#ed/wrath

[the-catmans-offical-2]

I wanna ramble about Ed/Wrath (Wrathfull) so much so I'm gonna.

A lotta people I've met have been seeing Wrath as related to the Elric brothers bc of his relationship to Sloth - but I gotta say that I personally don't agree with this.

Yes, Wrath does later state in episode 47 (before killing Lust) that he's going to take everything Edward loves (even though he doesn't want Al, he doesn't want Winry, he doesn't want anything - except Ed's limbs/body and a maternal figure.) Yes, Wrath clings to Sloth, calls her mommy/mama and sees her as his genuine mother.

But you HAVE TO realize it's not reciprocated, and even then - a clear point shown with the homunculi - she's *not* Trisha. She is, but she isn't; She once was, but is no longer her. Just like how Lust is no longer that Ishbalan woman that Scar's older brother once loved, just like how Wrath is no longer that infant Izumi miscarried. The homunculi were ONCE human, ONCE those those people - but they aren't anymore. Anyway, back onto the topic at hand, Sloth doesn't feel any maternal love, she doesn't allow herself to express it nor feel it; A huge part of her character is being apathetic, is changing herself and not allowing herself to chase the frivolous dream of being who she once was - which was a loving mother.

Sure, she let's Wrath hang off her and depend on her - but that's probably to help keep him in check so he'll listen better to Dante and whatnot, because she can easily ACT maternal, but not express it.

So yeah, that's my clarification. Ed and Wrath (And Wrath and Al) aren't related in anyway (even if Wrath did say "she was your mama too", in ep 48 after Sloth was killed and Al was kidnapped).

Also, as an additional clarification - yes, as I've posted before, I do genuinely think that Wrath ages. So in CoS he'd of been 17-18, and in the end of 03 he'd be 14-15. (Ed is 18 in CoS, and 15-16 at the end of 03.)

NOW, with all of that out of the way, here's why I ship this ship; And why I think I may be one of the only people that ship it.

THEIR FUCKING RIVALRY IS AMAZING; This may honestly be one of the only ships I ship that involves them being straight up rivals. They hate each other (or so they think?) - Wrath wants to deprive Ed of his limbs, while Ed just wants his limbs back and deprive Wrath of his (temporarily.)

They're two sides of the same coin, their goals are similar - to regain or gain human body parts in order to complete their individual goals; They both yearn for maternal love, they both are just kids.

But unlike Ed, Wrath is playful and childish - Ed had to grow up fast in order to survive and take care of his brother.

But unlike Wrath, Ed isn't as carefree and trusting to the world.

I dunno, they're just so UGH they make me sick.

Ed clearly is unsure of how he feels about Wrath - at first he's jumping on him and fighting him for answers, being aggressive and trying to kill him, and then he seems to just give up on that; He let's Wrath throw him around, punch him and strangle him. He let's Wrath scream and yell, and cry. He even catches Wrath and gives him a look over after Envy kicks him in the warehouse!! AND on top of that, his reaction to Wrath's death in CoS hits me HARD.

In this scene, I'll maybe get the specific translation later, Ed remarks about how he's surprised that Al got out of the underground city - and Al replies that Wrath showed him the way out, to which Edward questions by saying Wrath's name and Alphonse simply says that he used Wrath to open the Gate on his side. LOOK AT THE DESPAIR HE HAS; And yes, this could be just at the fact Al had to take a life - something Ed never wanted Al to have to do - but I see it as both. ESPECIALLY WHEN ED BRINGS UP WRATH LATER.

Meanwhile, Wrath seemed fearful of Ed at first - likely due to how he'd attack him at first and question him so aggressively - and then calm around him; Before reciprocating Ed's violent behavior. That violent behavior then turning to grief and despair, before Wrath seemed to become an ally for Ed a bit too late - hell, he was fucking SHOCKED when Ed died.

In this scene he only said "he's.. Dead" in the English dub - and he sounded so sad :( Then in CoS, as we all know, he tells Alphonse that he doesn't want to see him sacrifice his life for Ed's again - and very likely doesn't ever want to see the reverse again! I don't think Wrath was solely upset about Sloth during the whole four/three years before CoS took place - especially since he begins to miss Izumi - I think he was absolutely fucked up about Ed. ESPECIALLY SINCE he and Rosé were the last to see Ed alive, they didn't try to stop him, Wrath couldn't bc he was down two limbs and Rosé had to get her baby out of there and Wrath - it must of broken their hearts :(

But yeah! I ship them, and I have never seen any fanart of Ed and Wrath being shipped together, never seen any fanfics - and this really, really surprised me ngl.

If anyone ever does see ship content of them please lmk!! It'd be very much appreciated, I will go insane.

Uhh, that's all I gotta say ngl. If anyone has any questions just ask, my ask box is always open.

[ladytoallthelambs]

The basic idea behind the au is what if Edward wasn’t transported to the other side of the gate after reviving Al. With his brother not being missing/dead, I wanted to imagine the sort of other “protagonist-y” outfit Al would wear instead of his conqueror of Shamballa fit. Besides that, I think the general plotline would be Ed and Al visiting old locations to try and get Al’s memories back as well as tie up any other loose ends from the series.

[sincerestpumpkins]

FULLMETAL ALCHEMIST - E.48. Goodbye Aired 20 years ago, 09.11.2004

[jojojooo33]

possible designs for theoretical pins

[sassydefendorflower]

I do find it very interesting how differently Scar's and Roy's violence against Edward is viewed within the fandom (and partially the narrative).

There's two specific instances I am thinking of (some of the other happenstances of violence play into different dynamics better discussed at another time).

The first one is the legendary first encounter between Scar and Edward. He only finds them because some military employee uttered the name "Fullmetal" while the State Alchemist killer was prowling East City and he hunts them down the same he would have hunted down Roy or Armstrong or Grand Basque.

And then he almost kills Ed - because of what Ed stands for, no matter the fact that he's a child. By his own admission later in the series, Scar is blinded by hatred and vengeance at this point. It doesn't matter that Edward is fifteen. It doesn't matter that Edward never set foot into Ishval, or that Resembool was bombed during the war.

What matters is that Edward is a symbol in Scar's way.

The second instance is something less often discussed, but something just as - if not more - interesting to me.

Because this is the scene where a - wrath-stricken - Roy Mustang threatens to burn Edward should he not release the object of Roy's fury.

And it's not a funny scene. In the story we've just seen just what exactly Roy is capable off. We've seen him burn eyes and ears and tongues, we've seen him enjoy it. And blinded by his personal need for vengeance we see him threaten an ally (maybe even a friend) with severe bodily harm, maybe even death.

Just as Scar almost ninety chapters (49 episodes) earlier, Roy is willing to kill a child because he is blinded by hatred.

And it's fascinating to me. Because of course Scar and Roy are parallels to each other - at least in this part of the story. Throughout the entire story, both men circle Wrath - the humunculus, the Fuhrer, and their own fatal flaw. It is no coincidence that Roy is shown in direct contrast with Bradley during Ishval, just as it is no coincident that it is Scar who finally strikes him down with the help of some godly intervention.

Both Scar and Roy have to overcome their wrath specifically as part of their story arc to fulfill their character development. Which is why Scar is the only one who doesn't outright condemn Roy for wanting to torture Envy - he understands the need, just as Hawkeye understands that Envy has to die either way. He just also understands what this kind of fury does to a person, has witnessed firsthand how it almost cost him what little community he had left after the genocide - and how giving up on this all-consuming vengeance (without forgiving the Amestrian Government or even Roy for what they did) is what allowed him to build a new community and a new future for his people.

Which makes the timing of this scene - and the fact that in both examples it is Edward who almost falls victim to their punishing hands - so intriguing.

Because we meet Scar first. We meet him as an antagonist at the beginning of the story, and the first real impression we get of his mission is colored by Ed's limited worldview and our affection as the reader for the protagonist of this story. As such, Scar's violence against someone who bears no fault for the horrors he suffered seems unjustified and leaves a stronger impression.

By the time Roy snaps (after a long road of character development that seems very heroic but is always tinged with the thinly veiled truth that Roy is ready to snap at any given point) Scar has been an ally for more than 14 episodes. Scar has already found redemption in the eyes of our heroes by meeting Winry and finding closure.

Roy on the other hand has accompanied us, the reader, the viewer, as a cunning hero with a dark past. The charming, suave manipulator with a heart of gold. By the time he threatens to murder a child, THE CHILD even, we view him as our friend. We trust him.

As such it is easier to forgive him for what he almost did.

And I think that's fascinating. Because if we look at it bare-boned, there is little difference in what happened: they both almost killed/harmed Edward but ultimately didn't (they were both stopped), they were both driven by hatred and vengeance, they were both enacting "justified" revenge on the wrong target, they are both allies for a large part of the story, they are both driven by the same motive (revenge/Ishval) - and yet, it often seems as if Roy's attempted murder is forgotten, while Scar's dictates how half the fandom interacts with him.

Part of that is due to the placement of these scenes - it is Scar's introduction, and Roy's third act culmination of his character arc - but it is still something I think about.

Because it is integral for Roy's character (and the reason why everyone tried to stop him from torturing Envy further) to understand that he was willing to kill Edward so late in the game - just as it is integral to understanding Scar's character that he quickly abandoned his senseless hatred of Edward (though I doubt they would ever be friends) and instead is part of the group that stops Roy from enacting his revenge.

They mirror each other, and if anything, Roy is the one who had a character deterioration arc before he pulled it back around in the last minute.

Scar is a classical anti-hero, someone with a narratively linear path towards healing throughout the story. But just because Scar starts as an antagonist, doesn't mean that Roy was meant to be a true hero.

Both their vices is Wrath, only Roy faces his way later in the game. Only Scar embraced moving forward first.

[bitchboi-gogurt]

I-

i made this...

then i was like "why exactly do people meme on ed sheeran? it it just his face??" cuz like, i've never really engaged with the sheeran's content

went on youtube cuz apparently he's a musician click on ""Thinking Out Loud"

"When your legs don't work like they used to before"🎵🎶~

anyways, happy early (depending on where you are) chunter monder

[stackslip]

ep 38-42 of fma 03 has very obvious budget and time issues to the point of silliness at times and yet it might be one of the strongest and thematically focused span of anime episodes ive seen since fucking utena

[weatheringtea]

Sketch compilation from the last year and a half while I wrote the final third of my FMA03 fanfic.  The fic follows Ed and Al after they get on their trains at the end of ep51 and a completely different story happens.

He Who Searches for Himself - AO3 | FFN

[boatemboys]

uuuhhghhh that picky eater post is making me think about stuff again. no making me sit at the table for hours until i finished didnt make me not picky it just made me want to kill myself over eating

[wickedcriminal]

I had a vision that Wrath would look cool in Ed's black getup so here's Wrath casually stealing Ed's stuff while staying with the Rockbells for automail rehab

because. I mean it's not like Ed's coming back for it

[the-catmans-offical-2]

Another drawing produced by smth @f15hyw15hy said

Idk what else to say with this

[ladytoallthelambs]

A bit of a lil silly 2003 bad ending au I’ve had floating around in my brain for a while

[sincerestpumpkins]

FULLMETAL ALCHEMIST - E.29. The Untainted Child Aired 20 years ago, 04.24.2004

[makiswirl]

twitter requests fo today (❁´◡`❁)

[daifha]

something about the fact that Izzy thought he was in love with Ed who did nothing but take from him - like hiS FUCKING TOE - and wanting to be loved back so much.... and the crew GIVING HIM A FUCKING LEG, showing him what love really looks feels like (really, any kind of love)... I'm too emotional to deal with these bitches

[norellenilia]

I am SO MAD that Izumi is considered Ed and Al's motherly figure. She's so mean to them: she speaks to them very harshly (this may be different in other dubs, but in french she uses a very angry tone when she speaks to them, when they're younger or even when they're having lunch in Dublith and she says to Ed "Eat!" with a very pissed off voice), she punishes them by violently hitting them (and we're not talking slapstick humor), she scares the hell out of them... She's very, very abusive.

And what also struck me in episode 27 is that she speaks very gently to the other kids, like she's very calm with the boy who broke his toy train and rudely says that her mending looks weak, she patiently berates him, and when Ed asks a question that, yes, is a very touchy subject for her and she knows she must prevent Ed from even considering the idea of human transmutation, she just punches him. I know this was during a training session but what was the point?

And don't get me started on the scene where she beats them up after they tell her they tried to bring their mom back to life. I can understand a slap out of anger or fear, Maria did this to Ed but she apologized right after, here we have none of that, she just beats them up and never apologizes, in a scene that is in no way meant to be funny. She beats them up after they finally decided to tell her what happened to them (and to me, the fact that they were literally too scared to tell their "motherly figure" what they had done, to seek help, advice, or just have her presence, tells a lot), Ed gets ready to get punched again but she hugs them and they lean into the touch because it seems like it's one of the very rare occasions when she actually shows affection towards them.

That, to me, is typical of abusive relationships. You get all the negative things, the beating, the yelling, the contempt, but then there are the good moments, like her stroking Ed's hair after putting a bandaid on his nose, or the hug of "comfort" after they tell her of their trauma, so you're ready to forgive the rest. And of course they're gonna accept that hug they desperately needed from her, she IS indeed the closest they had to a mother after Trisha's death.

I also remember that later, during a fight with the chimeras, she says, "I can't let any of my children die again" when she fights to protect Ed and Al, to show us that she loves them as her own children.

But if you love your child, you don't hit them. Plain and simple. I don't care if you stroke their hair or hug them afterward.

I really don't like how she's portrayed.