#either way them <3< /div>
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t-u-i-t-c · 2 months ago
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Taiya & Genba │ Lap 3
"Genba has just lost track of his wheel. That's all."
+ bonus
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parisoonic · 6 months ago
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its not my fault i keep playing against Daniel Day-Lewis mfs
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lazylittledragon · 1 month ago
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weddings are out, carving matching rings and getting blitzed by the river is in
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triona-tribblescore · 10 months ago
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TW// Abuse implication
Thinking about possible Vox and Angel's interactions and how they'd go down. Theres such a unique mix of hatred to each other and common ground with their different experiences with Valentino, has me thinking.
Also just want to clarify I love Vox's character a LOT but ofc obv don't sympathise with him or think he is any way shape or form a decent individual, cant with stupid toxic dumbass x
AND IF YOU SEE ANY MISTAKES OR TYPOS NO YOU DONT- (i was so tired when drawing it forgive me TwT)
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everchased · 7 months ago
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at least it'll be wonderful while it lasts.
(a little post-game downtime discussion, when they have the time and space to talk about these things. also in my canon, scratch gets to stay. :/)
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seawing-vibes · 2 months ago
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Happy post-Halloween :)!!! They’re making jack-o-lanterns <3
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kuttblueberry · 11 months ago
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A frenchman and his old man bestie <3
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hinamie · 4 months ago
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Another blog noticed that Megumis scars are on the same position as Heian!Sukuna. And it's true! By that logic he should have scars under his armpits and on his belly (second arms and second mouth). You drawing it would be interesting
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shoutout 2 megumi for making up fr all of yuuji's scars i no longer get to draw
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Little creatures
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mileenaxyz · 6 months ago
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The Sydcarmy wasn't Sydcarmying enough for me this season, but Sydluca...we up. 😈
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secriden · 17 days ago
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This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.
It's a direct reference to this moment earlier in the episode:
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At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:
Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.
In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:
Style: What do I have to do to gain your complete trust?
Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.
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I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:
Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.
Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.
Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.
And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.
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Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.
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Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.
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I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.
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I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.
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And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.
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Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.
It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.
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So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.
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He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.
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And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).
So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.
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What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.
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Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.
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When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:
Style: One day, I'll be your 100%.
This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.
I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.
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But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.
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And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.
Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.
Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.
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And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.
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kokomini9 · 10 months ago
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doodles of themmmmm // geppie cute either way and then cute domestic au 🤭💕
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deconstructivesurgery · 1 year ago
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"gale is too good aligned to get along with astarion-" if you play the dark urge and get the scene in act 2 where you literally try to murder him he fucking tells you "at least there's plenty of enemies out there for you to kill! a feast for the violent at heart :)" entirely fucking unphased. you cannot tell me he would give a shit if astarion straight up started eating people as long as there was some vague reason for it. he's literally straight up telling you as long as it's aimed at foes and not friends he doesn't care if you engage in gleeful butchery for crying out loud
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professorjirt · 3 months ago
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I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO
#thorin oakenshield#bilbo baggins#bagginshield#if anyone has more please send it to me I have like four rn#I know I made a post a while back talking about how I wish there were more posts that focused on each of their lives outside of each other#and I still stand by that but I also can’t deny the fun in a Important Dwarf like Thorin turning into an idiot around Bilbo#tbh this works even platonically. this guy has friends bc he’s lucky not bc he’s actually friendly#so I can imagine becoming friends with Bilbo is like ‘fuck now I have to be nice bc he WILL actually leave. uh. oh god’#love men who are grouchy and offputting <3#and Bilbo is oblivious not as a flaw but bc he’s just not wired that way and he’s just accepting that Thorin is weird#bc he has no basis of which to assume he isn’t just Like That sometimes same way the dwarves don’t know shit abt hobbits#and it’s not as like. Bilbo being extremely innocent either he’s just not thinking about it LMAO#and Bilbo Also doesn’t have a ton of friends (different reasons but he IS also grouchy and petty) and he’s just ‘?? ok’#they’re both fucking stupid and everyone around them is dying and in anguish#I particularly enjoy when a character who is emotionally constipated and stoic and whatever just starts losing it#not even necessarily in a sappy or angsty way just. those emotions gotta come out eventually#so for a guy like Thorin who takes himself seriously and is very closed off emotionally it’s fun to just imagine that facade cracking#meanwhile Bilbo is just like ‘you ok??’#Bilbo himself has some emotional issues so it’s double the entertainment
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fight-nights-at-freddys · 2 months ago
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jimcurly is making me lose it. He hates him, he adores him, he envies him, he pities him, he tries to kill him, he saves him, he hurts him, he helps him.
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akascow · 1 month ago
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yet another JAYVIK post about the Butterfly Effect :3
also spoilers lol
So Hextech isn't invented in Ekko's alternate timeline, and I feel like since life seemed so much better without Hextech there can be a couple things to infer about alternate Jayce and, by association, our Jayce (and Viktor!) here:
this is a long one and my long posts never get notes but i promise its actually super interesting to think about so u should totally read through it 🧎🏻‍♀️‍➡️🔥
1. (and also my favorite one bc its Very JayVik lmao) alternate Jayce never pursued Hextech after the explosion: maybe too guilty over killing someone (because we see alternate Vi died from that explosion during the kids' robbery), he does what Heimerdinger advises him to: fully admitting his crimes and not mentioning the arcane. And we can assume the academy burned all his studies too becauseeeeee…
Viktor never endorsed it. Assuming the admission of guilt theory is correct- Viktor never would’ve even known about the arcane in the first place, because Jayce would never mention it in the council room trial. Viktor would never know that the arcane can be used to help cure people, which we see is what piques his interest in the first place. And like, obviously Viktor wants to cure his leg and illness lol
Which means Viktor never interrupted Jayce's suicide attempt after the trial and Jayce probably goes through with killing himself, Viktor never went to check on him. It seems the compelling force behind Viktor’s interrupting in season 1 was initially from Jayce’s journal, which he picks up while browsing all the Hextech equipment they were planning to destroy. Viktor only really looks at the notes because he was interested in the arcane in the first place, which again, can't happen if Jayce never mentions it in the council room. 
Which is SO important to the plot and me that everything happened the exact way that it did for everything to succeed (which is quite literally the butterfly effect btw lmao). Because it shows how extremely important Jayce and Viktor’s partnership was to not only their own lives, but the entire future of Piltover, good or bad ie no hextech=no shimmer and peace between the cities, hextech= tons of shimmer, the corruption of the arcane, and the destruction of piltover.
Jayce needed someone there to believe in him, and that was Viktor: After the council disagrees with him, and he’s kicked out of the academy and banned from studying the arcane, he tries to find comfort with his mother. She’s the one who was saved using the arcane in the first place after all, so surely she’ll understand. But she tells him to give up on this dream, a dream he’s had almost his entire life. His own mother doesn’t believe in him.
He then goes to the Kiramman’s because “I'll find someone to believe in me,”  most likely assuming if they sponsored his studies in the first place, they would still support him after the trial. But they kick him out from the Kiramman household too, as well as forbid his and Caitlyn’s friendship. And with no one left, the very next scene we see of him is as he’s deciding to jump. 
The only thing that stops him is Viktor showing up. With an interest in the Hextech theory after he reads Jayce’s notes, Viktor wants to help Jayce make the Hextech a reality. Viktor believes in him, and he supports him. That interaction is what leads to their partnership forming, them sneaking back into the lab, grabbing the Hextech equipment and showing Mel and Heimerdinger that it was possible to create magic, and Mel's influence leading to the council’s support and the okay on continuing to develop Hextech together, projecting Piltover into success (and of course accelerating it into ruin, seen in s2. but I won’t get into that snowballing effect here because we’ll be here for hours)
Also, Viktor would be against Hextech if his first and only introduction to seeing it was as a tool to invoke harm (on a Zaunite especially). Which is what would drive Viktor away from investigating it, and before their theory ever even has the chance to get off the ground or evolve, it's already dead in the water for good because:
Something both of them, but especially Viktor, have been extremely against during the entire show was that their plans for Hextech WILL NOT be used as weapons to kill or harm, only to make lives better (especially in the undercity). Think about it: Viktor only adamantly opposed using the Hexcore AFTER it killed Skye.
The guilty conscience of accidentally killing another person with his own technology would not have helped Jayce’s mental state either lol. Like, think about the DIRECT PARALLEL in our timeline: where Viktor almost jumps and kills himself, after Skye's death, as a result of his tampering with the Hexcore, before Jayce interrupts him (ohhh their mirroring, it hurts me)
2. If not from jumping, then alternate Jayce was arrested or exiled… I mean like, he inadvertently killed a young Zaunite girl. That's a lot more consequential to his conscience, reputation, house name AND criminal record than just the building blowing up in our timeline. It’s pretty vague if anyone died in our timeline from it, I think the most that’s mentioned is some people were injured (“Was anyone hurt?” “A building was blown to bits, what do you think?”) so it would weigh heavier on Jayce’s shoulders if someone actually died in this timeline.
Also remember: he felt so guilty about accidentally killing a child with his hammer in s1, that he gave up entirely on trying to wipe out the production of Shimmer. Once he sees how his Hextech can be used against someone, he drops all his plans because "thats not what we created Hextech for"
From that theory, I'm assuming more-so that he was exiled though? Because Heimerdinger said he was in the alternate timeline for like 3 years and couldn't find Jayce, so I don't know... plus I feel like he would have found Jayce in jail if he was there lol.
And beforeeeee anyone yaps, ik Heimerdinger actually said he thinks Jayce ended up somewhere else, and never specifically stated that he "couldn't find Jayce". BUT from the end, since we see two Ekko's before he goes back to the main timeline, we can assume that the original person's mind inhabits the other's body so that there aren't like paradoxical two people in one place at the same time. 
SO theoretically, Heimerdinger actually does go looking for Jayce, and if he found the alternate timeline's Jayce, he probably would've mentioned it to Ekko when asked if Jayce was there too… right? I’m assuming he was hanging around Ekko for most of the 3 years that he was there, waiting for our Ekko to be projected into the alternate Ekko, because it's not like Heimerdinger just happened to show up right when our Ekko gets there, he might’ve assumed it would happen eventually. And when the alternate Ekko starts freaking out about being in the wrong universe, it's pretty clear that this is his Ekko now lol
But then why stick around Ekko and not Jayce? I guess he was currently closer to Ekko, calling him his current pupil, and given that he was the one who showed him the Firelights community and gave him hope. Plus I mean, Jayce literally voted him off the council from a disagreement over the Hexcore so there's some salt in the wound there lmao. Or maybe because Ekko is a lot younger and would not react as calmly or rationally as Jayce would (I'm assuming... idrk HAHA). You could argue that Heimerdinger was just visiting both of them back and forth, but again if he couldn't find any Jayce, then I think it would explain why he doesn’t mention any Jayce at all, and that's where this make the most sense, at least to me.
3. alternate Jayce also died in the explosion with Vi- When we see it in our timeline, he and Vi were the closest to the blast. If it killed Vi, it would’ve presumably killed Jayce too. And if he did die, then obviously Hextech would never be invented, reasons being: everything I just mentioned in the previous theories.. but like, even more simplified bc he wasn't there to begin with lol
I only say it's a weaker theory because Heimerdinger definitely would've seen a memorial for him (or at the very least a gravestone), given Jayce was in the Talis house and under the study of the Kiramman family, it was a pretty high status name compared to the average Piltovian citizen, and probably wouldn’t be silenced or brushed away… 
Although to counter that, I guess since everything in the over city is super status-y, maybe the Kiramman’s wouldn't want their name being tied with the death of two people, which is a similar but obviously more significant reason to why they kicked him out of their house in our timeline after the trial, his “name is no good now.” Plus we hear in the council trial from Ximena that the Talis family is a lower house too, and their voice doesn’t hold as much weight, so maybe it wouldn’t actually have that much mention? He hasn’t become the “Man of Progress” yet either since he’d never get to finish his studies…hmmmmm idk
also edit but some ppl just pointed this out to me that viktor likely died from his sickness bc he didnt have the hexcore to heal him and that makes me SAD !!!!
anyway thats all i have. if you made it this far i greatly appreciate you :3 🫶🏻 i love analyzing this show because OUGH the jayvik butterfly effect goes CRAZY HARD bc its both figurative with the theory and literal with the butterflies being in SO MUCH of their imagery UGHHHHH what the FUCKKKK
also some shameless self promos symbolism of viktor’s humanity and jayce's hallucinations analysis posts if u liked this one :3c
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