#easy acrylic painting on canvas | Explore Tumblr posts and blogs

vesora · 2 years ago

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there is no past

ive been avoiding making posts because all the info u need is already posted but i saw making this post in a 'dream' so might as well

so what exactly is the past? it is an event or experience that precedes the present time.

however if you have been in the loa community for long you may have realised that the only time that exists is now. i had mentioned this briefly in a previous post but i will expand.

the past and the future are concepts made up of thought and false identification. there is essentially no proof of your past existing except from in your mind. therefore how can we be extremely sure that the past actually exists and it's not something we made up?

there is no difference between an 'imagined' past and a past you think you experienced. they both exist in the mind. it is your false identification with an illusory past that makes you believe that what you see in the '3D' is real, when in fact if you choose your 'past' to be different, the '3D' will 'change' accordingly. this is why neville introduced the topic of revision. everything in this world is malleable. the only reason you see the world as solid is because you assume it's solid. if you believed it was liquid, then it would be liquid. there are no objective facts in this world, only what YOU as the creator deems to be true.

isn't this incredibly liberating? nothing from your past holds you back, because it doesn't exist except in your mind! and guess what? YOU are in control of your mind so you can have your desired past where you experience the things you want to and which reflect on the present day.

every moment is a moment you can start afresh. every new moment is a moment you are liberated from your subconscious habits. destroy what you do not want to experience and let it be destroyed. do not come back to it, it does not exist. maybe your ego wants you to revisit it and you become trapped in the clutches of your own mind and your reality becomes a prison, but how silly is that for a God? when you wish to paint, you gather acrylics or watercolours and buy some brushes but without the action of you painting, the canvas remains empty. it remains as it was before because you did not decide to paint. you just stared at the canvas just wishing, hoping, it would change. there is no such thing as 'inspired' action or any of that law of attraction BS. what i am talking about is the act of DECIDING and ACCEPTING that YOU are the painter and the world is your canvas.

don't fall into the trap of just reading posts and understanding it intellectually, apply it. there is literally nothing holding you back, NOTHING. the human body cannot manifest but YOU can. the habits, memories, and thoughts of the mind are illusory. YOU have the power to choose what you want to experience by consciously identifying yourself as the person you wish to be and identify yourself as the life you wish to live. there is no duality, you ARE it now.

although we have said it countless times, leave the world alone. it only listens to your command. it does not exist without you being aware of it, so why not choose to be aware of something you desire? why not choose to be aware of a different past?

there is nothing to do except realise that the human body-mind is illusory. it cannot hold you back. it cannot MAKE you experience something you, as the creator, do not want to.

be free! you are in control. there is nothing outside of you. all is happening within you. you have an abundance of joy and resources within you, access it. live a life you deserve. take life easy. have fun with the human experience. be your own anchor and be grounded in your own power as god.

#law of assumption #loa #manifestation #neville goddard #manifesting #loassumption #self concept #lester levenson

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koutrasart · 4 months ago

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youtube

Ballerina Easy & Simple Acrylic painting for Beginners

#koutrasart #oil & acrylic paintings on canvas #acrylic #acrylic painting #youtube #acrylic paint #acrylpainting #acryliquepainting #acropolis parthenon art #Ballerina Easy & Simple Acrylic painting for Beginners #Youtube

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stopdoomscrolling-cafe · 4 months ago

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painting

hey there! glad you’re back. let’s talk about why painting is such a fantastic hobby. 🎨

painting is a wonderful way to express yourself and unwind. it helps you focus, reduces stress, and boosts creativity. plus, you get to create something beautiful that you can be proud of. it’s like a mini escape from the hustle and bustle of daily life.

now, if you’re ready to start painting, here’s a simple step-by-step guide to get you going:

choose your medium: decide whether you want to start with acrylics, oils, or watercolors. acrylics are great for beginners because they’re easy to work with and dry quickly.

gather your supplies: you’ll need some basic materials like paints, brushes, a palette, canvas or paper, and some water or solvent for cleaning your brushes.

set up your workspace: find a comfortable spot with good lighting. lay down some newspaper or a drop cloth to protect your surfaces.

learn the basics: start with some basic techniques like blending, layering, and brush strokes. you can find plenty of tutorials online to help you get started.

start with simple projects: pick something easy to paint, like a landscape or a still life. don’t worry about making it perfect – just have fun and experiment.

practice regularly: the more you paint, the better you’ll get. try to set aside some time each week to work on your skills.

get inspired: look at other artists’ work for inspiration. visit galleries, browse online, or join a local art group to connect with other painters.

here are a couple of youtube videos to help you get started:

beginner’s guide to acrylic painting by katie jobling art

fundamentals of painting miniatures by goobertown hobbies

happy painting! what kind of painting are you interested in trying first? 🌟

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amorpaints · 3 months ago

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Love at First Paint: A Beginner's Guide to Painting

"Almond Blossom" by Vincent van Gogh (1853 - 1890), Saint-Rémy-de-Provence, February 1890

Have you ever dreamed of being like Picasso or Vincent Van Gogh? If you do, you are looking at the wrong blog because I am far from them. But hey there! I'm Eden Amor, a freshman student and a self-taught artist who just loves to paint.

Art has been my passion since I was a kid, and as I grew older, I fell even more in love with it and started trying out different mediums and styles. But there's just something about painting that really excites me! I started with graphite, then moved on to colored pencils, and even dabbled in charcoal (although I never got around to using those charcoal pencils I ordered online). Finally, I found my true love in watercolors, and I've been obsessed with working with wet mediums ever since!

If you are a beginner in painting (like me, have been a skill of a beginner for years), you can enjoy my blog and get some tips that I learned from my starting journey. But if you are just interested in painting or in art generally, you can still read this blog.

Just a disclaimer: I am no expert and just a self-taught artist. Some things might work for me and not for you, and vice versa, so take this blog with a grain of salt.

LEARN ABOUT PAINTING

Since I am a self-taught artist myself, I never applied for workshops in drawing or painting. But most of my art knowledge is from YouTube tutorials, shorts, and IG reels (I have no TikTok, I don’t know why). I suggest learning about the basics before painting whatever you want because you’ll get disappointed after the result or wondering why everything is not working the way you wanted.

But before anything else, find the medium that you want. Mediums like acrylic, oil, gouache, and watercolor. There might be more but these four are some of the common wet mediums. One thing to address about these mediums is that they all have different properties and the techniques you’ll approach, the materials you’ll use, and the finish or outcome of the painting will depend on the medium.

MEDIUMS

Watercolor

My recommendation for anyone wanting to start painting with no experience is to use watercolors. The only things you need are watercolor paint and water. Unlike acrylic paint, which, although water-based, can get pretty messy and dries quickly, giving you little time to blend and touch up unless you use an acrylic medium called Retarder, which is a medium that you mix with the paint to slow its drying time, but will cost you more. So, as simple as watercolor can be, it's a great starting point for a beginner in painting.

However, watercolor painting can be tricky when it comes to water manipulation. The amount of water your brush holds affects in creating an even layer of paint. The drying time takes hours, especially if you are working in layers, if you paint the still-damp surface too early, you will ruin everything and you cannot cover it up since watercolor is transparent. That is why watercolor painting is done light-to-dark because dark colors cannot be covered by light colors. So planning ahead of time is suggested and should not paint with watercolor impulsively.

Acrylic

If you want to take the next level or just explore other mediums, acrylic painting is great for high coverage and textures. What watercolor doesn’t have but acrylic has is the ability to cover mistakes. In acrylic painting, you can paint on top of a painting, which is great especially if you change your mind or decide to start all over again, as long you coat more than one layer of white paint then you have a blank canvas again.

However acrylic paint, as said earlier, dries quickly which can be a disadvantage if you are a slow painter (like me) and especially if you are making a seamless gradient, which is very difficult to achieve and not as easy as you think. Since acrylic is water-based, cleaning is very easy with just water as long as the paint is still wet. Hardened paints can be peeled off easily but only on smooth surfaces, but if you got it on something like fabric, it will be forever on it.

Gouache

I describe gouache (pronounced as ‘goo-aash’) as a combination of watercolor and acrylic. Because like watercolor, gouache is water-activated paint, which means that dried paints can be revived and used the paint again when wet. And just like acrylic, gouache has high coverage and a thick consistency which is great for texture. But unlike acrylic, which has a glossy finish, the gouache creates a matte finish once the paint is dry and it also dries fast giving you no more time for creating flawless gradients.

I use gouache for mini projects, or creating art trends I saw online, but I don’t recommend it for painting a big major project since it can be smudge once wet, and as of now, I don’t know if there’s an appropriate varnish for gouache so if you have any idea please let me know in the comment section.

Oil

The most expensive of the four mentioned paint mediums is oil paint. However, oil paint creates the most realistic paintings. Despite its high cost, what makes me love oil paint is how smoothly the paintbrush glides, like butter. Blending oil paint is very easy, and you can create flawless gradients between colors. Oil paint has a very slow drying time. For small projects, such as those the size of half a sheet of bond paper, it can take days to weeks to fully dry and be ready for varnish. This slow drying time can be both an advantage and a disadvantage, depending on the complexity of your painting. It allows you to fix mistakes or make adjustments even the next day. Additionally, a small amount of oil paint goes a long way.

Oil painting can be hazardous because it involves flammable oil-based paints, as well as mediums like thinner and linseed oil. While water is used to dilute watercolor, gouache, and acrylic paints, oil paint requires the use of thinner. It's important to avoid washing oil paintbrushes with water, as it can damage the brushes and won't effectively remove the paint. Additionally, it's crucial to store oil paints, thinner, and linseed oil away from sources of heat and fire.

Since I am only new to oil painting, I cannot give much in-depth information about it and if you do please I beg for some advice and tips in oil painting.

Materials in Painting

Painting can be an expensive hobby given that the materials used (especially the branded ones) are not really as cheap as a pencil and a piece of paper. But aside from being a painter, I am also a cheapskate.

I will never buy an art supply that is as expensive as my kidney, UNLESS if it is worth it or I can make money out of it. I don’t really have all the money to buy all the art supplies I want, I am still dependent on my parents and have no job yet (currently at college, 18, and an irresponsible young adult).

That is why I chose to buy art supplies online instead from the art stores near my place. And I think as a beginner, expensive materials are unnecessary because for me an artist should be able to make a masterpiece with his/her skill and not the tools. But that doesn’t mean the quality of materials will not make a difference. So if you are the same as me, you can use my tips.

Paint

The paints I use are not of great quality, but they are good enough. I honestly thought that some of the paints I bought were much better than the pricier ones.

In watercolor, there are two common types: in the tubes and in the pans. The tubed paints have a consistency of acrylic, unlike the ones in the pans, which are hardened. What I have is the Superior Watercolor in pans set. I bought them online for less than $10, and it is a set of 18 colors with a brush pen and sponge included. The quality is great, it is not chalky, and it doesn’t smudge once dried. I spent my money wisely, and I do not regret buying it even though $10 is already a lot to me.

When it comes to acrylic and oil paint, I suggest buying the primary colors (ultramarine blue, crimson red, cadmium yellow), titanium white, black, and magenta only. I highly suggest buying a large amount of white because you’ll need it most of the time. Buying a set is very costly, but with these 6 colors, you can create any color, save money, and at the same time improve color-matching skills, which is an essential skill as a painter. If you wonder why I added magenta, it is because the combination of red and white is not bright enough to be pink or it is just different from the color magenta, and I think having magenta in the collection is a good addition. I used the Mont Marte brand in acrylic and Marie’s for oil paint.

Paintbrush

There are different shapes of brushes: flat, round, filbert, and detail are the commonly used shapes, and it depends on the medium you are using. For watercolor, a round brush is recommended, and a flat brush is recommended for thick paints like acrylic and oil paint. A filbert brush is also a flat brush, but the trim is round, and it is good for painting clouds. A detailed brush is used for small details like painting dots and thin lines or for small paintings. There are more shapes of brushes out there, but having a variety of brushes can be overwhelming. Get only the brushes you need and have them in sizes small, medium, and large. The size of the brush will depend on how small or big your painting is. Using the appropriate shape and size of the brush will lessen your expenses and you’ll learn to depend more on your skills than the tools.

There are cheap but not too cheap brushes available online. They are not branded, but the quality is good enough (like the ones I use), and the bristles don’t come off easily.

Paper

We can paint on anything, but nothing beats paper. However, the paper used in painting is not just an ordinary paper. The thickness of the paper used in painting, particularly watercolor paper, is important so that the paint would not easily destroy it.

Watercolor paper is usually combined with cotton, making it more durable than regular paper or cardstock. The percentage of cotton in the paper varies as the price varies. It is recommended to use 200 gsm paper, which is what I have because it is affordable and good enough to hold a few layers of paint.

However, I highly recommend using 300 gsm paper because the 200 gsm papers I use still curl up or bend and get wavy, which is a hassle when painting. The higher quality, 300gsm paper or paper containing 100% cotton is easier to work with, as I have observed online, even without taping the paper down, it doesn’t curl up. But of course, high-quality paper costs more, so 200 gsm paper is good enough.

If you are wondering why I called the paper used in painting "watercolor paper," it's because you can also use watercolor paper for acrylic, gouache, and oil painting.

There are two types of watercolor paper:

Cold Press - Cold-pressed watercolor paper has a rough texture, which is great for watercolor painting because it gives more depth to the flat painting (water is water, they can't have shapes and textures like acrylic).

Hot Press - The hot-pressed one is recommended for thick paints because it has a fine, smooth surface, which is great for blending smoothly.

Aside from paper, you can also use canvas paper, stretched canvas, or a canvas panel for thick paints. However, since you are only starting in painting, paper is recommended for practice and is much cheaper than the canvas mentioned above.

OTHERS

Masking Tape

Why masking tape? It is used for tapping down the edges of the watercolor paper so it stays put and flat on the surface which makes painting much easier, and also it creates a clean border. You may see other artists use washi tape because they are less sticky and won't damage the paper once it is peeled off, but I think using washi tape costs more, instead, stick first the ordinary masking tape onto your clothes until it becomes less sticky, and then you are good to go.

Mixing Palette

Usually in watercolor paint sets, the lid of the container serves as the palette. However, when using thick paints like acrylic or oil, a better alternative to a traditional paint palette is a picture frame. Mixing paint on a glass surface is convenient for two reasons: (a) it is smooth and does not absorb the paint, and (b) it is easy to clean. Dried acrylic or oil paint can be easily peeled off the glass or scraped with a blade or glass scraper, leaving a fresh and clean surface for mixing. Additionally, the wood or plastic frame around the glass provides protection against breakage and sharp edges.

Towel/Tissue

A used towel or tissue is not only used for cleaning; it is also mainly used for soaking up the excess water on a brush or for wiping off the excess paint. It is very handy, so you should always have it by your side while painting.

Jar

A brush washer is a must-have for painting. This is where you wash off the paint with water from the brush. You can use an old cup or jar as a brush washer instead of buying the fancy ones which is unnecessary. I prefer using a jar because it is heavier than a regular plastic cup, which prevents it from tumbling or spilling.

Here's a tip I learned from YouTube: use two brush washers. When you wash your brush once in a single container, the water gets muddy. This can make your fresh paint muddy when you switch colors. To prevent this, wash your brush twice: once in the first container and then again in the second container. This ensures that the water picked up by your brush is clean and not muddy.

ART STYLE

Early in my painting journey, I started practicing by painting scenic landscapes because they seemed easy to me. Of course, I overestimated myself. So I continued practicing more. Painting nature has grown on me, and I realized that my genre is landscape painting. The good thing about it is there is less structure unlike a portrait of a person, and shapes are organic so I will have no problem with imperfections.

However, I still don’t have the ability to create my own work. I still have to watch tutorials online to have a guide. Most of my artworks were tutored by the artists I follow. Once I start painting with just a reference from Pinterest, I tend to get lost and suddenly don’t know what to do. I end up not continuing the work, which is a waste of time, energy, and material.

Lately, I returned to working with watercolor, but instead of nature, I used a reference photo of a person as a subject. Sketching the face first is my least favorite part, because if I mess up sketching the face, the whole painting is also a mess. Most of my subjects are K-pop idols, especially BTS, because I am also an ARMY! Working with faces is difficult but once you succeed, it is all worth it.

Social media has highly influenced my art style. The fact that I get envious whenever I see new art trends gives me a push and inspires me to continue doing my art and explore more.

Check Out These Artists I Follow

Correa Art

Youtube: https://www.youtube.com/@CorreaArt

Instagram: instagram.com/correaart_

Jess Chung

Youtube: https://www.youtube.com/@JessChungArt

Instagram: instagram.com/jesschungart

Emily Mackey Art

Youtube: https://www.youtube.com/@EmilyMackeyArt

Instagram: instagram.com/emilymackeyar

Genelyn Sandaga

Youtube: https://www.youtube.com/@GenelynSandaga

Instagram: instagram.com/genelyn_sandaga

Socials

If you want to know more about my art, you can visit and support my two Instagram accounts:

@ChiliCheeseLover

@paintwith_amore

💜💜💜

If you have feedback to share, please do! I am eager to hear your thoughts. If not, kindly give this blog a heart; it is greatly appreciated!

💜💜💜

#artwork #painting #artists on tumblr #landscape #drawing #paint #acrylic #acrylic painting #art blog

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leighsartworks216 · 3 months ago

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Self-Portrait of the Soul

Rafayel & gn!artist!Reader

Been playing around with this idea for a while, mostly cuz I think it's funny. But I also think it would be really cute if Rafayel went on to date an artist

If Thomas is mischaracterized, idc. I am using him as a vessel to move things along. If Rafayel is mischaracterized......... I have no excuse 😔

Warnings: mischief, heavily implied exploitation, misunderstandings, pre-relationship, possibly ooc

Word Count: 1,279

Main Masterlist

Love and Deepspace Masterlist

AO3

Tag List Form (Psst fill this out to be tagged in future fics! - Updated to add Rafayel)

You look up at the large painting on the wall. Acrylic paints hold each brushstroke in a suspended image, frozen in time. Even the carefully blended sections hold the evidence of their creation. A sheet coating of varnish makes the colors pop into a stunning vibrancy.

You’ll be the first to admit, it’s a bit experimental. The colors are chaotic and poorly laid out when compared to artists like Piet Mondrian, with seemingly no limit to the palette used. Your agent had been hesitant to put it in the exhibit at all, but you’d insisted. Now that you’re in the thick of it, you watch people in suits barely give it a glance as they pass from one painting to the next, and hear the occasional snicker from art snobs who only really like art when the artist is dead.

The rest of the works are ‘safe’, staying within the realms of comfort for buyers and gawkers. But this one… It’s the only one that sings to those willing to listen.

“There’s not many people appreciating this one.”

You jump a little at the voice that comes from beside you. A man, dressed in a simple but expensive suit, stands with his hands in his pockets as he looks at the painting. His purple hair and relaxed posture make him stand out like a sore thumb in a place like this.

He tilts his head to look at you, smiling. “Do you like it?”

Stumbling over yourself, you nod. Nobody has spoken to you about your work yet tonight. You can’t let the opportunity go, lest your agent get on your case about it. “Y-Yes, it’s my favorite.”

“Really?” There’s a twinkle in his eyes as he looks back up at the piece, and then glances at the other, markedly more popular, works around it. “Huh, how come?”

You glance at the other works, too. They’re just as familiar as you remember them.

Looking into the eyes of a portrait, you can recall the struggles of getting it just right so the figure is easily recognizable. The realistic painting of a cat stalking a mouse brings to mind the mind-breaking efforts of painting fur strand by strand. Most of the works are like that; easy-to-grasp realism, depicting things people would be interested in buying. A koi fish distorted by the ripples in a pond. Water droplets on a foggy mirror. A sunset. Each one with their own agonies, recalling only the pain of their production. Your agent’s voice repeating time and time again that this is what it takes to get into a gallery and have people be interested.

You look up at the big painting and all you feel is pride, peace, and like a burden has been lifted off your chest.

You settle for a more sophisticated answer. Your agent always said not to ruin the image of an artwork by pointing out the rough details. “Well, while the others are all technically correct, this one has more emotion and passion behind it.” You look at him, biting your cheek, hoping you answered ‘correctly’.

He cocks his head to the side, taking in the emotion and passion you mentioned. “It’s my favorite here, too,” he finally says after a minute. “It’s more genuine, like you said. The rest are all surface level and boring. They exist to appeal to a wider audience, but they don’t feel true to the artist’s intentions. Here, it feels like the artist has transcribed their soul onto canvas with each color and brushstroke.”

Your heart flutters. He… He really sees past the exhibition. He sees more than the price tags and art collectors.

He turns to you with that same relaxed grin, though something playful dances at the corners, reflected in his eyes. “Their whole soul is here, but nobody seems to care about it. Ironic, huh?”

You nod slightly. You can’t deny it; the most important artwork to you has become reduced to amateurish abstraction by the other attendees. You’re more certain now that it will not be purchased tonight. “Yeah…”

A hand taps your shoulder. You turn to see your agent, an older woman with dyed brown hair pulled into a tight bun and thin-framed glasses perched on her sharp nose. “There you are! I’ve been looking all over for you!” Your agent huffs with barely-contained irritation. She smiles quickly at the man, no joy behind the gesture. “Madame Shrike wants to talk to you about commissioning a portrait! Come on, we can’t keep her waiting!”

A commission? Your heart skips a beat. You can’t tell if it’s from excitement or dread. Your agent grabs your arm to drag you over, but you stop to turn to the man. “Oh, I’m sorry, I have to go! But it was nice talking to you, Mr…?”

The man’s eyes widen slightly, the realization of who this art belongs to catching up with him. His smile doesn’t falter despite the surprise. “Rafayel.”

You smile in return. “Thank you for your observations, Mr. Rafayel. I hope you enjoy the rest of your night.” You turn and follow your agent with hurried footsteps as you struggle to keep up with her rapid pace.

Rafayel turns back to the painting. His eyes roam the colors, trying to seek out the layers to this self-portrait of the soul now that he knows just who it belongs to. Thomas sighs as he comes to stand beside him.

“Thought you snuck out again,” he says. He looks up at the painting with disinterest. The only reason they were there at all was to rub elbows with potential buyers for an upcoming exhibit. “Have you spoken to anybody at all since getting here?”

Rafayel smirked, like he’s just been told some juicy gossip. “I have, actually. I spoke to the artist being shown tonight.”

“Really? What did you say to them?”

“I insulted their art.”

Thomas’s face dropped immediately. “What?!” he hisses in a stressed whisper. “Do you have any idea what that could do to your image?!”

Rafayel’s eyes widen as he blinks dumbly at his manager, pretending to be shocked as he puts a hand over his chest. “I have no idea. How?”

Thomas shakes his head and turns back to the colorful painting. “You’re insufferable sometimes.” Rafayel chuckles to himself, all too proud of his little joke. “What did they say?”

There’s a bristle from the brush you were using caught in a stroke of red. He wonders what they’re made out of, where you got them, how long you’ve had them for. He wonders how many more bristles he’d find in the rest of your work.

Ignoring Thomas’s question completely, Rafayel says, “Buy this one for me, will you?”

“This one? Isn’t it a bit… ‘rough around the edges’?”

“It’s the best painting here.”

“... I’ll never understand you.”

By the end of the showing, you expect all but one painting to be missing from the walls. Instead, once everything was taken down to be wrapped for various buyers, the walls were blank. Your manager gushes at her phone.

“You did really well for your first ever exhibit!” she praises. “Every single painting sold! Even your… ahem, experimental work. That doesn’t happen very often! You should feel very proud!”

You smile at her, but it doesn’t reach your eyes. She doesn’t notice. You can’t stop staring at the big empty spot where you’d spoken to that man.

“Okay! Now that you’re in, we need to start networking. There’s an exhibition next week for Rafayel that will be packed with more critics and connoisseurs than you could shake a stick at.”

You turn to her, eyes wide. “Rafayel?”

#fanfic #fanfiction #rafayel #rafayel x reader #rafayel & reader #love and deepspace rafayel #lads rafayel #lnds rafayel #love and deepspace #love and deepspace x reader #lads #lads x reader #lnds #lnds x reader #gn reader #x gn reader #gender neutral reader #x gender neutral reader

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