#don't know what Things to Do are though!

[s0ckh3adstudios]

i want to do things with my mutuals so bad,,,,,,,,

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[cattnipt]

Fucked up looking dog you got there

[poorly-drawn-mdzs]

Put that thing back or so help me.

[First] Prev <–-> Next

[2hoothoots]

i don't believe that man's ever been to medical school

[brainmuncher]

The emergency

A good number of members within the Justice League have children. Not all of those kids are biological or adopted but they are their kids nonetheless. Some of those kids are even old enough to be adult heroes of their own, but even then they are still their kids. And the other kids tend to take up heroism at a very young age to most people's chagrin. Although as shown by the original child hero, now going by Nightwing, it’s not as easy as telling the kids to stop.

It was learned through intense hardship that smothering the child heroes was just asking for trouble. Despite how much the older heroes wanted to stay close to their kids, it was seen as overbearing and a show of mistrust. They would act out with even less backup in retaliation, which would only bring even more stress.

So to satisfy the need for protection without stepping on any toes, two new emergency meeting signals were introduced.

One was for the kids to send off. Each one was gifted a small device that could be hidden in their person. The device had both a mic and a tracking chip that could be activated when they were in extreme danger. As soon as the device was active a signal would be sent to the league for an emergency distress signal with the details of who sent it. Due to an outcry from the kids, the device could not be activated by the guardian of the child. The mic and locator could only be activated from the device itself. It wasn’t nearly as protective as some of the more worried leaguers would like, but it was at least something. 

The second signal was one that the leaguer with a kid in danger could activate. This signal could be activated with a single code into the communicators that every member owned. If the member who sent out the signal didn’t specify what kid was in danger, every member would receive a generalized notification of the emergency alert for one of the kids. This wasn’t ideal, but it was learned early on that the guardian of the child was often too distressed to make the code more complicated. It was best to leave it simple and answer questions at the emergency meeting.

Which was great in all, until someone who doesn’t have a child involved with heroics in their care sends off a general emergency.

In places all over the globe, an emergency meeting signal message was sent by Hal Jordan, one of the lanterns. He didn’t include what child was in danger in the signal, meaning that it could be any of the underaged heroes. And considering he didn’t have a child in his care, that made multiple members panic.

When was the last time they checked in with the kids in their care? Who was the one he was sending the code for? What happened to the child he had noticed was in danger? Why is he the one that noticed? Where were their kids? Who was in danger?

Because of the nebulous nature of the call, it didn’t take long for multiple heroes to find the nearest transport to the watchtower and tumble in. What they didn’t expect was the absolute haggard appearance of their friend. He was standing in the meeting room looking like the world had been destroyed before his very eyes. The way he sat without even cracking a sarcastic remark made multiple members pause.

“Hal?” Wonder Woman called, her face pinched in concern. “What has happened?”

The aforementioned member looked over who had already arrived before settling on her face. It was at that moment she knew that he was only looking so collected through willpower alone. This wasn’t just any child of the league, this was personal.

“My nephew Danny has been captured,” He began, sending a wave of different emotions circling the room. “I’ve been trying to find where they took him for a week now and I can’t get any leads. I need your help.”

The unsaid questions and emotions were nearly palpable. Multiple members turned to one another or stared with a million questions. Nobody had known that Hal even had a nephew named Danny. Sure he mentioned someone named Jason at times, but he never indicated anything else. The fact that he hadn’t mentioned him or the fact that he’d been apparently searching for a week was strange.

“And why are you only telling us now? Why did you wait so long?” Superman asked, speaking up the question that was on multiple minds.

A fire of anger curled in Hal's eyes. It was fierce and protective. It was a mixture of appalment for being questioned on his decision and fury for the reasons why he had to do it in the first place. He stepped forward towards the center table, slamming his palms down and leaning into it.

“Because any person that goes against the group will be declared an enemy of the United States. I’ve already had my account and housing connected to Green Lantern seized,” He explained with a deceptively calm tone. “I also needed to make sure that they didn’t have any connections with the Justice League. They have their agents everywhere.”

Unsurprisingly, Batman appeared from the gathered heroes from seemingly nowhere. Despite the feud between the two of them, the Bat was completely zeroed in on the situation. While he had a decent amount of distrust in the lantern, mainly because of the parallax incident, he could tell that the man was genuine. And the Bat always did have a blind spot for children.

“Explain,” Was all Batman said, staring Hal down.

The lantern in question looked at him with a grim face. This was it. Now or never.

“They’re called the Ghost Investigation Ward, or GIW for short. They hunt down and either exterminate or experiment on anyone they deem ectocontaminated or a ghost,” Hal started to explain, his hand curling on the table in frustration. “My brother Jack faked his death and ran off to be with another woman. Those fucks deemed my nephew as ectocontaminated and tried to take him from his home. He ran from his family so that they couldn’t be arrested for knowingly harboring an ecto entity. Told me that he remembered my face from a photo his dad tried to hide in the attic and sought me out.”

If the fire in his eyes were any stronger, they would probably become physical and burn down the room. It was undeniable that Hal Jordan was understandably completely pissed off. This situation was terrible from down to the very root.

“I tried to hide him but they somehow found him anyway. Now my civilian name is being heavily monitored and Green Lantern is being hunted down,” He finished his explanation. “If you join me in this, be prepared to lose everything.”

This was so much worse than anyone could’ve predicted.

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[laundrybiscuits]

(ETA: now edited and up on AO3)

Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans. 

“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?” 

He pauses. “Wait. There aren’t vampire police, are there?”

“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”

“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker. 

Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”

“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”

“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”

Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”

The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.

“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away. 

“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”

———

It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.  

“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”

“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”

Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”

“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.

“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.

“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”

“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”

“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.

“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.” 

“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”

Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.

“Sorry,” he says, muffled. The shadows around them seem darker somehow. 

“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”

“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth. 

“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”

“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”

“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”

“What?” Steve frowns. “You’re…”

“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”

“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”

“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”

Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”

“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.

[lilybug-02]

Bribed with Chocolate. The way it should be.

Part 22 || First || Previous || Next

--Full Series--

More to come as this is a two-parter. But you know how I am with schedules.

Bonus:

I think this was an equally possible reaction from Chara.

[theceaselessidiot]

Eloise Bridgerton being an absolute mood:

and Cressida's reaction of 'this girl is so weird, but I'm into it??? Wait am I into this??'':

[black-and-yellow]

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[kacievvbbbb]

Mihawk and the Red Haired Pirates

-Look I don't know what to tell you, Mihawk's epithet is literally Hawkeyes meaning he is world-renowned for his eyesight meaning that he'd probably make a good sharpshooter. And maybe Yasopp decides to test this theory with a little friendly competition. And after giving Mihawk a quick intro into how guns work, maybe Yasopp had to pull out every trick there is in the book to narrowly avoid losing to said Hawkeyes, who as it turns out is indeed very good at hitting targets and who had literally just learned how to cock a gun not even 30 minutes ago. But who's to say what actually happened, the day of November 25th at 2:35pm? Certainly not Yasopp, the record clearly shows he is undefeated.

-Once a year Ben and Mihawk go on a little trip just the two of them. They act like it's just so they can shit-talk Shanks but actually, they just go fishing somewhere in the middle of the ocean and drink horribly overpriced and fancy alcohol. Look Benn loves his crew, and would die for them but also if he doesn't get at least a week to himself once every year he'd kill them all himself. He deserves nice things and a little peace and fucking quiet and not being constantly inundated with the whims of a man child and Mihawk's the closest he's ever gonna get to a friend with taste, and he travels alone with a bunch of fancy wine. Sue the man. Mihawk who would rather nap is fine to let someone else sail his overgrown raft against the annoyingly ever-changing grandline for a week or two.

-Wouldn't it be cute if Mihawk learned a lot of his fancier cooking techniques from Roux? Like he knew how to cook to survive but watching Roux is how he learned to like properly dice vegetables and that eating fish prepared the same way three times a day is not infact a life he would like to lead. This was of course less cute to Lucky Roux who in the beginning had no clue what was happening and only felt the weight of Mihawk's otherworldly stare on the back of his neck as he handled knives. (he defiantly for at least a little bit, thought Mihawk had a knife fetish. which, he's not entirely wrong)

-To Building Snake (who I just learned is the RHP's navigator) Mihawk might as well be a modern-day miracle. In his eyes, Mihawk's sailing is proof that god exists, because only divine intervention can explain how this man ever gets anywhere never mind on time or early even. Building Snake is pretty sure he owns neither a map nor a log pose and he has never actually seen the sails of Mihawk's pretend ship unfurled or in use. Actually, he has never seen Mihawk do anything but sit menacingly on the throne in the middle of the boat, which why? If you think about it for even a second longer that 2 minutes how Mihawk "sails" anywhere breaks every law of physics and somehow even the concept of geography. Building Snake would like to dissect him and study him under a microscope but knows the boss would disapprove.

[sysig]

Chewtoy (Patreon)

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[wonderfull-star]

I like that face Dev makes.

He just a smol baby 🥺