever his highly vague motives are. And it’s highly likely that whatever’s holding him back from his full power is the deal he made itself. And he’s going to try anything to get out of it. Maybe that’s the reason why he approached Charlie in the first place.

And I’m going back to Charlie’s deal with him here. The only condition she has is that she won’t harm anyone for him. But knowing Alastor, he’s going to twist the words a bit there. Maybe he won’t harm them physically. But maybe in some other way. Indirectly. One that Charlie won’t see in the long run. Maybe he uses this one favour to help him break free of this deal or loosen it in some way.

And Charlie already has so much trust in him after the battle, she most likely won’t see it coming. It’s perfect.

(Not exactly sure how these soul contracts work buuut, she’s the princess right? Maybe she’s powerful enough to do smth about it? Maybe that’s why Alastor was so interested to gain her trust and potentially free himself?)

…….

But anyway! Onto the second part of my theory!

Alastor’s probably going to optimise his one chance of freedom through Charlie’s owed favour. But I have a feeling he’s not only going to use just Charlie.

Who else is at the hotel that the other main cast members trust? Who he could freely command under his control? To show up at his will? Answer his beck and call? Whose souls that Alastor owns?

I swear. It is NO ACCIDENT that these two were standing side by side. NEXT TO ALASTOR. In the ending. (Or maybe I’m overanalysing, but whatever. This is MY ramble)

When Alastor comes back from the “dead”, everyone was happy to see him. Especially Charlie. And surprisingly Vaggie? I guess she’s warming up to him. Idk if that’s good or not.

Everyone except Lucifer and Husk. Lucifer’s still bitter on the whole ‘dad’ thing. But I just really felt sooo bad for Husk here. �� My guy had maybe a few happy hours of what he thought was freedom. Then he sees this guy come back and he’s just: “Ahhhh… SHT-!”

Now I’m just saying, I don’t think Alastor can just casually go up to Charlie and just easily demand that favour. Especially now that Lucifer might be staying around(?) Also, Alastor sounds like someone who would strategically play the long run if it means benefits. Albeit, less truly altruistic than before since that approach almost costed him highly.

He’s maybe going to have to pull some strings to really make Charlie feel like she HAS to do him a favour. To better solidify his chances and so she’s less likely to be hesitant/reluctant/suspicious. After all, Alastor is only owed ONE FAVOUR. Maybe he’ll pull some strings to win over Lucifer’s own trust too so he won’t be stopping Charlie? (I’m not sure, these two are not in good terms.)

(Look me in the eyes and tell me this is the face of someone who’s definitely not going to use this hotel for his own personal gain. Things are going to start getting ugly with Alastor’s new approach. I’m also still like 80% sure these 3 characters are placed together for a reason. It CANNOT be a complete coincidence, right?)

Now I’m really curious how Husk and Niffty would react under this sudden new approach. The angst potential here is smelling strong. It’s obvious that they’re starting to get highly attached to the hotel and really consider the others as friends. Something Alastor didn’t allow himself to.

And it’s not like they have a voice in the matter either. No matter what Alastor tells them to do to secretly manipulate things around the place so he’ll appear like he’s “helping out more.”

Who knows really? What kind of errands he’ll force them to do? “Mr. Nice Guy” is really no longer an option here. That guy is dead. Adam killed him.

And all at the same time, Alastor wouldn’t be breaking Charlie’s condition. He’s not making her hurt anyone at all. Just helping a good old pal, who’s done so much for her, to maybe loosen the constraints his deal has. Or whatever else he wants, I don’t fcking know-

(But Srsly though. The angst??? Niffty and Alastor are fond with each other, but Niffty is also starting to like her new friends too. Will that create some sort of rift? Niffty actually being hesitant??

And don’t even get me STARTED on Huskerdust. Like wtf-? Husk has already stepped out of line before and it left him completely shaken. What else could he do? And a heartbroken Angel finding out he’s behind all this when Husk is the first person to truly reach out to him? Husk not being able to meet his gaze out of guilt?? THE FCK-???)

Yeaaaahhh, can’t wait what Season 2 has for us all….

Remember fellas, this is just a theory. A Hazbin theory! :))

[thekingofwinterblog]

How to fix Halamshiral as a Zone

Inquisition is a flawed game.

I don't think there's anyone who is going to argue otherwise.

The only question is wheter you place it higher or lower than DA2.

One of the things I think it does better than DA2, is that it managed to give every place a soul, an identity of it's own, and at least a distinct, if not always amazing storyline.

The emerald graves doesnt have a very interesting plot, but it has some spectacular side quests, and atmosphere, inculding a haunted mansion, which might be my favorite possession based quest in all of DA because it shows much better than others just how dangerous untrained mages actually are to those around them.

The storm coast tells a story of what was once an important dwarven port, and shows how it fell and was repurposed over time.

The Hinterlands shows the aftereffects of the templar mage war, as well as solas stupid plan to give cory his orb, and the mage rebellion and an actually decent time travel story.

I could go on, but the point is, I usually have at least aomething nice to say about every single region.

All except one.

Halamshiral.

Halamshiral was the single worst part of all of Dragon Age Inquisition for me, and every single time I boot up this game, it's always the last thing i do before the temple of sacred ashes, despite how bizarre the game flows as a result.

And the reason is because i hate everything about it.

I hate it's unique attempt at side quests, i hate the characters involved, i hate the Orlesians who inhabit it, and i hate how this section tries to copy what worked so amazingly well with Orzammar and Denerim during the landsmeet section, and fails every single shot it lines up.

The ONLY good thing i have to say about this, is that it's at the very least relatively short.

So here's today's question. How to fix Halamshiral?

Let's begin with the three main players.

Celene, Gasparde, and Briala.

The big problem with every single option, is that they all suck.

Celene and Gasparde are both fucking awful people without any redeeming qualities, they have no charisma, and there is no prospect of the Empire reforming itself under either of them, the way Orzammar would under Bhelen.

Meanwhile, Briala is much, much better, but the problem is that we know exactly what is going to happen here if you support her.

Maybe today elves will have it better, but tomorrow, when Gasparde is gone, or celene turns on elves again as she always does all the progress will be repealed, and reversed, along with a few purged alienages.

Its an old story that's been told before in Dragon age.

In short, there is no reason at all to care about this overall plot. None whatsoever.

There were so many reasons to care about both Orzammar and Denerim in the same situation, and every single character involved had so much more charisma than either of these would be monarchs.

So let's fix that.

Starting with Celene, take the idea of her wanting to reform the empire, and actually take it to the next level.

Celene is genuine in wanting to reform the empire, and has already taken grand, successful steps to make the entire thing much better for everyone, even elves, giving them and serfs more rights, outlawing the practice of chevaliers having a tradition of killing unarmed city elves to graduate.

But the catch is, while she is genuinely making progress, she is doing so within the confines of the great game.

Celene has nonintention of changing the great game, no plans of wanting to remove this thing that holds Orlais back more than any other, this center stone of their nobility and it's culture.

Meanwhile, Gasparde is a different kind of reformer, one that takes the ideas he had of him claiming to hate the game, and actually doing something with it.

He is far less progressive, has no love for elves, is far more warlike than Celene ever was... But unlike Celene, his ideas of reform isn't going to act within the grand game.

He's going to break it.

Unlike canon gasparde, this gasparde is hated by every single noble family in the entire empire. His only support, and it's a strong one, is the army. The parts of the army that supports Gasparde, and they are a huge part, are loyal to him personally to the hilt.

And he hates them back. He hates the game, he hates the way it cripples the empire, and he wants to change things. Like Celene he plans to break the serfs free of their chains, for the good of the nation and it's power and economy if not for any progressive reasons.

And he'a going to start with Halamshiral.

For this Gasparde isn't merely positioning men to stage a coup... He's planning to kill EVERY SINGLE NOBLE in Halamshiral. Evety man, every woman, every child there.

He's going to reform this empire by wiping out it's cancerous nobility in one fell swoop, and install himself as supreme dictator to see his reforms through, and wiping out the entire Orlesian nobility that might have opposed him, french revolution style.

And thus the Inquisitor has a dilemma.

Unlike Orzammar, where only one side was a reformer, both of these Orlesians are... But you have to choose one.

Do you choose Celene? The more progressive candidate, who wants a more peaceful Orlais going forward? But who is not willing to get ridd of the grand game to do so, thus making it a permanent risk that all her reforms will be undone...

Or will you support Gasparde, and by doing so be complicit in destroying the entire nobility of Orlais, many of whom are not guilty of the shit that Celene and Gasparde here both hate so much? Gasparde is far less likely to create a peaceful Orlais going forward... But he will have obliterated the Grand Game for good and all, a prize that might be worth this Red Wedding style bloodbath.

Meanwhile there is Briala, the elven spy who has enough influence to allow, or prevent Gasparde's plans from going through.

Here there should be another moral dilemma, quite different from the base game.

Do you convince her to aid Gasparde, in exchange for the Elves getting a duchy of their own in Halamshiral? Do you then back her up with Inquisition forces and support, forcing Him to publicly announce her as such, and trust his own, twisted version of honor to actually stick to it going forward(Something he ultimately does), or do you throw her to the Wolves the moment things get rough?

Or alternatively, do you convince her to side with Celene, and bury the hatchet? And if so, on what terms? And similarly, if she actually wants to get something out of this, you actually need to back her up... Something you may, or may not choose to do.

And voila, here you have an actual story of intrigue, massive, lasting political changes as a result of the Herald's actions, and morally grey on grey choices.

Everything that Denerim and Orzammar had in spades.

Now moving on from the plot to the actual place.

Halamshiral has no soul.

It's a french villa on a mountaintop. Whoop de freaking do.

It has no interesting murals, unique art only found there, interesting geography, or anything really to make it stand out.

Compare it to Denerim and Orzammar, and the way they fleshed out the entire city's levels of power and criminal underworlds, and you see the difference.

Denerim is a very realistic, squat, squalid medieval city, with it's buildings built on top of every single bit of available space.

Orzammar is a full on high fantasy dwarf city lit up by a lake of lava.

Halamshiral is a villa presented as a city.

How do you fix that?

There is an artist here on Tumblr who pretty much showcased what Halamshiral could have been, if they had taken the idea of the Dalish(who were the original owners) taking inspiration from native americans(amongst others), and use that to build a truly spectacular city, which has long ago been paved over, but the structure is still there.

Make it a city on the water, like the aztex capital of Tenochtitlan, a marvel of canals and stone.

Make it this Venezia like city, with canals everywhere you look, and the entire city running on water. A marvel of Dalish city building, where they took something as simple as a couple of islands in a lake, and built the most beautiful city in the world.

And rather than just limit you to the palace, instead let you actually explore this city.

Expand the entire event from one night, to a week.

Let the Herald explore the city, meet the players, interact with the nobles, become friends with a few like you could with Ferelden's bans, which in turn makes the possibility of sacrificing them for the greater good hit so much harder.

Let you choose what fancy stuff to wear to the balls and meetings, rather than have this stupid motto of forcing you to wear one, pre determined outfit like this game had for some reason.

Let you discover the places where what little Elven Architecture and art still remains can be found, and talk with the elves who still live here, the descendants after the first elves the Orlesians enslaved.

Make the plotting of Gasparde and the positioning of troops be gradual, not instantly discovered and twarted.

And at the end, if you choose to back Gasparde, you mirror that scene from Dragon Age 2, where the Templars sail across the bay, and you either step aside and witness the bloodbath you just allowed to happen, or you fight them and be recognized by the nobility(most of which are horrible, horrible people) as a hero who just saved the day.

Have the venatori plot be to kill both Gasparde and Celene, rather than their involvement mostly be about handing the player the the easy knife for the knot of which monarch to pick without having to get your hands dirty.

Also have the entire group be gathered for once. Every inner member of the Inquisition just like at Denerim.

Each of whom have their own thoughts on the events.

Who supports who? What is the right thing to do? What is better for the inquisition? Are you staining your honor beyond repair if you back Gasparde? Does the Inquisitor maybe have a breakdown after witnessing what they just allowed to happen and they walk through the gardens or rooms filled with corpses? Maybe have the scene at the end with the love interest be about a moment of them truly comforting their lover in the aftermath of it all, understanding(or not) that as boss, it's your job to have to make the tough decisions. And now you have to live with them.

Or if you wanna go the other way, this could be one of the breaking points like Origins had. If you support Gasparde, Blackwall choses to tell you to get bent, and that he will die as benefits a knight. Defending the week, and calling you out on how you are just as bad as he ever was, a child killer who's going to run away from responsibility, to pretend you are some better person than what you actually are. You're a murder. Just like he was. You are just as responsible for the blood that's flowing as he was with that carriage back in the day.

It would have been a far more impressive reveal moment for his crimes, that's for sure.

Cole probably would be the one who would be second most upset, but wheter he leaves or ultimately stays should probably be depended on your other choices and your relationship with him prior to this, probably have his personal quest be the determinating factor of what he chooses to do.

And i could go on, but point is, this would be a return to Origins choices actually mattering. There were choices that could make or break a characters bond with you. Shale would not budge regarding Caridin, Leliana and wynne would stand against you if you choose to defile the urn, Sevran would choose to betray you for his old friend if he didn't like you enough, and of course the age old choices at the end of act 3 in da2, where you have to pick between templars and Mages, as well as anders fate, and chances are regardless of what you do, at least 1 person ends up dead.

If anyone reading this has any suggestions for how to further improve this storyline, feel free to share, but regardless, i think we can all agree that this is a vast improvement of what we actually got.

[eluxcastar]

hello hello greetings! could i request a vampire reader x harbingers who offers to turn them into a vampire as well (how romantic to offer the concept of *forever* to their lover), its got the whole package of night vision/ immortality/ super strength/ speed/ etc etc but they'd lose the ability to use visions/delusions cause they're technically gonna be "dead" would the harbingers except or decline 👀👀 (excluding pulcinella and pierro)

Harbingers with a Vampire s/o

── ୨୧：harbingers x reader

୨୧﹑synopsis :: just me being absolutely off my head again talking about the harbingers' opinions on vampirehood

୨୧﹑content :: gn reader, vampire reader

୨୧﹑words :: I shit you not this post is 666 words long what in the My Immortal

anon baby you found my weak spot I'm so normal about this subject (it's my special interest) (sorry) ANYWAY this has been chilling in my inbox for ages, so it's time I finally write it. I started it a while ago but then I got busy and didn't post for a month and now I am suddenly two followers away from 400 so hi hello thank you

anyway back to the request I question the visions and delusions part because Qiqi is a Zombie an uses a cryo vision BUT I'M GONNA GLOSS OVER THAT BECAUSE YEs

Let's go lowest to highest in ranking like I usually do and start with Childe who, imo, would accept on the grounds that it is power and he will take anything to become more powerful even at a detriment to his health and physical condition. Though there is a price, he has accepted prices before and assuming that the pay off is good enough the use of a vision or delusion would be obsolete anyway. That, coupled with his love for you as his motivation is more than enough to sway him in your favour as he can see more to gain than lose from spending eternity by your side.

Arlecchino is a tough one because I can totally see it and it's really hot but Idk if she would. I wanna say yes, but I can also see reasons for no. The Vampire Arlecchino energy wins though because tbh I can see her being willing to make that sacrifice for her lover. I don't see her as fully whipped per se but like she's definitely loyal yk, probably pick you over the Tsaritsa and would want to spend an eternity with you at your behest.

Next is Pantalone. Cool vampire vibes. Someone gave me this wonderful headcanon that he is obsessed with his delusion, and I now love it to death so much that I based a character on it. So tbh yeah, there's benefits in this for him. He gets to be with you and have a little more power at a far lesser detriment. Plus like, you can't convince me this man wouldn't be lowkey into it.

Signora, I'm not sure. She has already lived a long time, and she has a lot of natural power already. Her delusion is what balances her, so I honestly think I'd have to say no. I WANNA SAY YES REALLY BAD BECAUSE I FEEL LIKE THERE'S OPPORTUNITY THERE, but I also just don't think so, but like she'll still be with you for a long time.

Sandrone, I honestly don't know either, because I don't know much from the two words she's spoken. If I remember, she doesn't care for other people, though, so she's likely very in love with anyone who managed to break through that and may be willing to make sacrifices for you.

For Scaramouche- well, bro is an artificial human, so tbh, I don't even think he would be affected by that. I'll skip him too.

Next would be Pulcinella, but I was told no Pulcinella, so Capitano (I almost forgot him send help). I like the abyssal creature Capitano headcanon, but even if he was just, a guy. I think the answer is no. HE'S WHIPPED AND WOULD DO ANYTHING BUT NOT THIS 😭 at least not at first, but give it a while and I can see it. It'll take time, though.

Columbina is also tricky because she has such entity vibes, but like also, seraph/vampire pairing would be so hot I can't even deny that. I should write that. Anyway, I feel like she's already immortal, so that doesn't matter, and she is indifferent to the power you offer. It's a matter of it not holding value. She has everything she could get out of it already.

Finally, we come to Dottore. Dottore is into it, don't lie, you know he is; this man is freaky. He'd enjoy the prospect of being a Vampire more than the perks of it, and that's enough to convince him. Besides it's 𝓯𝓸𝓻 𝓼𝓬𝓲𝓮𝓷𝓬𝓮 so he gets to excuse it. He couldn't turn it down even if it was just one of his segments because he's got to know what it's like and all the differences. He collects knowledge.

This was way more chaotic than usual 💀 Idk if I will write more like this but I did enjoy it so maybe, depends if y'all like this or my other styles more. I just like the chilled out casual chaos sometimes so lmk

[rayalltheway]

I never see anyone posting about him and I’m not doing this just to fill that gap but bro

I really like Yellowtusk and he is def my fav brotherhood member (yeah I love Peng and all, but I don’t really think they’re an INTERESTING character at the moment yanno), it kinda sucks I don’t see anyone talking about him

For one, he’s like. an old man fr

He’s genuinely OLD in age and appearance, which I think is really neat since age doesn’t really show for most of the other immortal characters. It puts him in a different ballpark. And he’s meant to be “the Wise” one of the group, and he is genuinely rational and noble intentioned through and through, far more than the delusional gumballl Azure was - but he somehow he ends up on the WRONG side of things. How his own wisdom conflicts with his loyalty is genuinely interesting to me.

I can’t help but wonder if he was the practical and rational brains behind the whole initial rebellion as presumably the one who spent the longest working for the Celestial Realm, but he just didn’t have SWK’s or Azure’s sheer force of personality to make him leader. But he also made assumptions and missed things, and despite being the one who is supposed to be the most knowledgeable, in the end he didn’t know the Jade Emperor - OR Azure - as well as he thought he did.

I feel like in a similar way that Azure projected his own ideals onto SWK, Yellowtusk kind of did the same thing in regards to Azure (since they all made it clear they never really took SWK seriously as the new Emperor). After presumably spending so long stuck in one place and getting mentally aged and beaten down by his inability to change the system, and thinking he was finally following someone who could do what he couldn’t and make change possible...he just ended up becoming a lackey once again, except in a worse way. That...honestly makes him outright tragic to me in a traditional sense, in the sense that someone almost has everything figured out, but just makes one wrong move that ruins everything.

I’m not saying he’s without wrongdoing or guilt, but I really do think that he was genuinely misguided, too narrow-minded with his wisdom to make any real change, and lacking in the hopefullness that drives the Monkie Kids. and the rest of the Brotherhood being an absolute dumpster fire of a group didn’t help either but that’s another post

Anyways I like my elephant grandad a lot, and season 4 shows us all first hand why you should never put the himbo in charge, Thank you all for coming hehe

[lesbiansforboromir]

Why you don't like Galadriel?

WELL. I mean this would need a complex answer, for one thing because you could say I don't actually dislike Galadriel as a character really. She's interesting, she has layers, her position in the story creates intriguing mysteries and insights into elven realities and her actions are always percieved in multiple different ways by different characters. She is both an object of world building and a lense to view it through, she had only contempt for Feanor but is the character MOST like him in the end, there's lots going on!

So as usual what I'd say I dislike is more fandom's perception of Galadriel than Galadriel herself, although don't get me wrong in terms of sympathy for her I have none to spare. But to the fandom she's like... well she's whatever anyone wants her to be, so long as that's pretty much perfect and always more right than anyone else around her. Idk if this question came because of my RoP Galadriel tirade post of a week ago, but the fact that people seem to believe Galadriel's right to the 'good guy' role is so irrefutible that it makes any negative portrayal of her 'bad' and 'tolkien's rolling in his grave' etc etc- it's just flabbergasting to me and is a symptom of this problem.

Like Galadriel's entire motive for coming to middle earth, declared and narrated, is to rule over people. She wants to be a Queen of a land that she controls with people inside it whom she has power over. That's it. Now, far be it from me to be on the Valar's side, lord knows I don't support their right to unquestioned rule either and the Eldar's urge to rule themselves is completely valid and Galadriel's no worse than any of her male counterparts who were also looking for the same thing. (In fact, given this is something she is apparently required to 'overcome' when none of those male elves must do the same, I'm inclined to believe this is another of those 'eowyn must reject violence for peace because war is bad except when men do it and for sure the men do continue to do it that's fine' misogynist tolkien moments.)

BUT STILL.. that's not like... a GOOD motive is it? It's neutral at best, right? And Galadriel never actually does anything that could be called more than polite for the rest of the time we know her. She never risks anything for the good of middle earth, she never solves any problems, she goes from place to place to avoid any conflict that threatens her until she and her husband finally decide to usurp a Silvan kingdom and magically isolate it from the rest of the world. They change Lindórinand's name to Lothlorien, thereby overwriting the language of it's native population and Galadriel then uses the power of her ring (that was given to her she didn't make it heself) to EMBALM (tolkien's words) the forest in time just so that she could make it appear as much like Valinor (her home, not the silvan's) as possible. Like!! This is not some paragon of virtue character!

Honestly RoP's portrayal of Galadriel is actually vastly more sympathetic than her actual character. PTSD, survivor's guilt and the maladaptive cope of needing to hunt down evil fanatically for all eternity is, to my mind, 100% more understandable than just... staying in Middle-Earth because she still wanted to rule over people and never believed she did anything wrong in the first place. Which is the canonical reason she's still in middle-earth post the first age, technically a sin by the Valar's standards! Galadriel is rebelling against the will of the west in doing this, but apparently SHE gets all the grace and chances to 'reform' in the world, unlike some other characters I could name >:|

... Maybe she aggravates me a little, but she does so IN COMPARISON to the criticisms other characters must bear as 'the reason they had to die to redeem themselves'. Like if Boromir wanted to take the ring once in order to save his people, is death really the only way to atone for that when Galadriel has been power hungry for 7000 goddamn years nonstop, acquired and used her own ring of power to satisfy that power hunger and then managed to 'overcome it' at the very last minute JUST before middle-earth became 'less elven' (and therefore her position there would be less prestigeous) to demurely sail off home to a gilded cage paradise where literally all her family are alive and waiting for her. Like is 'power hunger' really the sin Boromir comitted here that he needs to die for. Is Tolkien really criticising the desire for power. Is the narrative of lotr really so cohesive and consistent as to allow you to put all the characters into good and bad little boxes and declare those categorisations infallible?

Am I making sense, is this coherent. Does it make more sense if I say like... I do not dislike Galadriel as a character, I dislike what her fandom-reputation reveals about the way the story is engaged with by and large? When I am getting heated about this or that misconception or aspect of her character, it is not because I hate she has that aspect, I like a lot of morally questionable characters, what I am railing against is the double standard that her having that trait reveals. (And I'm not even really angry about it I'm more just very activated by what it reveals about the story, like it makes me feral) The narrative loves Galadriel, Tolkien loves Galadriel, characters regularly threaten violence in order to defend Galadriel from even mild verbal criticism and no one appears to see this as a kind of ominous aspect of her when she's done very little to deserve it. Other than, of course, be ontologically 'pure' and 'divine' due entirely to the circumstances of her birth. I'm a bit manic right now so I hope literally any of that made sense.

Actually addendum example just to further affirm my point. So catholic tolkien scholars will tell you that Denethor's use of the Palantir was a sin, apparently even using a tool you have 'the right' to use to observe reality as it actually exists and then extrapolating that observation into a prediction of the future (ie seeing frodo is captured and the ring gone and extrapolating that the enemy has it and you're all doomed) is a sin. Because only god is allowed to see into the future. And this is somewhat backed up by the way characters treat Denethor's use of the Palantir, it was apparently foolhardy and bad and reckless and nebulously wrong etc. Remember, the Palantir is not a mystical artifact, it is like a satallite imaging tool + a one way video only skype.

.

Galadriel's mirror literally sees the future 😂LIKE? WHY DOES SHE HAVE IT? WHY IS SHE ALLOWED TO USE IT? WHY CAN SHE JUST SHOW IT TO OTHER PEOPLE? It's because she's holy!! But that doesn't mean anything about her actual character, it's just an attribute she inherited from her family and her place of birth that actively changes what her existence means entirely by it's own virtue. Imagine living in this world for a second, imagine if it was ontologically true that you (an unblessed child of eru) would never be as right or as good as Galadriel, no matter what the reality of both your actions were. LIKE. !! WOULD YOU LIKE GALADRIEL?