#especially when they don't even KNOW

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[technically-human]

Bisexual crisis Crystal edition

[rupeenotruby]

That was long. Keeping this short. Not sure about this one. Thank you to @/runecatwrites for this [Click] analysis post as it was pretty helpful for the Wild and Wars dialogue (though I think the analysis is better).

[alexturntable]

Carlos Sainz and Charles Leclerc do the BEST ever SkyPad ❤️

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[viktortittiforov]

breaks my heart how often i see people posting yoi fanart/fanfic after a long time of not engaging w the fandom say that they "know the fandom is pretty much dead". like babes i get why you'd think that but we are very much still here alive and kickin!! sure there's less of us now but i see new fanfics being posted on AO3 almost every day. not even just oneshots either, there's super elaborate multichapter fics too! people are still writing meta and drawing amazing fanart and translating interviews and doing art collabs etc etc. there's even an active discord server (maybe even more than one but i don't know about the others). that's not what a dead fandom looks like. we're LOYAL

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[imminent-danger-came]

2x02 // 3x01 // 3x03 // 3x13 // 4x12

Team huddle!

[yume127]

I find it interesting how Roxas is often described as the “angry one” or “short-tempered one” when compared to Sora or Ventus, mostly because I always felt Sora and Ven have a shorter fuse than Roxas.

The association between Roxas and anger is understandable, because many of Roxas’ most poignant moments in the series happen when he is very (and understandably) angry, but I also feel like it’s a disservice to his character to only reduce him to his anger, especially when it’s far from who he is in normal circumstances.

For example, during Days, many Organization members treat him poorly and insult him to his face and, for the most part, Roxas doesn’t react at all. In Halloween Town, Lock, Shock, and Barrel throw bombs in his face multiple times before Roxas finally snaps at them. He senses that many people around him are keeping things from him, but it takes him months before he confronts someone about it. That’s far from someone I’d consider short-tempered or easy to anger.

The only situation I can think of when we see him get upset quickly is if anyone does or says something bad to Xion and, even then, the most of his reaction is verbally snapping at Saix to make him stop disrespecting her. In Axel’s case (when Roxas is upset with him for attacking Xion), Roxas doesn’t confront him at all, he just avoids him altogether. Also, I think it’s important to note that every moment in which Roxas is very angry happens when his entire life is falling apart, which is a situation in which, I believe, everyone would be upset.

Roxas seems the kind of person who bottles everything up without much reaction until it becomes too much and he explodes, and that’s when he has a hard time controlling his anger/emotions. Having spent most of his life in the organization probably plays a part in it as, every time he brings up any emotion, his feelings are invalidated and suppressed. That’s not an environment that gave him the tools to process strong emotions in a healthy way.

Let’s compare that to Ventus. Ven is the definition of short-tempered in BBS. He’s ready to throw hands with Vanitas the moment he says something remotely bad about Terra, which was minutes after he met him for the first time. He fought the dwarves without a second thought just because they refused to talk with him. His first reaction when he becomes small and is trapped in a mousetrap is to shout. These are just some examples from the top of my head, but it’s clear Ven has a shorter fuse than Roxas.

Ventus usually expresses how he feels in any given situation and has a short fuse. On the flip side, he doesn’t seem to hold on to these feelings at all. He externalises them the moment he feels them, but then he lets it go and it doesn’t bother him anymore. Out of the three of them, Ventus seems the most open about his emotions and, from what I remember, when he opens up about feeling a certain way with his friends, his feelings are usually not invalidated nor brushed aside. In UX, Ventus seems calmer and doesn’t have much anger in him, but he’s still open to expressing his feelings of low self-worth and sadness with the other union leaders.

Sora, I think he falls in the middle? He seems to have a shorter temper compared to Roxas, which was especially clear in KH2, where he snaps at the Organization multiple times, but he also bottles up his emotions more than Ven, especially around his friends. This happens mostly with his sadness, which he always tries to hide or brush aside, but in KH3 we can also see, for example, how much he’s bothered by everyone constantly bringing up him not passing the Mark of Mastery, even if he tries not to show it.

I think Sora feels like he should always be happy for his friends’ sake, and even during the rare moments when he tries to express his sadness, his feelings are not truly welcomed (“No frowning. No sad faces. This boat runs on happy faces”), so he just tries to brush it off as a joke. He’s loud in expressing any kind of positive emotion, and he openly expresses his anger against his enemies (and to his friends too, sometimes), but he also doesn’t hold on to that anger and is pretty forgiving. However, he usually bottles up his sadness, low self-esteem and other negative feelings, and then explodes when he can’t hold it together any longer (like it happened at the Keyblade Graveyard when he thought all his friends were gone forever).

[technically-human]

Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...

Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...

Part one

[sysig]

Blind side (Patreon)

[khaire-traveler]

Honestly, I'd love to write a respectful retelling of the Hermes and Crocus myth someday, as well as the Hyacinthus and Apollo one. Those myths just connect strongly with me, personally, for some reason, and I have a deep love for them. The thing that often stops me is the overall negative perception of retellings in the HelPol community. Some people get rabid over them. ☠️ I fear nothing I write, regardless of how meticulously I try to write it, would ever be good enough for the wider community, and I'm sure I'm not the only writer in HelPol who avoids writing retellings due to this. I would do my best to be respectful to the original culture, and yet, still, it likely would never be enough. I'm kinda just complaining lol, but I feel like people hate these sorts of things so viscerally within the community that even when a retelling has a genuinely interesting story to tell (Hadestown, as an example), they will not only ignore it but will actively despise it. It's discouraging. It stops actual worshippers from creating myth-based retellings, and in my opinion, that's a problem. Many people are upset that worshippers don't create retellings, then create an incredibly hostile space for such things to be created. If you want more content about the gods from worshippers, create a space that welcomes such things. This isn't to say feedback shouldn't be welcome; it's just to say that hating all retellings with such a fierce passion also prevents retellings from actual worshippers being written.

[princess-charlie-of-hell]

"Charlastor shippers are the worst, they make Charlie cheat on her gf with Alastor and make Vaggie be abusive towards Charlie so they are misogynistic and lesbophobic, R@dioapple is are not toxic like them"

Please i saw thousands of R@dioapple fics where Lucifer cheats on Lilith with Alastor and they are made look like the good guys while Lilith is written as the bad guy for being upset . Fics where they completely erase Lilith existence as Charlie's mother and make Alastor Charlie's biological father despite her being older than him

I saw thousands of fics from R@dioapple where Charlie is reduced to nothing more than a plot device so that Alastor and Lucifer are forced to get along(even there the only reason it works out is Charlie) . Or fics where they make her a literally child so that Alastor can get to be her "perfect step-father". Humans R@dioapple aus where most female characters like Charlie, Vaggie, Velvette and Emily are children too while everyone else is an adult.

Saw fics where they turn either Alastor or Lucifer in "Uwu babies" who need the other one to protect them from whoever the bad guy is. Feminized them so much that the only thing connecting them to their Canon counter part is the name.

R@dioapple shippers, which steal Radiobelle art or Fan children, keep invading Lucilith/Charlastor/Radiostatic art to write how much better their ship is or use the fact that RA got "merch" (pullover where they are fighting🙄)and use that to claim that is going to be canon to hate on people who don't ship it

So don't tell me that Charlastor shippers are the worst, most toxic and misogynistic shippers in the fandom, when they exist! Like there are many nice and great people who ship R@dioapple but for me most of this fandom I see consists of toxic fujoshis

[bakasara]

yay to the ol' ~let's run away together~ and a somber nod to the gritty realism of an open-secret relationship between hans and henry that will perennially leave jitka as the rejected wife-- but enough of that for a second. i've been to both clubs and i know all the songs!

the funniest and by far most compelling option for fanfic exploration TO ME is that jitka simply arrives with a personal handmaid who follows her everywhere. that's it.

she corrects everyone who calls her a servant to "my job is to tend to my Lady and ensure my Lady's safety", and always claims to be, idk, something like a poison expert and master embroider in the same breath -- but she never further elaborates, making anybody who'll deign to listen terrified to wonder just what exactly she is capable of doing.

naturally, Henry "Isterik Truther" of Skalitz is the first one to go 🤔 but it doesn't take long for all four of them to be squinting at each other two by two. they are all correct in their assumptions.

rosa loves visiting because she wouldn't miss the chance to be around other smart and willful women in a place where female independence of thought is valued. katherine is likely the wariest of the few in the know for a world of reasons but comes around as soon as she realizes this is two women who feel just as alienated as her in their own way.

and hans and jitka both agree to have a child for the sake of peace -- but then they realize they've gotten this far anyway, so... which is how the four of them band together with a selected few from henry and hans's ragtag team of people to fake a pregnancy in the longest-running and craziest con any of them's ever run. zizka does not dare compare it to the italian court heist because he fully believes this is crazier.

bozhena gets involved because someone trusted has to "deliver" the "baby", which is definitely not some child she relieved some other, slightly older child of (with her knowledge, so henry can get his beauty sleep at night).

at this point it's not even 'cause jitka and hans having to have a child would be that much of an imposition, it's just that this is far more in the realm of the kind of insane schemes all these people get into.

sam is really confused how he figures in all this at first but eventually he gets involved on priciple. "aww, 'cause of henry~!" yes sure but he also decides the whole thing is an incredibly funny way to stick it to a cruel world and he should do more of that in his free time.

i just know godwin has to run so much background interference he's coming out of it looking 10 years older. it is still most definitely the early 1400s and not everyone of the allies who end up knowing is necessary unfazed by the hansry of it all, even among those trusted enough for hans and henry to lower their guards, but godwin is officially the first one not to give a shit -- nor be especially surprised -- that hans and henry are now smooching.

i have 20/10 vision on this it's a whole thing

[mishiami]

good morning tetro community

@jubileedeeznuts-posting dragged me into this because he's a dastardly awful terrible unforgivable wretch and i HATE her

[shimmershy]

Chara Week Day 5: Ghost

Every time I see that machine in the True Lab, I wonder if it could possibly be Chara's soul in there? Probably unlikely, but not impossible... It's interesting to think about what the implications of that would be.

A version with no text and then a version with just the machine, because I think it looks pretty cool and ominous alone as well.....