#either as a hero or antagonist he's amazing

[ophelian-darling]

𝐁𝐥𝐞𝐬𝐬𝐢𝐧𝐠.

Yandere Suguru Geto x Female reader.

Summary : Blessings form in different shapes and bright in different colors; Love being the fairest and liveliest one.

TW : Obsession, minor character death, discrimination, pregnancy, manipulation.

enjoy ♡

It is divine to think how hell would be regarded into grotesquely crimson images within the human imagination: Sufferance is too common, wounds as a thorn prick and lasts as a heart's ache, Yet consider this when we think of heaven: purity- innocence of Eden in its prime, everything that sources its beauty and continence from a glass sphere no soul ever stepped on, farthest from the nearest paradise which we -so far- know of. Every now and then, the glass sphere's page of the sky would rain glossy drops, bright in the charm of a moon's haze, kissing earth's soil ever so gently after a long fall through the dark space. The drop; a seed of everything that derives all good in this life, either blooms into flowers, little joys that are worth living for, or even people- lost angels on devil's land. 

Suguru believes he has an eye for perfection: the images of others reflect on his irises and pass, be a fragment of a forgotten dream and ghost in a corner within his anamnesis. life ought to be lived as a sort of a sweven, destined to be erased once the reaper sinks in its teeth; Not like you have much of an option as a sorcerer, you just keep fantasizing and drawing rose-colored glasses about a life you know you can't have, sighing when conjuring a dear friend's lineaments, feeling a warmth under an eyelid when a beloved's smile flickers through a faint image of cogitation. a needle of duty had sewed up every passage to his heart; there was no horizon to look up to, except that one of exorcising curses to no end, saving that little part of happiness that was rightfully his to others who already had a fair share of it.

Suguru would burn the candles of thought and wander around a series of scenarios: what would it be like to love? What color is romance and what taste are kisses? There must be a reason why the moon was put on a pedestal of artistry, or a color of blood to abridge all tongues and words of ardor. There had to be a reason why someone was so eager and willing to hand their hearts on a platter to someone else, someone who was looked upon as the apple of eye. It seemed absurd: humans are merely products of vice, planted to sin and harvested to destroy, every letter and word they utter weighs nothing heavier than a lie, So why would such a morbid creature empty the jar of heart on another morbid creature? It is a wounding, shameless lie.

Cease to feel and halt to sense, there was no meaning in draining the amphora of emotion on someone, a one who can't taste curses to know how much of a grace it's devouring. it's pointless to break the glass of heart over a bod that ignores your agony to indulge in its little world of pink lies. He just wishes- Only if, if he slices that part of him that screamed of humanity everyday, the part that made him extend a wing to shield the helpless from their demise… He hated having a heart. 

Once during a green summer, one that had a breeze of May and the pink warmth of Valentine's day, The sphere wrapped a blessing in a curse's fabric; a gift so pristine it competed with the glimpses of eternity with a smile and tore the horizon's edge with a kiss, a form of life that its existence on this cursed land was the vilest injustice ever committed towards its chastity. The Angel; now blossoming from the sphere's seed into a human with flesh and blood, nerves and bones, eyes and a beating heart, is left to be stained and tarnished, munched and swallowed by the imperfect- the bad seeds, the swirl of everything evil. a tear of a curse could lace a sea of blessings, and you had to be protected: from the serpents, the devils, the flawed, or anyone else that wasn't him.

"Y'know, Suguru, sometimes when I look through your eyes, I can see you fighting yourself, as if you were your own worst enemy" You started the conversation like this, so casually, with no hint or intention of digging too deep into his psyche.

July, casting blazing rays and nearly melting the shadows outside, while the pair of you decided to remain in class for no obvious purpose. Suguru didn't mind having you around, aware that you weren't going to engage in tittle-tattling, leaving him with the room to think. It's been a long year. 

With a strike of sudden concern, and maybe a little suspicion, He directs his whole posture towards you, noticing your relaxed position on the seat beside his. a silence of something that was about to begin stretched before he asked "What do you mean?" 

a Winter night smile drew itself on your lips. In a movement of Bonnie Parker leaning on her motorcycle, you faced his confused comportment, rolling your eyes playfully before replying "You thought that no one would notice? That's cute. but I must admit, you're so good at hiding it, even Satoru wasn't able to see it, I'm surprised!" something brightened in your expression, contradicting the words you just said. As if you were Suguru's Anima; you spoke so confidently, insisting on extracting a part you didn't like of him.

And that confidence stirred a certain sentiment within him. something he would see as… vulnerability?

He stared. 

Another silence, silence of an absurd play, one that the audience certainly didn't need to absorb the scene. 

You continued "Amanai was a human like any other, someone with dreams and hopes, fears and triggers, and a family- and a lot of friends. she lived her life to the fullest… Well, maybe not completely, but at least she had some taste of blessing before her death. people aspire to horizons, living enough to reach it and sometimes not, savoring both sweet and bitter times before kicking the bucket. But that's not what we're talking about here" 

His eyes couldn't get any wider, the images played slowly and vividly while the cassette of that memory didn't seem to stop.

"She's a vessel that can be replaced. Lord Tengen wasn't in that need for her anyway. But are we sorcerers any better? no. we're replaceable as well, unless you are Satoru, which we aren't. Yes, we are strong, but still replaceable. The Jujutsu world needs to continue existing or else cursed spirits will blow everything to bits, and of course, we're the only ones who can keep it going and exorcise these creatures." 

Your fingers twiddled with your necklace, rolling it slowly as your tongue flowed. "I wanted to go everywhere too, I wanted to have a lot of friends to love without worrying that they'll die at any second. I wanted to wander around and behold flowers and snow without seeing an ugly cursed spirit…" 

His tongue wouldn't unwrap, au contraire to his thoughts. his mind moved as fast as forgetfulness would spell, drinking in all of your heart's tears. Perhaps, after all, he wasn't the only one who awakened to a harsh knowledge. 

You, are special.

"It's not fair… why should I be the one who gives up on their happiness to save people who know nothing of my sacrifices…" 

"I-.." your rant comes to a halt, a veil of guilt slides down your expression. 

"Sorry… I didn't mean to remind you of… back then, I talked too mu-" 

"No." He interrupts, his usual resting face painted over. 

"You can continue, I understand you…" Suguru smiles.

Ever since the curtain on your heart was pulled, you seemed to confide in him more; drifting away from Satoru and Shoko slowly and subtly. He didn't want to think of it, yet these pages of poems and lines of serenades whispered something to him everytime he looked through you. She must be unhappy too, Unhappy people are sensitive to the unhappiness of others¹. and to confess, it balmed a little comfort on his soul to see that misery brought you together. Day by day, both of you would speak for hours, crafting an imaginary horizon where everything was a haven for a winsome world, goodwills falling like spring rain. Night by night, He who becomes the one to count the nights, scripting his nightdreams and rehearsing his hopes to a shadow of you that lingered in the corners, only for every word to blend into space once the daybreak spills through the clouds. 

Your voice; it is the voice of his mind now. The shadow of you is melodizing his thoughts and troubles of the heart, lulling his reveries and caroling his visions. The pages of romance flip like petals in the wind: as the silk of your vocal cords tailors the letters with red and pink, he is finally allowed to relish the true colors of so-called love. Yozo² is no longer fool in Suguru's thinking, for wanting to die alongside the one he loved, which Suguru Geto himself now, secretly, hopes to achieve with you.

"Have you ever thought about death?" Green-colored smile, surely wasn't grayed by anything. Suguru just thought, what did you think? Did you want to be with him no matter the place? 

The roles have been reversed. now you're the silent one; you were sure that you did talk too much that day, pouring your wounds into him that now they're his wounds. Guilt stinged your heart, only if you remained silent back then. 

"Um- yes, I'm already accepting it, we're sorcerers after all…" you struggled to compose a thought he'd like, it came out as what a child attempting wisdom would say. speaking to your friend has become a difficult task lately, you didn't want to lose the thread of thinking you shared together, and he seemed quite pleased to talk to you. 

He chuckled. 

"Never thought of making it better for yourself at least?" 

What…

"I used to think so too. But slowly, I'm finally able to see what I was too blinded to see. Remember when you said that you wanted to have a lot of friends and go everywhere? that's rightful of you to ask- but you can't get it whether you plead for it or not. I'm telling you; I know it very well when I say you can have everything you want if you step up and take control." stated he.

As if looking for any other person who seems to notice that there's something odd, you glanced around. nothing was in sight except the trees and grass of the long forest line. 

His face didn't move when he continued "You see, we forgot that we were stronger, smarter and more skilled than the ordinary, say evolution theory: creatures go through a long process of development to become advanced in brain and muscle. some reach the highest stage of development and become a human, while others simply stop in the middle or never start, thus remaining monkeys" 

For some reason, you imagined yourself operating on his brain: cleaving the front of his skull with a sharp scalpel, lifting up his scalp in a way a box of chocolates would be opened, unwrapping and milling his brain convolutions, looking through his memory and mind's eye to see when and where these ideas have crossed his mind so you can uproot them- it is your fault, you filled him with so much tangles for a sweetly simple soul as him.

"...And since monkeys can't survive on their own, we were the ones who would acquire and use their talents to establish Jujutsu and save them, doing it out of kindness and altruism, they give us curses and we cure them in response, continually and with no recognition of our merit…"  

Something in his eyes twitched; he sounded as if he was letting go of an ancient burden, the Messiah's cross thrown off by his back.

"... You, me, Satoru or anyone who uses Jujutsu is the purest form of life on this earth, we're destined to rule as much as we were to protect, to punish as we were to love. we sorcerers are chosen by the heavens…" 

"...Monkeys must die." the corners of his mouth were altered to a frantic excitement, seeming like he'd seen after years of being dim sighted.

It is a blessing to be ignorant. 

It started out subtly. Suguru would continue smiling- the line and twist on his face metamorphosed into one you have no knowledge of: it was strange, uncannily simple and eerily sweet, more of looking at a portrait of a goner and less of seeing a friend. His compassion faded, a mock-lively kindness replaced it, by the nature a moonlight would mimic a sunray's warmth. it is not change, nor epiphany; your friend was dying with no hearse set or heart settled- Suguru slept to no awakening so the priest in Gojo-gesa can breathe to every aspect of life. 

Eyes that used to behold the blessings in everything are now glaring with violence, gnashing its teeth to whoever and whatever didn't wield any cursed energy. it is visible for you to only see, all of the ink and blood jarred behind his eyes, masked perfectly and contained in a patient smile he wore to his subjects— our subjects darling! he would say, giving you a saddened look, as if his gift of a thousand obedient monkey wasn't enough to thrill you as much as it did to him.

“You know how much I love you, right?” he murmured, holding your hand. your eyes pierced the reflection on the vanity glass: a husband and a wife sharing an intimate moment, scenery of a devoted Genji holding a torn Fujitsubo³ and kissing away all of her distress. you switched your sight towards his hand, the one that stroked yours, the one that had on its ring finger a silver band twirled.

“And I'm willing to offer you everything I have, anything you want” He placed a kiss on the crown of your head, billing and cooing in his words “I just ask for a little smile in return, or a little ‘thank you’ for everything I do to us”

“You're taking advantage of innocent people, Suguru”

He scoffs “Are they really that innocent?! All they do is cause destruction and corruption. you're too kind to even call them people” the last word dropped like a glob of mercury, heavy and tarnishing. he's annoyed for sure that you ruined the romantic mood by mentioning monkeys yet again. 

“You're murdering people who came to you for help, Suguru…”

You saw it without looking at it, the flash of rage and loathing, with all its redness and heat a fire had less or more of. you hoped in despair ,maybe there's still the lingering blush of compassion in his heart; the comity of your dear friend Suguru, not the hatred of your husband the monk. His fist flew in front of your face, grabbing your chin and rotating your skull to his penetrating eyes. for a second, a thread was pulled in your chest, cutting your heart with a feeling of fear, was he about to strike you?

“I told you thousands of times… those you cry for so much are. not. people. Do you understand me?!” He pressed on each word, heavy breath fanning your face. you could only look back and try not to recoil under his gaze.

“They ruin our lives, they kill us, they cause suffering and they taint this earth with their filthy emotions… if it wasn't me who gets rid of them and cleans their trash, only heaven knew how much time left for us to live…” he digs his nails into your flesh, gritting his teeth at you “They made you unhappy, they tried to kill me while I was risking my life to save them everyday!” he raised his hands in the air, snarling with full volume. you're sure that Nanako and Mimiko are in another room hearing, and utterly aware of their agreement and devotion to Suguru. 

Frantically, he unwrapped his Gojo-gesa and threw it on the floor, shooting you a glare while he freed himself from the sleeves of his haori. his stare kept lining yours, and when he stripped from the white hada-juban, you've seen it, as if at first sight.

“Shouldn't a wife support her husband?! Why do I feel like everything else except for me matters to you?!” He yelled. it is not the first time you see the scar on his chest, in fact, you've seen it too many times that its lines were as familiar as the dimness of your eyelids. 

“Whom am I doing this all for?! for us! for our family! they're just like us, they've been belittled and cursed by monkeys and they had their happiness snatched brutally from their hands… all just because they were sorcerers” he calmed, yet not eased judging by how sharp his expression was. He dropped his arms to his side, reaching to cup your face and force you to see his eyes “You were hurt too… you begged me to save you years ago… you do remember the day we sat together in class and talked”

You do remember. 

The echo of that hour reverberated through his eyes. in their dark shade, you watched a reflection of yourself, helpless and gray, sew the first threads of his insanity. you wished if life had been a little more cruel and tore off your tongue before you ever got the chance to speak with him.

It's you who chiseled the priest.

He feathered a finger across your cheek, crooning honey “And you remember our dates too, all the kisses and embraces, our wedding and our nights together…” serene as a sea in spring, animating the past into a sweet lull. his eyes smiled to you, cording your heart when continuing “You love me, you love our family, our paradise— and him” His palm spidered to your stomach, stroking the node of flesh “You would never abandon him, would you?”

Can you even? He sojourned far in, tethered to you through a wall of flesh with a string stretching inside of him. the memory of his existence would carve lines in both of your bodies even after his birth.

“You're so selfless, that's why I fell for you darling” whispered he, drinking your silence in taste of obedience. Was there any release from the cuffs you wrapped around your own wrists? Suguru wasn't an imprisoner, he just smelted a bracelet you wished to wear, eager to please and in hunger for your praise, while you, in words and smiles, altered his brain to see in dark color.

“Why don't you say you love me?”  he coated demand with love, pouring foam on your ears in a whisper.

Your skin felt light underneath, like you could walk out of it as a coat. In times like these, when he gave affection and demanded it back, you could only say one thing, unlike a full colored prism of flirtation he can murmur to you.

“I love you so much, Suguru…” at first, saying it was like uprooting a rotting tooth, but as time passed and your tongue knew the taste of lying, it became like picking a fruit.

He smiled “Good girl…” 

His eyes glinted in red “...I love you too…”

[rewrittenmha]

Outside of the IzuCrew, (Izuku, Shouto, Tenya, Ochako, Tsuyu), which side character are you the most excited to bring attention to?

Personally, I would either go for Momo, Neitou, or Mezou.

Momo, mostly because her quirk relies on science and I love science, and she absolutely needed more time to shine and women with bows or swords always makes me feel a sort of way.

Neitou because he's really interesting to me. A lot of people don't like him due to him antagonising 1-A, but I knew straight away that he was insecure and I think delving into how that impacts his actions would be really cool. Also, there's every chance he's as much of a quirk nerd as Izuku and I love that.

Mezou because he's both really cool and would make for a much better statement of quirk discrimination than Shinsou. He's shown to be protective over others despite being discriminated against for his appearance, and thinking about how he was able to take all of that hate and decided to become a hero to help people anyway is amazing. I also think the contrast of his 'scary' looks and how sweet he can be is both funny and endearing.

(Feel free to answer this whenever you want. No rush <3)

I mean, y'all know I love my girl Momo. Not only do I love her, there's just so much potential around her. So she's definitely the one I'm most excited for.

(Confession: I'm not super great at science so I might get things wrong surrounding her quirk, as well as others'. Just a heads-up in case something I say is blatantly bs)

Monoma is such an interesting character too. I personally think he was a better minor antagonist than Bakugou. He isn't shoved down our throats all the time, he's legitimately funny, and he gets called out consistently by Kendo and others. An antagonistic character should be fun like that.

(Also, he read Bakugou for filth. King shit right there)

Mezou is ABSOLUTELY better for discrimination. Especially because if we're being honest, Shinsou is an asshole who likes using his quirk on people. No, people putting him in a box wasn't right and yes, I enjoy his parallels with Izuku. But the series making such a big deal out of him when Shoji is RIGHT THERE feels... Off. I'll probably talk a little about everyone in regard to discrimination though. Every voice deserves to be heard in those case

[paladin-of-nerd-fandom65]

When he first came out in 1938, in terms of how his character was portrayed, Superman wasn’t just unique and captivating because of his amazing powers and charming personality. He was by many accounts of entertainment at that time…an exception to the norms

One of the many ways Action Comics #1 changed everything: The fictional concepts of ‘aliens among us’, ‘Being with Godly Powers’ and how they’re combined with the Pulp Hero which led to Superman.

The thing is

A lot of these stories of beings with godly powers beyond those of mortal men would often be portrayed as an antagonistic to outright villainous force meant to horrify their victims with the overarching mantra of Absolute Power Corrupts Absolutely. It’s a trend we seen play out a lot of times in our current media when beings who either gain or often times posses godlike powers are either villainous last obstacles for our hero, their greatest challenge or as like seen sometimes in shows including Star Trek, beings of thousand of years old who long detached themselves from the affairs of beings considered ‘lesser’ than them with little to no interference, meant to be observed. There’s certainly a probably chance of characters like these being the norm even for stories in pulp novels, magazines and other media back then in the 30s

More telling since they had popularity even lasting beyond Action Comics #1’s first printing, if that superpowered being has alien origins, they’re those that usually either don’t understand the concept of morality as we lowly humans do and utterly so alien and abomination in mere appearance, looking at them directly can drive some to madness a la HP Lovecraft whose works find routine publication from as early as 1908 and only ended in 1936 or in the case of say War of the Worlds who had a very notable radio adaptation in 1938 (which caused a bit of mass panic due to timing of people tuning in their radios before announcements and title introductions were made) they might understand that morality and they given to destroying our civilization anyways in conquest as an allegory for Imperialism at that time

In both of these types of stories, any being even those with a humanoid appearance are seen as others or outside forces that are threats to humanity and especially the average Joe and they were stories that came out prior to Action Comics #1. Prior also to that comic, sure they were some superheroes usually in either mythology like Hercules or pulp heroes a la the Phantom

Superman when he first came out was an exception to all of that

For a simple reason, he could’ve been on of those aliens who were detached from the reality around them by their age and wisdom, an invading ruthless conquerer like HG Wells’ Martians, a abomination who mere acts of simply existing in our realm invokes dread, despair and fear of what unknown entities he can be linked to that overpower us lowly humans a la The Colour Out of Space or even the faceless one Nylarathotep or even a man who when gaining his great power eventually descends into utter madness and villainy for their own selfish gains which ironically was what the duo of Jerry Siegel and Joe Shuster had in mind for their planning stages of this brand new creation they wanted to share.

Even for a heroic example, Clark could’ve simply been a simple man with a bright costume and a gimmick in an attempt to cash in the small notable trend the Phantom had set up into his adventures coming out a mere years before Action Comics

And yet Superman wasn’t any of that. He was simply a humanoid alien immigrant who was raised by a kindly couple and from an early age decides to use his newfound godlike powers and incredible abilities not to frighten, not to be detach, not to conquer….he just wants to help. He’s a Champion of the Oppressed, a living marvel dedicated to helping those in need.

All of those other examples of what people had for character prior to Action Comics #1 are what they are….

Superman Can. And he can do that, cause he was and still is the exception

[sarnai4]

All In

Spoilers ahead for RTTE. I've seen and read a lot of stories, but I only have one character who's been my favorite hero and villain. That character is Dagur because he always went all in on whichever role he's supposed to play. I think the reason is that most characters are written with one particular role in mind. I've seen some who are meant to become heroes, so they never do anything too bad. They can't seem truly evil because they're eventually going to be good guys. Then, some characters have been part of that untrustworthy/villainous side for so long that even when they're supposed to be good, they do shady things that show how they're almost naturally villains. Neither of these happen with Dagur. When he's bad, he's really a villain; when he's good, he's really a hero. I love that.

I've seen mostly two opinions on Dagur. One where he's this monster who would eat kids in their nightmares and one where he's done nothing wrong. I feel like part of what makes him so amazing is that he did have both sides to him. As an antagonist, Dagur pulled no punches. He had the highest confirmed kill count of any human character. On top of who knows how many merchants he killed (since he was very ready to do that), he killed an entire island worth of Vikings. It's not just that either. He's one of the few villains who consistently tries to kill the Riders. When they were caught on the ship, he wanted to drown one of them. When he was fighting Astrid, he tried to dig an ax into her torso. He wasn't even loyal to other villains since he was constantly planning to betray them like with Alvin or the Grimborns. Villainous Dagur was threatening, unpredictable, and murderous. He was also a lot of fun, which made him my favorite baddie. Then, he pleasantly surprised me by turning good.

Dagur didn't have one of those moments where he tried to turn bad again. In all honesty, he couldn't. He'd done so many horrible things as a villain that if he ever did anything even remotely villainous again, no one would be able to forgive him. To put it into perspective, Dagur tried to sacrifice himself for everyone and STILL didn't gain all their trust. Generally, self sacrifice is kind of the most you can do, but since he didn't die, Heather was immediately suspicious of him again when she found him. It's because of everything he had done. So, to make up for how good of a villain he was, he had to be just as good a hero. Dagur became an incredibly selfless good guy.

Hiccup literally yelled that he hated him for leaving him with the Hunters (who technically had only captured the two of them because Hiccup tried to kill Dagur for supposedly poisoning Toothless) and Dagur was on his way to get Toothless to save him. When Dagur tried to sacrifice himself, he had to fight against Heather to do it. He isn't someone who needs someone to care about him back in order for him to protect them. Even in what he thought would be death, Dagur continued to try to help the Riders stop Viggo. Although the gold wasn't his, he still found it for Berk. Even though no one asked him to, he sent Berk willow bark when they didn't have any for medicine. On top of this, Dagur let Gustav (who is basically canonically hated by everyone) stay on Berserker Island at the request of Stoick. I'd say that after putting his life at risk and protecting the Riders, these other actions are necessary, but they show that the little details matter to him. I realize they matter to me too because they really showed me how much being a good person meant to Dagur. At every turn, he tried to do what he could to help his new friends. I truly respect that. He never half did anything. It makes sense. According to him, it's the Berserker way. All in, all the time. Sounds just like Dagur to me.

[thatuselesshuman]

Writer Questionnaire Tag

Thank you for the tag @wyked-ao3

It's always fun to do one of these lol

How long have you had your writing Tumblr/Writeblr? A fast and loose estimate is fine!

I've had a Tumblr account for about 6 months or so but I've only been a 'writeblr' for a couple months.

What led you to create it?

Idk tbh. I kinda just decided that I wanted to share my writing and it led me here.

What’s your favorite thing about the Writeblr community?

All of the creativity is amazing. I'm a whore for lore and world building, and the worlds that y'all come up with are immaculate. I could only hope to think of a world that vast and interesting.

What’s one thing you’d like your mutuals to know about you?

Please ddon't take me seriously. I've said it before and I'll say it again, but I'm not just a clown, I'm the entire circus. The day you take me too seriously (especially as an author) is the death of my whimsy.

Is there anything you’d like to see more of on your dash?

Nothing I can really think of. I'm pretty happy with how it is rn lol

WIP it Good

Which Works-in-Progress (WIPs) or writing projects are you noodling about, lately?

Bloody Hands are Kind and None of Us Heroes are always floating around. They're never not beating my ass with ideas and scenes.

How long have you been working on them?

I've been working of the series component of Bloody Hands are Kind since February, and None of Us Heroes for about 1 and a half months.

Do you remember what inspired them/what got you started?

None of Us Heroes started from the Honkai Star Rail brainworms known as Adventurine and Dr Ratio. Their designs and story inspired the two main characters of None of Us Heroes. The series component of Bloody Hands are Kind was basically me shoving a long-standing OC of mine into the Hunger Games universe and praying it would work.

How much time, in your best estimation, do you spend thinking about them?

At least a few hours a day, usually when I'm laying in bed trying to fall asleep. My array of illnesses make falling asleep hard and I find that thinking about my stories makes it easier to forget that I'm not asleep (and therefore hopefully fall asleep).

When someone asks the dreaded, “What do you write about,” question, what do you usually say?

"Whatever the voices command."

What do you want to say (if it’s different from what you do say)?

Meh I say that because I find it funny so idk if I'd change it.

Let’s Rotate Blorbos

Name any characters you created. Side characters, protagonists, antagonists, characters who’ve never been written, the first original abomination you ever pulled from your ass; whomever you’d like!

OHH LORD THIS IS GONNA BE A LONG LIST. So we got Adrian, Nova, Amarantha, Jack, Cora Beth, Ben Al-Badawi (x3), Jack Collins, William Talt, Blue, Zero, One, Two, Three, Four, Five, Six, Seven, Eight, Azrael (aka Amane), Lucifer, Achlys, Quinn Amsel, Atlas Selic, Michael, Adena, Nakir, Evangeline, Celeste, Saeko, Gabriel, Kaz Anderson, Caspian, Jyn Osaka, Nikolai Sevigny, Cyril, Kylan Whitlock, Kestrel, Leo Valandi, Anaïs, Delph, Laz (short for Lazarus), Neo, Roland, Tobias, Will, Mirwais, Simon Cruz, Conrad, James Blackthorn, Alessandra Snow, Max Foster, Benyamin Safi, Haeyun Sin, and Dante Silvestre. There are more, but I either don't care enough to write them down or I've forgotten their names.

Who’s the most unhinged?

Blue 100%. He's not human and it is not uncommon for his species to be cannibalistic. He's not, but he's still unhinged asf

Who comes the most naturally for you to write?

Max Foster. He's easy to write because me and him share a lot if similarities.

Do you ever cringe at them?

Oh definitely. A lot of my old characters are cringy.

How much control do you feel you have over your characters? AKA, do they ever “write themselves,” refuse to cooperate, or do things you didn’t expect? To what degree? Are some less cooperative than others?

Dude idk what to tell you, whenever I try and force my characters to do something I hit the biggest writer's block wall I've ever seen.

On Writeblr Engagement

Do you enjoy people asking questions about your characters? And do you have a preferred means of receiving said questions? For example, as Asks, as replies, as reblogs, as tag notes, as comments on AO3, etc.

YES YES PLEASE ASK ME!! Anyways, I don't really care how you ask (I just want you to ask lol), but if I had to pick it'd either be asks or comments on Ao3. Though ofc I still love questions in any and all forms, even if it's something like making a separate post and tagging me loll.

What makes you want to follow another Writeblr account? Do you follow ‘em as you see ‘em, or take time scoping out the blog to make sure you align with its content? Do you follow based on WIPs, or vibes?

I mostly follow people if I think their cool or if I find myself consistently liking their posts as they come across my dash. I don't follow people often tho lol. I only follow abt 20 people I think.

What makes you decide against following?

If their vibes are too negative, if they're super political, if their content doesn't align with something I care about, or if they're super anti something I am. Any combination of those could be the reason I don't follow.

Do your mutuals’ characters occupy space in your noodle?

Yes. I think about other people's WIPs and such all of the time. I love stories, what can I say?

Do you interact with non-mutuals often?

Of course! As I said, I don't follow many people so I don't have many mutuals. I love interacting with different people though, so I'm happy to strike up conversations with random people I find cool!

@moltenwrites @willtheweaver @the-golden-comet @katenewmanwrites @agirlandherquill +open tag

[zproblematic]

Okay, so I am on the verge of tearing my hair out over this, but i don't want to deal with drama so I'm putting it on my dead sideblog.

Miguel is NOT the villain. He's the antagonist! They aren't the same thing!

Every post i see where people are talking about "Oh how didn't the realize how Crazy/Mean/Villainous Miguel was?" Keep forgetting the CONTEXT of Miguel being angry with Miles' actions.

The context of it being, Miguel tried to change his own story, because it was fucking terrible and he just wanted some happiness for once. He went against the literal FATE of the world that had been written for it, 'canon', so the world unraveled.

Literally imagine the fate of the worlds as a woven tapestry, him changing the story was him tearing out a stitch. Might seem minor in the onset, but that torn stitch leads to the surrounding ones coming undone eventually culminating in the tapestry unraveling.

Miguel's fucking DAUGHTER died in his arms!

And then he goes back to his world. And this fucking terrible experience of what happens when you fuck with fate and mess around in other universes makes him look into other universes, this time with the intent of preventing the same from happening to them.

Whether that's by hunting down the anomalies that manage to pass between the dimensions or what have you.

Through this he gathers various Spider's to his cause. He accumulates HUNDREDS of them! They are in support of his mission!

Miguel is the 'leader' of this group because he's the one who founded it, the one who does the most actual work regarding it, made the technology, set up a building for the Spider's to socialize in, etc.

Also, his looking into other universes likely includes him feeding that worlds information into his AI. He has literal statistical data as to what are considered foundational events across the multiverse, especially in regards to Spider's.

When the anomaly opens up on Pavitr's world after Miles saved the police captain there's a comment made about how Miguel has teams to deal with it. That it's happened before and generally the world is lost regardless of their efforts.

It's not just Miguel's traumatic experience pushing him into keeping to 'canon' events. It's likely multiple other instances of the same/similar happening to other Spider's!

And here's where we get into his behavior towards Miles. Yes it's fucking terrible, i won't argue that.

But Miguel is looking at this teen who's saying "I'll do what I want!" Ignoring that Miguel isn't feeding him some bullshit line about how he needs to let his dad die so he can 'be like the other Spider's ' He's telling Miles not to save his dad because if he DOES the world will end. Billions of lives will be gone.

Miguel thinks Miles' selfishness is that he believes his dad is worth more than a whole world of people. And he has super advanced programming that has done the calculations TELLING him that Miles' can't change fate without the world ending.

Miguel isn't somehow the ultimate leader of the Spider's either, the others AGREE with him that Miles can't save his dad because of what the consequences would be.

Most of the hundreds of Spider's are adults or equivalent. They can make their own choices and form their own opinions and they AGREE with Miguel.

Because being a Spider is being a hero, and being a hero is constantly living God's most fucked up trolley problem. "Do i save this bus full of people or the one person I care about? Do i let this group of innocent bystanders get killed by an attacking villain or do i catch my girlfriend from her fatal fall?"

And without fail every hero Spider chooses to sacrifice the one to save the many.

Miguel hears Miles say he wants to save his dad, in his mind saying he would let the world end, and doesn't consider Miles as a proper Spider-hero, he's too selfish to be one.

The problem is, Miles is a teen, he has these amazing abilities and no real interest in listening to authority figures. Someone trying to act as an authority figure and telling him the only way he can be a hero is by letting his dad die isn't going to fly.

And of course, even though the other side has actual evidence and math to back it up Miles thinks it doesn't matter. That he can do whatever he wants because why wouldn't he be able to?

He's a teen hero who has largely gone against small-time criminals up to this point and doesn't see why he wouldn't be able to save everyone and be happy.

Even with this context, Miguel does fucked up shit. He definitely takes it way to far, a fact which Peter B seems to realize too late. He's a 30-40 something man traumatized by his experiences seeing a teen loudly shouting he's going to do the same thing and not listening to anyone about why he shouldn't.

The way he attacks Miles is insane and feral and like he HATES him. Which makes no sense given that up to this he seems like a tired grumpy guy who's the only serious person in the workplace, and they've only just met.

He gets insanely angry with Miles, probably partially because he's projecting his self-loathing onto Miles. He hates himself and sees himself in Miles and hates Miles for it. He believes that Miles actions have likely already damned Pavitr's world, and now he's going to go damn his own?

Of course, this being a story of a teen hero Miles will likely end up able to save his father and not lose his world because of it all. And Miguel will likely get in some serious fucking trouble for how crazy he went at Miles.

But Miguel isn't the villain, he's not acting to harm others or out of his own selfishness. He's the antagonist, he's trying to stop Miles [the protagonist] from achieving his goal.

[tanoraqui]

hey!! i love your blog so much your takes are *chefs kiss*

i saw an Amazing post a few months ago where someone laid out a really cool plan for a silmarillion tv show and i cant find it again. it haunts my every waking moment. i think i saw it on your blog so i figured id ask if you knew it.

Either way, have a great day!

(note: I got this ask several thousand years ago, and am answering it now because I asked my roommates if I should write something serious tonight, or something ridiculous, or read a book; and they said ridiculous.) (note 2: I wrote the above several days ago. I'm posting at 6.5k words) (note 3: I'm going to pretend this is a deliberately timed gift to @thelordofgifs for their latest fic updates, which were bullet points of heartfelt and sober compelling canon divergence. this...is bullet points of [heartfelt? compelling?] lunacy. I hope you might enjoy it.)

Are you thinking of this, the "Supernatural but make it Silmarillion lore, and also women" show of my dreams? (Me, approaching the Tolkien estate with an offer for the rights to the Silmarillion: I swear, I will ONLY show the First Age in limited flashbacks. Everything else will be the characters as they are at least 10,000 years later, maybe even with an active framing device to identify them as modern interpretations of the characters...")

Oh huh, I forgot I thought a bunch more about that "teeechnically-not-AU" and never added it to that post. Regardless of whether it's the show you were thinking of, dear Anon:

one of the protagonists is definitely the reincarnation of Fëanor. Her name is Seraphina, which translates to something like "fiery divine being", bc her mom had a good sense of these things. They don't know this at first

her slightly older twin sister is Martha, named after their grandmother but it does mean the feminine of "master", because I spent at least an hour trying to translate any name Turin ever had into something reasonably modern and this is the best I could do (they also don't know about this reincarnation at first, ofc)

their father was killed by some sort of monster when they were babies so their mother took up monster-hunting ranging, etc. etc.

(the underground community of modern monster-hunters are called Rangers, in reference to the roaming heroes of old)

Seraphina, the Wild One(TM), ran away to go to college, where she double-majored in astrophysics and mechanical engineering and double-minored in linguistics and metallurgical engineering, and wrote an art history thesis. Martha, the Dutiful One(TM), stayed with their mother and kept ranging. They reunite when Martha shows up on Phina's doorstep because "Mom went on a hunting trip and hasn't been home in a few days", etc. etc.

the Bobby-style substitute parent should really, to (kind of) round this out, be a dwarf or hobbit. The full "Team Free Will" should represent all peoples of Arda... But I'm not making up OCs right now (yet)

a unifying legend of the Ranger community is that their unofficial network has been supported and guided for millennia by their cousins, the peredhel, Elrohir and Elladan, who quite simply never Chose and have been wandering the earth, saving people and hunting things, ever since their sister died. They don't NEED to Choose until they die, technically!

This is, in fact, true - or, it was. Until about 25 years ago, when [flips a coin] Elrohir married our heroes' mother, settled down into peaceful domesticity, and a few years later died dramatically to buy [throws a dart at a wheel of names] Laura and their children time to escape the whatever.

Laura knew about his profession and that he was older than he looked, but not his whole deal. She found that out later while vengefully hunting monsters...and never told her daughters.

The plot of Season 1 involves unravelling this mystery, including at some point meeting their elusive uncle Elladan (who has maybe gone a little mad with the sudden death of his twin? That'd be a fun season antagonist/arc/theme...dealing with grief...very topical!)

By the end of s1, all of the above have probably had a nice closure-giving(-ish) confrontation/conversation with Elrohir's ghost - who's been waiting in Mandos for his wife and/or brother despite Mandos's INCREASINGLY strident blandishments to stop acting like a cat in a doorway and choose - and Laura and Elladan are both dead in suitably dramatic circumstances.

...or, Elladan is. Apparently John Winchester didn't die until s2e1! So, what happens is:

- (earlier in the s1 finale episode, Laura, noticed something once or twice which her daughters didn't - saw a curl of smoke, seemed to be examining a McGuffin extra closely...)

- Laura has been mildly injured, and someone needs to guard a McGuffin or maybe a random innocent civilian caught up in this, so she stays behind while Phina and Martha go off to deal with whatever the actual big bad of the season is. Maybe a cult trying to sacrifice half-elves for some reason? Directed, though not personally managed, by whatever killed Elrohir in the first place, which is...I gotta figure an OC balrog? Like, not one of the big ones from canon. We'll just call her (Laura's) Bane henceforth.

- not long later, while Phina and Martha are fistbumping in the remains of the cult's hideout Seraphina maybe have used chemical explosives), or maybe discretely looting Elladan's body for useful weapons laying their uncle to rest, the scene cuts back to Laura

- she's pacing, patrolling. Ready for a fight. She senses something and goes even tenser, drawing her ancient sword. It glows softly blue - but this is no orc. Heavy footsteps, flickering shadows and firelight, maybe the sound of wings. We do not see the enemy, just a middle-aged woman in improvised combat gear with a pistol in one hand and a Gondolin-made sword in the other, and a look of iron determination and defiance. She pulls off the bandage on her arm, revealing that she'd faked her injury so the girls would leave her behind.

- "I knew it was you," she greets her old enemy, unflinching, as a faint reprise rings unnoticed in the Great Music. She moves to attack, met by a whip-crack and a flash of fire, and cut to black.

Season 2 starts where s1 ended, for Martha and Seraphina. They're almost back at their car (the beloved 1967 Chevy Shadowfax). Note: few times in s1, Phina has had strange visions or nightmares, never anything prophetic but once a good clue to defeating the MotW...

She reels with the force and horror of this one. Darkness, utter and choking, pierced eventually by a single desperate torch. A dark and empty hall where there should be life and light. Flickering firelight reveals blood on the floor...

She gasps, "Mom," and demands that Martha drive, drive, fucking drive faster already -

They're too late, of course. Laura is long-since dead.

...so, back to Monster of the Week, with additional focus on tracking down the Bane!

Seraphina's strange dreams and visions get more frequent, more memorable. Sometimes they're peaceful, full of beautiful Light. More often they're dark, or at least, dim - climbing strange, starlit mountains (finding a cousin of aconite which turns out to also be useful for defeating werewolves). Choking grief as her hand brushes the air just above a vibrant tapestry, too afraid to ruin it with touch. Fire in her throat as she shouts world-shaking words in a language she doesn't remember (she repeats them a moment later, fending off a corrupted wind-spirit, and it flinches even before Phina feels a burst of vicious, raging, burning strength.)

Seraphina is curious as hell and keeps pushing herself to learn more, see more. Do more. It's not just visions, eventually - she starts to read minds, here and there. She's always been a fidgeter, happiest with some petty creative task of wire and beads or yarn in her hands, but now she can swear that sometimes her craft supplies sing at times, directly surpassing her ears, and she can make things with quality, with power. A new-knitted scarf is sturdy as a gorget. Glass beads glow. The more Phina does, the more she's frustrated rather than satisfied - she knows she's missing something, and she HATES being ignorant. Being wrong.

Martha, always the responsible one, especially feeling the need to be so now that their mom has died, wishes she would stop. Wishes she wouldn't put herself, put both of them, in danger like this. Martha is literally game to fight an orc with her fists one on one, any day of the week; she's no stranger to a quick temper and impulsive action. But she grew up! Why can't her sister!

(Martha: [venting the above to a stranger in a bar or something. Meanwhile, Seraphina has found an medieval Songbook and is trying to, like, apply principals of Elvencraft to chemical engineering. more arguing ensues.])

Toward the end of the season, there's, idk, several murders at the site of a geothermal drilling experiment in the North Sea, and oh shit, Bane is trying to get something that came out of that drill shaft! Violent interrogation of some evil minions reveals that it's no less precious thing than a Silmaril! Our heroes read about those recently in some ancient tome! (Phina got a headache so bad, and a sense of being aflame, that she passed out.)

In the third-to-last episode of the season, they hunt the Silmaril to the unlucky random research facility to which it's been taken. Mundane authorities and/or scientists are already coveting it as a potential energy source, adding extra mooks...who mostly just die when Laura's Bane arrives. But our girls get to it just slightly faster. The jewel is in a jead-lined box. Phina has been increasingly consumed by single-minded focus on getting this thing; even as the Ban storms in all fire and darkness, she's furiously picking the lock. She flings back the lid; we see a shining gold-white jewel - and the Light consumes the screen.

The second-to-last episode starts with pure Light - then it fades to simple Mingling, as the Noldor hold a funeral for Miriel. They had rites for the fallen in their starlit home of old, when they knew no return. They are having a modified version now, knowing that in her weariness she will, at least, take a very long time; in the hope that it will help those who loved her move through their grief.

- young Fëanor (age 5ish), tears running down his cheeks, whispers to his father that he is sorry, so sorry he killed her. Finwë denies it fiercely, lovingly, and holds him tight. Indis approaches, seeking to offer comfort; Finwë sees her over Fëanor's head and, gratefully, shakes his head. She retreats.

- but in the next memory, it is Fëanor (age 10ish) who watches Finwë and Indis, as they move joyously in unison around their wedding dance floor. Someone says something to him, he responds bitterly.

- (I'm not sure exactly what narrative of Fëanor's life I want to construct here, but assume subsequent memories/short scenes include: dislike of half-siblings (ft. fear of loss/abandonment masked as superiority complex), finding genuine joy and contentment in craft, exploration, and Nerdanel & their children; Melkor & rising tensions with Fingolfin, the Silmarils, the sword Incident, banishment (ft. savage dislike of Valar), Finwë's death (the same memory that struck when Laura died!), the Oath, Alqualondë, the theft and burning of the ships...and Amrod...and shortly thereafter, Fëanor himself, in a rush that only wasn't suicide because he really thought he could bust in and kill a Vala right up until he realized he absolutely could not do that.)

- (very fast final montage of key events post death, only snapshots, maybe styled as tapestry seen from Vairë's Halls? Fingolfin, crowned, raising Maedhros from a bow and embracing him; the glorious hosts and castles of the Noldor, Dagor Bragollach, Fingolfin's death, Doriath & Celegorm, Caranthir, Curufin's deaths, Sirion & Amras's death (both with the Silmaril evading them in the background), Morgoth's defeat by Host of the West with Eärendil shining far overhead, the final attack/theft, Maedhros's death, Maglor flinging the third into the sea and collapsing)

- camera close on Seraphina's face as she opens her eyes. They are shining with Light. She says, "Fuck."

FINAL EPISODE OF S2 STARTS WITH:

- a few second earlier: Martha sees from across the room as Phina opens the box and a joyous Light shines forth, and her sister collapses. The Silmaril falls and rolls.

- Martha doesn't have time to see where it rolls, because she has to fight the monster that killed both her parents. We've seen Laura's Bane in the shape of a woman with cavern-black hair and fiery eyes a few times before, and when it killed Laura and Elrohir, we glimpsed much more. But 2 episodes ago was the first time we saw it in all its terrible, burning darkness. The building is falling apart around it. There were a couple security guards and a scientist here; they're dead within moments.

- like her mother, Martha started out with a gun and a sword. She quickly gives up on the gun - it IS a special magic gun, but she's just better with a sword. She's snarking at the monster as she fights, because this is a gritty urban fantasy show so she's going to die, but by Eru she's going to die with sarcasm on her lips.

- the Bane's whip finally catches her around the wrist. It's not clear if it's the pain of the break or the burn that makes her drop her sword. The Balrog steps over it and grabs her by the throat. Darkness enwraps her, the searing, choking claws and the all-encompassing wings and the swallowing of her vision -

- Light pierces it like a blade. The Balrog falls back, dropping Martha to the floor.

- there stands her sister, Silmaril raised, almost glowing herself with its Light. Her eyes blaze with the particularly fiery Light that was always Fëanor's.

- Power in her voice, in English she says, "I am Seraphina Elrohiel [cool epithet she's picked up as a hunter]"; in the most traditional lisping Quenya she adds, "and I am Fëanáro Finwë-Curufinwë." English again: "I wrought this jewel five ages of the world ago…and to be honest, I don't really know what I can do with it now."

- - (the soundtrack crescendos, the Music crescendos; unseen, all around Arda and beyond, beings tuned into the Great Song of Ëa know that Fëanor once again holds a Silmaril, and go oh, shit, fuck!!)

- she smiles, fey and burning. "Do you think it's a good idea to stay and find out?"

- Laura's Bane flees with a snarl.

- Martha gets to her knees, and no further. She's panting, still catching her breath, bleeding and bruised and burned, and staring up at her incandescent sister(?).

- Seraphina (who is, has always been, Fëanáro Curufinwë) stays standing and glaring for a moment more, making sure the enemy has truly gone. Then -

- - [note: it came up, in their hasty recent recent research into the Silmarils while chasing them, that they are blessed such that evil hands can't touch them. they'd hoped this would be protection against the Bane, if they got there too late to stop it]

- - [note: in the very very brief memory-views of Maedhros and Maglor's last moments, it was clear that their grips on the Silmarils were agony]

- Phina falls to her knees, Silmaril dropping from her hand without protest. Once again it rolls offscreen, glow faded but still bright. All force of presence gone, she cradles her burned hand and sobs in agony and irreparable loss, not to mention the sheer overwhelming experience of everything.

- older sister instincts (again: despite the fact that they're twins) gets Martha moving when nothing else did. Still not actually sure what just happened, she crawls forward and hugs her sister.

...then they get out of there. Martha picks the Silmaril up carefully with a piece of cloth and puts it back in the lead-lined box, and Phina carries the box. For the rest of the episode, they hunt down Laura's Bane before it can escape them utterly - unless it tries to come back and get the Silmaril while they're still off-balance, which is entirely possible! Either way, they kill it so dead!

Season ends with the two of them sitting in a dingy motel room, or maybe back in the Shadowfax [car], staring at the Silmaril box. Martha says, "So...what do we do with this?" Phina says, "We find out what the hell happened to the other two!"

IN SEASON THREE...

...I stop having particularly coherent ideas for what happens, is what happens in season three

honestly, I was originally conceiving of this as 5 seasons a la Supernatural didn't it have a great show finale in 2010? so great. thank goodness they didn't make 10 more seasons for some canonically godforsaken reason. But Fëanor retrieving even just one Silmaril would so kick off an s4 level of divine intervention and incipient apocalypse...

I dunno, or maybe they CAN have a full season of Monster of the Week plus arcing plot which is half standard hunting, half various supernatural entities tracking them down either to steal the Silmaril or to kill Fëanor (again) for her many crimes?

They retrieve 1 Silmaril that season, while evading, idk, I guess Sauron is our Lilith equivalent... And it WOULD be fun to have s4 start with Martha kicking open Mandos's doors (she's holding 2 Silmarils; she can kick open whatever doors she wants) and demanding her obnoxious sister back...

(We COULD do a thing where the Valar deliberately put Fëanor back asap, but lbr they...would probably rather not, even if they need her alive to do certain things. On the other hand, if they did, what a fun conflict for her! On the third hand, SOMEONE has to Lúthien the other's Beren at least once - not that Martha is singing. She's going more for the 'threatens Ainur with swords' side of her heritage.)

(That WOULD create a fun 'Martha has been doing increasingly badass and angsty shit offscreen (while Seraphina was dead)' scenario that could lead smoothly into some flashbacks about what Martha was doing before the show started - namely, increasingly badass (and angsty) shit while Seraphina was in college...)

Because in terms of focus, the first 2 seasons are a little more about Seraphina. Having not Ranged for a while, she's more the audience's pov character to start, and then the big plotty drama is focussed on her in s2...and in s3, as they hunt the next Silmaril and she adjusts to being... That is, Fëanor adjusts to being...

She was Fëanor for a MUCH longer time than she's been Seraphina, but she's been Seraphina more recently and kinda more...vividly? She hasn't fully processed being Fëanor. Her hröa is human (and female-shaped and human-female-gendered, and elves don't define gender the same way and don't have gendered pronouns at all, so she's sticking with 'she/her' and it's not a big deal), and her fëa has been acting human, so her memory capacity is still mostly human, as are her reflexes, her need for sleep, etc... She's getting better, but it takes time.

But boy has this enhanced ALL of Seraphina's natural attention-seeking, forward-leaping, fight-starting, prideful, self-centered Protagonist(TM) behavior!

Which is driving Martha CRAZY, all the moreso because there's reason for it now. Aside from the fact that even with no memory of her past life, Seraphina was always brilliant, while Martha was just...normal at best. Clumsy and un-witty except with a weapon in her hand. Prone to sulking and shyness. Downright unlucky, while the universe seems to shower blessings on her sister.

Even when Fëanor is trying not to start a fight, she's so condescending. to her sister who is a mere mortal Man. Having been one for 25-odd years - still being one, in fact - Fëanor has lost much of her suspicion of Man as an usurping species (it was never really about Men anyway). But she's SO condescending.

(Martha IS her sister, still. Martha can hold the Silmaril without the Oath pushing Seraphina to burning wrath, because she is Fëanor's kin.)

(Though "Fëanor's kin" was only ever a stand-in for, roughly, "people Fëanor could trust to temporarily hold a Silmaril because he knew they'd give it back to him instantly if he asked." So, as the rift deepens between then, as she grows paranoid again...)

...returning to the point above: as Seraphëanor steps up as Person Who Can Explain Advanced Supernatural Shit, audience pov connects a little more with Martha. Also because Fëanor's radius of destruction is really fun to watch from the outside.

Yeah...Seraphina gets pretty high up her own ass over the course of s3, then dies, maybe heroically or maybe as foolishly as last time, then post-season hiatus smash cut to Martha kicking in Mandos's front door and dragging her back to life... I do love that.

SEASON FOUR...

After the shock wears of, the classic Fëanorian paranoia isn't helped by the fact that Martha IS keeping secrets. What she's been doing, who she's been doing it with...(some Maia, maybe even an Úmaia?) Though Arda's mythology doesn't have the same Heaven/Hell dichotomy as Earthly Christianity, so alaos we can't have the sexy sexy s4 thing of an angel on one sister's shoulder and a devil on the other's...

But basically I think s3 has to have been somewhat of a tragedy, as Túrin (unknowing) and Fëanor (just bad at this) played out their old tragedies in tandem. Rashness was often the undoing of both. Leaping to conclusions, action or both, though usually in opposite directions. With maybe a dash of parallels with ancient (ie, Second Age) Elf vs Man conflict - Martha is increasingly down on herself, but also, jealous of Seraphina's Protagonist Energy and increasingly ready to do some violence about it.

And none of that resolves in s3! Seraphina just gets killed!

So in s4, they have to figure it out. Seraphina needs to learn some sort of (gasp) humility, and how to let grievances (and loved ones) go. Martha needs to learn how to cope with regret and grief with means other than changing her name and moving to a different city.

(She's already starting, though! This time, she asked "what would Seraphina do', then broke into Mandos and demanded solutions!)

(...and Mandos, perhaps, was very ready to refuse until he got a good look at her fëa, silently went 'huh' in recognition, and waved them out.)

Then Martha starts having strange dreams and visions - maybe after they fight an ancient dragon? or maybe she already was, in the s3-s4 gap (after fighting an ancient dragon with her new Maia friend?)

Seraphina is initially PSYCHED about this- twinnies for real!! But they get some entity to look at Martha's fëa and they confirm that she's 100% a Man.

Monster of the Week episodes are still the main focus btw. Vampires and werewolves, cursed magical objects, rogue petty nature maiar, peacekeeping between factions of non-humans still dwelling secretly here and there... Though perhaps the masquerade is starting to fracture?

And, of course, some (other?) Maia has shown up and informed them that Sauron is embodied again and trying to complete a ritual to break a hole in the envelope of the world to let Melkor back in, which our heroes must stop!

Also, definitely need to get the 3rd Silmaril back this season. They got the one in the earth and the one in the sea...

- so, a fan favorite recurring character [a/n: IT'S MY IMAGINARY TV, I CAN IMAGINE THE FANDOM'S REACTIONS, TOO, AND ALSO TBH I'M CERTAIN I COULD DELIBERATELY CRAFT A FAN FAVORITE CHARACTER] is the twins' Uncle Earl, who isn't technically their uncle but rather an old family friend of their mother's. He is, in short, kind of an old kook. Some flavor of Southern - I'll flip a coin and say Louisianan? Lives on a houseboat, refuses to go ashore unless absolutely necessary because "the feds'll get me." Visiting nieces means there's someone else to go get groceries and gasoline (necessary, but he doesn't trust most delivery services or modern technology, either), so they've possibly never seen him set foot on land except maybe once on an isolated beach in rural Oregon. Fought in Korea. Has probably looked grizzled since age 12. Eats mostly fish, talks to birds, talks back to the radio.

- to be clear, this guy is not filling the Bobby 'faux-parent' role. ...okay maybe he is a little, emotionally. But he's not involved in "the family business." In terms of SPN characters, he's roughly Garth - appears once a season or so, is a delight for 1 episode, then we part ways. He calls Martha in s1 because there's been some "weird deaths" in the port he's in right now, and he knows they deal with "this sort of thing" but he can't get ahold of Laura. There's a mention of him in s2, that they called to tell him Laura had died. In s3, they need to lay low for a while so they join him on his boat for a few weeks, go stir-crazy and end up fighting a sea monster.

- Idk if he calls them again in s4 or they're trying to lie low again or they just run into him by chance...but they're dealing with MotW murders in some swampy Florida shore-town and on his ship (The Flower) when something much bigger than a swamp monster catches up with them. Say, Sauron sent an unstoppable Carcharoth-sized wolf monster, or maybe a super-vampire (some aerial combat would be fun), or just some Úmaia miniboss that a season or two would've been a season-climax boss fight...

- they're moored up when it arrives. Phina curses, Martha shouts for Earl to drive, drive the boat out as far and fast as he can! Earl was half-asleep at the table; he starts awake demanding if it's the feds?! Phina leaps to the wheel herself and slams the gas, while Martha grabs the old shotgun off the wall and fires at the giant shadowy wolf-monster.

They leave it howling on the pier. They'll have to go back and face it eventually, but they're not ready right now. Maybe they can even re-land far upshore, and it'll have lost their scent again...

- the giant shadow-wolf finishes howling starts chasing them running on the water

- Martha curses, and shouts Phina to drive faster. Earl (looking over Martha's shoulder, also cursed, almost impressed, at the sight of the wolf) tells her to give him the wheel. Phina shoves him away and shouts back as she yanks the wheel that they need to turn back, they can't win this fight on the water -

- the wolf is snapping at the Flower's keel. Phina curses in Valarian and yells at Earl to take the wheel and steer them back to land, while she runs back to help Martha fight the wolf.

- Earl flips a red lever in the [boat mechanics] cabinet under the wheel which we've probably seen before (Seraphina fixed something in s1), labeled "High Octane" and shouts, "Hold on, girls!" He slams the throttle again and the whole houseboat hydroplanes. The wolf falls overboard; Phina goes with it but Martha grabs her.

- the wolf gets to its feet on the water, and starts chasing them again

- "Confession time, girls!" Uncle Earl calls, steering the boat beyond full throttle while Martha and Phina get to their feet. "I did befriend your ma's dad while he was fighting in Korea. He whispered to the stars at night, when he felt lost." Adjusts a standing spyglass, tugs a string a couple times to turn on the lanterns on the prow and above the steering console, dons his navy blue-and-gold captain's hat. "I thought I couldn't have been happier to guide him home - then Elrohir met his Laura, and they fell in love. And had the two of you!"

- "Do you have a point?" Phina shrieks. She's scrambling to get her jacket out of her bag under one of the seats, because her Silmarils are in its pockets and the shadow-wolf is gaining. Martha, shooting at the wolf again, glances back, maybe having noticed that the old anecdote is phrased differently than before. Old Uncle Earl is standing unusually straight, his grizzled-gray hair gold-ish in the warm lantern light.

- "Yes!" he calls, jerking the boat away from the wolf again. Some of his Louisiana accent has fallen away, too. "Don't lose your wits - and keep holding on to something!"

- he tugs the light-cord again and the yellowy lantern-case above the wheel opens, and the light that shines forth is far brighter and paler. Its source falls into his hand as the lantern shakes with the Flower's speed, and he sets it on the brim of his hat - the illusion of which fades, leaving only the golden band on his brow with the Silmaril set upon, and Eärendil standing as tall, young, and golden-haired as when he first sailed the sacred seas. He gives the wheel another stern yank and the ship's prow rises even higher - and keeps rising, with the rest of the Flower in tow - the Foamflower, Vingilotë, every plank now aglow.

- "Also," he admits, looking over his shoulder to make sure neither of the twins has fallen off (again), "I'm your great-grandfather. I really am sorry to have - hey!"

- that's for Seraphina, who is Fëanor, Oath blazing in her heart, regaining her balance, sprinting up the deck and lunging with wrath in her eyes for the Silmaril.

- Eärendil dodges smoothly, while still keeping one hand on the wheel. "I said," he says reprovingly - while Martha bodily tackles her sister to the floor - "keep your wits Fëanáro. I'm here to help, as I ever have been for the people of Arda."

- the girls wrestle on the deck for a few more seconds before Seraphina calms down. It helps that they realize the wolf had grown giant wings of shadow and is chasing them aloft as well.

- btw: late in s4, the dwarvish researcher who's Bobby's fill-in and/or Martha's probably-trustworthy Maia friend should really be present as well for all of the above, but this ain't really about them. So I think they're just kinda. awkwardly Present for this family not-reunion. helping fight the wolf & all that.

- (Eärendil doesn't actually give back the Silmaril. But he lets Seraphina hold it for a few minutes, during which she is more at peace than she has been in millennia, and promises to let her have it again if/when she really needs it, if it isn't more urgently needed elsewhere. This is, more or less, satisfying to the Oath: as discussed "Fëanor's kin" was only ever shorthand for "people whom Fëanor could trust to hold a Silmaril without ever withholding it from him.")

Eeexcept it turns out that even Eärendil doesn't know that the Valar DO want Morgoth back, because they're kinda totally down to have Dagor Dagorath and reboot the world. Look it'll be great - Túrin - that's you, Martha - will help Eonwë and Tulkas slay him, then Fëanor will break the Silmarils, releasing the Light so that Eru can use it to Remake the world, Unmarred this time - Hey, where are you Children going? Stop stabbing people! Stab only the people we tell you to stab!

(Ulmo, ever wise, offscreen: When has that EVER worked? Especially with Fëanáro and his kin?)

Yeah, there's a scene very much like the end of SPN s4, wherein Martha gets grabbed by the celestial "good guys" and they admit that this is all kinda set-up but don't worry - here's your destined fuckoff-huge black sword, just wait a few minutes for your "sister" to once again achieve an evil end that's the exact opposite of what she intended; and then Martha has to convince the Maia she's been befriending all season to help her escape and go rescue Seraphina before she jumpstarts the apocalypse...

(Nb: Martha was already trying to stop Sauron from freeing Morgoth when the season started - she broke Seraphina out of Mandos party bc she loved and missed her sister, partly because she needed a Silmaril expert. But she's grown skeptical of the task somehow, while Seraphina - perhaps because Seraphina - has gotten vengefully obsessed with it. As Fëanor is wont to do. Hell, she has even more reason than she used to - she knows what Sauron did to her grandson.)

So, y'know

They do, of course, accidentally free Morgoth.

On the plus side, in the process, they get to jointly murder the SHIT out of Sauron, who was the REAL mastermind behind much of Laura's Bane's actions (and, honestly? Might've been the real one who killed Laura, and only set it up to look like a Balrog. Flames and shadows both can have many masters!)

SEASON FIVE, THE FINAL SEASON DEFINITELY FOLLOWED BY NO FURTHER SEASONS despite the temptation of a terrible sexy humanoid Ungoliant

I only have 3 ideas for season 5:

1. They go to Valinor at some point, of course. Perhaps to rally aid? The first elf they find, they introduce themselves grandly, Fëanor and Túrin Turambar here seeking allies to fight Morgoth! and the elf says blankly, "I have never heard of either of you." *squints* "You're Men, you say? Lord Ulmo keeps a Man on Tol Eressëa, I think. You could go to him?" But after that, as a running joke all episode, every other elf they meet recognizes Fëanor on sight (she has a very distinctive fëa) and immediately punches her in the face...and every other elf recognizes Tùrin on sight and all but tackle-hugs Martha while shouting joyfully that they never expected to see him again. Some (Beleg) actually do tackle-hug her (and nearly gets stabbed again) (#worthit).

2. To everyone's surprise, including the other Valar, Morgoth started his war upon creation subtly when he returned...but doesn't remain subtle for long, nor do those opposing him. By the end of the season, the masquerade that non-human sentient peoples and various other supernatural beings still live in Arda is all but shattered.

3. Then it's THOROUGHLY shattered in the finale. I don't know if the general human populace participates in the final battle - though I am SO weak for a moment when, like, the regular-ass armed forces, who are not necessarily allies to the heroes, show up to help fight a massive superhuman threat. When the SHIELD helicarrier shows up to evacuate civilians in Age of Ultron, when UNIT does pretty much anything in Doctor Who...I love it when the best protections & warriors the mundane human race could pull together also show the fuck up and help save the day because damnit, this is their planet too. ...Which is, in fact, very on-theme for Tolkien. So yes, actually, this definitely happens. Probably there's some conflict with US military forces mid-season, our heroes have to talk (fight & escape) their way out of being arrested for blowing up a national landmark while fighting a balrog, and the general in charge whom they'd half-convinced returns in the finale with a battalion to slam some missiles into Morgoth...

oh, and 4: Ar-Pharazón et al totally do come back from the dead. Probably on Morgoth's side lbr. They get a twisted undead immortality wherein they cannot die, just go on fighting for the dark lord to whom they once turned in jealous worship...

More importantly...

Okay, I really don't know exactly how the Dagor Dagorath goes. We're following the version that Eärendil will chase Morgoth from the skies; Tulkas, Eonwë and Túrin will fight him upon the field and Túrin will avenge his House and all the Race of Men by slaying him; and Fëanor will break the Silmarils and Yavanna will use their Light to remake the Trees, and the lands will be leveled or in some cases raised from the depths, and everyone will live happily ever after except possibly Men who aren't mentioned beyond Túrin.

This is what the Valar expect to happen (though they don't actually know-know Eru's plans.)

What happens instead is...

Most of the Morgoth-defeating does go exactly like that. Except probably they don't kill him for good - they CAN'T, because the Marring of the world is part of what Morgoth is, and the only way to undo him completely is to remake the world completely.

Which maybe could be done, by Eru if no one else, if He were beseeched? Which might be done with the strength of the Silmarils, their Light released?

And Seraphina does break the Silmarils. That's important for her - giving up her Protagonist role, just as slaying Morgoth - embracing her Protagonist role - is important for Martha.

...but I don't think they give the Light back to Yavanna. No offense to the Trees, but they never illuminated most of Arda anyway, and the world is round now anyway - and making it flat again would fuck it up - and we have, like, electrical lights, now.

Hell, maybe Seraphina is ready to give up the Light... Her instinct is to hold it back, to follow her own novel plans with it, but, oh, to regain what was lost! And she has come around on...some of the Valar. Selectively. Yavanna's one of the okay ones.

- but Martha, half-dead from the battle, drops to her knees beside her and catches her hands before she can loose the Light upward unto the grasp of the Tree-Queen.

- "Together?" Martha says (Túrin Turambar, ever the greatest Men had to offer - bull-headed, loyal, brave, unafraid of death, loving and losing and loving again).

- Seraphina's trembling lips curve into a fierce grin (Fëanäro Curufinwë, ever the greatest Elves had to offer - brilliant in mind and spirit, devoted, ever seeking to preserve and glorify the beauty of the world, and eventually learning some wisdom about letting go).

- "Together," she agrees.

- together, they hold the Light that once shone in the Trees, the Lamps, and the Flame Eternal of Creation itself; and as they release it, reach for the Great Music of Ëa that is deep in both their blood - for they are the daughters of Elrohir, son of Elrond, son of Elwing daughter of Dior son of Lúthien Tinúviel, daughter of Melian the Maia; and indeed, even before that, they are both trueborn Children of Eru, are they not? - and eschew utterly the Choice of the Peredhel by leaving the world round but Un-Sundering the Sea, that the kindred might still live apart, if they wished it - the Elder in their land undying, the Younger in their realms of quick and sometimes joyful, often savage change - but that they might visit one another, at least, as they pleased.

(I mean, wasn't the false division of siblings the whole problem from the start?)

Random Additional Features of this Show/AU/Thing

All elf and ainu side characters, canonical and not, will be cast gender-blindly, and characters referred to with the understanding that elvish personal pronouns don't necessarily correlate with physical phenotype, but Ainur do generally try to match local standards of gender assignment. Dwarves will all use he/him (and have beards!) even when fairly clearly female.

I have no idea what Martha is doing for gender once she remembers being Túrin. With all the time Túrin spent with Elves, she probably rolls pretty smoothly with being she/her now, though it's weird. Her memories definitely integrate more easily than Fëanor/Seraphina's, though, as much because she's the same kind of being both times as because there's less of them.

Both protagonists are definitely bisexual. Martha has a range of love interests; it's a running joke (at first) that Seraphina has a total Thing for redheads. Any kind of redhead. But especially creative ones - any kind of art or invention.

The role of Gabriel WILL be played by Maglor, albeit with a different death (don't worry, he'll be back for the finale) and much more...gloominess. And angst. Okay, and maybe his first appearance, in s1 or 2, IS cursing them - not knowing who they are - into a musical episode. (A WOMAN HAS NEEDS; THE WOMAN IS ME.)

When Martha meets Fingolfin and/or any of Fëanor's other siblings, probably in s5 but maybe s4, they immediately Vibe completely. It's the shared experience of growing up with Fëanor for a sibling. Needless to say, Seraphina Hates This.

Their chief researcher friend is a dwarf, who is also on the young-ish side I think, and a woman (he/him).

There's gotta be a notable hobbit on the Team before the end, too...but overall, hobbits remain symbolically representative of the Civilians in this war story.

Durin is alive again somewhere. Durin usually reincarnates in time to guide his people through particularly difficult times - or, to try. Their dwarf friend - what the hell, I'll just call him Bobby - tries SO hard to be Cool about meeting him, and fails SO hard.

I generally prefer to judge and characterize the Valar and associated Maiar as fallible to the point of clumsiness or negligence but basically wise and thoroughly benevolent...but I AM willing to throw some of them under the characterization bus for ease of making conflict in this hypothetical CW show.

...I probably have many more random thoughts but it's 3am and I want to post this whole insane thing. Feel free to ask me questions if you have them! And/or petition both the Tolkien estate and a major TV network for the rights, money, and support to help me make the terrible but wonderful show we deserve!

[redux-iterum]

Dullard Participates in the Book Club and Actually Intends to Continue? Impossible.

So, first book of Wings of Fire read.

Honestly?

Didn’t hate it. Rather liked it, actually.

I’m just gunna go over what stuck out to me the most, because there is a good deal to talk about with this book and I don’t want to go on a ramble about timelines and worldbuilding and all that. I’ll leave that to Lynx, the fucking nerd that she is.

The dialog is my favorite part, which should surprise nobody who knows about my love of banter. It feels very different from other HC book series like Warriors or Survivors – it’s comedic and witty, more casually spoken than attempting to sound cool. There’s very little in the way of contrived conversation, if you get what I mean; characters interact authentically instead of to move the story forward or backward. Dialog spoken by villains and general antagonists can be pretty cliché, but those characters are pretty cliché in general, so it still feels about right for them.

The worst part, for me, are those aforementioned villains and antagonists. I get that this is a kid’s series, so you have to make who the bad guy is more obvious for the sake of ease of understanding. I just found them cartoony compared to the more organic-feeling protagonists. Granted, the protagonists are also a little tropey, but I would argue their tropes work together very well to create a natural, nuanced character, with the side benefit of mixing beautifully with the other protagonists’ personalities. Clay is the Big Guy, but he’s also sweet-natured and meek, having had his true power emotionally beaten out of him, which gave him a lot of self-worth issues and doubts as to his competence that left him unable to really fulfill the Big Guy role. All of the heroes are like this (Tsunami is fucking amazing, by the way), and the characters we’re supposed to like have similar thought put into them.

Perhaps that’s not the right way to put it. The villains do have thought put into them as well. It’s just that the thoughts all centered around finding the clearest ways to make someone evil. There’s no real nuance to them; if they have multiple traits, it’s to further vilify them. Scarlet is the worst of the bunch, which sucks, because she’s the main villain of this book. I can enjoy a solely-evil, card-carrying villain, but she was just cliché as hell and I didn’t like it. She could have been more interesting, is all.

Slightly related, the names are not the best. Again, kid’s series, so the names are bound to be simpler, but man. Scarlet for an orange dragon? There’s not a lot of cohesion in them either – which, to be fair, illustrates the difference between the tribes of dragons (earthy names for MudWings, for example, and it seems like NightWings like to do two-part names like Morrowseer and Starflight). I don’t think the names overall work, though, either in differences or in cohesion. The main heroes’ names could afford to sound better together, is what I’m saying.

Final thought to close this on: god DAMN are these books violent. Like, I know Warriors is violent, but this book has beheadings and melting faces and burning people to death just mentioned as an aside! I wouldn't go so far as to call this book dark, because this aspect of the story is part of the action and excitement, not there to just pound on how bleak and depressing everything is. It just shocked the hell out of me that this shit got past the editors and higher-ups. They had a lot of faith in this series if they allowed this level of violence.

That’s about all my main takeaways from this first book. I do plan to read the second book, since this one was quite promising. I hope I’ll have more to talk about when the end of December comes and the second book is over.

[twistedtummies2]

Fee, Fi, Fo, Fum!

Hee, Hi, Ho, Hum!

I'm a most amazing guy!

A most amazing guy, am I!

Fee, Fi, Fo, Fum!

Hee, Hi, Ho, Hum!

I'm the stuff, I'm tellin' you!

For here's what I can do!

I can change myself into an elf!

Fly up high, like the birdies!

I can disappear into atmosphere...PEEK-A-BOO!

'Cause I know the Magic Wordies...

"Fee, Fi, Fo, Fum," Billy Gilbert.

-------------------------------------------------------------

My next image in my “OCs & Inspirations” series for Disney’s 100th Anniversary! This time, I present to you Billy Géant and his inspiration, Willie the Giant from the “Mickey and the Beanstalk” segment of a personal favorite Disney film of mine, “Fun & Fancy Free!” The art here was done by @twisted-brainrot.

Billy came about because I wanted to do something with one of my favorite fairy-tales, “Jack and the Beanstalk,” which is a big part of what I think “activated” the more macro/micro side of my many, MANY kinks and fascinations. My thought process was I could do one of two things: one was create an AU for Twisted Wonderland with some characters as giants and others as “Jacks” (which I eventually did for “My Hero Academia,” and may do again for another couple of anime-ish franchises I love). Two was to create my own OC based on a Disney giant - and I went with Willie for a LOT of reasons - and do something with them. Obviously, that is the choice I went with, and I have not seen a reason to regret it: alongside Nakoda, perhaps even MORE than Nakoda, Billy is my most popular OC for Twisted Wonderland. I think there’s more art and writing for him than any of my other major characters for this universe.

He’s also the closest to his source material. Willie the Giant, in his initial appearance (and most other antagonistic roles he’s had since), is essentially a villain by incidence rather than choice. The film actually states this in black and white: “Willie was a nice giant…he just got too big for his britches.” He’s not really EVIL, he’s basically just a big, dumb kid. He’s selfish and has a bad temper: when he causes trouble, it’s not because he’s trying to actively hurt anybody, but simply because he either doesn’t know or doesn’t care about the consequences of his actions (or both). When you push him the wrong way, he then shows his dangerous side, as he can go from cuddly and silly to a terrifying titan of rage. Billy is the exact same way. As well as having a lot of Willie’s superficial elements as a character, the main takeaway between the two is that inherent childishness, and the dichotomy of danger and sweetness it provides. Billy is a lovable dunderhead who only becomes truly cruel and vicious when someone REALLY presses his buttons, and typically is only an antagonist because circumstance has sort of put him in that position. The big difference between the two is what they seek: Willie’s problem-causing is usually a result of greed or ignorance. Billy, however, is someone with a LOT of personal issues: he’s lived a large portion of his life being neglected, rejected, abandoned, and betrayed. He’s effectively a very lonely person who just wants some affection, some respect, and above all some companionship. Show him those things, and you’ll probably be fine.

As to the art…I asked Twisted-Brainrot to do this one because he’s actually made more art for Billy than anybody else, and because he’s also a big fan of Willie the Giant. I’m not sure, but I think this might have been his first (public) outing with the Disney original, and he did an absolutely MARVELOUS job. Seeing the big guy paired up with Billy is truly a treat, and speaking of Billy, I just love how cute he is. TB always draws him with this really cuddly “extra plush” appearance, and it’s truly beautiful to see him that way with his great-great granddaddy. Good big bois, both of ‘em. <3

[makedonsgriva]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks...

Omg hi! First of all thanks for asking! I haven’t answered this question before and I absolutely do not mind answering this. This is a tough one though because I’ve consumed so much media and love so many characters it’s so difficult to choose but I will give it a shot nonetheless. Also these ten characters are not in any particular order.

Laurent Of Vere: Laurent is introduced as the frigid and dangerous prince of Vere in the book 1 of the captive prince trilogy. I HATED this man on my first reading but as the trilogy progressed, I just fell in love with him. He had an astounding amount of growth and character development. Not to mention his qualities and traits make him an all around admirable character. I may not be putting the characters in this list in order but Laurent is definitely my favourite character of all time.

Fleabag: Fleabag from Fleabag is another character I deeply love. She is funny, she is selfish, she is a tragedy of her own doing. It’s the way she is so deeply flawed yet so damn loveable at the same time that gets me. We are all fleabag at the end of the day aren’t we?

Baz: Baz from Carry On trilogy had to be here like the list won’t be complete without my poor little meow meow. He is one of those few characters who is very very close to my heart and it so hard to not love this dramatic gay vampire. Just love his snark and he is so funny??? I love it so much. Not to mention he truly is one of the kindest characters I’ve read.

Penelope Bunce: Another character from the Carry On trilogy. Penelope means the world to me because as a brown person, I don’t get to read a lot of books which feature brown characters. So seeing a character who is the best friend of the protagonist and has a major role in the series, it’s very refreshing and reassuring to me. Penelope is smart, stubborn, never admits she might be wrong but her growth over the three books is amazing. I will always love her.

Eren Yeager: literally one of the most tragic characters I’ve seen till date. As the protagonist (antagonist? anti hero? Idk anymore) of attack on titan, Eren is one of the most iconic characters I’ve come across till date. His unconditional devotion for his friends and his character arc from being the righteous hero to someone who becomes completely disillusioned by the end, it’s fucking amazing.

Geto Suguru: I have a beef with Jujutsu Kaisen and the reason is that Gege Akutami came up with absolutely amazing characters only to under-utilise and shit on their character arcs with his half assed plot. Surprisingly though, Geto’s character arc is amazing. I love it when heroes lose the sight of their goals and become the villains instead and Geto does that. His character development is really good and I love him for that. Incredibly realistic and refreshing to see.

Jiang Cheng: Jiang Cheng from MDZS remains one of the most relatable characters I’ve come across ever. Like I feel him on a spiritual level. The complexity and depth of his emotions, his actions, being so fucking good but never being good enough… good lord my heart straight up bleeds for him. I will always love Jiang Cheng.

Xue Yang: Hear me out okay. I know Xue Yang from MDZS is a psychopath. I’m not a Xue Yang apologist either. What he did to Xingchen was appalling to say the least. But Xue Yang is undoubtedly an incredibly well written character. He loved or should I say obsessed over XXC in such a sick and twisted way, it made for a very interesting read. The way he deluded even himself into believing that his extreme actions were all to torment XXC and not because he enjoyed his company and liked him… like girl be ffr right now who tf are you kidding. But yeah love me an insane psychotic gremlin.

Violet Evergarden: Violet from Violet Evergarden is one of the most heartbreaking characters I’ve come across and also one of the most unique. I’m a sucker for stories that tell the most human stories and Violet as a child soldier discovering these emotions, thoughts and vivid lives of people while coming to terms with her own trauma really gives her a special place in my heart.

Howl: Howl from Howls Moving Castle is one of my favorites because he is a hot babygirl. As simple as that.

Thanks so much for asking! Sorry it took me a while to get back to you but I hope you liked this list 💗💗💗

[atticoratticus]

DISCUSSIONS OF THE JJK MANGA

Okay so I just got fully caught up in the jjk manga after binging all 220~ chapters in the span of a couple days. I went in knowing some stuff about the characters, nothing major, but enough to set up some expectations for the story

All I'm gonna say is that those expectations were absolutely SMASHED. The action is intense, the development is amazing, the characters are well written, the story is very well paced, and the antagonists are EXCELLENT.

Speaking of antagonists, I love Mahito. He very quickly rocketed to becoming my favorite character in the entire series. He does a bunch of fucked up shit and it's awesome, because he's so blatantly evil that anything else would be disappointing. Yes he kills some very popular characters, but it simply wouldn't be in character for him to just let them live. He's consistent while still being unpredictable. Every panel he was in, I knew shit was going to do down and that it was going to be a hell of a time reading it.

Geto (well, I guess I should say Kenjaku) is amazing too. I love how he's both manipulative and also very clear in his intentions. He offers a more deliberate approach to the antagonists of the series, being more meticulous in how he goes about tackling his plans. Learning bits and pieces about him and his motives as the story progresses is so much fun, because it leaves you guessing how he's going to go about making his goals a reality (and holy shit, I did not expect for him to rope in foreign militaries into making his goals happen.)

Of course I have to sing praises for the main characters as well, because they make the story what it is. Itadori is put into such an interesting position from the start, both by being thrust into the world of sorcerers and purely by being Sukunas vessel. The way he matures throughout the story is such a gradual change that feels so natural, and it's something I love to see. He's not a static character - he's always striving to improve and get shit done and it's amazing.

Megumi is incredibly interesting to me. From the start you kind of expect him to take the path of the classic troubled anti-hero (think Itachi or maybe even Sasuke), but as you get to know him as a character it becomes apparent that he adverts all of those expectations. He's not afraid to kill people if he needs to, but he doesn't revel in it. It's a necessary evil, and his view on morality is incredibly interesting. He's not explicitly good, but he's extremely far from bad as well. His mental turmoil when faced with the threat of his sister being killed for something she had nothing to do with was heartbreaking, and seeing how all of his effort amounts to practically nothing when faced with her death is as soul shattering for the reader as it is for him (especially seeing as his body was the one used to kill her).

Gojo is a character I probably knew the most about going into the series. Hes THE character in jjk, and it's hard not know who he is if you're even a bit active in the modern animanga community. But even then I feel like his character is very easily misread by many people. He's seen as this childish guy with a god complex by many people who either haven't gotten far into the series are aren't bothered to take a deeper look into why he is the way he is. Especially in the chapters looking back on his past with Geto, it's interesting to look at the parallels between how he acts in the current timeliness and how Geto acted before he became an antagonist. He's grows very subtly throughout the series while still staying very similar to how he was at the start, and that isn't a bad thing at all.

Sukuna, similar to Mahito, is very blatantly evil. I mean, how could he not be. He doesn't show up a lot like I thought he would, but when he does it always leaves a hell of an impact. He acts for himself and himself alone, but he isn't unaware of the people/curses around him. We've seen very little about his past, and honestly I'm so pumped to see a bit more into what shaped him into how he is in the current point of the series. Him switching into Megumis body was such an adrenaline filled moment for me, because holy SHIT things are getting serious. You're reminded just how much of an enigma Itadori is, because up until that point you're used to Sukuna not being able to take control of his body as he pleases. But now? Megumi is practically powerless now that Sukuna took control of his body.

I have a lot more thoughts on the characters and just the story in general, but that's just my impressions right now dhajdjjdj

Didn't expect to write that much tbh

[myfairkatiecat]

I saw you reblogged the random asks post. And since I know you like musicals, what are your top 3 and do you have a least favorite musical?

Yesss I love random asks, and I’m excited about this one bc I love musicals!!

My favorite of ALL TIME is wicked, and anyone who calls me a fake theater kid for that is the real fake theater kid bc they aren’t secure enough in their theater-kid-ness to like a popular musical. Yes, almost everyone knows it, but the reason I like it is because I am a SUCKER for villain backstories/tragic heroes/antagonist redemption etc. This is why I am obsessed with Anakin Skywalker’s story and also can’t stop writing Good Nathaniel Benedict fanfic? So Elphaba is just amazing to me because she has such a believable side of the story while also doing things we know are morally questionable, AND she sings the coolest songs about it. no good deed is quite possibly one of my favorite musical songs ever. All of wicked’s music sounds like epic movie soundtrack but with lyrics and I’m HERE FOR IT. You wouldn’t believe how much wicked fanfic I’ve read.

My second favorite is newsies!! My five year old foster brother is currently obsessed with it and can sing all the lyrics to most of the songs, which is the most adorable thing in the world. The newsies are all adorable, and in the movie version Jack is Christian Bale and in the proshot he’s Jeremy Jordan so like, main character is easy on the eyes either way lol. Also Katherine is so relatable. She sings about writer’s block, she sings my soul!! All the ensemble songs are so powerful and the L Y R I C S! I could do a whole other post on my favorite newsies lyrics. You go Feldman. It’s good stuff.

My third favorite is probably Next to Normal, because not only is the music fire, it’s amazing at the way it portrays how mental illness affects the people who surround you. Also, Aaron Tveit is in it, and his voice is hot (and also he is hot) so that is an automatic YES!

My least favorite is SpongeBob the musical. The music is bad and my perfect pitch can’t handle Texas Song.

Thank you for the ask :D hope you enjoyed my ramblings!

[imthepunchlord]

Tonal whiplash of Betterfly’s theme song aside (because let’s be honest the whole series has a serious issue with that at this point anyway) there’s an AMAZING Re-Verse AU being done by revolutionary-thoy that I think you’d really like given your preferences. It’s not like a set webcomic to catch up on either, moreso character design and worldbuilding at this stage, so if you do decide to check it out, I’d love to hear your thoughts on it as well.

https://revolutionary-thoy.tumblr.com/tagged/reverse/chrono

Oh yeah I've seen some of it through Zoe's reblogs.

Art is cool and I'm liking a lot of the designs. But it's not going to be an au I'm going to click with, cause it's really working off what's rolled out in the Paris Special, which are things I don't click with, the biggest being the concept of the Supreme, which them being all build up but no show, I got to question why bother with the invention of them. He/they aren't even good sequel hook cause we never see him/them ultimately despite all the build up. Typically you want to visually hint the next big villain. Which the no show kinda tells me they probably don't even know who or what the Supreme is (though I assume it's Fu).

Even more so that it feels like the Supreme was made to add to the dArK aNd EdGiNeSs of this Special. Which is a tone they really wanted for it, even though I feel like it should've gone comedic cause there is no way you can look at these design changes and not laugh, cause they felt like a blast to the past of... gosh was it the early 2000s when we got all those punk/goth/emo aesthetic? Marinette and Adrien felt like a reference to that, and Gabriel/Betterfly (I cracked up everytime I heard that name) reminded me of Damocles, playing hero, and probably gets teased by kids and be so cringey.

It feels like the Special was a fanfic that is trying waaaay to hard to go for that tone, especially with Supreme, and it just feels unnecessary as you got preexisting plausible reasons for Adrien and Marinette to go antagonistic. You don't need the Supreme's existence to push this villainous agenda along.

Chloe apparently is the same (which what's the point of a reversal world if you're not going to commit to doing reversal of everything?) and no one backing Marinette ever, she can go down a dark path from snapping and getting fed up. Lashes out against Chloe and everyone that abandoned her. You can also work off everyone having demands and expectations and her constantly expected to give and prioritize others over herself and she can never put herself first as that's "selfish", and it leads to her snapping. There also seems to be implications that PS Marinette doesn't have a happy home life, at least with Sabine? That can definitely push someone to be antagonistic.

With Adrien, playing off that this is Gabriel at the core, even if he's a better person, he's still a controlling and neglectful father who isolates his son and puts a lot of expectation and busy work on him, and wasn't there to help him through the loss of Emilie. So Adrien lashes out. He gets destructive. Lets that anger, frustration, and anguish loose.

Supreme wasn't needed to bring out plausible reasons for them to go antagonistic. And it feels like they made things darker and edgier than necessary, and just makes things confusing cause Gabriel is implied to be running a successful fashion industry, but the way he talks about his Paris and by the intro, it sounds like it's constantly on fire and is a war zone? Maybe that's why the Special is set in OG Paris cause maybe they don't even know what Special Paris is even like.

Anyway, with Re-Verse, I'll appreciate the art when I see it, cause it's really good; but it's not going to be an au I'll get into as it works with the existence of the Supreme and rolls with that dark edgyness that I rolled my eyes at. It's not going to be for me.

[thepedanticbohemian]

Villain lover?

Sitting here, listening to a podcast on writing. The caster talked about heroes and villains in the series, LOST. He starts off with Jack and how everyone loved him.

NOPE. nope. Nope. I personally saw so much Mary Sue in Jack and hated him. Instead, I was fascinated by and in love with Ben Linus. He had a great, well-written story arc. Even in that hateful ending.

I loved him so much, I sent the (brilliant) actor, Michael Emerson, a birthday gift--a hilarious book I'd just read. He enjoys reading while flying. And he flies a lot so...

Come to find out, it was his favorite author and he'd not read this title yet! He sent me a personalized autographed photo, a postcard, and a letter which honestly blew my fangirl mind. I'd praised him not for LOST, but for his audiobook performances. He has an amazing voice and can convincingly read female characters, child characters, etc. Search for him at your local library or on Audible.com. He's done several books.

Linus has stayed with me. A little of him gets injected into obnoxious, know-it-all characters, I suppose as an inside joke for me.

Also, in FARSCAPE, I was/am madly in love with Bialar Crais. In my five novels in that universe (sorry, I took the site down due to lack of funds) focus on his story arc and journey. He gets to tell his side and in doing so, do heroic things he didn't think himself capable, and in doing these, he redeems himself.

I never liked the main character in either series. They just weren't well written. Linus and Crais were. Ultimately, that's what I look for in TV and film. Writing and the actor acing it.

I love creating antagonists as much as I do my MC/POV character. If you want your readers to love your bad guys, put in the effort to make them weird, wild, button-down, sexually aggressive, genuinely evil, etc.

[sweetcloverheart]

Clover Rants Miraculously (Warnings for Bible/Script spoilers)

Chloe: *Generally an asshole who uses either money or her father’s title to get what she wants. Mistreats her “friend” Sabrina despite seeming to be unable to get on without her. Harasses Marinette to impede her attempts to get with Adrien while trying to woo him herself (both having little to no success). Mostly gets away with things because the adults on the show are either lazy or afraid of dad, while the kids just treat her as a minor annoyance (despite being such an apparent huge bully that everyone threw a huge party when they thought she was leaving). Gets a character arc that, while not the best written, showed hints of potential character depth and the possibility she might start branching out of her minor antagonist role (be it as a ally to the heroes or a new villain). If actually made to face consequences for her actions (and i mean actual ones, not just “no more Queen Bee for you”) and choosing to reflect, she might possibly have the chance to turn around or develop into a proper major antagonist.*

MLB crew: “Depth? What are you talking about? Chloe’s just evil! Look at how evil she is, with all her evil evilness? That’s why she’s constantly doing evil things. Because evil! Did I mention she’s evil? She can never be good because evil evil evil. She’s evil to the evil and so so evil. Why, she’s even more evil than our main villain!”

Gabriel, aforementioned villain: *Is consistently an incompetent villain (and not even in the fun “Poor little meow meow” way). Shown to revel in his cruelty. Claims to be doing this for his wife yet is inconsistent with his motives. Constantly emotionally abusing and gaslighting his son (who he magical made with the concept of perfect obedience in mind). Has threatened the safety of the city multiple times over jewelry and a manslaughter charge. Uses the magic wish (and cajoling the teenager he’s been harassing and fighting the better part of the year into secrecy) to make it so his son will “remember him fondly” and avoid any consequence to his villainy. Literally requires his assistant, his nephew, and the aforementioned “evil girl” to even succeed in some of his bigger plans. Willingly chooses to continue being a villain even when the chance to complete his goal appeared, and then chose death via magical corruption over facing judgement for his crimes*

MLB crew, wiping tears from their eyes: “Oh that poor poor man. Look at how he struggles with his clearly morally grey choices. Can’t you see how broken up he is as he cackles evilly over our distraught heroine? How could you possibly expect us to punish this amazing, upstanding hero when he’s sacrificed so much so he can continue controlling his son’s life and bring back his wife who he’s obsessing over. Why can no one understand that he’s simply a desperate man who just loves his family!”

[fangeek-girl]

My very biased review of the Ahsoka finale

This might thread down the unpopular opinions road. It's all right. That's what opinions are for.

Let me start by saying that I didn't like most of the finale. I had a grand total of 2 scenes I enjoyed: Ezra reuniting with Hera, and the very end scene with Hayden (shocker, I know).

I didn't like most of the show in general, mainly because of the whole clusterfuck with Sabine being trained as a Jedi. I hate it deeply because it undermines Sabine's worth. She was already a great character. She didn't need to be made better or more powerful by becoming Ahsoka's apprentice. She didn't need to suddenly develop Force-sensitivity. The cool thing with Sabine was that she was NORMAL. Yes, she was a Mandalorian and skilled with blasters and explosives, but she was a regular person. She was a non-superpowered human in a galaxy where heroes were known as having superpowers. That's what made her so interesting in Rebels. And this whole season she was at her best when she switched back to what she knew: guns and bombs. Her best scene in the finale (imo) was when she crashed the ship and took 2 TIEs with it. That's who Sabine is.

I'm also mad at how little information we had on Baylann and Shin. They were depicted as the main villains in the beginning, but we never got their back story. By the last two episodes they're discarded to make room for Thrawn, which I understand, but we still don't even know who they are. What's their story? Where did Baylann come from? How does he know Anakin? How did Shin come to be his apprentice? And the worst part is we won't ever get clear answers because Baylann as he was in this season cannot be in the next due to what happened to Ray Stevenson. So this is just a loose thread. And the way it ended doesn't give me hope for Shin either.

Midway through the show it feels like Filoni had a shift and stopped caring about this being the Ahsoka show and just making it a setup for his Thrawn movie. And I hate it. I hate when film and showrunners make what should be a stand-alone (in a previously established universe) into a prequel. It's the crap Marvel did and now Star Wars is trying really hard to copy that. (Yeah I know, it's Disney. Pisses me off all the same.) This show was called "Ahsoka" for fuck sake! And by the end, it was the Thrawn show. We had an entire episode (1x06 Far, Far Away) without Ahsoka in it, except for like one scene in the beginning. Can you imagine a Kenobi episode without Obi-Wan? An Andor episode without Cassian? It makes no sense! It's the same kind of bullshit they pulled with BoBF when it became The Mandalorian s2.5 halfway through. Yes, it progresses the overall story, but in a way to set up something else instead of focusing on your main character.

In the same vein, I hate how Jacen was set up in the beginning, then discarded, how we never even saw Zeb and Agent Kallus, how Hera just became the way to tie Ahsoka back to the New Republic, how Senator Xiono could have been a good antagonist but ended up being an asshole without substance... There were too many things set up for a show this short and most of them ended up fizzling into nothing.

Now, I did like the Anakin parts. Yes, that's because I'm a Hayden stan through and through. Put him anywhere in the GFFA and I'm a goner. The World Between Worlds scenes were absolutely phenomenal, and probably why I'll rewatch this show again. Sorely because of Hayden (although Ariana was incredible too in the TCW scene). His Anakin brought this whole show to another level. No shade to Rosario, I love her. But this show didn't do her justice. Especially not next to Hayden when they had them sparring. The rest of the show I was disappointed in all of her fight scenes because how can I believe the girl who trained under Anakin Skywalker is so slow? They, probably without realizing it, built her up to fail. And it bothers me because we know from the animated series that Ahsoka is amazing in a fight.

I also appreciated the zombie troopers. The rest of the Dathomir storyline is a bit muddy and I'm not sure I love it, but I guess I just have to wait to see how they try to make this fit post-Jedi Fallen Order/Survivor.

I don't even know where I'm going with this by now. I just... I wish this show had been different. The ending is kinda making me cautiously excited for Thrawn. (But only if they bring in the Chiss Ascendancy and Eli. I need my Thranto fix in live action, thank you very much.) There's also all the little easter eggs of Mortis that make me wonder if they didn't pull a Lost and they're all just dead (which I would respect a lot more than whatever else they seem to be building on).

In the end, I am deeply disappointed in what the show ended up being. Apart from a few moments, most of it was "meh" at best for me and I mourn what could be if Filoni stopped trying to make all his female OC the biggest badass that ever was and one-up one another.