#even after 20 years doing it

[natp20]

i love their energy

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[jq37]

Just to throw my two cents on the Rat Grinder discourse: They weren't worth the Intrepid Heroes' time. We didn't get the full picture of what's going on with the Grinders until the last quarter of the season. Before that they were just this other clique that hate the main characters, so in-character why would the Bad Kids bother giving them so much attention when they've got so much of their own crap going on. Kristens quest to get Cassandra back and her presidential campaign, Gorgugs courseload, Riz's million and one plates that he's been spinning all season, Adaines financial problems, Figs curse and her doubts about what she wants to do with her life. Fabian's the only one who might have had the time, but he had to be Maximum Legend. There genuinely was no time or even an incentive on the IH's side to develop the Rat Grinders characters.

I still think it's fucked up that these teenagers got taken advantage of by adults they trusted, but we didn't learn any of that until we only had two roleplay episodes left. Too little too late to even try anything diplomatic even if they didn't spend all their time after the Last Stand in hiding.

And a thing about Ivy that no one is roasting her about and really should: An elven archer? Really? Wow, never seen that before.

Yeah totally. Like, from a meta level, I see where the players themselves could have been more curious about the Rat Grinders. There are obvious plot threads that could have been teased out there (though, in fairness to the cast, the adult manipulation aspect didn't become clear until way later in the season--the rivalry and foil aspects were more obvious). This final confrontation could look really different if they'd played that all the way out all season.

But in character? The Bad Kids really didn't have a good reason to waste time on the Rat Grinders. They came into this school year already burnt out from their Night Yorb quest and wanting a break. But they don't get that because they immediately are beset by problems they have to deal with--Kristen's god is on death's door from neglect and she's on the brink of expulsion, Riz is running himself ragged trying to boost his resume for college, Fig is having a whole ass existential crisis, Adaine is struggling with money issues she doesn't want to talk about, Gorgug is taking FOUR YEARS of school at the same time, and Fabian is multiclassing and dealing with his empty house/not having parental support (or Cathilda's support) for the first time. They are dealing with SO MUCH high stakes, personal stuff before the plot even kicks in. And, mechanics-wise, this is represented with the downtime system that means that any time they spend on the RG's is time they can't spend on something that matters more to them. IMO, not prioritizing your haters is actually pretty mature. Like, they weren't proactively using their free time to bully them or anything (except for arguably Fig). They were snippy with them when they crossed their paths and that was it. As opposed to the Rat Grinders who literally had to be told by Jace to stop antagonizing the Bad Kids (though they must have been pretty ineffectual at it because the Bad Kids hardly noticed, which I bet stung considering they were so obsessed).

And also, it's not like they didn't try at all with the Rat Grinders. Early Insight checks on Kipperlilly just got, "This is a polished steel orb of a personality" which doesn't sound very worth interacting with in a sympathetic way if at all and then the next big thing they learn is that she had hated Riz since Freshman Year and that she wants Riz and Kristen dead. And that's AFTER we saw her smile and kill her party cleric. In their position I'm not spending further time trying to empathize with this person, I have made my judgement and it's up to the Jawbones of the world to find if there's something in there to be rehabilitated.

And that's not the only case. Adaine straight up saved Ruben from disintegration during the Frosty Folk battle when she easily could have saved the spell slot, but that didn't soften him towards the Bad Kids any. Adaine also was really keen to Scry on the Rat Grinders to find out what was happening at their meetings. But, in scene at least, she was never able to do that so we never got a scene of them, huddled together, clearly unsure about the path they're on but not feeling like they can walk it back or say no to the authority figures in their lives. She didn't get anything humanizing that would cause her to rethink their position on them the way that she did with Aelwyn for instance. So why would they think they're anything but gleeful co-conspirators?

Hell, the one RG Adaine was even slightly curious about was Oisin and now we know that he was feigning interest in her which, man, can you imagine how much worse that would have felt if she'd actually taken the bait and pursued him beyond just thinking he was cute? Of course, it's possible that her interacting with him more along with some good charm rolls could have changed the narrative in some way but we can only go off of what we know to be true in canon and those facts are (1) He tried to get closer to Adaine while actively planning the downfall of her and her friends, (2) he (along with Ivy) was mean to Buddy behind his back while tricking him into a plan that would force him to go against his religious beliefs, and (3) he called his KVX related dragon ancestors to try to kill the Bad Kids and endanger the entire student body population. Three strikes, you're out. If I'm a Bad Kid I'm not super interested in whatever else is going on with him. And again, literally all of Adaine's friends (except Riz) gave her help to do an Insight check on him during their confrontation in the hallway so she was looking for something there worth engaging with, but she didn't get much.

Fig was fully doing CIA, MKUltra, Fantasy Geneva Convention violations on Ruben to try see if she could get information or flip him. I think she did it in an objectively insane way so I'm not entirely shocked that it didn't yield the exact results she was looking for. But she never found the smoking gun (or whatever the opposite of that is) in his head that would absolve him/show the Rat Grinders were being controlled and her messing with his dreams never flared his conscience enough to make him try to break free (as far as we know) which is what I assume she was going for. If I was Ruben looking for a way out but scared of the repercussions, I might go to Adaine who saved me from certain death earlier the same year and has helped saved the world 3 times with her party and their friends in high (and low) places. Maybe that's what Fig thought might happen but it didn't so from Fig's POV? Gave him a chance. Time to start blasting. And again, at that age, if I walked in to the first day of class and the first thing this random boy does is sneer at me and flaunt his musical success, I'm popping up on his Nemesis Alert at that moment. Doubly so after he tries to trick me and my friends into doing drugs so we get expelled. I'm surprised she tried at all with him.

Fabian absolutely tried to interact with Ivy--in large part for self interested reasons of course, but that doesn't change that he did it. And she came across as callous and unkind from the jump. Their final conversation before the latest episode is the one where she talks about wearing Mazey like a sweater and then says that Fabian missed his chance with her before stalking off. That's a pretty open and shut interaction. No way 17 year old me is like, "Hmm, but why is she acting so mean? Perhaps I should examine that more closely to further understand her." Nah, I've decided she sucks.

And Kristen has tried with Buddy literally up until the last moment. She rolled an Insight check on him right before the fight started and she got a 1. She got nothing from him.

Mary Ann is actually the only Rat Grinder who hasn't done anything to make a bad impression on the Bad Kids--the only thing she did was have a really good Bloodrush tryout. So no reason to hate her specifically (and, in fact, she is also the only Rat Grinder that at least half of them are positively obsessed with), but no reason to explore her further. And Kristen still tried giving her a stuffed animal and her response was that she already had that one and that she was going to give it away. What are they supposed to do with that?

Even when they tried, they didn't get information that was worth chasing when they were so busy and had to manage their free time. Gorgug didn't even slot in downtime to talk to his bio parents when they visited. Why would he spend any time on Mary Ann to figure out her deal? Maybe if they were given more explicit opportunities to interact with them in passing. If Mary Ann was shown at Bloodrush Games. If during class time Oisin tried to interact with Adaine. If Kristen ran into Buddy and Bucky talking. If any of their forays into talking to them or looking into them yielded anything actionable or that piqued their interest--they opened the door for Brennan to give them something more than once. But they never got anything that was worth investing more of their limited time into.

(And also, they didn't learn that Porter was involved until WAY into the last quarter of the episodes. Which absolutely could have changed things since, as far as they knew the RG's were working alone to raise this god which isn't crazy for them to think because Kristen literally did that last year and it was of her own free will. If they knew early that the RG's were smaller players in Porter's plot then maybe they would have been in more of a rescue mindset--especially since Fig has always mistrusted him--but that's not information they had and by the time they got it, the RG's were in deep hiding, like you said.)

And so, coming into the last few episodes, that's who the Rat Grinders are to the Bad Kids. A group of kids who they first heard about in the context of, "they famously hate you," even though they'd never interacted before. A group of kids who they already thought sucked even before they tried to kill the entire study body an hour ago. A group of kids who are trying to doom all of Elmville to eternal rage and who are willing and ready to kill them to do it.

With that context, yeah I think their actions are pretty understandable.

(Also, lmao. Yeah, I think calling Ivy basic would probably hurt her more than most things you could say to her.)

[theloveinc]

There's a lot of validity in the idea that older Bakugo is a traumatized pro-hero with major PTSD... but you know what's kinda fucked up to think about? The fact that Bakugo is also a 22-year-old pro-hero with major PTSD even before that, too.

It's almost easy to imagine that things are actually better when he's older (the therapy finally a routine, the trauma long set and on the path to being healed)... and that it's his whole 20s that are spent as a pool of disaster trying to recover from the war(s).

He looks back and barely even remembers being twenty, much less twenty-five or twenty-seven. Barely remembers how little he slept, not at the hands of trying to balance hero work and getting a degree at the same time, but just out of the pure insomnia that came from trying to move on and every nightmare attached.

Hardly ever showering, never shaving (not that he ever grew much of a beard, but the facial hair was definitely there. There's pictures of him on the news with an awkward, grown out haircut and patches on facial hair that make him look positively... immature), barely even eating more than a few protein bars or an energy jelly drink-a day. It's a blur, and his friends are hardly there to pick him up out of it because they're all going through it, too. Somewhat.

It's definitely weird if you meet him during this period. He's not all there, at least, not all of the time. He doesn't really register your interactions, the friendship you extend to him (a younger, or ever older, version of him would've shown you that deep seeded ferocity in response, tried to bite the hand that fed him, even if it were love... but 20s Bakugo... doesn't seem to notice). Even though only one of his eyes is clouded over, the good one never seems to brighten up.

There's definitely moments when the old him shines through: when he's with Deku, when he's in the midst of battle, when he finds out that Todoroki still does a shitty job at chopping scallions. But it's a long time before he's even close to the same, able to step out from underneath the fog of simply surviving and into the sunshine of recovering.

But I think sticking through it with him is worth it.

(It's a weird moment, a happy moment, the first time you realize that Bakugo has changed. That the pouring rain outside hasn't bothered him since he showed up at your apartment. He forgot his umbrella, he's been quite careless ever since the war—wet and shaggy hair frizzed up, cheeks red from cold—but he doesn't seem to mind, with his bare feet up on your coffee table, his eyes gazing out the window. You hand his tea, and instead of gulping it down in one go, letting it burn in his throat, he winces at the heat.

"Tastes like shit," he says, and you laugh because it always does. Just this time, he noticed.)

[halfdeadwallfly]

[iheartbookbran]

this is the face of the you make when you realize the bloodiest civil war in westerosi history was started over a misunderstanding the writers made up in order to give one single character something to do over the seasons

[lightningidle]

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

[kindred-spirit-93]

THIS IS EPIC: different beast

live reaction of me watching yet another epic animatic out of order (like the heathen i am) and holy fucking shit.

like i knew from god games that ody kills the sirens but not like this. respec +10

siren design? amazing. ody embracing the monster? phenomenal. the murderyness? hands down best part of the whole song omfg

the shift from we are the man made monsters to he is the man made monster is unreal. so good

sharp and pointy teef >:D

sirens sounding like actual sirens is so funny to me lol

ody looking down at siren while the noose is around her neck as he drags her onboard was WILD and im *so* here for it

the frickin glint in his eyes when he says 'snatched'. w o o f

the callback to suffering was chefs kiss, mwah

guys. guys you can see the exact second the siren regrets her life choices. when he squishes her face (lol) and her eyebrows do the thing. guys

the juxtaposition of the sirens being circled by the crew is brilliant, as well as how the roles seem to reverse in that the men look like shadowy monsters while the sirens look like helpless humans

"spare us" hoooooooooooooo boi

unrelated but ody's unhinged smirk and quick shift to cold and uncaring is the best thing in the whole thing

CUTTING OF THEIR TAILS AND LEAVING THEM TO DROWN OH MY FUCKING GOD ODY U MADMAN ILY BUT WTF

brutal. insane. cruel. you go king. go see ur wife.

fr tho my jaw reached the floor faster than astyanax did. unreal

"let them drown" *muffled screeching*

the screams. the tears. the hand holding at the end. oof

im so normal about this :)

bonus in case u arent crying already.

[disposal-blueeee]

stuff i never finished and why

hello and good night . i'm just gonna ramble about stuff so yeah

swings

oh man i really loved this drawing . but it was a PAIN IN THE ASS .

i had a bunch of problems with this one . i spent an embarrassing amount of time doing the line . then after i started painting it on Ibis paint i realized that i should've done the line with a textured brush .

then the background . i really couldn't make it look nice even if i tried . i spent so long just trying stuff and searching for references but i just couldn't get it right . the colors and the lightning kept looking weird .

and just when it was looking decent , oh no the file is corrupted !!! and if i wanted it back i would have to go through a speedpaint of a drawing that took me 28 hours ( i actually tried it 😭😭 but it was taking so long and after some time the app crashed )

so , i decided to just give up . i was already fed up with it . maybe some day i'll try to redraw it or something

edit : oh wait a second . this drawing makes no sense without the background . edgar looks like that because there's supposed to be a puddle under scriabin's swing and he's trying to get edgar wet with it

otgw x chapter 20 / 21

i just said i loved the other one but THIS ONE . this one is SO PRETTY and i was so excited to try some new brushes and overall just finish this . excited enough to start painting edgar without even finishing scriabin's line .

i was using a small tablet my friend let me borrow . it was actually so helpful because i could draw on my phone with it !! i used to work on this when i was at school .

then i started having problems with the background . again

then my friend told me that his mom didn't agree with him giving me the tablet and that he should give it to his sister instead so i had to give it back . great . at that point i didn't feel like finishing it so

random reference i found in pinterest

this is like a month old maybe ???? i just thought " oh this would be such a fire pfp " and after finishing the sketch i was like " alright i'll finish this tomorrow " ( i never finished it )

mostly didn't finish it because i didn't have any idea to make it look lifeless and tragic . oh well . maybe i'll try it someday i still think it's cool

papa's cheeseria

this one isn't really unfinished . i just wanted to make a doodle sheet but never drew anything else so now he's just there . alone in a blank space . poor guy .

so yeah . everytime i play papa louie's games i always make the workers look like edgar and scriabin . i thought this default outfit looked pretty cool so so i had to draw it

[lavander-galaxy]

DELI STILL HAS COLIN’S DAGGER WHAT IF I SCREAMED ?????????

[fluffalpenguin]

the mean girls of duel academia

[slunberparty]

I've been replaying the best game of all time

[nguyenfinity]

Here’s a. Very real dream I had last year. Happy pride.

[nobodysdaydreams]

Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.

[wesavegotham]

I don't really understand batcat stans who deny that Talia being turned into a super-villain in the 2000s had anything to do with editorial wanting to make Catwoman Bruce's main love interest.

It's no coincidence either that now that DC is kind of done with batcat they are taking steps to redeem Talia and bring back her romance with Bruce, while Selina is seemingly returning to her roots as a criminal/antagonist.

It's not fair that the directions of these two female characters are so strongly tied to Batman and their role as love interests for him, but acting like this doesn't play a role when editorial makes decisions for their directions would be naive.