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drpsychobabble · 2 months ago

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2024 Anime List - The Good

Let it be known that assembling this one, even when I'm saving up for a Special List, was quite difficult. So I had to repeatedly break my completely arbitrary rules to allow myself to talk about this year's many shows that gave me a significant amount of enjoyment.

11. The Fable / The Elusive Samurai

Since I'm already cheating right from the start, I'll be brief.

The Fable is a show I found fascinating because the first episode kept me guessing about what was the tone. Mostly because it was very dry in delivery, which could work for a serious drama. But the show makes it work wonders for comedy as well.

Finding out that Ryosuke Takahashi was directing quickly cemented my decision to keep up with the show, and I was not disappointed. Sure, the visuals are not the best. Sometimes things look off model, and the limited action isn't the flashiest or most fluid. But the show knows what it's doing and hits every seriously ridiculous situation right where it should be.

A story about a dedicated Hitman piecing together a humanity through his multiple encounters with a normal daily life (and sometimes not so normal).

And then there's The Elusive Samurai, which surprised me despite the identifying badge of being a Shonen Jump title.

The production manages to use various tools to create unique moments that stand out visually, producing that world that is on the borderline with pure fantasy while remaining historical fiction.

I always favor historical fiction so it did not take much for this show to attract my attention. Since the wait for more is going to take a while, it's likely that I'll switch to the manga. But at the very least I'm happy I gave the anime a shot.

10. Spice and Wolf: MERCHANT MEETS THE WISE WOLF / Kinnikuman Perfect Origin arc

A bizarre pairing but both of the shows are deserving of that position right on the edge, where I want to talk a little bit about them.

For most people who could care a Spice and Wolf show did not offer much at all, probably. They had already seen the original back in the 'aughts. However it happens that I had not. So not only I benefited from the new production, I also enjoyed a story that was new to me.

And so I did. It is a story that is nowadays very unusual among the many other seasonal shows. Episodic, low on action, quiet. The heart and soul of the show are scenes of conversation and that is fantastic.

The back and forth between the titular Spice and Wolf feels unusual for anime, a more mature interaction that isn't as charged with expected fan-service appeal. Through it the mystery of Holo unfolds little by little, as we take the perspective of the patient Lawrence who is ready to listen to her but won't push her to explain anything.

Studio Passione did a decent job with the show's appearance, perhaps containing their worst tendencies to over-exaggerate some things.

And then.

After hearing the news that a new Kinnikuman show was arriving, I realized that... Kinnikuman had continued. Due to the dub version of Nisei annoying me as it was the dub of the American adaptation, I always avoided that sequel. But I was glad to find out that the creative duo Yudetamago had also taken into consideration the Nisei dead-end and started an increasingly divergent path that continued the story from the end of the original Kinnikuman manga. So, of course, I re-read the whole thing.

Kinnikuman is a thing that is very much the true spirit of Shonen Jump. A shameless sequence of exciting nonsense full of dumb gags and constant retcons. At one point the villains steal the heroes' friendship, which was stored inside a box. It's brilliant.

However it's also very casually racist. Characters like Ramenman live between being admirable and a cartoonish parody of a Chinese person. Geronimo has an incredible story about aspiring to be a superhero while being a normal human, but also he's a cartoonish parody of an Apache (maybe, doubt the authors originally thought about which tribe is he actually from). Brocken Jr dresses up like his nazi father.

I would call it a very childish way to portray other people that could fly easily in the 70s and early 80s. It's there and it's part of the lifeblood of the series, so I have to do the due diligence and mention it.

Perfect Origin Arc started in the 2010s, so at the very least I expect more sensitivity out of it. The anime at the very least adjusted Brocken Jr's uniform so it looked less like... what it is.

I enjoyed the show quite a bit because it managed to provide me with more of the original manga's nonsense and fun surprises. Completely ridiculous characters figuring out how to fight other completely ridiculous characters is simply Just Fun. I'm not particularly into wrestling but this is when I can understand the fans of that the most.

The arc also brings back the Devil Chojin, something I could appreciate more because I had recently done the re-read. And it makes all of them shine.

Poor Buffaloman rejoins the Devil Chojin but has to pretend to be fully into their camp since he is still clearly a Justice Chojin to the core.

I await the next season so I can be surprised by even more unexpected reversals and crazy tricks and powers.

9. The dangers in my heart s2

I will keep repeating how I'm vulnerable to starting something with a negative impression and then the impression turning around. My appreciation always overcompensates. This series benefits greatly from it because not only it manages to grow past the initial awful premise, but also it makes "growing up" a core theme.

The way the series deals with the protagonist slowly maturing and realizing he is put me in mind of, specifically, a couple of novels I really liked in my youth. Vasconcelos' "My Sweet Orange Tree" and its direct sequel "Let's Warm Up The Sun" (my own attempt at awkward translation for that one). Both follow the lonely thoughts of a child growing up in modest poverty and later on adopted by a wealthier family but still in disconnect with his peers and himself as he goes through adolescence. The self-centered perspective and extreme drama it creates echoes in all works as we can easily place this in the "coming of age" category.

But the series offers me another favorite: a dual perspective in a romance. Not only we remain in Ichitaka Kyotaro's head, we can also spy from the very beginning that Yamada Anna's behavior accuses her own inner feelings about the world in general but also about this classmate of hers that she happens to find herself interested in. Even though she is the more demonstrative of the two regarding her feelings, she still keeps as much as Kyotaro bottled up. Her fears and anxieties are always at the bursting point. And that's where he can understand her and offer the reassurance that he himself has isolated from.

The anime improves on the manga with ease, rearranging each episode to keep a consistent theme and the satisfying beat of taking a step forward in the path to growing up.

It's also -really funny. so there's also that.

8. Astro Note

In this position I'm playing favorites to explain why I placed this show so high. For one it's an Original. But the other side of that coin is the obvious inspiration in Maison Ikkoku and generally the romcoms of the late 80s.

Astro Note is a show that probably flew under most radars since it's not exactly easy to grasp what it is doing. It's hard not to just compare it to "a Rumiko Takahashi remix" given the already mentioned main inspiration for the romantic comedy aspects, but also the sci-fi components bring forth an Urusei Yatsura quality.

The cast of tenants in the titular Astro Note lodging is quite colorful and entertaining, each of them providing their own brand of silliness to spice up the dynamics in the house.

The two-faced idol, who provides some musical bits and drunken slob comedy.

The jobless salaryman and his precocious child who not only open the path to a story about adoption and the love of a found family, but also explores the child's interest in reflecting about their gender identity. The fact that the overly concerned father agrees to let them experiment but only at home and that compromise is seen as not enough is an interesting and unexpected path to explore. It doesn't take up a lot of the show's run time but I liked seeing it.

Then there's the elderly resident who laments the passing former Manager and dear friend.

And the extremely shy girl who slowly left her room to find that the man she loved had moved in.

The main couple is formed between a chef seeking a place to belong and an alien princess who is only there to find a token from her galactic kingdom that would allow her to inherit according to the strict customs that keep her from exploring her newfound pleasure in experimenting things for herself. Namely: food.

It is simply a pleasant and fun romance with a solid and exciting conclusion.

7. Makeine: Too Many Losing Heroines!

With a name like that it was simply impossible for me not to watch this show.

As someone who has consumed many a romcom back in the day, I recognized a pattern in my behavior that kept making me root for the most obvious "losing heroines". Those characters that have an honest interest in the protagonist and try their best to break their shell and appeal. But ultimately fall to the fateful power of The Main Heroine

So, how about a show where -all the heroines are losing heroines-? A collection of notable weirdo losers that completely fail to grab the attention of the people they like. Not through a fault of their own but rather because they are too late to act, too slow to openly reveal their feelings.

To accompany them on this ride we have the Tepid Water of Protagonists, Nukumizu. We are obviously expecting him to pick up the pieces and end up with any one of these losers. But Nukumizu's role in the story is mainly to be a companion first to these girls who are Going Through It. From his own cowardice and slowness to act or reflect on his feelings Nukumizu prioritizes offering a shoulder for them to lean on as they are rejected.

Another very enjoyable aspect of the show is the Literature Club activities which allow us to peer into the world of those people who publish their stories to Absolutely Not Shosetsuka Ni Narou. A collection of web novel / light novel gags and parodies keep providing funny gags and mild critiques of the space this story itself shares.

Another strong point that should not go unmentioned is the show's visual style. The moody palette really makes the show stand out above the rest. Though it also puts their full effort into... honestly unnecessary fanservice scenes. This show feels better than *that*. But ah well, it's there.

I hope the show returns soon.

6. Mayonaka Punch

From the dead of night, good morning! Mayonaka PUNCH!

A completely unexpected original show with a very fun premise that deals with a glamorous but mundane thing while also incorporating fantasy concepts largely for comedy's sake.

Masaki is a youtuber, in trade and in essence. She's always thinking about new ideas for videos and doing her best to execute them at the best of her ability, editing and all. However this makes her a very tense person, as she's constantly faced with the unpredictable whims and cruelty of the internet. Which comes to a boil when her frustration turns a casual argument into a shouting match and, finally... She ends up punching her partners live on stream. The girls she had been friends with and working with for years turn their backs on her, dropping her as fast as they could to get rid of the weight of the public perception as a toxic person.

But when she's at her lowest point she runs into... a vampire! Called Live! And she REALLY wants to taste Masaki's blood. But she needs her consent. So Masaki has a condition. Live will help her launch a new youtube channel... and if they hit 1 million subscribers... She can be Live's meal.

This is the basic premise and it doesn't stray much further from this. The introduction of Live's mansion and the other vampires that live with her extend the cast and introduces more fun personalities to work stories with. Episodes slowly show the channel's development but also a couple focus on the other vampires and their very vampire-like way of suffering tragedy. A stand out episode devotes to Fu, the shy one in the group, who is invited to sing for the show but declines the chance. And this makes the others learn about a chance she missed to be able to do music with another woman, stopped by her concern about being found out as a vampire if she stepped on the limelight. But that very essence is what allows her to forever keep thinking about that partner she betrayed.

A very funny, very energetic show, that still manages to hit key emotional beats with ease.

5. Puniru is a Kawaii slime

Lately I end up gravitating towards shows that have some of the energy from 80s or 90s shows far more than more current ones.

Luckily for me those seem to be proliferating.

Puniru is a Corocoro show, which means it's aiming for a younger audience than the average Shonen Jump and etc series. As it's sometimes said, it's "peepee poopoo humor". And sometimes the simplest humor just hits best.

The show shines by having a cast of All Idiots who are constantly acting dumb in their own special ways.

Our Kawaii protagonist (not the slime) is suffering from growing pains and is overly concerned about revealing his personal preference for cutesy things, instead trying very hard to appear "cool" in front of his crush. This is however a partial lie because he actually doesn't try very hard at anything. We have a Nobita who thinks highly of himself in comparison to his companion but does absolutely nothing deserving of attention or recognition.

Meanwhile the titular Puniru is the archetype of the Nosy Annoying Character. Puniru proudly proclaims their cuteness at every possible opportunity. They simply cannot believe they could be considered to be not cute. And most of the world definitely agrees... but not Kotaro. Puniru wants him to admit it as he used to when he was younger. Puniru is, also and by the way, a slime. Mixing some borax and laundry starch we somehow ended up creating life. Their form is very flexible and quite sticky. This also allows Puniru to mix in additional ingredients to perform a transformation into various shapes and costumes... As long as they are Cute.

We round up the cast by having...

Mami, the love interest, who has a deep love for performing the role of a mother. She needs to be in jail.

Nanpa! Initially thought to be a sort of PUA type, Nanpa is not a playboy. He's a play boy (I completely stole this equivalent wordplay from someone else, but it's perfect). Nanpa is completely committed to enjoying youthful passions to the extreme. He doesn't think about how old he is, he just loves to have fun with his toys and children's card games.

Alice fulfills the spot of the haughty rich kid, but her loneliness comes forth clearly in all her actions. She is dedicated to making the friend she imagined in childhood into a worldwide appreciated mascot just like her dad's company's Kyuthi-chan (essentially Hello Kitty). Seeing Puniru she also wishes her Runrune was alive, which ends up in her personal maid creating a simple toy robot Runrune who disappoints her by proving to be Just A Toy.

That robot who later gets a separate name, Runru, seems to have a plot cooking up...

In short, it's a very silly show with very fun visual gags that are only mildly gross in their sliminess.

4. Ranma 1/2 (2024) / Urusei Yatsura season 2 (2024)

How am I writing about two mega classics of manga and anime showing up in 2024? How is it possible that my first favorite series is back and once again shining as bright as it could?

It's not like this list isn't just my personal bias from start to finish, but this entry is definitely the most biased of all. Rumiko Takahashi's works have been with me for almost 30 years.

The year started with the last of the new Urusei Yatsura. Colorful and energetic, it properly represented the dynamism in Takahashi's pages. Some people were at odds regarding the stories chosen, but I had a blast with all the hijinks regardless. It seemed to give Ryunosuke as much time as possible which felt like a hint that Ranma might happen later... And, SURPRISE!

I can't say much else about UY that isn't just describing. Explosive comedy of horrible people being horrible with occasional moments of emotional sincerity.

I expected the show to end in the Fate Doors arc as it is a proper capstone for the spirit of the series: "Ataru does love Lum but he just wants to play around". But they did end in the very final arc which had the grandiose feel of a movie.

Ranma, it's just Ranma. Eye opening at the time in many ways, it's still at its core a very funny series about a bunch of horrible people being amusingly horrible. The Takahashi formula of comedy never fails!

Childish Ranma butts heads with the equally stubborn Akane while the swirling spirit of martial arts chaos envelops them. The ever expanding cast only adds more and more characters to yell more and louder.

The new show brought back the original anime's cast back and the growth in their voices is palpable. With hindsight they are able to enhance the things that matter most, so we're getting a Ranma that plays the emotional beats with a much richer depth than the first time around.

I hope the show fuels a new generation's fantasies and once again illuminates how much of gender is purely performative.

3. Oshi no Ko season 2

The show's first season was my number one for 2023.

By the time I'm writing the list the manga has been over for some months. And it was an ending I found quite unsatisfying.

But I don't believe the diminished position is connected to that and it's simply that my preferences found other things to focus on.

Because this second season was absolutely fantastic. The theater play arc is likely my favorite one in all of the manga, and the anime made it shine while taking into account the irony of an adaptation playing the story of an adaptation.

The cast of actors get to show off their different acting philosophies while the production meets trouble after trouble because of adaptation woes and later on from the author of the original work directly.

That this all connects to the first season's brief Drama arc only makes things better. The bonds between Akane and Kana shine through as they shift from rivals to admirer and idol and back to rivals, professionally and romantically.

The plot at large also continues as the arc wraps up but foreknowledge prevents me from enjoying those parts as much as I could if I counted on ignorance.

Despite the disappointment I do want to keep watching how the show handles the rest of the story.

2. Dungeon Meshi

And talking about adaptations... here's another one that knocks it out of the park. Studio Trigger keeps doing their best work when they have help from outside writers. And Ryoko Kui served them a magnificent story to work with.

In years where dozens of series about fantasy worlds with game mechanics flood the pages and screens, Dungeon Meshi does the same thing but in a different universe of quality entirely. The gaming inspirations for the setting and mechanics are clear, but the author makes everything their own by being completely earnest.

The theme of "meals" is woven incredibly well through the entire story, connecting all the characters little by little as they can all join the same "table" and share the same food.

An excellent cast of characters with plenty of depth and full backstories help the show keep its feet on the ground at all times.

And, of course, the comedy glues everything together and keeps it as Fun as it could be.

Hopefully next year I'll be able to write more about why I love this story so much, when a second season ends the show.

1. Brave Bang Bravern

There was no way for this show not to be my number one.

Bravern is a show that was custom made for me.

It plays both ends of the mecha spectrum, with the military tragedy on one side and the BRAVE heroism on the other.

It's a comedy. It's a romance.

It's simply beautiful.

Masami Obari worked on this project and tried to play a prank on the audience by making it seem that the show was going to be -just- the military side. And nearing the end of the episode I was quite pleased with how things were going! But as the end was approaching BRAVERN! arrived and completely changed everything. In a few seconds the discombobulated Isami was riding inside the colorful talking hero robot, teaming up to save the world against an alien threat.

The name quite clearly shows that Bravern is inspired by the many shows in the Brave series that Obari worked on through the years.

And to add to that the companionship between the human and robot turns to straight up romance, as Bravern is openly fixated on Isami. This creates a tiny romantic triangle as fellow pilot Smith was also smitten with Isami's bravery in the military exercise they shared before the invading alien forces hit the planet.

The family circle expands when Smith finds a strange young girl who only talks in "beeps" (GAGA PIII!) and was being used by the invading robots as a disposable battery for enhanced power. Smith ends up taking care of her and she gets to quickly grow up and becomes part of the team of two dads, an additional robot dad and one robot uncle.

Blow by blow Isami and Smith find an understanding and Isami also manages to do the same for Bravern, all of their bonds growing ever closer.

A subtle but very ingenious component is naming the invaders "Death Drives", which helps create a very psychoanalytic tale (even more material to appeal to my very specific tastes).

The show simply has it all and it remains the most fun I've ever had with a weekly series in the entire year.

Well, that's it. Go home!

A "special" list is forthcoming Soon (tm).

#anime #anime list #anime 2024 #bang brave bang bravern #ranma 1/2

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nuwho20zine · 7 days ago

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“Welcome, Doctor. Are you suffering comfortably? Then I’ll begin.”

STORY OF THE WEEK: The Timeless Children (season 12, episode 10)

Release date: 1 March 2020 Main characters: Thirteenth Doctor, Graham, Yaz & Ryan Main villain: The Spy Master

🔵 Before we proceed, don't forget that you can now pre-order the zine! Find it here.

Perhaps one of Doctor Who’s most controversial episodes in recent times, “The Timeless Children” was certainly an episode we couldn’t miss. One of the greatest things about DW, in my opinion, is its ability to reinvent itself: canon changes and shiftes and multiplies, and there is never one linear version we can cling to as truth. It’s very Doctor Who of it, I’d say.

Her Doctor takes everything that’s thrown at her and turns it to a positive direction. She refuses to crumble. New mysteries to unpick, fresh identities to claim and a life (among many!) to understand.

To talk about this episode, we have Daniel, one of the writers we recently introduced. He says: “This is it. The Big One. The seductive purr of Sacha Dhawan’s lunatic, hate-filled Master is heard in not one, but two places at once over the course of Chris Chibnall’s great big revelatory brick of an episode, lobbed straight into our little teeming pond of ”Doctor Who” fandom. Both unwieldy and unprecedented, renowned and reviled, “The Timeless Children” is a story that’s steeped in myth and gorgeous imagery, taking all of the show’s toys (The Doctor! The Master! The Time Lords! The Cybermen!) and reassembling them in the most twisted ways imaginable in order to teach us that all we think we know is a lie. Whether any of these mysteries will ever be solved remains to be seen. Whether you believe any of it even worked is up for debate. But the fact that we are still, still arguing about it today is a true testament to Chibnall’s scope and ambition.

“Yeah, it’s not perfect. The Master’s prolonged PowerPoint of revelations is magnetically narrated but dramatically deadly, and does unfortunately sideline Jodie Whittaker’s Doctor into a position of learning everything but achieving almost nothing. Any conflict in her choice of having to destroy Gallifrey (again) is conveniently removed thanks to the regrettable cliché of grizzled old Ko Sharmus (One charge I will hear against Chibnall is how bad he is at Space Names!) stepping in at the climax and sacrificing himself in her stead. But still, what visuals! What nerve! What performances! (13’s flash of rage as she shoves the Master to the ground and bellows, “SHOW ME THE REST!” is one of Jodie’s finest moments) How silly/scary are those Cyber Masters? How sneaky was it to tell us the Doctor’s origin story in the previous episode, but only give us the actual context in this one?

“My biggest takeaway from ”The Timeless Children”, though, is how even in the face of such shattering shocks, Whittaker’s optimism still shines through. Her Doctor takes everything that’s thrown at her and turns it to a positive direction. She refuses to crumble. New mysteries to unpick, fresh identities to claim and a life (among many!) to understand. Acknowledging the past while looking to the future. And that’s perhaps the greatest gift of all, isn’t it? It’s putting the “who?” back in ”Doctor Who”.”

That’s all for this week’s episode! As always, if you have any thoughts, share them below.

🔵 Don't forget that you can now pre-order the zine! Find it here.

#thirteenth doctor #dhawan!master #the timeless children #yasmin khan #doctor who #nuwho20zine

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meddow · 5 months ago

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Fic Author Q&A

Thank you for tagging me @curator-on-ao3!

1. Why do you write fanfic?

It’s a bit of a combination firstly wanting to share a plot idea I have with others, secondly, wanting to see something happen which I know won’t happen in the original source, and thirdly, it can be a bit of a fun puzzle – I don’t like this canon, how do I fix it.

2. Which of your posted stories do you think about the most, even though the story is “finished”?

Lately, First Solitary Separate Singular Complete. It was the first fic I wrote after a long break and I was a very rusty when writing it, so mostly what I would have do differently.

3. If you could give yourself fic advice from when you first started writing fic, what would that advice be?

There will be times when you feel you’ve lost the ability to write. It will come back. It never strays that far away.

4. What’s your relationship to fic stats?

I do check them and quite often, but just for hits. I like seeing the hit count on my WIP steadily head up and like to interpret that as it has found an audience.

5. Is there a pairing or scenario or friendship you miss writing? If so, why? If not, why not?

I wouldn’t mind revisiting Lix/Randall (The Hour) a bit more. I still occasionally find myself coming up with AUs for them. I had half a Victorian detectives AU plotted out in my head back in the day and I wish I'd had the energy to write it. Anyway, it was six episodes over a decade ago and yet they still reside in my head.

6. What motivates you to write?

Partly it’s a race against time to get things down before my inspiration runs out. Partly is that writing for me is like cooking. It’s lovely cooking for myself, but its extra special getting to share what I’ve created with the world and seeing other people enjoy it

7. Why do you write for the fandom(s) that you write for?

My muse is very much motivated by newspaper articles and non-fiction and basically shit I see in the world which pisses me off, and Star Trek remains the ultimate franchise for being able to discuss contemporary issues with a shielding layer of fiction over the top.

For example (spoilers for the next chapter of The Endurance of Light) the villains I’m writing at the moment have an ideology which is based of a whole bunch of anti-master, anti-vaxxer and anti-science rhetoric I’ve seen around – and I’m getting to show how the ruling class of that planet use that ideology to oppress the masses and keep themselves in power, while finding and exploiting loopholes that benefit themselves. I don't know if I'm weird, but writing that kind of stuff for me is oddly fun.

Strange New Worlds in particular hits that sweet spot as it has a great set up and characters I adore, but never seems to have enough time/a high enough episode order to really explore the characters and I want to fix that.

8. If you’re stuck writing a WIP, what do you do?

Go for a walk. I get all my best ideas either wandering around the local park, or in the shower.

9. What do you wish people knew about comments?

I can’t speak for any author but myself, but I’m happy to answer questions about future developments (or the general direction at least, I won’t give a blow by blow) if someone asks me in a comment. I don’t like tagging my fics with whether it’s a happy ending or not or whether a pairing is endgame or not because I feel that ruins any tension and/or mystery I want to build for everyone, but in the comments, I can put details below a spoiler cut.

10. Maybe there’s a question you wish had been on here. What’s that question (and answer)?

As a person who has aphantasia (the inability to picture things in my mind), I’d love to know what other people see when they’re writing, and how much detail. For me, I feel like for a scene I get enough in my mind to create one blurry film still per scene. There's no movement though. I can’t picture things like facial expressions changing or what characters are doing with their hands. Often I feel like I’m just writing off vibes.

I've seen a lot of people I follow tagged already, is there anyone who has missed out that wants to be?

#writing

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jonfucius · 1 year ago

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Great Star Trek Rewatch - TNG Season 1

Originally posted on Twitter 17 March 2021 - 6 April 2021

Star Trek: The Next Generation Season 1 is up next in my Great Star Trek Rewatch. As with ENT, DSC, STX, TOS, TAS, and TOS FF, mini-reviews will document my progress.

Encounter at Farpoint: TNG's pilot is the weakest of the various series premieres. Saving graces are John DeLancie's fully-formed Q, the McCoy cameo, the visual effects, Patrick Stewart's commanding performance, and the greatest tag line: Let's see what's out there, indeed. 5/10

The Naked Now: This episode would have worked better once we knew our heroes a little better (perhaps after "The Arsenal of Freedom"). Since we're still getting to know them, this rehash of a superior TOS episode is flat on arrival. Fully functional, it ain't. 4/10

Code of Honor: It's a racist piece of dogshit. Next. 0/10

The Last Outpost: Man, these Ferengi that allegedly eat their enemies must be as bad the Klingons or the Romulans! Uh, no. They're bad, but not in the way we've been expecting. The T'Kon Empire is worthy of follow-up. 5/10

Where No One Has Gone Before: TNG’s first great episode. Reality powered by thought is a classic Trek idea. Kosinski and the Traveler are excellent guest characters. I’m not the biggest Wesley fan but I cheer every time he calls out Riker. 8/10

Lonely Among Us: There’s just not enough story here to sustain an entire episode. Also, justice for Engineer Singh, reduced to a wig on a chair in one scene. The Antican and Selay makeup, however, are very well done. 5/10

Justice: 90% of this episode is hot garbage. The remaining 10% goes to Picard’s speech about absolute justice (something governments still struggle with), and Crusher’s grief over losing her son. If the Edo really were this primitive, would Picard have stopped there at all? 3/10

The Battle: Wesley’s smugness (and the weak writing for Crusher and Troi) drags the score down a bit, but this is a fairly good first season effort. Learning more about the otherwise enigmatic Picard through a Ferengi’s quest for revenge works. 8/10

Hide and Q: Q’s return so soon after the pilot tries to do something interesting, but it’s not an engaging story. 6/10

Haven: Lwaxana Troi is a love her or hate her character, and I adore her. Wyatt’s chemistry with Troi makes him a believable rival with Riker for Troi’s affections. The Tarellian ship is a striking design. 7/10

The Big Goodbye: While this episode is responsible (for better or worse) for holodeck malfunction stories, this one has a reasonable amount of tension. The reaction to Whalen’s shooting is an excellent in-universe touch. Redblock is effortlessly malevolent. 8/10

Datalore: I would imagine this was the first time people really took notice of just how damn good Brent Spiner is. Evil twin plots aren’t new to Trek, but this is a good one. Glad to see both villains again at later dates. 7/10

Angel One: It’s a sexist piece of shit. Next. 0/10

11001001: The visuals are striking, as are the Bynars. The holodeck scenes with Picard, Riker, and Minuet are worth the price of admission. A solid mid-season installment. 7/10

Too Short a Season: Fountain of Youth episodes are corny at best. A combination of makeup and casting dooms this one from the start. The Iran-Contra parallels come through loud and clear. 4/10

When the Bough Breaks: The Aldeans' plight is sympathetic. I just get the feeling that there's not enough plot to sustain an entire episode each time I watch this one. It's not objectionable but it's not oustanding, either. It just is. 5/10

Home Soil: Some very subtle commentary on the ravages of colonization gets lost in the "ugly bags of mostly water" scene at the very end. Malencon's death is somewhat gruesome for Trek (at least until the airing of the season finale). 6/10

Coming of Age: An excellent first season effort, with Wesley's exam and Remmick's investigation serving as the impetus for the title. Will we see Quinn and Remmick again? Time will tell. 8/10

Heart of Glory: A strong Klingon episode that sows the seeds for RDM’s sublime “Sins of the Father”. All killer no filler. 8/10

The Arsenal of Freedom: Confining this episode to a soundstage limits the scope and stakes of this one, but I do enjoy Crusher and Picard’s scenes. I especially love the Lower Deckers on the bridge. Some good commentary on the military-industrial complex here. 7/10

Symbiosis: Did Nancy Reagan write this stinker? A bummer that this was one of Merritt Butrick’s final roles before his too-early death from AIDS. It could’ve been a great one, but it’s just mediocre. 5/10

Skin of Evil: The first time a series regular dies…for good. The behind-the-scenes tales are legendary, but aside from the goofy oil slick monster, Yar’s senseless death (randomly, in the line of duty) and touching funeral elevates this episode. 7/10

We’ll Always Have Paris: I don’t know why, but this one works for me. I like the sense of isolation as our heroes track down Manheim; and the time distortions are fun, even if the science doesn’t make sense. 7/10

Conspiracy: This episode's shocking climax still hits hard over thirty years later. The unnerving feel of the episode kicks in from the jump and is sustained through to the chilling tag. A shame that this wasn't followed up in live-action. 8/10

The Neutral Zone: The return of the Romulans is dramatic, but the best scenes for me are in the 5th act and the tag. Picard's speech to the refugees is an inspiring summation of Star Trek, and even after an uneven season, it's hard not to be energized for what's to come. 8/10

And with that, TNG Season 1 comes to an end in my Great Star Trek Rewatch. Final score: 5.84/10. Highest score(s): “WNOHGB,” “The Battle,” “The Big Goodbye,” “Coming of Age,” “Heart of Glory,” “Conspiracy,” “The Neutral Zone.” Lowest score(s): “Code of Honor,” “Angel One.”

#star trek #star trek tng #great star trek rewatch

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k2ntwo · 10 months ago

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OK folks...have at it. My answers are under the cut.

Feel free to tag anyone and everyone in the fandom. Answer as many or as few as you like. I'm curious as to how we all got here.

@totallysilvergirl @bluebellofbakerstreet @helloliriels @peanitbear @inevitably-johnlocked @contact-guy

1. Favorite canon quote? The classic “when you have eliminated the impossible, whatever remains, however improbable must be the truth” (SIGN). However, if you ask me tomorrow it might be different.

2. Favorite/least favorite canon story? My favorite is the Devil’s Foot (DEVI) for its subtle Three Garridebs (3GAR) moment. My least favorite is the Dying Detective (DYIN) due to Holmes’ outright abuse of Watson.

3. What got you into Sherlock Holmes? In the days before the advent of the young adult fiction genre a youngster (me) read their way through the entire children’s section of the local library. Wandering around the “adult” section of the library this youngster discovered both the mystery and science fiction sections. Holmes is, of course, ubiquitous in the former and often mentioned in the latter. That lead me to the canon books and I fell in love with the Detective and his Boswell.

4. Favorite/least favorite adaptation? Grenada Holmes is my favorite. Holmes & Watson with Will Ferrell is my least favorite.

5. Most niche Holmes adaptation you’ve consumed? The BraveStar episode that was spun off into Sherlock Holmes in the 22nd Century.

6. Favorite Holmes portrayal? Jeremy Brett

7. Favorite Watson portrayal? Martin Freeman

8. Holmes & Watson or Holmes/Watson? Both!

9. Do you write/read Holmes fanfiction? Oh yes. Both read and write.

10. Favorite Holmes fanfiction? Too many to count. Look at my AO3 bookmarks for what I like best.

11. Headcanon about Holmes? My favorite is that Victorian Holmes is both gay and demi sexual.

12. Headcanon about Watson? Watson would be one of the smartest people in any given room, except that he happens to be standing next to Sherlock Holmes.

13. Something you wish more people understood about Sherlock Holmes? That he wasn’t an emotionless misogynistic prick in the original stories. In fact, he often showed quite a bit of empathy to the victims of crimes, especially women, who requested his help.

14. Who do you relate to more, Holmes or Watson or both? I hear John Watson’s voice quite clearly; Holmes, not so much.

15. Do you draw Sherlock Holmes fan art? No.

16. Favorite Sherlock Holmes fan art? See @bluebellofbakerstreet and @contact-guy for two.

17. How long have you been into Sherlock Holmes. Not telling, it would date me badly.

18. Favorite piece of Sherlock Holmes related trivia? Baritsu was not a martial art, ACD invented it and then a guy named Edward Barton-Wright actually developed it.

19. Favorite Sherlock Holmes supporting character? Lestrade.

20. Favorite Sherlock Holmes villain? Don’t really have one.

1. Favourite canon quote?

2. Favourite canon story/least favourite canon story? (Either question optional)

3. What got you into Sherlock Holmes - the books or an adaptation? If adaptation, which one?

4. Favourite adaptation/least favourite adaptation? (Either question optional)

5. Most niche Sherlock Holmes adaptation you've consumed?

6. Favourite Holmes portrayal?

7. Favourite Watson portrayal?

8. Holmes & Watson or Holmes/Watson? Or both?

9. Do you write/read Sherlock Holmes fanfiction?

10. If you read fanfiction, favourite Sherlock Holmes fanfiction?

11. Headcanon about Holmes? (And do you have any favourites?)

12. Headcanon about Watson? (And do you have any favourites?)

13. What is something you wish more people knew/understood about Sherlock Holmes?

14. Who do you tend to relate to more - Holmes or Watson? Both?

15. Do you draw Sherlock Holmes fanart?

16. Favourite piece of Sherlock Holmes fanart? (Either by yourself or another fanartist)

17. How long have you been into Sherlock Holmes?

18. Favourite piece of Sherlock Holmes related trivia?

19. Favourite Sherlock Holmes supporting/one off character?

20. Favourite Sherlock Holmes villain?

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layzeal · 3 years ago

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MDZS Audio Drama Listening Guide

AKA Lace has listened to the Audio Drama an unholy amount of times and might as well put her knowledge to good use

(Suibian Subs) (NanaBeingNana) (Episode Guide by pumpkinpaix) (Purchasing guide for iOS)

NOTE: This is my own, personal opinion on what’s the preferable order to watch the MDZS Audio Drama extras.

The AD is by far the most accurate adaptation we have, and not only it follows the novel 1:1, it adds quite a lot of content that had only been left implied or left off-screen in the original text. However, there are also some events that do happen in the novel, but had to be put aside in an extra episode, either because of time restraints or for the sake of pacing. So, I’ve tried to set up this list to compensate it! The order is either based on at which point we learn such events in the novel, or if this event isn’t in the text, then it’s based on what I believe the best time to listen to the extra would be.

If you feel overwhelmed by the amount of extras and don’t know where to start, hold my hand and i’ll show you the way (*•̀ᴗ•́*)و

(The letters with an * after some episodes names refer to Gacha Episode tiers, collected by SuibianSubs. I’ve just put it there so you can more easily find it on the folders.)

Season 1

Episode 1

Chance Encounter (N*)

Episode 2

Episode 3

Episode 4

Escape

Make-up (link)

Good Fortune (SSR*)

Sleeping Together

Episode 5

Instant Success (SR*)

Autumn Wind and Dewdrops (R*)

Female Cultivators

Beard

Paper Balls

Invinting Friends (SSR*)

Fear of Dogs

Cultivation Through Meditation (R*)

Episode 6

Loquat

Ants

Taking Responsibility for One’s Actions (R*)

Deciding When It's Time (R*)

Better to Not Make Enemies (N*)

Longing to Speak Yet Unable to (R*)

Keeping Rabbits

Episode 7

Eating Watermelon

Simple Mindedness (N*)

Episode 8

Startled and Shocked (N*)

Gifting a Dog

Be Adaptable to Circumstances (R*)

Episode 9

Lamentations Over Injustice (N*)

Episode 10

Director

Overwhelmed by an Unexpected Favour (SR*)

Episode 11

Combined Efforts (R*)

Glutinous Rice

Episode 12

Preach To Impart Knowledge (R*)

Season 2

Episode 1

Caught Unaware (N*)

Things Remain but People Change (N*)

Articulate (R*)

Episode 2

Parting Ways (N*)

Episode 3

Episode 4

Flower Damsel

To Gain a Sharp Edge (R*)

First Meeting with Wen Ning

Episode 5

The Game of Life (R*)

The Adventures of Paperman Xian

Episode 6

Washing Clothes

Completely Incompatible (R*)

Episode 7

Flower Banquet

Episode 8

Carefree (R*)

Powerless (N*)

Episode 9

Lotus Seeds

Episode 10

Happy to Help Others (SR*)

Founder Story

Episode 11

Dulcet Melody (R*)

Lap Pillow

Episode 12

Yunmeng Youths

Episode 13

Episode 14

Episode 15

Wavering Heart (R*)

Episode 16

Childhood

Cutting Melon

Season 3

Episode 1

Filled with Noble Aspirations and Courage

Delivering Soup

Duplicity (N*)

Episode 2

Tossing Flowers

Drunk

Episode 3

Episode 4

Episode 5

Planting Radishes

Simple and Naive (R*)

Take Root (R*)

Episode 6

Helping Others (R*)

Mending a Relationship (SR*)

Love Letter

Daydream (R*)

Episode 7

Episode 8

Episode 9

A-Yuan and Rabbits

Episode 10

Episode 11

Episode 12

A Lost Desire (N*)

Episode 13

Episode 14

Episode 15

Episode 16

Episode 17

Novel Extras

Family Banquet

Into the dream 1, 2, 3 and 4

Villainous Friends

Lose Money to Do Away with Misfortune (N*)

Leaving a Mark (R*)

From Dawn to Dusk

Intrusion

Iron Hook

Lotus Seed Pod

Dream Come True

Miscellaneous Extras

These are extras that don’t particularly fit into the list, or would feel disruptive and awkward when placed somewhere there, so i’ve decided to set them in a different list. You may watch them after you’re finished with the other episodes, in whatever order you wish!

Bogao Gifting a Swan (SR*)

Out with the Old In with the New (SSR*)

Respect Between Spouses (SR*)

Matchmaking

Harmonious as the Lute and Psaltery (SSR*)

Following Heart's Desire (R*)

Flying Thoughts (SR*)

Always Remain Smiling (R*)

Accompanying You to Sleep: Lan Qiren

Accompanying You to Sleep: Wei Wuxian

Accompanying You to Sleep: Lan Wangji

Sound Asleep (SR*) - (The JC version of the ones above)

Chilli Pepper (N*)

Disputes From Gossips (N*)

Oof! I think that’s it! Thank you for your patience haha, and I hope you enjoy the Audio Drama as much as I do! Remember to please purchase it on the official app if you’re able!

#mdzs #mdzs audio drama #魔道祖师 #mo dao zu shi #IT'S DONEEEEE #i absolutely set some of these to be in the most emotionally devastating place possible (while still being accurate)#PLSSSS EVERYONE LISTEN TO THE AUDIO DRAMA. JOIN ME IN MY BRAINWORMS #modao #lace speaks

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phantom-of-the-ruckus · 2 years ago

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The Hello Puppets and MLB "crossover"

Disclaimer: This is not a crossover, but a universe inspired by Miraculous Ladybug. I am not much of a fan of the series anymore but I do enjoy it. I probably won't tag it there because the fandom sorta terrifies me (hence this disclaimer) Although I may have problems with the creator and the show itself, I do think it holds pretty well and my rewrites and changes are entirely for my own universe and lore. This was just for fun

I am not really finished with this universe as I have other projects like Riley Drew and Fallen. I am doing this mostly as casual projects and fun ideas. This has been in my mind for about a year and I remember its existence until a few days ago.

As this was inspired by the MLB lore, I am showing my major changes:

No love square and love triangles will be in here. The guys the main duo is a pre-established couple and will remain that way (most likely the only pairing)

No master Fu will be present, Scout is a sort of spirit guide but she's not exactly the best (best way possible)/Might add the other Scouts

Mayura will NOT be in love with Hawkmoth. She would only be his partner in crime and is platonically friends with him

Some of the stories will be more linear and episodes will be connected.

The powers will be severely limited to keep it in balance (So no lucky charm that magically fixes everything.) I'm still working on that aspect

The story would be more about teens and up

There won't be much akumatized character because I don't have the brain power to create an akuma of the day. So akumatization would be occasional, and the powers of the moth will be different.

The villains will have some allies who they'll akumatize, so villains will repeat but upgraded

In a future I will also change a bit the Kwamiis as I am not really a fan of their designs (don't kill me)

Ok, let's dive into the fun part, and start with the basics of the series, the characters, some lore, and a bit of a plot twist which I won't give too much information. Be aware a long post is ahead!

Also, there will not be any cannon x cannon in this

Feel free to ask questions in my ask box ^^

Overall series summary: The Amazing adventures of Lord Bug and Lady Kitty Noir tells the story of high school sweethearts Sarabeth "Beth" Jenkins and Anthony Pierson. At day, they are aspiring journalists with a love of the supernatural, but in night they are the fighting crime famous duo: Lord Bug and Lady Kitty Noir. A duo of superheros fighting the forces of evil along with their spirit kid guy, allies and friends while also learning balance and the hardships of that heroes. often face.

As for now If I ever write this, this would be divided into 2 seasons with 24 "episodes" each (technically it would be divided by parts. Each with some specials each (chapters that connect to each other)

Season 1: After discovering a long time secret from her late Aunt and Uncle, Beth and her boyfriend Anthony decide to continue the legacy of the late heroes "Miss Bug" and "The Black Cat" as a new duo of heroes called "Lord Bug" and "Lady Kitty Noir" as an old enemy of the city returns along with some new faces, and a new partner in crime joining his side seeking revenge against the city.

Season 1 right now has six special episodes (Two special events, all of them add to six.) They would be the longest, and as episodes let's say about 40 minutes each.

Episodes 1 and 2: "Origins"

Episode 1: Miraculous

Episode 2: Lord Bug and Lady Kitty Noir

Episodes 9-12 "Rise of the Phantasm"

I haven't planned out the chapter names yet but this could be it/note: this could change. This will be Mayura's origin story.

Episode 9: "The peacock miraculous"

Episode 10: "A dark new dawn"

Episode 11: "Phantasmagoria"

Episode 12: "The Phantasm strikes"

Season 2: Beth and Anthony are still facing the harsh realities of being a superhero and at the same time joggling the responsibilities of high school students. Things don't look exactly bright however as Shadow and Phantasm started to make their attacks more frequent, disrupting their established balance, not to mention the introduction of a new miraculous holder makes things easier than they already were.

Season 2 is undecided what would happen, but it would complete the same format as 24 episodes/chapters, Two specials with the total of 6 special episodes.

Two parted special would not be the premiere of season two, maybe mid-season or season finale

Special: "Through the Rabbit's hole"

Episode TBD - "Clockin' around"/Tittle might change

Episode TBD - "MadHat Hattie"

Four parted special is still a name in progress "Hero's day", this could be either mid-season or season finale

Episode TBD/ Part 1 - Hero's day

Episode TBD/ Part 2 -Mr. Foxglove and Phantasm

Episode TBD/Part 3 - "Captain Honeybee"

Episode TBD/ Part 4 - "Certain truths"

This is what we have around with episodes, so now let's dive into the characters and their alter egos (I won't be sharing much information about some)

---

Anthony Pierson (Protagonist)

Note: His actual hair and eyes are others, since I injured my wrist I have to limit my drawing and writing. His eye is actually gray, and his hair is more brown (close to black) and his hair is exactly like the picrew I originally made with the Vox Veritas' gang.

He's 17-years-old.

He currently studies at Summer Creek's High School in a journalist program with Beth.

He is the boyfriend of Sarabeth "Beth" Jenkins.

He lives with his mom, and takes care of his little niece Sally (@dolly-royal OC)

He had some troubles with the law around his preteen years due to many issues with his estranged father Victor, but he has worked his best to better his ways and works towards bringing awareness through journalism.

He's the ladybug miraculous porter.

Tikki's owner.

He's like a brother to Scout.

His personality is more like in the cannon version, but he's more laid back and keeps himself from breaking other laws again.

Alter ego is "Lord Bug"

"Lord Bug" - Anthony's Alter ego

He has a Ladybug shaped metal backpack that contains his wings to fly (not removable)

He's weapon is still a yo-yo. It's store on his

Under his goggles there is a mask like the OG Lady bug has.

He has level booths with some spikes as well (not removable)

He can't exactly remove his googles but he can move them up to his head. This help him have eye protection when he sees.

Once he activates his wings, his googles automatically extend to create a safety helmet.

His lucky charm is a bit different from cannon. He has the ultimate lucky charm, which creates a bigger item that he can use to fight crime but will disappear once his time runs out. He has the lucky charms, which are small charms with different uses. He has to limit his use because it would drain transformation energy.

He has the ability to fly thanks to his backpack, and other miraculous can activate their personal googles is he needs to carry them.

His booths and gloves give him the ability to climb and stick on the walls, although some surfaces are limited.

He has a shield that he can activate by spinning his yo-yo (a ladybug symbol appears)

This is what I have for now.

Sarabeth "Beth" Jenkins (Protagonist)

Note: Beth's appearance is in fact quite similar to the first colored drawing I gave her. I would just add some minor changes. She has a beauty mark on the left side of her cheek like in the drawing

She's 16-years old

Her mother passed away at birth and her father died while serving in the army. She lives with her Aunt Daisy (who is not her aunt, but she promised to take care of her after her best friend Amyrose died.)

She used to live with her Aunt Amy and her husband Owen, long before they mysteriously passed away in a fire.

Her personality is pretty much like in "Ambition" but she's more energetic and juvenile.

Anthony Pierson's girlfriend

Studies at Summer Creek High School at the same journalist program with Anthony

Is the high school journalist. She works with her counselor and editor Ericka Swan (no picrew yet)

She's like a sister to Scout

She originally was intended to inherit the ladybug Miraculous, but she chose to have the black cat miraculous.

Plagg's Owner

The Black chat miraculous holder.

Alter ego is "Lady Kitty Noir"

Lady Kitty Noir - Beth's alter ego

Just like the original Chat Noir, her gloves have claws, but she can get them out whenever she wishes too.

She has night vision and super hearing abilities.

Her weapon is the same as Chat Noir, but besides extending it, she can separate it into two.

Her suit grants her the ability to climb walls, although some surfaces are limited.

She has supper speed (like she can run around the same speed cats can) and can jump up to 6 feet tall thanks to her booths.

Her powers are still in definition but she can use catalyst (it will be like small ones) but it would take up her transformation time. They would look like cat scratches to be honest. She has the ultimate cataclysm which would be the equivalent of the OG power but to a larger scale. This would also take some suit power.

Her flexibility and a delicate sensor ability.

Her shield is activated through a special button with a kitty paw. She makes a circle with her weapon and it appears (it has a Kitty cat symbol)

This is all I have for now.

Scout (Tritagonist)

Guardian/Spirit form (True form)

Human form (Harper)

Scout is a kid spirit designated to care of the box of the miraculous and guide the next miraculous Ladybug and Black cat holders to the future (Recently assigned)

Although spirits have lived for centuries on earth, in Spirit age she's 12 years old.

Her personality is like in the games. She was a bit distrustful of the new set of heroes but eventually warmed up to them as their friend and spirit guardian.

She's rather clueless of her guardian abilities, but at least tries.

She can also turn herself into a golden retriever to get out of the world as it's too dangerous for her to live as a civil human.

She originally kept herself as a dog before Daisy learned the truth about the heroes. Now she can stay with her in her human form.

Her real power is being an annoying little shit/affectionate/positive

As a spirit she can fly

She gets the bunny miraculous on season 2

Fluff's owner

Alter ego is Madhat Hattie.

Madhat Hattie - Scout's alter ego

Her powers are way much different as the OG version because it was way over power. So she cannot travel in time, and her powers are more inspired by magicians and Alice in Wonderland

Her weapon is sorta her umbrella and is in her hat (she takes it out like a magic trick). Her real weapon are a limited deck of cards that she can use as shrikes

Her powers would be refences of Alice in Wonderland stuff. I haven't planned them out yet.

She can jump and run like a rabbit. Her umbrella will help her gracefully land by opening it.

Shield is activated by spinning her umbrella (bunny symbol appears)

Her superpower is Rabbit's luck. Her umbrella will become a drill that will let her create rabbit holes from a certain distance. It will also limit her super suit power.

Mayor Mortimer Handee - Main Antagonist

Mayor for about the two seasons before Rachel Breadstone takes the office.

Has an ok relationship with Nooro and treats him with respect. This is because there is a possibility that he'll have a redemption arc.

He's more serious and threatening but nowhere near his cannon version which is terrifying.

Has a vendetta against heroes and has a complex moral compass about his evil deeds. He doesn't do harm to people as he does take his duty to protect them, but questions if heroes are something necessary (quite complex that I am working on)

The moth miraculous (I am not calling the butterfly miraculous) was given to him by a minister during some duty stuff. He kept it ever since, and is presumably linked to the dead of that corrupt politician.

He actually was relieved when he stopped being mayor because the stress was bad.

Is in the search for the miraculous to keep them lock and end heroes as he believes there's evil that could abuse them as poor Nooro exhibits trauma.

Was good friends with Dr. Fred Ruckus

Moth Miraculous porter and Nooro's owner

Alter ego is "Shadow"

Shadow - Mortimer's alter ego

Note: I hate Hawkmoth and Mayura's design sorry not sorry

His villain name is because he's in the shadows and rarely makes appearances. He was named by Miss. Bug "Shadow" after he tried to akumatize her while introducing himself as simply "I am a simple guy in the shadows"

His cane is still his weapon. His shield is activated the same way Lady Kitty Noir activates her. It has a moth symbol.

He was the shadow for about 10–16 years.

Just like Lord Bug, he has a set of moth wings that he can activate, and his goggles can move up to his head. He was a mask underneath.

He still has the power of akumatization and can do it numerous times, but his suit time will run out and he would lose connection to the akuma. He can also upgrade former akumas and remove akumatization.

He actually creates the akumas with the power of his hands. I cannot take seriously Mortimer having a garden full of evil butterflies XD

For his ultimate power, I guess he can call an army of moths he creates that could work as a giant hand, or he as the ability to give himself one superpower with a time limit (TBD)

His personality is more jovial and cracks jocks. Phantasm is sick of his bird puns, but well sometimes he gets under her feathers

Dr. Riley Ruckus - Supporting character and now second main antagonist

Before becoming the Phantasm

Note: I forgot her freckles, sorry XD

Curator of the "Ruckus' Museum of Science" and daughter of Dr. Manfred "Fred" Ruckus.

She was friends and sorta is still friends with the duo. She tolerates Nicholas Nack (No. They're not related, and yes. I am keeping some of the cannon. No shipping) and had a rocky relationship with the mayor

She was very close to her father, Manfred (as her mother died in an expedition accident), and is the next Ruckus in line to inherit her family museum.

Her role was to investigate around the city and help the heroes find more about the akumatization.

Kids tend to stress her out a bit due to their lack of interest in her presentations as their attention was always drawn to the stupid Dino figure (who is historically inaccurate) Nick made as propaganda

Her family also found the book containing information about the miraculous, and her mother was the one who found about the peacock miraculous.

She used to have a bit of a secondary role until the special "Rise of the Phantasm"

She used to be an allied for the heroes.

After becoming Phantasm - Events after 4-part special

Note: The good boi is ok, he's being a good boi in the background doing good boi things

After the events and becoming the Phantasm, Riley became much colder and quite temperamental. She sorta remains friends with the main cast, but has become more distant due to the events

Her appearance drastically changed as she took over the museum she had to get into a more professional image, and was getting a bit more involved with candidate Rachel Breadstone and Mayor Handee was helping her with the museum.

She and Mortimer eventually learned each other's identities and formed an alliance as they fear the other could expose them. The eventually formed a Platonic bond and were in good terms, almost as best friends/ a mentoring relationship (No cannon x cannon shipping in this AU BTW)

She called off her deal with the two main heroes (in their hero alter egos) after they decided to redeem a group a bit related to her villain arc. She's rather cold and often ignores them.

She works very closely with Mortimer trying to translate the book her late mother found

Peacock miraculous holder and Owner of Duusuu

Duusuu does get along pretty well with Riley and she finds them tolerable. They basically adore her and drink Coffee with her.

Alter ego the Phantasm.

The Phantasm - Riley's alter ego

Note: Mayura is not really a pretty design and I gave her a mask for congruency. My AU my rules.

Her face mask is more reminiscent of a peacock. Her suit seems to be a dress, but it's a full suit with a not removable jacket that contains the peacock feathers.

Her fan is still her weapon and she can take one of the feathers and throw it as a dagger. She can also separate it into two to fight with her hands.

She works closely with Phantasmagoria for her public appearances, as she stays in the shadows working around and pulling variables to her advantage.

Her powers are basically the same as Mayura with the exception that she can create multiple amoks with the same consequences as Shadow has.

I haven't decided her ultimate power yet, but it's probably relating to creating a giant sentimoster to aid her. Sentimonsters tend to reflect what a person want and/or need the most.

Her suit can actually open her tail feathers, so that's her shield. They can also extend and make her land safely on her feet.

She makes clear that she's Shadow's partner in crime and not his assistant.

When contacting an amok or an akuma (if they're link) she can alter her voice to sound as Phantasmagoria.

Dr. Manfred Ruckus - Supporting character

He was more of a minor supporting character until the special "Rise of the Phantasm"

He was a great fanatic of heroes and the one who requested Nick to create Dino.

He took great care of Riley as she was the last remaining of his late wife, and the only family left.

His late father gave him the Ruckus museum and he often donated to charities

He rescued the Good boi and gave him to him as a gift for Riley during her time grieving over her late Mother

As Phantasmagoria

One day he was gone and the other day he appear to the public as Phantasmagoria.

Nothing is much know about his rise as a villain or his reason why. He's the face the Phantasm use for her public appearances.

He doesn't use his powers, but does fight with his fan (Which I forgot to mention it was made out of metal)

His mask is removable, but is speculated he uses it due to his accident. He no longer appears as Manfred but now as Phantasmagoria.

Nick Nack - Supporting character, now Anti-hero

Note: No, He doesn't have a fox as a pet is probably a statue

Artist and owns his own gallery. He has fair prices and sometimes lets people enter the gallery for free. His art varies from various inspirations

He made Dino the Dinosaur as per requested by Dr. Fred Ruckus. Riley told him to add feathers, Manfred told him to be created so he did not add them to piss off Riley. Dr. Fred loved his work

He's in an ok term with the heroes in their civil and hero form. He annoys them and they annoy him, but there is nothing that bad outside the occasional insulting Nick's supposed genius with criticizing his art

He's much nicer than the cannon version, and still has a lot of Daddy issues.

Mortimer ignores him, but at least he's in good terms with Daisy and she gives him goodies.

Owner and best friend of Trix

He found the fox miraculous and did try to tell the heroes but he was ignored. He kept it.

Alter ego is "Mr. Foxglove" (He gains it around season 2)

Mr. Foxglove - Nick's alter ego

His suit is more related to a fox but picrew was very limited.

Yes. He is named after Mr. Fox and Foxglove, it's meant to be a pun.

He has more of a trickster personality like a fox usually does in fables and stories.

Just like Lady Kitty Noir, his gloves have claws but he cannot exactly get them out whenever he pleases.

He has super hearing and speed. He has also the ability of camouflage

His flute is his weapon and he has to play a tune to activate his shield (Fox symbol)

He's more of an anti-hero as he helps both heroes and villains whenever he pleases or they convince him. He will help the Phantasm every time she threatens him (Why? Squirrels In My Pants/ They meet in season 3)

He accidentally slipped the whole Phantasm and Phantasmagoria deal after accidentally referring to Phantasmagoria as it and the Phantasm as she.

I am still deciding his powers, but he can make several illusions by playing minor notes. Prop ultimate power is a moving illusion with power suit consequences.

Daisy Danger - Supporting character, later hero

Note: not much info on her, so sorry Darlings

She's a character in progress sadly, so there is not much about her.

She's a home baker and a single mom. She took Beth under her wing and cares for her as an adoptive mother/aunt

She often helps with making pastries for special events and sent cookies to the Ruckus family.

She's sorta Riley's best friend and a mom friend to everyone.

She then becomes a mom to Scout, and makes sure she doesn't overwork herself during.

She becomes a miraculous holder thanks by Lady Kitty Noir choosing her to help her out. Beth gave her the miraculous back after revealing her identity. (Season 2)

She's now Pollen's owner

Alter ego is Captain Honey Bee

Captain Honeybee - Daisy's alter ego

Still under construction

Her googles basically function the same way as Shadow and Lord bug as well as her wings.

Her hair now has some black stripes and her suit resembles a bee.

Her weapon is still the same, but she can paralyze a couple of people. Still super suit downside

Her superpower would be the one that Multimouse has of becoming very small like a bee, which enhances her abilities to the max and is hard to spot.

Just as Lord Bug, she had to stick to the walls, and her vision is much better.

She also has super strength and her shield is shaped in a honey comb.

#Hello puppets #au #mlb crossover au #daisy danger #riley ruckus #mortimer handee #nick nack #scout hello puppets #superheros #villains #WIP #masterpost #inspired by show #Sarabeth “Beth” Jenkins (OC)#Beth Jenkins (OC)#Manfred Ruckus (OC)#Anthony pierson OC #No one is related and I have made my pov so many times that I am tired of repeating myself #yes I did call Nick that

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radroller · 2 years ago

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I finished Ginga…and Ginga S!

I wanted to look at both of these series as a package deal, partially because that’s what they are, but also because i find how they both serve as testing grounds for the New Generation Ultraman seasons in various ways.

Ginga has turned out to be one of my favorite Ultras for how unique it is. It trades the usual Tokyo skyline for a rustic environment. There’s no defense force, most villains of the week are humans that have been manipulated, and the story focuses on a group of friends reuniting at their run down school out in the sticks. It’s such an intimate little setup i can’t resist, even if it was likely a byproduct of the main thing the show is infamous for. Ginga had a low budget and you really start to feel it after a bit, and at first i was a little nervous about this. Im definitely not picky about that sort of thing but i was afraid that might color my judgment given how used i was to the standards set by 2010s Ultra seasons. And i can safely say that if you are at all apprehensive about Ginga for this reason, don’t be. The combination of the show’s amazing cast and superb direction really made the most of what they were able to do. And i wouldnt want it any other way. It may not have various tropes and iconography you associate with Ultraman, but even so it gets to the heart of what the series is all about, humans overcoming their selfishness and despair to reach their full potential and rise up and build a brighter future. Also Taro is there and you will love hi.

I assume Ginga was a success because by the time Ginga S came out it was clear Tsupro was much more willing to give them money to work with. All new sets, props, a defense force with various vehicles (part of a deal with Nissan i believe), the BEST city miniatures the series had ever seen, it’s all the stuff Ginga dreamed of having even if it didnt exactly need them. You could say S is a sort of victory lap for Ginga (no pun intended) and that’s kinda what i see it as. Because despite all of this i don’t quite like it as much as OG Ginga. It’s a perfectly solid Ultraman series, it’s just that Ginga gave me something I didn’t really know i needed. But that still makes it an 8/10 as opposed to Ginga’s 9/10, it’s not that huge of a difference and if you enjoyed Ginga you should definitely check out Ginga S to see all that it has going for it. Hikaru’s back, and while all of his friends from the first series reappear in some capacity, S gives us a whole slew of new characters to enjoy. This is the strongest thing about the show i feel, as new deuteragonist Ultraman Victory aka Sho, the UPG staff, and villainous android One Zero make for a fun circle of folks with fun dynamics. To say nothing of the fun one-off characters we get, this shit had me upset over fucking Gan Q. I think the only objective flaw with Ginga S to me is that most of the new villains aren’t all that interesting. This is remedied somewhat by a couple of things but i don’t wanna get into the details. The other thing, and this more of a personal issue, is how regrettably short it is. It’s paced perfectly for being a shorter season but i was left wanting more of all these characters and stuff! Which is funny because it’s actually longer than original Ginga. It’s like the bigger budget made me want it to stick around more while Ginga’s more modest resources kept them from overextending themselves. After that though Ultra would opt for 26 episode seasons, which i think is a perfect length. Again though this is just a personal thought, watch Ginga S and enjoy yourself!

I hope you enjoy Ginga and Ginga S as much as i have. I honestly thing Ginga is a good intro to Ultra, though some may disagree, and Orb remains my own go-to recc so take that as you will. But regardless i absolutely enjoyed my time with it and was pleasantly surprised by just how much i liked the whole thing.

#stephen watches ginga s #stephen watches ginga #ultraman ginga s #ultraman ginga

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prol-x · 3 years ago

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Pam & Renee‘s Toxic Relationship

Renee was absolutely right when she said that they have a toxic relationship.

First of all, I don’t even understand Renee’s intentions. Like she wanted the old Pam back (okay fair enough) but when she saw that Ivy wouldn't change back into someone who couldn’t stand up for herself she betrayed her in the most horrible way. Both sides have their rights and wrongs of course but that’s not a healthy relationship.

I have so many questions because 10 years have passed and now Renee wants Pam back? Why now? What changed? Renee said she always regretted what she did and feels terrible. Okay yes, but you could have done something earlier or maybe not done that all? I get that she is conflicted about her feelings and doing what’s “right” but the timing feels weird.

Anyways, Pam is back now but without her full strength. That’s the next point I don’t quite understand. Renee helps her get Mary into the woods and then shoots Mary so they can’t meet? But in the end, steps aside? Talk about not knowing what you want. Plus, in the next episode, she’ll be on Batwoman’s side again and against Ivy.. again. Renee knew that Ivy would get her full strength back when she let Ivy get to Mary. What game are you playing Renee?

The most crucial point why I think their relationship is toxic is when Pam uses her pheromones on Renee.

I understand why Ivy did that and I’m kind of on her side. However, Renee reveals that she created her own toxin so she can’t get manipulated by Pam and that is it. Renee doesn’t trust Pam that she won’t manipulate her and created the toxin that Ivy didn’t create because she doesn’t trust Renee (Ivy gave Harley immunity, just saying). That means that the fundamental of their relationship isn’t trust it is fear. Maybe they do love each other but they are more afraid of how this relationship affects themselves and their goals than anything else.

This leads me to my next point. Every intimate moment they shared ended with one of them betraying the other. One is even worse than the other because.. listen, I get where Renee was coming from but that was the only solution? She tried everything else before she let Ivy rot in the ground? It‘s possible because we don’t know that much of their backstory but still.

After all of this, what’s the endgame going to be? Well, either Ivy gives up her crimes or Renee her oath to uphold the law and I don’t think nor do I want any of that. I love Ivy and her being a villain goes far deeper than I’d like to go into right now because her origin story is far more complex than what we got here. I don’t think giving up everything for a partner is the solution. Ivy outgrew herself and her weaknesses to the point where she doesn’t want to go back to this part of her life. Acceptance is the keyword in all this. Pam accepted what she is now and that she can’t change it but Renee didn’t or did she? When she talked to everyone else (Alice, Ryan, Sophie) about Ivy she said that Pam was a lost cause that Renee couldn’t save her but now she assumes that since Pam is back Renee can change her? Either Renee just wants to give the cool detective around everyone else but is just heartbroken deep inside and doesn’t know how to handle all of this or she is just a manipulative backstabber. However, the question remains: Why now?

All in all, I don’t think they’ll ever see eye to eye in this because one of them wants to go back and the other wants to move forward.

This is just my analysis of their relationship on what we know right now and maybe they can work it out in the end. Let me know what you think though!

#poison ivy #pamela isley #renee montoya #batwoman #dc #analysis #bridget regan #season 3

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mostlymovieswithmax · 4 years ago

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Movies I watched in July

Once again I’m doing my monthly round-up of movies I’ve watched. This was a good month for the cinema getting back on track and seeing new releases including the new M. Night movie, Old and James Gunn’s The Suicide Squad. Pretty sure Marvel put out a new movie also. I’m hoping that this list can help in guiding a decision about what to watch (or what to avoid) and introduce people to movies they may otherwise not have heard of or bothered to see. These short reviews are my own subjective opinions on each individual movie and maybe a more informal approach to movie criticism can help include others who are just passing through. Here is every film I watched from the 1st to the 31st of July.

Bridesmaids (2011) - 4/10

Off to a good start. I won’t say Bridesmaids is a terrible movie but I don’t think I’m exactly the target audience. As far as I know, this is a beloved comedy but I just can’t get on board with all the boring, juvenile humour; with Maya Rudolph shitting in the street, with Rose Byrne and Kristen Wiig trying to one-up each other at a toast that went on forever, with Melissa McCarthy shitting in a sink… the conflict is so done to death and makes the movie feel unspecial. I do understand the appeal of the film, especially for women in that before this movie the likelihood of seeing something like this, where women play up the more crass and gross side of comedy, was probably few and far between. But the story is very tired and while I did appreciate some moments, namely a couple of decent jokes and some of the more intimate scenes, for the most part it felt like they wanted to corner a more quiet type of line delivery in a way that was supposed to be understated but very funny so as to not rely on over the top body language or musical cues, and it ended up being super dull.

Spectre (2015) - 7/10

As far as I can tell, a lot of people don’t like this instalment of the James Bond franchise… but I really enjoyed it! I’ve really taken a shine to these Daniel Craig-era Bond movies and while I can’t say any of them are the most amazing thing, I have a lot of fun with them. The biggest problem I have with Spectre is the villain being utterly pointless and uninteresting in basically every way. The idea of every villain Bond has fought before being tied to this one organisation controlled by this one guy is ridiculous, and what makes it worse is that the villain is barely in it! There’s so much that doesn’t come together in this but as it goes, I still had a really good time. Daniel Craig holds the whole thing together; he is excellent as 007 and the main reason I’m up for each of these movies is because of him. Sam Mendes directs again after the previous instalment and for what it’s worth I do think he does a good job with some of the action set pieces and the locations. I’m so ready for No Time To Die.

Shazam (2019) - 7/10

Shazam is a genuinely fun superhero movie that doesn’t take itself seriously at all. I was having a great time throughout and while it could conform to some of the same tropes we’re used to with these kinds of movies, it still remained playful and used the character of Shazam to his fullest potential in a way that showed an understanding of just how silly the idea of a kid who can turn into an adult and shoot lightning out of his hands is.

High School Musical (2006) - 6/10

So as you may or may not know, I co-host a podcast: The Sunday Movie Marathon. It’s a film podcast and every week I get together with my other co-hosts and watch movies. For episode 38, we watched the High School Musical trilogy. This first movie blew me away. I was really surprised with just how much fun I had, and if you want to hear more of my thoughts on the film, please listen to episode 38 of the podcast.

High School Musical 2 (2007) - 4/10

We then jumped into the second and while it’s certainly not as good as its predecessor, there are still some brilliant songs that manage to top the last movie. Again, more of what I have to say can be heard on episode 38 of the podcast.

High School Musical 3: Senior Year (2008) - 3/10

Senior Year was pretty hard to get through. I don’t remember it being as bad as it was, but then I didn’t really remember it anyway. It did however have one redeeming quality, which you can discover on episode 38 of the podcast.

The Piano Teacher (2001) - 9/10

What the fuuuckkkk. The Piano Teacher is horrendously affecting and I was so upset when it ended, maybe not because it’s not what I wanted but because it’s just so fucking dour and unrelenting. This is the second Haneke movie I’ve seen (after the original Funny Games) and I’m so impressed with how well executed it is. Following a woman who teaches piano, we get a glimpse into the life she lives, how sheltered she is from living with her mother at an age where you’d reasonably expect a person to be living alone or with a partner or friends (even going so far as to be sleeping in the same bed as her), and how repressed she is sexually. It’s clear she’s never experienced any kind of sexual interaction or romantic love with another person, so she goes out of her way to take control and make that happen. The upsetting nature of it comes from just what she does in pursuit of it or as a result of her repression, and what is done to her. It is by no means a movie to recommend to your parents but The Piano Teacher offers so much in terms of the ideas it presents (and I’ll admit there seems to be a lot more going on than I think I picked up on a first go round) about women in modern society, and about the portrayal of sex and expectations of people when it comes to how that is represented in a person’s character depending on their gender. I really enjoyed this movie but it is not for the faint of heart.

Sharpay’s Fabulous Adventure (2011) - 1/10

My podcast co-hosts decided it’d be a right laugh to add Sharpay’s Fabulous Adventure to this episode and that might have been a fun idea for them because they got to watch it together, but I was just watching it alone. Just a 24-year-old man watching Sharpay’s Fabulous Adventure alone and having a miserable time, I might add. But for a short and sweet ramble on what we all thought, please listen to episode 38 of The Sunday Movie Marathon podcast.

Dr. No (1962) - 6/10

A lot of very iffy parts of this movie. A lot of discomfort arising from how black people are portrayed that really didn’t sit right with me. As far as a Bond movie goes, this first instalment in the series is one I’ve seen before and it’s not wholly engaging but it plants the seeds for the rest, with Sean Connery breathing life into the role and making an otherwise lacklustre plot bearable.

Black Widow (2021) - 6/10

I think probably the best part about Black Widow is the experience I had while watching it. It was great being back in the cinema with a couple of friends in a packed theatre. The energy was high and I’m sure for a lot of people, this is the first time they’d been to the cinema since Endgame. For what it’s worth, I did have a lot of fun with Black Widow and I’ve explained more of what I thought about the movie in episode 39 of the podcast.

The Climb (2020) - 10/10

The Climb was added to Now TV recently and I already knew I loved it, having seen it in an empty cinema theatre last year, which I had an absolute blast with. The Climb details the years of a rocky friendship told over scenes filmed as one-shots. Not only is the presentation something to gawk at, but the performances by the two leads playing these friends with a terrifically dysfunctional dynamic is truly captivating. They’re both trying to figure out their own lives and where one can come across as being rather selfish, the opposite is true in his counterpart, whom everyone loves. This is a truly funny and heartwarming movie with a lot to say about how we choose to live our lives and who we choose to be with. It’s a shame the distributors of The Climb didn’t do a very good job because if not for it being available on Now TV, it would be near impossible to watch without forking out more money than is necessary to purchase a film.

From Russia With Love (1963) - 5/10

The second Bond movie. I thought perhaps I’d change my mind on it with another watch, having seen it for the first time maybe a year ago. But no, it’s still largely boring and it treats women like absolute garbage. From Russia With Love is one of those movies I forget as I watch it, and I was trying very hard (in the middle of the day!) not to fall asleep.

The Good, The Bart, and The Loki (2021) - 1/10

I don't usually talk about the short films I watch but for this I'll make an exception. As we all should know, Disney owns The Simpsons now, through their acquisition of Fox, so, coupled with another of their properties, that being Marvel, they decided to make a six-minute animated film wherein Marvel’s Loki is stranded in Springfield. This felt as though it was a minute long due to the horrendously jarring pacing; it is a movie that feels adamant that it needs to exist, while trying as hard as it can to be over as soon as possible. It serves only to stare the audience directly in the face and say “look, characters from The Simpsons are dressed as Avengers”, shit out three credit scenes, then end before you’ve even processed the atrocity you just bore witness to.

Russian Ark (2002) - 8/10

For this next episode of the podcast, we watched a few Russian movies, starting with Russian Ark, a film shot completely in one take as the camera moves about a luxurious museum in a first-person perspective as this main character watches what is happening around him, seeing people moving about the place but unable to interact with them, guided only by another man who seems to be just slightly out of his own perception of reality. This is a tremendous feat in filmmaking and more can be heard about what I have to say in episode 39 of The Sunday Movie Marathon podcast.

Ivan’s Childhood (1962) - 7/10

For my own pick of Russian movies to discuss on the podcast, I chose the debut feature from one of my favourite directors, Andrei Tarkovsky. It’s amazing that while this is not his best film by far, Ivan’s Childhood is still such a stellar debut, jumping around in its timeline as it details a child’s experience in the second world war. Again, I do go into more depth in episode 39 of the podcast, so be sure to check that out.

Outlaw (2019) - 1/10

The third movie chosen for this marathon is apparently the fourth Russian LGBTQ+ movie ever made. I’m unsure of the ultimate goal of this movie but what seems to be clear is that it hates the LGBTQ+ community. This is perhaps the worst film we’ve discussed on the podcast to date, so listen to episode 39 to understand exactly why it’s such trash.

Almost Famous (2000) - 7/10

I too love heavy music and also studied journalism so it stands to reason that a movie about a teenager who makes his way onto a band tour, following them through America and interviewing them as they hang out and play shows is going to be a premise that resonates with me. This certainly did. I enjoyed Almost Famous a lot; this kid is living the dream and I was so along for the ride, seeing a lot of myself in what was being portrayed. That said, the story itself is at times a bit by the numbers and I really would’ve been more on board if the visual component was more interesting. For what it is, technically it’s fine enough but nothing in that department ever jumped out at me.

Minari (2021) - 8/10

It’s crazy that this didn’t get a theatrical run where I live in the UK. It feels as though I complain about film distribution all the time but I really don’t understand the process by which a movie gets no cinematic release and yet, months later will pop up on the front shelf of hmv, taking pride of place. But of course I got the blu-ray straight away. Minari has a lot to say about the immigrant experience, specifically in America as a family comes over from Korea and tries to start a business and make something of themselves. You get to see a lot of what you might not think twice about when you think about immigration: the hardship of coming from a place where you know everyone to somewhere rural and sparsely populated, having to make friends with locals and integrate within the community; the strain it can put on a family and on a marriage where this idea is presented about the importance of making it on your own in order to live and not just survive, while also taking into account why you’re doing it in the first place and the value you place on being part of a family that you decided to make because that was more important than money, than economy, than proving you were good enough to make it in a place that gave you very little advantage from the offset. This concept of the promised land, of the American dream is a construct. There are times when it’s not pretty, when you have no running water, or you’re in debt, or a family member is dying and it just feels like you’ve been dealt as bad a hand as you can get. But it is better to know you’re not facing all that alone.

Roma (2018) - 10/10

This was my recommendation for the podcast episode on Alfonso Cuarón movies. Roma is as beautiful as it is heart-wrenching and I would recommend listening to episode 40 of the podcast to find out more about my thoughts.

An American Werewolf In London (1981) - 8/10

In all fairness, London is enough to make anyone a little crazy at the best of times. An American Werewolf in London showcases some fantastically grotesque effects, akin to something like Carpenter’s The Thing, in showing the dead brought back to life and a horrifically gory transformation scene. Although the film is from the perspective of an American protagonist, directed also by an American, the depiction of British culture and climate is something I’ve not seen many films pull off quite so well, and I was pleasantly surprised at the more comedic tone the film has overall, which is something that works more in its favour than straight horror would.

The Party’s Just Beginning (2018) - 6/10

Karen Gillan’s directorial debut is… pretty good! There are a lot of ideas I like in this movie: a woman living life and through convenient circumstances, is confronted with death in many ways. Gillan obviously knows her homeland as well as she can, imbuing the whole thing with an intensely Scottish vibe (though maybe not in the same vein as something like Trainspotting) that makes it a bit more unique than a more run of the mill movie of this ilk, backed up in no small part by her own main performance. The plot itself is no great diversion from the kind of story I’m used to with these smaller movies and for something that’s trying to include messaging about transgender issues and suicide, it probably could have been handled better or done in a different way.

Solaris (1972) - 9/10

Another Tarkovsky joint, one I thought I’d revisit to see if there was indeed more to get out of it a second time. Well, it’s no surprise that yes, there was certainly more to get out of it. Solaris is a crazy trip of a movie and I would liken it to Kubrick’s 2001 in terms of how grand the scale of it feels. Yet this is a film that comes across as deeply personal, choosing to focus on a specific character as he goes to a space station to help those on board who are experiencing some kind of emotional crises, only to feel the effects of the planet, Solaris invading his own mind as it has the crew. To many, I can see this lengthy Russian sci-fi being a tad slow but my personal experience is one of deep engagement. Solaris pulls its viewer in a lot of different directions and it is always doing something unexpected in terms of where its narrative goes. There’s a lot to think about with the movie and thankfully it’s no chore to watch again.

Y Tu Mamá También (2001) - 9/10

Another recommendation for the podcast episode on Alfonso Cuarón movies. This is a very relaxed experience, following three young people as they go on a road trip, visit different places and have sex. Listen to episode 40 of The Sunday Movie Marathon podcast for more of my thoughts.

Children of Men (2006) - 10/10

My favourite Cuarón movie, one that never stops being tense as its characters are constantly moving towards the end goal. Set in a future where humans are infertile, the oldest living person is 18, and London is the last city in the world that’s still keeping it together, somewhat. This is masterclass filmmaking. Listen to episode 40 of the podcast for more insights.

Minority Report (2002) - 5/10

I’m really not the biggest fan of Spielberg… Minority Report is an interesting movie in terms of its concept of stopping crimes before they happen by way of prediction, but I just didn’t connect with the heart of it. The colouring is way too overexposed in a way that’s supposed to be eliciting a futuristic vibe but instead feels so early-2000’s in the worst way. My biggest problem with Minority Report is just how long it is, clocking in at two hours and twenty-five minutes which allows for a lot of meandering, all while never quite developing characters enough for you to care about.

Caché (2005) - 9/10

Oh god! Another Michael Haneke movie! Here we see a couple periodically sent video tapes featuring hours of footage of the outside of their house. The anxiety ratchets up and the mystery gets deeper with every minute. There’s always at least one moment in any of his films that have so far made me realise just how out of my depth I am. Caché is no exception, and I won’t spoil anything here because I think it’s better just to watch the movie and see for yourself. He is a director that wants the audience to know something and that something is never what is explicitly shown at face value; it is pressed into the fabric of the film - plainly evident, yet hidden. Caché is so stupidly clever in displaying its themes and messaging - making reference to the Siene Massacre of 1961 as well as a deeper study of colonialism - and there’s no way to change a single detail of it without risking the Jenga tower crumbling to the ground. It all works in tandem. It is passion and fury and haunting.

Coco (2017) - 7/10

Pixar had a string of around seven forgettable movies before this point so thankfully Coco emerged to show the company still had something good in them. Coco deals a lot with themes of death and legacy, remembering those who are gone in order to preserve them and while its plotting is quite basic and there are certainly moments that either drag or cannot escape the same Pixar formula, most of what the movie has to offer is a lot of fun, with creative, colourful animation and emotional beats that resonate the way they’re supposed to.

Incredibles 2 (2018) - 5/10

Oh, they almost had it! There's a lot here that could have been explored in far more interesting ways. Setting Incredibles 2 directly after the events of the first movie was not a good idea. If it had taken place five or ten years after, the characters could have been in different places in life and it would feel as though they'd actually changed and developed. But instead of trying to be a film that actually cares about its characters and the journeys they go on, a lot of the film is wrestling with the idea that Bob isn't supportive of his wife and Jack-Jack has to fight a raccoon… They have to shoehorn in a villain that in no way compares to the genius of the original. The ending of the original introduces another antagonist that gets wrapped up within this film's first ten minutes, except they don't catch him and he's never mentioned again. It's a real shame because the animation is fantastic and the acting is superb and there are great ideas sprinkled throughout. It just doesn't come together.

Toy Story 4 (2019) - 6/10

I was rather reluctant to watch Toy Story 4 because from the get-go I’m not really here for sequels being made just for the sake of it. Everyone loves Toy Story and making another one is a sure fire way to make money. This is the first time I’ve seen Toy Story 4 and for what it’s worth, I did enjoy it. The animation is immaculate and that alone feels like a huge flex from Pixar who tend to step up the game when it comes to animation in film, despite not having the best track record for films generally at this point. While it was nice to see these characters again, I found a lot of them to be side-lined (namely Buzz) in favour of a story that focuses mainly or entirely on Woody, who I just don’t like as much as in the previous movies. Generally the movie is good and decent enough but there’s no real antagonist and the plot is quite loose… it doesn’t feel as though it needed to be made from a story point of view.

Onward (2020) - 6/10

And with that I have seen every Pixar movie. And Onward is a fine one to go out on. While I don’t think it compares to the likes of earlier Pixar it’s still pretty fun. Or maybe I’m just a sucker for a medieval setting filled with bright colours and magic! Speaking of which, the animation was super and the medieval quest element is something that hooked me with the film. Again, plot-wise it does feel very familiar and I don’t know, maybe I’m past the point now of expecting Pixar to mix it up where their formula for story-telling is concerned but the movie is quite predictable. Nonetheless, while I’m not rushing back to see Onward I would hardly turn it off or refuse if someone wanted to watch it.

Old (2021) - 3/10

Oh boy! New M. Night movie dropped and my word, was it fun! For more of my thoughts on this… masterpiece (?) of a movie, please direct your attention to episode 41 of The Sunday Movie Marathon podcast.

T2 Trainspotting (2017) - 5/10

Trainspotting is perhaps one of my favourite movies and I had never bothered with the sequel, 20 years on, because the ending of that first movie is so conclusive. T2 felt more an excuse for these guys to get together again and in that, I probably would have preferred a couple of pictures on Twitter of the main cast and director, Danny Boyle having dinner or something. This is a fine movie - very arty in its presentation but meandering and dull in its story that doesn’t offer much in the way of proof that it had to exist.

Taste of Cherry (1997) - 9/10

What makes life worth living? This is a central question and theme of Taste of Cherry, and one that leaves such interpretation not only up to its central character but to the viewer as well. This film got me thinking about times in my life when I truly have had no answer to hard questions. Because it’s hard to convince people of things they are so adamantly against and harder still to rationalise what you believe if you’re not even entirely sure why you believe it in the first place. We are all of us alive and in recognising that, does that make it precious? And if indeed living is not a happy thing, why then should we fight so hard to preserve it? I felt upset as I watched this movie because I’ve been asked these kinds of questions before and it makes me feel stupid when I’m unable to answer. But the only real answer I can give is, everything. And if you can’t see the point then you’re not looking hard enough. Taste of Cherry is beautiful in its exploration of these topics and in its overall presentation, offering some of the best visuals in any movie I’ve seen - fitting for a feature with so much to say about the beauty of life - and an ending that as much pulls the rug out from under you as it does pull you out of the dark and make you realise just how lonely you’ve felt.

Bones (2001) - 2/10

Snoop Dogg is Jimmy Bones! This film is super funny but I’m not sure it’s trying to be and I really didn’t love it overall. But I do talk more in depth about it in episode 41 of the podcast.

The Duchess (2008) - 5/10

Another recommendation for the podcast. The Duchess was pretty much exactly what I thought it was going to be and there’s a lot to like about it but generally it’s a bit sparse. For more chat on the movie, listen to episode 41 of the podcast.

The Man With One Red Shoe (1985) - 1/10

This was another one for the podcast and man, was it awful. We had to watch it at 1.5x speed towards the end because it just wasn’t getting finished otherwise. To find out more, make sure to listen to episode 41 of the podcast.

The Emperor’s New Groove (2000) - 7/10

Pull the lever, Kronk! Haha! Slays me. I do quite miss this era of Disney, where the animation was hand-drawn and the stories were actually compelling and funny. The Emperor’s New Groove is vibrant, it’s got great characters and memorable moments that will forever be ingrained in the memory of culture. All in all, it’s just a solid flick that doesn’t waste time, developing the standard fall from glory type of arc but smoothly and in an entertaining way.

The Suicide Squad (2021) - 8/10

Oh, bloody hell! They actually made a good one! The Suicide Squad is not only better than the ‘Suicide Squad’ of 2016 in every way, it’s a genuinely great film! This time, James Gunn (director of Marvel’s Guardians of the Galaxy movies) is at the helm and it seems clear that Warner Bros. basically let him do what he wanted with the movie, as it doesn’t seem to bog itself down with the restrictions of a more family-friendly rating. The result of this is a far cleaner, colourful film with a clearer vision that takes from early Vietnam movies and uses that style to craft a superhero/villain movie that differentiates itself among the copious amount of existing films of the genre. The Suicide Squad wastes very little time, introducing fun, crazy characters we’ve not seen on the big screen before and isn’t worried about killing a whole bunch of them, with standouts being Elba’s Bloodsport, Melchior’s Ratcatcher 2, Stallone’s King Shark (expertly rendered with fantastic visual effects), and Robbie’s returning interpretation of Harley Quinn. A lot of Gunn’s trademark sense of humour is laced throughout and more often than not, it hits. The audience at the cinema were truly loving this movie and I’ll admit, I was right there with them. This mix of the gritty, gory and absurd is not something that should work as well as it does but the basic premise of the film is already so silly (and boy, do they know it) that it just works! Certainly one of the best DC movies since The Dark Knight and one I’d be more than happy to watch again. This is what the modern comic book movie should be: just balls to the wall fun!

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akatsuki-shin · 4 years ago

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REVIEW: 山河令 Shān Hé Lìng (Word of Honor)

Note(s):

(Very) long post ahead

Contains spoiler

This is my personal review and does not represent the entire audience.

This review is written by someone who has read the original novel, hence there will be reference and comparison between the two works

Summary:

After the sudden passing of his beloved master, young leader of the famous Four Season Manor, Zhou Zishu, brought his brothers and loyal followers to serve the Prince of Jin whose family had been the master of his predecessors, creating a secret organization of capable spies and assassins known as "Tian Chuang".

His decision later proved to be the downfall of his sect, however, for they were quickly swallowed into ruthless political conflicts and battle for power within the royal families, causing his brothers and followers to die unjustly one after another.

Ten years later, Zhou Zishu, now the sole survivor of the Four Season Manor, resigned from his position as the leader of Tian Chuang. In exchange for freedom, he bestowed upon himself the fatal punishment that is the "Nails of Seven Apertures for Three Autumns", a torture device created by Zhou Zishu himself that would gradually numb one's five senses and ultimately took their life within three years.

After several months passed, the now free Zhou Zishu had disguised himself as a wandering vagrant, enjoying his remaining time sightseeing, drinking, and sunbathing to his heart's content.

As fate would have it, however, his unshackled days abruptly ended when he saved a young boy, the only surviving descendant of the Mirror Lake Sect, one of the renowned Five Lakes Alliance, that was destroyed overnight by the mysterious ghosts of Mount Qingya. He was soon pulled into a conflict of the pugilist world dating back to twenty years ago, revolving around a legendary "Glazed Armor" said to hold the key to a secret armory filled with the secret techniques of martial sects from all over the world.

To further complicate matters, he somehow caught the interest of a strange young man of mysterious origin, Wen Kexing, who pursued him relentlessly with unknown motive.

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Before we get into it, I feel that it is worth to mention some of the major differences between the novel and live action because they do affect my impression and judgment over several points in the drama.

While there are always bound to be differences between an adaptation and its original works, most of these differences seem to have been made to avoid censorship, also in order for the drama to be able to become a "stand-alone" story (since the original work is a sequel to another novel).

1. Zhou Zishu and Wen Kexing

In the drama, they are later revealed to have once been martial brothers of the Four Season Manor due to the fact that Zhou Zishu's master saved Wen Kexing's parents when they were pursued by both the righteous sects of the jianghu and the ghosts of Mount Qingya over the key of the Glazed Armor.

In the original story, they were strangers to each other that have no relationship whatsoever prior to their coincidental meeting at Jiangnan.

2. Prince of Jin and Tian Chuang

Word of Honor is based on the novel "Faraway Wanderers" by Priest, which is a sequel to her previous novel "Lord Seventh".

Originally, the master that Zhou Zishu and his Tian Chuang served should be the Emperor himself, Helian Yi, an important character from Lord Seventh - in which Zhou Zishu also made a major appearance. After Zhou Zishu punished himself with the nails and left Tian Chuang, Helian Yi and the Tian Chuang never pursued him. The story follows Zhou Zishu's journey in the jianghu and he never once went back to the capital city where Helian Yi was.

In the live action, Zhou Zishu and Tian Chuang served the Prince of Jin, a royal family tangled in internal strife for power. From what I understand, Prince Jin seems to have an ambition to overthrow the ruling Emperor to become one himself. After Zhou Zishu left, he kept an eye on him and later managed to capture Zhou Zishu, briefly bringing him back to the Jin as a prisoner.

3. The Scorpions

In Word of Honor, the Scorpion King Xie-er was portrayed as the adopted son of Zhao Jing, the main villain of the story. All the plots he devised, most of them were made with Zhao Jing's interest in his mind. There were also four remarkable assassins working under him (I don't remember their names, but you know who I mean, right?).

Originally, the Scorpions are an independent assassin group. Their relationship with Zhao Jing is that of client and service provider. The Scorpion King had his own plan to benefit himself and his organization with only his own interest in mind. There were no particular members of the Scorpions featured in the story other than him. Specifically, the Phantom Musician Qin Song was an independent assassin hired to kill Zhang Chengling, and he was believed to be dead after being defeated by Zhou Zishu on his very first attempt.

4. The Ten Ghosts of Qingya

Although the novel did mention the existence of the Top Ten Ghosts, only 4 (four) of them actually appeared in the story:

Xue Fang the Hanged Ghost (who was secretly killed by Wen Kexing in the beginning of the story, both in the novel and drama)

The Long-tongued Ghost who was also killed by Wen Kexing when he and Zhou Zishu were trapped underground in the graveyard (Zhao Family's Funeral Home in the drama)

Sun Ding the Delighted Mourning Ghost, one of the strongest ghosts who wanted to overthrow Wen Kexing's position as Ghost Valley Master; he was later killed by the Scorpions

Lao Meng (I forgot his title), also one of the strongest ghosts who wanted to overthrow Wen Kexing, but he was more lowkey and calm; he worked together with the Scorpions to first kill Sun Ding (his rival) and later to kill Wen Kexing when the jianghu heroes came to attack the Ghost Valley (although he didn't know that the Scorpion King had his own plan, hence meeting his demise during the war)

Wu Chang and his two henchmen, the Tragicomic Ghost, the Laughing Ghost, etc do not exist in the novel.

Additionally, Liu Qianqiao is also not part of the ghosts in the novel. She did have an affair with Yu Qiufeng and was manipulated by him until she died horribly in the hands of the two old couple (whose names I also forget).

5. The Ending

I think this is probably the biggest difference between the novel and the live action.

Originally, Zhou Zishu's nail wounds were removed and healed completely by Wu Xi AFTER the final battle at Mount Fengya (yes, the mountain's name is slightly different). He, Wen Kexing, Zhang Chengling, Jing Beiyuan, and Wu Xi lived temporarily at the top of Mount Changming because they need cold temperature for the healing method to work.

Wen Kexing did not sacrifice his life to restore Zhou Zishu's meridian and they did not become immortal.

Also, the Scorpion King was killed by Zhang Chengling and Gao Xiaolian after he got his hand chopped of by Zhou Zishu for trying to murder the already dying Wen Kexing (after he took his revenge on Mo Huaiyang).

There are of course, still many more differences, including when and where Cao Weining died, but the five things I mentioned above are probably the biggest ones because they directly impacted the entire plot.

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STORY: 8/10

Despite the changes and adjustments, the main plot of SHL amazingly remains loyal to the original story. The things they could not show, they would include it in the characters' dialog or tried to incorporate it in another way. Some examples:

Cao Weining and Gu Xiang's reincarnation story was included in Cao Weining's dialog (his dream and his wish to grow up together with her in their next life)

Wen Kexing's confession about wanting to build a grave for his parents from the Extra Chapter (where he cried and caused Zhou Zishu to let him top out of sympathy) was included in Wen Kexing's dialog when he got drunk and hugged Zhou Zishu after he defeated Zhao Jing (prior to Cao Weining and Gu Xiang's marriage)

In fact, I feel that most of the adjustments made to the story were able to deliver much better emotional aspects and intensity of the characters and important scenes.

Although more than half of the Ten Ghosts were made up solely for the drama, their existence was able to better portray Wen Kexing's image as the supreme leader of the Ghost Valley and why they all fear him.

Although many interactions between Zhou Zishu, Zhang Chengling, and Wen Kexing were either added or changed from the novel, here we could see them as a real, close family which is so much more heartwarming than the original.

Zhao Jing's pretense, evil deeds, and downfall were all arranged neatly from the beginning. If I hadn't read the novel, I probably would've been (pleasantly) surprised when it was revealed that he was the one plotting everything behind the scene.

The romance and relationship development of the main pairing (Wen Kexing/Zhou Zishu, although it was masked as brotherhood as always) and side pairing (Cao Weining/Gu Xiang) were especially well done. It allows me, as the audience, to get to know them, sympathize with them, and ultimately rooting for them (despite already knowing how Cao Weining and Gu Xiang would end up).

Gu Xiang's anguish and fury after Cao Weining died were shown so clearly. Her final fighting scene until her death was particularly moving.

Explanations and plot twists were spread evenly so there was no info dump. The plot development was enjoyable to follow from the beginning, even if the ending felt a bit rushed.

This was a bit difficult to describe, but even if sometimes I feel like "hmm, this character did not do this in the novel", when I was following the drama from the first to the last episode, everything flows smoothly and does not feel out of place. So I realized that even if what the characters did was sometimes different from the original story, it is still loyal to the plot and circumstances of the drama, which is why their adjusted words and actions still felt natural to see.

Also, when reading the novel before, I have one critic about the Glazed Armor and the armory itself being the center of everyone's fight, but in the end they didn't seem to have much importance, especially because the armory was never found and opened. At the very least, although it was due to ending change and pretty much rushed, in SHL the Glazed Armor was actually used and the armory was shown.

Though there were indeed a few things that I do not quite agree(?) with:

Tian Chuang is supposed to be a secret organization that does their job secretly, but why is it that they always light so many lanterns when launching their attack?

The bond shared between Zhou Zishu and Prince Jin was pretty clear, but I don't think it's detailed and deep enough for Prince Jin to consider Zhou Zishu his soulmate. Furthermore, from the beginning we've never been told about Zhou Zishu's family, but in the last few episodes suddenly there were talks about his father being branded a traitor because of some secret hidden in the armory. While the story makes sense, to put new information out of the blue when the plot was about to end feels somewhat strange.

Lastly, I understand that danmei adaptations always face a lot of restrictions, as in they were not allowed to have a blatant happy ending - so most either resort to tragedy or open ending (cmiiw). However, I still feel that Wen Kexing faking his death without telling Zhou Zishu was......kind of silly.

After their life was spared by Ye Baiyi, Zhou Zishu had already warned him not to act without telling him again. When he wanted to fake his death, Wen Kexing told almost everyone except Zhou Zishu, the reason being they shouldn't make Zhou Zishu fight since he was in the middle of recovery.

Zhou Zishu is a rational person, I strongly believe that he would understand if Wen Kexing explained clearly. Him not telling Zhou Zishu led to:

Zhou Zishu actually ended up fighting to save him

Zhou Zishu thinking his soulmate is truly gone and proceeded to choose a suicidal move in order to avenge his (fake) death

Honestly, while I still enjoy following this drama until the end, I feel that the cause of Zhou Zishu dying when he could've been saved by Wu Xi, and Wen Kexing ended up sacrificing his life to save Zhou Zishu, was a bit ridiculous because really, Wen Kexing brought it upon himself.

In regards to this, even if I'm happy the two of them ended up living happily ever after as immortals on the mountain, it makes Jing Beiyuan and Wu Xi's existence almost pointless. They were literally included in the story of Faraway Wanderers to save Zhou Zishu's life from the nails. But here, other than providing shelter after the Four Season Manor was burnt down by Duan Pengju, I don't see any reason why they should be there.

CHARACTERS: 9/10

Perfect casts and perfect character portrayals, both from visual aspects and acting. Some may or may not necessarily look 100% similar to their novel description, but they managed to bring out the characters to life so well.

I've said before that most adjustments made to the drama were able to deliver much better emotional aspects and intensity, and this is especially true for the characters.

Honestly, when reading the novel, other than the few main characters, others did not leave a lot of impressions on me. I don't even remember what Zhao Jing was like when he was revealed as the true villain. Gao Chong's introduction was pretty good, but then we didn't hear much about him until he was finally declared dead. Shen Shen appeared only for one chapter and the next time I heard of him, he's already dead, too.

I love the novel, but really do have so many complaints about the characters in there. Fortunately, all of these flaws had been fixed in the drama, and boy they did it so well.

Some that I found amazingly written and shown:

Wen Kexing's emotional instability and his protectiveness whenever Zhou Zishu got hurt (good job, Gong Jun)

Zhou Zishu's rich emotions to those he hold dear (good job, Zhang Zhehan)

Zhang Chengling's character being more detailed and "alive", especially his diligence, growth, and occasional mischief; he was no longer just a useless dumb kid who can't do anything

Cao Weining and Gu Xiang's dynamic is so lovely

Zhao Jing's change from the seemingly weak guy to an ambitious, manipulative mastermind

Gao Chong, Shen Shen, and many other side characters were given enough screen time + sufficient important scenes so they weren't easily forgotten

Special shoutout and kudos to the actor who played Duan Pengju. I heard he was actually the Assistant Director, but because they didn't have much budget, he was casted to play this character and he did great 🥺 Thank you for helping the team to save hundred thousands yuan!

I don't really have any complaints about the character except when Zhou Zishu and Wen Kexing have just delivered Zhang Chengling to Zhao Jing, Zhou Zishu clearly didn't want to mention his name (Zhou Xu), but Wen Kexing went ahead and introduced the both of them. Somehow I feel that Wen Kexing's character wouldn't disregard Zhou Zishu's opinion so lightly.

TECHNICAL ASPECTS: 9/10

Although this drama did not have much budget to start with, literally the only complaints I have about it is so minor, like:

A few scene transitions don't look smooth

Repeated use of sets, e.g. Gao Chong/Zhao Jing's residence is the same as Prince Jin's Palace, the Secret Armory Interior is the same as Tian Chuang's prison - but this has been mentioned in an interview with the Director(?) that they indeed use similar sets for multiple scenes to save budget

Other than that, I only ever have good things to say about this drama.

The fighting scenes should be given million kudos. Save for the flying and gliding part (which still looks kinda awkward, but better than some other Chinese dramas I've seen), the actions were just so cool and intense??? From the angle, the slow motion, to the techniques that are unique and different for each character. They even perfectly showed Zhang Chengling's awkward yet correct implementation of Zhou Zishu's teaching.

Costume designs are top notch. The visual of the seven nails on Zhou Zishu's body looks so real. His disguise was also very well done, I almost couldn't tell it's the same actor.

Some CGI and animations could've done better, but overall everything looks nice. I'm especially amazed at the visual of Longyuan Palace.

OVERALL SCORE: 8.7/10

At this point, I don't even know how to end this post other than saying please watch it, guys. It's a really well done job despite their limitations and restrictions. I've watched several Wuxia/Xianxia dramas before this and Word of Honor surprisingly exceeded every single one of my expectations. I enjoyed watching it so much, and I believe you guys will like it, too.

An additional kudos from me personally, because you can tell how the team creating this drama knows and appreciates the original author's works. It's a pleasant surprise when they incorporated a few things from Priest's other novel:

From Sha Po Lang: Zhi Liujin (the fuels used for the puppets in Longyuan Palace) and the Mechanical Birds used by Tian Chuang + Ping An Manor to deliver letters

From Silent Reading: The puppy that young Zhou Zishu and Zhen Yan played with, it was named after the cat owned by the main character of Silent Reading (also, fun fact, the name of Silent Reading's main character is "Wenzhou")

From Lord Seventh: Wen Kexing faking his death was exactly the same as how Wu Xi fooled the Emperor in order to "kidnap" Jing Beiyuan out of the capital.

Conclusion: Please watch it, guys.

#Word of Honor #Shan He Ling #SHL #Tian Ya Ke #Faraway Wanderer #Zhou Zishu #Wen Kexing #WenZhou #Review #Danmei #Priest

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birdsareblooming · 4 years ago

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Infinite is connected to Solaris

This is gonna be a long one, strap in.

Infinite, Infinite, Infinite. The most recent in-game villain, and the most powerful in recent history as well. Despite being only around 3 years old, he’s become extremely popular. and half of that is because of the song.

Mephiles, Iblis, and Solaris. Villains over 10 years old that haven’t been used since their original game appearance in Sonic the Hedgehog (2006)

Or... have they?

Now I want to say before all of this, this all could be coincidences, me being delusional, or something otherwise. It is ONLY a theory, but for something as crazy as I’m claiming I need to preface with this for my own sanity.

But i’m gonna cut the bullshit. You’re here to see how I am going to bs my way to saying that Infinite the Jackal is connected to a dead god from what is regarded as the worst Sonic game.

And, like most of these, I need to start with some house cleaning, some things you need to understand.

1. Time Eater is Mephiles

You might have seen me meme about this before...

...But yeah that’s exactly the situation.

I had theorized this before I knew Ian Flynn thought the same thing. Their identical color-schemes, almost identical aesthetic, and completely identical power-set.

Even the name Time-Eater, that was Mephiles, and Solaris’s goal. To eat time.

2. Ifrit is Iblis

Now i’m going to assume you have two questions

If Time Eater is Mephiles, than where’s his counterpart, Iblis?

Who the fuck is Ifrit

Long and Short,

But, more importantly,

Ifrit is what caused Silver’s Future post Sonic 06.

Ifirit was their retcon for keeping Silver’s future the way it is (even though they defeat it at the end of sonic rivals 2, causing the future to not be that way, hence why Silver was 3 conflicting backstories. Thanks guys.)

So, when it comes to fire demon that destroys the world and causes the future that Silver the hedgehog lives in, that’s a good amount of evidence already, especially with the preface that Mephiles is alive in the form of Time-Eater. If Mephiles was reborn, why wouldn’t also Iblis? and Ifirit is so uncannily similar theres no other candidate.

also, might I add:

(thanks @zorloser)

For you who don’t know, Ifrit’s story ended being re-trapped in it’s pocket dimension with Eggman Nega.

3. The Phantom Ruby

The Phantom Ruby... Oh, the Phantom Ruby.

A very new addition to Sonic, and yet very important. It was the leading mcguffin of two games, and is made out to be very powerful.

yes I know that’s a lot up there, but you need to understand the Phantom Ruby to fully understand this theory.

It’s also very important that Eggman didn’t create the Phantom Ruby as he claims. He created Infinite, not the stone attached to him. Despite there being prototypes, which does confuse me, but from what info we’re given from the wiki the Phantom Ruby seems to have come from Classic Sonic’s universe, even retreating there after the events of Forces. This is also confirmed in Episode Shadow:

Although, Eggman did name it, seemingly on a whim.

~Tangent Time~

Despite being CALLED a Ruby by Eggman, the Phantom Ruby doesn't LOOK like a ruby, despite being magenta.

Rubies CAN be dark even to the point of being Black, but never connected. They’re usually just one shade.

(And don’t you dare say “The chaos emeralds don’t look like emeralds bc they’re not green. They’re all TECHNICALLY emeralds, they’re part of the beryl family, and even if only green beryls are called emeralds, they are all the exact shades of beryl.)

But what the Phantom Ruby DOES look like, is obsidian.

note this for later.

4. Infinite

For those who don’t fully know Infinite’s backstory, it’s expanded upon on the wiki and Rise of Infinite

Now that we’re all on the same page, lets continue to him now.

Lovingly referred to as the “Masked Clown.” Infinite goes about the entirety of Sonic Forces revealing nothing of himself, the only things we know about him are from Episode Shadow and Rise of Infinite. We don’t even see his real face in-game.

Although we have enough to know that his personality changed post Phantom Ruby, it’s even mentioned on the Wiki. Although how much of that change was spurred on by being beat up by a 15 year old, we’ll probably never know.

Although his goal has always been the same. Starting the planet over as a desolate wasteland. What a fun dude to be around. Probably the life of the party.

5. Connections

(i’m using Mephiles and Time-Eater intermittently, same with Iblis and Ifrit.)

Alright, now we’re all on the same page. Let’s move on.

I’m going to play a game we’ve played before. I’m going to name something about Infinite or the Phantom Ruby, and add something that’s eerily simmilar to Solaris (Mephiles + Iblis)

All of this Info can be found on the Sonic Wiki

Phantom Ruby: -It is an interdimensional gemstone of incredible power- Ifrit: It is an interdimensional, demonic fire-creature of incredible power- (wow those are, the same description huh)

Infinite: -After Infinite's fusion with the finalized Phantom Ruby prototype, he acquired the ability to generate, destroy, and manipulate virtual realities, which he could turn into virtual reality projections to interact with reality.[32] Said virtual realities are illusions, which Infinite creates by exercising control of one's visual and depth perception by feeding the brain false information- Ifrit: -Described as capable of binding one's soul, the Ifrit can enslave others with powerful mind control powers.- -Ifrit, which manages to use some kind of mind control on Sonic and/or Tails (or Knuckles and/or Rouge, depending on which team the player is controlling), but is defeated by the other teams, and is destroyed.-

Infinite: -Infinite's newfound strength proved so great that he was able to effortlessly defeat figures like E-123 Omega and Silver the Hedgehog, and ultimately best even Sonic the Hedgehog twice. He was even able to single-handedly overwhelm the entire Resistance army during Operation Big Wave. His power was such that not even the Miles Electric was able to give an accurate reading of his capabilities.[31] Time Eater: -the Time Eater has demonstrated immense super strength; even in its incomplete form, it easily knocked Modern Sonic and Classic Sonic unconscious with a single hit. After being completed, the Time Eater was able to effortlessly repel both Classic and Modern Sonic's and knock them out using brute force alone-

Phantom Ruby: Its powers can also warp the fabric of space-time,[1] allowing it to create pocket dimensions such as Egg Reverie Zone and Null Space, as well as teleport entities from place to place. When used alongside the Chaos Emeralds' time-space powers, it transported Classic Sonic and itself to another dimension, and later sucked Dr. Eggman into a rift- Time Eater: Its signature skill however, is creating "Time Holes",[8] spacial rifts that lead to any point across time and space, including alternate timelines and across different dimensions.

Infinite: When everything you know has come and gone (You are at your lowest, I am rising higher) Only scars remain of who I was (What I find in the ashes, you lose in the fire) When there's no one left to carry on (This is an illusion, open up your eyes and...) This pain persists, I can't resist But that's what it takes to be infinite Solaris: -Much like his two halves, Iblis and Mephiles, Solaris is immortal and virtually indestructible.- -As a transcendent life form, Solaris possesses a unique state of existence that lets him exist in the past, present and future simultaneously, making him omnipresent throughout time and virtually impossible to defeat unless he is attacked simultaneously in all eras-

Possible reach:

Phantom Ruby:

Solaris:

(I’m refering to the odd red-stone in the middle, also that the wings somewhat resemble Infinite’s sword.)

~Tangent Time~

remember the first tangent? Where I meantioned that the Phantom “Ruby” looked more like obsidian than a ruby?

Well someone else looks like a certain type of obsidian, Snowflake Obsidian to be exact:

Alright Reaching time over.

Now you might have noticed that the Ifrit-Infinite connections seemed to fit just a bit more-Maybe it was just me- even down to the Phantom Ruby and Ifrit’s OPENING DESCRIPTION being almost copy/paste, which i’m still amazed at.

This get’s to the next part of my theory.

6. Where are they (Mephiles/Iblis) now?

Welcome to~ where are they now!

Mephiles, or Time-Eater, So far is undocumented. It’s said they were “Destoryed” at the end of Sonic Generations, but for all we know it was just the machine additions, and Mephiles was “destoryed” over 10 years ago and he started kicking again.

Iblis, or Ifrit, was locked in it’s own pocket dimention along with Nega, and hasn’t been seen since...or have they?

haha that’s a callback! Do you remember the beginning of this post or is it too mindbogglingly long for your brain to comprehend in one sitting?

7. The Phantom Ruby is Iblis/Ifrit

let’s talk about the power set of the Phantom Ruby. Interdimentional, very powerful, capable of some kind of mind fuckery.

Ifrit is, Interdimentional, very powerful, capable of some kind of mind fuckery, immortal and is constantly on fire,

You may be wondering about this “Fire” thing. “Solaris was a sun god and infinite has no connection-” WRONG!

sorry that was forceful.

Infinite used a very specific and strange method to destroy the planet. He made an illusion of the sun, and set it on the planet. Out of all the methods, and interesting choice to be sure. But not for a sun god.

also: “What I find in the ashes, you lose in the fire”

“What are you saying you dumb bitch?” You might be thinking. First of all, rude, second of all, I’m saying that the power inside the Phantom Ruby IS Iblis/Ifrit, hence their connection.

Before I get to timeline and other stuff, some minor things:

The decision to have Infinite take on specifically Silver, and showing Silver being able to withstand a fight against him for a good amount of time, as well as giving them a minor repertoire, which no other seemingly “unconnected” Resistance Fighters get.

the name “Infinite” fitting the naming scheme if “Iblis and Ifrit” and you know how this franchise is about naming schemes.

Now, where we last left Ifrit he was trapped in a pocket dimension with Nega.

Where we first find the Phantom Ruby is “In Sonic Mania, the Phantom Ruby appeared on Angel Island after a dimensional breach occurred in the atmosphere.” (via sonic wiki)

Now, it is kinda hard to connect those two lines, but the dimensional causation is there.

(I could add an ENTIRE subsection of me trying to connected Mephiles to the time-traveling nature of Little Planet, therefore connecting Solaris to Classic Sonic’s world ((and “fun is infinite)) but this theory doesn’t need to be any longer and I cannot physically do any more research.)

it’s possible Ifrit would be trapped, Mephiles was trapped in the Scepter of Darkness, so it’s more possible than impossible.

But, Imma be fully honest with you guys, Most of this is because of the song.

If you haven’t heard “Infinite”, What is wrong with you. Go listen to it. Oh my god.

But, some of the lyrics, don’t totally make sense knowing Infinite’s backstory. But it makes more sense seeing through the lens of the added Ifrit influence.

“And after all this time you're back for more“ (If talking about Shadow, it wasn’t a “long time” inbetween Infinite’s defeat and his rise. And Infinite has no stated relationship with Sonic. However, Solaris and subsequently, Iblis, do.) “When everything you know has come and gone“ “But that's what it takes to be infinite“

Even the name “Infinite.”

He chose that name after fusing to the Phantom Ruby and “ABAndoNiNg hIS pAsT SeLf”

But, the Phantom Ruby has no connotations of immortality. None specified. it’s possible it’s power could be used to trick the user into immortality, but it’s never specified. You’d think he’d be called “Phantom” or, even, “Zero” (his working-and possibly true-name) But no. Infinite.

Now, think back to the connections earlier, and the info I took from Solaris’s wiki.

“Omnipresent throughout time and space”

Sounds pretty “Infinite” to me.

Am I saying Infinite is the new Iblis Trigger? Yes.

Ok my fingers hurt from writing this sorry it’s so long

bye

#infinite the jackal #solaris #mephiles the dark #iblis #ifrit #theory #sonic theory

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immaturityofthomasastruc · 4 years ago

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(Accidental 150 Follower Special) IOTA’s Top 10 Best (and By That, I Mean Personal Favorite) Episodes of Miraculous Ladybug

Alright, I already covered what I considered to be the worst Miraculous Ladybug episodes in two parts, and now it’s time to talk about the what I consider to be the best Miraculous Ladybug episodes before I talk about... him...

I’m only putting one rule in place for this list. I'm going to try and list episodes with good qualities other than “cool-looking Akuma and awesome fight scenes”, and focus on other details like character moments and story.

Other than that, let’s get started.

These are the Top 10 Best Episodes of Miraculous Ladybug (in my personal opinion because your opinion is also valid)

#10: Mr. Pigeon

While Marinette works on sketching a design for a hat for a fashion contest where the winning design will be worn by Adrien (a rare example where the “Marinette does a thing to impress Adrien” plot actually works), a birdwatcher who loves feeding pigeons in the park is told off by the only police officer in Paris, causing him to get akumatized into the titular Mr. Pigeon, who has control over all of the pigeons in the city.

And by God, does this episode have fun with the concept.

In addition to constantly mimicking pigeon cries, Mr. Pigeon's movements are just so entertaining to watch, only aided by the creative ways he controls the flocks of pigeons.

I'm not kidding when at one point, Mr. Pigeon traps Ladybug and Cat Noir in a cage, and threatens to have his pigeons crap on them unless they hand over their Miraculous. Yeah.

This is one of the episodes that really set the standards for how outlandish the Akumas in Miraculous Ladybug could get. It kind of reminds me of an episode of the original Ultraman, where the SSSP has to find a way to move an incredibly heavy monster using increasingly abnormal strategies, like inflating it with air so it'll float like a balloon. It's clear it isn't taking itself too seriously, so the audience shouldn't either.

Admittedly, Cat Noir's feather allergy feels shoehorned in, and is only included to increase conflict, and you would think it would come up when Mayura, a bird-themed supervillain appears in the third season. But then again, that's just a minor nitpick.

It's just a really fun episode, and I wish we could see Ladybug and Cat Noir fight Mr. Pigeon again that isn't used for a cheap gag.

#9: The Puppeteer

After being told by her mom that she can't have a Ladybug doll made by Marinette, young Manon is Akumatized into the Puppeteer. But obviously, you can't have our heroes beating up a five-year-old, so instead, the Puppeteer has the power to exact control over past Akuma victims as long as she has the doll made by Marinette. So Ladybug and Cat Noir have to face off against Lady Wifi, the Evillustrator, and Rogercop, before the Puppeteer gets her hands on the dolls Marinette made of the two heroes and take control of them as well.

It's still kind of funny to think about the fact that of all the Akumas to become a huge threat to Ladybug and Cat Noir, it's a little girl throwing a temper tantrum. And like with “Mr. Pigeon”, the episode has a lot of fun with the concept, best reflected in the voice acting. You can tell that Carrie Keranen is having so much fun this episode with the stuff she says as Lady Wifi.

The fact that someone who was actually a major threat to the heroes with how she was able to easily outsmart them and also came really close to getting their Miraculous is now acting like a little kid using phrases like “super duper sorry” is even more hilarious.

I'm still a little confused as why of all the past villains, it's Evillustrator and Rogercop that get to come back, and I wish they had gotten more to say, but it's still a treat to see Ladybug and Cat Noir fighting four villains at once, especially since this was before “Heroes Day”.

#8: Sapotis

Hawkmoth akumatizes Alya's little sisters into Sapotis (supposedly based off a folktale, but I can't find anything about it online), who have the power to multiply and easily overwhelm Ladybug and Cat Noir, forcing Ladybug to recruit Alya to become a third hero, Rena Rouge.

I've been a little negative about Alya in the past, but this episode gives her some major character growth. One of the biggest problems I had with her character in Season 1 is how often she tried to figure out Ladybug's identity... despite claiming to be a huge superhero fan, who should know why superheroes keep their identities a secret. Thankfully, this episode mostly puts an end to this idea.

The episode opens with Marinette giving Alya some reasons why Ladybug would keep her identity a secret, and it actually plays into the episode.

Putting aside the stupid Rent-A-Miraculous system introduced in this episode, the idea of keeping secrets and how necessary they can be sometimes is reflected after the battle where Alya is hesitant at first to give up her Miraculous, but eventually concedes and keeps her identity a secret from Marinette (who ironically knows, but that's not important).

Even without that, this episode still has a lot of action with the three heroes fighting their way through an army of Sapotis, with plenty of banter during said action. Hell, at one point, Cat Noir says “gotta catch 'em all”. I don't have a joke here, that's just brilliant.

Out of all the introductory hero episodes, this one easily sticks out among most of them.

(Don’t worry, I’m going to talk about Rena Rouge’s character design in a later post.)

#7: Guitar Villain

I said before in an earlier post that Jagged Stone is one of my favorite characters in Miraculous Ladybug, so it's obvious that the episode where he gets akumatized would be on this list.

After a disagreement with his manager about trying to mimic the popular singer XY (who ironically lacks a Y chromosome), Jagged is akumatized into Guitar Villain, a rock star with a pet dragon who forces everyone to listen to his Awesome Solo (yes, he names his attacks too) to dance uncontrollably.

Honestly, there's not much I can really say about this episode. It's Ladybug and Cat Noir fighting a rock star who flies around on a goddamn dragon. That's one of the coolest things I've ever seen! Even the way they defeat him (which I won’t give away) is a fun jab at rock stars.

Admittedly, the episode does border on grouchy old man territory sometimes by complaining about how bad today's music is with the way they portray XY as a whiny and egotistical coward, but after watching “Silencer”, you'll be glad everyone hates him.

Overall, it's a rockingly awesome episode.

#6: The Dark Owl

Mr. Damocles, the principal of Marinette and Adrien's school, is akumatized into the Dark Owl, a corrupted version of his favorite comic book superhero (who would later turn out to be real in the New York special, but I don't want to acknowledge that), who uses his high-tech gadgets to trap Ladybug and Cat Noir, putting them in one of their toughest binds yet.

I'm a huge fan of the Adam West Batman show, so you could probably guess why it's on this list. This episode really feels like an episode of that show with how goofy and over the top everything is. Obviously, this episode has a few Batman references thrown in (even an Incredibles reference at one point), and they're all hilarious.

I just love how complex Dark Owl's traps for Ladybug and Cat Noir are, and the fact that he actually manages to outsmart them at one point. Like seriously, have you ever heard of a death trap that involves drowning someone in whipped cream? That’s totally something you’d see the Joker setting up.

I don't really want to give away the ending (which is why this part is so short), because I think it's a really clever resolution that you should check out for yourself.

#5: Gorizilla

Hawkmoth akumatizes Adrien's bodyguard into Gorizilla, whose sole purpose is to protect Adrien. His motivation? To see if Adrien is actually Cat Noir or not. So Adrien has to avoid this gigantic gorilla's wrath with Marinette, all while trying to catch a movie his late mother was in.

See this? This is Adrienette done right. This is the kind of interaction I like when it comes to romance. Marinette and Adrien spend a few scenes with each other avoiding Adrien's crazy fanbase, and Marinette doesn't stammer half of her words. Even when she interacts with Adrien as Ladybug, she still remains confident, and Adrien trusts her judgment when it looks like he might fall. I don't just want Marinette and Adrien to cuddle with each other or declare their love for each other when they get their memories wiped. I want them to interact like human beings before they actually start a relationship, and this episode is a good example of it.

Adrien also gets some good focus with the way he views his relationship with his parents, as does Gabriel with his relationship with his son. Granted, he's taking a pretty huge gamble trying to kill Adrien to see if he's Cat Noir or not as opposed to just... taking off his ring while he sleeps. Can we at least admit he's trying?

I feel they could have done more with the King Kong homage (guess who I'm talking about?), but I can understand there wasn't enough time to focus on that. It's still an important episode to watch for plot and character growth that will barely be acknowledged in later episodes.

#4: Sandboy

tHe SaNdBoY hAs ChEcKeD iN. nOw NiGhTmArEs CaN bEgIn.

Now that we got that obvious joke out of the way, let's talk about one of the most creative episodes of the show.

Tikki and Plagg, Marinette and Adrien's Kwamis (the magical beings that power their Miraculous) take part in a ritual with the other Kwamis inside Master Fu's Miracle Box to contact Nooroo, Hawkmoth's Kwami, on his birthday and get an idea of where he is. Unfortunately, Hawkmoth chooses to akumatize someone during the ritual, leaving Marinette and Adrien helpless to fight back against Sandboy, an Akuma with the power to make their worst fears come true.

I said before in my worst list when talking about “Ladybug” that there was too much going on for one episode, what with Marinette's expulsion, the attempted Scarletmoth attack, and the fake Ladybug plotlines generally being rushed through. This episode is basically the opposite of that (ironically, they're both the penultimate episodes of their respective seasons).

The Kwami ritual and the Akuma attack are perfectly staged together so one affects the other. Not only do the Kwamis have to risk aborting their ritual to reach Nooroo in order to fight the Akuma, but Marinette and Adrien have to deal without fighting off Sandboy's nightmares on their own. Both plots balance each other out into a well-crafted story.

This is also one of the only episodes in the show where the Akuma of the week isn't the man focus. Here, we don't even see what happens to get the kid akumatized into Sandboy, and instead, Gabriel senses someone with negative emotions and akumatizes the kid offscreen. This works, because it doesn't distract from the main plot too much.

Even Marinette and Adrien's worst fears beautifully contrast each other, with both managing to be unsettling in different ways, even if they both have different tones. While Adrien's worst fear is being imprisoned in his own room (the fear only made worse with Plagg's absence), Marinette's worst fear is... the real star of the episode. Ladies and Gentlemen, I think you all know who I'm talking about.

You can tell the animators had a field day with animating Nightmare Adrien. Just look at the way he moves around and the faces he makes. It manages to be terrifying and hilarious at the same time. Bryce Papenbrook's performance only makes it better, cementing this as the highlight of the episode.

This episode also does a good job at foreshadowing the main plot for Season 3 with Hawkmoth finding out about the other Kwamis and by extension, more Miraculous.

It's got plot, comedy, good action, and Nightmare Adrien, so how can you turn this episode down?

And no, I'm not talking about Nightmare Ladybug, mainly because I'm tired of all the evil doppelgangers from the worst list.

#3: Startrain

Yes, believe it or not, I managed to find a Season 3 episode that wasn't complete garbage, and spoiler alert, this isn't the only one.

Marinette and Adrien's class goes on a field trip to London by taking the train, until the driver is akumatized into Startrain, who wants to escape to the one place that hasn't been corrupted by capitalism... SPACE! So Ladybug and Cat Noir have to defeat Startrain while also finding a way to bring everyone on the train back home.

I like how this episode plays with the usual Akuma of the week formula. Unlike every other Akuma they've fought, Cat Noir points out that if they beat Startrain, everyone will die, so they have to be more strategic in their approach. They don't even fight Startrain for most of the episode, as they have to make their way to the front of the train to confront the Akuma. The action in this episode is very creative and really takes advantage of zero gravity, only aided by the design of the futuristic train the episode takes place in.

The new hero introduced, Pegasus (AKA Max, another student in Marinette and Adrien's class), is also really cool, being very intelligent and helping out the heroes progress through the train even before he gets the Horse Miraculous. It makes sense that his intelligence would be used rather than just his powers in this situation.

There are even some good character moments too. For once, Master Fu does something smart and loans the Horse Miraculous (which has the power of teleportation) to Marinette so she can still go on the class trip, trusting her and actually letting her have a life. It was also nice to see Alya stick up for Marinette by keeping Lila from interrupting her nap with Adrien.

This episode is basically like a refreshing glass of water to enjoy during the garbage fire that was Season 3.

(I’m going to talk about Pegasus’ character design later on too, don’t worry)

#2: Silencer

Lukanette shippers, ASSEMBLE!

Music producer Bob Roth and his son XY hold a contest for young artists to show off their skills, and Kitty Section, a band composed of several recurring characters, decides to enter, with Marinette helping to design their costumes. But as soon as they submit their video, they find out that XY copied their style, naturally pissing the band off.

Marinette and the lead guitarist of Kitty Section, Luka, confront Bob Roth and XY, who threaten to ruin their careers by claiming that they ripped off XY. Seeing Marinette getting threatened is more than enough for Hawkmoth to akumatize Luka into Silencer, who naturally has the power to silence and mimic the voices of others.

I talked about Luka and his relationship with Marinette in an earlier post (specifically the one where Astruc claimed that the fandom growing to like Luka counted as character development), and I said that this was one of the few good episodes this season because of their interactions. This episode basically made me realize how much Luka cares for Marinette, and the episode gives plenty of time to show the two spending time together and growing closer. It's basically everything “Oni-Chan” should have been about, giving some depth to Luka and not portraying him as a crazy person like they did with Kagami in that episode.

Silencer is also one of the more creatively designed villains this season, and has a really creative approach to achieving his goals. While the ability to steal and imitate someone's voice seems mundane compared to control over the weather, or making nightmares come to life, it's used very effectively. Silencer basically tricks the police into arresting Bob Roth while imitating the mayor's voice, and he threatens to make his life a living hell by using the connections to the voices he's stolen. Even with the hand puppet gesture, it's still unsettling to have Silencer speak in all these voices, and it would make for a really interesting horror movie.

Even Ladybug and Cat Noir's interactions are back to their Season 1 levels of enjoyment. Even though Silencer took her voice, Ladybug just makes so many expressions that do a great job at describing her feelings, which naturally plays off Cat Noir's motormouth tendencies. Whenever Cat Noir jokes about Ladybug's condition, he is rightfully called out on it and is reprimanded in some way, my favorite being when Ladybug uses her yo-yo to hit Cat Noir on the head to shut him up. Even putting aside that, they still work well together this episode and really feel like equals. I also love their silent fist bump when Bob Roth is exposed.

Again, the episode still takes the time to go on about how unoriginal today's musicians are, and how they lack artistic creativity and all that crap. Look, given how ham-fisted the writing in this show can get, are you surprised the commentary isn't subtle?

Even putting aside how much this episode made me appreciate Lukanette, it still has a lot of great moments that aren't even related to the ship itself, which is a real testament to how this show can perfectly balance romance and story when it's done right. Now if only the show could try this much with Adrienette, then people wouldn't hate the main pairing of the show this much.

#1: The Collector

Taking place immediately after the Season 1 finale, Marinette meets Master Fu and discusses the book she found depicting past Miraculous users. Marinette theorizes that since the book was in the Agreste mansion, Gabriel could be Hawkmoth. And to the surprise of absolutely no one, she's right, and in order to draw off suspicion, Gabriel akumatizes himself into the Collector.

This episode has several good writing decisions for both sides, and the choices the characters make feel natural. Gabriel akumatizing himself is such a smart move, and so is what Marinette and Master Fu do with the book at the end. This episode does a great job setting up future plot threads and establishes Master Fu's character and the mystery associated with him.

The Collector is a visually stunning villain, and his powers are really creative, leading to a great fight with Ladybug and Cat Noir, who use a great strategy to outsmart him. I also love how over the top he is in order to make the heroes believe that he's working for Hawkmoth, all with a devious smile on his face.

This was also the episode that really got me into Miraculous Ladybug as a whole. I checked out the first season on a whim after it was mentioned in a Pan Pizza video, but it was during the hiatus between seasons, and I hadn't really started using Tumblr yet, so it mostly stayed off my radar. When Season 2 started however, I really got invested in the story, and the way this episode turned out was a big reason why. I wondered what it would be like when Adrien finds out his own father is Hawkmoth, and how the story would play out after the reveal.

Despite what it led up to, I still consider “The Collector” to be my favorite episode of Miraculous Ladybug.

Well, now that I talked about that, not it's time to talk about what I consider to be the worst episode of Miraculous Ladybug, “Felix”. God help me...

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littleabriel-blog · 4 years ago

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My Problem with Loki

Loki is a character beloved by many people. He has been for a decade now, although some people who read comics before the Marvel Cinematic Universe was a thing were fans of him long before the first Thor came out. Over the years since his appearance in that movie the character has gone through a lot of changes, evolving from a villain to an anti-hero both in the MCU and in the comics, the latter even killing off his original incarnation to reincarnate him in a younger body resembling Tom Hiddleston in the hopes that the comics could capitalize on his popularity in order to sell more books. That move, unfortunately, did not bear fruit, with Loki’s solo series being canceled after only five issues. However, Loki remained popular in the movies, so much so that when he was killed off in Infinity War, people were pissed.

As a result of his enduring popularity, Kevin Feige and company decided to give Loki his own solo series on Disney+ when the decision was made to create a string of MCU tie-in shows to supplement the movies, and boost subscription numbers to Disney’s new streaming service. Fans of the character rejoiced. Finally, our favorite character was going to be in the spotlight, and not be merely a supporting character for Thor and hopefully not a butt monkey for the Avengers like he was in the third act of the movie of the same name. WandaVision and The Falcon and The Winter Soldier had previously had well-received and successful debuts on that same platform, and it was hoped that Loki would do the same. Loki turned out to be the most successful of the Disney+ MCU shows that have come out so far, scoring highest in the ratings. As of this writing, it holds a 93% fresh rating on Rotten Tomatoes and an 8.5 on IMDb.

Those numbers, however, don’t reflect the entire audience and there were a lot of people who were not altogether happy with the product we received. Many people who had been hardcore fans of Loki since Tom Hiddleston first put on the horned helmet were not pleased, myself included.

The show wasn’t all bad. It did set up the multiverse, introduced Kang, introduced Mobius. The special effects were outstanding, a lot of the gags were hilarious, and we did get some character development from Loki before the spotlight fell away from him and he became all about panting after the real main character...more on that in a few.

So many things, however, were wrong.

If you liked the show, thought it was perfect, and were a fan of the romance, that’s perfectly fine. There is no such thing as a wrong opinion on a work of fiction. Everyone has their interpretations, everyone has their likes and dislikes, and there is nothing wrong with liking the show. There is also nothing wrong with not liking the show. This is a concept that people on both sides of the debate fail to understand, and I have witnessed flame wars, harassment from individuals on both sides, harassment of creators on social media from both sides, and various bits of biphobia, homophobia, transphobia, and other assorted types of phobias on display. I have seen people accuse people who have different opinions on the show than them of “not being a true Loki fan” and stating that people who have certain interpretations of the character don’t “truly know Loki”.

I’m not here to do that, and I assure you, if you liked the show, that’s fine. You’re allowed to. I’m allowed to not like it, and I’m allowed to explained why I didn’t like it just as you’re allowed to explain why you did. As long as both of us are being respectful, expressing an opinion is good. There is expressing an opinion and offering constructive criticism, however, and then there is namecalling, trolling, and having a tantrum and accusing someone of being “aggressive” when they don’t share the same opinion you do.

There is a huge difference between saying “I find the character of Sylvie to be problematic, and here is why” and “I think fans of Sylvie are sick and need therapy”, and people need to learn the difference between the two. Unfortunately, you have people who have become very protective of their favorite characters and tend to take any criticism leveled at said characters personally. It’s basically “You don’t like them? Well then you don’t like me, and since you don’t like me, I don’t like you.” Which is, frankly, a dangerous mentality to have. We are talking about fictional characters, not real people, and there is no need to jump to the defense of someone who does not exist. It is those people who tend to demonstrate that they have unstable personalities and immaturity, and they are the ones I have started blocking on Twitter because, being an adult woman, I don’t have the patience to deal with immature nonsense like that.

So, if you read this and then decide you want to hunt me down to give me a piece of your mind, tell me that I’m not a “true” fan of Loki, and accuse me of whatever, don’t bother. This piece isn’t here for that. It’s here because I wanted to compile my thoughts and feelings in a way that would better for me to articulate. It’s more or less a venting mechanism, purely for my benefit. If someone else gets something out of it, fine. If the creators of the show happen to see it, which is very unlikely because A) I’m not exactly going to push it onto them on their social media to get them to read it and B) they already get bombarded with tons of opinions on the show on a daily basis and aren’t going to care about one more voice added to the mix, even one who has basically compiled a novel, then alright.

And it is a novel, because I have a lot to say about Loki. I have been a huge fan of the character since long before Tom Hiddleston began playing him. My first encounter with Marvel’s Loki came in the form of the X-Men comics, specifically The Asgardian Wars run. It’s available in trade, and you should check it out. I read that run when I was around 10 years old, and I enjoyed Loki as the bad guy in the two stories that make up the collection. The first has him creating a special wish fountain that has a monkey’s paw effect in that it imbues mortals with special gifts and powers, and has the potential to make Earth a better place, but at the cost of killing every magical person and being on Earth. The X-Men and Alpha Flight find out about this after a plane piloted by the wife of one of the X-Men happens to crash in the general location the fountain is located. The two teams go to investigate, Shaman and Snowbird who are both magical beings begin dying, it’s discovered Loki created the fountain in order to score brownie points with The Ones Who Sit Above In Shadow (a pantheon of deities who are basically the Gods to the Asgardians), and after a lengthy battle Loki is defeated, he shuts down the fountain under pressure from The Ones, and slinks back to Asgard with tail between his legs.

In the second story, set after the heroes of Earth had helped Asgard defeat Surtur, Loki’s attention is caught by Storm, who at the time was depowered. He kidnaps her and brings her to Asgard intending to use her to replace Thor as the Goddess of the Storm, and use her as a pawn to, what else, conquer Asgard and seize the throne.

I really enjoyed Loki then, and felt sorry that he never appeared in any other X-Men story, not even in an issue of the New Mutants, and that team boasted an actual Valkyrie (Danielle Moonstar) as one of its members. I was a kid at the time and read pretty much exclusively X-Men since those were the books my father purchased for me. I never felt right about asking him for other books since we were a family with money struggles and I didn’t want to be more of a burden by requesting Thor or Avengers comics--that, and I just didn’t find Thor or the Avengers all that interesting at the time, a sentiment shared by a lot of people until the first Iron Man made us actually care about Tony Stark. I wouldn’t have an opportunity to start reading more comics featuring Loki until I was an adult and able to visit comic book stores on my own. I read several runs that featured him as a character, including Ragnarok, the Broxton, OK run where Loki first appeared as a woman, Dark Reign, and finally Siege. I also went back and read Walt Simonson’s legendary run on The Mighty Thor, which I highly recommend.

Suffice it to say, I’ve been a fan of the character for a long time, and in fact when Tom Hiddleston was cast in the role for Thor, I remember thinking that he was too young. But then I figured it was Hollywood, of course they’re going to deage Loki so that he appears closer in age to his adopted brother in contrast to the comics pre-Siege where Loki was often drawn to look like he was as old as Odin and therefore could be Thor’s uncle or even father as opposed to brother.

Over the years I grew to enjoy the MCU’s version of the character, enjoy Tom Hiddleston in the role, and like most other people was greatly saddened by his death in Infinity War. Like other fans, I looked forward to his solo series and had high hopes for it. Hopes that were, unfortunately, dashed.

It Was Rushed

In the MCU, it took Loki years to go from troubled young god, to villain, to ambivalent ally, to anti-hero, to hero. Literally, years. Months had passed between the end of Thor and the beginning of Avengers during which Loki endured who-knows-what at the hands of Thanos. We don’t know exactly what still. The Loki series didn’t answer that, I guess because they didn’t want to devote precious screentime to an interesting backstory for what was supposed to be the main character when they could focus on something else instead. That something else will be elaborated on.

In Episode 1, Loki is still the villain from Avengers, something he would have remained as into The Dark World. It would take him being in Asgard’s prisons for a year and then him accidentally getting his adopted mother Frigga killed in order for him to begin to do a heel-face turn. From this, we can clearly see that a transition from ax-crazy bad guy to anti-hero is not going to happen overnight. For this person I shall call Ragnarok Loki, it was a process that took time. He suffered a complete mental breakdown while in Asgard’s prison, a fragile emotional state that was compounded by the anger and massive guilt he felt at Frigga’s death.

Even after that, he still hadn’t completely abandoned his villainous ways. At the end of The Dark World we find out that after faking his supposed death earlier in the movie, Loki has assumed Odin’s form and taken his place on Asgard’s throne. In Ragnarok, Loki is still sitting on the throne in Odin’s form, and shows no indication at all that he feels any remorse for giving his adopted father amnesia, stripping away his magic, and abandoning him on Earth to whatever fate he might meet. Loki remains a selfish bastard throughout Ragnarok until the third act, after Thor had treated him to a taste of his own medicine by sticking a taser on him and then giving him a speech about becoming predictable and complacent.

Loki’s arc was one that spanned four movies and six years, since in-universe there were a couple of years between The Dark World and Ragnarok. That meant that his character development took actual time and was realistic. It was one of the things that drew people to the character, the fact that he had a very relatable and believable redemption arc.

Compare that to Episode 1. In less than a day he goes from being the Loki that we saw in Avengers, batshit crazy, selfish, callous, and untrusting, to making personal confessions to a man he had just met only a couple hours previously and agreeing to help the organization that had arrested, stripped, imprisoned, tried, and almost executed him.

What?

I will give the show this: In Episode 2, he shows that he’s still up to his old tricks when he feeds Mobius and the agents all that horsecrap about how a Loki works in the Ren Faire tent, and then revealing that he plans to take over the TVA when he confronts his variant in the futuristic Wal-Mart. The weeping confession to Mobius, that I can’t really get over. How do you go from haughty, arrogant, and “trust is for children and dogs”, to “I don’t enjoy hurting people” in just a couple of hours? The show never indicated that it was a manipulation tactic on Loki’s part. Instead, we were basically told to believe that they became friends just that fast. That emotionally stunted and closed-off Loki made a connection with another person in a matter of hours. Makes sense. Don’t get me wrong, I like Mobius and feel he makes a good foil for Loki. I hope to see more of him in the future. I just have a tough time finding their friendship all that believable.

This would not be the only relationship in the show that happened too fast that we were forced to just buy, which leads me to Sylvie.

She’s the variant that the TVA had been hunting, that Mobius recruited Loki to help capture. And while I normally hate it when people ascribe a certain label onto a new female character because reasons (ones that are usually misogynistic), I think it fits rather well in Sylvie’s case.

Enter The Mary Sue

Mary Sue is a term that gets thrown around a lot. To sum up the meaning in very simple terms, it refers to a character who is too perfect to be believable. Mary Sues are often author-self inserts in fiction, they’re usually the love interest for at least one male hero and it’s usually the male hero the author will admit to having a crush on, their scenes usually are presented much more descriptively than those of the other characters, the story will revolve around them often at the expense of the development and plots for the other characters of the story, and they’re presented as beautiful, powerful, intelligent, beautiful, special, strong, beautiful, and desirable. Yes, beautiful is on the list more than once, and it’s deliberate.

The term comes from an old Star Trek parody fanfic, and while it is usually applied to original characters in fan fiction, the term has been used to describe characters in canon media as well. Some examples of characters who have been described as Mary Sues would include Bella from the Twilight books, Felicity from the show Arrow, Jaenelle Angelline from Anne Bishop’s The Black Jewel novels, Sookie Stackhouse from True Blood, Rey from the last Star Wars trilogy, and Jean Grey from the X-Men comics. Note I do not necessarily agree that those characters are Mary Sues, I have merely heard these characters referred to as Mary Sues, and when I look at them objectively I can kind of see where the accusations come from. Some other terms that can apply are Creator’s Pet and of course Author Self-Insert. Not all Mary Sues are Author Self-Inserts, but a lot of them are. Also, not all characters who can be labeled Mary Sues are female, though they often are. The male version of a Mary Sue is called a Marty Stu, and a couple of characters I’ve seen get ascribed that label include Harry Potter, Daemon Sadi from Anne Bishop’s The Black Jewel novels, Edward from Twilight, and Red Hulk from Marvel Comics. Even Batman and Wolverine haven’t been immune from the Marty Stu stamp, although you can argue that it does apply in their cases especially depending on who’s writing them. Sometimes it is painfully obvious they are author self-inserts...the aforementioned Bella is a good example. Others, you can only speculate on. And while there are theories going around that Sylvie is someone’s self-insert, we don’t have definitive proof of that.

There are good arguments, however, for her being labeled a Mary Sue and Creator’s Pet.

First are her powers. In the show we are told that Sylvie taught herself magic, especially her ability to “enchant”, the power to get into the minds of others and manipulate them. The fact that she taught herself would indicate that her education and skill in using magic should be lacking, right? She should not be as good as, say, someone who learned magic from his foster mother who herself was taught by Asgardian witches?

Yet in the show, Sylvie not only runs circles around Loki magically wise, she even teaches him a few tricks. This is startlingly in contrast to the comics. Loki’s Sylvie is partially based on the character Sylvie Lushton from the Young Avengers, a bad guy who was once a normal girl whom Loki imbued with powers before his death at the hands of the Sentry during the events of 2010’s Siege storyline. In the comics, Loki not only gave Sylvie her powers, but he was the one who taught her how to use them. Now, of course things in the MCU are not going to follow the way things are in the comics. MCU Loki is nowhere near as old as comics Loki and has so far not demonstrated the ability to give other beings powers. And MCU Sylvie is a composite of Sylvie Lushton and Lady Loki, which is also problematic, but we’ll get to that.

But the point is that Sylvie had no training. Her magic is some improvised slapped-together stuff that at best she picked up here and there and at worst she just pulled out of her ass. Now, knowing that, we’re supposed to buy that she can mop the floor magically wise with someone who was formally trained by a sorceress? And that furthermore, she can school him as well?

To make up for her lack of experience and knowledge, Loki is nerfed. Power wise and intellectually wise, he is nerfed. In Thor and Avengers Loki is smart, well-spoken, and a master manipulator. At one point he is able to turn all of the Avengers against one another, and while his magic has never been anywhere near the level it was at in the comics pre-Siege (after his resurrection, he was powered down and is currently nowhere near the powerhouse he had been prior to 2011) he was able to pull off some impressive displays of skill nonetheless. Shape shifting, illusion casting, it was a good repertoire.

In Episode 3, however...well, he does use teleportation to some impressive affect during his fight with Sylvie, but he still doesn’t get the upperhand. And he should. Loki is a better trained fighter, better trained in sorcery, and realistically should have at the least managed to incapacitate his variant. He doesn’t however, because the moment he meets Sylvie his IQ drops about 20 points. He falls easily for her tricks, makes laughable plans, gets drunk and draws too much attention when he knows that is a bad idea, and manages to get them both stuck on a moon that will soon be dust courtesy of the rogue planet about to crash into it. Loki has made some blunders in the various MCU movies he’s been in, mostly due to his own arrogance and tendency to underestimate his foes, but he’s not that stupid. In fact, in The Dark World he screams at Thor and calls him an idiot for drawing attention to themselves by hijacking an elven ship and crashing into every column and statue within a fifty-foot radius.

Where exactly is that smart, calculating, more careful Loki we know from the films? He’s been transformed and dumbed down, in an attempt to prop Sylvie up. It’s a tired trope, making the male character a dumbass in order to make the female character look good. Well, I should say male-presenting and female-presenting characters in this case, but their supposed gender fluidity really is not represented well and it’s completely contradicted later on, but we’ll get to that.

Anyway, making the male character stupid in order to make the female character look better by comparison is not empowering. It’s insulting. It implies that women are not smart or capable enough to meet men on equal footing, that the only way we can shine is not by virtue of our own strengths, but merely by making us look better than the men.

She doesn’t just outshine Loki intellectually and power wise, she outshines him period. The show from Episode 3 on becomes about Sylvie. She is the show’s main focus, and Loki? He’s relegated to the role of supporting character in the series that’s named after him. Supporting character, and love interest. From Episode 3 on, the show might as well be called Sylvie.

Now, some people will say that since Sylvie is a Loki, the show was indeed focusing on Loki. The problem is, the show is very inconsistent as to whether or not Sylvie really is a Loki or a different person entirely. I will explain more later, but the writers seem to change Sylvie’s identity to suit whatever narrative they want to present to the audience, including the pre-Pixar Disney romance they foist upon us.

The Romance, and why some find it gross

One major characteristic of the Mary Sue is that she always draws the romantic and sexual interest of the main male character, who may or may not be a Marty Stu himself. Oftentimes he’s not, and Loki does not fit the criteria of a Marty Stu by any stretch of the imagination. These romances always happen fast with little to no buildup. There is no what writers of romance call “slow burn”, it’s just throw Mary at the male character, hook them up, and get the audience to buy it. Basically, it’s reminiscent of the romance stories in the Classical Era Disney animated films. Snow White, Sleeping Beauty, and Cinderella all fall madly in love with their princes within minutes of meeting them. There’s no getting to know each other, there is no preamble, there is no slow courtship, no real drama to speak of. It’s basically Love At First Sight or True Love. This trend continues even into the Disney Renaissance. In The Little Mermaid, Ariel is willing to make a deal with a witch to give up her fins for a prince she hasn’t even spoken to yet. He doesn’t even know she exists, and she leaves her home and family behind, gives up her voice, all for a mere shot at hooking up with him.

That’s not love, that’s lust. That’s hormones overruling your brain, and it’s an insulting trope, one that feminists have railed against for years. Disney has made a little progress. The movie Frozen took the mickey out of the Love At First Sight/True Love trope with the song “Love Is An Open Door” and the prince Anna wanting to marry turning out to be a major sleazebag who just wants to use her, but we still only have three Disney princesses (Elsa, Moana, and Merida) who have never had love interests and two (Anna and Rapunzel) whose love stories come close to being slow burns, out of 12 official Princesses. There’s still a long way to go, and boy is there a major step backwards in Loki.

In Episode 3, Loki fights Sylvie and they end up on Lamentis 1. Sylvie spends a good portion of the time insulting and trying to kill Loki, and Loki finds himself having to defend himself from her. That changes once they get on the train going to the Arc. After sneaking aboard the train using a disguise and a flimsy story, the two Lokis sit in a booth, where Loki proceeds to drink champagne. It is then that, out of nowhere, the conversation shifts from how Sylvie learned her powers to the topic of love.

Why? Why would you bring that up in conversation with someone who was doing her best to kill you a couple hours prior?

Then Loki makes things worse by asking Sylvie if she has a beau waiting for her. Why? It doesn’t make sense. The two of you are at each other’s throats, she’s done her best to kill you, neither of you trusts the other, and, completely out of left field, you decide to basically ask “So...are you single?”

Now, enemies to lovers is a trope that can work when done right. Typically, it’s a very subtle, slow progression that the audience witnesses over time in a novel, movie or television series. Weeks and even months will go by in the narrative during which the two people go from wanting each other dead to developing feelings for one another. There’s usually a “will they, won’t they period” that lasts for some time that’s full of teases and flirting before the couple does hook up and gives the audience the resolution. Done in this way, enemies to lovers can work.

This...this is not the right way to do enemies to lovers. Within a couple of hours Loki and Sylvie go from hatred and doing their damnedest to stabbing one another in the backs, to having a connection that causes a nexus event?

By the way, that nexus event makes no sense. In Episode 2, it is established that it is impossible to create a nexus event in an apocalypse. It is why Sylvie was able to avoid capture by the TVA for so long. In fact, just minutes prior to the two of them almost dying in Episode 4, Sylvie flat-out says that she figured out that she needed to hide in apocalypses because she discovered she didn’t create a nexus event when she hid in them.

Now the two of them are able to create a nexus event in the midst of an apocalypse? Why? Their “connection” isn’t going to lead to any consequences...they were about to die. No one else need never have known about the “moment” the two of them shared. It’s very confusing and the only purpose it really serves is to paint Loki and Sylvie as soulmates, which doesn’t make sense in the context of the show. The concept of soulmates is that for every person, there is someone out there they are predestined to be with. Loki is a show that, at the core of it, is about rejecting predestination and embracing free will. In that context, the idea of soulmates is ludicrous and contradictory to the message that we make our own destiny. This is why True Love is unrealistic, and I hate to break it to you romantics out there, but Love At First sight does not exist.

Infatuation At First Sight exists, but that is not Love, no matter what your hormones are telling you. Love takes time to evolve, and it takes work to maintain. It sure as hell doesn’t happen after less than 12 hours of knowing each other, during which a huge chunk of time was devoted to trying to manipulate, outsmart, and murder the person you’re supposedly in love with. No one falls in love in less than 12 hours, period, unless it’s a Classical Era Disney animated movie. They basically turned Loki into a big Disney Romance trope. I have a very hard time buying that Loki, who we have established is emotionally stunted and closed off, would form a love connection in just a few hours, especially with someone who was doing her best to murder him in that timespan.

That is not the only reason this relationship is problematic. The term “Selfcest” has been thrown around, and a lot of defenders of this particular ship claim that the term was very recently made up in social media for the sole purpose of badmouthing this particular romance. That is not the case. Selfcest is a term that has existed among fiction writers for years, it’s just that more people have recently become aware of it thanks to this show. The trope has been used and referred to in various works of fiction, especially in fantasy and science fiction where cloning, alternative universes, and magic occur. A lot of the insults I get from people who can’t stand that I don’t like the romance basically go along the lines of saying selfcest doesn’t exist. No, it doesn’t...in reality. But this isn’t reality, is it? It’s fiction. It’s a fictional world where such a thing could be possible, and even in works where it’s not possible it’s often alluded to.

In A Song Of Ice And Fire, we have the infamous twincest relationship going on between Cersei and Jamie Lannister, and it is heavily implied that sleeping with her brother is the closest that Cersei can get to banging herself and that is why she does it. Jamie is basically everything she feels she should have been and was denied due to being born a woman. In fact, in later books when he reunites with her after having been away from King’s Landing for over a year, during which time he’s grown a beard and shaved his head, Cersei no longer finds him as attractive since they no longer look as much alike.

And with advances in cloning, selfcest might be possible in the future. We already have sex robots, and people with money are capable of making those robots look like themselves. There is nothing stopping them from doing it.

Knowing all of this, the argument of “selfcest doesn’t exist!” falls flat. And it especially falls flat when you’re referring to a fictional universe where a large purple man once killed off half the population of said universe with a snap of his fingers, where scientists turn into giant green monsters, the Norse gods not only exist but regularly interact with people on Earth, and there’s such a thing as a Sorcerer Supreme.

As I have said, the show has been rather inconsistent in stating what exactly Sylvie’s identity is. One moment, we are told Sylvie is a Loki and that she and Loki are the same person. Mobius says it, Kang says it multiple times, Judge Renslayer says it, the director and the writers state it in interviews. But then in the next breath, they contradict it by saying that she’s not a Loki, she’s Sylvie and a different person.

You can’t have it both ways. Which is it? Either she’s a Loki, or she’s not. The narrative is very confusing and it changes depending on how they want us to see Sylvie, especially in relation to her romance with Loki. It’s so much easier to avoid the selfcest/incest accusations when you can say they are different people. But then they say they’re the same person. Make up your minds!

Since the show first established that Sylvie is a Loki, I’m going with that. Especially since we saw a bit of her backstory. She grew up in Asgard as a member of the royal family, which means she had Odin as a father, Frigga as mother, and Thor as brother. She may or may not have the same DNA as Loki. We never got confirmation either way, and there are people who argue that they don’t to which I have to ask: How do you know? The show never tells us! “Oh, well, there’s Alligator Loki, are you going to say he has the same DNA as well?” Well, we are never told how exactly Alligator Loki came to be. Is he actually an alligator, or is he Loki who somehow got permanently stuck when he shapeshifted? People tend to forget that he can do that. Ragnarok established that he can turn into a snake, and a deleted scene actually had the childhood story go that Loki turned into a rug to cover a hole in the ground and then dumped Thor into it. There is the scene where Doctor Strange drops Loki through a portal, and Thor is left poking at a business card, and it is clear that for a moment he thinks that Loki turned into that. We know Loki can shapeshift, so Alligator Loki can very well have the same DNA. We just don’t know, because the show never explains it for the same reason the show cut out the scenes with Throg fighting Loki...to devote more screentime to Sylki.

Even if they don’t have the same DNA, it’s still established that they are the same person, they have the same family, they’re both the God/dess of Mischief, and even Sylvie herself acknowledges that she is a Loki despite the fact that she changed her name. So selfcest very much applies here, and a good argument can be made that selfcest is the ultimate in incest...after all, there isn’t anyone else you’re more related to than yourself. It is very understandable, therefore, that a lot of people would be very, very uncomfortable with such a relationship. Having the same DNA would merely be the icing on the very gross cake.

Furthermore, just because selfcest does not exist in reality does not mean someone can’t find the concept distasteful. “It’s not real!” “It’s just fiction!” Yes, and people are allowed to have their own feelings and opinions on fiction. If they find the idea of selfcest hard to stomach, that’s their prerogative and you really have no right to tell them they are wrong for feeling that way. They should not have to justify to anyone why they feel that way either. No one owes you an explanation for why they find real world incest or cannibalism distasteful, so they don’t owe you an explanation for this.

“Well, of course Loki would fall for himself...he’s a narcissist!” Is he though? Is he really? Having dealt with my fair share of narcissists in my life, I have to wonder if the fans who say that, along with the writers, know what a narcissist really is.

Is Loki a narcissist?

Bringing up Cersei Lannister again, the novels she appears in establishes that she is an extreme narcissist. She sleeps with her twin brother because it’s the closest she can come to sleeping with herself, and she desires to do that because she is a narcissist. A narcissist is someone whose personality is defined by an inflated sense of self-importance, troubled relationships, lack of empathy for others, and an excessive deep-seated need for attention and admiration. It’s a very simplistic definition, and there are plenty of YouTube videos devoted to delving into narcissists into more depth, as well as videos on how to cope with the aftermath of abuse at the hands of narcissists. Narcissists are so devoted to themselves that they ignore the needs and the feelings of those in their lives, which often results in abusive behavior. There are entire support groups that exist for victims of narcissists.

At first glance, one can see why some might consider Loki a narcissist. He does engage in some pretty selfish behavior, he goes to great lengths to get attention, his relationships to his family are indeed fraught with drama, and he seems to have a pretty overinflated ego. He even goes so far as to write a play featuring himself as the central character, and build a giant golden statue of himself after taking over Asgard in the guise of Odin. But really, is his ego truly that big? Or he is overcompensating for his self-hatred and self-disgust?

Loki suffered quite the emotional blow when he found out his true heritage, a revelation that shook him to his very core. Of course, his relationship with his father suffered as a result...the man lied to him for his entire life. Their relationship really was not that great even before that since Odin found it easier to relate to Thor, who was more like him in personality, than to Loki, who was more cerebral and quieter. Loki’s relationship to Frigga fared much better. He’s quick to forgive her involvement in covering up the truth about his parentage, and it is obvious that they are close. Even his relationship with Thor prior to the events of the movie is not all that bad, the two brothers are affectionate and playful, and when Loki interrupts Thor’s coronation, it’s not just for the sake of creating trouble, but to postpone Thor taking the crown for another little while because he is not fit to rule. At the time Thor had yet to go through his character development arc on Earth and he was still an overly arrogant, bloodthirsty, elitist douchebag, so Loki really had a good point.

A true narcissist would have done what Loki did just for the sake of making life difficult for Thor. Also, he would have done it because he wanted the throne. Loki states repeatedly that he never wanted to rule. A true narcissist would have been all smiles about taking the throne instead of being reluctant about it as Loki was when Frigga handed him Gungnir.

Throughout the films, and in the first episode of the series, we see that Loki does indeed love his family and is capable of feeling guilt over the things that he does to them, intentionally or not. Narcissists typically don’t feel remorse. As far as they are concerned, they are perfect and can do no wrong, so they have nothing to feel bad about. If they hurt you, it’s because you deserved it. You shouldn’t have provoked their ire.

Loki feels bad for getting Frigga killed, and then later on Odin. Then he is in tears when Odin dies, and later at the mere thought of never seeing Thor again when the two brothers talk in an elevator on Sakaar. Those are not the actions of someone who is incapable of loving anyone but himself, as I’ve seen so many people claim about him. And the fact that he sacrificed himself to save his brother also kind of kills the whole “narcissist” narrative.

In Episode 1, Loki breaks down and confesses to Mobius that he doesn’t like hurting people. He does it because it’s part of the façade, and admits that he sees himself as weak. A few episodes later, he admits to a memory illusion Sif that he craves attention “because I’m a narcissist” and admits to being afraid of being alone. That is far more self-reflection than a typical narcissist is capable of in my experience. As I said, narcissists tend to think they are perfect. A true narcissist would never admit to having any flaws, and sure as hell would never admit that they are a narcissist. As far as the true narcissist is concerned, if you find them flawed in any way, that’s on you. The narcissist has no need for self-reflection because they honestly see nothing wrong with themselves, and believe that they don’t need to change...it’s everyone else who does.

A good real-life example from my past is a former friend I’ll call D. D was a self-proclaimed brat who was quite proud of the fact that she could be difficult to be in a relationship with and tended to go through men like tissue paper. She was demanding, self-centered, extremely jealous, manipulative, and prone to wild mood swings. She could and did go from zero to insane at the drop of a hat. In the time I knew her, she left a string of burnt guys behind, and according to her it was because they just weren’t man enough to handle her. She also left behind a string of broken former friends, to the point where there really needed to be a support group for former friends of D who suddenly had her turn them into Public Enemy Number 1 when they either started taking attention away from D, or...well, that was it really. As I said, she was a very jealous person and had a chronic need to be the center of attention, especially if there were men around. Anyway, instead of working on herself to become less self-involved, self-absorbed, and more empathetic, she double downed on her abrasiveness and constant need for attention until she finally wore the poor man down and he either ghosted her or outright dumped her. She never broke up with them, preferring to keep them around for as long as they were willing in order to toy with them as a cat does with a mouse. I tried to talk to her about her horrible behavior, but instead of taking my constructive criticism and maybe using it to make some needed changes, she completely turned on me and did her best to make my life hell until I finally cut her out of it. I learned two things: Narcissists don’t want help because they don’t feel they need it and they are never going to change as a result, and never, ever try to confront a narcissist. It’ll only end badly.

A more famous example? Former US President Donald Trump. I won’t get into that, because really all you need to do is perform a quick Google search to see what all he’s done and witness his narcissism on full display. But really, place him side by side with Loki. Do you see any similarities at all? Maybe on the surface, but when you go deeper...no. Loki is not a narcissist. He’s capable of deep self-reflection, owns his faults, is capable of loving others, and feels remorse. I would argue that anyone who says he is a narcissist, either does not know the character, or hasn’t ever actually dealt with a narcissist in real life, to which I can only say: Lucky you.

I honestly would argue that calling Loki a narcissist is actually doing a disservice to victims of abuse from actual narcissists.

What about Sylvie? Well, in contrast to Loki who does show remorse while Mobius is playing that “This Is Your Life” reel for him, Sylvie shows no remorse or regret. She knows that the TVA agents she kills are as much victims as she is. They are innocent variants who were kidnapped from Earth and forced to work for the TVA after having their memories wiped. She knows this, yet the first time we see her she burns a bunch of TVA agents alive, and she just stands there watching as they scream in agony. In the next episode she says right out that she’s “having some fun” while possessing the body of C-90 and murdering more agents. She is not at all sorry about doing what she did, and we’re supposed to be understanding since she was kidnapped as a child. Okay, but the entire TVA didn’t do that. The agents she kills didn’t personally kidnap her. The only one we see who was directly involved in that is Renslayer. Sylvie “did what she had to do”, fine. But she doesn’t feel bad about it, at all. The flashback to her as a child takes great pains to try to show us what a good person she is when she cries out “Help him!” as another prisoner is being beaten, but I guess she grew out of it.

We don’t know if Sylvie has any other narcissistic traits besides lack of remorse because, well, the show really doesn’t do much to show her personality. Other than killing people, trying to kill Loki, and then flirting with Loki, we just don’t really see much to her. It’s another trait of a Mary Sue. Mary Sues often have bland, one-dimensional personalities. After all, their only purpose is usually to serve as love interests for one or more male characters. Mary Sues break the “show, don’t tell” rule by having the other characters verbally inform us about their traits, usually while singing their praises, but we don’t actually see those traits in the Mary Sue herself.

Loki calls Sylvie “amazing”, but how amazing is she, really? She kills people she knows are victims, she endangers the timeline just to sneak into the TVA, and then she kills Kang despite knowing that there is a very good chance that doing so could unleash something far, far worse than him. Then again, it doesn’t have to make sense when you’re pushing an unwanted and unasked for romance on an audience who was expecting a scifi show, not a romance.

I have spoken in a few places about this. Romance is fine, but in a show that blatantly places itself in the scifi genre, it really should only be the background, not center stage. When I expressed this opinion, I got accused of being dismissive of an essential part of the human experience. Well, first of all, congratulations: You just invalidated the existence of people on the asexual and aromantic spectrums, not to mention people who are celibate by choice. Second, that is why we have the romance genre. To tell stories centered around romance. I like romance, I read romance novels, and I sometimes write romantic fiction. But there are some places where it just is not appropriate.

There are people who say that adding romance makes things more interesting. Nope, in those cases it’s just a smokescreen, something used to hide plot holes and distract us from just how empty the story really is. Writers like to say that if you need a romance to make things more interesting, then you really don’t have much of a story in the first place. And sadly, Loki does have some plot holes. The nexus event on Lamentis is a good example, and the romance is definitely used to distract us from that. People were so focused on “oh wow, they’re having a moment, they’re soulmates!” that they didn’t think “waitaminute...didn’t they say that nexus events can’t occur in apocalypses?”

We really did not need a romance in Loki. Period. It was unnecessary, it was distracting, a lot of people found it disturbing, and it actively hurt a marginalized group.

Loki Is A Queer Icon!...maybe

I am not going to say that the relationship between Loki and Sylvie is not a bisexual one. A bisexual relationship is a bisexual relationship regardless of whether or not the person the bisexual person is with is the opposite sex. Saying otherwise is biphobic. Biphobic people in both the straight and the queer communities have been excluding bisexual people who happen to be in opposite sex relationships for years because apparently one stops being bisexual once they get into a relationship with someone of the opposite sex. This is horseshit. I’ve been in relationships with CIS men, did I stop being attracted to other men, women, nonbinary, genderfluid, agender, and other genderqueer people? No. No, I didn’t, because while I was entangled, I was not dead. Heterosexual people don’t stop being attracted to other members of the opposite sex when they are in relationships, it’s no different with queer people.

So, stop saying that Loki and Sylvie are not a bisexual relationship. You’re not doing us any favors at all, and in fact you’re only helping the biphobes who want to kick us out of Pride and other queer spaces for daring to date members of the opposite sex.

I will address the “Bit of both” line however. In Episode 3, Loki has that response to Sylvie’s questioning about whether there had been any would-be princesses or princes in his life. Again, a conversation that comes out of nowhere. She stated outright that she didn’t trust him, clearly wanted him dead, and now she’s asking if he’s single. Whatever.

Anyway, people went nuts when Loki answered “A bit of both”. It was confirmation that Loki was bisexual, it was celebrated on social media...and it is really biphobic and Kate Herron, who is bisexual herself, really should have known better.

Biphobic people have long tried to sow division between the bi and trans communities (unsurprisingly, biphobia and transphobia tend to go hand-in-hand) by saying that the concept of being bisexual is transphobic. “Bi” means two, ergo bisexual people are only attracted to two genders, specifically CIS men and CIS women. It never occurs to anyone that the “two genders” a bisexual person could be attracted to could be, say, women (and yes, I include trans women in that, since they are in fact women, get over it) and non-binary people, or agender and gender-fluid people, it’s always CIS men and CIS women. This despite the fact that the definition of bisexual has been “attraction to more than one gender” since long before the Bisexual Manifesto was put out in 1990.

Some people have tried to remedy this by adopting the moniker of “pansexual” instead, which A) is basically reinforcing what biphobes are saying about bisexuals and creating even more division and B) doesn’t just mean “attraction to trans people as well, I’m not transphobic, I promise!” “Pansexual” is not interchangeable with “bisexual”. Pansexual is attraction to all genders. Bisexual means attraction to more than one gender, but not necessarily to all genders. You can have a bisexual person, for instance, who is attracted to all genders except for men. If you are attracted to more than one gender, but not to all genders, you are bisexual, and labeling yourself pansexual is lying and basically caving in to the biphobes.

I’m not trying to police what people call themselves...if you want to use the two terms interchangeably, if you want to call yourself bisexual, or pansexual, it’s fine. But just evaluate the reasons why. Are you calling yourself pansexual because you really think you can be, or are you just calling yourself that out of fear of being labeled transphobic? The latter, in my opinion, is not a really good reason, and it only helps deliver the biphobic message that bisexual people are transphobic.

So, by saying “a bit of both”, Loki is really helping to reinforce that biphobic assertion that bisexual people are attracted just to CIS men and CIS women. It’s disappointing, but it is Disney so I suppose that is the best we can expect for now. It just shows that Disney really has a long way to go.

What’s more problematic is the supposed genderfluid representation. Now, I am a CIS woman. As such, I feel unqualified to really say that the representation is shitty and fluidphobic. However, if I’m not qualified to say that it is, then Kate Herron and the writers are unqualified to say that it isn’t. Rule of thumb: If members of a marginalized group are telling you that you did a poor job of representing them and that you are being transphobic or fluidphobic, instead of ignoring and dismissing their concerns like a good portion of the population already does, it’s a really good idea to listen to what they are saying and learn how you can do better.

There have been some genderfluid and trans people who expressed that they liked the show, and good for them. But I have seen a lot of very valid criticisms and concerns from genderfluid and trans people about the representation on the show, and I think they really should be listened to. Kate, you and I are queer, but we are still CIS women. Ergo, we have no say in whether or not the way you attempted to present Loki’s gender fluidity is transphobic. If genderfluid people say it’s fluidphobic or trans people say it’s transphobic, then it is indeed fluidphobic/transphobic. To say otherwise is gaslighting a marginalized community who already faces gaslighting on a daily basis.

I will touch on a couple of things.

First, in Episode 5, Loki asks a bunch of his variants if they have ever encountered a female version of themselves, a question that is met with varying levels of incredulousness and even disgust. If Loki was truly genderfluid, this question wouldn’t have been asked. Genderfluid means the person shifts genders along the spectrum. Loki does this in the comics. Comicbook Loki switches between masculine and feminine presenting on the drop of a dime, especially in his current incarnation. Loki in the MCU we are told is also genderfluid, and should also be able to hop along the gender spectrum on a whim. There should not be a “female variant” therefore, since they are all the same gender. There could be a female presenting variant, but that is not the same thing. They would still be all genderfluid in that case. Also, Sylvie’s nexus event would not have been “being born the Goddess of Mischief”. Okay, the show never actually says that is the nexus event that led to her being arrested, but it heavily implies it. If Sylvie is a Loki, and as a Loki is genderfluid, her being the “Goddess” of Mischief should never have been an issue since they can change genders anyway.

Second, making Lady Loki a separate person is problematic. A lot of genderfluid people felt that this move invalidated their identity by basically showing that the same person cannot indeed be different genders along the spectrum. I don’t feel I’m totally qualified to really get into this. I will just say that if you’re going to write a genderfluid character, maybe at least get an actual genderfluid person to advise in the writing room.

Third, there is a transphobic movement called trans exclusionary radical feminism. You might have heard of it. Unfortunately, it is a very widespread movement that has done a lot of harm to the trans community, successfully blocking funding to organizations that help trans people, blocking laws that would benefit trans people, and the movement includes celebrities like Graham Linehan and JK Rowling.

One of the weapons they like to use against trans women is the concept of “autogynephilia”. It is basically the sexual fetish of becoming aroused from thinking of oneself as a woman. Many, many of these transphobic “feminists” love to say that trans women are merely men who have this particular sexual fetish.

It’s bullshit of course. Maybe there is a small segment of the male population that has that fetish, but trans women are not included in that. For trans women, things like dressing as women, changing their names, having state and federal issued IDs that say they are female, and being able to use the restrooms and change rooms that match the gender they actually are as opposed to the one they were assigned at birth is not a matter of sexual arousal. It’s a matter of making their external realities match their internal ones. It’s a matter of validation of their identities as women. Sexual gratification has nothing to do with it.

Now, Loki is not trans, but genderfluid people do tend to fall under the trans umbrella. We have Loki, a supposedly genderfluid individual and masculine presenting, falling head over heels in love with a feminine presenting version of himself. Maybe it’s just me, but it just seems like a form of autogynephilia to me.

Way to go, Kate...you just gave the TERFs more ammo.

One more note: At one point, Kate tweeted a list of the different Loki emojis, and “jokingly” included #FiretruckLoki with an emoji of a firetruck. Kate, you do realize that a “joke” transphobes love to harp on is that they can identify as an attack helicopter, right?

It’s his way of learning self-love!

That is not how you learn self-love.

First, the people who are making this argument often contradict themselves by then saying that Sylvie is a different person. Again, make up your minds. Either Sylvie is the same person as Loki, or she’s not. You can’t have it both ways, and you can’t continue to change the narrative to fit whatever it is you want to shove down the audience’s throats.

Second, romantic love and self-love are two different things entirely. Loki isn’t feeling self-love with Sylvie, he’s feeling romantic love. That’s not learning self-love. That's narcissism, and it’s character regression in his case. He’s supposed to be evolving past being a self-centered, egotistical shitweasel, and falling in love with a variant of himself makes him, as Mobius put it, “a seismic narcissist”. It’s not character development.

Third, this argument tends to come in the same breath as saying that Loki is a narcissist so of course he would fall for a variant of himself. If Loki is a narcissist though, why would he need to learn self-love? Narcissists already love themselves, that is the very definition of the word. If Loki needs to learn self-love, that would imply that he actually hates himself, which is the opposite of narcissism. Again, the writers and the fans who make these arguments when they feel the need to defend this relationship need to make up their minds. Either he’s a narcissist and therefore already loves himself too much, or he hates himself and needs to learn to love himself. It’s once again changing the narrative to fill a plothole.

Fourth, the whole learning self-love and trust narrative is completely thrown out the window in Episode 6 when Sylvie decides to toy with Loki’s emotions, using his feelings for her against him by kissing him as a distraction so she could grab Kang’s temp pad and toss Loki back to the TVA. To Sylvie, her revenge was more important than the bond she had with him. The move basically set Loki’s progress back several steps. What little progress he made anyway.

TL:DR, is there hope for Season 2?

Whew, this went on for a while, didn’t it? Told you I had a lot to say.

As I have said, if you liked the first season of Loki and think I am completely full of shit, that’s fine and it’s your prerogative. More power to you.

But, and this is a huge but, that does not give you the right to harass and bully people who did not like it.

I have witnessed horrible things from both sides of the now split Loki fandom on social media. Harassment and even death threats towards the creators. Telling people who don’t like the Loki and Sylvie relationship that they need to drink bleach. Homophobic attacks. Gatekeeping.

There’s constructive criticism and sharing your opinions, and then there is...this.

Both sides need to chill.

Anyway.

Even though Kate Herron has left the show, Michael Waldron is still the showrunner and as such I am not altogether optimistic for Season 2. I would like to see more emphasis on Loki himself for that season. Yes, it’s a novel thought, wanting a show that is called Loki to actually be about Loki, but here we are.

I would like to see actual character development in Loki rather than the old “true love transforms bad boy and conquers all” trope. There is a reason Disney has started to abandon that trope in their animated movies. They’ve been getting dragged about it for decades.

If Sylvie must return, there needs to be some actual consistency surrounding her character. The show needs to decide if she is a Loki or not and stick with whichever one they decide. And seriously, no more romance. Frankly, after what she pulled in Episode 6, I will be severely disappointed if the writers have Loki crawling back to her. That would make him pathetic, and Loki deserves better.

Really, Loki does not need a romance, period. He’s too emotionally immature, he has a lot of character growth to go through, and a romance would do nothing but be a distraction and an impediment to that growth. Anyone who got married too young can confirm that it is important to learn more about yourself and figure yourself out before you even think of getting involved with another person, who should not be your whole world. The Loki and Sylvie romance was reminding me of Classic Disney in another not-good way in that the two of them, especially on Loki’s side, were starting to revolve around one another and that does not make for a healthy relationship. Again, turning Loki into a Disney Prince (or, seeing as how he’s supposed to be genderfluid, Princess). Stop it.

Again, the romance was a smokescreen. It was a distraction from just how thin the plot was. Please, for the love of G-d, give more focus to the actual plot.

Do some research and talk to some psychologists for healthy ways Loki can “learn self-love" and develop as a character. If Ragnarok Loki can do it without relying on a romance with a variant with himself, then surely TVA Loki can pull it off.

Speaking of talking to people, listen to the concerns of the trans and genderfluid fans. Listen, talk to them, maybe get a couple in the writer’s room. CIS people should not write genderfluid people, and this season is a good example of why.

Please remember that Loki is not an idiot. Yes, he has pulled some fast ones and hasn’t been the greatest planner, but he is not downright stupid like he was in season 1.

And...really that’s all I have. As I have said, this thesis really wasn’t about making suggestions to the creators because I seriously doubt they will ever even see this. This was more less me screaming into the void, venting because I was that upset about what I saw as character assassination happening to one of my favorite characters. Keeping all of this in was proving to be bad for my blood pressure.

I am attached to the character, have been for years. Loki is just one character in the MCU who I love, who I want to see done right. I had been looking forward to his solo series for a very long time, and the disappointment I felt was something that I just couldn’t keep in. I kept my mouth shut when they killed off Tony Stark for no reason other than that Ronnie Downey, Jr. didn't want to renew his contract. I didn’t say anything at the Russo Brothers’ “happy ending” for Steve Rogers, even though I feel it made no sense and is a massive plot hole.

What they did to Loki, however...I couldn’t keep silent.

#loki series negativity #anti sylki

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