jailbreakiosus

[remyfire]

what is that pet name you have sid calling hawk? i can't seem to find a translation anywhere and i'm curious!

Hello! :D This is a headcanon that my friend @siriusnebulae came up with for Sidney, and I was so in love with it that I adopted it immediately.

Zissele is a Yiddish term of endearment that essentially means "sweetie," with the -ele suffix making it diminutive. This is why it's more "sweetie" than "sweetheart."

That suffix, -ele, is one that's often attached to names to demonstrate that this is a person you are very close and endeared to. So you take Hawk, add the diminutive suffix, and you get Hawkele!

Another one we have comes from me being like "Man, it's a shame that 'kitten' has become such a meme of a nickname, because Hawk is so cat-like that I bet he would honestly be smug and preening if someone called him that. I just can't bring myself to use it seriously when writing him." So Sirius was like, "Well, what about ketzeleh? Yiddish for kitten." And I was immediately sold.

Notably these headcanons all really came about because Sirius had been looking for a term of endearment Sidney might use for Hawkeye and came across the word 'feygele,' which means 'little bird' and was used frequently as a fond name for young girls. Gradually, it became a disparaging term for gay men, but it subsequently began to be reclaimed and defanged. I believe we both headcanon Sidney as a gay man, so there was a lot of power in the thought of him not only reclaiming that term but introducing it to Hawkeye, Captain Sodom himself, who then takes it with incredible glee and relish, and it becomes quite a fond and sometimes teasing endearment from Sidney.

We both headcanon Hawkeye as having a Jewish mother—he uses Yiddish so frequently in the course of the series and shows what appears to be quite a reverence when witnessing the bris in S3's Life With Father—and Sidney is Jewish as well, so letting them have that connection was really meaningful for us. I especially headcanon that Hawk had no other connections to his Jewish heritage when his mother passed away. He recognizes the fondness in Sidney's voice when he first uses those endearments and feels an instant warmth as he realizes they're Yiddish, but he doesn't know what they mean until Sidney tells him. It becomes a moment of being seen between them both, and Hawkeye especially gets to really feel that sense of belonging that he sometimes has been missing when it comes to his heritage.

So yeah, now I'm hooked on that headcanon! Those are Sidney's Special Names for Hawkeye, so I am incapable of writing any other characters utilizing them fhdkdfs

[let-us-cultivate-our-garden]

I used to be part of the TOH fandom but left after the finale - I felt it was very lacking and was a huge letdown for all the reasons you said. Patting itself on the back and lore erasure. But I'd like to ask about something different.

It's no secret Dana hates Disney. But saying it everywhere, the jabs at Disney in the actual show, the attitude of fans parroting her, especially when the news of the shortening was first out - it was legitimately intense. Disney the company has done bad things. But there was a period where I felt like a bad person for even remotely enjoying Disney movies and Disney-published books. I hated myself and felt I was 'betraying' the show, because I had been told Disney was the enemy and nothing more. Disney shortening the show was not a good decision. But it also provided fans with a convenient scapegoat to put every bit of blame on when the show had the tiniest flaw. Comics of beating up Mickey Mouse, 'Disney' being treated like a swear word, praising TOH as the holy grail of animation and saying Disney hated gay people - it made me feel I was a traitor to the show and to myself. (I'm still figuring out my sexuality, but I know I'm not straight.)

Do you think the Disney blame game was too much?

The toh fandom has this incredibly binary way of thinking; the show is the greatest thing in animation and if you don't agree then you're a bigot. Lumity is the best sapphic ship ever and if you don't think so then you're lesbophobic. Shipping non canon ships is tantamount to a war crime. And of course, any criticism of the show has the convenient Disney defense. Any and all flaws of the show is because Disney is evil for not letting the show reach its full potential.

Listen, getting your show cancelled or shortened sucks. But, unfortunately, it's not unique and writers need to prepare for that because it seems to be an occupational hazard in the entertainment industry. A lot of shows get cancelled without even having a conclusion (thank you Netflix for ending the Dark Crystal: Age of Resistance on a cliffhanger! even after the show won a got dang Emmy! 😤) so people should be thankful that at least the toh crew were allowed to finish the story.

I can give grace when analyzing a show's elements knowing what the writers had to deal with. But if they make decisions knowing ahead of time that they only have half a season and 3 specials left, and proceed to add more characters and plot lines that would require a longer season, then those are all fair game.

Dana knew of the Shortening around the production of Eda's Requiem, yet decided to add the Collector, because screw it! We like this little guy and want to see where it goes! They had Hunter get possessed and kill his best friend, yet barely any time is given to him to process that trauma. In the penultimate episode, Boscha, of all people, gets a mini sub plot despite not being relevant for a full season. Luz's angst arc gets 4. separate. resolutions.

None of this is Disney's fault. This all on the crew for not using their precious time wisely and tossing whatever they can to the wall to see what sticks.

So yeah, the Disney blame game is too much but it's also a blessing in disguise because now it's a convenient shield for whoever doesn't want to hear criticism about the show.

As for feeling guilty about liking Disney; listen, Disney has been foundational for literally millions of people for decades. Its presence and influence is seemingly inescapable. And the company has done some awful things in the name of corporate greed and profit.

But you should never feel guilty for liking something that brings you joy.

Remember that writers and artists are responsible for the shows you love. Many queer folks have seen themselves in Disney movies for a variety of reasons and there are many queer artists that have worked for Disney (hi Howard Ashman and Andreas Deja!)

So no, you're not a traitor for liking Disney.

The toh fandom has a very reactionary, us-vs-them attitude and it's incredibly toxic. So don't let the haters get you down!

I wish you well on your journey and hope you're in a better place.

Thank you for the ask!

[juniorfor2]

The writers fixation on making Rhaena a nanny rather than a diplomat when she goes to the Vale is sooo indicative of how the writers see any action that isn’t traditionally masculine.

Since Joffrey was aged down and so was his dragon’s size, someone obviously needed to go to the Vale to make sure Jeyne Arryn wouldn’t take offense. That was part of why Rhaena was sent - the writers at least remembered to mention it. The problem was that it wasn’t the focus.

Rhaena does get to talk with Jeyne about the agreement made for an army, but it doesn’t last long and ends frigidly. Rather than portray Rhaena as her book self - charming, delightful, and able to make friends easily - they instead reduce her to being lonely and choose to ship her and the kids off to Pentos as if she was either getting kicked out or kicking herself out due to feeling unwelcome at the Vale. She’s morose, and Jeyne seems very passive aggressive towards her, leading us to assume that there wasn’t even a point of Rhaena trying to go to ensure Jeyne would send her army - Jeyne would have chosen whether or not to regardless of Rhaena being there.

By writing this, Rhaena is regulated to someone who cannot have purpose without having a dragon. She cannot do anything at all without the same sort of power that everyone in her family already has.

Now, a lot of people have blamed Rhaenyra for this.

“I need Baela here.”

“Because she has a dragon.”

After all, it Rhaenyra who asked Rhaena to a mother to them, right? So she must have been the one to decide not to give Rhaena a larger role. The problem with this idea though, is that Rhaenyra herself is suffering from the same problem.

Just like Rhaena, Rhaenyra is not written to have a larger focus on politics - such as running the keep, looking over petitions and ensuring that tension isn’t rising up in her army, sending letters or grain or gold to her vassals, or overseeing progress during the councils. Instead, they have her pine, just like Rhaena, over not being able to do anything.

Rhaenyra does have a dragon of course. Due to being a woman however, the writers decided to portray her as someone constantly overlooked and unable to do anything unless she is a man. She has no larger role herself. She hardly even acts as queen most of the time.

They’re both facing the exact same writing problem, they just have slightly different obstacles. Rhaenyra cannot do anything unless she is a man, Rhaena cannot do anything unless she has a dragon.

This could have been easily fixed had the writers simply allowed them to have their book personalities. There was no need to have them do absolutely nothing, especially when the whole point was to give them more to do. But by reducing both of their characters to “girl who is jealous of those privileged with power and can’t do anything unless she gets said powers” the writers have in fact given them even less than in the book. They have no personality, they only wish for more to do while doing nothing to change anything, and when they do finally gain power, it is not by gaining their own kind of it, but by gaining the exact same that others have (sword-wielding, physical strength, dragon riding). It is not unique, it is not hard to access for anyone else in the family, and it doesn’t build their character in any way, yet apparently they are useless without it.

The writers had a very easy path if they had wanted to give Rhaena and Rhaenyra more to do - all they had to do was make it unrelated to dragons and fighting. Making alliances is important. Ensuring a council gets things done and shares all information is important. Keeping everyone loyal in the army is important. Increasing security in your own keep is important - especially when a soldier gets all the way into your bedroom unchecked and nearly kills you. There are a lot of things to do during the war, and most of it isn’t fighting. I don’t understand how the writers don’t get this in a story about women, but their clear bias and envy for traditionally masculine power is ruining this story.

[molinaesque]

Cooper Howard and Lucy MacLean's rare and wonderful dynamic (and how it's ultimately alright if they don't become "endgame" or whatever)

First off... I'm saying this as a HUGE ghoulcy shipper btw. I don't wanna hear about some bullshit about how "you just don't like the ship" or something dumb like that (have you SEEN the state of my blog??). I ADORE this ship. These are also ultimately my own thoughts. Do not be affronted if this somehow doesn't apply to your hcs. At the end of the day, this is fiction, nothing more.

Something I have to note on about the wonderful dynamic between Cooper and Lucy. Even if ghoulcy stays platonic, I'm fine with it because this is the closest dynamic to Jack/Liz from 30 Rock that l've seen, and if anyone's seen that show, you KNOW what I'm talking about. Let me explain.

Jack/Liz were two v complex characters that had so much chemistry but the way their "relationship" worked was so unique in that they were never romantic but they're WAY more than just colleagues/ friends, etc. There was literally an article titled like "why you'll never see this kind of relationship in television again" and ghoulcy has the potential to be that again which is still GREAT! It even goes on to talk about how they're COMPLETE AND POLAR OPPOSITES but the dynamic still works and how they feed off of each other in the only way no other characters can. The "dynamic" is THEIRS and theirs only. Seem familiar?

From what we're getting not just in the Fallout show but from interviews with the actors and creatives involved, we're already getting that special dynamic. However, I must stress that many of the comments and those interviews (imo) are sometimes taken TOO literally. The existing text and subtext of the ship is already abundant and ripe so I feel like not EVERYTHING has to be referred to the ship and the ship only. I know it's mostly funsies but I legit wonder if some of this is taken too seriously to the point of misconstruing an actor's words and getting tunnel vision JUST for the sake of the ship and ship only, in turn cheapening what is already there. Kinda like what I've seen with people having to vilify Barb further with unnecessary inferences to scenes that give her more layers (like questioning her genuine love for Janey and Cooper. She can be loving AND a villain y'all. Both things don't have to be mutually exclusive) EVEN THOUGH SHE IS CLEARLY VILIFIED BY THE SHOW BY THE REVEAL SO WHY MAKE UP STUFF? To "punish" her more?? Apologies but this kinda reads as "I need to prop up my ship further so I MUST degrade the other ship" even though it's again... SUPER UNNECESSARY (I must stress I've seen this on ALL sides of shipping/character stanning. Both sides suck when you engage in this behaviour). Have fun and faith in the strength of your ships (ESPECIALLY if they're not "canon" adjacent)!

Anyway, as I was saying...

Going back to 30 Rock, there's literally a scene in the show where they get married due to shenanigans, they get in a big fight the whole episode and in the end sit down and have the most revealing discussion with a councilor about why they're so much more complex than typical relationship. And another scene where they sleep in the same bed together and addressed why they never hooked up with each other and why that's okay. By the way, I was also a HUGE shipper of these two... But I was fine with how they ended up with because the story of their special relationship that makes them uniquely THEM was clear and concise. This did not stop me from reading fics where they make kissy faces. It is possible to do both and I think some ppl tend to forget this.

I'm not saying this for the antis (don't like what you don't like, but if you harass shippers then you can suck eggs and leave. This applies to shippers to non shippers too btw. Be. Nice.), I'm saying all this because I want shippers to not "despair" if the ship that they've become so invested in doesn't come to fruition (and not go overboard into thinking that writers should listen to whatever audiences want all the time, we've been down this road SO many times, it's terrible. Do we REALLY need to talk about how The Rise of Skywalker turned out the way it did due to unnecessary pressure from the loudest antis/asshats in fandom? I think not). Maybe this is also more towards the younger audience members as a cautionary tale because we old ass millenials have seen and been through this but didn't have the immediacy of social media at our finger tips, so it was kinda easier to not be as reactionary. I don't like playing the "you youngins don't know what it was like" card, but at some points it is just a statement of reality. Some of you are/were LITERALLY too young to have experienced this.

Ultimately, what I'm saying is even if ghoulcy doesn't become "romantic", I'm fine with it as long as they stay within the "something more/beyond definition" dynamic which is ALWAYS refreshing to see. Give us more "what are we"! Give us more "it's complicated"! Give us more "we can't be summarized in neat little boxes"!

As long as they don't end up in the pit of "one dimensional interpretation of the Found Family trope which is somehow only just Familial and in this instance Father-Daughter". Please, I BEG. Nothing wrong for people to like this dynamic, but to immediately categorize this into that box is just... Tiresome. You can make the same arguments about "shipping two living beings together on screen all the time" too for sure... But again it leads to my point of if we're going the platonic route how about we NOT just shove it in the same boring dynamic of Father-Daughter that if you want, can find in multitudes of other forms of existing fictional media.

Tldr; have fun but always remember this is all fictional media in the end where we play with dolls in a sandbox. Just remember to BE. NORMAL. and not forget this and start shitting in it and flinging poo at each other. That goes with relationships with creators of said media too. Do NOT become parasocial and expect everything to be catered to you. The creators want to tell a story THEY came up with in the first place.

LET THEM.

[mostlyihyperfixate]

WrightWorth Fic Recs II: Legal Boogaloo

I've had some upper respiratory goop for eleven days and I woke up with a pounding migraine, so it's time for this month's fic recs while I wait for my medication to kick in!

I'm sure most of you guys have already read this stuff, so I'm not, like, doing this because I think I'm gonna introduce anything special. I just like to gush a lil' about stuff that makes me happy.

As always, feel free to offer me recs yourself in some capacity!

The Things We Agree to Believe are True by actual_goblin

Rating: Teen Content Warning for amnesia, angst, blood, and implied/referenced suicide Status: Finished

Recommended to me by @starsarestaringatyou.

Someone really said, "Well, if one character with amnesia is good, what if they both had amnesia?" And I love every minute of it. I sat down and read this entire thing in one fell swoop. I could not stop. It's weird, but completely internally consistent, so everything is very easy to follow. I've lost track of the number of times I've reread this. I'm afraid if I say more, I'll spoil things. It's very, very sweet, and if amnesia fics interest you even a little, I highly recommend this one!

This man is not your boyfriend by its_ok_inside

Rating: Teen Content Warning for amnesia Status: Finished

Also recommended to me by @starsarestaringatyou.

A very cute amnesia one shot. This one is a bit unusual in that there's no angst! So if that's what keeps you from this sort of story, I recommend this one. There's just a bit of pining on Miles' end, and the rest is two bros chillin' in a legal office one foot apart because they're definitely gay. It's very fluffy, and I reread this one a lot, too, when I want a quick hit of cuteness.

Legal Partners by Miggy

Rating: Teen Content Warning for miscommunication Status: Finished

This one is a little rom-com-esque, but the characters themselves (especially Ema) are well aware of that. This is the story that first allowed me to think of Klavier as having some depth. It is the level I hold all semi-seriously written Klaviers to now. There's a little bit of Klavier/Ema and Klavier/Apollo in here (both ships I like, and I hardly ever get to see the former), but ultimately Klavier ends up with something he needs more than a romantic relationship, and I love this fic for that. Everybody gets enough attention that their inclusion in the story doesn't feel obligatory. There's also the added bonus of a well-written case for Apollo and Klavier to handle throughout the story!

It Would Feel So Good To Make You Mine by hi_its_ellis and lowbatteryhealth

Rating: Teen Status: Finished

Just randomly picked something from my list last Saturday and wound up reading this throughout the day. Reread it again sometime this week. It's cute. There's established Fran/Maya and Athena/Junie as well, if you're into either of those ships. Words cannot express how wonderfully adorable this entire thing is. If you want something that's got enough conflict to keep you reading without there being any real upsetting tension or angst at all, this for you. There's no big miscommunication; just Miles and Phoenix driving everyone around them crazy with their unique brand of stubborn idiocy.

How to Court A Fool in Under Three Months by snowyrunes

Rating: Teen Content Warning for miscommunication Status: Finished

Pure, 100% rom-com goodness. This has everything you would expect out of a rom-com movie, and it's written spectacularly well. There's some established background Fran/Maya. I love seeing Fran successfully interact with kiddos, so her relationship with Trucy in this especially makes me happy--not to mention I prefer my Frans to like Phoenix in some capacity, and that's here, too. I admit that I haven't been able to get very far into the (unfinished) sequel due to the sheer amount of second-hand embarrassment I feel, but I highly recommend the first story for sure!

Pride & Prejudice & Turnabout by paintedkneecaps

Rating: Teen Status: In Progress Content Warning for Pride and Prejudice AU

On the sliding scale of cynical to sunshine Phoenix, this is firmly at the sunshine end. If you are very, very particular about how people work with Pride and Prejudice and that time period (like, to the point where you can't stand the Kiera Knightly movie, for example), this is not going to be the story for you. It's, as the author puts it, a "vibes only" AU, which I think is really a strength in this case. I've read too many "AU"s that are just slapping Ace Attorney characters names over the originals. This has a lot of thought put into the characters, and the quotes from the original work feel like friendly little winks instead of being awkwardly shoved in. I look forward to every Thursday when I get another dose of this!

[erisweekofficial]

Today we are celebrating the Amazing @the-darkestminds! 🤩

If you've ever wanted to dive into an Azris fic, we SUPER recommend her fic Autumn's Shadow which you can read on tumblr or ao3. This fic features enemies to friends to lovers and is so achingly soft!!

Definitely read this fic if you love stories that balance sensuality with tenderness and also feature a super unique plot full of mystery 👀

Read more to learn why @the-darkestminds started writing for Eris and what to do if Eris gets sick!

Would drew you to creating content for Eris? And especially for Azris other than any other ship for him?

I have the most fun writing for characters whose stories are largely untold. Angst/pain/hurt are my favorite themes to write and Eris fits into that mold well for me. There are no shortage of characters in the acotar universe with traumatic backstories, but to me Eris feels particularly tragic. We know he’s abused by his father, has likely been forced to wear a mask for his entire life. He cares about Lucien but is unable to show it in any open, meaningful way. He clearly cares about his Court and people, and yet he's treated like a supervillain by the main characters of the series. I think he’s extremely lonely. He doesn’t have an inner circle or a family he can trust. There’s so much to work with when it comes to his backstory because it hasn’t yet been written, which makes it extremely fun to fill in the blanks, specifically the events that shaped him into the male he is today. A lot of room to write about his pain and suffering. lol Because of this, I think he pairs well with Azriel’s darkness. They may appear completely different on the outside: Eris is snarky, bold, well dressed, vibrant, etc, whereas Azriel is brooding, quiet, always hidden in the shadows…but I like them together because they both have an inherent darkness to them. They’ve both known suffering. In my mind, they are able to draw each other out of it with lots of tension and passion. 

How do you choose which scenes or moments to focus on?

Again, I have the best time writing angst and pain, so I try to focus on scenes that depict how his suffering has shaped him as a character. We’ve only been told snippets of his past, so I like to fill in those gaps and try to portray what his suffering might’ve looked like. I decided to write one fic for Eris Week that focuses on when his childhood trauma first began, and another oneshot depicting his grief as a grown male. I swear I love him! 

What role do you think fan interactions play in your creative process?

A HUGE one. In fact, the only reason I ended up posting the first chapter of my azris fic was due to the lovely @unanswered-stars expressing interest and asking to be added to a tag list!  I absolutely love getting feedback on what I write and it motivates me to keep going. I’ve had people share their thoughts and theories, ask questions and wonder about certain elements of the story that in turn have given me ideas for later chapters. Their support is everything and I am a much better writer for it.

Eris is sick! What are you doing to help him get better?

Calling Azriel

Also: Can you give me a name for one of Eris's brothers? And also for one of his dogs?

One of Eris’s brothers is named Jasper. He is the second oldest after Eris and is featured in one of my Eris Week fics. One of his hounds is named Sol. Eris acquired this hound shortly after Lucien was forced to flee to spring and wanted something to remind him of his youngest brother. 

[steddieunderdogfics]

This week’s writer spotlight feature is: @stevesbipanic! They have fourteen works under the Stranger Things tag and thirteen of those works are under the Steve Harrington/Eddie Munson tag over on Archive of our Own!!

Our anonymous nominator recommends the following of their works by stevesbipanic:

Stevie's Time Loop

Home For Christmas

Remember Me

The Clothes That Make Us

Boy for All Seasons

She's an amazing writer that's able to make you feel connected to the characters, especially Steve. She's able to make me both cry and laugh in the same fic which is a feat to do well. She's also an amazing friend. Stevie's Time Loop is one of my favourite as it's a really unique way of writing a timeloop with large time jumps and most loops focusing on Steve and his trauma rather than finding a solution. - anonymous

Below the cut, @stevesbipanic answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

Steddie was the first ship that ever drove me to write fanfiction. I think the fact that I see myself a lot in both of them, especially Steve makes them so enjoyable to write for me. I think they’re also such moldable characters that you can write them into a lot of different stories quite easily and I love exploring their personalities and dynamics.

What’s your favorite trope to READ?

Soulmate AUs because I’m a sucker for true love.

What’s your favorite trope to WRITE?

Angst with a happy ending, I love making both these boys and my readers cry but also want them to be happy and in love in the end.

What’s your favorite Steddie fic?

This is such a hard question, there are so many talented writers and amazing fics, but if I had to choose one I’d have to say “The One in Which a Time Loop is Fucking Exhausting” by badpancake, it was one of the first time loop fics I read and really inspired my own time loop fic.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I’d love to explore a fantasy AU in the future, I know many talented authors writing dragon!eddie and King Steve or knight and bard steddie and it is one of my favourite genres of fics that are outside of Hawkins.

What is your writing process like?

A mess, most of my works on Tumblr are spur of the moment ideas that will come to me and I immediately need to write them down. It’s actually the longer slower projects that are hardest for me since they require a lot more planning and editing, I really admire the authors consistently putting out those big fics.

Do you have any writing quirks?

I’d say my most noticeable one is how I write dialogue, I really don’t like writing steve said eddie said etc etc. I usually write each thing said on it’s own line and it’s clear who’s speaking by what they say or how they say it, I think it breaks up the story nicely too since you feel you’re seeing the conversation rather than reading it.

Do you prefer posting when you’ve finished writing or on a schedule?

As soon as I finish writing I want people to see it, I kinda hate sometimes when I’m doing a project and have to wait for a specific time to post but the anticipation can be fun too.

Which fic are you most proud of?

Honestly, I’m most proud of my latest fic “Home for Christmas” it was the first time I’d ever participated in a bang and the project felt huge, it felt like a big achievement getting it all out in the end and it’s the longest fic I’ve ever written as a bonus.

How did you get the idea for Remember Me?

I think I’d been reading a fic where Steve got a concussion and had a bit of temporary memory loss and I just thought what if all those concussions had long lasting effects on Steve’s brain when he grew older. I’ve also experienced a love one going through long term memory loss and how hard it is to watch that.

When writing Stevie's Time Loop, what was something you didn’t expect?

I didn’t expect it to become a whole fic! It started off as one little off hand drabble I wrote that alluded to a lot of loops surrounding the scene of Steve and Robin discussing how Robin had a bad feeling about this and just thought well what if this is like time loop deja vu.

What inspired The Clothes That Make Us?

Exploring why Steve dresses how he does and how he likes the things he does and how there’s an emotional reason behind some of the fans favourite outfits was something I wanted to explore more and this was my very first fic I wrote for ao3 so it was a bit daunting but also very exciting.

What was your favorite part to write from Boy for All Seasons?

My favourite part was definitely thinking of all the silly costumes Eddie would come up with as well as flirty Steve is so fun to write.

How do/did you feel writing The Clothes That Make Us?

I felt nervous since it was the first fic I ever wrote but excited since I felt really proud writing something that long and the feedback I got was so heartwarming.

What was the most difficult part of writing Remember Me?

Omg just getting to the end without crying so hard, after I posted it so many people messaged me about how they cried through it, just know I was writing that through tears too!

Do you have a favorite scene and/or line from any of your fics?

"Thank you for giving me a life worth remembering.” in “Remember Me” makes me want to cry everytime and really shows what we want for our favourite characters is to have a happy life however long they get.

Do you have any upcoming projects or fics you’d like to share/promote?

I’ll be posting my fic in the upcoming Reverse Bang in March which is exciting and I’ve got a secret project coming up later this year that people can follow @steddielycrying.

Outside of these questions, Is there anything YOU would like to add?

I’d just like to thank everyone who’s supported me through writing, whether it be a random comment on a fic or my lovely mutuals that get me through hard days, this has been an amazing fandom to be apart of and I can’t wait to write more!

Thank you to our author, @stevesbipanic , and our nominator! See more of @stevesbipanic's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[yuikomorii]

am I the only one who thinks that Yui/MC is just a stand in for the player? like, her personality is tame and vanilla, enough so that anyone willing could fit into her position quite easily. Not forgetting to mention you can change the MC's name in the games, and she has no voice in the games. And because that there is no canon ship in otome games in general, because who the MC ends up with depends on who the player wants her/themselves to be with (in Ayato's case, it's only that he's like the standard, the poster boy). So, ever since it came out, I've been in the fandom: I've played all the games, read the manga, interviews, and everything, and especially the drama CDs (which make you feel as if they're talking to *you*), and I came to this conclusion. So you learn particular things of the MC/Yui, for example, her preferences that shape her as an independent character, e.g., having her own quotes, her merch, but still, she just gives me that impression. *This is why I also find Yui-bashing to be ridiculous; after all, her character is basically built to be subdued, so the players can fit in her shoes*— is what I think. Thank you for listening. I really do want your (non biased) thoughts, for this has been bothering me for quite a while, :)

// I honestly believe all heroines are made to be a stand in for the player, because that’s how otome games work.

Yui is a 2012 heroine, therefore it makes sense why she doesn’t have as much uniqueness or personality as newer ones. Nevertheless, I would like to point out that a bunch of Japanese players DON’T actually relate to her that much. They mostly like her because she’s cute and dumb, and they find that entertaining.

On the other hand, there are a lot of avid otoge players who find her too “stupid and mean” for a heroine. I agree with the stupid part, but despite her moments of random bitchiness, I don’t find her as bad as they say. Yet, maybe they played more otome games than me, so their expectations are higher.

I wouldn’t really call her tame or vanilla though. She’s also one of the thirstiest heroines imo, given that she keeps thinking about wanting more sex even after doing it a few hours ago and so on. There’s also an ending in which she cheats for pleasure and then starts being happy when getting railed as a punishment, therefore she might seem innocent, but there are a lot of kinky things going on inside her head. :”)

Other than that, I agree that she appears as a quite plain character, but it can’t be helped, since the LI’s are the ones made to stand out more through their writing in otome games. To me she’s fun, but she might come off as not flashed out to others, which is to be expected from a heroine.

I also agree with you when it comes to the CD dramas and interviews talking about the player, instead of Yui as a whole, because those are supposed to be the most “yume” materials. Rejet confirmed Ayato as the mainstay of the story in some books and magazines, which means that in the official universe, he ends up with Yui, but this doesn’t mean people can’t ship themselves with him or can’t replace Yui with themselves. My friend has an OC and she used to post screenshots of some routes, yet a lot of people kept asking her stuff such as: “Do you hate Yui?” or “Why do you never talk about Yui?” only because the sprite was turned off and the name was changed.

People should let others go through their own otoge experience. After all, otome games were produced like that for a reason. If you want to play as the heroine, that’s good and valid! If you want to play as yourself or your OC, that’s just as good and valid!

[xanthippe74]

Masterlist of my “12 Days of Fandom” recs, inspired by this post. As always, please check the tags and author's notes before reading. Enjoy!

🔸 Terminal Lucidity by @romaine2424 (Drarry, HD Career Fair, rated G, 3K) This bittersweet fic has Harry putting his abilities as Master of Death to good use by comforting those close to death themselves. We see him at work here, adeptly easing the way for someone dear to him with compassion and care. I found this story incredibly moving and a beautiful portrait of family ties in the face of an impending loss. Featuring older, established Drarry and the Black-Malfoy family.

🔹 Our Objective Remains Unchanged by @citrusses (Drarry, rated E, 46K) Gorgeously and vividly written, this university rowing AU drew me in right from the get-go, despite the fact that Muggle AUs are not my typical cuppa. The enemies-to-lovers tension is perfectly paced as Harry and Draco fight for the same spot on the Oxford team. Citrusses did a fantastic job translating their backgrounds and personalities (as well as those of other familiar characters from the books) into this world. Class divisions and the pressure of a highly-public sporting event stand in very effectively for Harry’s canon experiences. All in all, the story has the poignancy and drama of a lush coming of age film, and I can’t recommend it highly enough!

🔸 The Pile by @b-vul (Drarry, not rated, about 1.5K) This hilarious ficlet was born out of littlewinnow’s tumblr post about Veela!Harry performing an intricate mating dance to impress Draco. Delightfully, it’s from Harry’s POV as he blindly “trusts his instincts” to guide him into increasingly bizarre actions. And the evolution of Draco’s reaction is pure comedy gold. I’ve come back to reread this one a couple of times, and it never fails to have me in stitches. (The tumblr thread also contains adorable art by regretfulcorrine!)

🔹 Shine on, You Crazy Diamond by @lagerloutfic (Drarry, HD Mpreg Fest, rated E, 42K) This is one of those fics that you can’t stop reading once you start (something I confirmed this morning when I went to skim through it for this rec and wound up spending a few happy hours devouring the entire thing again). It’s laugh-out-loud funny and deliciously smutty, with a full cast of delightful side characters and just the right amount of feelings. The story begins with the discovery of Draco’s surprise pregnancy, then switches to a long flashback of Harry’s gay awakening and his fast sexual/slow emotional burn relationship with Draco. The entire fic has a joyful feel—banter-filled pub nights, chaotic family dinners, audacious curse breaking—culminating in the baby’s arrival, which left me in happy tears and wishing for another 40K of this fabulous story. Featuring confident Harry, supportive friends & family, hot Charlie, and some shamelessly kinky Unspeakables.

🔸 Silhouettes by @sweet-s0rr0w (Draco/Ron/Harry, Dronarry Fest, rated E, 16K) Draco/Ron/Harry is not a ship I’d ventured into before I read this fic, but I’m so glad I did! Sweet’s writing always hits the right spot in my brain, and her alternating POVs and spot-on characterizations of all three boys are delightful. I especially loved Ron’s sexy self-assurance here. The unique magical theory around sentient houses is fascinating and ultimately poignant, once Draco gets to the root cause of the Burrow’s behavior. Sweet-sorrow surely lived up to her username with this one, weaving grief with humor and a heartwarming resolution.

🔹 Harry Potter Gets a Job (A 106-Page Comic) by dustmouth (Drarry, HD Career Fair, rated M) Dustmouth’s comics never miss, I swear! In this one, we find Harry overcoming his distrust of Draco with the help of the Weasleys, especially Ron (who is definitely up to something himself). All of my favorite Dustmouth elements are here: the expressive characters, Draco’s wild wardrobe choices, and punchy dialogue galore. Also featuring drunken shenanigans at the Burrow, adorable Teddy, and some first-class Slytherin-ing by Draco to win his man (and find Harry that job). What a treat!

🔸 the earth from a distance by spqr (Drarry, rated E, 15K) A whirlwind time-travel fic with breezy humor, bedsharing, and spqr’s unmatched smut with feelings… What more could you ask for in a fic? Oh, yeah: fantastic worldbuilding for Hogwarts in 1599, brilliantly clever Draco, and a dash of enemies to lovers. I can never get enough of this author!

🔹 A Year In The Life by @ladderofyears (Drarry, HD Career Fair, rated M, 19K) I swear, the author conjured a little bit of magic to write this story. It’s told entirely with 50-word microfics, one journal entry for each day of 2006 (an impressive feat, by itself!), and yet it reads just as smoothly as any traditional fic. Draco’s voice is perfect here, full of wit and subtle emotion, as his and Harry’s developing romance takes a sharp turn with an unexpected pregnancy.  Draco’s anticipation, worry, and joy are mixed with deftly-chosen details of his daily life, all captured with Emma’s trademark tenderness and warmth. This fic is a perfect comfort read for family feels and gentle romance.

🔸 try to fix you by @maesterchill (Harry/Ron/Hermione, HP Snooze Fest, rated M, 2K) A beautifully and tenderly written hurt/comfort fic set in the aftermath of the Battle of Hogwarts. Ron is the glue that holds the trio together here, caring for Harry and Hermione with gentle devotion. There’s no dialogue needed to tell this story, just Ron’s perceptive POV that captures the grief and love that compel him. I have a soft spot for this triad forming immediately after the war, as a way of holding onto each other and holding themselves together. Maester’s fic makes their transition from friends to lovers feel like the first step towards healing.

🔹 The Scent of Soft Rains by @dodgerkedavra (Drarry, HD Career Fair, rated E, 20K) When Harry is left housebound and isolated by a traumatic injury, magical prosthetist Draco gets called into help. But Harry’s struggles go far beyond the physical ones. This recovery fic combines magical and non-magical therapeutic treatments in a way I can’t remember reading before. The hurt/comfort is just as it should be—both heart-wrenching and soothing—but there are enough surprising revelations to keep the story from feeling predictable. Draco is wonderfully unflinching and patient, and the ending left me crying happy tears. With lovely, restrained prose and vivid magical imagery, this one’s an absolute stunner.

🔸 Connecting Lines, Connecting Crimes by @sleepstxtic (Drarry, H/D Career Fair, rated M, 15K) With its intriguing careers, fascinating magical theory, and well-researched worldbuilding, this story captured my attention immediately, and the mystery at the heart of it kept me engrossed. This was one of the more thought-provoking fics I’ve had the pleasure of reading, exploring the intersection of magic, the environment, and colonialism. Harry’s first-person POV is lovely, and it feels like we’re learning to love India and the people he meets along with him. The getting-back-together romance is gentle but satisfying, propelled by pent-up yearning that’s palpable. There’s so much to enjoy here, all in only 15K words!

🔹 Waking Up Slow by @sweet-s0rr0w and @ihopeyoubothstaysafefromharm (Drarry, H/D Wireless Fest, rated E, 22K) The first word that comes to mind while reading this fic is charming. First there’s the novel setting: a Christmas shop in the tourist destination of Cheddar Gorge, in the middle of a July heatwave. Next, there’s the shop itself, so imaginatively described and full to the brim with clever Muggle and magical details. Then there are the delightful OCs, Draco’s seemingly unhinged enthusiasm for all things Christmas (including ridiculous jumpers), and Harry’s complete disregard for professional behavior. But underneath the playful banter and humor, there’s also a layer of poignancy to tug at the heartstrings, especially when we find out the backstories behind Harry’s and Draco’s unlikely careers. And to top it all off, like the glowing star on the tree, are Joy’s exuberant, colorful illustrations. This is a Christmas-y fic I’d reread any time of the year.

Thanks to all these brilliant creators for sharing their work with us!

Happy New Year!

[theresattrpgforthat]

THEME: Mermaids

This week’s games are all about swimming, stabbing, and sinking ships as creatures of the open ocean - or at least, a local body of water.

Siren Silk, by DOCTOR_dev.

Players take the roles of journeyfolk, the umbrella term for travelers that spread word and wares under the waters of the Swiften Sea, home of the branchia and their kingdom Ornata. Trade is done through any number of means: you can barter goods, harvest and deliver natural resources, craft at your traveling workshop, spin stories, or deliver news to the fringe settlements of Ornata.

Siren Silk is still a work in progress, but it has more than just mermaids on offer. You can play as various kinds of undersea folk, including sirens, krakens and sea serpents. Siren Silk is built on the Passkey System, which offers a diceless way to play, using something called EP. You have stat pools with various amounts of EP, which you can spend in order to gain a success; spend more EP, get a more effective success. You can also gain advantage or disadvantage in certain situations, which gives you discounts or higher EP costs. Your PCs might also take on conditions throughout their adventures that help or hinder them in mechanical ways, such as granting disadvantage, giving you extra EP, etc.

If you want to play this game with dice, there’s also a dice-rolling set of rules that correspond to the spending of EP, so I think Siren Silk has the potential to be flexible to your table.

Siren Squad, by Jennafiggers.

The Cerulean Sea needs your help! Join the Siren Squad, where you and your friends are rainbow mermaid secret agents. Summon adorable sea creatures, solve puzzles and explore for clues until you complete your Mission to keep the sea safe. This is a world where magic and technology intertwine, all sorts of fantastic sea creatures thrive, and friendship is the most powerful force of all.

Siren Squad is a cinematic game reminiscent of American Saturday morning cartoons where the heroes win and everything goes back to normal at the end of the episode. If you love the puny, light action of Totally Spies or Powerpuff Girls, the thematic characters of Streetsharks or Skylanders, or the off-the-wall adventures of Chalkzone and Ruby Gloom, you'll probably love this game.

This game is currently in play testing form, but the designers certainly seem to have high hopes for it! You appear to construct your character from a playbook, that is heavily themed to make each PC feel unique, powerful and dynamic. Right now there appears to be google sheet versions of the playbooks, which hold Quickstart characters for people who want to get a bit of a peek into the game before committing to purchasing. One of the cutest things in this game is the existence of buddy beasts! I have no idea how they work but the art for them is very very cute.

Storm Drain Mermaids, by Papertigress.

You are a feral mermaid. You and your sister sirens (the other players) live in the local city/urban waterways, each having a territory and rallying together in flood/drought/calamity situations for survival as needed…

Now is one of those times.

This is a simple one-page game that can be printed off and double as a character sheet for each player. Your mermaid has 5 stats, and a territory that “belongs” to you and therefore gives you an advantage when you act while within it. Each player also has a pool of “scales” that can be used to improve their chances with every roll, or to inflict penalties on an opposing force. The game feels balanced between chance and the spending of resources to ensure your character succeeds a healthy amount of the time. There’s also roll tables a-plenty here, to help the GM come up with ideas as the players swim through the world.

Under the Sea, by rzut-na-angielski

Over the years the story of The Little Mermaid and her horrid end was a cautionary tale for young merfolk. But you - a group of teenage friends - think that Ariel was right. Humans are sexy. Especially the one you’ve been stalking for the past month. If you can’t go up there, then you’ll have to make sure that your human gets to live under the sea with all of you. Play to hatch a polyglamorous plan to get your human some gills AND MAKE THEM FALL HEAD OVER FINS FOR ALL OF YOU!

A goofy game about falling in love and trying to get your crush to like you back, Under the Sea is 2 pages long and grants your character three simple stats: Fins, Heart and Mind. You also carry with you some kind of magic, although how you wield that magic appears to be up to player interpretation.

The game has a very clear endgame scenario: your Human mast have gills and/or be in love with you by the end of the game, or they will die / return to the surface world, never to be wooed again. The course of the game runs over three stages: finding your human, approaching them, and bringing them to the sea (where hopefully, they will fall in love).

Guardians of the Sea, by Ezra Tellington.

"Mermaids used to live in harmony with nature and, for the most parts, humans. Sure, homo sapiens sapiens was both nutritious and easy to charm, but mermaids held no animosity towards their prey. In the last century, though, everything changed: oil spills, plastics, whole species of plants and animals eradicated, what was one day an underwater paradise began to look like a wet wasteland. Mermaid population began to shrink and the remaining ones moved to further removed regions, where humans and their trash could not find them.

In the anarchist society of mermaids emerged harsh discussions: should they wage an actual war against humanity to defend their ecosystem? Some individuals insist that not all humans are at fault, but this opinion is getting less and less popular as the marine animals die out."

Guardians of the Sea looks to be a short game, approximately 9 pages long. The character skills appear to exist as rows of pips, similar to World of Darkness, which might be easy to manage visually. The game itself is mostly about capitalism and ecology; a war rising from the ocean as the onset of climate change makes your characters’ homes uninhabitable. If you like stories that have a little bit of revenge in them, you might like this game.

A Salt Kiss Remains by Whimsy Machine.

A Salt Kiss Remains is game of mermaids, magic, and monsters in the great open sea and the land it crashes upon. We play as denizens of the ocean or other aquatic environments, exploring and protecting this world. These adventures can be lighthearted and fun, exploring sunken ruins of ancient humans, falling in love, and building families, and they can reach like the sea ever deeper. In these dark depths, we explore the damage humans cause to the oceans, what it means to be predator and prey, and the unfathomable mysteries of this vast world.

A Salt Kiss Remains may still be in alpha, but it is FULL of moves, in a way that feels slightly reminiscent of Apocalypse World. Each move references a specific situation in the game, and some of them specifically use a resource called corruption in order to help your mermaids to magical things. This includes (but is not limited to), sapping all life from a location, reading the entrails of dead creatures as a form of augury, and warping the forms of other creatures to your will.

The game also comes with a set of introductory adventures, which may be helpful for GM’s who want a solid place to start, or even just some inspiration for the kinds of stories you can tell with A Salt Kiss Remains.

Radioactive Mermaids of the Burning Sargasso, by kumada1.

In the year 2020, the world was veiled in darkness. The wind stopped. The sea was wild. The earth began to rot. And humanity went into decline. Five thousand and fifty three years have passed since then. It is now the year 2021. Life clings desperately to the ocean.

Two things are true: you are a mermaid, and you are rad.

Specifically, you are a radiotrophic being, feeding on the hazardous background noise of the universe to fuel your cool powers.

In the oceanic zone where you live, the Burning Sargasso, you are unique among lifeforms. Most creatures here are radiation-resistant, but you actively absorb and neutralize it. This makes you something of a keystone species. It also gives you potent science-magic powers, and one heck of an obligation.

Radioactive Mermaids of the Sargasso revolves around building an enclave in the sargasso and improving it, for both your sake and the sake of the wildlife around you. You’ll collaboratively define the elements of your enclave, and work together to make it flourish. Tending to the garden doles out Tedium to the caretakers, which can force your mermaid to leave the enclave if they accrue too much - eventually freedom becomes too alluring to resist. Your character might also accrue something called Rads, which don’t harm you, but can be used to fuel your science-magic powers.

If you want a unique take on mermaids and a collective, clear goal, you might want to check out Radioactive Mermaids of the Sargasso.

Seven Deadly Sirens by Litza Bronwyn.

In this game, you play one of seven types of mermaids and roll with seven deadly sins to power your basic and special moves in order to summon ships, lure men to you, devour their hearts, and collect their treasures.

Previously released, this second version of the game contains updated information based on playtesting feedback, beautiful stock imagery, and new formatting.

Each of the seven playbooks comes with a section for describing your character, filling out the bonuses for your seven sins (used as stats), relationship questions, special moves, and a place to keep track of your wounds, experience, how much treasure you've collected, and how many hearts you've devoured (which you can use to enhance more powerful moves).

Seven Deadly Sirens feels the most gritty on this list, with bonuses and negatives for various moves being determined by your Sins, which measure things such as your desire for sex, food, possessions, etc. You are all different kinds of mermaids, inspired by various sea creatures, granting you unique moves that match your playbook - such as the mer-eel, who is slippery and has a unique relationship with lightning.

This game also highlights relationships, both between the PCs and the men they will encounter. Men are cruel and lovely; they are potential lovers, victims, opponents, and so much more. Will you consume them? Or will they consume you? Play to find out.

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/759034203501363200/anon-who-brought-genitals-references-to-shipping#notes

"But saying you read slash over other stuff bc you want dick4dick is bioessentialist rhetoric bc of the implication that it is unique to slash and bc it ignores a lot of fandom." Idk but why can't you say that? If I say "I read slash over other stuff bc I want dick4dick" it can still be very much true that slash has more dick4dick per 100 stories, compared to other spaces, fandom or what have you, but that doesn't mean there's exclusively penis in all slash. Hell, even without the trans aspect, there's tons of genderbending slash to either M/F or even F/F which has been a staple for years, and where you're get PIV, or Pussy4Pussy,

I think your biggest problem is that you're kinda combining random intentions or commentary, then drawing farfetched conclusions, because you don't agree with it, or have some other issues.

Here's what I got from your first paragraph: "I read slash bc I like d4d" = "implies the claim that d4d is exclusive to slash" which is therefore "bioessentialism" Didn't know where to put the "ignores a lot of fandom." I'm also not sure how it actually ignores other fandom. All of that making basically no sense because it could just as much imply that d4d just more likely, or has a larger presence and community in slash parts of fandom. "I don't even have a problem with "I read slash bc there tends to be more dicks there." It is the idea that implying it is unique to slash I find bioessentialist and not reflective of modern fandom." Yeah but that is incredibly nit picky if your entire problem is between the wording of "I read slash over other stuff bc it has d4d" versus "I read slash bc there /tends to be more/ dick there." There's no particular implication in either statement. You seem to have basically decided that one of them implies something you don't like, and the other is more accpetable because you think so. All based on your own preference on how you'd want it phrased.

Certain fandoms and spaces are going to be assumed to have more of some content, that doesn't mean that's exclusively what's going to be available, or that only a certain demographic is gonna write/draw it or consume it either. It also doesn't mean that going in with a pretty clear interest in a certain kind of dynamic makes you a bio-essentialist, or implies the fandom is bio-essentialist. At most it'll just tell us what the biggest category of creators and consumers might end up being, you know, as makes sense. People want certain things, so they'll flock to where most of that specific art is going to be posted and spread. Nowhere in slash is there a claim to how much d4d there is, only that there's more than you might find when compared to other fandom spaces where slash isn't as common. So it could simply be 50% d4d and "everything else." or even 99% d4d and "everything else". Like if I want d4d, I'm probably not gonna specifically go to an Ecchi fandom to get d4d. It might still have some d4d for various reasons, -Futa can be popular with some ecchi, so you might get Futa4regular girl, but I just won't assume I'll get a lot of d4d as is, especially not with male characters of any type. Is that bioessentialism because I assume based on the fandom and spaces what I'll see most of is big boobed female characters? Or is that just a logical conclusion based on who Ecchi panders to, and what the people in those fandoms have set as a precedence with their fandom behaviour? So from there we could also say that the slash fandoms are simply gonna have more of a certain type of content because that's what the fandom space prefers or has built to be expected.

--

[animentality]

I feel the reason why we don’t see a lot of people in the fandom who loudly hate durgetash or durgetash shippers (compared to the very loud backlash against people who, for example, headcanon Asterian as a doting father family man or etc) is that I think the Durgetash delusion is just kind of. Easy to understand? In general. Even for people who dont like or ship it. Like even though it’s very much a delusion built out of random scraps of game lore and notes and character animations, I feel like those scraps are so generically Compelling that it’s easy can see how people actually got here, way more than other obviously delusional ships in other fandoms. Or even in this one. Like you can’t really explain from anything in game why you think Asterian would make a good father (no offense to anyone on that grind 😭). But you can point to the prayer for forgiveness and Gortash’s unique animations when talking to Durge specifically, and recognise at LEAST what got people started, if not the fanon that followed.

Ironically this could ALSO be delusional on my part lol like maybe I’m just not seeing it somehow, but genuinely I have not noticed anywhere near the amount of discourse over Durgetash as I would expect from a similar ship in literally any other fandom. So I have just been trying to think about why! Is the delusion ultimately that sympathetic or are we just so in our own bubble that people don’t even know?

(Especially when Gortash himself is so very hated by most normal players for VERY correct reasons. Like he is SO hate-able. And I do see tons of posts of people saying they don’t get why people like him, but never to the level of what I would consider discourse. My Karlach-loving ass sure hated him until I played Durge and paid more attention to him and learned to enjoy him more from that funny gay villain angle, while still maintaining that Karlach and the Gondians and every refugee in the outer city deserve to beat him into a pulp ultimately - but I feel thats a common origin story for durgetashers lol)

You missed the outcry over the Franc letter being edited, huh?

We had a good couple of days of "Gortash isn't bisexual" discourse.

It's the most rowdy I've ever seen the fandom.

But you're correct in that Astarion fans will always be louder.

Gortash is evil and he's harder to woobify.

Doesn't mean we won't do it, though.

As for the general reason for Durgetash not being as intense as other ships, well.

How many people really play the Dark Urge?

Not many, I'd warrant. How many people care about Gortash at all?

Not many.

Now how many ship those two together....a good number, but it's still a small population, compared to the Astarion, Gale, Lae'zel, Shadowheart, Karlach fans out there.

So it's just smaller, is all.

We try not to elbow each other too much, or we'll crowd crush in the broom closet of the hospital we're all crammed in, as Astarion fans are brought into Emergency Care after a night down in the discourse mines.

[ihopesocomic]

And I must say that what I'm looking forward to the most is when our protagonists meet the other prides. I can't wait because it's completely different from the one Hope and Adamant grew up with.

I'm glad that these prides are very different. To contrast this, for example, in Warriors there are five clans and they differ from each other only in where they live and food they eat. And the truth is they are practically the same, there is no diversity in thinking, lifestyle or beliefs.

However, your prides have these differences. I noticed that Golden Grove focuses a lot on the character of the Great King. Hope herself mentions that they don't hear much about the Traveler, and both her mother and grandmother were rather against the Traveler lifestyle and view the Traveler herself as an omen. Edge's Kingdom is one big business, him being big CEO, and he has a slightly different approach to Traveler and death in general. In Periwinkle's pride (or maybe 'garden'?) there is a lioness who is said to have a bond with Traveler. Their group is also quite... specific. The Thundering Mountains pride actually looks more like a typical kingdom there. Many lions come from different places, but they live together under the protection of one monarch. Both the current King and his young successor seem to be very noble leaders who primarily care about the good of the pride. Overall great variety.

Of course, we also have the Travelers and their lifestyle, but it is completely different from the prides, so I think Hope and Adamant realized early on that it would look completely different from the life they knew. But the meeting of other prides and the confrontation of their beliefs and systems will certainly confuse our girls. I mean they were so confused about eating alongside Storm (and what's worse it wasn't always like that in Golden Grove! Man I hate Jasper! I can't even see Edge doing that to his kids!)

To sum up, I love your world building <3 you managed to create a completely different and interesting groups in one story! I can't wait for more!

Thank you so much, anon!!

Yeah, we've tried to make pride distinct and unique on top of having their own naming themes. Like you've pointed out, the Clans within Warrior Cats had some potential but they're ultimately kinda boring and same-y. To the point where I was all gdi because I kept getting ShadowClan on unofficial 'which wc clan do you belong to' quizzes.

Fortunately, I took the official one and got SkyClan and they actually have some stuff going on with the daylight warriors (yeah, hot take: I like the concept) and so on. WindClan and RiverClan are least have some culture going on via the former's closeness to StarClan and the latter's affinity to water but the main players - ThunderClan and ShadowClan - are just very boring to me.

So yeah, completely hear you there. lol

Thus, we wanted to provide some variety with the prides and also give opportunity for those who want to make their own fan prides. Especially when it comes to ranks and titles. For example, the non-canon Kingblessed Coast pride that I'm working on is operated like a pirate ship's crew vs. a monarchy, so we have a Captain in place of a King/Queen. Honestly, sky's the limit because these prides are not unified under a weird government order. They are their own individual democracies... Or dictatorships. Whichever you wanna go by. lol

But yes, storywise: we wanted Hopeful to experience worlds with a plural and various cultures that differ so drastically from the Golden Grove. For better or for worse. We wanted our audience to ooh and ahh with her as we go on. Africa as a place is so diverse in its landscapes and environment. It's not all just desert and grasslands. There's mountains, canyons, valleys, the list goes on. My only real regret is that we won't see any coastal areas because they're beautiful af.

I'm particularly looking forward to showing more of the crystal caves of the Thundering Mountains tho. <33

Anyway, I'm rambling but thank you again, anon. We're totally excited alongside you to show more of this big wide world we have going. <33 - RJ

[suzukiblu]

I am loving billy adopting Conner !! 💖 ty for feeding us always with your DC content!! it's always unique and I very much appreciate the fact you love so many blorbo's (especially my batgirls who never get any screentime or rights within fics coughhh)

Thank you! I try to at least name-drop characters who are important to the specific blorbos I'm writing about/obsessing on, especially when they'd logically be relevant, even if I'm not majorly including them in the fic du jour. I feel like it rounds out the world and characters more and also it's just like . . . there was this thing where, for example, I used to read a lot of Steve/Tony fics back in the day and SO many people just NEVER mentoned Rhodey EVER, and it made me LEGIT INSANE, lol. So like, I try not to do that to people myself? It's just weird and jarring and ANNOYING, dangit!

Like I understand wanting to tell a ship-focused story, for example, but when you're 50k deep in a plot-heavy Stony fic and nobody's even throwaway-line MENTIONED Rhodey . . . . . . like COME ON, PEOPLE. And like, I feel similarly about for example Timkon that forgets Steph or Tana or other relationships ever happened even when it's clearly taking place AFTER those relationships had happened.

Also I still really wanna write some Cass/Kon sooooo . . . 👀

[highfantasy-soul]

I think people underestimate the changes that need to be made to stories when adapting them to different mediums/structures and maybe if they understood, they wouldn't have such issues with scenes/character moments not being 1-1 adaptations.

The structure of episodes is really important when considering how the story will unfold and what to include in each episode. Every single episode needs struggles and payoffs, a goal and an accomplishment of that goal - especially in an episodic show like the animated ATLA. By necessity of this, each 20 minute episode is going to have a lot of stuff going on - and tons of issues cropping up where character can be shown. Also, it's common to only have one plotline being followed per episode per group of POV characters - often it's Zuko's plot (much less screen time) and the Gaang (more screentime).

When you only have 8 episodes, cramming all that in would make the episodes feel disjoined and cluttered. It would be a constant whiplash of 'small struggle, overcoming, small struggle, overcoming, small struggle, overcoming' and all those little struggles together might start to feel insignificant and like the plot is just trying to come up with something for the characters to be doing. An example that might have been frustrating is in the first episode of the live action, having Aang and Katara travel to go penguin sledding, then jump to the fire nation ship where they reveal Aang's been gone so long, then back to the village to yet again talk about how long Aang has been gone (to catch everyone up), then Aang leaves, then Aang comes back, then he's off on the ship, then Katara and Sokka have to figure out how to get Appa to work, then they go to the ship, they fight on the ship, Katara struggles to figure out how to waterbend, Aang goes into the Avatar state, they escape, they go to the southern air temple, Aang plays around, they figure out Avatar stuff, they chase Momo, Aang goes into the Avatar state again, Katara talks him down, then the goal of the narrative is introduced.

While that works spread across three whole episodes - episodes not meant to be watched back to back but rather week to week as well as the writers understanding that since this is a kid's show airing, it's possible the watcher has missed the episode before - it would not work for hour-long episodes intended to be binge watched. When the show is episodic and people might not be able to catch all of them, a unique issue needs to be introduced each episode and resolved that same episode (minus the few 2-parter storylines in the OG). It's just the nature of that sort of structure. Just like you wouldn't want a comic structure in a chapter book or a movie structure in a serialized show, different mediums require different structures.

 So how to resolve this? We've got one hour to do all that in - so instead of having all that time traveling (or gods forbid just jumping to the next setting without any establishing shots/travel scenes), things need to be condensed: which means, take several individual actions that share a common theme - say, how a character reacts to certain issues, and combine it into fewer actions that flow in a single sitting rather than three individual ones. Not only condense individual scenes, but also weave together multiple plotlines that might have been in separate episodes, but share a common theme, and have them all occur simultaneously. This means that specific beats from each of the 20 episodes might not all fit in the episodes, but the spirit of those scenes can be adapted to fit with the situation that's at hand - I think episode 3 in the live action does this masterfully.

A specific example is moving Zuko and Aang's first one-on-one fight from his ship in episode 2 of the animated series to episode 3 in Omashu - combining that with the epic fight between them at the perfume place. Episode 1 had already had many fight scenes and one more might have blended in with all the others - setting this big, impactful fight aside for the moment until it could be…well, a moment, I think was a good choice. It was different, an adaptation, but it held true to the significance of the interaction as well as weaving in to the other storylines.

So again, the change of medium is going to necessitate many scenes to be altered to 'fit'. Though many scenes can be translated pretty closely to the animated counterpart, all of them won't be and if you think every single character beat being shown is a must in order to understand character, then just go watch the OG, a different structure just won't work for you point blank no matter how well it's done. Trust me, you do not want to try to just shift a 20 episode season into 8 episodes with no structural changes despite the raw run-times being similar - it would be bad. Like really bad.

[utilitycaster]

1/2 What I find gets glossed over so much for "pretty lesbians kiss" with regards to Laura and Marisha's characters is that they consistently, across all main campaigns, create characters who really Do Not Understand each other. Like, it's most obvious with Vex and Keyleth (which is why it's so baffling to me how popular that ship is, Vex basically cringes every other time Keyleth opens her mouth and barely tolerates her for the majority of the campaign), but it's clear with Jester and Beau too

2/2 too, especially in regards to their relationships with their respective fathers and also Jester's relationship with Artagan, that they have drastically different viewpoints that aren't really compatible. Anyway, it's somewhat interesting that, while their characters Do Not Understand each other in equal measure across all campaigns, they are outwardly much closer in each subsequent campaign. Do you have any thoughts on this or have had any similar observations regarding this?

Hi anon,

I definitely do have thoughts about this. I don’t think it’s been intentional, per se, that their characters have never been entirely aligned but they’ve become closer (ie, I don’t think that they planned for their characters to be at such odds in Campaign 1, to be friends in Campaign 2, and to be romantically involved in Campaign 3). I also should note that while I agree that Vex/Keyleth is a uniquely terrible ship that deeply misunderstands both characters; and while I vastly prefer both Beauyasha and Fjorester to even a hypothetical in which Beau and Jester took the time to understand each other and a believable and compelling romance could conceivably develop, I do actually enjoy both of those as non-romantic dynamics very much. Part of the problem with Imogen and Laudna is that, at least thus far, the problems with it as a romantic relationship are the exact same problems with it as a platonic relationship. It's flat and uninteresting no matter how you slice it.

As for why this has happened: I think Marisha and Laura’s chemistry with each other as scene partners is unexceptional among the cast. That doesn’t mean it’s bad - everyone in the cast has baseline good chemistry - but it has never stood out to me. Like, I have never personally had strong feelings about any romantic ships between Laura and Sam’s characters, but they do often occupy similar thematic spaces (selfishness/selflessness; a desire to be liked vs. a desire to be yourself) and I have always enjoyed how they’ve played off each other and looked forward to it, and I don't feel the same about Laura and Marisha. While it’s hard to pin a theme on Laudna (more on that later), Beau and Keyleth (and for that matter Patia) all engage with the expectations of one’s family, and that doesn’t have a natural “in” with what Laura usually does (or vice versa). I will also note: many of the best scenes between Laura and Marisha’s characters, and that includes in Campaign 3, have been arguments. The gnarlrock stands out as one of the only interesting Imogen and Laudna interactions (as well as, to be honest, one of the only interesting Laudna and Delilah interactions); Vex yelling at Keyleth in episode 1x45 is one of my favorite scenes in the campaign; and when I think of Beau and Jester I think of Beau’s irritation as Jester gushes about the plot of Tusk Love, and their quietly growing distance due to the disagreements you brought up about Artagan and their fathers (while still remaining good friends, just ones who don’t agree on everything and don’t need to) in the latter half of the campaign. The lack of conflict between Imogen and Laudna is not just uninteresting from the general grade school premise of "stories need conflict"; it's also depriving them of their strongest source of chemistry as actors.

As for why it’s so widely shipped across all three campaigns; I really suspect a major factor is simply that Ashley was frequently absent so this was the only F/F PC/PC option, week to week. There really is no other good explanation for Vex and Keyleth, a couple so terribly unsuited it verges on the dynamic of a 90s straight sitcom of a man who hates his hot wife. I used to be more generous towards that (ie, wanting an F/F ship between PCs even though it had no redeeming qualities other than being an F/F ship between PCs), but my patience for anyone claiming the cover of Campaign 1 norms ran out some time ago; we’ve been living in a fandom environment that overshot in trying to correct for the assholes during C1 for far too long.

Anyway: I don’t know why exactly things fall so flat in Campaign 3, in the sense that these characters were, as far we know, supposed to be designed as friends. I don’t want to keep harping on it but given Laudna’s directionlessness I wonder if that lack of lived-in backstory extends to their time together. At the very least, if they did plan out what those two years looked like in any depth, it has not come through in the story, either through their words or to an extent their acting. The relationship really only makes sense as mutual security blankets; but I don’t find that remotely interesting. Which brings me to the final points.

I’ve been trying to tread carefully around the term “roving slash” not in the least because I think it unfairly condemns queer relationships after quite literally centuries of mediocre and tacked-on M/F relationships that occur simply because one is a man and one is a woman and not because there’s any romantic tension or reason for them to see something in the other. With that said, I’ve found that there’s a lot of fandom popular F/F pairings that fit a very specific mold of each other being the only one who understands the other - but in a bland and flawless way, as victims of circumstance who expect nothing of each other except to be there, and not as people who can uniquely relate to each other’s flaws. It is an idea of romance as something without conflict. [I will note as an aside, however, that this idea often exists simultaneously with the incompatible desire to tell queer stories based in oppression. There can't be any stated desire from these fans for conflict for the characters, internal or external; but I also think that they secretly want some third character to represent a nebulous, problematic force. For all the hate piled upon, say, Percy in his interactions with Keyleth, or the current wave of hate towards Orym, I think they want those characters so there is something to demonize and to further set apart how pure and wronged their ship or their favorite character is; and, as always, to take away the agency - which comes with responsibility, which comes with fault - from women.]

I can’t stand that. As others have recently put better than I could (and we’re talking Cronenberg and Tolstoy here), stories need conflict, and the fandom culture of characters being effortlessly good, and going from traumatized to completely unchallenged, and endless softness is unbearably dull to me. Even things claimed to be held in the highest regard, like recovery, must hit the most pinprick target by fans with this mindset and anything else is a failure. It’s exhausting. For Imogen and Laudna’s relationship specifically, I’ve found that the repeated comparisons of past Laura Bailey Character Romances - both of which are my favorites for their respective campaigns - really puts the flaccidness in her Campaign 3 romance in stark relief. With Percy and Vex, there is a sense that if he does not take the mask off when she calls him darling, it will close a door. I also don’t think it’s a coincidence that they only come together romantically after she has faced some of her own inner darkness with Saundor, and he has defeated Orthax and the party has helped kill Ripley. Similarly, with Fjord and Jester, when Jester asks “would you do anything to get them [his Uk’otoa-granted powers] back?”, there is a palpable sense that were he to have answered “yes”, it would have meant something. And they, too, only commit to a romance once Fjord has done all he can to sever his ties to Uk’otoa, and Jester has begun to slowly explore expressing negative emotions. To compare it to Imogen and Laudna’s noncommittal total lack of narrative tension (maybe we should harness it! Maybe we shouldn’t! Doesn’t really matter because we’ve stated there’s zero stakes either way!) just accentuates the Mariana Trench-level drop in quality.

That digresses a lot from your original question, and so I think what I want to get at is that I have shared these observations. However, I feel that the characters’ differences were well-handled in prior campaigns and felt organic and interesting. I don’t know why it’s so lacking in Campaign 3 and I don’t think my speculation here would be helpful to any argument; I just know that it is exceptional only in its dullness.