#don't tell me what to do and I won't do it out of spite

[scurvgirl]

Kissing Crows

I think Rook and Lucanis should kiss more. Minor spoilers for Lucanis's arc. (Rating: T) Rook is not specified other than using she/her pronouns.

There should have been a kiss after A Murder of Crows. I fix.

--

Rook could have sworn there was inuendo laced within Lucanis's words when he insisted they depart from Villa Dellamorte. "I have plans." Her entire body, aching from fighting Venatori, tingled at the thought. A girl could get by on heated glances, near touches, and a near kiss only so much after all.

When the team arrived back at the Lighthouse, Lucanis insisted on changing into his off-duty attire (she refused to call a waistcoat more comfortable - comfortable was worn leather, soft fabrics, not buttons and ties). She got that - blood got stinky if not tended to quickly enough and she could only guess how hot his leathers got with all the buckles and straps and dramatic swoops.

She figured he'd find her afterwards. He did not.

So, Rook left her quiet meditation room and headed for the larder. She found him in his natural habitat - in the kitchen, brooding over a cup of coffee.

Truly.

She poked at him. He smiled, then made a vague reference to how she was important to him. Nothing outright, of course, that would be too much.

Her heart sank as he seemed content to return to sipping his coffee. Well. That was that. First Talon and he just wanted...coffee.

She turned from him, about to walk away when...no. No. This was absurd! He either wanted to be with her or he didn't and she was over these suggestions of more. She didn't want a suggestion, she needed a confirmation.

Rook turned back to him and maybe a bit of her irritation showed on her face because Lucanis raised a brow,

"Rook?"

"We have been through some tough shit together, Lucanis. I've helped you and now I need your help."

He leaned forward, immediately concerned, "What do you need of me?"

"I need you to tell me why two people who are clearly attracted to each other, who respect each other, who want to be with each other...aren't with each other. Because I've made my desire known and for a moment, in the larder, I thought you did too but..." Alright, she was running out of steam and it didn't help that his face had morphed from shock to embarrassed pain.

"I did. Do. It is complicated."

"Explain."

"Spite...it is one thing to be with me, but Spite..."

"You're worried about me fucking the demon in you?"

He coughed, blushed, recoiled in the least graceful move she had ever seen from him. It only endeared her more to him.

Before he could recover enough to respond, she was stepping forward, "I have seen you, all of you, and Spite. I have walked in your mind, felt your heart, fought beside Spite, helped Spite. He does not worry me."

"How? If I lost control while we...I cannot let that happen."

"Then we set the expectation with Spite. It's not like he can't be reasoned with. Watch."

"You cannot seriously -

"Hey, Spite. Spite!"

"Smells like beans and desire!"

"You bet it does. I want to make a deal."

"A deal?"

"Yeah. When Lucanis and I are intimate together, you let him run things in the body, full stop - no manifesting."

Spite's face twisted into disgust, "Why would I do that? I don't. Taste flesh."

"So you agree you won't manifest if I kiss Lucanis?"

"No! Too much!"

"Great. Lucanis!"

Spite receded as a very perturbed Lucanis pushed through - purple fading from warm brown.

"Rook."

"Lucanis." She was on him in a second - knees suddenly beside his thighs, hands gently cupping his face as she leaned down. He didn't turn away.

He smelled like coffee and he was so warm. His beard and mustache tickled but she didn't mind. Instead, she moved her lips over his, feeling his warmth and taking in every moment.

In the end, it was Lucanis who opened his mouth first. The kiss deepened with mutual sighs of long awaited pleasure. Her body relaxed more firmly against his while his hands ran up her back. She tasted his coffee, his heat, the slight tingle of electricity of his possession, but most importantly - she tasted him.

They broke the kiss to breathe only to find themselves liplocked into another kiss - this time with Lucanis guiding her so that her head rested with the cradle of his elbow while he plundered her mouth his his. His fingertips grazed up her jawline. Her hands sank into his long hair. And they kissed and kissed and kissed until their lips were reddened and their eyes hooded with amorous affection.

She smiled softly, trailing a finger down his jaw, "Congrats on becoming First Talon."

Laughter, pure and simple escaped him. "You are a wonder, Rook. Thank you." He kissed her again.

[justaproshipwatermelonnerd]

"Please do not ship them they're siblings-" And then suddenly I crave to do it even more because someone told me NOT to.

[lilacerull0]

i feel like reading/watching mbf immediately means knowing who i am as a person and... i cannot allow this

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[clanwarrior-tumbly]

Sebastian (Pressure) fluff. I need it.

"I gotta ask, do you have personal beef with those Squiddles? Because you sure like harassing them with that light of yours."

"I don't do it on purpose! If that damn Angler stopped killing the lights in every big room, maybe I could see my own hand in front of me!" You scowled up at the sea creature while standing in his humble shop.

Why was Sebastian always taunting you whenever you died to something unexpected..only to act all friendly-like in this place?

Well, you had to be grateful he was the only thing down here that wasn't trying to kill you, and that no other monsters could barge into the shop when you least expect it.

So for once, you could breathe easy..

Until he decided to remind you of those creepy squids who were somehow always in your way.

He must get a kick out of watching you perish.

"Oh of course, blame everybody except yourself." He tsked. "You have more than enough clues on how to survive each creature you encounter...but maybe they should've spoonfed all the details to you instead-"

"I don't need this from you." You huffed. "My damn hands are cramped from holding a locker shut against Pandemonium, Eyefestation gave me a killer headache, nobody bothered to tell me about the people in the walls-"

"And don't forget about those Squiddles, hehe."

Silence.

"Okay, okay. I've had my fun. I'll shut up about them now."

"Thanks. You have any medkits available?"

"Right on my tail, buddy. Hope you got enough data."

"More than enough." As your eyes surveyed the items strapped to his tail, they eventually wandered over to the desk with batteries laying out.

But it wasn't them that caught your interest, but rather the file on the table. 'How curious..is this for a monster I'm gonna meet soon?' You went over to investigate.

"Is the document for sale?"

"Wow, you might be the first to ask me about that and be able to afford it! The others before you barely had enough for a flashlight." Sebastian chuckled, clasping his hands together. "If you're interested, give me a thousand data, and I'll have it ready for you to read when you return to the surface. And don't worry, it's all there. So I won't have to kill you to to reveal any information."

You blinked, realizing what he meant by that as you read the folder's cover and why he was asking so much for it.

Sebastian's Document

Of course, you knew he'd be recognized as a specimen, too, but to be put with Pandemonium, the Anglers, and all those other monsters that tried to eat you alive?

For some reason, it made you frown a little.

"This is your file, and they let you keep it?" You turned back to him.

"...I stole it. And I'm not gonna lie...I regret reading it." He muttered, suddenly looking a bit tense..and sad, even, although he was quick to mask any signs of vulnerability when he realized you were staring. "Anyways, it's a steep price. I'm sure you'd rather spend your assets on-"

"What if I buy it and take it off your hands right now?"

For a moment, his ear fins perked up with surprise, glowing eyes widening. But he was quick to give you a suspicious gaze. "Really? You're that nosey about my lifestory? Pretty weird if you ask m-"

"It's more of a courtesy to you."

"Huh? What do you mean?"

"I mean..you look like you're carrying a heavy weight just from that folder being there. You haven't stopped looking at it since I mentioned it." You pointed out, seeing his ears twitch again. "You've always told me "out of sight, out of mind" with the Anglers. Couldn't I say the same about you and that document?"

".....using my own words against me, eh? What're you, a damn psychologist?" He teased, although his words didn't hold as much spite or sarcasm as usual. "But no, you're right. I'd rather forget about it forever. So if you want it that badly, be my guest." His third arm made a grand gesture towards the table. "Just don't get caught parading it around. And don't come crying to me when you realize you needed something else instead of-"

"I won't, trust me." You exchanged the data, taking the folder. "I'll be on my way now. I got a crystal to find."

With that, you began ducking down to renter the vent and continue your journey into the abandoned site-

"Hey."

You paused and looked back at Sebastian, tilting your head as you wondered why he seemed nervous again--wringing his hands together.

"Um..thank you, genuinely..for taking that off my hands." He cleared his throat, sweeping back his dark bangs. "I hope that whatever you find in there doesn't..get in the way of our "partnership". I'd hate to lose my number one customer."

Nodding, you gave him a reassuring smile. "You won't lose my business, Seb. That I promise."

"..now hold on we aren't THAT close to start going by nickna-" He began to snap, but you've already disappeared into the duct. "Aaaand they're gone...hmph..well..least I don't have to worry about that anymore."

Sighing, he looked around the shop, wondering what he should do now.

What you did was certainly a nice gesture.

He only hopes you'll keep your promise and not be afraid of him.

[harunayuuka2060]

WHB Series #1 (Cont.)

MC: *ended up living in a large villa after the three seraphs decided to accompany them to the human world*

Bimet: Do you need anything else?

MC: No, this should be enough. Give my thanks to Mammon.

Bimet: ...

Bimet: Do you feel like your plan is backfiring on you?

MC: Not at all, though it sure hell is annoying.

Bimet: *smirks*

Bimet: I'll be going back now. Don't hesitate to reach out if you need more assistance. *disappears*

Michael: *approaches them* I didn’t expect you to make this decision, but I’m very pleased nonetheless.

MC: ...

MC: I wouldn't have any issue accommodating Raphael and Gabriel, but sending Michael back alone would be a problem.

Michael: *smiling*

MC: And this fucker is aware of that.

MC: *smiles back* That's great to hear. Honestly, I can't wait to enjoy this vacation with my lovely seraphs.

Michael: I’ll make sure you’re entertained, descendant of Solomon. By the way, I hope you don’t mind, but I’ve prepared a bedchamber just for the two of us.

MC: *disgusted face*

Michael: *chuckles*

MC: *is on the phone with Minhyeok*

Minhyeok: You should have stayed here.

MC: And what are you gonna do?

Minhyeok: ...

Minhyeok: *sigh* I'm worried.

MC: Dude, you worry over every single thing.

Minhyeok: ...

Minhyeok: Can you at least tell me where the villa is? I'll visit you.

MC: No.

Minhyeok: ...Okay. If you don't want me to go there, how about asking one of the kings to keep them in check?

MC: That won't be possible. They have a country to— Wait. Actually, that's a good idea.

Bael: Where are you going this time, Bel?

Beelzebub: MC has requested me.

Bael: *confused* The descendant of Solomon?

Beelzebub: If you don't want to believe me, here's their text message.

Bael: ...

Bael: *frowns* They’re just asking you to send a clone of yourself.

Beelzebub: Ah, but that won't do. *chuckles*

Bael: ...

Raphael, Gabriel, and Michael: *look displeased*

Beelzebub: Hi~. We meet again~. *hugs MC*

Beelzebub: You look stressed~. Let Belbel take care of you. *with a kissy face*

MC: *already regrets choosing him*

Gabriel: Even though you're a king, you have no right to embrace god!

Beelzebub: Hm~? *hugs them even tighter*

Beelzebub: Is it wrong for me to show the creator of all the love they deserve?

MC: No doubt. The real god will spite me for this.

Raphael: I understand your point, Beelzebub. However, god looks uncomfortable.

MC: Yes, he has a point.

Beelzebub: *loses his hold* *smiles* Sorry.

Michael: ...

Michael: *feels an undescribable jealousy*

MC: Raphael and Gabriel, you two will join me in my chamber. Beelzebub, feel free to choose any room you like in this villa. As for Michael, you are forbidden from entering mine.

Raphael and Gabriel: *quite pleased*

Michael: ...

Michael: That’s fine. I can just simply invite you to my room.

MC: *frowns*

Beelzebub: ...

Beelzebub: *realizing that the reports were true* Oh.

[harmonysanreads]

Idée Fixe

yandere!lyney x reader

cw(s) : yandere, lyney, written before fontaine release

wc : 2.6k+

two dorks psychoanalyze each other. might kiss out of spite.

“For as many hearts as you steal, how many do you keep?”

The smooth texture from designed cards is felt across the tips of your fingers, your eyes capture the patterns printed on them through the filter of silvery moonlight and the sound of steps falling in sync with yours assure you of the verity of this encounter.

You don't even need to look up to picture the twinkling amethysts, the widening curve of lips that never convey anything concrete and a sudden bounce in the magician's steps ; the visage painted in your subconscious like the motifs on the cards your fingers fiddle with in intrigue.

The chilly night breeze are but twirls of playful edge,“You make it sound like something else,”

If you cared to look up, you would've noticed the subtle dance of his brows. Lyney begins to walk a step ahead of you in the midst of his short speech, through prolonged scrutiny that'd rival that of the most skilled jeweler's ; you've associated this change of pace to either be in preparation for his usual trickery — or, in the few sparse occasions that go as soon as they come, a casual introduction of another subject to eliminate the previous one. While one could accuse you of reading too much into things, you've long since learned that when it concerns the eccentric magician, the tell-tale details will reveal what he will not.

“Oh really? Perhaps it's your mind imagining insinuations that do not exist, you do have a creative brain.”

“Ouch, only you could insult and praise me in the same sentence.” Lyney places a hand over his heart to cradle it from the jab, though his choice of words should indicate offense, the delivery makes it clear he wouldn't have it any other way.

“Why, thank you, though you're gravely mistaken if you think that will change the subject.” with a swivel of his cape, Lyney spins to walk facing you, his strides (albeit backwards) unchanging in confidence and only when your lift your head to lock eyes, does his expression lighten.

“Well, to answer your question, the ones that are worth keeping, of course.”

The magician chuckles at your eye-roll, “Don't play coy, you know precisely how I meant that question.”

Lyney hums in pretend contemplation, gaze still fixated on your moonlit form, the beat of both of your steps grazing against the pavement and making it seem like a strange parade. Your question holds substance unknown to the rest of the world, but translucent to the magician.

It is both his frustration and delight that you're never bent by his charming words and theatrics. Your firm stare and insistence on the topic confirm his suspicions that you're searching for something particular, something uprooted from the very depths of his soul and he could bet his entire career that you won't stop until you've wrung it out. The answer you seek is nothing he can't give, it'd be simple as well, but precisely due to this knowledge the magician opts instead to test the limitations of your patience.

Truth be told, Lyney never likes it easy and neither do you.

For a miniscule lapse in the boundless confines of time, it's as though both of your world has separated from the existing one. For an amount that'd otherwise be uncomfortable, all exchange is made through your locked eyes. Like a secret shared between no other soul — despite your better judgement, the realization sends a jolt of thrill through your veins and you cannot help but wonder if the magician feels the same.

Seemingly out of thin air, Lyney twirls his magic wand in a wanton pattern, small sparks of light clash with the moon's glow before waltzing past your hair — you pause for not a second, knowing their goal lies in catching you off-guard. If Lyney was given the chance, he'd spend the rest of the night in determining whether you looking back to the cards in your hands was merely an expression of boredom or a brag of how accustomed you are to his theatrics.

Lyney dabbles between the lines of reality and illusion as a profession, blurring them without his audience's notice to make them believe a miracle. It's a simple trick he's succeeded in transforming into an art, so he was confident you'd be privy to the delusion as well. Whether it's due to you doing the same as him or the opposite entirely, Lyney's persistence in solving the puzzle piece named you only grows more tenacious day-by-day.

Sensing the magician's uncharacteristic quietude, you abandon the cards to his backwards marching form and the cheeky grin plastered on his face has you wishing you hadn't at all.

“Ah, but you see, the information you seek is confidential and I fear for prying ears. How about you come a little closer, and I'll tell you the amount?”

Lyney's face is a perfect replica of the grin-malkin cat he adores using as prop, a cloud obscures the moon's vision from seeing the act down earth and the shimmer of Lyney's eyes become pronounced in contrast to the shadow. In comparison, your visage that'd scream ‘preposterous!’ if it could looks nothing short of a circus.

Your steps come to a halt in unison, a breathy chuckle echoes throughout the dead of the night, “Aw, why that face? I don't bite~”

You blink in surprise and suddenly the magician's presence is way too closer than you recall ; he bows down to your ear and the heat of his breath almost makes a shiver run down your spine.

“... but, I might nibble.”

You catch his impish smirk from the corner of your eye and if Lyney notices how you choke in the formation of words, he could snag an award for acting like he didn't.

“Are you that fixated on creating a scandal? Must you always be so shameless?”

At that, Lyney leans away with a pout, hands folded behind his back and swaying back and forth on the heels of his shoes like a reprimanded child.

“Come on now, don't be such a killjoy. I went through all that trouble to whisk you from that boring party and this is how I'm thanked?”

The magician's words are a drawl, each one competing to be more irritating than the last. You have to take a deep breath and hold your tongue from reminding him that the escapade had been without your choice. The world places limitations on all sorts of things and you're not morbidly curious enough tonight to know the extent of the magician's good graces. A beat of tense silence passes, Lyney takes note of your averted gaze and it positively irks him.

Lack of eye-contact means a number of things ; nervousness, insecurity, hesitancy, guilt. For a performer like him whose pride resides in keeping his audience's eyes hooked on his every move, such a gesture is bitter tasting. But when it concerns you, it pricks and wounds his very soul. Lyney's sigh is one of weight and it inclines you to raise your head.

“By asking how many hearts I keep, you hope to know how many matters to me.”

The magician takes his hat off and moves forward to place it atop your head, his speech is not an assumption, nor an inquiry, but a statement. You straighten your posture when you notice the absence of a smile on his face, the sight so alien it has you on edge. While his gesture may be plain to an inexperienced eye, you know that he does it as an extension of his affection. For all the valued items he keeps dangling by the rim of that hat, he surrenders it all to you in a heartbeat.

But you still hold your breath and as expected, the solemn expression of his proves to be transient. Just before the hat grazes your locks, he tips it back, gives the vacancy of its inside an inspecting look and does an emptying gesture as if to prove its.. well, emptiness. There's a flicker in his eyes you're not given the time to catch as he brings his hat just above your head and does the same depleting motion again ; the scent of fresh roses engulf your senses as a thousand petals cascade down from the hat. As if on cue, the winds pick up and waltz them down upon your form.

Here's the thing ; while you may pride yourself in being experienced in discerning Lyney's tricks, it becomes a task to maintain a straight face as he never repeats his previous sleight of hand. What you can try to do instead is search for patterns, patterns reveal genres and genres reveal intentions. Lyney is a celebrated magician of the Court, his capabilities lie far from simple card tricks, so for him to resort to elementary jugglery instead of some grand spectacle, it can only mean he's trying to distract you yet again.

You feel the weight of his hat on your head at last, shifting all the cards on your left hand, you raise your right to adjust its position slightly.

Your encouragement for him to elaborate comes in the form of confirmation, “That'd be correct,”

The magician's lips curve up in fondness, a playful hum escapes him as you resume your walk, him returning to stride facing you again. It's a skill he's mastered in the duration of your acquaintance, for the purpose of stunts apparently. You have your suspicions — but then again, who doesn't when it concerns Lyney?

“Very well. You accuse me of being such a thief, yet, I think you are the guiltier one between us two.” the errant strands of the magician's hair sway, his eyes keep you captive.

He takes the inquisitive tilt of your head as incentive to conclude, “On the topic of hearts and all, I must ask first, when do you intend to return mine?”

The night winds pause, your brain processes Lyney's question until it blanks upon realization. Your eyes dart across his face that is void of all teasing cues, his eyes glazed over and you can tell he's holding his breath. Any consideration of his behavior aligning with trickery is eliminated just as quickly, because if anyone were to want to understand Lyney as intricately as you, they'd first need to learn to be able to distinguish his flirtation from fact.

“... Do I have to?”

You find yourself half concerned and half entertained as the magician narrowly avoids being hit by a pole, him having to maneuver to regain his footing. Both of your steps come to a halt as your laugh echoes throughout the dead of the night. Lyney sheepishly places a hand on the back of his neck but that sight is all too evanescent. The signature smirk of his returns with enthusiasm.

“Not at all,” he purrs, eyes flickering towards your restless ones that have settled on his magic cards again.

“In fact, mold it to your will, toss it to your whim and hold it captive as though it's a supplement of your own, if you may.”

Your ears hang onto each of Lyney's words but your eyes find no courage to look at the mirth that you're certain is plastered on his face, you take the moment to properly inspect the motifs on the cards with some distraction from the shadows of the night : the grin-malkin cat, a miniature Lyney sticking out his tongue, a tea cup, a penguin and—

You're left stupified as the card is abruptly snatched from your grasp, Lyney bounces back a few steps and confirms to be the culprit. You brisk walk to reach the magician and that turns out to be your biggest mistake.

The card is at first held between two of Lyney's fingers, him shaking it left and right in provocation and in the spur of the moment, you take a leap. You feel the wind of the card being propelled upward, the magician holding it out of your reach. Your desire to obtain the piece of paper exceeds your awareness of the sudden decrease in proximity between you both. You shift to your tiptoes and feel the surface of the card, one look through your peripheral at the magician's smile and you realize a little too late that you've fallen right into his trap.

“Now, let's see, the question that started this all : the number of hearts this magician holds dear is the answer to this riddle—”

You expected Lyney to make the card disappear or shift higher if possible, but instead his hand wraps around yours and you find yourself twirled a full circle. The motion catches you off-guard but the magician stabilizes you by placing a firm hand on your waist and pulling you to his eye-level. You find yourself out-of-breath and unable to look away as the moon shines its light on you two again.

“—Placed above, it makes greater things small. Placed beside, it makes small things greater. ” the magician tilts your chin up in his preferred angle with the card, the cool temperature of its margin contradicting the heat of your skin.

“In matters that count, it always comes first.”

The faint rustle of your garbs against his is resounding, your own reflection stares back through amethyst lenses.

Lyney's voice is but a whisper against your cheek as he concludes, “Where others increase, it keeps all things the same. What is it?”

Your frenzied mind momentarily dreads the scenario wherein someone catches you two in the midst of this rendezvous, from incipiency to this apparent climax ; it's built up to be nothing short of scandalous. But the magician has no care for that outcome, inching closer, closer and closer. As if sensing the new wave of worries that fill your mind, he halts but makes no attempt to lean back, his eyes regain their usual shine.

“Quite easy, don't you think? But, if you believe it to be so, you'll be mislead. After all, that is how the simplest magic bewilders the audience. Blink, and you might miss it.”

The magician dives in and your breath hitches. Your eyes are forced open when you feel yourself stumble forward. The first second is wasted with no action, the second one you register that you have the card in your hand — pressed to your lips, on the third you notice the absence of Lyney's presence and the forth brings down all the embarrassment crashing down on your poor heart.

You pull away the condemned card from your lips, heavens know what anyone would think if they saw you kissing a piece of paper in the middle of nowhere. Your face flushes in the lovely shades of pink, heart hammering against your ribcage.

I could've sworn that I felt...!

The magic card crumbles slightly by the edges because of your grip, the prickle of its corners remind you to take deep breaths and calm your raging thoughts. You shake your head with vigour, but you're unsure if it's to recollect the memory or to brush it off. You're left alone to ruminate the aftermath of the bizarre encounter in the cold winds of midnight and you almost want to drown yourself in the darkest depths of the sea as recollections of your reactions rapidly pass through your mind — you can practically hear Lyney's snickers in your head.

Your attention is then grabbed by the catalyst of your current predicament, you turn over the card and finally inspect the motif printed on the card ; two hearts, bounded by a shackle and a lock. You trace your thumb across the hearts and your mind retraces Lyney's cryptic words. If all interactions, encounters and memories you share with the eccentric magician of Fontaine would form a pinnacle for you to see the truth from ; you'd know that behind the veneer of charisma and humor, Lyney hides something far less innocent. And yet, regardless of the foreboding creeping up your spine, you find yourself unable to snap the tether of connection.

Because as it is, that which is mysterious, captivates us all.

may all lyney wanters be lyney havers<3

[rockrosethistle]

I'm thinking about the implications again.

The numbers that the hive mind performs aren't random. Both the lyrics and the choreography will often boil down to to one purpose: to cause pain. (Pokey is ruthless.)

Sometimes it's physical, and that's easy to spot. The cops spend half of their song just kicking and pushing people to the ground. Join Us And Die literally ends with Ted getting beat up.

And when the choreography doesn't allow for it, the lyrics are specifically trying to elicit an emotional response. The hive uses Alice to torment Bill. He's watching someone he loves die in front of him. It does the same for Charlotte.

Okay, the hive gets a kick out watching people suffer. That's not new information. But the implications...

Look at Inevitable. It's a pretty significant shift from the rest of the numbers. Whereas those seem tailored for pain and fear, Inevitable seems to be comforting? Just look.

Paul walks out, and the first thing he does is hug Emma. Which doesn't seem significant at first, but think: Did Bill get that same courtesy?

Alice's first line is meant to taunt Bill. Paul's is almost consolatory; " Emma / I'm sorry / you lost." I won't dissect this completely, the theory is that this first line is genuine. Paul is actually sorry that their plan failed.

And when you take a look at the choreography, it becomes clear that it's a lot kinder than the other songs.

We see Paul waltzing with Emma and kissing her hands. And even though he's not letting her get away, he's not trying to hurt her. He's not even trying to intimidate her. He's shown more than once bending down--getting on her level, like you would to a child--as opposed to towering over her.

The lyrics aren't messing with her either. Whereas Sam is manipulative and Alice is spiteful, Paul's lyrics are reassuring.

"I'm still the man you trust," is a lot different than "Don't you twust me?" when you get right down to it. It carries with it a connotation of 'I'm okay, and you will be too.'

"What if I told you I made it?" actively contradicts the 'I killed your loved one' narrative that Alice used with Bill.

It's not like Emma is buying any of it. She's still terrified. Paul doesn't need to hurt her or taunt her in order to scare her, just singing was enough. But it's clear that he's not trying to.

The hive mind gets a kick out of watching people suffer. Emma is the leading lady. You'd think that she's the one who should have the most brutal song. But she just doesn't. It seems like her song is trying to be the kindest.

We know it's implied that once they get infected, people are still conscious inside their musical doppelgängers (source: the line "your own body is your front row seat" as well as Sam breaking through its control long enough to say "Charlotte" before falling back under).

I think Paul was conscious during Inevitable. I think he knew that they weren't escaping this. I think he knew he was eventually going to kill Emma, and there was nothing he could do about it. But I think he didn't want her to suffer.

Instead, I think he resolved to give her as kind a death as he could. He would lie. He'd tell her he was happy and that she was safe. He'd be as gentle as the hive mind allowed. She was running out of time, so he'd love her with every second they had left.

(but that's just a theory...a musical theory... and cut)

[alastors-antlers]

a brief take on the whole "Alastor's smile is permanent" discussion

hello all!

I've seen a lot of people theorizing lately that Alastor actually smiles all the time because his smile is magically, physically fixed onto his face. All of this seems to come from the fact that he's practically grimacing rather than smiling during the scene where he breaks down in ep8:

As well as this frame of his deal with Charlie: (lower res sorry)

I will say, I do like some of the implications of this theory. The sheer spite of his creditor forcing him to smile as an addition to their deal, almost like a sort of forced silence, is a neat concept. It's fun and dramatic. Plus, of all things, of course Alastor would claim the "smile at all times" policy and make it his own to pretend that it was his decision all along lol.

To be fair, though, I don't think we even need any magical compulsion to explain why he's smiling while he's having a mental breakdown. Actually, if we assume magical compulsion, I think we lose a bit of dimension from Alastor's character. (No judgement to anyone's take though, of course -- I just think this works in the direction of his established characterization, but obviously all personal takes <3)

Hear me out:

Alastor's persona is not just for others to see.

"A smile is a valuable tool, my dear. It inspires your friends; keeps your enemies guessing; and ensures that whatever comes your way, you're the one in control."

That makes sense given what we know about him. If he's always smiling, he seems like he has it together. You can't read him very well, especially not when he's actively trying to keep up appearances.

Now consider that when you think about ep8's fight with Heaven, we see that he's already been through so much in this one day.

He fights an army of angels, presumably not even at his own whim (if we go by his blurb about freedom in the Finale song); he loses to Adam, who he considers sloppy and mediocre; his staff, which we can assume holds some part of his power, is snapped; he comes close to being Angelic-power-killed; and to top it all off, he knows that others watched him get injured and then apparently die or flee, all of which would ruin the public image that he's trying to maintain. It wouldn't even be unreasonable for us to assume that he knows Vox was watching, given that Vox kind of has eyes everywhere.

In a moment like this, in the finale, you could say that Alastor has lost (at least on some level) everything that we know matters to him. He doesn't have access to all of his magic, and it's limiting him. He's reminded that he doesn't have freedom or control over his own destiny. He certainly has taken massive hits to his powerful, composed persona. But he's desperate, and furious, and terrified, and clinging on.

That's why he's smiling.

It's not that he can't stop because he physically can't. It's that he can't stop because to him, the smile is the last thing that is still within his power. When there are so many moving parts that he can't predict what happens to him next, he can control how he responds to it. In these last fragments of autonomy, there is solace.

He needs to keep telling himself that he has it together and that he'll eventually scheme his way free, that there's a solution, that he won't be in chains forever; because letting his pretense slip would be admitting that it's all starting to actually get to him. That maybe this time, he doesn't have an escape plan.

In addition, if you read his interactions throughout the series, we also see something else: Alastor's reputation is of paramount importance to him. At multiple points throughout the series, when others disrespect him by discounting his power or presence, he gets visibly annoyed. And in the battle, we see a glimpse of the part of his personality he seems to be trying to leave behind - a normal Alastor, who's just some guy from Louisiana. No transatlantic accent; no unflappable malice; no sharp wit waiting at the ready. Maybe even unremarkable.

Dropping his smile - arguably the most prominent part of his brand - would be admitting that in reality, he's not the Radio Demon of legend that he aspires to project. And if he doesn't have that... where would he be?

[lazywriters-blog]

A PINCH OF HATE

AVENTURINE x FEMALE!READER + DR. RATIO

Summary: Just Aventurine being a little brat and poking fun at Ratio- trying to make him jealous and showing off, and trying his best to spite Dr. Ratio. After all, the doctor might have feelings for his darling as well. [This is a little silly lol but I tried.]

Warning: Possessiveness, angst? Jealousy. Overall a lot of touching from Aventurine, he's lowkey obsessed.

"Perhaps you should learn from your companion a bit of self-restraint, gambler."

"Whatever do you mean doctor, I'm plenty patient." Aventurine ever the smug, slippery little guy grins and purs out a retort, she was hoping his grip on her waist would loosen and drift away but that hasn't happened yet and it's making her uneasy.

"Oh! Do you find her fascinating perhaps? Taken a liking to my darling, now that won't do." he giggled to himself, and if she hadn't been forced to stay with him for an entire week, she wouldn't have noticed his slight change in tone.

"Don't be ridiculous, I find her qualities to be much more preferable than yours."

"Sheesh, it almost sounds like you're after my darling here, doctor." Dr. Ratio ignored the blonde and turned his attention to her, asking, "Why do you stick around with idiots? You should have better places to be than here."

"Umm... I-" Aventurine pulled her close to his body and pouted, "I suppose we are idiots in love, doctor."

She couldn't tell him what happened for her to end up miserably hopeless beside Aventurine, or if she could even get a chance.

'Do you like him or do you not?' She was cornered one afternoon. During that time she began regretting stepping out of her office, Aventurine was just outside waiting for her and she didn't know what he had in mind. 'where's this coming from?' she tried to pry in-between them some space, nervously smiling and looking to her right but he kept nearing her with a smug smile.

'Come on, we are friends... Right? Don't friends share their secrets?' she hadn't considered him a close friend, though she did enjoy his company.

'I mean he considers me to be much inferior to him... Probably, I'm likely too dumb to be with a genius.'

'Ah~ I didn't mention who 'he' was.'

She playfully pushed him back and shyly looked down, 'You and your stupid mind games.'

'Let's make a bet.' He grinned, and she groaned. Though she did win some of his bets, it remained difficult. 'Not this one again.' she took a step back.

'Come on don't be like that~ it will be fun.' She sighed and he took it as his cue to carry on. He took long strides towards her and smiled wide.

'Go on a date with me or...' he leaned into her ear, breathing out the last of his wager, 'stop liking him.'

He was testing her, making good use of her feelings and manifesting everything in his favor, though she wasn't surprised. Aventurine was always one step ahead and she was an idiot.

She likely didn't stand a chance against him. Whatever he had planned for them both, she doubted he would consider her livelihood. Aventurine can be selfish with the things he wants, she's realized that.

Aventurine took his time rubbing salt into Dr. Ratio's unseen wound, slyly smirking and giving her a quick kiss on her lip and clearly, it left her bewildered.

Was that her first lip-to-lip contact?

"Ugh-" Dr. Ratio released a disgusted noise and clutched his book closer to his chest, "take your lovey-dovey display somewhere else." Aventurine let out a haughty laugh and grinned, "Shouldn't you be saying how wonderful of a couple we are? Are you jealous of me Doctor?"

"With you being a shameless gambler and her a decent lady, I don't find anything much appealing."

Aventurine faked a sad sigh and looked at her, "Don't mind him, he's being salty he hasn't acquired a beautiful maiden like yourself." he kissed her cheek and she was tempted to say she didn't mind him, at all but decided to remain silent. "Let's go select some of the rings I've prepared for you!" he leaned back a little and gently stirred her around to the exit with his hand still holding onto her hip.

"What? Surely you aren't thinking of involving her in your cunning schemes and putting her in grave danger. Or perhaps you've lost your mind." That made Aventurine stop and she took a peek at his face, he wasn't showing any emotion but she could sense some spitefulness.

Eventually, Aventurine turned his face and grinned back at Dr. Ratio, "You shouldn't care about what belongs to me, doctor."

She didn't get to see what expression Ratio had wore as Aventurine was quick on his feet and quickly dragged her along with him. She let him sit beside her during the ride back to his place, and though she had meant to keep her lips sealed and tucked tight, curiosity had begun to gnaw away her peace.

So she asked, "Does he like me too?" if it were anybody else, anybody like Dr. Ratio she would be given a scowl and a complicated response of yes and no, but this was Aventurine and he would have known something she didn't beforehand.

His hand gently touched her knee, and he gave her his signature smile, "Oh, it seems like the doctor isn't very good at being subtle, but I digress, as a potential partner doctor would be horrible and it would be a nightmare for both parties. So it shouldn't matter whether he liked you or not."

"Right." She didn't know how to respond and it wasn't like she was hoping for the doctor to return her feelings or share her sentiment.

Aventurine turned towards her and smiled, "Moving on, I think we should wear a matching pair of attire tomorrow, so let's go shopping!"

She nodded, she couldn't lie she was enjoying the attention Aventurine was showering her with.

[tearsofcalamity]

ok read it. i am now unbelievably horny that was so good!!!! i just loove the idea of reader being barely awake, seeing aven Existing and going i need that twink destroyed Yesterday.

now bear w me cause while aven was going through the 5 stages of grief in that quest i was going through the infinite stages of horny and Thinking: i want soft sex w him really really bad he'd be my angel my pretty boy my golden little star! but the mf would be SUCH a tease! like he'd love you being gentle but after a while he'd start asking to "please, go rougher" and that he can "handle it" you'd go "no, baby, i want to love you softly" and he shuts up. and then you think he's given up but suddenly he is. all. over. you every second of everyday. he's not letting you do any work, his hand is on your thigh whenever you sit down next to him, he's whispering in your ear abt how good your dick (strap lol) makes him feel while yall are in public. just doing everything in his power to rile you up, so you will finally fuck the brains out of him. and when you finally snap and grab him by the arm and toss him on the bed all rough & furious he is Overjoyed, crazy fucking smile on his face. too bad your plans include taking him apart slowly and painfully, denying his release again and again while calling him all the sweet names under the sun before finally giving him what he's been begging for<3

LORD... LORD HAVE MERCY ON MY SOUL ... !!!!!

no listen to me. he's so pent up and eager to have you just bend him in half and fuck him to the point where he's sobbing, he's so confident he can take it just fine. not that he minds you being so gentle with him, it still feels incredible, but he wants to feel what it's like to have your gaze dark with hunger on him as you fuck him into the sheets til he can't even breathe through his sobs.

but hear me out. aventurine can NOT take it. he's soooo sure of himself, doing all that teasing. playing footsie at fancy restaurants where you could easily get caught were he to go further, standing behind you to subtly rut against your back and pant right into your ear about how good it feels, begging you to just palm him just a lil bit, he promises he won't cum yet! no one will notice, he swears!

once you get him on the bed, he's so fucking excited, he can't believe he's actually got you all to himself and he can just tell by the look in your eyes you've got a rough night planned for him. but then you're switching between rough and soft, pinning him down while you jerk him without mercy and bring him to the edge over and over and over. he tries to hold out but he's sobbing and sniveling by the end of it, apologizing for riling you up and being bad in public. he just wants to hear you praise him, have your strap in him, but you won't give him what he wants.

eventually avennie's tears win you over, but you're not going to be gentle tonight. promise him he can cum with you inside him and then just absolutely pound him into the mattress until he's seeing stars. he's choking on every moan, and once you start throwing the petnames into the mix again, he's spurting out his load pathetically onto the sheets.

call him angel, darling, sweetheart, pretty boy, lovely, and don't forget to tell him how good he's being, of course. but don't stop when he cums. he had been begging you all day to be rough with him, to fuck him dumb, right? so don't stop when he finishes, instead, double down and overstimulate him until the pillow he's clutching onto is half-soaked with his tears and drool, until you have to hold his hips upright in order to keep fucking into him and nailing his achey prostate. maybe start jerking him here too, watch him wail into the pillow and thrust his hips back for more pleasure in spite of the overwhelming sensations he's going through...

I can't tell you whether this is gonna make him get more frisky in public to get the same ass ramming next time or if he's going to accept going back to the soft lovin you laved on him before. maybe both

[weirdmarioenemies]

Name: Hot-Hot Rock Debut: Super Mario Bros. Wonder

You know something I love about the Mario series? Its tendency to use reduplication to put emphasis on certain words. You thought your average everyday mountain was tall? Well this is a Tall Tall Mountain. You've never seen docks quite this dire before! And it's not even just adjectives that get in on the fun! Rock Rock Mountain, Ice Ice Outpost, I love that something can be more "rock" or "ice" than something else. Sometimes a word is so nice, you just wanna say it twice twice.

Hot-Hot Rocks are one of the latest additions to this long-running Mario trend, and also one of our latest Cubic Companions! You know, Blocks are very important to the Mario franchise, but how many enemies can you think of that are blocks...? The answer should be a lot. This was a Mod Hooligon Trick and you may or may not have fallen for it. I can't tell unless you tell me, alright?

Hot-Hot Rocks first appear in the level Hot-Hot Hot! (this is an example of a linguistic phenomenon known as "threeduplication"), where they serve as one of the primary obstacles. As long as Hot-Hot Rocks are Not-Hot, you can stand on them like any other platform. But when they start glowing red, you better get out of the kitchen, because Mario and friends can't stand the heat!

Of course, a little water is all it takes to turn Hot-Hot Rocks into Not-Hot Rocks for good, so spray them with Elephant Mario's trunk or a precariously placed pot of water, and they won't be able to hurt you anymore!

Hot-Hot Rocks have a symbiotic relationship with another new enemy called Kerpop, which will probably get its own post someday, likely courtesy of Mod Chikako. These guys act like Goombas most of the time, but when they touch a hot Hot-Hot Rock, they will pop and begin jumping around! How cute! This attention to detail is what makes Super Mario Bros. Wonder truly special.

That's about all there is to Hot-Hot Rocks, but we're not quite done yet, because this post is about to get all philisolophical(sic)! Because as Weird Mario Enemies, an important part of that title-we-love-to-defy-and-love-bringing-up-how-much-we-love-to-defy-it is knowing what an "enemy" is to begin with. And so we must ask ourselves: what is an enemy? What separates an enemy from an obstacle? And is there even a meaningful difference...?

I can't say I can give you an answer. But I can give you a bunch of thought exercises under the cut! You like those, right?

You do like those! Thanks for looking under the cut, I really appreciate it.

So if we want to have a discussion of what counts as an "enemy" in the context of a video game, we should probably have a rough definition of what we think an "enemy" is in the first place. It's tough to look for edge cases of something that doesn't have any edges.

I personally think a good starting definition is along the lines of "a character designed with the intent of hurting the player," or something roughly like that. And now that we have a definition, we can scrutinize the hell out of it!

On the left we have Thwomp. Thwomp is a classic Mario Enemy. The kind you'd see featured on @regularmarioenemies. We invite Thwomp over for dinner every Sunday, and Thwomp always smashes the dinner table because that's just what Thwomp does. On the right we have Karamenbo. Karamenbo does the exact same thing that Thwomp does, but it doesn't have a face! And despite the fact they act the exact same way, this simple design difference leads to most people considering Thwomp an "enemy" and Karamenbo an "obstacle"!

Is the difference between an enemy and an obstacle really something so simple as having a face? And if so...

What do we make of Lava Bubble, another Classic Mario Enemy that only sometimes has a face? Are they only an enemy when they have a face? Or are they allowed to always be enemies in spite of their occasional facelessness? Or alternatively, are they prohibited from being enemies despite their occasional befacedness? I don't know, and my "the fact I am writing for this blog" tells me I should probably be an expert in this field!

And what about Moonsnake? What could easily be dismissed as a simple obstacle like a Spike Bar is revealed by in-game text to be a living creature! Does this allow it to be classified as an enemy instead? Does something become an enemy just because there's text saying it's alive? Do ghosts and robots count as alive? Is a thorny flower an enemy instead of an obstacle, or does the specific choice of the word "creature" make a meaningful distinction here?

What if I told you there's official text calling Karamenbo a type of Thwomp, does that change your perception of it?

And we haven't even started touching on the idea of whether or not enemies need to hurt you. Let me ask you an important question...

Are Hoppos enemies? They can not hurt you. Whenever you touch them, you just bounce off, and sure, you might be bounced into something that can hurt you, but Hoppo is just an animal. Is it really Hoppo's fault? Could Hoppo be charged with manslaughter for bouncing Mario into a bottomless pit? Are bottomless pits a type of enemy?

Flomps, Bomps, these can not hurt you directly, but they can cause you to get hurt! And they're relatives of Thwomp, too! Do these factors matter in defining them as an enemy? Bomps act basically the same as the Push-Blocks from Super Mario Odyssey, and the wiki classifies those as mere platforms!

Is mayonnaise an enemy? I don't even know anymore!

Basically, enemies are a subclass of obstacle but there's not really a meaningful distinction that separates them. Literally the only thing that separates an enemy from an obstacle is the Vibes. Nothing else matters! Sorry! But what does that mean for our blog...?

Absolutely nothing! As I've said multiple times, we stopped caring about that distinction ages ago. We're hardly even a Mario blog anymore! I just wanted to subject you to my ramblings because I've had this in the back of my mind for a while now and well I had to say it somewhere.

And since I subjected you to several paragraphs of ramblings that amount to basically nothing... am I an enemy...?

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[blade-liger-4ever]

Why I feel Jack Darby isn't like Orion Pax/Optimus Prime

This is probably not gonna do me any favors in the wider Transformers community, but that's fine; I don't want to be in the good graces of half those people. Besides, I've grown to really dislike Jack over the years, and now that there's a new TF film that actually shows us Optimus and Megatron's past that has everyone cheering, I can actually cite that film in my argument should I encounter any whiners.

Fair warning, this will not be in Jack's favor.

So, as we see of him in Transformers: Prime, Jack had a really poor life. His dad is missing for reasons unknown, his mother is working herself to the bone to keep the roof over their heads, and Jack himself is working a horrid job to try and lift some of the burden from her shoulders. A standard modern day life for teenage boys, right? Oh, and don't forget him going all gaga over prissy cheerleader Sierra; that's of course the icing on the cake of this cut and dry trope, because the loser boy has to have a thing for the social climber girl who he can't recognize as trouble.

However, when he crashes into the Autobot-Decepticon War, Jack is adamant against getting involved. He whines about his new lot in life, complains that he just wants "a normal life", and overall is ungrateful to the Autobots that saved his skin a short time ago. Yes, he pulled through in the five part premiere and did so at other points in the first and even second seasons - but those were all life or death situations.

Every other time, Jack caved to peer pressure and stayed inside the lines. He never stood up to the school bully, let himself get embarrassed by said bully in front of Sierra, and then broke his deal with Arcee by going to an underground race. Heck, if you ask me, the only reason he helped save the bully in that episode was because Jack didn't want to have a dead guy on his conscience. Sure he said "it's the right thing", but where was that nobility when you were ogling your crush throughout the episode, hm?

And to say that he's like Orion Pax after all of the above is an insult to Orion and Optimus' integrity. Can you truly see Optimus whining over his lot in life, being spiteful and rude to guys who were mean to him specifically and not his friends, or just losing brain cells when a pretty girl is involved and getting himself into trouble in a misguided attempt to impress her?

No.

Orion/Optimus would never do that. He'll take the hits to himself and make the best of it with a smile on his face, he'll fight for his friends rather than himself alone, and even if he's head over heels for Ariel/Elita One, he won't compromise himself or his morals just to impress her. Orion/Optimus is better than that, and would never stoop to such actions.

But you know who would do all of that?

This guy.

As TF One shows, Megatron in his youth was much like - gasp - Jack Darby. They both kept their heads low to avoid further ridicule and pain, they never wandered outside the lines for fear of the unknown/repercussions, and despite advocating for a change or better life, they didn't really lift a finger to do that. They both needed an outside force to push them onto a new path. And they both ended up having a low chance of heroism when there was pressure on them: Jack's was anytime Sierra or Vince the Bully was involved, and Megatron's was when the 'Bot responsible for ruining his life and all of Cybertron's population was at his mercy.

Speaking of, what are the odds Jack would have a similar reaction to meeting his father? Yeah sure, he spared Megatron in S1, but Megatron also taunted him by asking what Optimus' response would be if he killed him. Put Jack in a position where he gets to beat up his dad, and are we sure that Optimus would still have that sway over him?

Just ask Sentinel, he can tell you how well that turned out when Orion Pax tried talking down D-16 - oh wait, you can't, because D-16 killed him.

Honestly, there are far more similarities between Jack and Megatron than Jack and Optimus. I'm tired of Jack getting all the love and being heralded as Orion-like or Optimus-like when he never was. He's far closer to Megatron, and if I'm the only one who can see that, fine. I don't care.

These are my observations, my beliefs, and I'm sticking with them.

Now on the same token (but coming later), Smokescreen actually has more in common with Orion Pax/Optimus Prime, something the new TF flick has shown, even if I disapprove of a chunk of the writing and characterization in it. But, given I'm probably setting some people's hair on fire, I'll leave you alone for now to digest this post.

Good day, and remember:

"Autobots, transform and roll out!"

[azriels-shadowsinger]

“All you do is push me away. I'm done. Whatever this is, it's done.”

Azriel x Reader

wc: 2.3k

a/n: responding to this request. sorry this took forever, i started my new job this week! also, thank you for 400 followers!!

prompt list

“It will be fine, y/n!” Feyre reassures, rubbing a gentle hand down your back. You bite your lip anxiously.

“I don't know, Fey. It's already awkward enough trying to introduce my boyfriend to the high lord and lady, the general, and scariest of all, Amren.” You chuckle. “But seriously, I’m even more worried about Azriel. He’s been so weird and distant since we ended our... situationship?” You sigh heavily. “Whatever it was, he got all weird when it ended. I’m worried he’s gonna make tonight weird.” You whine.

“Rhys already talked to him. Azriel promised to be welcoming.” Feyre reassures

“I’ll believe it when I see it.” You grumble. Truthfully, you knew very little about your new boyfriend, Wesley, and you had no idea how he would behave around your friends, but when Cassian caught you on a second date and blabbed about your new boyfriend to everyone, you had no choice but to introduce him to the group. Hopefully, Feyre was right that everything would be fine.

———

Everyone at the table was visibly uncomfortable, thanks to Azriel. He had spent the first half of dinner in a very tense silence, ignoring everyone’s attempts to interact with him. He only responded with mocking laughs under his breath at every other thing Wesley said. Rhys had tried to speak to Azriel in his mind, Feyre told you, but his walls were up and he refused to drop them.

You thought it couldn’t possibly get any worse, but once the final course came out, Azriel switched from chilling silence to obnoxiously challenging everything you or Wesley said. You were going to kill him.

“So what do you do for fun, Wesley?” Feyre asks, attempting to alleviate tension.

“Uh, I like studying history.” He answers quietly. Azriel chokes down a laugh, and you internally groan at the most boring answer he could’ve chosen.

“Hm, that's weird y/n. I thought your usual type was...” Azriel eyes Wesley with distaste “much different.” You scowl at Azriel.

“I don’t have a type, Azriel.” You say defensively. “And if I did, it would be Wesley.”

“Sure it would.” He says smugly. “I seem to recall you have a preference for tougher guys, specifically Illyrians-“

“That is enough, Az.” Rhys commands, cutting Azriel off and using his high lord voice. Everyone sits quietly, not sure what to say next.

“I think I should leave.” Wesley says uncomfortably, breaking the silence and moving to stand. “Goodnight everyone, it was wonderful to meet you all.” He says with a forced smile before heading towards the door. You hurry after him, heels clicking loudly on the floor.

“Wes, please stay! There’s dessert, and I promise it won't be as awkward. I’ll make him leave.” You beg once you two are out of earshot.

“Don’t bother. You didn’t tell me you used to date him. That would’ve been great information to have going into tonight.”

“We never-“ he cuts you off.

“Save it. I have no interest in competing with the fucking spymaster. You are not worth the effort.” You visibly flinch at the harsh words and tears begin to form in your eyes, as he turns away. “I’ll see you around.” He mutters and leaves.

———

When you return to the dining room, Azriel is sitting there with a victorious smirk on his face, eating his dessert. One look at the rage in your eyes, and everyone else had the bright idea to leave you two alone.

“Are you happy now?” You holler.

“Kinda, yeah.” He says smugly. You let out a frustrated groan.

“You spiteful, ignorant, selfish male!” He laughs slightly at your outburst.

“What’s wrong sweetheart? Could Wesley not take a little joke?” He grins.

“He broke up with me because of your gods damn immaturity!”

“Good. You can do better, he doesn’t deserve you.” Azriel replies nonchalantly.

“What the hell is your problem? Is this because I ended things between us?” That causes him to freeze, dropping any amusement from his face.

“No.”

“It is, isnt it? Well guess who’s fault that was! You don’t date, you told me so yourself. And any time I tried to get closer to you, you put up walls and shut me out.“ you let out an exasperated sigh. “Even now, all you do is push me away. So you know what Azriel? I'm done. Whatever this is, it's done.”

“There’s nothing to end, we aren’t dating. We aren't even fucking anymore.” He spits coldly, but you see the hurt lacing his features, matching your own.

“Yeah, I got that. Loud and clear.” You murmur. “Stay the hell away from me from now on.” You growl before exiting the room, leaving Azriel alone.

———

You had not so much as looked at him in three weeks, and it was driving Azriel crazy. He had assumed that with your now ex-boyfriend out of the way, you would eventually turn to him to resume your previous friends-with-benefits situation. He couldn’t help but miss your company.

Azriel, Cassian, and Rhys sat around the table at Rita’s drinking whiskey. As soon as Azriel began complaining about you again, Cassian rolled his eyes, finished his glass of whiskey, and stood up.

“I’m tired of hearing about this every damn day. I’m getting another drink.” He grumbles.

Azriel wasn’t sure why he was bothered so damn much that you were avoiding him. Sure, he had plenty of females offering him pleasure every time he went out in Velaris, there were two eyeing him from across the bar right now, but he didn’t want them.

“Honestly, what I miss most about her isn’t even the sex.” Azriel admits, slurring his words slightly as the alcohol takes effect in his system. Rhysand’s ears perk up at this admission. Previously, Azriel had only ever admitted to missing the consistent sex or complained that you were overreacting, but this was new. Rhys wondered if Azriel even realized what he was saying.

“What do you mean, brother?” Rhys probes.

“I miss the nights we spent talking. And how somehow she managed to know exactly what I needed, without me having to say it.” Azriel downs the rest of his drink. “I just want things to go back to the way they were. Like when she would fall asleep next to me and I would actually be able to quiet my mind enough for once to fall asleep too. Or when she smiled and I felt all warm inside. I don’t even know why I shut her out when she asked about becoming more. Maybe because it scares me.” Azriel prattles on, talking to himself more than Rhys.

“You love her, you idiot.” Rhys states, which immediately pulls Azriel’s focus.

“That’s not… don’t do that Rhys. Don’t put shit into my head.” Azriel says defensively. Cassian returns with another round of whiskey for everyone.

“What did Rhys do?” Cassian asks casually as he passes a glass to each of his brothers.

“I informed Az that he’s in love with y/n.” Rhys smirks and sips his whiskey.

“I’m not-“ Cassian cuts Azriel off.

“You totally are!” Cassian laughs. Azriel huffs out a breath and downs his whiskey in one big swallow. There was no use arguing with his brothers once their minds were made up.

“I gotta go.” Azriel mumbles and storms out the door. Rhys and Cass just exchange knowing glances.

———

You hear someone banging on your door late that evening. You want to say you’re surprised to see Azriel when you open the door, but no one else would bother you this time of night. You just look at him expectantly, waiting to hear what he has to say.

“I was wrong before. I should've never pushed you away when you said you wanted more. I was just scared of how I felt and scared of getting hurt by you. I’m sorry for being a dick and I’m sorry for ruining that dinner with your ex-boyfriend, I just couldn’t stand to see you with someone else. Please, give me another shot.” Azriel has such a hopeful look in his eyes, waiting for your answer.

“I told you I was done.” You say, trying your hardest to stay calm and collected.

“But I-“ he takes a deep breath. “But I love you. Please, give me a chance to make things right.” You pause, mind reeling at the admission. As much as you want to admit the same thing, you can’t afford to get hurt by him again, so you do your best to calm your racing heart and force the words out.

“It’s too late, Azriel. I’m sorry.” You shut the door quickly before you can give in, immediately letting your tears fall once it's closed.

———

More weeks passed, and you eventually decided that you had to stop wallowing in self-pity and try to move on again. Wesley might have not been the one for you, but surely someone out there is.

You had decided to go out to Rita’s with Mor and eventually found a decently nice male to talk to. You two chatted for a while, and as the end of the night drew closer, you decided to shoot your shot.

“So, I don’t really do this, but do you wanna come home with me?” You ask the male nervously.” The lights of the bar turn on, indicating that it’s closing time.

“Yeah I-“ he pauses, looking you over. His eyes go wide and he backs away. “No. I can’t go home with you. I should’ve never talked to you.” He hurries off quickly, almost seeming frightened.

You turn towards Mor with a confused look, trying to ignore the hurt you feel from the harsh rejection. Did you really look that different with the lights on, you wonder.

The next day, you were in your room telling Feyre about the night before, trying to understand what went wrong.

“I don’t get it, Fey. We were having such a nice conversation. I was sure that he would agree to come home with me. But as soon as the lights came on and he saw me, he ran off. I didn’t think I looked that bad in the light.” You complain, flopping back onto your bed. Feyre choked on her drink for a moment, seeming startled.

“He didn’t…” she mutters to herself, shaking her head.

“What?” You sit up, confused. Feyre gets a far-off expression, likely speaking to Rhys in her mind about something. “What is it Feyre?” You ask curiously. She groans.

“The other day I overheard Az and Rhys talking, and Azriel made a joke about how he could just threaten all the males in Velaris that they can’t go anywhere near you. I assumed he was kidding, but I just asked Rhys about it, and apparently he wasn’t.” Feyre explains awkwardly.

“Are you kidding me?” You yell as you shoot up off the bed and storm out your door, muttering some apology to Feyre about having to leave.

———

You put a city-wide ban on dating me?” You scream angrily as you storm into Azriel’s room, not bothering to knock.

“Yeah, I did.” Azriel smirks at you.

“What the fuck Azriel? You don't have some claim over me! Call it off.” You shout.

“No.” His firm, unyielding voice gives you goosebumps.

“Stop it with the territorial male bullshit. It won’t change anything, so call it off!” You try to keep up the anger in your voice, but as Azriel stalks closer, you lose your boldness.

“I’m not calling it off.” His voice is dangerously low.

“Why not?” You mutter. Azriel leans closer.

“Because eventually you will realize that you still want to be with me, and when you do I don’t want anyone getting in the way of that.” He whispers, his lips brushing the shell of your ear, causing you to shiver slightly.

“I told you before. I’m done.” You try to sound confident, but it doesn’t come out quite right.

“Sure you are. Whenever you decide you wanna change that answer, I’ll be here.” He says with a wink. As you leave you feel conflicted. This may be the most territorial male bullshit you have ever witnessed, but you can’t help but smile slightly, realizing that Azriel basically just publicly announced his feelings toward you.

———

You lasted two days without returning to visit Azriel. You had told yourself it was to yell at him some more, but deep down you knew it wasn’t. Azriel opens his door after hearing you knock and looks genuinely surprised to see you.

“You win. You managed to scare off any decent male in Velaris. So congrats, I’m all yours.” You concede reluctantly.

“It was never about winning, sweetheart.” He shuts the door behind you, caging you between him and the door. You look up at him earnestly.

“Then what was it about?” You ask.

“It’s about getting a second chance to prove to you that I was an idiot. It’s about the fact that I will spend every single day for the rest of my existence trying to prove to you that I love you, and praying to the Mother that you decide to let me show you.” He whispers, leaning closer. You look up at him, seeing that hopeful look in his eyes again.

“Just one more chance?” Your voice comes out so soft he almost doesn’t hear you.

“One more chance, I promise that’s all I’ll need. I don’t plan on ever doing anything to mess it up again.” He answers sincerely.

“Okay then.” He doesn’t get a moment to process that you agreed before you pull his face towards yours, closing the gap between your lips. He immediately pulls your body into his and runs his hands through your hair.

“Thank the gods.” He murmurs into the kiss. You pull away for a moment.

“By the way, I love you too, Az.”

yes that last little bit about the dating ban was inspired by the deal by elle kennedy, but i just thought that was so funny and i believe without a doubt that Az could threaten all of Velaris to stay away from you

prompt list

taglist: @fxckmiup

[theminecraftbee]

The thing in her cargo hold is looking at her again.

Really, Gem should have sold it by now. If the fishmonger had refused to take it--and really, it seems unlikely, Gem thinks, that the fishmonger would refuse to take it; he has taken and carved up and made meals of far stranger fish than one with a human face and hands and torso--she could have easily sold it to the man on the train, who takes exotic catches for his zoo. She could have even taken it to Grian; it's not a mending book, but it's the sort of thing he'd like to make fun of her for catching, instead of anything she's after.

Really, she should have. The longer she keeps the thing in her cargo hold, the more it starts to look properly human to her. She should know better. She has caught far stranger fish, and none of them have been human. It's another trick these seas have been playing on her, she thinks.

Long nights alone do that to a woman.

She ignores it. Instead, she opens the lid of the tank and starts depositing salmon. "It's a really weird request, that I keep them alive the whole time. You won't eat them, right?" Gem says, knowing the thing in her cargo hold can't answer. "Because if you eat them, this time, I really am going to sell you to the fishmonger. Or maybe I can figure out how to get fillets from you on my own? I've certainly eaten weirder fish..."

The thing in the cargo hold continues to stare. It has eyes that look like little moons, and brown hair, and it is smiling for some reason. Gem huffs.

"Don't give me that look! You are a fish. I am a fisherman. If mere human faces stopped me from doing my job, I would have gone mad a long time ago."

The thing in the cargo hold smiles wider. The lights flicker. Gem rolls her eyes and finishes putting salmon in the tank. As though to spite her, the thing in the cargo hold immediately lashes out, grabbing one in the claws on her otherwise-human hands and then tearing it apart with razor-sharp teeth. Blood rises on the water. Gem sighs.

"I have a harpoon in here somewhere, or at least a very sharp knife," she says to herself. She doesn't really want to use her nice knife, the one she always keeps on her belt, but she ought to have another knife around with which she can finish the job, right?

The lights flicker and go out. When she looks across at the tank, there are two silvery-moon eyes looking at her.

Gem pulls a wire. Gem turns the lights back on. She takes a deep breath.

"I really should have sold you by now, really. If the fishmonger won't take you, then the zookeeper would love you," Gem says.

The radio crackles. Gem startles. Very, very few people ever contact her on the shipboard radio, but if she's getting a signal, that's more important than a grudge match with a fish. She heads over to answer the call.

An amalgamation of voices responds:

YOU ARE FUNNY. I HAVE A MESSAGE. A DELIVERY. YOU'VE TRAPPED ME THOUGH.

Slowly, Gem turns around to the thing in the cargo hold.

"This won't stop me from treating you like a fish," she says. "If messages from the ocean stopped me--"

A terrible, crackling laugh sounds from the radio.

I AM THE MOON'S PEARL. YOU WILL NOT HOLD ME FOREVER. WE WILL SEE WHO EATS WHO.

Gem wags her finger. "We'll see, for sure, as long as you don't eat my salmon. That man in the fish-scaled suit was VERY insistent, you know."

TELL ME MORE.

"You're tying up my radio. What if there's another ship? What if there's something important?"

OH GEM. YOU KNOW THERE WON'T BE.

Gem swallows.

The thing in the cargo hold is staring at her.

"I need to sleep. I need to go to shore," she says.

YOU WON'T, the radio says.

She won't.