#don't make the same mistakes i did

[goodbadhabit]

reminder to charge your toys

[daeluin]

y encima me pierdo el tren x dos cuadras 😣

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[mollysunder]

One of the best examples of Piltover’s lack of genuine self-reflection is when Jayce decided to make hextech weapons for Caitlyn. I understand that he nay have been rattled by Renni's attack during the memorial, but the only reason Renni even had the place stormed was because Jayce killed her son... with a hextech weapon! Renni literally told Jayce to his face this isn't some random act of violence, this is about revenge for her child that he shot and left to die on a cold factory floor.

And instead of internalizing the series of events that caused this specific situation, which was an act of retaliation against Jayce's own aggression. Instead he just made more weapons for Caitlyn and her team, as if that wasn't the reason things escalated in the first place. Jayce may have been remorseful for killing that kid, but any feelings he had about it were largely irrelevant to how it informed his actions later on.

[dreadark]

bugs me a bit when people assume Ivan is some kind of genius or somehow naturally talented

he's really not at all. he just works ridiculously hard I mean we've seen his schedule what is this

literally anyone who put in this amount of work would end up getting good grades... if they didn't have a complete breakdown first guess you can consider that his "talent" can't break if you're already broken

Sua does actually seem like a natural genius though, she's tied with Ivan despite not doing... all that well she basically says as much

and she worked as a model (among other things) while attending Anakt Garden, so she managed being top of the class while also already having her career Ivan didn't do any of that, he only got popular after round 3 (idk what these rankings are out of, but if he's only 78th when Till was 5th...) despite being a top student I suppose Ivan didn't actually stand out much at first?

interesting how out of all of them, Ivan seems the least suited to singing on stage Sua's clearly talented, Till is a musical prodigy, and Mizi genuinely loves singing Luka is literally made for it, and Hyuna also loves singing and seems to have this natural stage presence

but all Ivan's good at is following orders

[spacetimeaccordionfolder]

Vasher on Wind and Truth day 9: okay so what have I missed

*several folks explaining the occupation, probably one of them Lirin considering that Vasher in the hospital right now (not that he needs to be)

Lift: and then while Navani and Raboniel made something she's calling anti light and she also made anti void light and if you put anti light in to a dagger made out of raysium it kills spren and then that was used to--

Vasher: wait hang on

Lift: and then Navani used the dagger with anti void light to kill Raboniel and it was sad because the two became friends or something while studying light and investiture wait how many 't' sounds are in that word you know it sounds like you're saying--

Vasher: HANG ON. you are saying that Navani and a scholar she was close to made a powerful weapon that destroyed investiture and then she had to kill the scholar she was close to and possibly in love with? This is what you are telling me?

Lift: yeah basically but you didn't answer my question do you think it's weird that the word investiture sounds like that

Vasher: *having flashbacks*

-alt people get news that navani's back during this conversation and now the various surgeons are panicking because Vasher you were just tortured for well over a month you can't go running through Urithriu

[sillyfudgemonkeys]

Zuko: Aang, promise me. If I become evil, you have to kill me. Aang: Ok, I will. Szeto, inside Aang's mind: Hey what's all that crashing noise? Some of us are trying to sleep. Yangchen: That's Kyoshi. She's breaking the furniture. Szeto: Why? Kuruk: She does it when she's upset, I think she got it from her wife. Szeto: And that damn sobbing noise? Yangchen: Oh, that's Roku. Szeto: The Fire Avatar after me? Sigh *pinches the bridge of his nose* Why are they throwing a fit? Kuruk: Aang just promised to kill his best friend. And both of them have hang-ups on that particular issue. Szeto: And that is? Yangchen: Kyoshi's killed Yun. She didn't want to, fought it every chance, but her hand was forced. I don't want to speculate on what's she's feeling, but perphaps she's upset because people always call her a monster for doing such a thing. But with Aang it's "oh, he has to make a tough call." Kyoshi: THIS IS SUUUUUUUCH FUCKING BULLSHIT! Kuruk: Ooo nice, you hit the nail on the head! -hi-fives Yangchen- Szeto: And Roku? Kuruk: He couldn't kill his best friend. Szeto: I don't see how that's bad- Yangchen: That same best friend later genocided all of my people. Szeto: ................................................................ Szeto: I apologize on behalf of the Fire- Yangchen: Ah ah, save it. I don't want to hear it. Szeto: Fair. So he doesn't want Aang to make the same mistake he did? I can understand, but why is he sobbing so damn much- Kuruk: Also, the guy that's Aang's best friend, is Roku's great-grandson. Szeto: ........................well that certainly is a conflict of interest. Roku: Aaaaaang! You gotta do it buddy! Don't be like me! ;w; Kyoshi: Nah Aang, fuck it! See what happens! Follow your instinct, kid! Roku: What? And wait for him to stab Katara before doing anything like you did?! Kyoshi, picking up Roku by the throat: YOU WANNA DIE OLD MAN?! Yangchen: Uh-oh it's getting heated. Better go break them up. Kuruk: Now is Kyoshi siding with not killing Zuko because his sister looks like Rangi, or does she just want to be Roku's straw man to spite him? 🤔 Kyoshi: Get off! Get off of my back Yangchen! Aang you listen to me! If you don't fight for your friend, then you are scum! You better at least put some fucking effort in lil' man! Kuruk: Ahhhhh, nevermind. I'm sorry for doubting you, kiddo. 😔 Szeto: Nah fuck this, y'all are crazy. I'm going back to bed.

[spywhitney]

How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:

[screamingwiththewolves]

I generally don't make posts like this, cause I don't wanna start an argument or disagreement, but I do find the "Is Hyde really a person?" discourse, a bit odd...I know it's a comic, and maybe I'll be proved horribly incorrect but...

Does he have emotions, with personality traits and preferences? Yes.

Does he insist he's a person? Yes.

Then he is, in fact, a person.

[whispering-kavka]

friends i love crocheting so much . why does it hurt me so

[fountainpenguin]

Things that happened in Martyn & Cleo Double Life canon:

Cleo hoping to find her soulmate and start a life with them

Cleo dumping Martyn without giving him a chance to explain his side of the story, but hearing him out when he comes to her later

Martyn watching Cleo through his spyglass and telling the audience she seems safe and happy even though he thinks it's weird she's outside at night

Martyn, after he's had time to consider how he wants to play this, spinning a story about trying to be a provider for her and Cleo explaining that she wanted him, not things

Cleo not being remotely impressed by the "I was providing" sob story, lol

Martyn calling Cleo selfish for choosing to be with Scott because she's supposed to be HIS soulmate and he wants a partner

Cleo willing to forgive Martyn if he meets them halfway

Martyn refusing to meet them halfway because he doesn't think he did anything wrong

Martyn screaming about how Cleo's building bridges with Scott but "When will she think about mending our bridges???"

Martyn explaining to Cleo that he doesn't understand why his Session 1 actions bothered them

Martyn centering his character arc and roleplay on trying to win Cleo back without actually apologizing

Cleo giving Martyn a flower and stating that if he loses it, she'll be real cross with him

Cleo chasing Martyn out of her yard because he tried to put an HOA sign on her base and she wanted to make it clear that she wasn't associated with them and their hate for his base (even though she does think his heart base is strange)

Martyn attacking Cleo after she said attacking is a form of affection to her

Cleo setting boundaries with Martyn and explaining what he can do to get her back

Cleo sighing when Scar set her up on a date with Martyn, but taking the chance to talk to him instead of walking out

Cleo genuinely wanting Martyn in her alliance

Martyn and Cleo giggling constantly when they chat

Scar asking if Martyn wanted him to play a romantic music disc for him and Cleo (and Martyn getting excited and saying yes)

Martyn offering to take Cleo's armor and weapons to the deep dark so he can enchant them and bring them back while she stays safe

Cleo gifting Martyn diamonds, expecting nothing in return but not wanting him to die from lack of a good sword

Martyn and Cleo forming a secret alliance that allows Cleo to live with Scott while being on good terms with Martyn

Martyn expressing frustration that Cleo wants to keep this alliance secret because he wants them to be public allies; Cleo softly shushes him when people approach and might overhear

Martyn telling Cleo that she's putting out a lot of mixed signals because she keeps reeling him in and then pushing him away, claiming he is very confused about where he stands with her

Martyn teasing Cleo by punching her off a cliff and accidentally killing her and feeling so bad about it that he apologizes profusely despite roleplaying as someone who refused to apologize for Session 1

Martyn and Cleo immediately threatening Bdubs together when he said hi to them while they were hanging out, sdkfj

Martyn genuinely apologizing to Pearl for dumping her after Session 1

Martyn hiding under Cleo's bed while she defends him from an enderman attack

Cleo offering to let Martyn move into her house after Etho and Joel grief his base; Martyn saying he might take her up on that

Cleo and Martyn agreeing to move out and base together at Box

Cleo trusting Martyn with the location and resources of her red life base

Martyn rushing to Cleo's aid in the deep dark and trying to turn everyone against him instead

Cleo responding to Martyn's panicked shouts for her to eat by opening her inventory to get food (and drowning because she forgot she was in water)

Cleo hanging back and letting Martyn attack Scott while she does nothing to stop him from doing so, implying as much as she likes Scott, she won't kill Martyn (and herself) for him (and/or she trusted Scott to handle himself even though he ran away while Martyn was shooting at him)

Things that did not happen:

Cleo unwilling to forgive Martyn or consider being his friend and partner

Martyn and Cleo hating each other

Thank you for coming to my TED Talk

[lulu-the-bugaboo]

Interestingly enough, there are so many different views on why Ace didn't run away in marineford, despite the fact that Oda tried to provide an explanation. It feels like I have barely seen the same conclusion between two people.

[danwhobrowses]

Okay I've had a sleep, I've seen a lot of what the fandom has to say and I'm gonna just talk about my thoughts on the episode 118 stuff in more detail too.

Spoilers under the cut and it's a little bit (5 paras and a tl/dr at the bottom) long

I have never liked the Release Predathos option, but it had been very apparent - since probably as far back as the vorbing - that Matt had been pushing the narrative towards that option whether Bells Hells wanted it or not. The lack of alternatives provided meant that yes, the Hells had little choice but to deal with Predathos themselves; Ludinus was likely not dead, they were low on strength and resources even after a short rest to fight another full-strength Ludinus, and even if they caved in the core and killed Ludinus again someone else would've tried to come and release Predathos. On that I can't really fault the cast for playing ball with the DM and I can't say what the characters are doing is out of character or with bad intentions, it simply annoys me how close we were to entertaining the idea that should've been discussed earlier of putting Predathos somewhere nobody can get to. Objectively it was still a terrible idea, one that even in delivery could've been better prepared with Imogen not in range of the two saving throw buffs or having any Inspiration as she took on Predathos knowing from previous experience that a wisdom save is likely to be involved. But again, the alternatives offered up to them are sparse, nothing else in the narrative had offered a clear solution and if something did suddenly come up it would've felt too much like a deus ex machina. The Hells are not doing this because they want to do Ludinus' plan, but doing so is by proxy doing Ludinus' plan, and thus the problem as of current lies in the Plot.

Right now, they're at a very high risk of the plot not justifying a story, because why did we have this campaign if the outcome is gonna be the same? If the plan is to reset Exandria why didn't we have C3 in the post-reset era and trickle in what happened as lore? Bells Hells have often lacked agency when it came to the Predathos portions of the campaign, but even when they took agency to try and be more than what they were made to be they found themselves punished or being withheld the catharsis they needed to grow. Regardless, the plot is currently failing the characters, and thus the characters are failing the audience - to the point where some in the fandom now want them all to die or for Braius to betray them all - because we the audience don't see the appeal of the direction.

There is a caveat though: it's not yet over. We expect that there will be a fight between the Hells and Predathos!Imogen (we need a name for that) and possibly Ludinus swooping in with the harness to try and steal a victory, but that does mean that the theatre of imagination can come into play in dealing with Predathos itself. There is of course uncertainty whether Predathos can die, since Vecna at 0hp would've just discorporated them for a bit, but there are a lot more options for the Hells to entertain now than there was at 118, including having to kill the vessel - be it Imogen or transferring it to another like Ludinus or Liliana, being able to expel Predathos from Imogen and entrapping/banishing/killing it with the knowledge that yeah that was a terrible idea, or somehow having Imogen suppress it and remain control over herself (and hope that the same rule doesn't apply to her as it does with Delilah being free when Laudna dies), which all can involve exciting twists and turns and creative solutions befitting of a conclusion. In that hope is the opening for a more exciting and satisfying end, and while the plot has had rightful criticisms a good ending can make up for them just as much as a bad ending can ruin a good plot.

So in short; I don't like that Imogen did that, but I know why she did it. And why she did it is more the plot's fault because we never saw it as a good idea, just the only decision that was pushed to be made. There's hope though, and all is not lost, but the plot as well as the characters are gonna have to earn it.

[sciderman]

it feels quite poetic to read about how you prefer writing the blog over drawing it. you put so much effort into the art, and you've built your entire career around art, but it feels like your passion lies on the side of literature. i'm kind of going through the reverse, where i'm pursuing a higher education in writing but have recently wondered if i should've done animation instead because i love it so damn much.

i dunno. life is weird.

heh! it is a funny old world - i mean, i've always loved writing, and i actually have been writing long before i got into drawing. i used to write short stories as a kid. like a little freak. what kid is into writing. but i was. but the only person who was ever interested to read my stories was my dad. you know, if a kid hands a page of words at you what are you gonna do with it. my dad thought i was awesome, though. i think he was extra proud because he's a writer too. thought his little one was following in his footsteps. i fancied myself a little novelist. but you know. it was hard to get people to want to read my stories.

there was another kid that was good at drawing that got all the attention. and i said. "well. i could do that." and so then i started drawing. i started making comics, really. i took my stories and drew them out, and suddenly people got interested in my stories.

everyone is so alice-coded. you know.

i made comics. i rarely drew without there being a story and dialogue attached to it. i filled sketchbooks upon sketchbooks with comics. it wasn't really art for art's sake - it wasn't because i wanted to get good at drawing - not really, it was a vessel for my jokes and for my stories. so no matter how crude the illustrations were, it was fine as long as i got the joke or story across. i think you might notice that with my comics still - they're not very polished and i don't labour a lot of time over the art, i don't really care to render everything perfect - i like things loose and quick and imperfect. i'm not very precious. as long as it gets the story across.

so it's funny, really - i started drawing because i wanted to spotlight my writing and get people to read it. i just have to spoon feed it to people, is all. sweeten the deal with pretty pictures. then people will read. so i never left writing. never, never. it was kind of always at the heart of everything i did. i guess i pursued animation because it was a marriage of a lot of things i was interested in. writing, storytelling, drawing - and acting. i was a stupid little theatre kid. and to be a good animator, or any kind of visual storyteller, i think - you need to be a good actor. and you need a good sense of humor. if you don't have those things, you'll be a rotten animator, i think.

i think i'm still in the place where writing was my first love, and i enjoy it the most - but, still in the place where - when there aren't pictures attached, you don't get people's attention. and i love attention.

for a time i really thought i should quit animation and pursue a career in screenplay writing - but, i don't... really know how to go about it. and i'd definitely miss art. i really really love things like character design and visual development and visual storytelling far too much to restrict myself to writing exclusively. but - i don't know, in my free time, when i'm not on the clock, well - writing is more laid back, and more relaxing. less taxing. so i enjoy doing it more. in my free time.

(it may also be because writing isn't a huge part of my day job, so it feels more like an escape. that's why i don't really animate at all when i'm not getting paid for it. i don't do animation for fun. i have fun doing it, sure, but i won't do it unless i'm cutting a check from it. because i don't have the energy for it otherwise. if i'm not making money, i want to do something relaxing, that doesn't feel like work. and that's writing.)

[chiimeramanticore]

waow

[cathodic-clairvoyant]

There's a lot about discussion of hdwr that baffles me (not all discussion to be clear, because i do think there's a lot of good discussion about hdwr. But equally so are there the ones that make you wonder if you're reading the same story) and I think one that is especially annoying is the constant infantilization of miwa as this passive eternal victim. It drives me up a wall because this is quite literally an issue she's struggled with within the text of the story! She had an arc about how she dislikes how people treat her this way like towards the beginning of the story! And like even ignoring that, this story is about like nuanced and realistic portrayals of being in relationships and learning how to navigate them and so it's like what's the point if you're going to immediately reduce the characters to "the victim" and "the victimizers?" Is that even interesting? Is that a useful lens to look at interpersonal relationships?