#even when they were shitty
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fanaticalthings · 7 months ago
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the muskification of twitter except it's lex luthor instead of elon lol
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la-cocotte-de-paris · 2 years ago
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I love reading back through passages of Edwige's memoir because my French is so much better than it was when I first read it and it's like rediscovering everything that I missed or needed more help with a translator
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thattheater-kid · 10 months ago
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You know what’s wild about being a fictive? Missing your old life even though it was shitty because it’s a shittiness you were used to. The life you’re living now is a new kind of shitty that feels unpleasant in a different way.
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themoonunderstoodmydadjokes · 2 months ago
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I don’t think we talk enough about how being love bombed can like really fuck you up??? Like yeah is it easy to identify from an outside perspective? Absolutely. But being in it and having someone devote that much time and attention to you (even if it is manipulative in nature) to then having it end abruptly when they’ve gotten what they wanted out of you… 🫠
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blueskittlesart · 4 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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c-rowlesblogs · 1 year ago
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the last time I made a post about a character type I really like it went well, so here's another one: I love a character who is a piece of shit loser.
Let me explain: a very specific kind of piece of shit loser. This is a character who is almost never (at least not at first) a major protagonist or a major villain. They might be a mercenary or thief or black-hat hacker or in some other sort of antisocial "bad guy" line of work. They are some sort of henchman, or at least have strong henchman energy: dangerous and/or talented in specific skills perhaps, but also, importantly, undeniably a loser. Their personality sucks. They're uncharismatic and unpleasant. The heroes interact with them only when they must-- and this character deliberately cranks up the cynicism around especially sunny or optimistic heroes. They know the world is a cold, hard place, and the only thing they trust is cold, hard cash (if they're even getting paid for this shit). Things like "hope" and "friendship" are for suckers.
Until... somehow, some incident or confrontation or compounding sequence of events puts a crack in their armor. It's a crack where the light can get in-- and also, alarmingly (to others and to them), shine out. It turns out this piece of shit loser had a little spark of goodness buried deep inside all along, and no matter how much they dig in their heels and insist they don't care, their conscience is steadily pulling them over to the "good" side, and it's winning. And the heroes know it, too: this character might still be a piece of shit loser, but now they're their piece of shit loser, and there's no going back.
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dykedvonte · 3 months ago
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I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.
Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.
I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.
#like even I forget that all actions taken in the game were people trying to remain in protocol outside of Jimmy#Anya couldn’t have jus stolen the scanner and got the gun cause she’s a sensible person and knows she’d be in legal trouble#or get everyone’s credits docked or just hoping that there’s some chain of command for this sort of thing#Daisuke only really acted in accordance to his direct superiors because he’s an intern he wouldn’t know the first thing about protocol or#what to do in any situation. like this is essentially implied to be his first real job#Curly may be the captain but he still has to follow rules and procedures and we see with the letter the Pony Express likely has very shady#and shitty ones. he gives the best not depressing or totalitarian options he can otherwise everything is just his word which aren’t even his#or like him just asserting his position with the gun which he wouldn’t do#Swansea follows the book begrudgingly because he’s trying to stay right and not fall back into who he once was#I feel like it’s not incorporated nearly enough that the environment they were dropped into heavily affected their actions#say there was a single person higher than Curly or a plan of action when a crew member is considered a danger to himself or others#I think it’s fascinating how people will stick to protocol and break when they get scared or to their limit#cause the game shows how normalcy deteriorates and I think discounting what the characters where put through by the company takes a way a#real and scary aspect of what happened to Anya because as a friend Curly didn’t do enough for her at all his comfort was there and he#appreciated but it was a distracted sort of care but as a Captain he didn’t protect her but he’s was a Captain of the Pony Express like what#if they told him to wait to? he still should’ve done something because Anya was actively suffering and Jimmy should’ve been reprimanded but#he’s a captain with orders like the Tulpar isn’t his ship in the same way like#god I wanna explain this in a way that makes sense but the Tulpar is like designed to breed animosity and work on the bare requirements one#needs to get things done that’s not how people work and if anyone deviates or interrupts that it literally has nothing to handle it#it becomes clear that if any social unrest happens why they just say fuck it and give the Captain the gun because if something happens the#blame can easily be placed on the person they put in charge despite what they put them#in charge of like this is just like work place harassment irl because often the perpetrators are not punished but the supervisors for not#stopping them with meetings or cuts or whatever but the environment the company fostered is rarely fixed or blamed#like why was this allowed to occur? and honestly that is because Jimmy did what he did#ask me about this if this is confusing cause I worded it crazy#mouthwashing#mouthwashing game#the pony express
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marquisecubey · 1 year ago
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wish you were here
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sammygender · 7 months ago
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i’ve never been as angry on behalf of a character as i am for sam winchester
#currently thinking about season four and five. absolutely fuckibg mental#the world literally reshapes itself around him to prove him wrong#its all framed as God. Sam was so stupid and selfish and reckless for drinking demon blood. He just liked the power of it and he chose a#DEMON over DEAN.#but. that’s not the story they tell in s4.#like even aside from every single other complexity. Sam is literally right. he has ZERO WAY of knowing that killing lilith is the final seal#AND DEAN DOESNT KNOW TJAT EITHER. like sam is literally right he can kill lilith and he does kill lilith. dean wants lilith dead just as#much. sam’s cardinal sin is disobeying dean and then the world flips around on him and plot twist sam and dean were both wrong all along and#killing lilith is what will bring back lucifer :)#but. it’s not framed like that either. it’s framed like SAM BROUGHT BACK LUCIFER BY KILLING LILITH WHILE HIGH ON DEMON BLOOD#dean you wanted to kill lilith too?????????#but. doesn’t matter dean despite being mostly motivated by jealous anger is retroactively proven to be Right#and sam is retroactively proven to be Wrong. he is bad#i just. jesus. sam’s not evil ever. he’s hardly even that fucking morally grey#and he still thinks there’s something wrong with him that he’s a freak that he’s inherently evil and needs to be purified#why?? cause of something fucked up that happened to him when he was a baby#and because he’s disobeyed his father and his brother and been angry at awful things that have happened to him#makes me feel fucking insane actually#no wonder narrative frames sam as evil no wonder he’s inherently marked as Bad by the forces in supernatural like even on a meta level#in supernatural gods just another shitty father. embodiment of the familial patriarch. and from sam’s very first moment on the show he’s in#opposition to that he’s ran away from john and he argues with dean. therefore he is evil#i don’t think my words r really making sense right now but. fucking hell#and sam is so swamped in guilt all of season five and he just fucking accepts that everything bad is his fault#and he gets tortured in the cage to save the fucking world and it’s STILL not enough. not to appease his own guilt and not to appease deans#anger at him. dean is still throwing his perceived violations back at him in like season nine!!#and whenever he tries to get out it’s treated as yet another Sin. narrative acts like sam thinking dean was dead and having a life outside#of hunting is The Worst Thing He Ever Did#worst sin sam ever commits in the eyes of the show is disobedience. Absolutely awful actually#spn#sam winchester
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ya-what--ya-erster · 29 days ago
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holy shit guys. I’m for serious. Please stop whitewashing characters from the outsiders please please please please please. There is a difference between drawing/writing/talking about book/movie accurate versions and whitewashing the musical versions and as a person who is often subject to the exact same thing (whitewashing ugh) I can spot it. I know the difference between the two and I’m telling you to stop or I’m going to take your kneecaps.
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niuxita21 · 4 months ago
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No one:
Absolutely no one:
Meiji: Why would I sit on a chair/the couch when my girlfriend's lap is literally RIGHT THERE
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watermelonfrog2 · 5 months ago
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Thought about DSMP and ctommy again. gonna bawl my eyes out till i throw up
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cent-scratchnsniff · 4 months ago
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here together
#lobotomy corporation#lobcorp#lobotomy corp spoilers#lobotomy corporation spoilers#abram lobcorp#i didnt know that the song that plays during day 48 ending is called 'here together'.#couldnt hear it well because i typically have my sound low (sensetive to louder sounds) and also the dialog fucked me up#so when i pressed on it to hear it. to actually listen to it. then to see the name and remember what it Looked like#i got teary eyed. sorry.#it happened quite. afew times when finishing this shitty thing#i was thinking of how camren's not quite corpse looked as if it were reaching out to him inside the container#how it looked as if she had wings. abrams words. the line from one story that was--#something like 'we were hoping it was just one big prank and she would hop out fro. around the corner with a smile on her face'#how do you move forward when all you think you cause is pain? when everything else youve done only brought to bring people you love to thei#downfall and demise inside agony and fear as they lay dying. none of that was merciful. none of that was just. they were told to carry on#her dream and he views as if all he had done was to become cruel and wasnt fit and never even began to finish what she started.#it was so striking to me. the language he used. sleeping. alseep. waken. when all the others never sugarcoated it#in lobcorp they always said it straight. 'suicide' 'killed' 'dead'. but he used something far more.. peaceful? kind in wording in a way.#softer. describing death as if it were a merciful thing. an end that suits them and not something to be afraid of. to just... sink. to slee#to be with carmen again. to put everything to an end#the place they built with their hands. to have it just... stop. not in a way of repeating and staying in the moment#but of a permanent end. to 'sleep'. to die. to just.... stop. forever. to see no more. to do no more#to not be able to do Anything for when ever he had done Something it just cause agony. cruel hands partaking in acts he so deeply#regrets. everything is just regret. it sounds nice. to move on. to just move forward. but how can you move forward when all you think you#bring to those you cherished and couldnt leave behind is pain?#ill likely move this somewhere else as well. ive been meaning to talk about abram#the rest as well actually. mostly just the few final days w abel adam and abram since i am STUCK ON DAY 49#oh dear i uh typed a lot in the tags. oops
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frmulcahy · 17 days ago
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Finished listening to the audiobook of Conclave.
No fucking turtles 😡
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agalychnisspranneusroseus · 2 months ago
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Imagine you're Mr. Wu and your weird gay daughter runs away in tears after destroying some unespecified object while yelling about you ruining her life. Because you told her you'd be moving to another state. This is the last time you see your daughter in half a year, and when she comes back, she comes back... wrong. She's wearing a light leather armor, a fur-lined cape, and a green flower crown. She has two long scars, one alongside her spine and the other along her chest, the tissue around them covered in burn scars. Doctors say she shouldn't have survived. Doctors say she didn't. Yet she's right here, in front of you, hospital gown clinging to her small, fragile, trembling frame. She fidgets with her hands. Getting her to stay still has always been difficult, but now it seems impossible. She won't let go of her phone. She's always texting her two friends. When you take it away, she gets anxious. You always knew those damn phones cause kids to act weird, but your kid having a panic attack seems too extreme, even for her. Then again, she's always been odd. Nowadays, she wakes up crying and screaming almost every night, and you realize she's been stealing her phone from your bedside drawer every night to text her friends, returning it before you wake up. You catch her once and decide to give her that damn phone back. It's the only thing that calms her down, as if she were a baby with a pacifier. She spends her last weeks in LA clinging to her friends, having sleepovers and playing her weird board games with them. Everytime they drop her back at her house, there's an excessive amount of hugs and tears. But the moments when they call her, or when she leaves to meet with them, or when they show up at their door to pick her up... those are the only moments in which you see her happy. One of her friends, the rude and disobedient one, came back with a big scar on her face. She's been acting a lot nicer, though. The other one too. She acts a great deal more adult now. You doesn't know what happened or where your daughter went. She won't tell you. But you can tell this friendship is the only thing keeping her afloat right now. Maybe you know, deep down, that no one else would understand.
And then you decide to move anyway because fuck her amirite
#amphibia#marcy wu#my posts#so like what if marcy moving away was a proper tragedy#what if things were WORSE for her#what if *smashes marcy with a ROCK*#i realized that.#despite my parents being shitty (just found out literaly today my mom had doctors give me the wrong treatment because she assumed my body#would react the same way as hers. instead of doing what literally every doctor told her to do. now i need to get it fixed)#they still asked me how I felt about moving away to a different province when in like. 8.#like. oh right. this is something parents generally ask their kids about. instead of uprooting their entire lives out of nowhere.#marcy's situation is complicated in a narrative sense because#in order for her arc to work her departure must be dictated by morally neutral forces outside of her control#but her parents' decision seems very shitty with the context we're given. you COULD give context that justified their actions#i.e have them explain that they really do need this if they want marcy to go to college or some shit like that#but then it stops being Marcy vs. Forces of Nature#and it becomes Marcy vs. Her Dad (and she has to accept he's right in this one)#the show is clearly for a Marcy vs. Forces of Nature conflict (in this case it's the inevitability of change)#and in order to keep the antagonistic force abstract you CAN'T have her dad be a proper character#BUT. as a consequence -> Marcy has to give into the ''#the ''natural order'' which would be accepting her parents' power over her as natural and inevitable#it's not even like... accepting her parents are right or anything. just that their o#that their complete control of the situation and marcy's total powerlessness is natural and inevitable#and that's tragic! from a more watsonian ñerspective#perspective* : Marcy is sent back to her shitty parents and she just needs to learn how to deal with it away from her support system#the solution imo would have been to change the motivation behind her family moving away so that it's outside her parents' control too#it really has to be completely inevitable. i can't think of an alternative reason but it's just what it#it's what would fix this problem imo#it's a simple fix really
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dwtdog · 2 months ago
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remember him losing his mind over dreams bath space 😭😭😭😭😭 and turns out dream really WASNT in his right mind so we were like My bad. Sorry a6d.
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how was the bath space real 😭 a fucking fever dream for us and dream
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