#emoti

[givemegifs]

[papicup]

I'M FUCKING LOSING IT

I'M GOING INSASE I WAS SUPPOSED TO GO ON A HIATUS BUT THIS DIVA SHOWED UP AGAIN I'M AM NOT OKAY

I WAS ALREADYXLOST AT THIS

FUCKUCKUCKUKCUK

HE ATE THIS BICTH Y'ALL ARE SLEEPING ON HIM

BYE

[eigenwoorden]

“Some days, your soul just aches to be held.”

[normalenjoyer-png]

long post (lengthwise)

[ria-the-camel]

made the mistake of looking at the cr tag, and on one hand I understand people getting frustrated with the Hells freeing Predathos, but on the other, as usual:

This is first and foremost a dnd game, and if my DM said “this being that trumps even the gods and has a direct hand in your creation and powers is here and you can try to fuse with it/control it”, well, I’m jumping right in baybeeee

[lifeofroos]

Dat is het lekkere van Albert Heijn

Rating: M

Relationships: Mannelijke Hamster #2/Vrouwelijke Hamster #1, Mannelijke Hamster 'Harry' #1/Bol.com man - Harry Piekema, Mannelijke Hamster #5/Bianca (Plus)

Personages: Mannelijke Hamster #2, Mannelijke Hamster 'Harry' #1, Vrouwelijke Hamster #1, Mannelijke Hamster #5, Bol.com Man- Harry Piekema, Bianca (Plus), Mannelijke Hamster #3, Mannelijke Hamster #4,

Additional tags: Furry, glue traps, Forbidden Love, First Kiss, Mutual Pining, Pining, mouse traps, Crack, supermarket, crackfic, True Love's, Kiss, Transformation, Yoga, True Love, Cliche, Parody

Summary: De secret life of the Albert Heijn hamsters… Wat doen ze als de winkel gesloten is en ze niet in de reclamespots shinen? Dit is een liefdesverhaal, vol epic highs and lows. Mind the tags… (Vooral degene waar staat dat dit pure crackfic is). (Ofwel, iemand heeft me letterlijk geld gegeven om Albert Heijn fanfic te schrijven omdat het nog niet bestond. Dan zeg je gewoon ja. Oh, en mensen zijn er al mee aan de haal gegaan, dus het tweede deel van de secret life of Albert Heijn Hamsters komt morgen, om 22.10 precies).

@thebeeess @beritall @summitsleeper

[humanundead]

im always saying this

[amelia-mariee]

“what’s on your mind?” nothing, i just can’t stop thinking about how integral music and the past are to the guardians of the galaxy movies, and it’ll not just that music is played throughout but it’s all OLD music because, yanno, the past and how all three movies start with just that: music and the past; the first movie opens with quill’s sad backstory and 1975’s ‘i’m not in love’ by 10cc, and the second movie opens with young happy meredith (who’s about to be very sad and sick) and 1972’s ‘brandy’ by looking glass and the third movie opens with rocket’s sad backstory and 1992’s ‘creep’ by radiohead, and the further we journey with them in the trilogy the more recently the music has been released until we’ve kinda reached our time, so it’s like the past has caught up with them, and that’s when everyone finally stops running from their past and they have to, get this, “face the music” and quill gives up his zune and gives it to rocket and goes back to earth to reconnect with the grandpa, the one part of his past that he’s ignored for like 40 years

[lunavagans]

Okay okay okay hold on expanded Shadow backstory.

What if there really isn’t a people that are the hylians’ counterpart, but Ganon decided to give specifically the Hero‘s shadow consciousness without approaching it at first, so Shadow existed on his own as a ghost of sorts without knowing why, but also unable to communicate with anybody or acting on his own? He just is for the first few years of Link‘s life as a literal shadow, on his own but always shown what life could be like, and he doesn‘t know that his very existence isn‘t just some mistake, but intended to be this way?

And then, as Shadow‘s loneliness and wish for somebody to just hear him grows, Ganon reveals himself as his grand saviour, gives him a physical form/the ability to become physical, thus a taste of the thing he’s craved ever since he was ‚born’ and only then demands that he kill the Hero as payment? The boy that unknowingly paraded the perfect life in front of Shadow‘s eyes?

Shadow didn‘t just happen to be vulnerable to Ganon‘s offer, he was manipulated specifically into being it. He knows that he was raised to be the Hero‘s enemy, but he really doesn‘t know to which extent that‘s true.

[ra-vio]

aaaaaaaaaaaaaaaaaaaaaaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

[jimintomystery]

I think an underrated part of the Dashcon story is that the second con was scheduled eleven months after the first one, so when the 2014 show failed, it was too late to cancel the 2015 show without losing 100% of the rental fee. Whereas the 2014 venue was a hotel, the 2015 show was set for the ginormous Indianapolis Convention Center, so that fee was huge--I've forgotten where the $120,000 figure came from, but I always figured it had to be legit.

When some of the Dashcon organizers quietly replaced Dashcon 2015 with Emoti-con Indy--on the same weekend, in the same building--a lot of people figured it was a deception. But I honestly believe they decided "we have to pay for the building either way, so let's try something," and they couldn't use the Dashcon name anymore because they'd already liquidated the LLC. In any case, Emoti-con ended up being canceled, so the Hail Mary play made no real difference. But I can understand why they made the attempt--at that point, it was the only hope to cover the costs of both the 2014 and 2015 shows.

I occasionally think to myself that if only they'd booked Indianapolis thirteen months after the first Dashcon, then the cancellation fees wouldn't be so bad, and it would have been more cost-effective to cancel the 2015 show right away. Then I realize that I'm basically designing a two-person door for Jack and Rose to share while the Titanic sinks all the same. One of the panels at Dashcon was titled "AU Where We Planned Ahead This Time," and I suppose that's an AU I'm always fiddling with...

[givemegifs]

[quackity1999]

[ OOC: bruh i gotta stop falling asleep when ppl are waking up. ive missed all the commotion im Late to the party </3 ]

[eigenwoorden]

And on days like today, I really long for someone to just hold me for a while.

[mayamidnightmelody]

John William Waterhouse

In the illustrious tapestry of art history, few figures evoke the same enigmatic allure as John William Waterhouse. Renowned for his ethereal depictions of mythological scenes and captivating female figures, Waterhouse remains a beacon of mystery and fascination in the annals of artistic expression. Yet, behind the veils of his mesmerizing canvases lies a realm of intrigue waiting to be unveiled.

Waterhouse was a master of narrative within the realms of classical mythology and literature, weaving tales of gods, nymphs, and heroines with an unparalleled finesse. His brush danced upon the canvas, breathing life into characters plucked from the depths of ancient lore. But what sets Waterhouse apart is not merely his technical skill, but rather the haunting depth of emotion he imbued within his subjects.

Step into any gallery adorned with Waterhouse's works, and you'll find yourself ensnared in a realm where time stands still. His paintings possess an almost hypnotic quality, drawing viewers into a world where reality blurs with fantasy. Whether it's the tragic beauty of "The Lady of Shalott" or the melancholic allure of "Hylas and the Nymphs," each piece is a portal to a realm where dreams and reality intertwine.

But what of the man behind the brush? Despite his prominence in the Victorian art scene, Waterhouse remains shrouded in mystery. He was notoriously private, leaving behind few clues about his personal life and inspirations. Some speculate that his fascination with mythology stemmed from a deep-seated longing for a world beyond the constraints of reality, while others believe it was merely a vehicle for exploring the complexities of human emotion.

Perhaps the true essence of Waterhouse's art lies not in the realm of myth, but in its reflection of the human condition. His heroines are not merely ethereal beings frozen in time; they are vessels through which we glimpse the depths of longing, desire, and sorrow. In a world where societal norms often dictate the expression of emotion, Waterhouse's canvases serve as a sanctuary where passion knows no bounds.

In the modern era, Waterhouse's legacy endures as a testament to the enduring power of art to transcend time and space. His works continue to captivate audiences around the globe, inspiring new generations of artists to explore the boundless realms of imagination. For in the brushstrokes of John William Waterhouse, we find not just art, but a mirror reflecting the infinite complexities of the human soul.

[0ccams-chainsaw]

Foretaub….Taubman … .toreman. . …faub