#don't choose suicide

[lord-squiggletits]

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[cartoonghosts]

genuinely people need to tag triggers. Love all the 'not my responsibility to tag stuff the way you want it' shit but that is for fandom and weird kinks and whatever not LITERAL PICTURES OF SELF HARM AND BLOOD EVERYWHERE like I'd be fine if it was tagged 'tw blood' (which I don't have blocked!! I'd still be triggered as fuck but hey you tried idc) but when you don't tag it at all I have to assume you are actually trying to hurt someone. Yeah I block immediately but thst doesn't change the fact that I'm triggered and the sh urges are back. This is true for text posts too, although I try to block words (I genuinely hate it so deeply when people sidestep other people's word blocks with 'sewerslide' or button mash numbers in the word like. I am going to fucking kill you. 'Oh noo it's triggering to me uwu' bitch you made me actively suicidal for the first time in months. Fucking die. Don't post that shit if using the actual words triggers you). You ABSOLUTELY ARE responsible for what you put out into the words. People saying 'oh ur not responsible for other peoples triggers and emotions' are genuinely heartless and have never felt human empathy. You ain't responsible for how I react to your content, but you NEED to try your best to give people the bare minimum of warnings when you post triggering shit. Look at ur vent post and be like 'hey I'm gonna tag this as tw vent/ tw si' and you genuinely might save someone's life. Probably not but the chance should be enough for you to care and if it isn't, block me. Don't argue, just block me now.

[constant-and-immovable]

when Elizabeth says to Norrington "[You didn't know] which side you chose?" and pulls her arm back, and he goes through two movies of character development because he had the plot wrong the entire time, but now he's in the last third of a trilogy, and he's not the main character, her love interest, her foil, or the antihero. But you know what? There isn't a martyr yet.

[shikai-the-storyteller]

TBH the best case scenarios in my mind for Fit's lore ending on Thursday are either:

Madagio has mercy. They know what it's like to lose everyone they love, and seeing what's happening on Quesadilla Island is just a reminder of everything they loved and lost. Madagio releases Fit, and he reunites with Pac e Mike and Richarlyson, and they're all able to leave Quesadilla Island.

Or:

Madagio and Fit destroy the Federation together. Fit goes full 2B2T mode and there's nothing left of the Federation once they're finished. Madagio and Fit finally have their revenge. (And then maybe Fit can reunite with Pac + all his loved ones and they escape the Island, or reclaim the island for their own since the Federation no longer has any power over them).

Bonus: A very unlikely but "Wouldn't it be fun?" scenario would be Pac and Mike flying down on a fully-grown dragon Richas and rescuing Fit from Vacuus Island and they fly away and live happily ever after.

[priestbit]

                                  [ ˑ ˑ ˑ ] 𝑫𝑶𝑵𝑵𝑰𝑬 𝑾𝑨𝑻𝑻𝑺 & 𝑭𝑨𝑴𝑰𝑳𝒀 , a comprehensive study.

This meta will discuss Donnie's relationship with his actual family members and his relationship with family as a concept. Here I'll be exploring how his attitude towards it has shifted and changed throughout his life. I will be touching on some fairly triggering topics in this meta, all of which have been tagged and listed below. For that reason, this meta is under a read more. Please take care when reading, and don't worry if you aren't in the headspace to read this, there's no hard feelings.

Please be aware that the following topics will be discussed, some in greater detail than others: addiction, child neglect/abuse, allusions to csa, religious trauma, homophobia, pregnancy, addiction, drug use, alcoholism, family death, suicide, trauma, and discussions of war.

Donnie, despite all the misconceptions one may have of him, is motivated by family and legacy. It haunts him in a way that nobody talks about. Every man in the Watts family tree, as far back as they can trace being in the States, has served the military in one way or the other. Every man in the Watts family, since the end of the Civil War, has owned and trained horses for one purpose or the other. They may not have been in that profession their entire lives, but they all started there. Donnie did. His father did. His brother did. You get the idea. This is part of the reason why Donnie always felt so conflicted about what he'd do once he'd graduated high school. Would he continue the family legacy and enlist like his father had? Would he follow in his brother's footsteps and look to make a name for himself as a rancher? Or would he follow his heart and become a rockstar?

Ultimately, Donnie decided to follow his heart. He's always had something to prove, his mother made sure of that. He was going to make his family (and to him, at the age of nineteen, his family consisted of his brother, his sister-in-law, his niece, and his nephew) proud. He was going to do something that would, in his eyes, make him worthy of their love. Achieving his dreams would also show them how good of a job they did in taking him in, as he always feels as though he owes them for that (even though they volunteered to do it, and were happy to help out their little brother. Brody especially, as he carries so much guilt for leaving Donnie alone with their mother in the first place.)

I think that, as a child, Donnie based his notion of family off of what his mother told him. His idea of what a family should be was very much in line with the nuclear family, a mother, a father, the white picket fence, and two children. The idea of it was hammered into his head so often-and so brutally-that he felt othered by the fact that he was being raised by a single mother. This othering led to him resenting the very idea of the family home. He hated it whenever his mother would try to engage in things like family dinner at the dining table. Or dragging him to church every Sunday because that's what families were supposed to do.

When he was taken away from his mother at the age of twelve, he was introduced to what an actual, healthy family unit looked like. Brody Watts had gotten away from Texas and made a damn good life for himself. He had two beautiful kids, a wife who adored him, and Dogwood Ranch in his care. Spending his teen years with Brody and Cassidy helped heal a lot of childhood wounds, so much so that by the time his eighteenth birthday rolls around and his mother contacts him for the final guilt trip he'll ever receive from her all he can do is feel hatred for her. Hatred for her and love for the brother who'd taken him in, love for the sister-in-law who had become the older sister he'd always wanted, and love for the kids who called him 'Uncle D!' whenever they saw him. He wanted that. He wanted a home like theirs, warm and welcoming and the total opposite of the crucifix-infested battlefield that his mother had raised him in.

His early twenties were rough. Addled by fame he was not prepared for, and an addiction to anything that takes him skywards for a couple of hours. Heroin was the real killer. He overdosed twice, and was saved twice by a family he didn't share a single drop of blood with. Rancid Creature wasn't just a successful metal band, Rancid Creature was Donnie's entire world, and a love letter to the dear friend he'd lost in Lee Bennett (who had conceptualised the band when they were thirteen and still fumbling their way through learning how to play their instruments. Lee played bass, Donnie was the drummer. The dream rhythm section.) Izzy, Sammy and Clara were, and still are, like siblings to Donnie. He would drop anything to help them... he knew it wasn't the conventional family, but it was his. It was the only one he could have around all the touring and the TV interviews anyway.

Family wasn't just a loving partner and a couple of kids running around to Donnie anymore. But it's the prospect of a family that ultimately pushed him into getting clean. Anita Huerta, a long-term on and off girlfriend, revealed that she was pregnant, and that she wanted to keep the baby. She wanted to get clean for the baby, and so did Donnie. He'd swore years before that he'd never abandon his children, he'd never subject them to his bullshit the same way his mother had. Donnie, wanting nothing more than to cultivate a warm, safe, family environment for his and Anita's child, got clean.

Now that he's in his early thirties, he knows that he doesn't need to have the conventional nuclear family to be happy. A happy family home doesn't look the same for everyone, and despite the fact that he's always stressing over being as good a dad to Emma as possible, he knows this. Family is whoever you feel safe with, family is whoever helps when you're at your worst, family isn't just blood. Donnie took a long time coming to this conclusion, and he still struggles with undoing the mess his mother made of his brain, but he's there. And he doesn't intend on backing away from it anytime soon.

For some quick-fire headcanons about Donnie's family members and his relationships with those family members, look no further!

𝑅𝐸: 𝑀𝐸𝐿𝐼𝑆𝑆𝐴 𝑊𝐴𝑇𝑇𝑆 ( fc : Willa Fitzgerald & Mary Mcdonnell. )

Melissa Rose was the youngest of five daughters. Her father detested the fact that his wife would only ever give him daughters when what he really wanted was sons. This made him angry, abusive, unfaithful, and a drunkard. Her father, Adam, was a Baptist pastor. His sermons were the very definition of 'Brimstone and Hellfire.' He was a stern but charming man, with an agreeable face and the picture-perfect family. He was all about image, and this attitude would stick with Melissa all her life.

She actually wanted to run away from Texas her whole life, she had dreams of becoming a Hollywood star. She was always told that she was pretty enough to be in the movies.

Melissa married Colton Watts on a total whim, their romance was an intense whirlwind of emotions and intimacy. She'd never been treated so kindly by a man before Colton came along. He promised her the world. And then he went to war.

When Colton returned home, he was a totally different man. He was emptier than she remembered him, and she was resentful. He would have weeks, even months, of being the happy-go-lucky sweetheart she'd married. Then he'd retreat into himself and would prefer to speak to the horses he cared for than he would to her.

Eleven years of unsteady marriage later, Brody Watts was born. The euphoria of being a new parent didn't last long, Colton would soon retreat back into the stables. The same would happen ten years later when Donovan was born.

After Colton's death, and after Brody ran away from his mother's venomous tongue, Melissa was left alone to raise her youngest son. She never called him Donnie, she would only ever call him Donovan.

Donnie, as a toddler, would actually prefer the company of his mother. He enjoyed being bounced on her hip while she went about the household chores. He enjoyed listening to her read. He found his father to be something of a ghost. However, he did run and hide under Brody's bed whenever she'd get into one of her bad moods. She was vicious, a caged animal unleashed on her family.

When Colton died, Donnie was seven. And Melissa fell hard into heavy drinking. Her fuse grew shorter, and even the smallest of mistakes made by Donnie would set her off. If he cried? She'd shout. If he spilt or dropped something? She'd shout. Without even realising it, Melissa had become her father.

Donnie grew older, more vocal, and pushed back against Melissa's temper. He was rewarded with violence, with unwarranted sermons. She would punish him by making him copy entire verses from the Bible by hand. She would take scissors to his hair whenever he refused to go and get it cut. Donnie's defensive, and often explosive temper, was born here. As was his desire to solve everything with his fists.

Melissa didn't hide what she thought of her son from him. She thought he was gay, and would tell him so. She would often fling slurs at him. She thought he was a sinful child, a demon given to her as punishment for running away from her family with his father. She would tell him this too.

She would also blame him routinely for his father's death. Something that Donnie still hasn't been able to shake.

Donnie was sent to a "summer camp" that the local church ran by his mother to "fix" his behaviour. The children would learn to camp, would learn to work, and would learn to be "more Christian" in their attitudes. It was essentially a behaviour retreat for delinquent kids. It was here that one of the pastors would assault Donnie.

The second he returned home, Donnie bypassed telling his mother anything and took himself straight to the local sheriff's station. He told them everything about the pastor, and about his mother. The sheriff was an old army friend of Colton's and had suspected that something was amiss for years. He was the one who saw to it that the social services took Donnie away from Melissa.

Donnie hasn't seen his mother since, and he hasn't heard from her since his eighteenth birthday. He doesn't even know if she's still alive or not, he hasn't thought to check. He's glad to have cut her out of his life, even if there has always been a longing in him to try and get through to her. Sometimes he misses her reading to him as a child, sometimes he misses her embrace. Sometimes he just wants his mom.

He only ever refers to her as 'mother' or 'Melissa.' Only in really vulnerable moments does he ever slip up and call her 'mom.'

A lot of Donnie's self-loathing stems from the way his mother treated him. A lot of Donnie's internal homophobia stems from his mother. A lot of Donnie's issues with his own masculinity stem from his mother. All of his issues with religion and the idea of a benevolent god stem from his mother's attitudes and the fact that she sent him away to that "summer camp." He's slowly coming to terms with this and feels so much resentment towards her for it that whenever she's mentioned he tends to get stiff and oddly quiet. It takes him a long time to learn to talk about her without feeling angry, and he does so for Emma's sake.

Donnie looks most like his mother, with her soft features, curly hair, and pretty green eyes. It's why he'd always take great offence to anybody ever calling him a girl when he was a teenager.

𝑅𝐸: 𝐶𝑂𝐿𝑇𝑂𝑁 𝑊𝐴𝑇𝑇𝑆 ( fc : Robert Redford. )

Colton was the middle child out of three. His older brother, Tristan, died in France, and his youngest brother, Michael, moved to Europe in the summer of forty-seven. His parents owned Dogwood Ranch, as many Watts had before them. It was the ancestral home of the Watts family.

He was raised Catholic, as many are in Longing.

He moved to Texas with his older brother to pursue a Rodeo career. Colton was a promising young Bronc rider and adored working with horses more than anything else. He also enjoyed playing guitar and singing. Music was always going to be a huge part of Donnie's life.

It was there he met Melissa Rose, who looked as though she'd just wandered off of a movie set. Colton was smitten with her, and she was smitten with him. They were young and reckless and felt invincible, and Colton wanted to give Melissa the world. They were married within six months, and, with Tristain's help, living on a plot of land in Copeville within the year.

Then he enlisted and went to war. Colton took his guitar with him to France and would sing for his fellow soldiers whenever he was able. He kept them entertained and happy despite the horrors they saw. He burned his candle at both ends and returned with bullet holes in his guitar, and holes in his heart.

He tried to fight the numbness with all his might. He tried to be present for his sons, but he'd often find himself feeling the chill of The Bulge even in the height of a Texan summer and would slip into his own mind for hours at a time.

To cope, Colton hid himself away in the shed or the stables, fearing what he might do if he was around his family for any longer than a few hours at a time. He could not trust his own body or mind.

As a result, his sons often saw him as a stranger. He tried to make up for it by teaching them guitar chords, showing them how to handle horses, or singing with them. He felt especially close to Donnie, who seemed to take better to his musical inclinations than Brody did. Brody seemed more interested in horses.

Donnie recalls several key moments with his father. Being taught to play the guitar, how to handle a gun, how to ride, how to be a Bronc rider, and being taken to Dallas when his father was due to meet with old war buddies.

Whenever talking about his father, Donnie often calls him his 'old man.' He seems to talk about him with far more respect than he ever does with his mother, despite feeling like he hardly knew him. Donnie also feels an affinity with his father now that he's an adult, especially since he's been through trauma and had to deal with the aftermath.

Donnie still owns his father's guitar, it's easily his most prized possession. He owned a silver signet ring with a cursive 'W' on it that his dad took with him to France and gave to Donnie for good luck. The ring had been in the Watts family for as long as anybody can remember. Donnie gives it to James Gallowes for good luck and as a symbol of his love for him.

In terms of appearance, Donnie takes after Colton's physical build. Looking at photographs of the two of them where their faces aren't visible, you could be forgiven for thinking it's the same person. Donnie also has his father's toothy smile and, according to Brody, Donnie's voice is freakishly similar to their dad's.

Donnie used to resent the fact that Colton put a bullet in his own mouth. It sent Brody away because it made Melissa worse.

𝑅𝐸: 𝐵𝑅𝑂𝐷𝑌 𝑊𝐴𝑇𝑇𝑆 ( fc : Charlie Hunnam. )

Brody is ten years older than Donnie. Has their mother's softer face shape like Donnie does, but the rest of his face is all Colton. Right down to the scruffy blond beard and pin-straight hair. Brody's whole demeanour is gruff, but kind. He's quick to smile and far more optimistic than his younger brother.

When they were kids, Brody would jokingly refer to Donnie as Yosemite Sam from Looney Tunes whenever Donnie lost his temper. It's why Donnie has a Yosemite Sam tattoo on his arm.

Brody always stepped in and took Donnie away from their mother whenever her temper would flare, and would play with him or read to him to keep him occupied. Sometimes he'd take Donnie up to the stables to look after the horses with him. In that way, Brody was more a parent to Donnie than their actual parents were.

At first, Donnie was confused when Brody took off after Colton's death. Then his mother got worse, and then he got angry at him for abandoning him with their mother. He was so angry that a month into being put into Brody and Cassidy's care, the two had a fight that almost came to blows. It didn't, because Brody outright refused to hurt Donnie anymore than he'd already been hurt. This made Donnie break down and cry. Brody held him and the two spoke about things more calmly.

This blowout didn't diffuse Donnie's resentment entirely, but it helped Donnie understand his brother's reasons for leaving.

The ten-year gap between the two meant that talking as brothers was often difficult for them. But Brody always did his best to be patient with Donnie, to be careful around his trauma and what might set him off. He would also cut through Donnie's moping and ensure that he wasn't self-sabotaging.

Brody also gives full embarrassing dad energy whenever Donnie's got friends over. He endearingly refers to Donnie, Lee and James as 'The Three Stooges.' James would also often find himself staying over at Dogwood Ranch after Donnie discovers that his uncle is mistreating him. Brody allows it because he really wants to encourage Donnie to be more emotionally vulnerable and have more friends.

Donnie and Brody love each other fiercely and will jump to one another's defence without question, even if they find it hard to have deep discussions without the help of a few beers.

Donnie hates disappointing Brody (and by extension, Cassidy), and so doesn't reach out to him for help when he should. He often needs pushing into contacting Brody by his bandmates whenever something's going wrong or he's struggling with Emma on his own.

Donnie's object permeance (yay ADHD!) extends to people. This means, that if things aren't in his immediate everyday life, he tends to neglect them. This makes him terrible at calling Brody and keeping in touch, thankfully, both Brody and Cassidy understand this and will often check in with him of their own volition.

𝑅𝐸: 𝐶𝐴𝑆𝑆𝐼𝐷𝑌 𝑊𝐴𝑇𝑇𝑆 ( fc : Freema Agyeman. )

Cassidy Jonas met Brody Watts and immediately fell in love. They bonded over a love of horses, rock music, and spicy food. They just clicked. Their friendship turned into love and ended with them married at the age of twenty-one. It was the most natural thing in the world.

Cassidy Watts was pregnant with twins when Donnie Watts crossed the threshold of Dogwood for the first time. He reminded her of her grandmother's three-legged cat, Nelson, who used to swipe at newcomers whenever they entered whichever room he happened to be sleeping in. He was jittery and jumped at every little noise. It broke her heart to learn what had happened to him, it made her angry too. Brody had to talk her out of driving to Copeville and giving Melissa Watts a piece of her mind. She couldn't conceive of ever hurting her children.

At first, Cassidy attempted to approach Donnie with kid gloves. That seemed to send him further into his shell. What seemed to appeal to him was being spoken to like an adult. A person in his own right. So she did. Because of the honesty between them, Donnie and Cassidy grew close.

Donnie had the messiest, most unhealthy head of curls when he came to Longing, and not a few months later, Cassidy had them styled and healthier than ever. Being a black woman with tight, coiled hair, she was perfectly qualified to help Donnie treat his curls properly. It was a long, careful routine that Donnie keeps to even now in his early thirties.

After the twins were born, Donnie took to being an uncle like a duck to water. He helped Cassidy with feeding them whenever Brody was out working, and would often keep them entertained when he wasn't out causing mischief with his new friends.

When Donnie's fifteen, Cassidy started to attend classes in hopes of becoming a Doctor or a Nurse, as she'd always dreamed of becoming one as a child.

If asked, Donnie would name Cassidy as the woman who raised him. She was the one who helped him out of panic attacks and soothed him whenever he couldn't sleep, she was the one who talked to him about his romantic feelings for James, she was the one who encouraged him to follow his heart after he graduated. She was also the person who put him in his place whenever he was letting his anger get the better of him.

Donnie almost exclusively calls Cassidy 'Cass', and it's always with the utmost affection. He adores her with his entire being.

Cassidy is also the first person Donnie comes out to, officially. She's the person he turns to whenever he finds himself stuck. He knows she won't judge him or think less of him for messing up. Neither would Brody, but Donnie isn't so confident with that knowledge. He's getting there.

𝑅𝐸: 𝐺𝐼𝑁𝐴 𝐴𝑁𝐷 𝐽𝑂𝑁𝐴𝐻 𝑊𝐴𝑇𝑇𝑆 ( fcs : undecided. )

Georgina and Jonah Watts are fraternal twins and are the only two children of Brody and Cassidy Watts. Donnie views the pair of them as his younger siblings.

The twins refer to Donnie as 'Don' or 'Uncle D' pretty much exclusively.

Gina falls in love with rock music because of her parents and falls deeper in love with metal and alternative music because of Donnie. Donnie often catches her rifling through his tapes when he's not keeping an eye on her. When he leaves Longing, he actually leaves the vast majority of his tapes and vinyl at Dogwood, so that Gina can listen to them. Gina also gifts Donnie with an Iron Maiden poster on his fourteenth birthday, Cassidy informs him that she wanted to give her uncle a present that meant a lot to him. He still has the poster now, it's in a frame on the wall of his office.

Jonah and Donnie bond over horses. Brody held no interest in actually participating in any kind of Rodeo events, and neither did Donnie, but Donnie knew a couple of tricks to help Jonah get started. He showed him how to ride and how to tend to the horses alongside Brody. Jonah also shares Donnie's love of Star Wars and sci-fi. He even starts to copy Donnie when Donnie starts keeping journals and writing things like song lyrics down. Jonah's got a big imagination and an even bigger heart. Donnie encourages him to feel things unapologetically and to talk to his parents when things are bothering him. When he leaves Dogwood, Donnie leaves a good chunk of his books with Jonah, knowing he'll take care of them.

Donnie misses a good chunk of the twins' milestones while he's touring with Rancid Creature, but that doesn't stop them from sending him letters and getting excited whenever he calls. He feels guilty for not being there more for them during this time, and he's always trying to make up for it, even though they hold no hard feelings over it.

Donnie also misses these milestones because he's too high, which he feels deeply ashamed of, despite the understanding he gets from Brody, Cass and the twins.

He might be terrible at calling, but Donnie has an uncanny ability to remember dates, even when he's deep in the throes of addiction and depression. He always sends thoughtful gifts and birthday cards/letters to his niece and nephew. He dedicates more than a couple of songs and awards for his music to them and their parents.

He's their favourite uncle, despite being their only uncle. And they will die defending him. They even show up to one of Rancid Creature's shows in Santa Fe to surprise him one year, and Donnie almost cries with happiness at seeing them. That's his little sister and his little brother! And he will die for them!

[goldiipond]

ohh so ray uses his scarf to hide his id number. ok well what if i hurt someone

[parsleymusic]

the urge to respond to critique about portrayal of unpolitically correct attitudes or phrases or actions or whatever in regards to mental illness with "what if I told you that it's not my job to tell my readers that when my character says stuff like 'my binge eating disorder is not as bad as my brother's bipolar + PTSD combination; he has to win at something' that it's Bad and the Wrong Attitude to have when it's largely a tongue in cheek joke about living with mental illness and watching the people you love experience a different flavor that is also worse

[daz4i]

blegh. it's been a few years but i'm still so mad at my old therapist for screwing me over this much in the long run

[addicted2coke-theothercoke]

Here's a title I guess

You ever get some pissed off and so annoyed at someone or something, and have zero skills coping with emotions cause you're a freaking idiot, so you just need to destroy something but you're in school so all you can destroy without getting in trouble is yourself, so you take a pen and start to grind the tip away on your arm until you've worn away skin, and then proceeded to hit yourself in the back of the head over and over again once you've left the class and are able to do something more noticable, recognizing that doing so also hurts your teeth so two for the price of one?

I have sponged up all my friends mental health problems lol

[naamahdarling]

.

[tarraxahum]

A whole library of songs I like or know and not one about this one specific topic that follows me everywhere, what the fuck

[oveliagirlhaditright]

I guess it's not overly common, or maybe it is and it's just in fiction, because there's plenty of them, and good in depth ones...but I also have always kind of liked or at least had interest for Bangelus I always was bummed there was never another meeting w them. It was something of ATS that didn't make sense since she was all he thought about last time he was out and he even almost ended the world. It was waste that rematch never happened....

I definitely agree, anon. I imagine a lot of it has to do with the legal issues at the time, of course. With Buffy and Angel being on different networks and the networks not really wanting the different characters to appear on each other's shows.

And, perhaps, the writers felt like if they had a Buffy vs. Angelus thing again--even if there would of course be some differences this time--it would be too much like Buffy season two, so instead they had Angelus vs. Faith instead (which I do love).

But it definitely is weird that Angelus didn't seem to mention Buffy much in Angel season 4, when she was all he thought about before. I think the most we get is him calling Buffy "a pistol," (which is a great line), and him calling Dawn and asking if Buffy's there (to figure out if the Slayer in town he's hearing about is Buffy or Faith), right?

To be honest, we can't deny that some of this might also be because season four is where a lot of where the Angel/C*ordelia plot line is. And during that, the show kind of stopped mentioning Buffy (to maybe try and give the illusion that Angel had moved on some, to try and get the audience to stop thinking of the Angel/Buffy pairing, or moreover to get people to not question... "Wait, how is Angel pursuing a relationship when he still has the curse when the whole reason he left Buffy is because he can't have a relationship if he still has the curse?"). So that might also be part of it. But I definitely think it's moreso the first points.

And, I know I'm biased here, of course (though I do still enjoy Angel/C*ordelia some, though Angel/Buffy is my OTP now), but I don't think Angelus really had feelings for C*ordelia (Buffy seems to be the only person that both the man and demon in him loved). Or if he did, it wasn't like what he felt for Buffy. Because if he had, wouldn't they have made him crazy like his feelings for Buffy had? Like, wouldn't he have wanted to destroy her for making him love her, too, if that had been a thing? So I don't think something like "Angelus had feelings for C*ordelia and that's why he didn't really think about Buffy in season four" was a thing.

The closest we probably ever get to seeing Buffy and Angelus ever interact again in canon is the comics (I don't know if you've read those, anon).

In season 8, I feel like Twilight (this other persona of Angel's, who, is, like partly good and partly bad; and also being possessed by his and Buffy's kind-of-evil kid [it's a super long and complicated story)] is kind of Angelus-like to me. But also Angel-like some. And yes, he and Buffy do end up fighting.

And then in season 10, Angelus makes a brief appearance (when his great-grandsire brings him out again) and he jealously attacks Spike in knowing that at the moment Buffy has chosen to be with him instead. And this definitely seems to hint, of course, that Angelus has finally accepted his feelings for Buffy by this point (the Twilight stuff kind of did, too--if you choose to see Twilight as partly Angelus at all--since he was choosing to be with Buffy and trying to create a perfect world with her, where they and everyone they loved could be together).

There's also a part in the tie-in book "Monster Island" (that takes place in early Buffy season 6 and Angel season 3), where Buffy and Angel (and Gunn) are kidnapped by the Big Bad of the book's minions. To try and get them out, Tara casts a spell to get all magical creatures to attack each other (thinking the demons would then turn against each other, and they could just easily swoop in and save Buffy and Angel at that point). But she didn't count on Buffy and Angel also being magical creatures, of course (or even herself being a magical creature), so Buffy and Angel are trying to break from their bonds to kill each other. And Angel is starting to be very Angelus-like (like, Angel even thinks that), though he's trying to fight it.

...This reply is all over the place. And I don't know if it makes much sense. Sorry about that! But like you, I do kind of wish that we'd gotten more Bangelus in canon! Like, it's cool that in the comics it seems that Angelus has undergone some sort of journey offscreen and accepted his love for Buffy, but I wish we had seen that onscreen somewhere.

But oh well. I guess that's what fanfiction is for:)

Thanks for the ask!

Edit: There's also more Buffy and Angelus in the book "Night Terrors," a Buffy Choose Your Own Adventure book. But if you get on the path where Angelus shows up, it's sort of an alternate canon to Buffy season two, as he shows up earlier there than he did in season two (before he and Buffy make love, etc.).

Angelus is also in the book "One Thing or Your Mother," and the classic comic "Ring of Fire," but they're more missing moments/episodes from season two, than Angelus showing up in a later season and seeing Buffy again or anything like that. I do highly recommend both, however, since you're a Bangelus fan. Especially "One Thing or Your Mother." Oh! And in the tie-in-novel "Here Be Monsters" (that takes place during Buffy season three), there's a section where Buffy is seeing her worst nightmares. I think it's Angelus she sees (and I think she sees herself killing him again? it's been a while), who tells her that she knows how their story is going to have to end (with her killing him once more), and she'd better make it stick this time.

In the tie-in book, "The Evil That Men Do" (a book that takes place in season three), Buffy and Angel are kidnapped by Helen (a former vampire lover of Angelus') and her lover and forced to try to kill each other in a gladiator-like game. They pretend that they've turned on each other to get out of it and get their enemies to try to kill one another (as Helen's lover was always jealous of her and Angelus, and now he fears they're going to be together again).

In the classic comic "City of Despair" (that takes place in Buffy season 4/Angel season 1) Buffy and Angel are abducted to another dimension (called the City of Despair, actually), and forced to battle each other. They both have these collars on their necks, that are impossible to remove and will kill them if they disobey. They're also, like, almost forced to fight against their will: their bodies moving with a mind of their own, I mean. But eventually Buffy realizes that it's literally people's despair keeping them there. She convinces Angel to try to fight against the feeling with her for just one moment: the two of them embrace, and then escape.

Edit 2: Wait. I guess there's also the Buffy book "Big Bad," that has Buffy and Angelus in it, but I haven't read it yet. So I can't tell you how good or in-character that one is atm. And unlike how the original tie-in books and classic comics were always okayed by at least one of the original writers, I'm not sure if these new novels have been. I'm thinking not?

Edit 3: And though a part of me is loath to mention Boom, since they're not canon and I have... not very positive emotions about these comics in a lot of ways. In the first Buffy/Angel comic they were doing, Angel ended up possessed by something called the Hellmother, I believe it was called, while he and Buffy were on a mission in the Hellmouth together. And then Buffy ended up having to fight him.

[angorwhosebabyisthis]

tfw you want to write up a proper post detailing What the Fuck about a particular thing about a character, but you're too exhausted and out of sorts to figure out the best way to format it and you'd rather make an actual concise, relatively coherent post instead of just reblogging it over and over with 'jesus fucking christ'

[kittlyns]

One day I am gonna start journaling again and then I won't post all this sad shit on here but until then! *posts another sad post*

[justabunchofdragons]

also the feeling of winning a politically based argument with my dad is soooo fucking good