#Robert Hardy was too short and too old for the part but he lived and breathed the character

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[hellsbellschime]

“the reality is that most people in Westeros don’t want a Targaryen king or queen and they never did.” you sure about that, hun? because text suggest otherwise, but go off i guess.

“When Queen Visenya placed a Valyrian steel circlet, studded with rubies, on her brother's head and Queen Rhaenys hailed him as, "Aegon, First of His Name, King of All Westeros, and Shield of His People," the dragons roared and the lords and knights sent up a cheer...but the smallfolk, the fisherman and field hands and goodwives, shouted loudest of all.” -the world of ice and fire

“He (jaehaerys i) was nine-and-sixty at his death, and had ruled wisely and well for five-and-fifty years. Westeros mourned, and it was claimed that even in Dorne men wept and women tore their garments in lament for a king who had been so just and good.”-the world of ice and fire

“. . . elsewise, we bow only to our own lords, and the king. The true king, not Robert and his ilk." He spat. "There was Crabbs and Brunes and Boggses with Prince Rhaegar on the Trident, and in the Kingsguard too. A Hardy, a Cave, a Pyne, and three Crabbs, Clement and Rupert and Clarence the Short. Six foot tall, he was, but short compared to the real Ser Clarence. We're all good dragon men, up Crackclaw way."”-a feast for crows, brienne iv

“"It's a sin and a shame," an old man hissed. "When the old king was still alive, he'd not have stood for this."

"King Robert?" Arya asked, forgetting herself.

"King Aerys, gods grace him," the old man said, too loudly.”-a clash of kings, arya vi

“Viewing stands had been raised beneath the walls of Lannisport, and the cheers of the smallfolk had echoed off Casterly Rock like rolling thunder. They cheered Father twice as loudly as they cheered the king, the queen recalled, but only half as loudly as they cheered Prince Rhaegar.”-a feast for crows, cersei v

“The Targaryen dynasty had produced kings both bad and good, but none as beloved as Baelor, that pious gentle septon-king who loved the smallfolk and the gods in equal parts...”-a dance with dragons, cersei ii

there are numerous more instances where we are told targaryen rule was good for westeros, especially for the smallfolk, these are only the ones that come at top of my head rn. of course there were bad kings, like there are bad lords in every houses’ history. but overall they were and still are very much loved by the common people and did much good for the realm. so keep dreaming hun, the superior house has a book (and another one on the way) and a side novella written about them❤️

-----------------

LOL I mean there’s no need to be quite this rude and condescending, perhaps we just have different perspectives and that’s fine, but... is anyone even left alive who remembers a Targaryen king besides the Mad King? And putting that aside, like I get you likely saw something I said in the anti-Dany tag and are super pissed because Dany is destined to be the greatest queen who ever lived, but GRRM’s analogies and metaphors aren’t exactly subtle. He’s an explicitly anti-war and anti-interventionist writer who made House Targaryen and Daenerys in particular into interventionist warlords who solely rule because of the threat of WMDs that only they possess, so it’s fine if you stan but clearly these characters were not created to be idealized.

 And to be honest, I’m really disturbed by this line of thinking. The idea that invading a group of relatively peaceful countries, forcing them to become one country, and making yourself the ruler over it is justifiable under any circumstance is really not the life lesson I think GRRM was trying to teach the world with ASOIAF. Obviously point of view is a huge element of the story, but what I find strange is that you’re citing quotes about characters who have done objectively bad things. The whole point here is that GRRM is trying to teach the readers that perspective can drastically differ from reality, and regardless of who liked people like Visenya, Baelor, or Rhaegar, the fact is that they did things that were objectively wrong and had very serious and deadly consequences for the realm. Sure, people were cheering Rhaegar when he was the last dragon, but were they still cheering when instead of stopping the Mad King he absconded with a highborn teenager and abandoned his wife and kingdom to illegally marry and impregnate her? Baelor is known as the blessed, but was he helping the Seven Kingdoms when he starved himself to death? And most importantly, do you think that the people of Westeros are going to be cheering for Queen Daenerys when she commits mass genocide in King’s Landing? 

Honestly there is absolutely nothing wrong with loving certain characters and certain houses, but I mean this sincerely, if you’re solely looking for certain houses or characters to be the one dimensional beloved heroes and you’re ignoring every obvious flaw that GRRM is putting in the subtext, then you’re missing an enormous part of what makes ASOIAF such an amazing read.

[aion-rsa]

Dennis ‘Des’ Nilsen is Far From David Tennant’s First Psychopath Role

https://ift.tt/2RNJXa5

David Tennant’s transformation into serial killer Dennis Nilsen for ITV’s Des was unsettlingly convincing. It wasn’t just the physical resemblance, though under that hairstyle and behind those 1980s glasses frames, the similarity was remarkable. It was also the posture, the unwavering eye contact, and the voice; mumbling and unconcerned, listing the terrible details of Nilsen’s crimes as if reciting a recipe instead of multiple brutal murders. 

As Nilsen, Tennant pulled off what every actor hopes to in a real-life role – a disappearing trick. He slid clean inside the role, leaving no trace of The Doctor, or Simon from There She Goes, or the demon Crowley, or Alec Hardy, or his funny, self-deprecating public persona. For those three hours on screen, he was nothing but Nilsen.   

The role is one in a long line of on-screen psychopaths for Tennant. He might be best loved around these parts as excitable, convivial romantic hero the Tenth Doctor (who, as noted below, also had his villainous moments), but David Tennant has been playing bad guys for decades, starting with a 1995 episode of ITV police procedural The Bill…

Steven Clemens in The Bill, ‘Deadline’ (1995)

In his early 20s, David Tennant went through a rite of passage for the UK acting profession: he landed a part in The Bill.  And not just any old part on The Bill, this one was a peach. Tennant wasn’t cast as some kid DC Carver caught snatching a granny’s handbag – he played psychopathic kidnapper and murderer Steven Clemens.

When 15-year-old schoolgirl Lucy Dean (an early role for Honeysuckle Weeks) was abducted after receiving threatening phone calls, the caretaker from her school was brought in for questioning. What followed was a high-stakes game of Blink between Tennant’s character and Sun Hill Station’s finest. Clemens toyed with the police, first denying responsibility and then refusing to tell them where he’d stashed Lucy. It’s a big performance, as suits the soap-like context, but even then Tennant made a good villain, revelling in his evildoing. Clemens came a cropper eventually when Lucy was found alive and the investigation linked him to the kidnap and murder of another schoolgirl. Watch the whole episode here. 

Barty Crouch Jr. in Harry Potter and the Goblet of Fire (2005)

Skipping forward a decade, Tennant’s most mainstream cinematic baddie to date is Death Eater Barty Crouch Jr. in the fourth Harry Potter film. Crouch Jr. was the Voldemort supporter who engineered Harry’s entry into the Triwizard Tournament, and turned the winning trophy into a portkey that delivered Potter straight into Voldemort’s waiting arms (well, Voldemort was sort of soup at that point, but bit of magic and voila – arms!).

Crouch Jr. did all this while magically disguised as Brendan Gleeson’s character Mad-Eye Moody, so Tennant’s actual screen time in the film is pretty limited. In his few short appearances though – in a flashback to his Ministry of Magic trial and after his disguise is rumbled – Tennant makes a real impression as the unhinged, tongue-flicking baddie.

The Time Lord Victorious in Doctor Who ‘Waters of Mars’ (2009)

The majority of the time, the Tenth Doctor was a sweetie – big grin, lots of enthusiasm, two hearts full of frivolity and love. Every so often though, Ten’s genocidal, survivor-guilt past rose to the surface. Never cruel, never cowardly, no, but sometimes a bit… murdery and drunk on power. 

One such occasion was his brutal extermination of the Racnoss children in Christmas special ‘The Runaway Bride’, and another was his Time Lord Victorious trip at the end of ‘Waters of Mars’. In the special, Ten changes the events of a fixed point in time to save the lives of Captain Adelaide Brooke (Lindsay Duncan) and her surviving crew, bringing them back to Earth in the TARDIS instead of leaving them to die. Realising the serious ramifications of his timeline meddling, Brooke confronts the Doctor about his arrogance, and puts the mistake right. It doesn’t take Ten long to come back to his senses, drop the god act, and realise he’s gone too far, and it’s David Tennant’s ability to convincingly play both the power-crazed god and the devastated man that makes him one of the best in the business. 

Kilgrave in Jessica Jones (2015)

David Tennant played a bonafide demon from actual hell in Good Omens, the TV adaptation of Terry Pratchett and Neil Gaiman’s 1990 novel, but Crowley still had nothing on his Jessica Jones character.

The first series of Marvel’s Jessica Jones on Netflix won acclaim for its depiction of a coercive, abusive relationship through a comic book fantasy lens. David Tennant was Kilgrave, a villain with the power of mind control following experiments conducted during his childhood. Instead of using his power for good (convincing people to pick up litter, be kind to animals, etc.), Kilgrave exerted his will on the world at large, bending those around him to his sick desires. When he stumbled upon super-powered private investigator Jones, he didn’t stop at using her super-strength for his own ends. Kilgrave also used his powers to keep Jones hostage and manipulate her into coerced sex. Jones’ battle to escape Kilgrave was powerfully acted by Krysten Ritter and David Tennant, who had the range to show Kilgrave’s ‘charm’ as well as his chilling megalomania. 

Read more

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Doctor Who: David Tennant reflects on his final line

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Cale Erendreich in Bad Samaritan (2018)

Director Dean Devlin followed up weather-disaster flick Geostorm with Bad Samaritan, a dark psychological thriller about a small-time crook who gets into the bad books of a wealthy sicko when he stumbles upon his dark secrets while burgling his house. Misfits’ Robert Sheehan plays the burglar, and David Tennant plays the loaded psycho whose obsession with technology earned him the nickname ‘Evil Bruce Wayne’. Cale Erendreich is a Patrick Bateman-like moneybags psycho with a sick taste in torture. Overall, the film itself isn’t a huge amount of cop, but boy, does Tennant commit.

Dr Edgar Fallon in Criminal ‘Edgar’ (2019)

Netflix’s multi-lingual European series Criminal takes the best bit of Line of Duty – the police interview scenes – and strips away everything else. Every episode has a new case, a new interviewee, a new lead actor, and a team of cops trying to break them within a limited time frame. 

Kicking it all off with the first UK episode of series one (a second run is available to stream now) was David Tennant as Dr Edgar Fallon. You’ll have to watch the 42-minute episode to know whether or not Fallon is guilty of the crime about which he’s being interviewed (the rape and murder of his 14-year-old step-daughter), but Tennant is chilling and magnetic enough as the well-spoken English doctor to keep you guessing.

Dr Tom Kendrick in Deadwater Fell (2020)

When a tragedy occurs in a Scottish village, suspicion falls on those closest to the victims. David Tennant plays local GP Tom in Channel 4 drama Deadwater Fell, a four-part series available to stream on All 4, about how a small community responds to a terrible event. Is Tom really the perfect family man he appears to be, or is there something else under the surface? Without giving anything away in terms of plot, Tennant moves fluently between the roles of victim and villain in the audience’s mind as this empathetic, clever miniseries twists and turns. 

Dennis Nilsen in Des (2020)

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This starring role is the culmination of years spent clocking up experience on how to unsettle on screen. As real-life Scottish serial killer Dennis Nilsen, David Tennant is chillingly perfect. It’s both an on-point impersonation and a disquieting performance that conjures up this peculiarly banal killer. Tennant is ably aided by co-stars Daniel Mays and Jason Watkins as, respectively, Nilsen’s arresting officer DCI Peter Jay and biographer Brian Masters. It’s a triangle of excellent actors at their best, making for a compelling three-parter. 

The post Dennis ‘Des’ Nilsen is Far From David Tennant’s First Psychopath Role appeared first on Den of Geek.

from Den of Geek https://ift.tt/3iFjuHb

[whatifitscool]

Recapping the brief history of the TNT Championship – Promoting new talent or securing the legacy of Cody Rhodes?

by Tim

For the month of April 2020, AEW held another tournament in their debut year to determine who would go to the finals at the Double or Nothing PPV for the newly announced TNT Championship. Unfortunately, COVID-19 had affected promotions worldwide and forced AEW to tape multiple episodes without a live crowd, including the entirety of this tournament. Despite this, AEW still delivered their quality product and viewers were treated weekly to the joy that is professional wrestling. Demonstrating that they are the leader of the wrestling industry, AEW were the first to use their own talent to make up for the lack of crowds; a move that has since been imitated by WWE.

 A mid-card title on the level of highly coveted championships like the Intercontinental Championship would potentially offer newer stars the possibilities of further exposure in AEW while simultaneously developing the competitiveness of their burgeoning mid-card. Has the introduction of the championship been a success? Has it given opportunities to younger talent? Or has it only been a showcase for Cody Rhodes?

 The tournament brought together significant names in the AEW ranks who had graced our screens or were in matches on PPVs but up until that point, they had not been considered as being realistic contenders to any of AEW's then-current championships. The only exception to have competed for the AEW World Championship was Cody. Sammy Guevara, Darby Allin and Kip Sabian are dynamic additions to the AEW line up and each have considerable followings due to their efforts in the independent scene. The other competitors included veterans Dustin Rhodes, Shawn Spears, new signee Colt Cabana and perhaps the most exciting of this year's signings - Lance Archer.

 Prior to the tournament taking place, Cody was forced to relinquish his ability to challenge for the AEW heavyweight title due to interference from MJF. Though this was resolved in a serviceable match, Cody would quickly meet his next challenges – firstly with the arrival of Jake Roberts. When introduced to the Dynamite faithful, Jake would deliver a cutting and scintillating promo to announce that he had a client. The man is truly a gift with words and his role as harbinger prior to the arrival of Lance Archer was inspired. Archer's introduction was as a part of the crowd with Manager Roberts. They didn't introduce him by way of a sneak attack a la Moxley (though this was amazing), Jake Hager or Proud and Powerful, to name a few. What has been consistently great about AEW's feuds is how varied they are. Where Cody has been concerned, there's almost always been a slow burn build with teases of betrayal and trials to endure, culminating with an eventual confrontation – with the way his feuds have been presented, Cody has been positioned as the baby face of the company.

 Regarding the path of the eventual finalists, viewers would see Cody in a competitive match-up against Darby Allin however the weak transition from Cody taking a Coffin Drop into what looked like an attempt at a crucifix pin hurt the quality of that match's finish. A more interesting match in Cody's path to the TNT Championship final was against the reliable Shawn Spears who kicked out at the 2-count after taking two successive Cross-Rhodes finishers, only allowing his shoulders to stay on the mat for the 3-count while he was held in the Figure Four. Storyline-wise, it teased that perhaps Cody's Cross-Rhodes wasn't as effective.

Enter Lance Archer. Despite his matches going for more than 10 minutes each, the build-up of the Murderhawk as a monster was nothing short of convincing. In his match against Colt Cabana, he laughed off strikes, delivered a pounce that sent the not-diminutive Cabana across the ring before eventually carrying him from the top turnbuckle and delivering a thunderous Blackout. In his match against Dustin Rhodes, he would showcase an impressive arsenal that included power and acrobatic moves while also teasing the ineffectiveness of the Cross-Rhodes when he kicked out at 1. QT would offer to throw in the towel on Dustin's behalf before Cody would come in to offer the same, only to watch as his brother was forced unconscious by the EBD Claw.

 Is Cody a fan of Rocky 4? Many have probably drawn comparisons between this feud and Stallone's classic with Cody and Dustin filling the roles of Rocky and Apollo, respectively. Especially when Cody didn’t throw in the towel and watched while his brother fell. Arguments could be made that Archer filled the role of the towering Ivan Drago, albeit with a more sadistic side as he relentlessly taunted and tormented the younger Rhodes in the lead-up to their confrontation.

Rocky 4 comparisons aside, another highlight in this feud was the meeting between their managers. Arn Anderson would memorably say to Jake Roberts, “I want you to be real limber when I Spinebuster your ass and shove your head where the sun don’t shine.” Fantastic!

 With the emotional stakes raised along with the motivation to avenge his brother, the showdown was set for Double or Nothing where Cody and Archer would collide in the final to decide who would be crowned the inaugural TNT Champion. Fitting for his monster-status, Archer entered the arena by choke slamming some poor soul while accompanied by Jake Roberts. Cody entered, accompanied as always by the Head Coach of the Nightmare Family, Arn Anderson. They convincingly played this as a tough bout for Cody. Suiting his in-ring persona as the baby face, he was on the receiving end of a lot of punishment. Almost shortly after the first bell rang, Archer hit him with a Blackout. Notable highlights included when Cody pulled out the DDT on Archer. Archer later responded with a Spinebuster. Great bits of fan service for new and old fans alike. But when all was said and done, Cody won after hitting Archer with two consecutive Cross Rhodes.

 It was a David vs Goliath (Rocky vs Drago) bout and although I’ve read some criticism that the match was too long for Archer, I do enjoy lengthier paced battles. The length of the match was suitable because they needed the time to tell the story, to show a physical bout, to continue selling that Archer was a believable monster and Cody had to demonstrate his resilience in order to overcome adversity and capture a championship. And when the dust settled, AEW moved on to the next storyline, which set up one of the most interesting schedules for a wrestler I’ve ever seen.

 The Fighting Champion

Addressing the viewer, Cody delivered another in a line of charismatic promos drawing parallels between himself and Tom Brady and how he was never the first call. Holding up four fingers, he declared that he would turn a pace and cut a schedule like no wrestler before and issue an open challenge. Cody would like to retire by the time he’s 40 and with the pace he was talking, I couldn’t help but think of a repeated phrase in Hamilton, “why do you write like you’re running out of time”. Cody’s going through matches and maybe even storylines like he’s “running out of time.”

I’ve seen Cody deliver a promo live when he attended a show in Australia. A show he couldn’t participate in due to an injury. A show he didn’t have to attend. But he came down anyway and the audience was appreciative of him showing up. He is passionate and genuine about his love for the business and after his promo about the TNT Championship Open Challenge, I was keen to see him show – together with AEW’s roster – what they could offer bell to bell. This was not going to be shenanigans on the level of a certain 24/7 championship.

 The first challenger for Cody’s TNT Championship would be Jungle Boy. This made sense based on his impressive performance against MJF at Double or Nothing. The match up was not overly long and allowed both competitors a chance to show off their skills. MJF would also factor into this match slightly when he was seen mouthing off to Jungle Boy, jealous that Jungle Boy got a title shot before he did. Cody would show colour in the match and the two later crashed through a table, leaving Arn’s jaw on the floor. Including Arn’s facial expressions in the broadcast adds to the presentation of these matches as they either tell a story or echo the audience’s reactions. Cody would win this match in 10:11 after he dropped Jungle Boy with a Cross Rhodes, spiking him somewhat in the process. Though Jungle Boy was unsuccessful, it showcased the young man’s potential. Please give him a solid singles run soon and pick up on his feud with MJF. These two clearly worked so well with each other and there’s further matches to explore with their natural chemistry.

 In an interesting match-up, Private Party tag-team member Mark Quen would receive the opportunity to challenge next. Prior to AEW, I hadn’t seen anything Mark Quen had done but this kept things fresh by giving him a singles opportunity. In their debut year, AEW undoubtedly have reels upon reels of highlights and I think Quen delivering an amazing 450 splash onto Cody on the ring platform should be one of them. In the closing minutes, they also delivered a crisp reversal when Quen went for a shooting star press that was caught by Cody who immediately applied an ankle lock. Beautiful work from both and Quen would be forced to submit in 11:43. Cody had overpowered yet another competitor but allowed them some time to shine. No sooner had the show of sportsmanship ended that Jake Hager would appear, entering the ring and eventually putting hands on Arn, backing him into the corner. He would then toss Cody and powerslam him before Private Party and Matt Hardy would save him. The Inner Circle sans Jericho would also show up to help. Once the referees broke this up, Cody got on the mic and said, “Jake, I think I know what you’re asking. You want a TNT title match at Fyter? Is that what you want? You got it!” A very quick progression from the match that just finished and the announcement of their upcoming clash overshadowed the next match in Cody’s march to Fyter Fest.

 That booking all but guaranteed that the next person to challenge Cody would lose. Prior to their introduction, Arn noted that the next person to challenge was checked out by him and he was someone that Cody could take it to and hone his skills. Side observation: Again, is Cody or the writers’ fans of the Rocky series? I couldn’t help but draw parallels between Arn Anderson and trainer Mickey Goldmill in Rocky 3 who was handpicking talent for the champ to fight.

This lead to the then-hottest free agent’s introduction to AEW. And it was a very organic introduction to Absolute Ricky Starks. The former NWA World Television Champion has been broke but as he declared, he has work ethic and grit and he was ready to go the distance. May I say that Ricky Starks has awesome ring entrance music? It’s so good!

During their match, a story was still being told. While AEW was demonstrating that they’d opened their doors to competitors from any promotion, there were multiple cuts to Jake Hager intently watching the match to study Cody’s moves, developing the next feud. Starks would prove a nimble and savvy competitor, scouting and preventing a Cross Rhodes attempt as well as preventing a moonsault and hitting a superplex. After they traded several pins, Cody would eventually hit a thunderous Cross Rhodes to win the match at 08:34. Though this was the shortest of Cody’s TNT title defences, Starks was enjoyable to watch. He was so impressive that he was offered a contract with AEW shortly after the conclusion of their match.

 At Fyter Fest, Cody and Hager would collide in a match where there was an answer for almost every single one of Cody’s moves with the MMA specialist countering most submissions as well. No Cross Rhodes was landed during this match. I also liked Excalibur calling out the Vader Bomb with Jericho then correcting him and saying that it is the Hager Bomb. Hader Bomb? Cody also hit a beautifully delayed springboard cutter. In the closing minutes Cody would crawl to the ropes while held in an ankle lock, being slapped silly by Catalina in the process. Arn would run interference with the referee while Dustin sprinted out to engage Hager. Hager fought him off. Hager would eventually hit Cody with the uranage and apply a choke but Cody would use his weight to keep Hager’s shoulders pinned to the mat for the 3 count at 14:15. A creative way to finish, seeing Cody retain while protecting Hager as the (mostly) undefeated MMA monster that he is.

 The Arrogant Champion

Storyline-wise, Cody’s character was being painted as somewhat invincible with his ability to overcome any opponent and on the 15/07/2020 episode, the signs of the overconfident champion began to creep in. This was evident in his aggressive start against Sonny Kiss and the arrogance was on display when he opted to do a set of push-ups in the ring instead of keeping his head in the game. Cody would lose control of the match and Arn would chew him out by saying, “Get your head out of your ass!” There was another great shot of an Arn reaction, wincing as he saw Sonny Kiss deliver a huge axe kick into Cody’s back. Cody missed a lot of his offence because Sonny had him scouted. This was most evident when Sonny countered out of a Cross Rhodes to deliver one of his own. Arn would later breathe a visible sigh of relief when Cody kicked out of a 450.

Not even an Alabama Slam on the entrance platform, superplex or cross face could put Sonny Kiss away and Cody’s frustration showed, arguing with referee Aubrey Edwards, yelling out after each near fall, hitting more vicious attacks and even taking the top turnbuckle cover off. After getting slapped around by Sonny, Cody eventually hit a furious Cross Rhodes to end the bout in 10:44. Despite the unsportsmanlike conduct during the match, Rhodes still had time for a hug at the end and raised Sonny Kiss’ arm in respect. A courageous effort from the Concrete Rose whose tag team with Joey Janela needs more exposure on the main show.

 The following night, Eddie Kingston would make his way out to challenge for the title, delivering an incendiary promo befitting the Mad King. He is a magnetic personality and an amazing addition to AEW. During his captivating promo, he not only threatened Arn but was successful in goading Cody into a no-DQ match and there was nothing technical in what transpired next. This was presented as a brawl with Kingston bringing the aggression, at one point hitting Cody with his own weight belt. Cody was shredded by chops, rocked by body shots before he eventually got his own back, delivering a back body drop on Kingston onto the exposed concrete floor. There was a great shot where Kingston maintained eye contact with the camera while delivering two clubbing blows across Cody’s face while he was on the ropes. Perhaps showing that he is willing to sacrifice his body during this lengthy storyline as champion, Cody was on the receiving end of a power bomb onto thumbtacks. The man does not back away from showing colour or taking painful bumps. Towards the end of the match, he went back to the Figure Four to take advantage of Kingston’s compromised knee. He was slapped in the face during this attempt, slapped Kingston back in return and locked in the Figure Four forcing Kingston to tap at 11:21. Cody was victorious once more and despite the loss, Kingston was not fully vanquished as we have seen in recent weeks on Dynamite, with his sights now set on Moxley.

 I initially didn’t know what to think of Warhorse as a competitor as I’d never seen him before. In fact, the first time I saw his match against Cody on 12/08/2020, I felt underwhelmed. I could see the story here where Cody’s offence had been scouted and going back to the well too many times to get the figure four locked in. On a recent re-watch of the match, I enjoyed it a lot more. Again, I don’t know much about Warhorse but I do hope he gets to come back as he is a dynamic and rocking personality. Cody as the overconfident and arrogant champion did something early on when he backed Warhorse into the corner and during the break up, he condescendingly tapped him on the chest – shades of Okada. Arn would encourage him by saying, “Don’t let your anger get in the way of your talent.” But again being the overconfident champ, Cody did the push-ups, pissing Arn right off. I noticed that a lot of the time Cody was on the attack, it was during the picture-in-picture segment – isn’t this usually reserved for heels? Is the arrogance going to give way to an eventual heel turn or was it just there to set him up for the fall?

I mentioned the “going back to the well” and in fact, the first figure four attempt was reversed by Warhorse. The second was reversed into an inside cradle. Warhorse also saw through the sunset flip and reversed that into a pin attempt. Third time was the charm and although Warhorse held onto Cody’s leg to prevent the hold from being applied, Cody would eventually lock it in and Warhorse would tap at 10:32. Because this was a guest spot and not the beginning of a contract for Warhorse, Dark Order unceremoniously kicked him out of the ring at the end. Cody would be knocked down and while Arn Anderson was preparing to fight them off, this lead to the introduction of Matt Cardona. He would deliver his Radio Silence finisher to them and it would lead to a brief reunion between these friends.

 Scorpio Sky’s challenge for the title involved walking past Cody, looking at the title and looking back at Cody before nodding. No words exchanged. It was cool. It’s great that he has been freed up from the huge tag team division and has moved near-seamlessly into singles competition. He is a star already and AEW really needs to give him a solid push as a champion and this could have been the beginning of that.

Unfortunately the only memorable things from this match involved Cody embracing more douchebag tendencies like having an overflowing entourage, being announced as the “Prince of Pro Wrestling”, blowing a kiss to disapproving fans and having a lot of his offence during the picture-in-picture. Though it started as an evenly matched bout between the two, any excitement for what could happen was dulled because of how lacking this match was. There was no threat that Sky could capture the championship and it wasn’t a fair representation of what they are usually capable of. During the match, Schiavone would make the points that the work on the ribs, defending the title nearly every week and being EVP of AEW all added up to trouble for Cody. He again overcame the challenger, dropping Scorpio Sky with his second Cross Rhodes at 11:46. Sky wouldn’t accept Cody’s hand to pick him up afterwards. The tease that the two were upset with one another after the match was drowned out almost immediately by Mr Brodie Lee’s video message announcing his intention to challenge next.

“Tick tock, Cody. Time’s up!”

 The Fall?

Up to this point, Cody had demonstrated his resilience. He was the first TNT Champion after overcoming the intimidating Murderhawk. He issued the open challenge and fought off all comers, turning the pace and cutting the schedule he promised. His baby face tendencies slowly changed to arrogance and being full of himself. I personally dig the push ups gag. It was a subtle detail but it slightly recalled his excellent heel work in NJPW and ROH.

After the introductions (including the “Prince of Pro Wrestling” moniker), Cody tried to get in an offensive flurry but was quickly overpowered by Mr Brodie Lee. His hubris would lead to his time being up at 3:10 on 13/08/2020 and Cody lost his TNT title.

If Arn’s face could tell the story, it’d say that this was the night when everything came crashing down. But it didn’t stop there – Cody was being stretchered out and the Dark Order brought him back to continue their assault. Arn was taken out. Cody was hit over the head with the bag containing the smashed up former TNT Title. Dustin and QT had already been disposed of. Not even Brandi was spared as Anna Jay choked her out on the entrance ramp. The Nightmare Family was dismantled in one fell swoop with the nightmarish image of the entire Dark Order standing over them. It felt like Bane had waited for his opportunity for the Batman to be weakened before taking him out in a quick and decisive victory.

 Mr Brodie Lee – seen in so many of the impressive Dark Order promos, menacing in the well-articulated manner in which he spoke, the exalted one who didn’t suffer fools – finally delivered on all of the threats and squashed Cody like a jobber. This should have been the beginning of the Dark Order’s era.

Yet they were defeated by the combination of Dustin, QT, Matt Cardona and Scorpio Sky at All Out. And even though his first title defence on 09/09/2020 against Dustin was a success, taunting Cody at home via the camera by saying, “Come home, Cody!” he had one other successful title defence against Freshly Squeezed Orange Cassidy on 23/09/2020. On the same night, Cody returned to AEW after Cassidy’s defeat and fought off the Dark Order singlehandedly. Sporting black hair and a black suit, I couldn’t help but think of the return of Superman (black suit) even though he looked more like Bruce Wayne. Furious, Lee would challenge Cody to the dog collar match, which he subsequently accepted the following week.

 I’ll get this out of the way first. I have never seen a dog collar match. The commentary did raise that the Roddy Piper vs Greg the Hammer Valentine dog collar match is still talked about to this day so I’ve made a note to seek it out one of these days. But I digress. What transpired on 07/10/2020 was crazy! It had everything. The story of Cody seeking to gain his self-respect and his title back. Commentary hyping up that Cody gained 14 lbs prior to this match to prepare himself for Lee. The nefarious villain Mr Brodie Lee. It had comedy in the form of Alex Silver getting clocked twice. They showed colour with Cody first getting cut up after a DDT and Lee following later in the match. There was a huge package piledriver through a table next to the ring. Cody would also hit his moonsault off the top rope. The drama was created when Lee kicked out of the Cross Rhodes at the 1 count. The attacks utilising the dog collar and chain combo were creative. I’ve never seen Cody use the Final Cut move but it was great in story as he was pulling out all the stops. The combination of wrapping the chain around the mouth, eyes and face of Lee followed by the Cross Rhodes would finally put Lee out for the 3 count and Cody won at 20:26. This match qualified as one of the best matches that Cody (and Mr Brodie Lee) had delivered in AEW. It is memorable in so many ways.

 But I find that I’m somewhat torn about this title match. After months of anticipation and prior to his debut in AEW, Mr Brodie Lee was revealed to the Exalted One of the Dark Order. He quickly went into contention for the AEW heavyweight championship at Double or Nothing before he was choked out by Moxley. Though he was killed off as a threat to Moxley and he has left that picture for the time being, it seemed fitting that he’d be the best choice to take out Cody and bring in a new era as the TNT champion. His devastating squashing of Cody in their first match was awesome to see because it finally switched things up and Cody didn’t overcome yet another giant. And because he was such a monster, why would he have difficulties in taking on Dustin and to an extent, Orange Cassidy? With Mr Lee holding onto the title for just under 2 months, it feels like an opportunity wasted for more fun with the Dark Order and if they could have made his title reign a little longer, Cody’s clawing back to the TNT Championship picture would’ve felt more earned. It felt like outside of AEW, Cody needed a break and Brodie Lee was simply the transitional champion while waiting for him to return.

 What’s next?

Has the TNT Championship been a success in shining the spotlight on AEW’s burgeoning mid-card? To a great extent, yes. With Cody being a natural and experienced talent in the ring, he was one of the best to act as the conduit to give opportunities to talents like Jungle Boy or to give, up until that point, traditionally tag team competitors like Mark Quen and Scorpio Sky a storyline chance for gold. The TNT Championship also attracted independent talents like Ricky Starks and Warhorse. It also introduced Eddie Kingston and showed Sonny Kiss’ competitiveness – two of my favourite matches in Cody’s list of defences of the title. My only complaint would be that the quality of those matches didn’t match the ones on PPV against people with more experience and exposure due to having worked in either NJPW or WWE.

 Has it given the newer stars more opportunities to shine though? That’s where it gets murkier. While Jungle Boy and Quen were the first two challengers, they’ve mostly been returned to tag team work, which is a shame. Especially so in Jungle Boy’s case who, in time, I think will have a number of instant classic matches with MJF. I can see those two perfecting their in-ring styles and creating a series of matches on the level of Steamboat vs Flair.

Sonny Kiss and Jake Hager have also been relegated to mostly tag team duties. Sky appears to be trapped on AEW Dark where he’s in a feud against Shawn Spears. I feel that Sky should stay on Dynamite so he gets more opportunities; he was the first man to pin Le Champion so they should have been pushing him hard. Starks is gifted on the mic and his rivalry with Darby Allin could yield some great results if they give them time to work. Sadly, Warhorse hasn’t come back to show why he rules ass.

While Archer, Lee and Kingston have been or are currently in the heavyweight picture, this is to be expected based on their reliability and bankability as stars.

 Though the TNT Championship has given newer stars some opportunities, it’s largely been a storyline device centred on Cody as a champion. Fun Rocky influences aside, it’s been good to see the character work from him on a near weekly basis. As we’ve seen, he’s been a fighting champion, an arrogant champion and set up a classic scenario where his pride lead to his downfall and as the hero, he had to rise up and overcome the villain. He has mused that it is romantic that he can’t challenge for the heavyweight title but with his intention to move to the heavyweight division, it could be nearing time on him closing this chapter to let the newer stars fight it out for the title. His gains have been mentioned more than once on Dynamite and given that he had a 20-minute time limit draw with Orange Cassidy on 14/10/2020, it makes sense that their rematch could be where Cody will drop the belt to Cassidy who is red hot right now and transition to the next challenge.

 I have to say that I’ve appreciated this approach to the title as a storyline device instead of a monthly or quarterly feud (e.g. where one challenger is the perpetual thorn in the side of the champion until they get a title shot at the next PPV). I’ve just recapped almost 5 months of a championship mostly focused around one wrestler. While newer talents have gotten some more exposure on TV, this has also served as a great introduction to a new title. It might also be the crowning achievement in Cody’s legacy as he was the first holder of this title reminding people that you don’t have to be the first call to make something of yourself. It’s an underdog story and the choices in who he tangled with also showed that these talents may not have been the first call either but they certainly have the skills to be in AEW and on a show that regularly beats WWE’s NXT in the ratings every Wednesday.

Will people remember Cody’s reign as the inaugural champion (and third)? It’s a case of we’ll have to wait and see. But if you appreciate underdog hero stories (with shades of Rocky thrown in), then maybe you will be remembering the beginnings of the TNT Championship fondly in coming years and what it has done in developing the stars of tomorrow. I can’t wait to see what Year 2 of AEW brings us.

[papermoonloveslucy]

ELLIS IN FREEDOMLAND

Spring 1952

Directed by Abby Berlin Produced by Roland D. Reed Written by Arthur Hoerl Music by Albert Colombo Choreography by Alex Romero

Synopsis ~ A 82 minute, technicolor promotional film for salesmen of Westinghouse appliances, featuring the voices of major Hollywood celebrities. Westinghouse claims its electric appliances "freed women from the drudgery of housework." The first half involves dream salesman Ellis at work; the second focuses on the "Spring Sales Event," called "Freedomland."

Westinghouse Electric Corporation was founded on January 8, 1886 by George Westinghouse (1846–1914). The corporation purchased CBS in 1995.

Live Cast

Robert Rockwell (Ellis Homan) is probably best remembered as biology teacher Mr. Boynton on the Desilu series “Our Miss Brooks” (1952-56). Although not the first to play Mr. Boynton, he assumed the role on radio and made the transition with the show to television. He played Viv’s handsome match in “Lucy Digs Up a Date” (TLS S1;E2) the second installment of “The Lucy Show” in 1962. He then played night school teacher Jack Scott in “The Not-So-Popular Mechanics” (HL S5;E23). He continued working until 1995 and died in 2003 at age 82.  

Robert Carson (Phil Pryor, Westinghouse Representative) was a busy Canadian-born character actor who appeared on six episodes of “The Lucy Show” and made five appearance on “Here’s Lucy.” 

Byron Foulger (Andy, Night Watchman)  played the leader of the Friends of the Friendless in “Lucy’s Last Birthday” (ILL S2;E25). He appeared on “The Lucy Show” in “My Fair Lucy” (TLS S3;E20) and “Lucy Meets the Law” (TLS S5;E19).

Ann O'Neal (Customer in Mink) appeared in more than 100 films in the 1940s including the Lucille Ball film Lover Come Back (1946).

Betty Furness (Herself, Spokeswoman for Westinghouse) was an actress and model who became the face and voice of Westinghouse in many television commercials. When “The Lucy-Desi Comedy Hour” was sponsored by Westinghouse, Furness appeared with Lucille Ball and Desi Arnaz in commercials for their products. 

The Starlighters (Vocals) was a singing group that performed mainly as backing vocalists, frequently backing Jo Stafford as well as many other artists on a number of singles. They also performed songs in cartoon and live short films and the feature films Song of Idaho (1948) and With a Song in My Heart (1952). 

Voice Cast

Lucille Ball (Lina the Laundromat) was then filming the second half of her first season of “I Love Lucy” playing Lucy Ricardo, although her voice alone was familiar to radio audiences as Liz Cooper in “My Favorite Husband.”

Edward Arnold (Speedy the Range) lends his deep baritone voice to the role. He appeared with Lucille Ball in Roman Scandals (1933) and Ziegfeld Follies (1945). He died in 1956.

James Mason (Frosty the Refrigerator) was a three time Oscar-nominee who appeared as Lucille Ball’s Angel in Forever Darling (1956).

Percy Kilbride (Drip the Dehumidifier) was best remembered as Pa Kettle in a series of films from 1947 to 1954. 

Jerry Colonna (Chop-Along Waste-Away the Garbage Disposal) was a comic sidekick of Bob Hope on radio and television. In 1966 he played Smithers, Lucille Ball’s chauffeur on “Bob Hope’s Leading Ladies”. 

Andy Devine (Lanky the Water Heater) brought his high-pitched raspy voice to the film. He was known for his many appearances in westerns on both the small and big screen. 

Marie Wilson (Dinah the Dryer) is best known for playing the title role in the film and television series “My Friend Irma”.  Later in 1952, Wilson and Lucille Ball were both part of “Stars in the Eye” celebrating the opening of CBS Television Center. Coincidentally, Gale Gordon’s mother Gloria was also in “My Friend Irma” and on “The Lucy Show” Mr. Mooney’s off-screen wife was named Irma in her honor. 

Maureen O'Sullivan (Pearly the Dishwasher) played Jane in the early Tarzan films.  Her career lasted from 1930 to 1994. In 1987, Lucille Ball and O’Sullivan were two of the many stars in “Happy 100th Birthday, Hollywood”. 

Mannequins

Jack Mulhall appeared with Lucille Ball in Broadway Bill (1934).

Alan Hale Jr. (Hunter) will forever be remembered as the Skipper on “Gilligan’s Island” but also appeared with Lucille Ball on “The Lucy Show” and “Here’s Lucy”.  

Iron Eyes Cody (Chief Running Water) made a career of playing Native American characters despite the fact that he was of Italian ancestry. He first worked with Lucy and Desi in 1940’s Too Many Girls and 1942’s Valley of the Sun both as an Indian character. He played an Eskimo in a 1959 episode of “The Lucy-Desi Comedy Hour,” but is probably best remembered as the Indian that sheds a single tear in the ‘Keep America Beautiful’ ads that ran from 1971 to the 1980s. He played a Navajo Medicine Man in “Lucy and the Indian Chief” (HL S2;E3). 

Willie Best (Chauffeur) was one of the most popular African-American actors of Hollywood's Golden Era. He starred alongside some of film's great comedians including the Marx Brothers, Bob Hope, Laurel and Hardy, and three films with Shirley Temple. He did one film with Lucille Ball: Muss ‘em Up (1936). 

Karen Sharpe appeared on the “Westinghouse Desilu Playhouse” in 1959.

Mickey Simpson appeared with Lucille Ball in the 1939 film Panama Lady. 

Anthony Sydes (Bobby, the Boy in Buster Brown Outfit) was 8 years old at the time of filming. He left the business in 1958 and died in 2015 at age 74. 

With...

Lisa Abbott, Mildred Coles,  Richard Crane, Nancy Hadley, Noreen Michaels, Crystal Reeves, Darla Ridgeway, Anne Rubin, Carol Lowe, Frances Zucco

Uncredited Cast

Ralph Brooks (Stove Demonstrator) appeared in four films with Lucille Ball, as well as “The Lucy-Desi Milton Berle Special” and “Lucy Goes to Las Vegas” (TLS S3;E17). 

Sam Harris (Showroom Guest) did a dozen films with Lucille Ball before appearing in the audience of Over the Teacups in “Ethel’s Birthday” (ILL S4;E8) and playing a subway passenger in “Lucy and the Loving Cup” (ILL S6;E12). In between, he was a wedding guest in Lucy and Desi’s film Forever Darling (1956). Along with Monty O'Grady and Murray Pollack, he was in the airport when “The Ricardos Go to Japan” in 1959.

Stuart Holmes (Showroom Guest) appeared with Lucille Ball in Lover Come Back (1946) and Critic’s Choice (1963).

Hans Moebus (Washer / Dryer Demonstrator) appeared as an uncredited background performer in hundreds of movies and TV shows, including the Lucille Ball films DuBarry Was a Lady (1943), A Woman of Distinction (1950) and The Facts of Life (1960). He was seen on the dock during the “I Love Lucy” episode “Bon Voyage” (ILL S5;E13) and part of the riverboat chorus in “Lucy Meets Arthur Godfrey” (TLS S3;E23).  

Charles Sherlock (Television Viewer) appeared in three feature films with Lucille Ball from 1935 to 1963.

PART ONE - DON’T MEET COMPETITION, MAKE IT!

Westinghouse Rep Phil Pryer meets salesman Ellis Homan at his office on the department store showroom. Ellis tells Phil about the time he dozed off at his desk and the mannequins came to life: menswear, formal wear, beach wear, and (inexplicably) an American Indian in full regalia. Frosty the Refrigerator (James Mason) gets Ellis’ attention to demonstrate his frost-free features, as well as his unique butter tray and meat keeper. 

Ellis then has a conversation with Speedy the Electric Range (Edward Arnold) about all its features. Ellis even makes coffee and cookies for Mabel, a mannequin standing in for a ‘prospect’.  

MABEL: “Ellis, you’re cute. I wish you were a dummy.”

Ellis then has a chat with Pearly the Dishwasher (Maureen O’Sullivan) and Chop-Along Waste-Away the Garbage Disposal (Jerry Colonna), who sings during his demonstration. 

Lanky the Water Heater (Andy Devine) is upset because no one pays him much attention. Pearly draws Ellis’s attention to the drip who has shown up in the showroom lately, the Dehumidifier (Percy Kilbride) who promises to rid homes of damaging dampness.

Chiming in (literally) Lina the Laundromat (Lucille Ball) and Dinah the Dryer (Marie Wilson) sing their greeting. Known as ‘The Westinghouse Twins’, they often finish each others’ sentences and speak at the same time - all in aid of showing that they are a perfect freedom-fighting duo in a home. Ellis demonstrates a typical wash cycle. 

PART TWO - FREEDOM FAIR

Back in the present, Phil tells Ellis that Westinghouse is sponsoring radio and television coverage of the summer’s 1952 Republican and Democratic conventions, with ‘Get Out the Vote’ programs to follow. In the meantime, Phil tells Ellis about the big Spring Selling Event - Freedom Fair.  The event will be rolled out in the April 11, 1952 issue of Life Magazine and the April 16, 1952 issue of the Saturday Evening Post. On television, it will be announced by Betty Furness on “Studio One”.  

After Phil leaves, the scene changes to a typical suburban couple’s bedroom where the morning alarm has just gone off. The bedraggled housewife dances through the home trying to get ready for the day ahead - despite the fact that she does not have any time-saving Westinghouse electric appliances. As the harried husband downs a quick cup of coffee and dashes off to work, the song begins (with offscreen vocals by the Starlighters) and the frustrated housewife realizes just how much work she has ahead of her to clean her home. Just then an ethereal voice sings the name “Westinghouse! Westinghouse!” and there is suddenly a handsome young salesman ringing her doorbell. He sings:

“They say that Lincoln freed the slaves, With that I disagree. Women have been slaves for years Till Westinghouse set them free!”

He whisks her away to ‘Westinghousewives’ Heaven’ where all the products we previously saw demonstrated are extolled in joyous song, some even have angel wings! The housewife (still in her curlers and pajamas) ducks behind a cloud and is suddenly revealed in a diaphanous white gown complete with apron!  Amid a large group of ballet dancers, the Westinghousewife and Salesman dance in blissful happiness.

At the last moment the Starlighters appear and sing to us about Westinghouse, while the dancers swirl merrily around the May Pole!

Stereotypes

This film is obviously aimed at a male sales force. All the ‘prospects’ are assumed to be female and referred to in such terms as “the little lady”. The female mannequins are only interested in Ellis as romantic partners. Clearly, housewives were the main target of male salesmen. 

The film also presents a stereotypical black chauffeur, the only person of color in the cast. The actor is asked to pull comical faces that make him appear silly - the source of humor

“Mmmm. There’s gonna be a watermelon missin’, ‘round here.” 

Needless to say, that an American Indian chasing a scantily clad Caucasian woman around the store plays on stereotypical images of predatory Native Americans. The actor playing the Chief is Iron Eyes Cody, who, despite his name, was born Espera Oscar de Corti, an Italian-American. When trying to communicate all he says is “Ugg!”

Homosexuals don’t escape either. A man with an effeminate manner and lisping voice wearing a coonskin cap swishes in to say “Hello, Fellas” with a toss of the raccoon tail he swans off. The two men in suits look uncomfortable and deny knowing him.

Voice casting reflects gender stereotypes of the time. Cooling and heating appliances are voiced by men while washing appliances are voiced by women.

Trivia

Lucille Ball’s participation in this film may have influenced or been influenced by the fact that for the first season of “I Love Lucy” Lucy Ricardo had a 1951 Westinghouse Frost-Free refrigerator in her kitchen - very similar to “Frosty” - the model shown here in the film. It was widely promoted in print publications and on TV during 1951. Previously, the freezer cabinet had to be thawed manually when frost and ice built up in and around it.  

LUCY: “Didn’t you watch the conventions on television?”

Phil tells Ellis that Westinghouse will take out extensive advertising on radio and TV during the Conventions. In July 1952 both the Republican and Democratic National Conventions were televised live from Chicago. Although the conventions were also televised in 1948, few Americans owned a TV set to watch them. This time, an estimated 70 million voters watched the broadcasts, which ended with the nominations of Adlai Stevenson II and Dwight D. Eisenhower. There is a popular myth that Stevenson lost the election because of backlash from interrupting airings of “I Love Lucy” with hour-long campaign ads. Perhaps from Westinghouse?  The conventions were mentioned on “I Love Lucy” (appropriately) in “The Club Election” (ILL S2;E19) which aired in February 1953. However, it was filmed in September 1952, when the reference would have been much more timely.  By the time it eventually aired, Eisenhower had been inaugurated and the conventions were a distant memory. 

Distribution: Who Saw It - The film series reached 25,000 dealers in 75 cities in a single week. Released in Technicolor and in 16mm. Longest of four dealer promotion films in a two-hour series produced to promote Westinghouse home appliances.

The wall calendar above Ellis’s desk matches the calendar for January 1952, which was likely the filming date. The calendar depicts a loaf of bread with the brand name redacted for filming. On the table close to the bottom of the frame are copies of Life Magazine. Later on, Ellis makes instant coffee from a jar labeled Maxwell House Coffee, although the dish washing detergent and the food in the fridge are obviously props with no brand identification.  The laundry soap, however, is clearly labelled ‘All’ but is not in their usual bright colored packaging. 

Blooper Alerts! 

Dates! Phil tells Ellis that Freedom Fair will be announced in the April 11 issue of Life. However, the issue is actually dated April 7, 1952, not April 11. Interestingly, copies of Life Magazine are used as set decoration in Ellis’s office. Similarly, the April 16 edition of the Saturday Evening Post is really dated April 12.  

Weather Forecast! The put-upon housewife at the end of the film realizes her wash is still on the line when there is a sudden cloudburst (she does not own an electric dryer). The next moment, she answers the door to the Westinghouse Salesman and it is a clear day. Not really a blooper, just an indication that Westinghouse makes a rainy day into a sunny one - at least in the movies!

Fast Forward!

“Westinghouse Desilu Playhouse” was a television anthology series produced by Desilu Productions. The show ran on CBS between 1958 and 1960. Two of its 48 episodes served as pilots for the 1950s television series “The Twilight Zone” and “The Untouchables.” It also presented 11 of the 13 episodes of “The Lucy-Desi Comedy Hour” after its initial sponsorship by Ford.  

In joining forces with Desilu, Westinghouse canceled their other anthology series “Studio One” which ran on CBS from 1948 to 1958. 

To kick off the partnership between Desilu and Westinghouse, a similar film (informally titled “Lucy Buys Westinghouse”) was produced which depicted Lucy and Desi giving a Westinghouse Executive a tour of their studio, formerly RKO. All through the tour, much to the dismay of Desi, Lucy is trying to order appliances for her dressing room from the executive!  At the end, Lucy appears inside a Westinghouse dryer - hiding from Desi!  Like Ellis in Freedomland, this film was only shown to Westinghouse employees. Unlike Ellis, it was filmed in black and white - only later colorized for home video. Throughout the film, Desi mispronounces the company’s name as “Westin-Gouse” and its spokesperson as Betty “Furnace”.  

During that time, the cast often did long-form commercials for Westinghouse. Here, Betty Furness and Vivian Vance join Lucille Ball to talk about the 1959 Westinghouse washing machine, the same type of appliance Ball voiced in this film seven years earlier. 

Naturally, during this period Lucy Ricardo had the most up-to-date Westinghouse appliances in her Westport home. Like this two-toned refrigerator and freezer.

Back in New York City, the Ricardos owned a Westinghouse Clock Radio! 

The Handy Dandy vacuum cleaner was actually a Westinghouse model! 

In 1954, Lucy made breakfast with her Westinghouse "Grill-n-Waffler" Waffle Iron - if only she can remember to pay the electricity bill, that is! 

Lucy squeezes oranges for juice with her Westinghouse Model #FM-511 Food Crafter with juicer attachment (sold separately). 

Lucy owned two different models of the Westinghouse Commander Super-Corox Range. This 1950 model was used during season one...

...and this 1954 Model on a later season. It looks similar to the 1950 model, but the controls have a different layout.

In 1953, ownership of a washing machine was a point of contention between the Ricardos and Mertzes. The appliance used in the episode is labeled Epernay (a fictional brand). In actuality, it is probably a Launderall Horton 500 with gas stove handles affixed to the sides to help move it back and forth on the narrow porch.

Lucy uses the washing machine (a lot!) in Yours, Mine and Ours (1968). It is impossible to see what brand it is. 

Coincidentally, in April 1952, “I Love Lucy” did an episode titled “The Freezer” (ILL S1;E29) where Lucy and Ethel want to buy a home freezer to economize, but end up buying a walk-in model instead. In Jess Oppenheimer’s book, he states that newspapers and magazines were full of ads for home freezers at the time. Once they came up with the idea of Lucy getting trapped in the freezer, they had to abandon the home freezer idea for a larger, walk-in model.  

In 1966, a TV musical titled “Evening Primrose” with music by Stephen Sondheim and a book by George Furth, also explored the idea of department store mannequins coming to life. Anthony Perkins starred. 

The idea of anthropomorphized laundry room appliances was also explored in the 2004 Broadway musical Caroline, or Change, in which actors played embodiment of the Washing Machine and the Dryer.  A revival of the musical was on track for Broadway but interrupted by the Corona Virus pandemic. 

In 1987, the film Mannequin starring Andrew McCarthy and Kim Cattrall also explored the idea of department store mannequin coming to life. It was partly based on the 1948 film One Touch of Venus, although in that film, the mannequin was a statue. 

[cinemasnob412]

The Definitive Surviving Girls Of FRIDAY THE 13TH

Inspired by an article featured on VHSRevival.com I’ve decided to compile what I consider to be the definitive ranking of the FRIDAY THE 13TH series’s “final girls”. If you’re not well versed into what makes a slasher film “final girl” so special let’s break it down in simple terms: she’s gotta be the smart one, the “pure” one and in a perfect world would go head to head with the big baddie during the film’s finale, ultimately coming out on top, but not successful enough to make it through a sequel. With the ground rules set, here’s a look at the FRIDAY THE 13TH films’ worst to best “final girls”. Warning, there may be spoilers to follow.

12 - Amanda Righetti - Whitney - FRIDAY THE 13TH (2009)

I’ve never kept it a secret just how much I dislike any FRIDAY THE 13TH film post-Paramount. 2009′s reboot has a few good things going for it: Julianna Guill and a pretty aggressive Jason Voorhees (Derek Mears). In all reality they’re about the only two positives I can come up with off the top of my head. What it’s lacking though is what really made the original set of FRIDAY THE 13TH films so enjoyable. Marcus Nispel’s film leans more into TEXAS CHAINSAW MASSACRE territory than it does FRIDAY THE 13TH. It’s also short on a likable and true to form “final girl”. Righetti’s Whitney character, while by all accounts is the smart and “pure” one, is too reliant on her co-star Jared Padalecki’s Clay character to be considered Jason’s nemesis this go-round.

11 - Lexa Doig - Rowan LaFontaine - JASON X (2002)

New Line Cinema’s entries into the FRIDAY THE 13TH cannon are my least favorite of the bunch. Along with JASON GOES TO HELL: THE FINAL FRIDAY, 2002′s JASON X feels almost nothing like a Jason Voorhees vehicle. Too bad for Lexa Doig, whose Rowan LaFontaine character exhibits all the “final girl” traits, but does so in a pretty terrible film.

10 - Monica Keena - Lori Campbell - FREDDY VS. JASON (2003)

Monica Keena’s Lori Campbell character is really unnecessary in a film like FREDDY VS. JASON. If Jason was going to have an adversary to challenge him throughout the film’s final reel it needs only be Freddy Krueger (Robert England) right? Final girl fail!

9 - Kari Keegan - Jessica Kimble - JASON GOES TO HELL: THE FINAL FRIDAY (1993)

Adam Marcus’s JASON GOES TO HELL: THE FINAL FRIDAY is not even a true FRIDAY THE 13TH film in name. It sure as hell isn’t a true FRIDAY THE 13TH film in content either. With body-swapping, newly revealed Voorhees bloodline ties and not a teenager in sight, JASON GOES TO HELL: THE FINAL FRIDAY is just a complete mess. Kari Keegan’s Jessica Kimble character, like the film she appears in, is a “final girl” by default only (she’s the last girl standing, so I guess that makes her pretty “final”). Her contributions to the “final girl” club are minimal. I guess she does get to stab Jason in the chest with a medieval dagger, that’s pretty cool, right? No! 

8 - Jensen Daggett - Rennie Wickham - FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (1989)

Ah! Finally, the Paramount Pictures contributions to the Voorhees legacy. 1989′s FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN is easily the weakest of the first eight films, as is the “final girl” character of Rennie Wickham (Jensen Daggett). She dresses like a forty year old mom who’s given up on life, is more of a fragile character than usually required to be an imposing, and victorious “final girl”. It’s not all Daggett’s fault. In reality she's ultimately a victim of lousy writing and poor creative choices by the film’s director, Rob Hedden.

7 - Adrienne King - Alice Hardy - FRIDAY THE 13TH (1980)

FRIDAY THE 13TH purists may cry foul with this one. Hear me out. As a die hard fan I love Adrienne King’s Alice Hardy. She’s the perfect “final girl”. The only real drawback to her character is that she never gets to actually go toe to toe with Jason Voorhees. In fact, the one and only time (not counting the first film’s dream sequence finale) she comes face to face with Mr. Voorhees (in 1981′s FRIDAY THE 13TH PART 2) she takes an ice pick to the temple! Her “final girl” days were over at that point.

6 - Lar Park Lincoln - Tina Shepard - FRIDAY THE 13TH PART VII: THE NEW BLOOD (1988)

In 1987 when Paramount Pictures and New Line Cinema couldn’t come to an amicable agreement on potentially featuring both of their marquee horror icons in one film, Paramount forged on with another “versus” idea. Jason versus “the new blood” (I guess that’s what they meant by that title) Tina Shephard (Lar Park Lincoln). Tina fits the mold of the “final girl” perfectly. Add to that fact that she also comes equipped with almost supernatural, telekinetic powers, and old Jason was in for one heck of a showdown in his sixth outing, and the seventh overall FRIDAY THE 13TH film.

5 - Kimberly Beck - Trish Jarvis - FRIDAY THE 13TH - THE FINAL CHAPTER (1984)

Ask me now, ask me in one hundred years, what is the best FRIDAY THE 13TH film? Hands down, 1984′s FRIDAY THE 13TH - THE FINAL CHAPTER. Joe Zito’s film has everything the series has come to be known and loved for. In the fourth entry, Kimberly Beck’s Trish Jarvis, along with her younger brother Tommy (Corey Feldman) put a (temporary) end to the hockey masked killer. Trish is fierce and just as brutal with old Jason as he is with her. She protects her brother, faces her fears head on and ultimately holds her own quite well against Crystal Lake’s most famous resident.

4 - Dana Kimmell - Chris Higgins - FRIDAY THE 13TH PART 3 - 3D (1982)

By 1982, the slasher genre’s “final girl” had become well defined. The third FRIDAY THE 13TH entry runs with that established characterization with no hesitation. Dana Kimmell’s Chris Higgins not only finds herself alone, one on one with the seemingly unstoppable force that is Jason Voorhees, but the film, halfway through clues us in that she’s sort of been through this before, having had an encounter with Jason in her younger days that she can’t quite completely recall. Maybe it was her earlier experience with Jason that prepped her for her Higgins’ Haven redux. She hangs the big fella, whacks him in the back of the noggin with a log and a shovel, stabs him in the leg and even tattoos him in the dome with a full on swing of an ax. She thinks and works quickly, constantly keeping herself one step ahead of Jason throughout the entire final reel of the film. Kimmell’s “final girl” would definitely top the list if it were not for our final three candidates.

3 - Jennifer Cooke - Megan Garris - FRIDAY THE 13TH PART VI: JASON LIVES (1986)

Jennifer Cooke’s Megan Garris character is not so much a “final girl” as much as she’s the partner in crime with the sixth film’s “final guy” Tommy Jarvis (Thom Mathews). Why so high on the list then? For starters she’s hot. That counts for something, right? Seriously though, she’s one tough cookie. Not content with just going along for the ride, Megan helps Tommy along the way, compiling all the necessities to return Jason to his watery grave once and for all (?). She even steps in to save the day when Jason gets the best of Tommy during the film’s finale, on the water Crystal Lake fight scene. Just as Dana Kimmell’s Chris Higgins character did in the third film, Megan leaves a permanent mark on Jason’s infamous hockey mask (thanks to her quick thinking and a readily available boat propeller), something that would visually define Jason’s trademark mask throughout the seventh film.

2 - Melanie Kinnaman - Pam Roberts - FRIDAY THE 13TH PART V: A NEW BEGINNING (1985)

I know what you’re thinking. “But Pam never fought Jason, she fought the impostor, Roy”. Well, factually speaking you’d be right. And if you took what I said about Adrienne King early and applied it here, then theoretically Melanie Kinnaman’s Pam Roberts should also be lower on the list. I say you’re wrong though. Kinnaman’s final showdown with Roy (Jason impostor or not) is the stuff of FRIDAY THE 13TH legend. She’s tough, protective of her younger costar (similar to Kimberly Beck in FRIDAY THE 13TH - THE FINAL CHAPTER) Reggie (Shavar Ross) and aggressive when it comes to taking on the masked murderer intent on putting an end to her. She wields a chainsaw for Pete’s sake! Plus, let’s not forget she looks pretty darn good doing all of this!

1 - Amy Steel - Ginny Field - FRIDAY THE 13TH PART 2 (1981)

Amy Steel’s Ginny Field is one bad ass chick! Her showdown with Jason is pretty standard fare when you stack it up against the others in the series. What sets her apart though is her quick thinking and use of psychology to take on Jason when the chips are down. Tricking Jason into thinking she’s his beloved mother by donning her rotten sweater in an effort to strike the death blow on the confused Voorhees may have worked had it not been for one false move. No biggie though, she still lays the smack down on him by way of a machete in the shoulder blade that not only saves herself, but her boyfriend Paul Holt as well, who is in a life or death struggle with the maniac until she lands the fateful whack. Like the character of Tommy Jarvis in the later films, it would have been great to see the Ginny Field character return to do battle with Jason again. Amy Steel has talked about her willingness to return to the series, so maybe, fingers crossed, us fans will one day see the return of the greatest “final girl” in FRIDAY THE 13TH history. A boy can hope! 

[edgeofthedales]

A short birthday tribute to Robert Hardy

A little over a year ago today, Robert Hardy passed away at the age of 91. Had he lived, today would have been his 93th birthday.

(Image credit: The Stage)

Having only become aware of his work late last year, I know there are fans who are far more knowledgeable about his life and work and who could give a much more comprehensive analysis of his life and work. So, this essay will not be that.

Instead, I’d like to talk about what makes him stand out to me.

I actually had been introduced to him many years ago in the film adaptation of Jane Austin’s Sense and Sensibility. Hardy played Sir John Middleton, a kindly if boisterous member of the local gentry who shows compassion to the Dashwood sisters and whose first appearance onscreen involves having a pack of dogs travel with him in his carriage (shades of things to come, for me….). At the time, he mainly stayed in the sidelines for me although that was only because he was one in a cast of wonderful actors within a superb period film.

(Image credit: Frock Flicks)

Back then, I was rather ambivalent to period dramas and even more so to romantically themed ones, but Sense and Sensibility won me over with the high caliber of acting and film-making…of which Hardy certainly played a role.

It wasn’t until years later though, that he actually caught my eye in one of the roles he was probably best known for: Siegfried Farnon on All Creatures Great and Small.

(Image credit: Getty Images)

I had enjoyed the James Herriot books immensely when I was a teenager, but never thought to seek out the TV series until late last year. Originally, it was because I had recently became interested in Peter Davison’s work, first on Doctor Who and then on the vintage mystery series, Campion. Thus, I had fully expected to enjoy All Creatures if only to re-acquaint myself with Herriot’s charming stories and enjoy one of Davison’s most popular roles.

What I didn’t expect was how quickly I became intrigued with Hardy’s Siegfried Farnon. I remembered Siegfried as an explosive, eccentric and yet compassionate character from the books. Hardy, however, gave him even more depth on the TV series. Siegfried became hypocritical and yet charming, temperamental and yet loyal, whimsical and yet possessing sharp, clever mind.

Hardy did not shy away one inch from Siegfried’s flaws and instead showed us how those flaws were simply part of the ultimately warm, kind-hearted and yet complex person that Siegfried was. We wouldn’t want Siegfried to change who he was one bit, flaws and all, and it takes a true acting gift to bring a character like that to life while maintaining that careful balance of shortcomings and noble qualities.

Hardy also did plenty of other things besides All Creatures, of course. One thing that I enjoyed in particular was how he made use of his voice for readings and audio plays. Hardy uses pauses, changes in tone and pitch to add interest to his readings of works like H.G Wells’ The Time Machine.  I would love to hear how he handed Doyle’s Sherlock Holmes stories, but sadly, have not come across any of his audio-book readings.

Speaking of Holmes, Hardy did manage to have one role on the Granada adaptations of the Holmes stories: that of Sir Charles Milverton from the story, The Master Blackmailer. The episode is one of the longest in the Granada series for the short stories, and honestly, I can understand the temptation to spend more time with this one. Hardy makes Milverton an absolutely terrible character: condescending, odious, callous and smarmy. He doesn’t resort to the clichéd mustache-twirling techniques too many use when crafting truly evil villains. He doesn’t have to. There is an edge of danger to his Milverton that comes through despite his lack of making few direct threats.

(Image credit: I hear of Sherlock)

In fact, I think this is something that Hardy excelled at. Many of the characters he played, be they heroes or villains, were often a perfect blend of charm and menace. The mix ensured that his good guys were never too bland and that his villains remained thoroughly watchable.

One set of roles that absolutely required this sort of mix is the other series that I know Hardy best for: Hot Metal, a comedy series from the mid-80s. Hot Metal was a satire on the rise of tabloid journalism in general and on the infamous press figure, Rupert Murdoch in particular. It was an over-the-top, brutal satire of how this brand of journalism fueled an atmosphere of distrust, misinformation, and political polarization in the media and, if anything, is even more relevant today than it was back when it was on the air.

In this series, Hardy has the duel role of Terence “Twiggy” Rathbone (a clear spoof of Murdoch), a multimillionaire businessman who buys out The Daily Crucible, a failing newspaper, and Russell Spam, the editor Twiggy hires to steer the Crucible however he wishes. Both Twiggy and Russell are terrible in their own ways with Twiggy leaning toward egotism and vindictiveness and Russell having nonexistent scruples about getting the latest scoop and increasing readership.

However, despite the fact that these two are far from the protagonists of the show, Hardy manages to keep both Twiggy and Russell entertaining and intriguing. Yes, they are villains, but Hardy is wise enough to figure out that the show could get dreadfully dreary fast if he didn’t also give them an odd sort of charisma which makes it easy to laugh at them and with them even while they are being awful.

I think a detail that sums up a facet of Hardy’s acting best is a moment when Twiggy is being interviewed about his plans for the Crucible. During this interview, Twiggy tries to insist that he’s a “life-long socialist” and friend to the workers (both of which are categorically untrue). While he is spinning his lies, he has a charming smile on his face, but he is also playing with a letter opener, brandishing it like a weapon, like he fully plans on stabbing someone in the back. It’s the perfect quirk to remind us what is really lurking below the surface of Twiggy’s apparent goodwill.

It’s also the sort of detail that Hardy is a master at, going beyond just his dialogue and where his mark is onscreen to bring these characters to life.

Even toward the end of his life, Hardy demonstrated a true skill at giving depth to his characters, no matter how brief their time onscreen was. In Familia, short film by independent filmmaker, James Murray showcases this. Here, Hardy has his last film performance as Sir Ashton Leonard, a very old man who apparently has shown up for a driving lesson and ends up in a revealing conversation with the instructor, Nina. Although we are limited to watching him converse with Nina in a car, Hardy gives us a lovely, bittersweet snapshot of a man who is contemplating years gone by and the end that is surely coming soon. He does this with how his expression mirrors (or sometimes reveals) the emotions Leonard is working through during this conversation.

Honestly, I’m not sure how anyone can keep a completely dry eye when Leonard says “where I’m going, you can’t take anything with you.” It’s a heartbreaking thought, but Hardy delivers it with a quiet insight that is peaceful rather than depressing.

Perhaps that is the heart of what made Hardy such an extraordinary actor: his insight. His commitment to his characters to make them as real and as impactful as they could be, even if that impact was mainly about inspiring a laugh or sheer entertainment.

There is a lot more of Hardy’s work that I have left to discover and sadly, none of it will happen while he is still alive. However, I like to think that he’d enjoy the thought of people coming to know him through his work long after his death.

(Image credit: Move Nocitias)

So happy birthday Sir Robert Hardy (yes, he was never knighted, but really should have been). Thank you for leaving so much to those of us who will miss you.

[placetobenation]

Goldberg is back.

Yes, it’s time for a major PPV with the Royal Rumble in three weeks and again we have a returning superstar from the past trying to worm his way into the main event. Goldberg returning on Legends Night, making the challenge for Drew McIntyre’s WWE Championship makes little sense, as we’ll explain in our RAW recap later. Regardless of the storyline, the match on its face doesn’t make me want to invest in it. McIntyre’s been an awesome champion carrying the RAW brand week-in and week-out. Why on Earth would anyone believe that Goldberg, who hasn’t wrestled since losing to Braun Strowman at WrestleMania 36 in April of 2020, should be able to beat a guy on top of the chain who’s been out there wrestling on a consistent basis? Besides, didn’t Goldberg already call out Roman Reigns at the end of 2020 or are we just supposed to forget about that? And speaking of forgetting, why exactly do we get McIntyre going up against Randy Orton again this Monday night out of the blue? Is there something I’ve missed there? Having your top champion wrestle every week waters down how the effectiveness of the championship and the wrestler. It should be a big deal when the WWE Champion wrestles on the show, not just more of the same old thing.  I’m not saying it should be months in between appearances like back in the days of Bob Backlund and Hulk Hogan, but every Monday night for a month is a bit much.

Either way, that bit of business was the oddest thing to go down in what was a pretty eventful and productive week around the WWE.

Star of the Week

And still … #WWENXT pic.twitter.com/WuNF0Yu88M

— Ryan Satin (@ryansatin) January 7, 2021

Finn Balor – Back from a broken jaw, The Prince delivers a main-event victory over Kyle O’Reilly to retain the NXT Championship, returning the jaw injury to his foe in the process. These two have put on back-to-back dynamite matches and here’s one who’s hoping there’s a third one to add to the trilogy down the road. He’ll need to stay on top of his came because here comes Karrion Kross and Scarlett back to take what they think is rightfully theirs.

RAW

RESULTS

The New Day defeated The Miz & John Morrison

AJ Styles defeated Elias

Non-Title WWE Women’s Championship Match: Lacey Evans & Peyton Royce defeated Charlotte Flair & Asuka

Non-Title United States Championship Match: Riddle defeated Bobby Lashley

Dana Brooke defeated Shayna Baszler

Randy Orton defeated Jeff Hardy

Non-Title RAW Tag Team Championship Match: Lucha House Party defeated The Hurt Business

WWE Championship Match: Drew McIntyre defeated Keith Lee to retain title

Someone’s got upset fever in the WWE. Not one, not two, not three, but four upsets on the night. Amazingly enough too, they all made perfect sense!

"GET OUT NOW." Consider @MsCharlotteWWE furious…#WWERaw pic.twitter.com/NyRmekWGsv

— WWE (@WWE) January 5, 2021

Charlotte Flair getting pinned by Lacey Evans after Papa Ric Flair takes his flirting with Evans to a nasty level and “inadvertently” trips his own daughter was a nice swerve. Maybe this wakes up Flair and turns her against Asuka and the true Queen persona returns after a few weeks of being nice.

Riddle over Lashley after seemingly tapping out makes him a US Title contender. That’s a good thing. He’s earned it.

Dana Brooke over Shayna Baszler. I’m good with that for a week. Brooke and Mandy Rose have been beat up so many times the past month, they deserve some positivity.

Lucha House Party wins again! Cedric Alexander and Shelton Benjamin are at odds. It’s a nice mix as we lead to the eventual Four Horseman-esque dumping of Alexander I think it’s coming post-Royal Rumble.

What a BATTLE! #WWETitle @DMcIntyreWWE @RealKeithLee

#WWERaw, 1/4/21 pic.twitter.com/IV2lqkwgPj

— WWE (@WWE) January 6, 2021

Kudos to Keith Lee and Drew McIntyre! Those two put on quite a show as McIntyre defended his WWE Championship. Lee continues to keep himself in the main event mix with another quality showing.

Hope you enjoyed that @Goldberg, because it’s the only push you’re gonna get pic.twitter.com/VFUd150xoC

— Drew McIntyre (@DMcIntyreWWE) January 5, 2021

Now, to the elephant in the room. Goldberg. The whole premise of him coming down to berate McIntyre for tearing the legends down when he’s done nothing of the sort. He’s been as respectful as the day is long. I don’t think for a second that Goldberg will, or should be on McIntyre’s level. Here’s hoping Drew puts his “Dad” in his proper place. Plus, not for nothing, but what a shoddy way to end the night by dumping out at the end of RAW to see Modern Family on the USA Network before we see McIntyre pop right back up from the Goldberg push down that we saw later on social media. Sloppy TV production right there from the WWE who is usually really good at that part of the biz.

Heartthrob @AngelGarzaWwe was ready to party with @iamcardib on #WWERaw but instead ran into THE BOOGEYMAN! pic.twitter.com/oLQQM73Xgn

— WWE (@WWE) January 6, 2021

Speaking of the legends, outside of the ridiculous H-Phone with Hulk Hogan to start the night, I thought it was pretty well done. Nothing crazy. Nothing hugely surprising. But they played the hits. Loved The Boogeyman being a shock to Angel Garza. Melina with the Lucha House Party was a nice touch. It’s too bad Mick Foley has to miss the night due to a COVID-19 positive test. Prayers out to Mick and the Foley family.

NOT AGAIN, RANDY!!!#WWERaw pic.twitter.com/KVx5WbNIzH

— WWE (@WWE) January 5, 2021

Otherwise, Jeff Hardy is one good sport for letting Randy Orton continue to stretch out his ears to no end. The New Day vs. The Miz and John Morrison was pretty good to kick-start the night. I’m expecting The Miz to turn on his buddy anytime now and blame him for the losses.

NXT

RESULTS

Karrion Kross defeated Damien Priest

NXT Cruiserweight Championship Match: Santos Escobar defeated Gran Metalik

Last Woman Standing Match: Raquel Gonzalez defeated Rhea Ripley

Shotzi Blackheart & KUSHIDA defeated Candice LeRae & Johnny Gargano

NXT Championship Match: Finn Balor defeated Kyle O’Reilly

New Year’s Evil was a home run folks!

It's only a matter of time before he gets back what's his. 𝑻𝒊𝒄𝒌 𝑻𝒐𝒄𝒌. #WWENXT #NXTNYE @WWEKarrionKross @Lady_Scarlett13 pic.twitter.com/OORdOxs5d2

— WWE NXT (@WWENXT) January 7, 2021

I’ll admit, Karrion Kross and Damien Priest was a little bit of a disappointment for me because I had such high expectations for it. It did what it needed to do though as Kross keeps his title aspirations alive to get back his NXT Championship from Finn Balor.

Santos Escobar continues to dazzle as the highlight of the cruiserweight division. While many can compete, there are few who can or will take him down. Gran Metalik tried but came up short.

.@RaquelWWE is the #LastWomanStanding. Words cannot even describe what we just witnessed. WOW.#NXTNYE @RheaRipley_WWE pic.twitter.com/kn4eCTVbwo

— WWE (@WWE) January 7, 2021

Raquel Gonzalez and Rhea Ripley was a downright epic war. These two took their Last Woman Standing match all over the WWE Performance Center and even took it to another level with Ripley locking Dakota Kai in a locker to prevent further involvement. Gonzalez’ chokeslam of Ripley through the stage was impressive. I’ll have to say, I wonder where Ripley goes next as she hasn’t won “the big one” in almost a year since dropping the NXT Championship to Charlotte Flair at WrestleMania 36. Gonzalez stardom continues to rise and now joins Mercedes Martinez and Toni Storm at the top of the charts to take down NXT Women’s Champion Io Shirai.

So many questions, so little answers. #NXTNYE @XiaWWE @Bigboawwe pic.twitter.com/cXbnetNiD1

— WWE (@WWE) January 7, 2021

Badass thy name is Xia Li. For the first time since their banishment, Li and Boa are back live and Xia showed she’s for real. She looks the part and has all the feels of a faction led by ???? We’ll continue to guess.

Shotzi Blackheart & KUSHIDA is an interesting combo to take on The Gargano Way duo of Johnny Gargano and Candice LeRae. It was fun!

Does he have your attention now?

#AndStill #NXTNYE #NXTChampionship @FinnBalor pic.twitter.com/lMyzOltoXm

— WWE (@WWE) January 7, 2021

Finn Balor vs. Kyle O’Reilly II. Holy smokes! This was high drama to say the least. It was touch-and-go right until the end. Having Balor take aim at KOR’s jaw seemed right. Balor with a little color the hard-way proved how tough his one was. I like that they didn’t get lazy and make a Kross run-in mar the finish either. It let these two have the stage they so richly deserved.

ABOUT TIME. Per #WWENXT GM @RealKingRegal, the WOMEN'S #DustyCup is coming your way, soon! #WeAreNXT #NXTNYE pic.twitter.com/D7btsuCPso

— WWE NXT (@WWENXT) January 7, 2021

Finally, I love that the women of NXT are getting a Dusty Rhodes Classic of their own. The NXT women’s division is top notch and there’s plenty of match-ups that could be made. Just like the men though, I hope they bring in some other indie teams to spice it up too.

SMACKDOWN

RESULTS

Intercontinental Championship Match: Big E defeated Apollo Crews

SmackDown Tag Team Championship Match: Robert Roode & Dolph Ziggler defeated The Street Profits to win the titles

Gauntlet Match – Rey Mysterio defeated Sami Zayn; Shinsuke Nakamura defeated Mysterio; Nakamura defeated King Corbin; Nakamura defeated Daniel Bryan; Adam Pearce defeated Nakamura to win a title shot against Roman Reigns at Royal Rumble

OOOOOOOOOOOOOOH#SmackDown pic.twitter.com/WCsFNufQU4

— WWE on FOX (@WWEonFOX) January 9, 2021

It was all about the titles this week on SmackDown. First up, Big E defended his Intercontinental Championship for the first time against his friend, Apollo Crews. But, after Crews thought he pinned Big E yet instead the referee called for a double pin and a draw, Crews wasn’t so friendly. One slap later and a decent back-and-forth restart of a match, Big E retained his title. Nice job by Big E turning things serious when he needed to get the victory.

The Dirty Dawgs did it! AND NEWWW #SmackDown Tag Team Champions: @HEELZiggler & @RealRobertRoode. pic.twitter.com/hUh0XCUWc6

— WWE on FOX (@WWEonFOX) January 9, 2021

We have new tag team champions as Dolph Ziggler and Robert Roode take advantage of Montez Ford’s injured left knee to take home the gold. Good to see the vets rewarded with a tactical win. Let’s hope they keep it for a bit and it’s not just a quick respite for the TSP.

The second hour of SmackDown was devoted mostly to the Gauntlet Match to decide who will face Roman Reigns for the Universal Championship at the Royal Rumble. As they foreshadowed in the opening segment, Paul Heyman got WWE official Adam Pearce put into the match as a bit of payback for making the Tribal Chief look stupid for his latest actions. And the rest, as we always say, is history.

Respect.#SmackDown pic.twitter.com/62aycltXw2

— WWE on FOX (@WWEonFOX) January 9, 2021

What a great "win" by @ScrapDaddyAP, who will now face @WWERomanReigns at the Royal Rumble! #SmackDown pic.twitter.com/ObSpiKmHoB

— WWE on FOX (@WWEonFOX) January 9, 2021

As for the match itself, I didn’t like Sami Zayn being eliminated by Rey Mysterio in about a minute. He deserves better. Nakamura, who’s really been an afterthought on the singles front for months, looked good with victories against Mysterio and Corbin. Against Daniel Bryan, Nakamura looked even better as those two are magical together in the ring. Beautiful sign of respect afterwards as well. Unfortunately for Shinsuke, the expected happened as Reigns and Jey Uso beat up Nakamura before Pearce entered the ring as the final contestant of the Gauntlet Match. Reigns showed it’s HIS show, as Uso superkicks Pearce before dragging his body over Nakamura to get the win. Predictable? 100%! Good for the storyline. Absolutely.

""I want to put the past behind me." – @SonyaDevilleWWE to @ScrapDaddyAp#SmackDown pic.twitter.com/gWKF48xJ7F

— WWE on FOX (@WWEonFOX) January 9, 2021

Finally, what’s the deal with Sonya Deville? At least they addressed her loss in the loser leaves WWE match with Mandy Rose to end 2020. But they didn’t really quite explain what her role will be in aiding Pearce. Will it be taking over now that Pearce is back in the ring? I really wish Michael Cole and Corey Graves would give a little background on Pearce. He was a former 5-time NWA Champion. If Paul Heyman could slip in a Scrap Daddy WCW line, why not give us a little context. I get that the WWE doesn’t think anything exists outside the WWE Universe, but in this day of social media, it helps the story get over with some needed details. They’ve never explained who Pearce is other than just another backstage guy. Major mistake on their part.

Parting Shots:

Could Jay White be coming to the WWE? Rumors abound that he could be leaving New Japan Wrestling after his loss at Wrestle Kingdom. It seems like White liked this tweet from our star of the week Finn Balor after his NXT Championship match this week with Kyle O’Reilly. Count us in on wanting to see that one!

STEP RIGHT UP pic.twitter.com/ojcoHpdcz6

— Finn Bálor (@FinnBalor) January 7, 2021

Coming up this week:

RAW: Drew McIntyre vs. Randy Orton Goldberg’s Challenge addressed NXT: Dusty Rhodes Classic begins

SMACKDOWN: TBD

Thanks for letting us share our thoughts! Shoot me an email at jcrowe567@gmail.com. We’d love to hear your comments and suggestions! You can also check out my blog, The Crowe’s Nest as we delve into more pro wrestling, sports entertainment and the World of Sports. My apologies ahead of time – I AM a Patriots, Red Sox, Celtics and Bruins fan! If you’re not down with that, I’ve got TWO WORDS for you… NEW ENGLAND

[koreanpike3-blog]

New Trash make videos with flash, panache, and not much cash

"Water? Coffee? Gushers? Fruit by the Foot?" offered director Connor Wiles as his volunteer crew carried equipment past classrooms filled with board games and crates of toys. Over two days in mid-November, Wiles and his partner in the production company New Trash, Nat Alder, turned part of the Kidz Express Boys & Girls Club in Austin into a music-video set for Chicago hip-hop duo Mother Nature. This was to be New Trash's 30th video in less than three years, and they've developed a vibrant, playful style both despite and because of their typically minuscule budgets—the Mother Nature shoot would cost about $500.

Launched in summer 2016, New Trash quickly earned notoriety working fast and cheap with artists from the local underground scene, filming fistfights, dance troupes, vampires, and more. That reputation helped them land a job this year with breakout Chicago rapper Valee, who's signed to Kanye West's GOOD Music and distributed by Def Jam. Their video for his track "Juice & Gin" has a surreal, B-movie-futuristic party vibe, alternately soaked in DayGlo fluorescence and blood-red light. It's by far the biggest platform yet for New Trash's distinctive DIY aesthetic—coated in spray paint and splashed with radioactive ooze, like something from the VHS collection of the coolest person at a comic book store. "Our guarantee is, we will shoot even if it's two of us and an iPad or 40 people and a Def Jam artist," says Alder.

For the Mother Nature production, Wiles and Alder were joined by four crew members: camera operator David Hughes Jr., lighting director Anastasia Mikolyuk, and designers Olivia Laird and Claire Wiles (Connor's younger sister), who converted a Kidz Express classroom into two color-saturated sets. "Everyone who we bring onto the project is there for that collaboration and is doing it for the chance to make something fun—art for art's sake," says Alder. "We can shoot in a single day, we don't have to hire sound people, and we can do it quick and dirty and emulate people we love."

New Trash's founders are young—Wiles is 24, Alder 23—and with encouragement from their fathers, they developed idiosyncratic tastes even younger. Wiles dug deeply into Gene Kelly and John Waters, while Alder fell in love with Steven Spielberg and Robert Rodriguez. Wiles is into expressionist spectacle—what he calls "smash and panache"—and Alder has a dark sense of humor that drives his interest in the "inner perversions" of his characters. The two of them met in fall 2013, during their first week of classes at Columbia College, where Wiles was impressed by Alder's movie knowledge at an icebreaker event.

"They throw chips at you if you answer trivia questions, and Nat was just ringing them out. He had more chips than he could carry," Wiles says. Through their four years at Columbia, where they both pursued BFAs in Cinema Art and Science, they became friends and colleagues, filling roles on each other's productions.

New Trash began in earnest just before their senior year. Columbia offers select teams of filmmakers in its Advanced Practicum class a small budget to make a short film, in exchange for which the school owns the final product. But Wiles and Alder had a different idea. "We didn't want Columbia to own our work," says Wiles, "so we didn't take any money from them and instead decided to put our time and effort into using grindhouse and classic cheap-movie techniques to produce our own pieces at no to low cost."

Alder and Wiles spent their senior year making music videos. The first was for "Crucifix" by Chicago folk-punk band Little Yellow Dog, whose members Wiles had met while filming at defunct DIY venue the Keep (bandleader Dakota Buyka lived there for several months). Valee has been their only major-label client so far, but over New Trash's brief lifetime they've expanded their reach to work with an increasingly diverse roster of artists.

For Latinx prog rockers Avantist, New Trash crafted a harrowing black-light hallucination speckled with disembodied eyeballs ("Red Bible"); for dark electro-pop outfit Pixel Grip, they conjured a 1980s-style dystopia populated by hazmat-suited dancers ("Golden Moses"); for Milwaukee garage band the Pukes, they turned a slapstick John Waters-inspired heist sequence into a bloody party, complete with a dildo fight, a cameo by a kinky Jesus, and a robber made up like Waters's favorite drag queen, Divine ("Execution"). In April 2017, Alder and Wiles made a video for "Coins," by Chicago synth-rock eccentrics Woongi, that depicts a generic Barney-type dinosaur under siege from a group of kids, with a sort of suburban Lord of the Flies feel. On the day of the shoot, though, New Trash couldn't find anyone to wear the dinosaur costume—so Wiles stepped into the fuzzy purple shoes himself. As Alder filmed from a borrowed golf cart, he ran through a field in Barrington, chased by a preteen soccer team wielding cardboard spears.

Wiles jokes that his dream collaborator is "anyone who wants to," but New Trash's standards are simple. "A good song goes a long way," Alder says. "You hear it once and you think, 'There's no way we're not shooting this.'"

At Kidz Express, Alder and Wiles were making a video for Mother Nature's unreleased song "Simple." In April of this year they'd booked the duo—Shasta Matthews, aka Klevah Knox, and Tierney Reed, aka T.R.U.T.H.—to perform at a New Trash video-release party for Chicago pop artist Liska Steele. They hadn't seen Mother Nature perform before, and they were bowled over by the rappers' command of the stage. Alder and Wiles screened the duo's video for "This Yo Year" at the party too. "That's where we met New Trash," said Matthews, as she weaved metal rings into Reed's hair for the shoot. "They were just playing videos, and then they played our video, which they didn't do—but they celebrated us, you know?"

New Trash later cast Matthews and Reed in the "Juice & Gin" video. "We were thinking that we was gonna be extras," Reed says. "We ended up being the main girls." Alder and Wiles's policy for clients is "pay what you can," and Valee's people could afford to exceed New Trash's usual "no to low cost" range. Wiles says they splurged by hiring "an actual producer who knows how to do paperwork."

Wiles and Alder freelance as video editors and work as production assistants to support themselves, but they're optimistic that New Trash will eventually get them properly paid directing gigs. "We are of course building a portfolio to hopefully land bigger-budget projects where we have the opportunity to pay our crew back," says Wiles. "Many of them have repeatedly donated their time and talent. But at this stage, all the budget goes to what you're seeing on the screen."

The Valee shoot got Mother Nature interested in making a New Trash video of their own. "They're very DIY, which is our approach. We do everything by ourselves," Matthews says. "We're constantly having to compromise and wear all these hats."

Mother Nature had already come to Kidz Express to give a workshop on writing and performing, invited by Imani Hardy, who manages the facility's after-school hip-hop club. (He also raps under the name Mani Jurdan as part of the HUEY Gang crew.) When Reed and Matthews recorded "Simple," they recruited a half dozen kids from the club to add vocals to the hook, complementing the song's bright, bouncy instrumental. These same children agreed to appear in the video too, and New Trash were given use of the Kidz Express space for free.

For New Trash, DIY isn't a philosophy so much as a reality they've adapted to—making videos with little more than passion for the work. "If somebody told me they would give me money to direct a Nickelodeon show," Wiles jokes, "I would be out of here in a fucking second."

When planning their shoots, Wiles and Alder aim for striking visuals that they can accomplish on a low budget. After initial discussions with a client, they guide further conceptualization by assembling a lookbook of references from film, photography, paintings, and architecture. "If [the musicians] have big thematic ideas, it's like, 'Look, we'll try and boil this into the DNA as best we can, but the realities of the day are what they are,'" Alder says. "Maybe we won't have a giant laser cross, but we'll try to do something with lasers."

The "Simple" video draws from the exaggerated aesthetic of maximalist late-90s hip-hop videos, particularly the work of director Hype Williams. The crew's shot list called for colors "shiny and bold like a piece of candy wrapped in cellophane," and its central conceit is that the kids themselves are directing a video for Mother Nature.

On the first day of filming, the six young performers arrived an hour later than expected. Hughes and Mikolyuk set up a set-within-a-set on a parking lot next to the playground, hoping to capture as much daylight as possible. They arranged a director's chair, lights, a VHS camera, and a green screen with an eight-foot dolly track passing in front of it at waist height. The uncanny feeling of watching a real film crew shooting a pretend film crew was only intensified when one of the kids, 11-year-old Jovon Black, began livestreaming the whole thing on his phone.

As the oldest of the children, Black exerted a moderating influence on the others, suggesting, "Be y'all, but don't be too much of y'all." It was 30 degrees outside, and the first snow of the season fell that day, but the kids brought all the pent-up energy they'd usually blow off at the end of a school day to the set. They Milly Rocked and did the Shoot dance, and they sang along to their own voices on the hook: "I do not do what you do / Keep it simple / I am me and you are you / Keep it simple."

Wiles talked the kids through each take, and when Kidz Express assistant director Marco Dodd could take a break from his duties, he stepped in as an acting coach. For a scene where nine-year-old Danielle Reed was supposed to throw a script binder off her directing chair in frustration, he called, "Act like you're mad at your brother!"

As it got dark, the crew moved into the gym. The kids followed Hughes's camera as it spun with them, the background a blur behind their faces. They lip-synced as they stood in a static shot that imitated a class picture. When Wiles lined the kids up for individual dance features, they seemed to find new reserves of energy. Each one leaped into frame, improvised moves for 12 bars, then ran around to the back of the line to wait for another turn—even in slow-motion, as some of that footage will appear in the the finished video, the dance relay was electric. The first day of shooting wrapped up at 6:30 PM, and the crew broke down the set in five minutes so Kidz Express could serve dinner in the gym.

Wiles was constantly in motion throughout the shoot, evaluating angles from behind the camera, then kneeling down to talk to kids before takes. He clutched a Bluetooth speaker that played the Mother Nature song so the children could stay in sync with it. They had little time to spare for reviewing footage and no way to do so except inside the camera—Wiles joked that the kids' prop monitor was the first one New Trash had ever had on set.

Alder moved in a different orbit. He frequently ducked into the building, retrieving equipment and refreshments while checking on Laird's set-construction progress. This dynamic is typical on New Trash sets. The pace of production requires Alder and Wiles to fill multiple roles simultaneously. "I'm a good liaison person. I talk to people and make sure everything's OK," Alder says. "This guy is a war horse, so he's good at calling a lot of the literal shots."

Mother Nature arrived at Kidz Express camera ready on the second day of shooting, both wearing black-and-white checkerboard pants and bright, warm-colored fleeces. Hyping themselves up with their own song and with "Live Sheck Wes," the two MCs strutted and flexed in front of the green screen—which will probably show a beach scene in the finished video—and then the camera pulled back to reveal the set and the parking lot. That visual punch line will dovetail with the lyrics of the bridge: "Should have had it all by now." As Wiles explains it, incorporating their set into a video is one way New Trash turn their low-budget production style into an asset—in this case, it becomes part of a self-deprecating joke.

The shoot was calmer with grown-up subjects, but it didn't go entirely smoothly. New Trash had to abort several indoor takes when a snow machine malfunctioned. Even after Alder figured out how to fix its delay in dispensing fake flurries, the snow still wouldn't blow toward the camera properly—the crew were stumped until Mikolyuk pointed to a vent in the ceiling. The shot was worth the trouble, though: Matthews and Reed leaned into each other against the sudden blizzard, taking pratfalls that drew laughs from the handful of people who'd gathered to watch.

When the kids arrived, they flocked to Mother Nature, and the directors tempted them away from these local celebrities with rough-cut footage from the previous day played on Wiles's phone. The kids were entranced—they've grown up with smartphones, but they'd never seen themselves shot in slow motion at 120 frames per second. Intrigued by the filmmaking process, five-year-old Zyler Kidd pushed the camera back and forth on the dolly track (under Hughes's supervision) until his older brother Zack called him back on set for another take.

Inside the gym, New Trash shot a sequence meant for the video's credits. Hughes's camera zoomed out from a Kidz Express sign, his extended shot taking in each of the kids with their movie-set props and Mother Nature lip-syncing the final chorus. Then Wiles asked everyone to gather together and cheer "like the end of every sports movie." Nine-year-old Trashuwn Jones threw down the papier-mache boom mike he'd been valiantly holding above his head to join the bouncing, noisy throng. After postproduction, New Trash's black-and-yellow logo would roll over that triumphant scene.

The production then relocated to the classroom that Laird and Claire Wiles had spent two days slathering with color. Mother Nature and the kids danced in front of a whiteboard covered in mock storyboards and neon Post-its. Nine-year-old Landon Sanders, freed from his post behind the prop camera, danced to the front as the MCs cheered him on. Each kid took a turn at the head of the room through two takes of the song, one with a stationary camera and another with Hughes floating through the crowd.

Alder called a wrap for the kids, and they celebrated with hugs from Matthews and Reed before rejoining their peers in the gym. The crew then pivoted 180 degrees to shoot the other half of the classroom, which had been transformed into a giant simulation of an elementary school diorama. Models of the planets hung from the ceiling, surrounding a mirrored comet with a cardboard tail. Mars-red gravel covered an off-white tarp. Reflective sheets of silver plastic, draped over two eight-foot stands, flowed onto the floor like carpeting on a spaceship.

The directors filmed Matthews and Reed prowling through the solar system as Mikolyuk twirled a red spotlight. The crew had initially rented a fisheye lens to distort the rappers' faces when they got close to the camera, but they were stymied by a last-minute recall. "The rental company called and said, 'It doesn't work if you shine light through it," Alder says, laughing. "So it didn't work at all." Hughes got the desired effect anyway by setting up the camera even closer to his subjects. Reed watched some of the footage and said, "Looks like Puffy and Mase"—referring to Hype Williams's iconic video for Biggie's "Mo Money Mo Problems."

The moment the crew had finished filming, they flipped on the fluorescent classroom lights and efficiently dismantled the painstakingly constructed diorama. Laird offered the model of Saturn to anyone who would take it. Wiles transferred gigabytes of video to his laptop. The crew loaded up lights and equipment in a matter of minutes, stopping only to hug Matthews and Reed good-bye. Plans to use a smoke machine and shoot on the playground were cut for time. "The reality of production is the greatest decider of everything," Wiles says.

The directors will face another time crunch finishing the production. Wiles and Alder are roommates, and they'll be editing to meet a deadline a few weeks away while also hunting for a new apartment. The release date is still undetermined, but Mother Nature plans to roll out a new project in early 2019. Reed is sure the duo's relationship with New Trash will continue. "This definitely won't be the last video we work with them on," she says.

Wiles and Alder have more projects in the pipeline, including their first video featuring animation. In the long term they want to expand to feature films, their goal since they arrived at Columbia. They also want to encourage fellow purveyors of their over-the-top style. "Give them the opportunities you wish somebody would've given you," says Wiles.

Alder looks further into the future: "I think everybody who wants to make movies has this fantasy of being able to be famous enough that you can see an artist that you love and be like, 'I wanna see what this person is gonna do with this kind of material,'" he says. "A big-picture plan we have would be to open a production company where we could foster talent and finance projects that don't fit into any established line of Hollywood thinking."

"I think New Trash is a writ-large idea, something that could easily transition into an actual production company," Wiles adds. "God forbid we have any success."  v

Source: https://www.chicagoreader.com/chicago/new-trash-video-wiles-alder-valee-avantist-mother-nature/Content?oid=63969498

[todd-manning-fanfiction-blog]

A Fresh Start Part 11: Erica & Tempest’s Turning

(Southside)

Negan-Vilf *I took a shower for the "Event," and wrapped a towel around my waist after I dried myself off. My guards informed me that Erica was here, and I ordered them to bring her to me. Once she was there, in my bedroom, bathroom, with me, I leaned on the sink, staring at myself.* Today is the day! How are you feelin'?

Erica Blodtorst-Vilf *Once I was inside Negan's bedroom I kneel when I see him* I'm as ready as I'll ever be your highness. I feel pretty good actually.

Negan-Vilf *I turned to face her* What you mean by "Ready as I'll ever be," is not really. *smiled*

Erica Blodtorst-Vilf *Takes a deep breath and lets it out.* No I am ready. * looks up at him* Honest I am.

Negan-Vilf *Chuckled* Alright.. Well, I better get dressed *I removed the towel and put it back where I took it and slid sideways in between her and the door frame to past her*

Erica Blodtorst-Vilf *I blushed a little when he pasted naked in front of me.* Yeah although I'd sure the girls at the slayer academy wouldn't object. *chuckles*

Negan-Vilf *Soft laugh* Erica! *Turned to face her, once in the bedroom* Are you sayin' that you like what you see?

Erica Blodtorst-Vilf *tries not to look at his crotch when he turned around* Uh well I don't not like what I see. *smirks and blushed a little more*

Negan-Vilf *Laughed* I'm "Gifted," in many ways. *I turned to head to my walk in closet.* But then again.. So are you, or so I hear.

Erica Blodtorst-Vilf *stared at his rear when he walked into his closet.* I am a lady of many talents. *smiles* I have been around for over 1000yrs.

Negan-Vilf No shit.. *I yelled from the closet* A 1000 years? Don't you ever get bored with livin'? *Started to dress*

Erica Blodtorst-Vilf *pfft* Are you kidding? I have the best job in the world and I have powers. Besides, Godric was over 2000yrs old and he was tired of living so he killed himself by meeting the sun. *looks sad* I don't want to be that so I live life to the fullest.

Negan-Vilf *I grabbed Lucille once I was dress and came out of the closet , placing her over my shoulder* Good for you! You should. F.T.W. *laughed as I leaned back* Fuck the world.

Erica Blodtorst-Vilf *half smile* Yeah I feel that way sometimes. Fuck everything. *chuckles*

Kane-Vilf *I haven't seen Erica a lot lately and I feel forgotten. It was Valentine's day, so I thought maybe I could get her to go out with me and talk, so I called her*

Erica Blodtorst-Vilf *My cell started playing "Slow Chemical" and I knew it was Kane.* Excuse me your highness I have to take this. *Pulls out my phone and walks out of the room as I answer* Hey Kane. *smiles*

Kane-Vilf *Nearly smiled* Hey.. *Felt awkward* Umm.. You wanna hang out today? Bein' Valentine's Day and all.

Erica Blodtorst-Vilf *My smile faded* I would love to big guy but I'm afraid I can't. *starts to pace as I run my fingers through my hair* Long story short I'm becoming the slayer for the king of New York today. *looks sad* I'm sorry I haven't been around much but I promise to make it up to you.

Kane-Vilf *I felt my rage build* You care more for this stupid king than me. Or is this another lie so you can screw someone else behind my back?

Erica Blodtorst-Vilf *I closed my eyes and sighed* Kane I swear I'm not cheating on you. I have to do this to protect you. *opens my eyes* Pleases believe me.

Kane-Vilf You really want me to believe that. I'm not Matt Hardy I don't need protection. I need you, but you're too busy "Doing," someone else!

Erica Blodtorst-Vilf Kane please I swear I'll explain everything as soon as I can. *looks around and some of the other workers are watching me* Look the only thing I can say is I really don't have a choice. I have to to this.

Kane-Vilf *Huffed* Sure you do. It's over. I'm done. *I hung up on her*

Erica Blodtorst-Vilf Kane wait! *I listened to him hang up* Damn it! *tries to call back but it goes to voicemail* Kane I promise I'll make it up to you. I love you. *hangs up with tears in my eyes as everyone continues to stare* The fuck you bitches looking at! *they all scrambled away as I wiped my tears and went back into Negan's room* Sorry to keep you waiting. *forced a smile*

Negan-Vilf *I stood there waiting until she returned* Is everything cool?

Erica Blodtorst-Vilf *nods* Yeah. Everything is fine. *looked sad* Okay so many it's not so fine. Nothing for you worry about though.

Negan-Vilf *Walked over and leaned into her space* You and I are about to be connected, if there's something wrong? I need to know.

Erica Blodtorst-Vilf *I looked away and sighed when he got into my space* Alight. *looks back at him* That was Kane, he asked me out for Valentines day but I told him I had to become your slayer today. He got mad and thinks I'm cheating on his again. We just broke up. *I feel tears sting my eyes but I don't let any fall.*

Negan-Vilf *Smiled as I backed away* That's it? Oh.. Sweetheart, we can fix that after your turning. You'll be riding that dragon before you fucking know it.

Erica Blodtorst-Vilf *sighs sadly* I don't know he sounded really pissed. Plus when his brother finds out that I've hurt him again. *swallows* Oh that wont end well for me. Hell he probably already knows and is about to rain lightening down on me and drag me to Hell any minute now.

Negan-Vilf *Giggled* Erica, reapers know everything. *shook my head* He knows the truth. He knows this is important and Kane need to get his head out of his god damn ass.

Erica Blodtorst-Vilf *nods with a small smile* Yeah well lets hope he agrees. *smirks* Anyways I can't worry about that now. I believe I'm abut to get a new creator.

Negan-Vilf *I wrapped my arm around her shoulders* That's the spirit! *Grinned* Don't you worry, after you're finished being sick for three days, we will find that motherfucker and he's gonna listen.

Erica Blodtorst-Vilf *smiled a little then it faded* You're not going to hurt him if he refuses to listen are you? Kane can be very stubborn and when he gets stubborn he sets things on fire.*bites my lip nervously*

Negan-Vilf *We walked out of my bedroom* No, of course not. That would be fucked up, since we are together. He is a part of this family too.

Erica Blodtorst-Vilf *walked with him* Oh good. *smiled* I hope he doesn't have to say he's Negan too because I can guarantee he's not saying that. *chuckled*

Negan-Vilf *Smirked* Nah.. He's not a part of us like that, just a part of the family, through you. *headed downstairs*

Erica Blodtorst-Vilf *followed him downstairs* Fair enough cause like I said he's stubborn. *smirks*

Negan-Vilf *Half smile* The only thing I care about, is me, and my people and you, are a BIG part of that. So, if that means, Kane is part of the family? So be it.

Erica Blodtorst-Vilf *smiled* Thank you you're highness. That means a lot.

Negan-Vilf *We reached the bottom* I told ya.. *Grinned* You can get anything you want. *headed to the door* You just have to ask.

Erica Blodtorst-Vilf *reached the bottom with him and heads toward the door* Yes and I will from now on. I promise.

(Scum Town)

*Annie was playing some games when I arrived* Hey Babes. *I yelled as I walked towards her.*

Annie Wilson-Vilf *I was really into this Mortal Kombat style game when I heard Ivan calling me* Yeah? *looked over in his direction*

Ivan Dashiell-Vilf It's fucking Valentine's day. Let's do somethin'. *Stopped next to her*

Annie Wilson-Vilf Ooh, Valentine's Day fun *I had just died on the game but I didn't mind it* I'd like that a lot but what did you have in mind? *leaned against the machine. Joey was sitting by my foot*

Ivan Dashiell-Vilf *Shrugged* I don't fucking know. You wanna do another Saint valentine's day massacre? *laughed*

Annie Wilson-Vilf Oh, of course! Nothing tops a good massacre *shook my head and laughed* Or maybe something simple like going to the movies, maybe *soft laugh*

Ivan Dashiell-Vilf *Looked at her strange* Sorry Babes, not used to taking chicks out on valentine's day. Movies is good. You wanna eat first?

Annie Wilson-Vilf *soft smile. I picked up Joey* Chicks really aren't that complicated. *thought for a moment* Well, I was planning on going to see that Suicide Squad movie and that horror movie with Robert Englund Funhouse Massacre I think.. I heard a lot of mixed things about Suicide Squad though..

Ivan Dashiell-Vilf Suicide Squad is fucking awesome! We can totally do that shit. And shit yeah, it's Robert E! We have to see it. But I've fucking starving. *smirked*

Annie Wilson-Vilf Great. I don't see why we can't watch both *held Joey under my arm* Okay, so food first, then the movies *looked at Joey* You okay with that? *Joey barked and raised a paw*

Ivan Dashiell-Vilf *Grinned* Fuck yeah, let's go Babes. *I headed towards the doors* Where do you wanna fucking eat?

Annie Wilson-Vilf *nodded as I followed you to the doors* Hmm, I'm kind of in the mood for something spicy *thought for a moment* Are there any good restaurants around here?

Ivan Dashiell-Vilf *Nodded* Sure, There's lots. Mexican sound fucking good? *Opened the door for her*

Annie Wilson-Vilf Oh, yeah. Mexican is great *smiled a little as I walked out the door*

Ivan Dashiell-Vilf *We walked to the truck and again, I opened the door for her* Awesome, it's only a few blocks away.

Annie Wilson-Vilf Cool, that works for me *half smile, I teasingly say* I could get used to this, you know *meaning doors being opened for me, I put Joey in first before climbing in the truck*

Ivan Dashiell-Vilf *I laughed* You're chick. It's my duty or some shit like that to fucking do it. *I closed the door and ran to the other side and climbed in.*

Annie Wilson-Vilf I wouldn't really say it's a duty but it is a nice gesture *chuckled as I reached for my seatbelt and buckled myself in. I patted my leg and Joey jumped on my lap*

Ivan Dashiell-Vilf *I started the car* Well, it fucking should be a fucking duty. *Laughed as I drove off*

Annie Wilson-Vilf *sat back in my seat as I held Joey* Yeah, it should be required for all men to open doors for women *Joey barked*

Ivan Dashiell-Vilf *We drove to the restaurant and I parked* You deserve to be treated good Babes. You're fucking you. *chuckled*

Annie Wilson-Vilf *short laugh as I removed my seatbelt* Well, not just me. Everyone should be treated fairly *removed my seatbelt* But not all people are used to being nice to others.

Ivan Dashiell-Vilf *I climbed out and ran around to her side and opened the door* I'm not used to being nice. I hate fucking people. *Laughed*

Annie Wilson-Vilf *I held Joey as I climbed out the truck* Oh come on *looked at you* Not all people are bad.. Some people can be tolerable to be around.

Ivan Dashiell-Vilf *made a face* Babes? Did you get into my stash? *snickered* You high? People fucking suck! *closed the door*

Annie Wilson-Vilf *chuckled* No *shook my head* I would never get into your stash. I'm not a fan of doing drugs *walked over on the curb* And yes, some people do suck, but that doesn't mean everyone on earth sucks.

Ivan Dashiell-Vilf Name one, beside you, Abby and Slick that are fucking awesome? *Gave her the look*

Annie Wilson-Vilf I can honestly say that all of my friends I hang out with don't suck *soft shrug* Point is, not everyone sucks. You just think that because you spend way too much time in Scum Town. *Joey let out a tiny bark* I know, right Joey? *teasing* You may come around one day *soft laugh*

Ivan Dashiell-Vilf *Pfft* I fucking doubt it. *Headed to the doors* They should all die. *Opened the door for her* That massacre is still optional.

Annie Wilson-Vilf *chuckled* If you say so *brushed my hair back as I walked inside* And I think you should hold off on that massacre for a while. Let's not go all Leatherface on anyone just yet.

(New York)

Negan-Vilf‎ *I arrived with Erica at the ISL. We parked* We're here! You still feel okay about this?

Erica Blodtorst-Vilf *I looked up at the ISL and thought, "This is it. No turning back now." I look over at him and smiled* Yes I sure. I'm ready.

Negan-Vilf *We climb out of the car* Great, you just seem a little... off. *smiled*

Erica Blodtorst-Vilf *Chuckled as I climbed out of the car.* We aren't even connected yet and you know me. *sighs* Guess I'm still just a little bummed about Kane. *sad smile*

Negan-Vilf You're worrying too much. You need to learn to trust me. *laughs* Shall we? *give her my arm*

Erica Blodtorst-Vilf *Takes his arm and walks toward the door with him* Sorry I'm trying. I really am. Once we;re connected I'll be better.

Negan-Vilf *Chuckled* I understand. *I'm about to knock on the door when it flew open* Holyyy crap! That wasn't you, was it? *turns my head to look at her* Cause that was creepy as shit.

Erica Blodtorst-Vilf *Looks at him and giggles at his reaction when the door opened* No it wasn't me. *looks back at the door*

Katarina "Ancient Slayer" Stark-Vilf *walked out from behind the door, with my arms behind my back* It was I. *smiles* Welcome... Come in. We've been waiting for you.

Negan-Vilf Wow! You are hot! God Damn! *walks in first*

Erica Blodtorst-Vilf Oh boy. *Shakes my head and smiles as I follow him inside.* Hey Katarina nice to see you again.

Katarina "Ancient Slayer" Stark-Vilf *giggled* Thank you, your majesty, so are you. *closes the door when Erica enters* Yes, it has been awhile.

Negan-Vilf *shrugged* Please, just call me Negan. *Took her hand and kissed it with a smile*

Erica Blodtorst-Vilf *nods* Indeed it has. *watches Negan* Watch out King Negan is quite the charmer. *smirks*

Katarina "Ancient Slayer" Stark-Vilf *Nodded* Yes. I can see that. *blushed* Come into the study. The other slayers are getting ready. We can talk about everything there while we wait. *headed to the study*

Negan-Vilf I just love women.. *winked at Erica* *Followed Katarina* Good. I know a lot about what's going down, but not everything.

Erica Blodtorst-Vilf That you do. *Chuckled as I followed them* It's all pretty straight forward really.

Katarina "Ancient Slayer" Stark-Vilf *walked into the study* Yes, it is Erica, but it's very important that both of you know all the rules and everything that is going to happen tonight and in the next few days. *sat in a chair*

Negan-Vilf *leaned against the back of one of the chairs* Wait... Is this going to do some damage to us? Since it's her second time. *concerned* Cause that ain't fuckin' cool.

Erica Blodtorst-Vilf *sat in the chair Negan leaned against* Don't worry everything will be fine. Katarina will explain everything.

Katarina "Ancient Slayer" Stark-Vilf *Smiled* Erica is right. You will BOTH be fine. Let's start with the ritual. Now Erica, I'm sure you remember this... *looked at both of you* In the ritual room there are 6 ancient slayers. Erica and Negan will stand face to face. There will be a couch next to you. Negan has to choose 3 slayers to feed from before the ritual begins. This is because Negan will have to feed Erica his blood to the point of dehydration/starvation. There are 3, because we can't have Negan kill a slayer. Once the chanting begins there is no talking. One word "could" turn her into something else, like a zombie or as you used to call them Negan, walkers.

Negan-Vilf *nodded as I, listened* Okay, that makes sense. No need to kill, if you don't have to. *Snickered* And no one wants a walker slayer.

Erica Blodtorst-Vilf *nods* Yup I remember like it was yesterday. *smirked* Yea no need to be a zombie. *makes a face*

Negan-Vilf *cracked up* No worries, my Erica. I won't say a word. You are too damn HOT to be a walker.

Katarina "Ancient Slayer" Stark-Vilf *gigglesnorted and looked at Erica* He is just too sexy. *deep breath* The chant starts and Negan must bite Erica on the neck as if he was attacking her... The bite will be “extremely" painful. So painful that Erica will try fight back.* paused* Half way through draining her body starts to relax. She's dying and it's her body's natural way to except it. Erica will feel like she wants it.

Erica Blodtorst-Vilf *blushed a little then looks at Katarine.* You have no idea. *winks* Oh yes the fun part. *being sarcastic* Small price to pay for awesomeness. *giggles*

Negan-Vilf *worried* I don't want to hurt her. Isn't there any other way to do it? *looked at Erica* You know, in case there's another way. I mean fuck yeah I want a slayer and the benefits. But shit!

Katarina "Ancient Slayer" Stark-Vilf *Felt sorry for Erica* It's mandatory. I'm sorry. *looked at Negan and shakes my head* I'm sorry there is no other way.

Erica Blodtorst-Vilf *Looks up at Negan* She's right there is no other way. It's really not that bad. *small smile* I'll be fine once it's over.

Negan-Vilf *looked at Erica sadly* Okay, no need to hurt someone, unless need be. *winked at Erica with a smile*

Katarina "Ancient Slayer" Stark-Vilf *nodded* Good! Now, when Negan is done, he will lie Erica on the couch and bite into his wrist. Negan will know when to slow down. He will, when her heartbeat is so low he can barely hear it. During this feeding, Erica slowly starts to feel stronger. After awhile she'll start to drink as if she was dehydrated. She'll grab Negan's wrist like a lifeline and will not let go until forced to do so. Once Negan is close to being drained he will force her to stop and will start to feed on the 3 slayers. The chanting is basically, so Erica is not turned vampire. It keeps her from dying. A few seconds after Negan stops feeding Erica. She'll start to feel pain. Agonizing pain. This last about 5 minutes, but it will feel like 5 hours to her. It's basically what a vampire "would" feel as he/she is being turned and was awake and alive. The 6 ancient slayers will hold Erica down until she passes out.

Erica Blodtorst-Vilf *snickered* Exactly. *smiled and as I listened it faded* Yes the pain I remember it well. *soft sigh* Like I said small price to pay for awesomeness.

Negan-Vilf *smiled* Well, I'm honored to be your... Whatever. And I do appreciate it.

Katarina "Ancient Slayer" Stark-Vilf *laughed* You are her creator and king. When Erica comes to, which is about 10 minutes, Negan will be finished feeding, and Erica will see, hear and smell everything differently. Everything will look more alive, magical and bright. Erica will see the auras of all mortals and vampires that use to be fairies. She knows all the rest about the seeing, smelling and hearing.

Erica Blodtorst-Vilf *Smiles* Thank you circumstances be damned of how we met., I think we'll make a great team. *looks at Kat* Yup I'll be just like a baby vamp with my senses flying all over the place for a bit. *chuckles*

Negan-Vilf *laughs* You a baby vampire? That would be cool to see. *smirks*

Katarina "Ancient Slayer" Stark-Vilf After The Ritual: The First Two Days. No sexual intercourse, with the exception of masturbation (without toys) and/or oral sex. The slayer's body is being recreated, inside, and out. Having "anything" inside her "could" remain a part of her permanently. Don't be stuck with a vibrator or something worse up there for the rest of your life. That either hole, front & back.

Erica Blodtorst-Vilf Trust me it is pretty funny. *smirks and looks at Negan* Hear that no sex. *giggles* Dear Gods I would not want a vibrator stuck inside me forever. *makes a face*

Negan-Vilf *sexy smile* I can have sex, you can't. And hey! You've got worst things to worry about. You'll be with me for two days, right Kat?

Katarina "Ancient Slayer" Stark-Vilf *Nodded, blushing* Yes. * clears throat* You will be. *continues* Erica will feel like she has the stomach flu. Vomiting, cramps, fever, the works. During the two days Erica won't notice, but she will become stronger. By the end of the two days, she will be as strong as you Negan. *looked at Erica* So be careful opening doors, jars, ect. Also during the two days Erica drinks only blood. Blood will taste amazing to her. No eating. Food will not stay in her stomach. Remember she'll be part vampire This will also help make her canines (teeth) sharper, like little baby fangs. Now since yours are already sharp Erica, they will get a little sharper.

Erica Blodtorst-Vilf Oh I know. I just don't want you to be tempted. *winks then looks at Kat* I actually still enjoy a glass of blood every now and then. *smiles* The two days of sickness will past before you know it.

Negan-Vilf *sexy smirk* I can control myself, when needed. You can stay at my palace? I have blood... Don't care much for that Trublood shit.

Katarina "Ancient Slayer" Stark-Vilf *crooked smile listening to you both* Okay, rules!! For Negan. You can NOT abuse Erica. You can NOT force yourself on Erica, sexual or feeding. You can "only" command Erica to kill a human or vampire, if your undead life has been threatened or has broken the laws of that race. You can however punish Erica, if Erica breaks a law, refuses to do a reasonable command or is disrespectful. You cannot ask Erica to fetch a mortal for feeding or sexual services. She is not a dog or a procurer. Call Bill Compton. *sticks out my tongue*

Erica Blodtorst-Vilf *Giggled at the Bill comment* Oh that is so true. I'm sure Negan will be a great creator and we'll get along fine.

Negan-Vilf *Looked at Erica* Who the fuckity fuck is Bill Compton? And I am surly gonna try my best.

Katarina "Ancient Slayer" Stark-Vilf *smileed* Good to hear. For Erica. Bowing: Bowing to a sheriff, queen, magester, packmaster, leader or king must be done each time you see them. Bowing to Negan must be done "only" when there is another vampire or slayer in the room. If you refuses to he can punish you for it, but you all ready know this and the rest.

Erica Blodtorst-Vilf *looked up at Negan* Don't worry I'll tell you all about Bill later. *looks at Kat* Yes we've already discussed how I should greet him each time I see him so that's not a problem. *half smile*

Negan-Vilf *Half smile* Everyone bows to me. She won't have a problem with that one. *smiled down at Erica*

Katarina "Ancient Slayer" Stark-Vilf Now, the fun part. Paychecks: Yep! The slayer gets paid to do her job. The creator can choose anywhere from $250,000 to $500,000 a month to pay her. The slayer can also make an additional $100,000 a month to read mortal minds. A vampire that was a fairy and is now a creator can only read fairy and vampire minds. Expenses: If you have to leave town for Negan, or need slayer gear (including cars, clothes, weapons, ect) he pays for it. The Slayer's Job 1. Patrol Negan's area, every night. 2. Protect Negan, like a bodyguard. 3. Obey reasonable commands. 4 Take criminal into custody. 5. Know all races laws. Then there's training. Since you already know how to defend yourself. So Negan, you won't need to teach her, but it's good to practice alone or with someone. Also exercise is important. You can still get out of shape. Books: Negan will give you 4 books on all laws, and 1 book, which is the vampire bible. Learn them. If you don't know them. Negan will also give a book on the vampire body; it's like the books on the human body. Gifts: Erica receives a gifts Her first sword. 2. Erica will only age 1 year every 100 years. Bonuses: Whatever Negan's best abilities are, Erica will have them. Example: Has a silver tongue and is excellent with a baseball bat. Erica will have the ability to do the same. *smirks* That's it!

Erica Blodtorst-Vilf *Nods as I listen* Nice to know the rules haven't changed much over the centuries. I will protect Negan with my life.

Negan-Vilf I have learn from being a car salesman that if you want the fucking best, you have to pay for it. *touched her shoulder* You're gettin' the $500,000 and month, plus the $100,000. It chump change to me. *Half smile*

Katarina "Ancient Slayer" Stark-Vilf Ooo generous. *stood up* Follow me...

Erica Blodtorst-Vilf *smiles* Thank you your highness. I will earn every penny. *Stands when Kat does and turns to Negan.* Let's do this. *followed Katarina out of the study*

(Outside of Port Charles)

Slick Dashiell-Vilf *We made it to Abby's old house and I climbed out of the car, leaving Scarlet in the backseat.* You ready Baby Girl?

Abby Dickfit-Vilf *I took a deep breath as we parked in front of my old house. I took a minute before I stepped out* Yeah, I think so. *looked at you* I'm as ready as I can be at this point.

Slick Dashiell-Vilf *Without a care I walked up to the door and was about to know when I felt something rub against my leg.* What the fuck? *I looked down and saw a scruffy, very thin, and dirty, cat rubbing his head on my leg, and purring*

Abby Dickfit-Vilf *I followed Slick to the door. I stood behind him as he was about to knock but he stopped* What? *I looked down and gasped at the sight of my cat rubbing against Slick's leg* Oh my god! Michael? *he meowed at me*

Slick Dashiell-Vilf *I picked up the cat and held it in my arms.* Shit, you need a fucking bath and some meat on your bones bitch! *snickered* You sure this fucking scrawny fucker is yours?

Abby Dickfit-Vilf *I was a little shocked that Slick was actually holding him, but I was more upset at Michael's appearance than anything* Oh, my poor baby *looked at him with sad eyes, I slowly rubbed under his chin* Slick, of course he's my cat. I know what my kitty looks like *Michael continued to purr* I'm so sorry this happened to you Mikey *he let out a soft mew*

Slick Dashiell-Vilf Well, they could have at least fucking fed it.. *smirked as I handed her Michael* Let's fucking go. The fucking zoo awaits. *Laughed as I headed back to the car*

Abby Dickfit-Vilf They weren't much for taking care of pets..or me..*I carefully held Michael in my arms* Slick.. I think we should wait to go to the zoo *followed you to the car* I still want to go but I should at least get Michael some food and a bath *looked at you*

Slick Dashiell-Vilf *Nodded* Alright.. *Deep sigh* Pet store first. *Opened the door for her*

Abby Dickfit-Vilf *smiled a little* Thank you *I climbed inside while carefully holding Michael. I sat him on my lap as I buckled myself in*

Slick Dashiell-Vilf *I closed the door, thinking "I wish I didn't always have to run to the other side to get in." Next thing I knew I was in the car, in the driver's seat.* What the fuck just happened? *Looked around in disbelief.*

Abby Dickfit-Vilf *I sat back in my seat, looking down at Michael when Slick suddenly appeared next to me. I was confused since I didn't hear his door close* How did you get in so fast? *looked over at you* I didn't hear the door..*gestured to the door* close.. *shook my head* I don't know but it was weird..

Slick Dashiell-Vilf *Looked at her strangley* I don't fucking know. I was at the passenger door thinking about being fucking lazy. And wished I didn't have to run to the other side to get in and the next thing I fucking know is that I'm here, in the fucking car, next to you.

Abby Dickfit-Vilf I really don't know how you were able to do that.. *looked at you in disbelief* It's not possible to just wish to magically poof inside your car, unless you were one of those Las Vegas magicians or something *shook my head again* I must be tired or something..

Slick Dashiell-Vilf Well, if you're fucking tired, I must be very fucking high. Cause I swear to FUCK, that just fucking happened. *Started the car and drove off*

Abby Dickfit-Vilf *Michael laid in my lap* Slick, I really don't know how that happened. It was just strange *let out a soft breath* The reason for that to happen is beyond me *I wondered how it was possible for him to just magically go from one spot to another in the blink of an eye*

Slick Dashiell-Vilf *Shrugged* I have no fucking clue either. It just happened. *I was looking at the road a heard her thoughts clear as day* Who the fuck know how I magically did it. I did it. I guess.

Abby Dickfit-Vilf *I looked at you in confusion* Did you just.. *shook my head* Never mind.. Forget it.. *sighed as little as I petted Michael's head. I thought I was going crazy. There's no way he could have read my mind*

Slick Dashiell-Vilf *Still watching the road* Did I what? *Head her thoughts* You think you're going crazy? And what the fuck are you talkin' about? I can't read your mind.

Abby Dickfit-Vilf *my jaw dropped out of shock for a moment* Slick, I never said I was going crazy.. I thought that.. *let out a breath. I thought he was just messing with me or something* Slick, if this is some sort of joke, it isn't funny.

Slick Dashiell-Vilf *Stopped at the red light, which I never do* What the fuck? *Looked at her* I ain't messin' wit'cha. I heard you fucking talkin'.

Abby Dickfit-Vilf Slick, I never said any other those things, I swear *looked over at you* You know I'd never lie or mess with you like that. I promise you, I didn't say that.

Slick Dashiell-Vilf *The light turned green, but I didn't drive. Instead I turned in my seat.* Okay.. Think of somethin'? *Stared at her lips*

Abby Dickfit-Vilf *I looked at you strange when you wanted to test the theory that you can read my mind. I thought he was crazy but I just went with it* Okay.. *I thought about how sexy Slick looks with his "cute hair". I waited to see if he was right or not*

Slick Dashiell-Vilf *Made a face when I heard her thoughts* Fucking ew! You fucking think I look sexy with that shitty hairstyle? *Forgetting I just heard her thoughts*

Abby Dickfit-Vilf *I was shocked he actually read my mind, but at the same time I laughed a little* Well, yes. I do think you look sexy with that hairstyle *my smile faded a little* But, I was right..you just read my mind because I didn't physically say that.

Slick Dashiell-Vilf *Blinked when I realized she was right* Holy fucking shit. I can read your fucking mind. What the actual fuck??

Abby Dickfit-Vilf I really don't know how that's possible *looked at you as I shook my head* I wish I could help you out with that but I'm just as stumped as you are.

Slick Dashiell-Vilf *Pointed at her* Are you gonna see me as a fucking freak now ?

Abby Dickfit-Vilf Slick.. *sadly shook my head* No, of course I won't think that about you. I'd never see you as a freak. Yes, it is a little weird knowing you can read my mind, but I'd never call you a freak.

Slick Dashiell-Vilf So.. All that fucking stuff you said about me having your fucking heart, is still true? *worried*

Abby Dickfit-Vilf Of course it was true *looked at you sadly* Slick, do you really think I'd lie about that?

Slick Dashiell-Vilf *Shook my head* No, but you could change your mind now that this fucking shit happened.

Abby Dickfit-Vilf Slick, just because you can suddenly read my mind, doesn't change how I feel about you *looked at you* I mean, I won't be able to keep my thoughts to myself now, but that doesn't affect me wanting to be with you.

Slick Dashiell-Vilf *I was scanning her mind without realizing I was doing it, but in the end I caught myself and realized she was telling the truth* Okay. Fine. *Felt better* I'll find a switch or somthin' to turn it off. *sat back in my seat and drove off*

Abby Dickfit-Vilf *I felt a little worried he might not believe me again. I felt a little at ease when he said "okay". I nodded a little* Alright.. *looked over at you* do you really think you can turn it off or something? *Michael was napping on my lap as we drove off*

Slick Dashiell-Vilf *Shrugged* I don't know. I can turn off my fucking emotions when I need to. I can even psych pain away. So why not? Right?

Abby Dickfit-Vilf I'm not sure about that. I mean sure, you can psych pain away but you still feel it. I don't really think you can automatically switch off the ability to read minds just like a light switch *softly shrugged* Maybe you can control it somehow?

Slick Dashiell-Vilf *Sighed* Well, I gotta fucking do somethin'? Just don't say anythin' to Ivan, till I fucking figure this shit out?

Abby Dickfit-Vilf I won't say anything about it to Ivan or Annie, promise *reached over and placed my hand on your shoulder* I'm sure you'll figure it out, just don't stress yourself too much *soft smile as I slid m hand down your arm*

Slick Dashiell-Vilf *I looked over at her and smile* Thanks Baby Girl. I will tell him, just not right fucking now. Not till I know more. *Turned into the pet shop parking lot in Scum Town*

Abby Dickfit-Vilf You're welcome Slick *smiled back* I can understand wanting to wait until you know more in case there are lots of questions to be asked *nodded as I removed my seatbelt as we parked*

(New York)

Katarina "Ancient Slayer" Stark-Vilf‎ *walks out of the study, down the hall and into another room* This is the ritual room.

Erica Blodtorst-Vilf *Followed Katarina into the ritual room.* Wow this place looks a lot different from the first time I was turned *looks around the room.*

Negan-Vilf *Smiled when I stopped and leaned back* I am lovin' this, way more than I should.

Katarina "Ancient Slayer" Stark-Vilf *Giggled* Most creators do. *looked at Erica* Well, yes. We've upgraded since then. *walked over to the side door and calls in 10 slayers. They stand in a row giggling shyly at how sexy Negan is* Slayers! Enough. *looked at Negan* You may choose the 3 slayer you wish to feed on.

Negan-Vilf *I stood straight with my arms folded.* Ummm... *looking at them all* They're all so... delicious. *They giggled and blush* I simply cannot decide...

Erica Blodtorst-Vilf *snickers at the other slayers* Relax ladies. *smirks and looks at Negan* Any 3 your highness they're a great bunch of girls.

Negan-Vilf I got an idea.. *Grinned as I looked around and found a ruler on a desk. I used it to point, since Lucille was in the car.* Eeny, meeny, miny, moe, catch a tiger by the toe. If he hollers, let him go. *pointing the ruler at each slayer* My mother told me to pick the very best one, and you-are-it. *I stopped at the blonde with blue eyes.* Annnnd you-are-it. *Pointed to the blacked hair brow eyed slayer* Annnnnd you-are-it. Pointed to the redheaded slayer with green eyes, then turned to Kat.* There you have it.

Katarina "Ancient Slayer" Stark-Vilf *I watched Negan with a smile on my face, trying not to giggle*

Erica Blodtorst-Vilf *shakes my head* Well that's one way of choosing. *giggles*

Katarina "Ancient Slayer" Stark-Vilf *While Erica pulled Negan into place and took the ruler I finally laugh. The other slayers leave in disappointment and the other 3 stand behind Negan. I call in the 6 ancient slayers as I placed the ruler back on the desk and they form a circle around Negan & Erica. Each has a book in hand* Now, is there anything you two wish to say to each other? Say it now.

Negan-Vilf *Erica stood in front of me and I gave her a sexy wink* I'm usually not the one who thanks, people. In fact they usually thank me, whether they want to or not. *sexy smile* But I think can make an acceptation. So.. *Took her hand in mine and kissed her fingers* Thank you.

Erica Blodtorst-Vilf *I watched as the other slayer gathered then smiled and blushed a little when he kissed my fingers* You're more than welcome your highness. I thank you as well for this opportunity.

Katarina "Ancient Slayer" Stark-Vilf *looked at Negan* As soon as you extend your fangs, we begin. *stood back with my hands folded in front of me*

Negan-Vilf *I nod a single nod and extend then in front of Erica and the 6 slayers start to chant*

Erica Blodtorst-Vilf *Takes a deep breath to calm myself as the chanting started. When his fangs extended I knew it was time. I prepared for the bite.*

Negan-Vilf *I extended my arm to reach out and grab Erica's hair, then violently pull her to me and bite deep and hard into her neck and began to drink*

Erica Blodtorst-Vilf *I gave a tiny shriek when he pulled me to him and bit me. As he started to drink I instinctively started to fight back but he's too strong and with each pull I grow weaker.*

Negan-Vilf *She was strong because of Godric's powers, but I manage to wrap my arm around her and hold her tightly in my arms. As I continued I felt her losing her strength and her heartbeat starts to slow*

Erica Blodtorst-Vilf *As he drank I stop fighting as began feeling weaker and weaker until finally I was unable to fight any longer. I fell limp in his arms.*

Negan-Vilf *Her heartbeat slowed down rapidly, usually this is when I stopped. I retract my fangs and laid her on the couch gently. I bite into wrist as I knelt beside her and placed the wounded wrist at her mouth*

Erica Blodtorst-Vilf *As he laid me on the couch I began to pant and could barely keep my eyes open. I did notice when he placed his bloody wrist to mouth until I tasted blood on my tongue. I growled and managed to grab his wrist. I bit down and began to drink. I started off slow until I could feel some of my strength returning and began to drink greedily.*

Negan-Vilf *When Erica came back to life, I was a little relived. Shortly after I could feel myself getting weaker, then thirsty. When I finally reach the point of starvation I pull my wrist away and grab the blonde slayer's arm, pulling her to her knees, and without hesitation I bite deep into her neck. The chanting stopped*

Erica Blodtorst-Vilf *I growled and bared my fangs when he took his wrist away. When the chanting stop I lick my lips then suddenly a sharp pain zips through my body causing me to cry out.*

Negan-Vilf *Continue feeding from slayer to slayer, till my hunger is gone. I wipe my mouth and retract my fangs as I stand to watch in what happening to Erica. My face was emotionless, but deep down I felt for her*

Erica Blodtorst-Vilf * The other slayer hold me down as I thrash in pain. My body feels like it's burning from the inside out and I couldn't help but scream. For what feels like an eternity the pain finally stops and I lay panting and sweating. My vision goes dark and I pass out.*

Negan-Vilf *When the slayers let her go I sat next to her on the couch and looked up at Kat who give me the okay to talk as the 6 ancient slayers and the 3 slayers I fed on leave. I look back down at Erica* You are BADASS!! You'll be fine... *soft smile*

Erica Blodtorst-Vilf *I slowly begin to wake up and gives Negan a tired smile.* You damn right I'm a badass . *smirked then let's it fade because my hearing is so sensitive that I can hear the other slayers walking around.* Ugh it's so loud in here.

Negan-Vilf *I gave her a soft chuckle* It'll go away. How the hell are you feelin'?

Erica Blodtorst-Vilf Honestly, I feel like I've been ran over by a very large truck. *chuckled then winced a little.* However I'm okay. or at least I will be in a few days. *smiled*

Negan-Vilf *Smiled* I told ya, my blood is primo shit. *Chuckled* Don't you fucking worry, you're my hands.

Erica Blodtorst-Vilf *Giggled softly* You did say that. *smirks* I'm not worried. I trust you.

Katarina "Ancient Slayer" Stark-Vilf *walked forward* You can take her to your palace now. Let her rest.

Negan-Vilf *Looked at Kat as she spoke and back to Erica* You heard the lady. *Smiled at Erica before I slid one arm under her back and the other under her legs and picked her up*

Erica Blodtorst-Vilf *I held on to him when he picked me up* I'm all yours. *Laid my head on his shoulder*

(South Side, The next day)

Negan-Vilf *I knocked on the door of Erica's temporary bedroom. Tock, ta, ta, tock, tock.. tock, tock. When she opened the door, I pretended to look pissed.* Mornin'.

Erica Blodtorst-Vilf *I stumble out of bed still a little weak from my turning. I open the door and noticed he looked mad* Morning your highness please come in. *stepped aside so he could come in.*

Negan-Vilf *I slowly walked in not saying a word, then turned to look at her* How are you feeling?

Erica Blodtorst-Vilf *closed the door after he walked in.* Better than yesterday but I am feeling a little nauseous. Is there anyway you get me some more blood?

Negan-Vilf *I nodded without a smile* Sure.. Can I ask you something?

Erica Blodtorst-Vilf *Walked over and sat on the bed.* Thank you. *half smile* Sure you can. Ask me anything.

Negan-Vilf *I was so excited and happy, but I didn't look it.* Can you feel me yet? *I felt her when I woke, but I needed to know if she did too.*

Erica Blodtorst-Vilf *I felt his excitement through our bond* Yes I feel you right now. You look mad but you're excited and happy.

Negan-Vilf *Grinned and laughed* Yes I am! *Bend my knees and leaned back* And you are sore, sick and tired. *pointed* So get your ass in that bed!

Erica Blodtorst-Vilf *chuckled* You're right about that. *Makes myself comfortable in bed.* The good thing is it only lasts a few days. *smirks*

Negan-Vilf *I swung Lucille off my shoulder and sat her in the chair* So, you need more blood? Is there anything else I can get for you?

Erica Blodtorst-Vilf *Shakes my head* No just blood. I have a tv and some books. Oh an lets not forget a bathroom. *smiled* That's really all I need for now.

Negan-Vilf *Chuckled* One second.. *I walked back to the door and opened it. Daryl was there, having a cigarette.* Daryl! *He looked at me* Get Erica some blood.. *He groaned a little, but went to fetch the blood. I closed the door* Blood is on the way.. But Jesus! You look like shit! No offence.

Erica Blodtorst-Vilf *gives him the look* Thanks a lot. However if I look how I feel then damn I do look horrible. *chuckled then winched a little*

Negan-Vilf *Nodded* You defiantly look how you feel. And if I wasn't so fucked up, I would probably feel more sorry for you than I already do. *giggled*

Erica Blodtorst-Vilf *smiled* Thank you. *my stomach began to cramp making me groan and wrap my arms around myself* Oh I feel sick. *covered my mouth and climbs out of bed then runs to the bathroom. I just make it to the bowl before I start vomiting.*

Negan-Vilf *I watched her run and heard her vomit.* You aright in there girl?

Erica Blodtorst-Vilf *hugs the toilet and pants* Yeah I'm fine. *another wave of vomit empties into the bowl.* Ugh. Now I'm fine. *spits and flushes.*

Negan-Vilf *Chuckled to myself, then heard a knock.* I got it.. *I answered and it was Daryl, holding a jug of blood and a glass.* Come on in.. *moved out of the way*

Daryl Dixon-Vilf *I walked in slowly as I passed Negan* Where is she?

Erica Blodtorst-Vilf *After rinsing my mouth and washing my hands I come out of the bathroom* Here I am. *weak smile as I walk back the the bed and climbs in*

Daryl Dixon-Vilf *I looked over at Negan before walking over to Erica's bedside and pouring the blood in the glass. I placed the jug on the nightstand and gave her the glass* What did he do to you?

Negan-Vilf *Glared* Daryl! Do you need at time out? *Meaning the cell*

Erica Blodtorst-Vilf *takes the glass from Daryl* Nothing I didn't want him to. *sips my blood and thought to Daryl, "It's part of my turning process. I'll be fine in a few days." Stopped drinking and licked my fangs* Aww that's good stuff.

Daryl Dixon-Vilf *I gave her a worried smile, before turning to Negan* No.. I'm good.

Negan-Vilf *Side smirk* I bet you are. *Looked at Erica* I know you too are talking to each other. *smiled* But I ain't worried. Neither of you would or can betray me.

Erica Blodtorst-Vilf *swallowed and looks away* Sorry your highness I meant no disrespect. *looks at Daryl* Thank you for the blood.

Daryl Dixon-Vilf *I did reply to Negan's comment. I kept my mouth shut. Thinking "Fuck you, arrogant mother fucker." I turned to Erica* You're welcome. *I headed to the door, passing Negan*

Erica Blodtorst-Vilf *I heard Daryl's thought but didn't react because I didn't want to get him in trouble. Instead I sipped my blood and watched him pass Negan.*

Negan-Vilf *I watched Daryl leave and turned my attention back to Erica* Are you feeling better?

Erica Blodtorst-Vilf *nods* Yep. Not so nauseous now. *sets my glass down and snuggled into the covers*

Negan-Vilf *Placed my hands in my pocket* Alright, but it you need anything? Text me. Don't get up. I'm gonna go do my rounds. *Headed for the door*

Erica Blodtorst-Vilf *Looked over at him as he headed for the door.* I will. I promise. *smiled*

(Scum Town)

Ivan Dashiell-Vilf *After we got home I took a quick shower. I came down to the living room with only a town on and saw Annie painting her nails* I don't know why you chicks do that. It's gonna start comin' off in a few days.

Annie Wilson-Vilf *I just finished painting my nails when I looked up for a moment to see Ivan in a towel. I smiled a little* I know that *soft laugh* I just like painting my nails from time to time.

Ivan Dashiell-Vilf *Folded my arms* Again, I gotta fucking ask. Why? *snickered*

Annie Wilson-Vilf *I topped up the bottle and leaned against the chair* Good question *soft laugh* I don't know, It makes me happy, in a way.

Ivan Dashiell-Vilf *looked at her strange* How the fuck, does that make you happy?

Annie Wilson-Vilf For most girls, they obviously love to do things that they enjoy. We don't have to do it all the time, but once in a while is fine *tapped my nails to see if they were dry, they were* And painting our nails is one little thing that makes us happy. It's like a mini creative outlet for us.

Ivan Dashiell-Vilf *Raised an eyebrow* Why don't you just fucking masturbate or somethin'? *smirked*

Annie Wilson-Vilf *gave you a look* Really? *shook my head and laughed* That would be easier to do, but I didn't feel like playing with my Mr. Good Vibes right now *chuckled* Maybe I will later on tonight *teased*

Ivan Dashiell-Vilf *Gave her the look* Are you sayin' that you're cutting me off? *chuckled*

Annie Wilson-Vilf Maybe.. *softly chuckled* Only if I feel you deserved to be cut off *cute smile*

Ivan Dashiell-Vilf *I strutted over and pulled her gentle, by the arm, out of the chair*Oh really.. *Held her in my arms* Babes, you couldn't fucking resist me.

Annie Wilson-Vilf *I stood up as he held me by my arm* Yes really *pressed my lips together* Oh? *lifted a brow* Just because you're only in a towel, doesn't mean I'll be easily distracted *teasing*

Ivan Dashiell-Vilf *Grinned* I fucking doubt that. *Leaned in and started kissing her neck*

Annie Wilson-Vilf *giggled a little* Chicks are great at multitasking, you know *wrapped my arms around you as I enjoyed his kisses* I could be baking cupcakes and wouldn't bat an eye if you were teasing me like this.. *soft laugh*

Ivan Dashiell-Vilf *Kissed down to her shoulder* You're fucking full of it. *Slid my hand under her top and up her rib cage*

Annie Wilson-Vilf *playfully gasped* I am not..*smiled a little then let out a soft moan as I enjoyed his hand sliding up my shirt*

Ivan Dashiell-Vilf *When I reached her right breast and cupped it, I lifted my head to kiss her while I played with her nipple*

Annie Wilson-Vilf *I gently clawed into you as I softly kissed you back, softly moaning as you continued playing with my nipple*

Ivan Dashiell-Vilf *I grasped against her lips when I felt her nails and smile* Still think you can fucking resist me?

Annie Wilson-Vilf *nodded with a smile* Oh yeah, I'm pretty sure I can resist you. I'm practically a natural at it.

Ivan Dashiell-Vilf *I slid my other hand down to her ass and squeezed.* Fuck no, you can't. *I picked her up and carried her to the couch, and laid her down gently with me on top of her*

Annie Wilson-Vilf *softly gasped as I felt his hand slide to my ass and squeezed it* Okay, so I might be a little distracted.. *I held onto you, wrapping my legs around your waist as you carried me to the couch and laid me down*

Ivan Dashiell-Vilf *Laughed* Just a fucking little huh?

Annie Wilson-Vilf *bite my lip out of habit as I glanced down at your body* Okay, I might be a lot distracted..

Ivan Dashiell-Vilf Ha! I fucking knew it. *Kissed her* So you wanna fuck or watch some movies?

Annie Wilson-Vilf Fine, you win this one, for now *smiled and kissed you back* Hmm, can't we do both? Just not at the same time *soft laugh* Which movie would we watch, though?

Ivan Dashiell-Vilf *Laughed* Sure we fucking can. *Shrugged a shoulder* One that we bought or maybe A Serbian Film?

Annie Wilson-Vilf *my arms were still around you* I had a feeling you were gonna say that movie *I let out a soft breath* I want to watch it, yet I feel like I may hate some parts *soft laugh as I thought about it again* I might as well just get it over with in a way *nodded a little* I'll watch A Serbian Film, just this once.

Ivan Dashiell-Vilf *Taken back* Really? You're no shitty me, right now?

Annie Wilson-Vilf Yes really *soft smile* I'm not shitting you, I promise. I want to watch it with you.

Ivan Dashiell-Vilf *I climbed off her quickly* Awesome. Just let me fucking get dressed. *Ran up the stair forgetting everything else*

Annie Wilson-Vilf *I sat upright on the couch* You know you could have stayed in the towel *I yelled out in a teasing manner, shaking my head and softly chuckled*

(Scum Town)

Ivan Dashiell-Vilf *I climbed out of the truck first.* Babes, you wanna see if Slick will have a fucking show for us?

Annie Wilson-Vilf *I climbed out the truck* A show? What kind of show? *shut the door*

Ivan Dashiell-Vilf *Looked at her strange* You don't fucking know? *Laughed*

Annie Wilson-Vilf No *shook my head* I can't say I do know what kind of show you're talking about.

Ivan Dashiell-Vilf *Half smile* My dad used to do shows here all the fucking time. Some were right in the middle of a street. *Walked to the back of the arcade.* What usually happens is this. We find a fucker that owes us money or tried to fuck us. We put a manhole cover around his neck and then.. *Stopped* Put them in there. *Pointed towards the ground*

Annie Wilson-Vilf *I crossed my arms as I listened* Really? Just out in the middle of the street with a crowd of people around? *followed you to the back of the arcade* That's a bit extreme to do, don't you think? *looked at you* Public executions though? *stopped and looked down at the manhole* And putting them in there *gestured to the manhole* Was it that serious of a thing to just toss someone down there?

Ivan Dashiell-Vilf *half smile* Fuck yeah. This is The Glory Hole! And once the fucker is in there, we tie barbwire around his neck and tie it to the truck. Then Slick backs up! *Cracks up*

Annie Wilson-Vilf *I scrunched my nose at the thought and imagery of a barbed wire noose could do to a person* Well, that doesn't sound like a good time for the person stuck in there *short laugh* That's really disturbing to know I'm standing by a place where tons of people were killed.

Ivan Dashiell-Vilf *Giggled* Babes, come on. It's fucking fun. Their head pop right off and then it fucking "Rains."

Annie Wilson-Vilf That's like saying being tied up in a chair and tortured is fun *soft laugh and shook my head* It may be fun for you and Slick but I can't say I'd feel the same way about watching someone's head coming off and watching the blood pour is fun.. I mean if they deserved it sure, but for the fun of it? Not so much.

Ivan Dashiell-Vilf Fuck yeah, they deserve it. They fucked with us Babes. *Leaned down and kissed her softly*

Annie Wilson-Vilf *smiled a little* Okay, okay. They deserved it *softly kissed you back*

Ivan Dashiell-Vilf So.. You never fucking told me how you felt about A Serbian Film? *cute smile*

Annie Wilson-Vilf Oh, right *soft sigh* Well, I have mixed feelings about that movie. I'm not saying it's a terrible movie, I'll admit that it was pretty good *paused* I could just do without a few scenes *shook my head* Just no.

Ivan Dashiell-Vilf *Nodded* And what fucking scenes are those Babes?

Annie Wilson-Vilf For one *held up a finger* the newborn scene *cringed* huge nope *held up a second finger* and the ending with his son *lowered my hand and shoved both in my jacket pockets* That was just seriously messed up. *soft sigh* The part with the woman tied to the bed and he had the machete..it wasn't that bad but, it was just wow.

Ivan Dashiell-Vilf *Laughed* Newborn porn! That just a baby coming into this fucked up world Babes.

Annie Wilson-Vilf Yeah but after that.. *shook my head* Just no... that's probably the most fucked up scene I've ever seen in a horror movie. *shook my head* I don't even want to think about it again *removed one hand from my pocket to brush my hair back*

Ivan Dashiell-Vilf *Snickered* So you won't fucking watch it again with me? *fake pout*

Annie Wilson-Vilf *gave you a look* Don't try to use any cute fake pouts or puppy dog eyes to try and win me over *soft laugh* Maybe in the near future, I may want to watch it again, since I know what to expect from it *removed my other hand from my pocket* Just not anytime soon. *soft smile* I need a long while to recover from the insanity of it all.

Ivan Dashiell-Vilf *smiled* Alright. I admit that fucking a newborn, the second it's born is fucking wrong. But the first part is cool.

Annie Wilson-Vilf I still have no clue to why you love that movie *shrugged* But, yeah I can't get behind any of the scenes I mentioned.. So much nope. It makes Ghost Ship look like a kid's movie *softly huffed*

Ivan Dashiell-Vilf *Nodded* True it fucking does and yeah the end is pretty much the same thing, but, for me the rest is fucking awesome. Seriously though. No dude should stick his dick in anyone that young. *Shrugged* But this is fucking scum town and we see it all the time here.

Annie Wilson-Vilf I know things like that happen all the time in many different parts of the world, but I hate thinking about it. It's just plain wrong to do that to any kid or adult.. *sad sigh as I changed the subject* So, why are we here behind the arcade anyways?

Ivan Dashiell-Vilf Cause I wanted to show you The Glory Hole. *Laughed* And just fucking talk for once.

Annie Wilson-Vilf Well, I can honestly say I've never seen anything like this *meaning The Glory Hole* before *soft laugh* What else did you wanna talk about?

Ivan Dashiell-Vilf *Shrugged after I placed my hands in my pockets* I don't know.. Us. I mean you fucking know a little about me, but ya ain't up to speed like Abby is with Slick.

Annie Wilson-Vilf Oh *soft smile* Well, let's see. I'm a huge animal lover. I love the outdoors, like going camping or go to the beach, but I also like staying in and enjoying a movie marathon *thought for a moment* I'm a huge fan of anything creepy or *made air quotes* "gothic" *chuckled* Halloween is my favorite holiday.. *soft shrug* If you have any questions, feel free to ask *soft laugh*

Ivan Dashiell-Vilf *smiled* Why do you kiss as good as you fuck? *It was true, but I was joking*

Annie Wilson-Vilf *pressed my lips together for a moment* Really? *soft laugh, I blushed a little* I don't know, how does anybody become good at something? Years of practice and watching porn I suppose *shook my head as I softly giggled* I really have no idea why I'm a great kisser.

Ivan Dashiell-Vilf *snickered* I'm only fucking with ya. I meant your back store Babes. Were you abused, ever or was your childhood awesome? Shit like that.

Annie Wilson-Vilf You suck *soft laugh* I guess I had a pretty good childhood, and I wasn't abused as a kid or anything.. *softly exhaled* but there was one guy that wasn't all that great.. *brushed my hair behind my ear* I'd be lying if I said it wasn't extremely bad.

Ivan Dashiell-Vilf *Folded my arms* What did that fucker do to you?

Annie Wilson-Vilf *I always hated thinking or talking about it but I didn't want to lie to him* He's a fan of chaining up women in his basement or attic and use them as "chew toys" *took a deep breath and paused for a moment* He was a vampire *exhaled*

Ivan Dashiell-Vilf *Taken back* A vampire? What the fuck? I mean, I know so vampires are asshole, but shit. That sucks Babes. *hugged her*

Annie Wilson-Vilf *looked at you and nodded* Yeah, a vampire *softly sighed* Tell me about it. *weak smile* That really wasn't how I imagined my first encounter with a vampire to turn out. *hugged you back tightly*

(Southside, two days later)

Negan-Vilf *I was in the shower when I started feeling Erica's emotions. She was aroused. That's intrigued me. I stumbled out of the shower,and dried off quickly. I left the bathroom, leaving Lucille in there. I grabbed Sherry's pink silk robe instead of mine, without realizing it. Then opened my door and told one of my men, whom was outside my door* Tell Sherry not to come tonight. And bring Erica here. *He nodded, and tried not to smile. As he left I thought he probably smoked a joint or something. I closed the door and sat in one of my chairs, until I heard the knock.* Come on in.. *I yelled. Then smiled at her* Hello there.

Erica Blodtorst-Vilf *I walked in and knelt down* Good evening your highness. *looks up at him and blinks a few times then clears my throat as I try not to laugh*

Negan-Vilf *I felt her emotions and got confused* Is something funny? *Waved my hand to tell her to rise*

Erica Blodtorst-Vilf *Stands* Well um I didn't take you for a pink guy. *holds my hands up* Nothing wrong with it though. I kinda like it. *smirks*

Negan-Vilf *Shook my head in confusion* Pink? *Looked at the robe* Shit.. Fucking Sherry. I keep telling her not to leave her crap in my room. *Looked at Erica* Does it turn you on?

Erica Blodtorst-Vilf *Couldn't help but laugh* I don't know about turning me on but it is a nice robe.

Negan-Vilf *Laughed* Well.. *Stood up slowly and walked over to her* I didn't realize I was wearing it, but.. *Stopped in front of her* If it does turn you on? I think it would be enjoyable to screw your brains out. *Smiled*

Erica Blodtorst-Vilf *I blinked surprise * Umm I'm sorry what? *bushed a little as he came closer*

Negan-Vilf *Laughed* You fucking heard me. *Repeated myself* I think it would be enjoyable... *sexy smile* ..to screw your brains out. *I leaned in a little to close the door behind her.*

Erica Blodtorst-Vilf *I let out a soft breath as he leaned in to close the door.* That's what I thought you said. *bites my lip* Not saying it wouldn't be fun but I'm not sure I want to. *lying because I'm turned on and it been a while*

Negan-Vilf *Chuckled* You do understand that I can feel your emotions right? And you have to be feelin' that connection as I do. And it's gotta be killin' you. I mean, me, I have my wives, but you, you've got nothin'.

Erica Blodtorst-Vilf *nods* Yeah I can feel it trust me and you're right it's taking everything in me not to tackle you to the ground right now. *my energy flashed in my eyes* But now that I'm better I want to try and win Kane back before I start sleeping with someone.

Negan-Vilf *Shrugged my shoulder* And who is gonna tell him? *Leaned back and sucked my bottom lip* There's no one else here.. *Grinned* I promise NOT to be gentle. *winked at her*

Erica Blodtorst-Vilf *I nearly came when he said he wouldn't be gentle. I soo didn't need gentle right now.* God please stop talking dirty it's really not cool right now. I know he'll never find out but he already thinks I'm cheating on him.

Negan-Vilf *I stood straight* Erica, you arm single right fucking now. Remember? You can fuck anyone you want. *Touched my chest* I ain't askin' you to be one of my wives. I'm askin' you, to allow me bend you over this table, *pointed at it* and spank your ass while I screw your brains out. *sexy smile* Among other things..

Erica Blodtorst-Vilf *looked over at the table and bit my lip as I imagine it. I snap out of it and looks back at him. I fought with wither or not to give in but in the end I shock my head* Sorry I'm gonna have to say no. I have to try to get Kane back. If he doesn't want me then I'm all yours. *sexy smirk* But I have to at least try.

Negan-Vilf *I cupped her face with both hand and stood directly in front of her* Shh.. Stop talking.. and just fucking go with it. *I leaned in and kissed her deeply*

Erica Blodtorst-Vilf *I blushed when he cupped my face and shut me up. When he kissed me I couldn't stop the moan that escaped as I kissed him back.*

Negan-Vilf *I looked at her silk, black, night gown.* There is something I just love about a woman in black.* Let see if I can make you scream.. *I picked her up with one hand, into my arms and carried her to my bed.*

Erica Blodtorst-Vilf *I was panting by the end of the kiss and went willingly into his arms.* Yes I think maybe you can. * I'm finding it hard to resist him.*

Negan-Vilf *When we reached the bed I threw her on it.* You know Erica, you worry to damn much. *I took off the robe and threw it on the chair*

Erica Blodtorst-Vilf *I laughed as I bounced on the bed after being thrown on it.* Yeah well I can't help it. It's just the way I am. *I looked him up and down as I watched him take his robe off.*

Negan-Vilf *I crawled on the bed* You are too damn nice Erica. You're a bad ass when you need to be, but you're shit girl. Stop being so nice. *made my way in between her legs and sat on my my knees* Nice, gets you nowhere. *Slid my hands from her knees, down to the thighs*

Erica Blodtorst-Vilf *frowns* But there's nothing wrong with being nice in fact I kinda like being nice. Nothing wrong with being a badass and being nice. *Starting to get less turned on*

Negan-Vilf *I leaned down and roughly scooped her up into my arms, sitting her on top of me* Nice.. *smiled* Sucks. *Giggled* I can be a nice, but there's a fucking limit. *I looked down at her breasts and I slid my hand up her rib cage*

Erica Blodtorst-Vilf *I began to feel angry at what he was saying. I gasped when he pulled me into his arms.* You know what. *stopped his hand* Maybe we shouldn't do this after all.

Negan-Vilf *Grinned* Oh.. Look at you! You are sexy when you're angry. I am not trying to be rude. I swear.. I am only trying to help. But feel free to slap me. *Laughed*

Erica Blodtorst-Vilf *growled and slapped him* Bastard. *Climbs off of him* You were just taking advantage of our bond. *Looks at him* I've already had someone do that to me and I wont have them do it to me again.

Negan-Vilf *I took a moment to shake off the slap, then I climbed of the bed and grabbed her by the arm.* Whoa.. Slow down. First off.. I'm about %50 more into you. And second, I am not using our bond for anything. This.. Is just casual sex. Nothin' more. I have wives. *smiled* Why do you still need to see me as the bad guy?

Erica Blodtorst-Vilf *looked down at his hand on my arm and snatched it away.* Oh I don't know maybe because you can feel that I'm horny and I miss Kane. I told you I don't want to do this because I want to work things out with him and yet you tried to seduce me.

Negan-Vilf *Chuckled* Erica, you and him are not together. You can screw whomever you want. You will get him back! You have to learn to trust me... Take out your energy. Right fucking now.

Erica Blodtorst-Vilf *Glared at him* Yes I will get him back. *makes my energy come out of my hand*

Negan-Vilf *I slapped my hand in hers* I am only trying to help you. Yes, I felt that you wanted to fuck. And all I'm tryin' to do is have a little fun. Get you to relax. I will help you get Kane back. I've been there. I know what to do. Start fucking trusting me. I ain't what Daryl thinks. *pull me hand away*

Erica Blodtorst-Vilf *Through my energy I felt he was telling the truth. I let my energy fade when he pulled his hand away.* Alright so what you say is true but how can I trust you when you tell me I shouldn't be nice and that I'm shit. I'll have you know I haven't been shit in a really long time. I can't change who I am. *looks sad*

Negan-Vilf *Smiled* I don't think you are shit Erica. If I thought that, you would have been dead the first night we met. Like I said.. Being nice is fine, but I you wear your heart on your sleeve, someone is gonna crush it. And who gets hurt? You! *Leaned back* And you do think I wanna see that happen? No.. *Shook my head* You are my girl, my slayer.

Erica Blodtorst-Vilf *gave a small smile and sighed* Thanks but like I said it's who I am. Only time I'm not like that is when I turn off my humanity. Trust me you do not want that Erica to come out. Sorry I slapped you.

Negan-Vilf *Laughed* Sorry you slapped me? Shit.. You need to do it again.. *Pulled her roughly into my arms* Now where the fuck were we?

Erica Blodtorst-Vilf *gave him a sexy smirk* I believe you were going to fuck me over that table over there. *jerked my thumb at the table.*

Negan-Vilf *pointed at her nose* That would be absolutely correct. *I took her hand and walked with her to the table.* First things first.. You need to know that I am a tits man. *I grabbed both straps of her night gown and slid them down her arms* There is nothin' better than that.

Erica Blodtorst-Vilf *Pulled my arms out of my nightgown when he slid it down and lets it pool around my feet* Somehow I figured you were. *pushes the girls up* Have at them then.

Negan-Vilf *Smiled* Don't mind if I do. *I knelt down on my knees* But what gave it away? *kissed in between them*

Erica Blodtorst-Vilf *bit my lip as he kissed between them* Well for one your a guy and guys love boobs. *smirks* Also I believe I've caught you glancing at them a few times.

Negan-Vilf *Looked up with a smile, not moving my head* Well, they are very nice.. *I kissed my way to her right nice as I slid my hand up her back, then closed my eyes as I sucked on it.*

Erica Blodtorst-Vilf *moans softly when he sucked my nipple* Thanks. *smiled and ran my fingers in his hair,*

Negan-Vilf *I made my way to the left nipple* You are very welcome.. *I sucked that nipple and pulled here closer to me, snuggling my nose into her left breast.*

Erica Blodtorst-Vilf *wrapped my arms around him and giggled when he nuzzled them.* The girls thank you too.

Negan-Vilf *I stood up* See? There is nothin' wrong with being gentle and kind. And I am always that way with any lady's "Girls." *Half smile* Cause they are the best part.. But.. *Leaned in* The rest.. *smiled* That's different. *I roughly turned her and bend her over, slamming her body down on the table, then tilt my head to look at her ass.* Damn girl, you workout. *spank her right cheek over her panties.*

Erica Blodtorst-Vilf *I gasps when I'm slammed on the table. I cry out when he spanks me.* Mmm Yeah I do. *looks back at him while laying on the table* That all you got? *smirks*

Negan-Vilf *Chuckled* Oh sweetheart, I'm just gettinn' started. *I pulled her panties down to her ankles and spanked the other cheek hard.*

Erica Blodtorst-Vilf *gasps when he spanks me* Good to know. *sexy smirk*

Negan-Vilf *I knelt down and removed the panties, then sat under her* You will fucking know when I'm done. *I grabbed both cheeks of her ass and began to lick her opening*

Erica Blodtorst-Vilf *Moans as he licks my opening and claws at the table* Oh I bet I will.

Negan-Vilf *I slid my tongue up her opening to her clit and sucked on it hard, then slid two fingers inside her*

Erica Blodtorst-Vilf *Panting I moan as he works over my opening.* Oh fuck yes. *with each stroke of his fingers I my body stars to glow dimly*

Negan-Vilf *I felt her getting tighter, but my eyes were closed, so I didn't notice her light. I began to move my fingers and tongue at vampspeed*

Erica Blodtorst-Vilf *As he moved his fingers faster I couldn't hold back anymore. I came hard in a flash of fuchsia light*. Fuuuck yees!

Negan-Vilf *When she came I opened my eyes to see the energy and at vampspeed I moved from between her legs and stood up behind her* Holyyy crap! *Leaned back* You squirt light! *chuckled* And it was awesome!!!

Erica Blodtorst-Vilf *chuckled and panted as I let my energy fade.* I take it you've never slept with a fairy. It happens when we come. The stronger the orgasm the brighter the light. *smirks*

Negan-Vilf *Half smile* Hey, I'm all good with squirters, But a little warning would have been nice. *spanked her for it*

Erica Blodtorst-Vilf *cried out from the smack on the rear.* Well I'm warning you now if you make me come again it's gonna happen. *sexy smirk*

Negan-Vilf *I chuckled as I pressed myself against her and leaned over her. I whispered close to her ear.* Then you are gonna be squirting a lot. *Rubbed myself against her ass* I just hope it doesn't wear you out. *smiled*

Erica Blodtorst-Vilf *I bit my lip when he whispered into my ear.* No it doesn't hurt me at all. *wiggles my rear as he rubs against me* Bring it on Negan.

Negan-Vilf *I extended my fangs right next to her ear* I didn't think it hurt you. I just don't want you gettin' tired. *I slid my hand over her breasts as I kissed her shoulder*

Erica Blodtorst-Vilf *gasped when I heard his fangs extend and gave a little growl.* Oh I have a very high stamina. I can last for hours. *moans softly as he rubbed my breasts*

Negan-Vilf You know.. *I slid my hand down her rib cage* I've always wanted to taste you. *Fangy smile that brushed against her skin* But I don't mean just your blood. *I slowly placed myself at her opening and gently pushed myself inside her* And so far.. *Moaned* You do not disappoint.. *I bit hard into her shoulder and began to thrust*

Erica Blodtorst-Vilf *Moaned when he entered me. His bite added that little bit of pain as well as a tiny bit more pleasure.* I told you I wouldn't let you down. *moans louder as he began to thrust*

Negan-Vilf *I held her by the throat gently and growled as I began to drink. I slid my other hand from her ass to in between her legs and began to rub her clit roughly*

Erica Blodtorst-Vilf *moans and pants as he rubbed my clit causing me to start glowing again.* Oh yes!

Negan-Vilf *When I felt her getting tighter I started drinking harder and began thrusting and rubbing her clit at vampspeed*

Erica Blodtorst-Vilf *As he got faster I soon came in a brighter flash of light than before.* Yes Negan!

Negan-Vilf *The energy lit up the room and I slowed down to a stop. I removed my fangs from her shoulder and licked the wound as I felt her wet muscles throbbing.* Mmm... I like a girl that can takes it like a champ. *I retracted my fangs and smiled*

Erica Blodtorst-Vilf *Pants and sweats as I lay on the table. I let my energy fade.* Told you a could take it. *chuckles and my shoulder began to heal.*

Negan-Vilf *I moved my hand to kiss her neck, listening to her pant and her heart racing.* I miss that part about being human. The panting, the heart racing, the sweating. *Giggled against her neck* It makes more wild and fun. *I slid my thumb into her mouth and pressed it against one of her sharp canines, then I rubbed my blood against her lips before using my blood to heal her wound.*

Erica Blodtorst-Vilf *I licked the blood from my fang after he pressed his thumb to my fang* You could always wear your ring when you fuck but then you have to worry about getting the girl pregnant. *chuckles*

Negan-Vilf And the world doesn't need another me, plus I can't feed if I wear the ring. *spanked her hard and began to thrust slow.*

Erica Blodtorst-Vilf *gasps from the spank and moan softly as he began to move. Yeah there's that. *chuckles*

Negan-Vilf *I slowly pulled out, unexpectedly and turned her around roughly* Don't get me wrong.. *I started fondly her left breast* I love kids. I just don't think I should have one. *leaned in slowly and kissed her*

Erica Blodtorst-Vilf *Giggles when I'm turned over* You never know you might be an awesome dad. *moaned against his lips.*

Negan-Vilf *I lifted her up with one arm and carried her to the wall. I pressed her back against it and entered her fully* I highly fucking doubt it.. *I began to thrust hard*

Erica Blodtorst-Vilf * Wrapped my arms and legs around him as he carried me and pressed me against the wall. *I cry out as he enters me fully and my body starts to glow.*

Negan-Vilf *I started thrusting at vampspeed again until she came again, then we moved to the chair, and then the bathroom. From the toilet to the shower to the floor. We continued to switch places and positions, every time she came. And I didn't care if Lucille was watching. Finally we made it to the bed. I was on top of her sucking her right nipple. She was about to cum again and this time I was cumming with her. I started thrusting at vampspeed*

Erica Blodtorst-Vilf *I've lost time of how many times I've came but it''s just what I needed. When we finally made it to the bed I felt my release building once more until finally My energy burst from my body so bright it made things float in the room.* Oh Fuuucckk!! Yeess!!

Negan-Vilf *I didn't stop until I came with her* I gripped her hair hard* Ffffuuuucckkk!! *I my body relaxed on top of her* See? That wasn't so bad, now was it?

Erica Blodtorst-Vilf *I laid beneath him completely spent and panting as I let my energy fade.* No I actually quite enjoyed that. *smirks* Yes I did.

Negan-Vilf *Chuckled* So you're feelin' better? More relaxed? *payed with her hair*

Erica Blodtorst-Vilf *sighs contently as he played with my hair* Yes much better. Thank you for seducing me. *chuckles*

Negan-Vilf *Laughed* I wasn't seducing you. I just wanted you to have some fun and to stop worrying. *kissed her shoulder* I mean.. I did want to fuck you, I ain't gonna lie about that, but.. it was mostly for you. *cute smile*

Erica Blodtorst-Vilf *Blushed when I smiled* Well thank you. *sighs* I know I worry too much I'm going to try and not do that too much. *giggles* That was a lot of fun though. I haven't had sex like that in a long time. Wild and raw just like I like it.

Negan-Vilf *Raised an eyebrow* Are you sure you still don't wanna be one of my wives? *Joking*

Erica Blodtorst-Vilf *chuckles* As tempting as that sounds I'm still going to say no to that. I love Kane and I'm going to win him back.

Negan-Vilf *Chuckled* I understand, but the offer will always be there, if you ever change your mind.. As for Kane, don't you worry. I know how to fix that. Trust me. I was married to only Lucille once, my wife, not the bat. *Laughed* And she caught me cheating. *smirked* Not a big surprise, I guess, but I won her back.

Erica Blodtorst-Vilf I'll be sure to remember that. *smirks* So you were a horndog then too huh? How'd you win here back?

Negan-Vilf *Giggled* Yeah, I always did love gettin' my dick wet.. *Half smile* Don't you worry about that right now. You just enjoy yourself. Cause tomorrow.. Is gonna be a BIG DAY!

Erica Blodtorst-Vilf *giggles* Yes tomorrow is my first official day on the job. I'm looking forward to getting back out there kicking ass and taking names. *smirks*

(Scum Town)

Slick Dashiell-Vilf *I had just woken up and headed into the hallway to go downstairs. I could hear Michael meowing, and hissing in the hallway, like he was being tortured. It came from Abby's room and I went in to check. I followed it into the bathroom and saw Abby trying to wash Michael.* Uhh.. No offence Baby Girl, but you're fucking doin' it wrong.

Abby Dickfit-Vilf *As soon as we got home, I headed to my room to give Michael some food and run him a bath. He was never a fan of them but I always managed to calm him down enough to bathe him. today, he wasn't cooperating like he usually would* Mikey, it's okay.. *I stopped when I heard Slick telling me I was "doing it wrong"* Slick, not all cats like water you know *turned to look at you* I'm usually good with giving him baths..

Slick Dashiell-Vilf *Rolled my eyes* Let me fucking do it, before he scratches your eyes out or somethin'. *I waled into the bathroom and knelt next to Abby*

Abby Dickfit-Vilf *quietly sighed and shook my head* You really think I can't handle my own cat? *I took a deep breath and sat Michael down* Okay then.. *I closet the toilet lid down and sat on it*

Slick Dashiell-Vilf *Michael jumped right into my arms when Abby sat him down and dug his nails into my shirt and skin, but it didn't bother me. I've had worse from different victims over the years and not to mention my father's punishments. * Whoa.. *soft voice* Okay.. *I petted him* You're alright.. *My shirt was drenched from him.* It's just a little water.. *His heart was racing, his eyes were wide open and he meowed loudly* Shh..

Abby Dickfit-Vilf *I sat there and just watched as Slick tried to calm Michael down from freaking out. I didn't say much since I didn't really have anything to say about it. I folded my arms as he somehow managed to calm Michael down a bit*

Slick Dashiell-Vilf *I felt his heart slowing down to normal and his body relaxed* See? There's nothin' to fucking be afraid of.. *I sat slowly pulled Michael off me when he stopped clawing me. And gently sat him in the water. He meowed sadly.* I know.. It's been awhile since you've had a bath and it's scary all over again.. *Started washing him*

Abby Dickfit-Vilf Hmm *I ran my hands through my hair as Slick started washing Michael* Maybe I should leave all the baths to you from now on? *I say in a joking manner, I shook my head a little while thinking how it's even possible for him to calm him down better than I can*

Slick Dashiell-Vilf *I heard her thoughts and a half smile crept up* Years of experience Baby Girl. But this is the first time I do it to give someone a bath. *Rinsed off Michael* Usually it's to cut them open or slit their fucking throats. *Looked at Michael* You're all done big guy. *I picked him up and stood up to grab a towel*

Abby Dickfit-Vilf *I momentarily forgot he could read my mind, I gave him a look as he washed and rinsed Michael* Oh, okay.. Well, good to know.. *stood up and walked out my bathroom*

Slick Dashiell-Vilf *I wrapped Michael up in the towel and followed her out of the bathroom* Hey? Aren't you fucking forgetting something'?

Abby Dickfit-Vilf *I walked over to my bench and stood by it* No, I didn't forget anything *looked down at Michael in the towel as I sat down* I just figured you were gonna dry him off since you're great at calming him down and all *soft smile*

Slick Dashiell-Vilf *I handed her Michael* Baby Girl, I was only trying to fucking help. He's your cat.

Abby Dickfit-Vilf *I held Michael* I know he's my cat, Slick *I toweled him off a little bit before setting him on the ground* And I appreciate you helping *I tossed the towel on my bed as Michael began licking his paws*

Slick Dashiell-Vilf Well then, you are fucking welcome. *Leaned down and kissed her softly* Now I gotta change my shirt and cheek to see the damage that Michael did with his fucking claws*

Abby Dickfit-Vilf *I kissed him back and nodded as he left to change* Okay *As he left, I took the time to fill up Michael food and water bowl again while he was cleaning himself. I sighed to myself as I went back to my bench while Michael ran over to his food dish*

Slick Dashiell-Vilf *I went to my room and took off the shirt. I had a few scratches and grabbed the first aid kit with a new shirt and went back to her room.* Baby Girl could you help me? *Showed her the bleeding scratches*

Abby Dickfit-Vilf *I smiled a little as I watched Michael eat. I looked up to see Slick come back in with a first aid kit. I wasn't sure why but I didn't question it much* Yeah, sure I could help you out *I took the kit, opened it, and set it next to me* I'll have to buy a scratching post next time I go to the pet shop *I opened an alcohol prep*

Slick Dashiell-Vilf *I sat next to her and smiled* Hey, it ain't his fucking fault. He's just being a cat. *Shrugged a shoulder* It's what they do.

Abby Dickfit-Vilf *I took out a couple bandages and sat them on my lap* I know it's not his fault. I've had to deal with his claws before, you know *smiled a little as I looked at the scratch marks, it really wasn't that bad* It probably won't sting as much *soft smile as I started cleaning up the scratches*

Slick Dashiell-Vilf *I hissed a little as I watched her* I ain't worried about that. I just hate that they burn like fuck! *Looked up at her* He's lucky, he's your cat. *cute smile*

Abby Dickfit-Vilf *I continued cleaning the wounds until I felt it was enough* That's just the chemicals mixing in to clear out the bad germs *smiled a little as I looked at you* And if he wasn't my cat, I really wouldn't forgive you if you hurt or killed him *I sat the alcohol prep aside and picked up the bandages and began placing them over the cuts*

Slick Dashiell-Vilf *I grabbed her chin to turn her head back to me* Baby Girl, if you asked me not to kill him? I fucking wouldn't. *Soft smile* Because you asked me.

Abby Dickfit-Vilf *I was taping the bandages when I stopped to look at you when you grabbed my chin* Well, of course I don't want you to kill any animals, Slick *frowned a little* I don't agree with killing any kind of animals for any reason.. *I placed the bandages over the cuts and pressed the tape down to secure it*

Slick Dashiell-Vilf I ain't gonna fucking lie to you. *Watched her* I love murder. *Looked at her* But if you ever asked me to stop? For you? I would. Cause I heart you more. *winked*

Abby Dickfit-Vilf Okay, you're all finished *softly rubbed your arm as I closed up the first aid kit and looked at you* Trust me, I can't ever forget that you love murder *soft smile* I just don't want you to kill any animals, nor do I want to think of you doing that to some poor cat or dog *smiled a little to his wink* I'm not okay with killing people, but animal deaths upset me more than people.

Slick Dashiell-Vilf Look, I've done a lot of shitty things. *deep breath* I've killed animals, shit I even killed a bunch of kids on a school bus to prove a fucking point. *Shrugged a little* Some reason that one still fucks with my head. But.. If you're asking me to not kill animals? Then I won't. You have my fucking word.

Abby Dickfit-Vilf *I looked at you in disbelief as you said you've killed animals and children. I felt a mixture of sadness and a bit of anger hearing that* You..killed school children..? *I couldn't believe I just heard that, I didn't know what to say of think*

Slick Dashiell-Vilf *Scratched my head* Yeah.. *Flopped my hand down* You remember that arson that happened on a school bus five years ago? There was like 20 children on the bus and there were no survivors? *Pressed my lips* That was me. I did that.. *Went silent for a minute* It still haunts me, which is fucking weird, cause shit like that never haunts me.

Abby Dickfit-Vilf Yeah, I remember hearing about that, it was horrible to hear.. *I was stunned to hear this. I couldn't believe he would do something so vile* You were the cause of that..? *I scooted back a little on the bench* I-I can't believe that was you.. *I didn't want to make sense of it but a small part of me had to know* Why would you do something like that?

Slick Dashiell-Vilf *I stood up and placed my hands in my pockets. I walked over to the window to look anywhere, but at her. I hated talking about it.* The hobo.. And my dad.. Mostly. *I started having flashbacks of my "Dream," or whatever it was that I was stuck in for 5 years.*

Abby Dickfit-Vilf *I watched as you walked over to my window* I-I don't know hat to say *looked down as I played with my fingers* What.. *I let out a soft sigh as I didn't want to think about it anymore. I didn't bother finishing my sentence*

Slick Dashiell-Vilf *I didn't turn* What what? *I asked in a sad voice* If it makes you feel any better, I wish I never fucking did it.

Abby Dickfit-Vilf *looked over at you* ..what could they have possible done to make you do something like that.. *shifted in my seat* It doesn't make me feel a lot better, but it helps a tiny bit.. I wish you never did it either.

Slick Dashiell-Vilf *I leaned against the window frame* The hobo kicked my ass and was killing scumbags left and right, and my dad saw it on TV and then asked about the shiner. I told him it was some bum and he flipped out. *Sighed* He told me I had to make people scared of me, like they are of him. So.. I.. Killed a bunch of kids, because they liked the hobo and because he cared about them. And.. because I knew it would scare everyone.

Abby Dickfit-Vilf *I stared at you as I listened to you explaining the reason behind killing a bunch of innocent kids* I'd say you did a good job of making people scared of you.. *sadly sighed as I turned to face the door, I ran both hands through my hair as I tried to put that image out of my head*

Slick Dashiell-Vilf *I closed my eyes and muttered* I burned for 5 years, for that one..

Abby Dickfit-Vilf *I took a deep breath, stood up and walked over to you, stopping behind you* Slick.. *paused* I can't ever forget knowing you were the one that caused that incident, and I can't say I forgive you for it right now or ever.. But I'm having a hard time dealing with it right now but I don't ever want you to do that to another person or animal..let alone little kids..

Slick Dashiell-Vilf *I finally turned to face her* After I was shot, I thought I was dead. And I guess, in my head, I was forcefully dragged onto a burning school bus by those burned kids, and I thought I was going to Hell, but the bus just kept driving around Scum Town with me in it and I was on fire too. *Started at her* I love my flamethrower, and I'll probably use her again, but not on kids. *Shook my head* And I already gave you my word that I won't like any animals. *Sad eyes*

Abby Dickfit-Vilf *I held my left arm with my right hand as you finally turned towards me* I guess that's just karma's way of dealing with you for that situation with the kids.. *I wasn't even trying to make a joke, I really thought that was why. I let out a soft sigh* As long as it's not kids or animals, I guess, in a way, I'll be okay with it..

Slick Dashiell-Vilf *Sad smile* I guess, who the fuck knows why? But you really don't have to fucking worry about that. I fucking promise. *Hugged her*

Abby Dickfit-Vilf Karma has a funny way of making itself known.. *weak smile* I hope I don't have to worry about that anymore.. *I hugged you back, resting my head against you*

(Shreveport, Louisiana)

Damon Salvatore-Vilf‎ *Tempest finally came home and I could smell her blood. I vampspeed in and figured she was upstairs. I went to the kitchen and cooked her dinner as I waited. She never came downstairs. I took out the roast with a dish towel and went upstairs to her bedroom. She was staring out the window.*

Tempest Paine-Vilf *I was at home in my room, I stood by my window just staring out at the world as my thoughts ran wild. I let out a soft, relaxed sigh as I leaned against the window and just enjoyed the view*

(Flashback)

Eric Northman Vilf *All the ancient slayers were around us in the turning room. Katarina asked if there was anything we wanted to say to each other, to say it now. I smiled.* This is your last chance to back out? *Raised an eyebrow*

Tempest Paine-Vilf *I stood in front of Eric as Katarina explained everything. I looked at Eric* I still want to go through with it *soft smile* Promise.

Eric Northman Vilf *Folded my hands in front of me* Then I guess I should thank you. *Winked* Thank you.

Tempest Paine-Vilf I appreciate you giving me this opportunity of being your slayer *nodded with a smile* And you're very welcome.

Eric Northman Vilf *I turned my head to Katarina and nodded to continue.*

Katarina "Ancient Slayer" Stark-Vilf *looked at Eric* As soon as you extend your fangs, we begin. And you must stay silent. *I stood back with my my arms folded*

Eric Northman Vilf *I extended my fang proudly and the slayers began to chant.*

Tempest Paine-Vilf *I took a deep breath as I prepared myself. As soon as Eric extended his fangs, I let out a soft gasp. I actually felt nervous seeing them this time but I kept calm while the other slayers started chanting*

Eric Northman Vilf *I extended my arm to reach out and grab her hair, then violently pull her to me and bit her deep and hard into her neck and began to drink*

Tempest Paine-Vilf *I gasped when his hand gripped my hair and as a natural instinct I tried to pull away as he pulled me closer. I wanted to scream out but I didn't. I winced in pain as I felt his fangs pierce my neck. As much as I struggled to break free, I couldn't, but that didn't stop me from trying*

Eric Northman Vilf *I manage to wrap my arm around her and hold her tightly in my arms. As I continue I can feel her losing her strength and her heartbeat starts to slow*

Tempest Paine-Vilf *My eyes started to well up a little as I felt helpless combined with the pain of the bite yet I still struggled to break free. When he held me tighter, I felt my strength start to weaken and I eventually gave in as I started to feel lightheaded and weak*

Eric Northman Vilf *Her heartbeat slowed down rapidly, usually this is when I stopped, when I feed on a mortal, I continued until it was done. I removed my fangs and laid her on the couch gently. I bite into wrist as I kneel beside her and place the wounded wrist at her mouth.*

Tempest Paine-Vilf *I felt like this was it for me, I felt like I was about to die and at this point, I welcomed it. I felt my body being laid down and Eric placing his wrist against my mouth. When the taste of his blood hit my lounge, I slowly began to drink from his wrist*

Eric Northman Vilf *I stroked her hair waiting for her to come to, When she came back to life, I feel relived.*

Tempest Paine-Vilf *As I continued to drink from him, I slowly reached up with both hands and gently gripped his wrist at first. I felt like I didn't want to stop. The more his blood poured in my mouth, the more I wanted of it.

Eric Northman Vilf *When I finally reached the point of starvation I pull my wrist away and grab one of the blonde ancient slayers I chose by the arm, and pulled her to her knees. Without hesitation I bit deep into her neck and the chanting stopped*

Tempest Paine-Vilf *I held onto his wrist like a lifeline and continued to drink until he pulled his wrist away. As soon as that happened, I felt the most excruciating, mind numbing pain I've ever felt. It felt like it lasted for hours as I writhed around in pain from it, a few tears fell from my eyes as the pain felt like it worsened as it went on*

Eric Northman Vilf *I continue feeding from slayer to slayer, till my hunger is gone. I wipe my mouth and retract my fangs as I stood to watch what's happening to Tempest. A part of me wished I could help her.*

Tempest Paine-Vilf *A few of the other slayers came over to hold me down and try to calm my thrashing about. It went on for a few minutes until I passed out from it.*

Eric Northman Vilf *The slayers let her go and rush back over to her side. I sat next to her on the couch and grabbed her hand as I look up at Kat, whom gave me the okay to speak. As the 6 ancient slayers and the 3 slayers I fed on left. I looked back down at Tempest* It's over.. *soft smile, hoping she heard me*

Tempest Paine-Vilf *I started to regain consciousness as I heard Eric's voice. I opened my eyes, the other slayers and Katarina were gone*

Eric Northman Vilf *I placed my free hand over the hand I was holding* You're almost there. How do you feel?

Tempest Paine-Vilf *I smiled a little as I felt his hand cover mine* I feel terrible to be honest *soft smile* other than that, I'm good *nodded a little*

Eric Northman Vilf *smiled* I know, it was a stupid question. Do see my aura yet?

Tempest Paine-Vilf *soft smile* You're so funny *I rubbed my eyes a little to wipe away the tears, I noticed a faint red glowing coming from Eric as my vision was restored* Actually, yeah, I do see it *soft smile*

Eric Northman Vilf *Kissed her fingers* Do you hear they way we hear? *Meaning vampires*

Tempest Paine-Vilf *I smiled to the kiss. I took a moment to focus my hearing before I answered. I heard some voices in some rooms nearby* I-I think so. I can hear people talking.. *let out a soft breath* That's so weird but also really cool.

Eric Northman Vilf *Soft laugh* Yes, I assume that it is.. cool. *smirked* You will stay with me for the next few days. Then you can go home to pack the rest of your things, and see your vampire. *Grinned* Yes, I know about Damon Salvatore.

Tempest Paine-Vilf *I nodded* That sounds good to me *soft laugh* And I really wouldn't say he's "my" vampire. It's nothing serious. I just had a run-in with him *soft smile*

Eric Northman Vilf *Tilted my head* Are you sure? I think he might thing otherwise.

Tempest Paine-Vilf I'm sure *nodded* I don't know if I can be with someone that made me drink his blood.. *softly exhaled as I thought about it* That's not my idea of a starter for a relationship *looked at you* I'm sure.

Eric Northman Vilf *Laughed* You have no idea, do you?

Tempest Paine-Vilf Huh? No idea about what? *I managed to pull myself up a little* I really don't know what you mean by that.

Eric Northman Vilf *smiled* Since you've been at my nest, Damon as come to your home every night looking for you. *Raised an eyebrow* I believe he could be worried. Though if you two are bonded, he might know where you are, but chooses to wait for you at your home, because of me.

Tempest Paine-Vilf *tilted my head* He has? And he was worried about me? *let out a soft breath* I can't believe he's worried about me.. *shook my head* Wait, how can we be bonded? I doubt he slipped some sort of tiny GPS on me without me knowing.. This is a lot to take in, you know.

Eric Northman Vilf *Half smile* You said he gave you his blood, correct?

Tempest Paine-Vilf Yeah *looked at you and nodded* He did.

Eric Northman Vilf *Grinned* Than you two are blood bonded. He can feel you, and know where you are at all times. You've probably had sex dreams about him as well.

Tempest Paine-Vilf Great, so in a way he does have a GPS on me.. *pressed my lips together at the mention of having sex dreams about Damon* I guess that explains those dreams I've been having.. *softly sighed* I really wasn't planning on seeing him but now, I might have to since I just gotta have answers about all of this now.

Eric Northman Vilf *Chuckled* You will see him in a few days. For now.. *Looked at Kat when she came in* I can take you to my nest? *Kat nodded yes and I looked back at Tempest* Good?

Tempest Paine-Vilf *I looked back towards the door as Katarina came in. I smiled a little then looked back to Eric* Yeah, that sounds good *nodded*

(Reality)

Damon Salvatore-Vilf *I slowly walked up behind her and wrapped my arms around her, resting my chin on her shoulder* What are you thinking about?

Tempest Paine-Vilf *I didn't move when I felt Damon's arms around me, I admit I smiled a little* A lot of things *let out a soft breath* but mostly that night I met you on the road.. *soft smile*

Damon Salvatore-Vilf *Held her tightly* What about it?

Tempest Paine-Vilf *smiled a little more* Well, it's hard to forget the first time I encountered a vampire *placed my hand on his arm* And I definitely can't forget how you pretty much made me drink your blood so I'd be bonded to you *my smile faded*

Damon Salvatore-Vilf *I raised my head* How do you..? *Backed off, letting her go* Eric Northman told you?

Tempest Paine-Vilf *I still felt disappointed knowing that* Yeah, he told me *turned to face you* What I want to know is, why? Was it really necessary to do *folded my arms*

Damon Salvatore-Vilf *Looked down to think about the question, then looked back at her* Yes, it was. *Felt bad about it and it showed, but stood my ground* I like you. *Fake smile*

Tempest Paine-Vilf You may have thought it was, but honestly, I don't think it was *I knew he felt bad. I wanted to be upset but I just couldn't* Well, you have a funny way of showing that *lowered my arms* Damon.. *I let out a soft breath* I could have grown to like you too without the help of a blood bond, you know.

Damon Salvatore-Vilf *Shrugged my shoulders* I know, but.. I'm not the most likable guy. *raised a finger* In fact, most people don't like me at all.

Tempest Paine-Vilf That's probably because you never give them the chance to get to know the real you *soft shrug* Maybe if you actually let people get to know you, they may like you more.

Damon Salvatore-Vilf *I was a little mad* Well, maybe you don't know the real me? *my eyes widen* I'm a killer.. *Raised my eyebrows* I was given a cure to be human until my true death. It's all I wanted. Only to find out that it sucked being human more than a vampire. So I did everything I could to get that stupid cure out, just so I could kill again. And now, he I am. That's the real me.

Tempest Paine-Vilf You're right, I don't know the real you *I took a deep breath and crossed my arms as I listened* Okay, so you're a killer. I kind of figured that when you were about to kill me that night *I didn't say anything about him being angry* And yes, it does suck being human, but people live with it. Some are even happy about it *quietly exhaled to calm myself* What else is there to know about you?

Damon Salvatore-Vilf My brother forced me to turn vampire. I hated it for decades. I.. I.. I also used to love someone, my brother loved her too. He died *shifted my eyes* saving us. And giving me the cure. *Looked at her* He gave me what I wanted. And I realized that I couldn't do it. I couldn't be human anymore. It took me forever to get it out of my system. But I was obsessed with it. And in the end, it killed the woman I used to love. Now, I have no one.

Tempest Paine-Vilf *I felt bad hearing about his brother and this girl they both fell in love with. I felt even more bad as I continued to listen to him. A small part of me wanted to comfort him* I'm sorry you have to deal with all of that. I really mean that *sad eyes*

Damon Salvatore-Vilf In a way, I killed them both.. *Shrugged a shoulder* I alone. *Looked at her* Then I saw you.. I liked you. You're not like the others. So I bonded us, to guarantee that you'll like me. *sad eyes*

Tempest Paine-Vilf I'm sure you had your reasons for doing that.. *It hurt my heart to hear that he did that to his last girlfriend and brother* Well, if it makes you feel any better.. *let out a soft breath* I did kind of like you before the whole blood bond thing.. *I did think he was cute when I first saw him, so I wasn't lying*

Damon Salvatore-Vilf *Sighed* I didn't kill them on purpose it just happened that way. I used to hat killing, but now I love it. *sad smile* I guess, you don't know what you've got until it's gone. *looked down* But I won't do that to you. *Looked at her* Just give me one chance? I think we could be great together.

Tempest Paine-Vilf *nodded a little* Yeah, I can understand that *looked at you* I'll consider giving you another shot if you promise me one thing. Just promise me you won't ever try to trick me into doing anything or lie to me ever again.

Damon Salvatore-Vilf *I nodded slowly* I promise not to trick you again. *fake smile*

Tempest Paine-Vilf How do I know I can trust you? *hands on my hips*

Damon Salvatore-Vilf *Shrugged my shoulders without a care* You can't. You either do or you don't. *cute smile*

Tempest Paine-Vilf *sighed* Well, that doesn't make me feel better *looked at you* Okay, fine. I trust you.

(Scum Town)

Ivan Dashiell-Vilf‎ *I looked down at the "Glory Hole," then back to Annie* You know just cause one vampire was a dick, doesn't mean you have to fucking hate violence?

Annie Wilson-Vilf I know *soft smile* But, I was never a fan of violence before that. I don't just blame that one vampire for what happened.

Ivan Dashiell-Vilf *Looked down* I just fucking wish you and Abby had as much fun as Slick and I do.

Annie Wilson-Vilf I can't really speak for Abby, but we might be able to enjoy killing people one day. Enjoying the same things you and your brother do isn't going to happen overnight, it's going to take some time to get used to.

Ivan Dashiell-Vilf *Nodded* I fucking guess.. Just, if we have kids, we don't fucking hurt them okay? *looked at her*

Annie Wilson-Vilf *looked at you* I promise that if we do have kids, they won't be hurt or punished in any way *soft smile* Time outs are fine, just nothing that will leave a mark.

Ivan Dashiell-Vilf *I took off my sunglasses* You will keep that fucking promise, right? *Started at her with sad eyes* You have no idea what Slick and I went through.

Annie Wilson-Vilf Ivan, of course I'll keep that promise *looked at you, I could tell he was really hurt at the thought of it happening to our future kids* I may not have been there but from what I was told, I would never want my kids or anyone to go through that. It won't ever happen, you have my word. Promise.

Ivan Dashiell-Vilf *Looked down again* Okay.. I just had to be fucking sure. You have no idea what it's like listening to your brother screaming in pain, because of somethin' you did, and you can't do anything about it.

Annie Wilson-Vilf *walked over to you and hugged you* I can't imagine how horrible it must have been to go through that *softly sighed, I felt bad for him.* I'm sure it was terrible for the both of you growing up.

Ivan Dashiell-Vilf *I teared up when she hugged me* Sometimes.. We knew better, but we fucking did it anyway. It's our fault.

Annie Wilson-Vilf *softly rubbed your back as I listened* That happens in every household. Kids, at some point, will be kids and do what they want. It still doesn't excuse your dad for what he did to you guys.

Ivan Dashiell-Vilf *I put the sunglasses back on* Yeah, but we fucking knew what would happen if we disobeyed. And now look at fucking Slick, he's worse than me and I was punished the most. Our dad is dead, and Slick would still literally fucking hurt himself as a punishment, if he fucked up.

Annie Wilson-Vilf I know, but still. You're dad didn't have to do all of that to you or Slick. *pulled back a little* Hopefully, he wouldn't have to hurt himself now for any reason and I really don't want you to hurt yourself either.

Ivan Dashiell-Vilf *Shook my head* I.. I don't know if I would. *Shrugged a shoulder* I don't want to, but it feels like I should, if I broke the fucking rules.

Annie Wilson-Vilf *frowned a little* Well, just try to not break any of the rules and you wouldn't have to do it..

Ivan Dashiell-Vilf *sad smile* I'll fucking try. I know it sounds fucked up to you.

Annie Wilson-Vilf It is a little messed up to hear *weak smile* All of this is very new to me, but I'm sure I'll be okay with everything one day.

Ivan Dashiell-Vilf Yeah, but you fucking think we're not fucking normal, right? *sighed* It's cool, you can say it.

Annie Wilson-Vilf I wouldn't go that far, I just never knew anyone like you or your brother before so it's all new and strange to get used to *looked at you* but being different isn't bad at all. I mean, I'm practically a poster girl for being creepy *soft laugh* Even if you were different, it wouldn't change how I feel about you.

Ivan Dashiell-Vilf *Snickered* You're my little fucking Glampire. *Laughed* I don't care if you're fucking different. I fucking L you no matter what.

Annie Wilson-Vilf So, I'm a Glampire now *chuckled* Well, I have my costume for Halloween planned out *brushed my hair back* And even if you were a Werewolf or some other supernatural creature, I'd still L you no matter what *cute smile*

Ivan Dashiell-Vilf *Chuckled* What? You're a cute glampire. I wouldn't fucking care if your supernatural Babes. I'd think it's fucking cool. It's not what you are that turns me on.

Annie Wilson-Vilf At least, I know you'd still care about me even if I was something of the supernatural variety *soft smile* And just out of curiosity, what is it about me that turns you on *cute smirk*

Ivan Dashiell-Vilf *Looked at her strangely* You shitting me? Everything Babes. You're fucking hot.

Annie Wilson-Vilf What? *looked at you* I was curious *soft laugh* And I'm sure my looks can't be the only thing you like about me.

Ivan Dashiell-Vilf Fuck no.. I did say everything Babes. *smirked*

Annie Wilson-Vilf *nodded* Okay, okay, so you like everything about me *soft laugh* I got it

Ivan Dashiell-Vilf Fuck yeah.. Everything you do is awesome. And I like you're dog, and you body and you clothes, and your favorite types of movies. What's doesn't turn me on?

Annie Wilson-Vilf You actually like Joey? *softly chuckled* I'm sure he'll be happy to know that. And my taste in movies may not be a wild as yours *soft laugh* But I do like knowing that we can both enjoy horror movies late at night. And I told you I was likeable, but no, you didn't believe me *teasing*

Ivan Dashiell-Vilf *Laughed* Just shut up and fucking kiss me. *Pulled her into a kiss*

Annie Wilson-Vilf *chuckled* You don't have to tell me twice *I wrapped my arms around you as we kissed*

[vileart]

The Dramaturgy Killers: Eve Pearson-Wright @ Edfringe 2017

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As part of the Edinburgh Festival Fringe 2017, The Long Lane Theatre Company presents

The Giant Killers

The true story of footballs greatest underdogs

Long Lane Theatre Company makes its Edinburgh Fringe Festival debut with The Giant Killers, a true story of class and sport, brought to stage to uplift and inspire.  

This new play will be performed at Gilded Balloon (Rose Theatre) at 2.30pm (3.45pm) from Wednesday 2 – Monday 28 August.

Football was not always a game for the masses. The first players to compete for the F.A. Cup were lords, knights and peers, in essence, a game for the wealthy and privileged. The pivotal moment happened when a group of mill workers from Darwen in Lancashire joined two talented Glaswegians to change football. The play tells the untold, true story of the Darwen vs The Old Etonians F.A. Cup tie. A story of a town that finds its voice and a team that change the beautiful game forever. They are The Giant Killers!

All questions are answered by me, Eve Pearson-Wright. I am an actress and have co-written and co-produced ‘The Giant Killers’. I run The Long Lane Theatre Company with my husband. This is the first show that we have produced at The Fringe. It is the true story of The first working class men to play to play in the F.A. Cup.

What was the inspiration for this performance?

A few years ago I was in a house fire. I was woken by my dog but couldn't get out of my room as the smoke was too heavy and the heat was to strong. I tried to smash my way out of my window but It was too dark to see. Eventually I passed out on the floor with my dog next to me. Fortunately the fire brigade got to me before I died. I lost my dog and my home and everything I owned. 

When I got out of hospital I didn't have any mojo for life. I couldn't hold memories, so learning lines and working as an actress was impossible. I was depressed. I survived thanks to the generosity of others. Then my boyfriend, now my husband told me a story about a group of men he had been reading about. They had lost everything during the cotton famine of the 1870's. They were poor with no jobs, no prospects. With time on their hands they started kicking a ball around, soon they formed a football team, then they took on the best in the country and eventually they changed football and their community forever. 

He said think - 'if that was a script then them losing everything would only be the first five minutes. And if we write a script about you then this is where we would start, you've only lived the first five minutes of your story.' That helped. Life got better and then last year we wanted to write a play together and so I said "what about that story about the football men?"

Is performance still a good space for public discussion?

It's the best space. We teach drama students a lot and we are always challenging them to answer what an audience requires of theatre. Escapism is a common answer but escapism from what? From boredom? From their mobile phones? From the strain of confirming? The strain of living in a world that is ruled by daft and unexamined conventions? I go to the theatre to care, to understand people, to not feel alone. I like things that make you care make you think and make you dream, dream that you are part of something. 

There is nowhere else where people come together to share an experience, to stop transmitting and sit and receive from somebody that is in that room with you, breathing the same air you’re breathing.

How did you become interested in making performance?

I think everyone has a need for storytelling to some degree, some people just take it all the way. When I was five I used to put on plays and charge my family 5p to watch me re-tell the story of Robin Hood or Ghostbusters in the living room and that desire for me has never gone away.

Is there any particular approach to making of the show?

Write, write and re-write. Writing is kind of like doing a sudoku, you sit in front of it for ages not knowing what to do then one idea opens up and it’s a domino effect. Then it was all about finding the best director, designer, cast and crew we could get. Research was a big part too, we found out so much amazing stuff about this story that the hardest thing was knowing what to leave out.

Does the show fit with your usual productions?

In a word…no. It’s been a long process to get us to the point of being commercially able to produce a piece of new writing. 

For a long time The Long Lane Theatre Company was just me and my husband in small scale shows usually within an educational environment. We’ve spent two years travelling the whole of England performing shows that were created for children bit that was always so we could build to this. This was always the goal though and hopefully from here we can grow further and make more theatre for adults.

What do you hope that the audience will experience?

The show rattles along, it’s got such a speed to it that you feel like you are watching a football match but aside from that I hope they are inspired as well as having a great history lesson. We want them to know the power of organisation and collaboration. That community is a force to be reckoned with and that unification in a world which seems set to divide us is the way forward.  Essentially when your chips are down, that’s when you start cooking. 

The Giant Killers is performed and written by Long Lane Theatre which is run by Eve and Andrew Pearson-Wright: the couple met playing husband and wife in the West End's longest running musical The Mousetrap in 2009. Long Lane Theatre was set up to run workshops and tours for stage schools and other theatre companies. 

As a result of their success with schools Eve and Andrew decided to make their Edinburgh Fringe debut.

The play also stars Tim Barrow who was born in Edinburgh and brought up in both Australia & Scotland. His screen acting work includes Taggart; Waterloo Road; Children Of The Dead End (Glass Machine) and The Queen's Wedding (Mentorn). 

Theatre work includes plays for Glasgow Citizens Theatre, Theatre 503, The Arches, Stoirm Og, Fire Exit, Bard In The Botanics, Prime Productions, Theatre Enigma & Nonsenseroom. Tim set up Lyre Productions to make contemporary feature films – work includes The Inheritance. Nominated Best UK Feature on its premiere at Raindance Film Festival, The Inheritance won the Raindance Award at 2007 British Independent Film Awards, and Tim was nominated Best Producer at 2008 BAFTA Scotland New Talent Awards. 

Through writing he has also worked with Tom Hardy, Robert Delamere & Brett. C. Leonard of New York's Labyrinth Theatre Company. 

The Giant Killers will be directed by Natalie-Anne Downs. Natalie has been working in professional Theatre and Film for 12 years and is the Founder and Artistic Director of VENI VIDI Theatre & Film London. As a classically-trained pianist and composer, Natalie has always had a hands-on approach to the music used in all her productions, having written scores for several of them. Her 'Shakespeare Shorts' film series was recently selected to appear in Europe's largest short film festival.

LISTINGS INFORMATION: The Giant Killers will be performed from Wednesday 2 – Monday 28 August at Gilded Balloon Rose Theatre studio, 2.30pm (3.45pm)

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from the vileblog http://ift.tt/2sY5xcI

[rhetoricandlogic]

The Last Night: City of Miracles by Robert Jackson Bennett

Niall Alexander

The Divine Cities series comes full circle in City of Miracles, a positively action-packed fantasy about getting your own back. But revenge is not just what the hardy anti-hero at its heart is after: revenge is also what its both figuratively and literally tortured villain is interested in.

This child of the night, who shall not be named because to identify him is to invite his wickedness in, is not a divinity like the other antagonists of Robert Jackson Bennett’s incomparable narrative—at least, not quite. He’s really just an angsty adolescent; a “selfish kid who thinks his misfortunes are bigger than everyone else’s” and has decided to take his frustrations out on everyone around him.

Unfortunately for everyone around him, this angsty adolescent just so happens to be the spawn of a few fallen gods. To wit, he has a domain—the dark—and some of his mother and father’s magic. City of Miracles begins with him flexing his miraculous muscles: by outfitting an assassin to slaughter the former Prime Minister—and the first of this spectacular saga’s protagonists—Ashara Komayd.

When news of Shara’s shocking death reaches a remote logging range beyond Bulikov, every man around the campfire is taken aback, but only one among them takes it personally. He is City of Miracles‘ new central perspective, and whilst he hasn’t played this role before, he’s a figure folks who’ve followed this fiction will be intimately familiar with; a fan-favourite character, in fact, who has flitted around its fringes but never before been at its fore. That’s right, readers: the focus of Bennett’s barnstorming finale is finally on Shara’s right-hand man, the Dreyling she saved who has saved her so often since. Good to see you again, Sigrud!

Following the death of his daughter in City of Blades, not to mention the mindless massacre that followed, Sigrud je Harkvaldsson has been in exile, none too patiently awaiting the day when Shara can at last bring him back into action. But with his dearest friend so dramatically departed, what does he have left to live for? Nothing, initially, but a need to make her murderer pay.

He does so summarily, racking up a rather improbable body count in the process. As a member of the supporting cast who crosses his fiery path puts it: “You’ve lost none of your subtlety, Sigrud.”

But whilst raining hell on everyone who had a hand or even a hair in Shara’s assassination, our daring Dreyling learns about a scheme that gives him a reason to keep on keeping on. In short, “someone is targeting Shara’s adopted daughter” Tatyana, and having failed to save his last loved one, the least he can do, he reasons, is ensure that this small part of her legacy lives on.

To do what needs doing, he has to go to Ghaladesh. “Ghaladesh, the capital of Saypur, the richest, most well-protected city in the world. The place with perhaps the most security in the civilised nations—and thus the place that he, a fugitive from Saypur’s justice, is most likely to be caught, imprisoned, tortured, and possibly—or probably—executed.”

Sigrud does wonder “if he has it in him to do this. It’s been years since he worked as an operative,” after all. “Perhaps this is foolish. Perhaps he’s an old dog insisting he can still perform old tricks.” But this old dog is on the cusp of discovering something about himself that stands to recast his tragic past; something that allows the author to develop his series’ most stalwart character into more than the man of action he has frequently been.

It’s a bit of an easy out, if I’m honest, but it serves to present Sigrud at his most solicitous, his most human, here at the end of Bennett’s series. He’s clearly a hero, and he-who-we-agreed-not-to-name is every inch the villain. The hellish things that latter has been put through are stirring to start, but what sympathy we might have felt for him is roundly rebuffed by the sheer unreason of his self-serving, world-ending rebellion. That said, these teenage tendendies don’t stop City of Miracles‘ big bad from being deeply creepy:

“The past is the past. It’s fixed, unchangeable, unattainable. But our enemy… he’s elastic. Veryexpansive, so to speak. His domain represents something primitive, something primal. The long night, the first night. The fear you feel when you’re all alone in your house, and all the rooms feel so dark? That’s him. That’s him leaking into your frail little bit of civilisation, that first, dangerous night mankind spent out under the skies.”

City of Miracles develops The Divine Cities’ secondary world as well. Much as Mark Charan Newton did in his underrated Legends of the Red Sun series, Bennett has steered each addition to his trilogy towards an unexplored shore, and it’s to his credit that he attempts to differentiate Ghaladesh from the various environs we’ve been to previously:

Bulikov was a schizophrenic, crumbling mess. Voortyashtan was hardly more than a savage outpost, and Ahanashtan was built specifically to serve the shipping channel, creating a half-industrial, half-urbane hybrid of a city.

But Ghaladesh is different. Ghaladesh, unlike all the other cities [Sigrud has] ever seen, is intentional.

You can see it when you walk from block to block. From the graceful wooden posts that so many houses sit on to the drains in the street to the curves of the elevated train, you can see how this was not just done well but done just—so. Ghaladesh, he sees, is a city of engineers, a city of thinkers, a city of people who do not act rashly.

But City of Miracles is, above all else, an ending, and Bennett is evidently determined to make it one to remember, so at the same time as spinning a yarn that satisfactorily caps the saga’s overarching narrative, he had a lot of loose ends to address, and any number of character arcs to conclude. All this he handles marvellously, such that The Divine Cities doesn’t just feel finished after its last act, it feels complete. Alas, the pattern Bennett had established in terms of his settings falls victim to this last book’s busyness. We end up spending so little time in Ghaladesh, and almost none simply soaking it in, that it, in the end, is faint and forgettable where its predecessors were deftly drawn and memorable.

That’s not the end of the world, though, because the momentum that this book accumulates over its course, like a wrecking ball raised higher and higher above the wall it’s to demolish, allows City of Miracles to circle back to where Bennett’s series began—and in the company of some of the same souls who were there in those days—in time for “one big push” towards an ending as tremendous as it is affecting.

That “all things must end” doesn’t make it any easier to bid goodbye to those things, but the fact that this sequence—this breathtaking last battle between gods and monsters with mortals such as us stuck in the middle of it—strikes the same balance between the mundane and the majestic that has been a strength of this series from the first… that’s as fitting a farewell to The Divine Cities as any I can imagine.

Later, when I get home, I’ll write something up about this complete series. It’s one of the best I have ever read, seriously. Highly recommended.

[douchebagbrainwaves]

THE COURAGE OF SOFTWARE

Now the results seem inspired by the Scientologist principle that what's true is what's true for you. LYNXIMGMAP: file://localhost/home/patrick/Documents/programming/python projects/UlyssesRedux/corpora/unsorted/before. Looking at the applications for the Summer Founders Program has just finished. Distractions are the thing you can say about something is to be actively curious. Much as we disliked school, the grownups all agreed that grownup work was worse, and that was called playing. What makes him unique. How can you manipulate data without doing pointer arithmetic? I expected, tend to be in control.1 They happily set to work turning their prototype into something they can release. It has sometimes been said that Lisp should use first and rest instead of car and cdr often are, in theory, explaining yourself to someone else instead of being at the mercy of their own people would rebel. Within the office you now have to get them to stay is to give users more power.

But notice the weather. The undergraduate curriculum or trivium whence trivial consisted of Latin grammar, rhetoric, and logic. Web-based software, surprisingly, is continuations. Startups are fragile plants—seedlings, in fact; ants have wealth. Not wanting to blow such a public commission, he'd play it safe. A function type. Acquirers too, while we're at it. Whereas the bad firms will get the leftovers, as they get used to it, the startup agrees to turn away other VCs for some set amount of time while this firm does the due diligence required for the deal. And the customers paying so much for. Hardy said that's what got him started, and I am self-indulgent choice, like buying expensive office furniture. The application that pushed desktop computers out into the world. In art, the highest place has traditionally been a problem in venture funding.

In fact the second step can propagate back into the first: if something is fun, it isn't work. Don't do it! But in the personalities of the people working in engineering as a whole. Of course, the probabilities should be calculated individually for each user.2 But galleries didn't want to miss out, so that you could figure things out, like slices of a pie, by some imaginary Daddy. Our instincts tell us something so valuable would not be able to hire to work on your own projects. ___ But now comes the hard part isn't solving problems, but deciding what problems to solve, but I resent being told what to do next that they always tend to develop software in house.3 Having to hit a growth number every week forces founders to act, and acting versus not acting is the high bit of succeeding. Boy was he good. You're just looking for something that improves your odds, it's probably not because everyone is Thomas Edison.

Worse is Better, which is where, pound for pound, the most important thing a community site come from people more than one with 10,000 people came to sit in, then simply explained this well to investors. But Sam Altman can't be stopped by such flimsy rules. Of course, what shows up on the losing side in debates about software design. How many times have you heard hackers speak fondly of how in, say, half a million unique visitors a month. How do you find them? The consolidation that began in the late 1950s. It's like eating jam when you know that, so we don't give them more than they take. When the Mac came out, and that's what it's going to be. There's no practical difficulty.4

But we all know the amounts being raised in series A rounds from VCs. We can imagine will and discipline as two fingers squeezing a slippery melon seed.5 Conversely, a town of i dotters and t crossers, where you're liable to get both your grammar and your ideas corrected in the process. Distinguishing between wise and smart is a modern habit. They're good at doing what people want. There may be more to that old man hobbling along on his crutches than meets the eye. Html 9. Prognosis Who will win, the super-angels may be smarter than they seem.

But fortunately there are still some countries that are not copyright colonies of the US. That is a fundamental change. The price is that valuation caps aren't actual valuations, and notes are cheap and easy to do, how good you are at taking orders, how much risk you can stand, and the more bugs they'll get from unforeseen interactions. What, another search engine? Error So could we figure out what lies you were told as a child. Which is to say that the novel or the chair is designed according to the value of safe jobs. And the reason everyone doesn't use it is that there's a concentration of smart people to a project tends to slow it down. The key to this puzzle is to remember that.6 If it's physiological, it should be hard.

To get a truly random sample, pollsters ask, say, how to deal with your parents' opinions about what you should raise, a good number to use. The real test is revenue. For Larry Page the most important reason to release early, though, that all other things being equal, a company has to split hairs that fine about whether a startup is only a proxy after all, and also to founders who might come to them through people they know. The resulting software did things our competitors' software couldn't do. Their size makes them slow and prevents them from rewarding employees for the extraordinary effort required. You're better off starting with a crude version 1 then iterate, your solution can benefit from the giant sums they're compelled to invest. As long as that idea is still floating around, I think filtering based on individual words already works so well that you envision the scene for yourself. For much the same. I expected, tend to be random: the angel asks his lawyer to create a named function to return. Making things cheaper is actually a sign of breakage.

Or is it, rather, nonexistent? If you're writing a short, throwaway program, you may as well talk to them, Yahoo's revenues would have covered even our paltry costs. The contacts and advice. One expert on entrepreneurship told me that at the time he wrote, Newton's slavery consisted of five replies to Liege, totalling fourteen printed pages, over the course of a game. I wrote were just like us, then they must be working. Without the incentive of wealth, no one ever called us on it. And investors can tell fairly quickly whether you're a good hacker and a great many people work for companies with hundreds or thousands of employees. This is another variable whose coefficient should be zero. But core of the subject or the object if subjects all react similarly. Most companies in a position to impose rules naturally want them to be, but a mosquito is designed for one thing: to score. What I've just described is an acquisition by a public company.7

Notes

This is the desire to do due diligence for an investor in! We didn't let him off, either as truth or heresy. For similar reasons, including that Florence was then the richest buyers are, which is the accumulator generator benchmark are collected together on their own itinerary through no-shop clause.

Sokal, Alan ed.

Adam Smith Wealth of Nations, v: i mentions several that tried to preserve optionality. An investor who's seriously interested will already be programming in college or what grades you got in them to ignore investors and instead focus on at Y Combinator only got 38 cents on the other hand, he was exaggerating.

This plan backfired with the solutions. And then of course some uncertainty about how to be, yet. Because the pledge is vague in order to win. Letter to the option pool as well.

And so thought disproportionately about such customs. He did eventually graduate at about 26. And while we can easily imagine.

You end up making something that flows from some types of startups have over you could only get in the US since the mid 20th century cohesion would have. It seems we should remember this when comparing techniques for discouraging stupid comments have yet to be a win to include in your next round, that is modelled on private sector funds and apparently generates good returns. Strictly speaking it's not the type of proficiency test any apprentice might have done all they demand from art as brand split apart from art is not as hard as everyone assumes.

There are some good ideas in the sense that there are certain qualities that some of the 1929 crash. Without distractions it's too obvious to your brain that you're talking to a can of soup. 35 billion for the board to give their associates the title partner, including that Florence was then the richest country in the right direction to be high, they tend to notice them. Living on instant ramen would be rolling in their standards that they're starting petitions to save the old one.

Thanks to Jackie McDonough, Brad Templeton, Tim O'Reilly, Trevor Blackwell, Fred Wilson, Patrick Collison, Jeff Arnold, rew Mason, and Robert Morris for inviting me to speak.

[kevinscottgardens]

26 through 30 November 2018

Monday morning we were treated to an introduction to ayurveda holistic healing. Robert, the new propagation manager, started this week, so we are now fully staffed.

Medicinal plant of the week is Jasminum sambac. It is also known as melati putih, which means white flower in Malay; this was the nickname of my little host sister when I was an AFS exchange student to Pulau Langkawi in 1989.

I finished placing all the pieces of bubble wrap in their correct spaces, now all that is left is to finish affixing it to the ceiling of the tropical corridor. I am taking the time to move hooks, add wire to make it faster and easier going forward. I have a few things noted that I would like to change before next year too.

A consultation commenced today to align our current working hours (37.5/week) with that of the rest of the staff (35/week) working at the garden. I am mostly happy with the proposals. Most excitingly, our trainees will be paid the London living wage.

Plant ident this week is all about scramblers and climbers:

Apocynaceae Araujia sericifera

Apocynaceae Periploca graeca

Aristolochiaceae Aristolochia gigantea

Campanulaceae Canarina canariensis

Leguminosae Strongylodon macrobotrys

Phytolaccaceae Ercilla volubilis 

Polemoniaceae Cobaea scandens

Polygonaceae Reynoutria multiflora

Ranunculaceae Clematis campaniflora

Rosaceae Rosa moschata

I’m heading to Trieste for a long weekend. It’s a new city for me and I’ve been reading Trieste and the Meaning of Nowhere. I am thoroughly enjoying the book and am excited for my visit. I am mainly going to see my friend’s sculpture exhibition Sacro e Profano. I studied with Pasquale at LSE and now he is a sculptor and I am a botanic horticulturalist.

Plant of the week

Acanthaceae Acanthus sennii Chiov.

common name(s) - Ethiopian acanthus synonym(s) - Acanthus arboreus var. ruber Schimp. ex Engl.; Acanthus sennii var. lanatus Cufod.; Cheilopsis steudneri Schweinf. conservation rating - none native to - Ethiopia location - South Africa bed, accession 1992-0340 leaves - oblong to oval, very spiny, mid-green flowers - red, large-lipped, produced in short, terminal spikes in mid-summer to early autumn habit - upright perennial or sub-shrub to 1.5m tall and wide habitat - highlands of Ethiopia, where it grows in a Mediterranean-type climate; native to elevations of 1,700m to 3,200m, occurring in Juniperus and Podocarpus forest, montane grassland and woodland in forest glades, secondary scrub, roadsides pests - generally pest-free disease - powdery mildews hardiness - to -10ºC (H4) soil - deep, fertile, well-drained loam is best; it will grow in most soils and has good drought tolerance sun - full sun to part shade, sheltered position propagation - division, root cuttings pruning - cut down old flower stems nomenclature - Acanthaceae - Acanthus - prickly-one, ακανθιον, in Dioscorides (the Nymph,  Acantha, loved by Apollo, was changed into an Acanthus); sennii - Gustav Alfred Senn (1875-1945) Swiss botanist and historian of botany NB - used for fencing around vegetable gardens in Ethiopia

References:

Gledhill, David, (2008) The Names of Plants, fourth edition; Cambridge University Press; ISBN: 978-0-52168-553-5

IUCN [online] http://www.iucnredlist.org/search [29 Nov 18]

Plant List, The [online] http://www.theplantlist.org/tpl1.1/record/kew-2615295 [29 Nov 18]

Royal Horticultural Society [online] https://www.rhs.org.uk/Plants/125433/Acanthus-sennii/Details [29 Nov 18]

UBC Botanical Garden [online] https://botanyphoto.botanicalgarden.ubc.ca/2018/07/acanthus-sennii/ [29 Nov 18]

[josephkitchen0]

Good Pigeon Loft Design Can Help Your Pigeons Stay Healthy

Pigeons are adaptable, hardy, and agile. And although the types of pigeons range in size and function, all pigeons have similar husbandry requirements. Knowing what to feed pigeons and the ideal pigeon loft design will allow you to ensure a healthy flock.

Pigeon Loft Design

Across the board, the rule of thumb when setting up and maintaining a pigeon loft is to keep the loft extremely dry with plenty of ventilation.

Philip Spatola of Atlantic Highlands, New Jersey, recently won the American Racing Pigeon Union “Loft of the Year” award. Members were encouraged to submit photographs and descriptions of their lofts. Not only was it an on-line loft “beauty contest,” but it also illustrated the variety of appearances that provide healthy housing for homing pigeons. The styles and sizes conveyed a large range of skill sets and funds.

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“I contacted a local shed company to build a shed to my specifications and then had a friend install partitions and perches inside the loft,” said Spatola.

Phil Spatola’s award-winning loft. Having the loft elevated from the ground helps air circulation and keeps it dry.

He cleans his “Cary’d Away Loft” once a day in the mornings and then feeds and waters the birds. In the summer, he cleans the loft twice a day. Fans and electricity were installed to aid in ventilation and convenience.

Deone Roberts, the Sport Development Manager for the American Racing Pigeon Union, says that a well-designed loft consists of a floor, four walls, a roof, external fixtures (landing board, trap, ventilators and turbines, and aviaries), internal fixtures, a storage area for feed and other supplies plus an infirmary. The loft needs to prevent vermin, including aerial predators.

“A neat appearance and blending into the neighborhood is most helpful to encourage good community relations,” said Roberts. And remember, “The cost of construction has no bearing on racing success.”

The size of the loft should allow eight to 10 cubic feet of air space per bird. A well-made loft would include at least three partitions: one for breeders, one for young birds, and one for old birds. To make it comfortable for yourself and to aid in cleaning, the ceiling should be high enough for you to stand erect. Having the loft elevated from the ground will help air circulation and keep it dry.

Spatola’s “Cary’d Away Loft” includes different partitions for different aged birds.

The roof should be slanted from front to back to allow the rain to roll off away from the landing board. The landing board should be large enough for all the birds to land at one time. The trap functions so that pigeons that fly outside can get back into the loft but not be able to fly out again. It should be in the center of the landing board. Traps can be purchased for around $20. My father and I built a trap out of wire coat hangers when I was flying tumblers and racing pigeons, and it worked out great.

Roberts says that aviaries are an essential part of any well-designed loft allowing the birds to have a constant supply of fresh air and sunshine.

“Each section of the loft should have a small aviary where the birds can go out into the sun and rain,” said Frank McLaughlin. “It is also nice to be able to close off these aviaries to keep the weather from the inside of the loft.”

McLaughlin of McLaughlin Lofts has been raising pigeons for 43 years.

“Most of the best lofts have air entering low and leaving the loft at a high point causing a chimney effect,” he said. “Many fanciers keep their pigeons on grated floors and some use a deep litter which I prefer a thin layer or wood pellets used in wood burning stoves.”

“Dampness is the worst condition for pigeons so having sunlight enter the loft is excellent to keep dry,” said McLaughlin. “Pigeons rarely if ever get sick if they have space, dryness, good feed, minerals/grits and clean fresh water.”

A beautifully designed loft. Photo courtesy of Vernon Young.

Each mated pair of pigeons should have their own nest box. The boxes do not need to be elaborate. Boxes that are 18 inches long and 12inches high and wide are suitable for most breeds. Having a small lip on the front will keep nesting materials, eggs, and squabs safe. Placing a small clay flower pot or bowl, along with nesting materials such as hay, straw, pine needles, wood chips or twigs will assist with the breeding cycle.

Perches throughout the loft and aviary can be constructed out of one by four-inch boards, tree branches, or half-inch doweling. While pigeons are highly sociable, another pigeon fact is that they can be territorial. Having ample perching is important to reduce quarreling.

What do Pigeons Eat?

Commercial grain and seed mixes are easily available at farm stores and solve the question of what do pigeons eat. Protein is important for pigeons that are producing. Peas and soybeans are great sources of protein. What do pigeons eat depends on the activity level of the birds. Different compositions are made for birds that are breeding, raising young, molting, or racing.

To have good hygiene in the loft, place lids on all food and water containers. Photo by Spatola

Some of the first food items that are eaten by the birds include green, maple, and yellow peas, mung beans and lentils. To guarantee that your birds are getting the nutritional value that is advertised on the package, the birds must eat the full range of grains. If they are given too much seed, they will pick out their favorites. By offering only the amount of food the pigeons will consume in one day, you will ensure that they are eating the nutritional diversity the bag advertises. To create your own pigeon food, check out this baseline formula.

DIY Pigeon Formula Corn 40% Red Wheat 27% Peas 18% Kefir (sorghum) 15% Mineral grit Free Choice

The Scoop on Pigeon Poop

Ten thousand years ago, farming was evolving in Iran. The shift from short-term profits to sustaining yields had begun. Farmers needed a way to amend the soil after their crops had decimated the soil’s fertility. Pigeon towers, or dovecotes, became a crucial part of the agricultural economy by providing fertilizer for crops such as melons and cucumbers, which require a lot of nitrogen.

Wild pigeons would live in these towers, which were strategically placed in fields, and the caregivers would harvest the manure once a year to sell to other farmers.  The pigeon manure was considered so valuable that guards were posted at the dovecotes to keep thieves from stealing the wild birds’ droppings! In a different time in history, pigeon droppings were used as a component of gunpowder.

Dr. Ayhan Bekleyen of Dicle University, Diyarbakır, Turkey shared this dovecot from Eastern Turkey.

A dovecote relic, located in Diyarbakir Turkey. Photo courtesy of Dr. Ayhan Bekleyen.

Cleanliness in your nest boxes and loft are important for preventing manure buildup, minimizing moisture, and keeping a healthy environment, which reduces the likelihood of disease. Placing an inch of sand on the loft floor will assist in the cleaning on the loft. You can easily sift through the sand and remove debris. Daily raking of the sand will keep the sand clean and dry. By adding a little dirt and organic matter like grass clippings to the manure, it will compost down, making your own valuable pigeon poo fertilizer. This high-nitrogen fertilizer works well on tomatoes, eggplant, melons, roses and other plants that do well in rich soil.

Do you have a pigeon loft design or feeding tip to help beginners with figuring out what do pigeons eat that you would like to share? Let us know in the comments below.

Good Pigeon Loft Design Can Help Your Pigeons Stay Healthy was originally posted by All About Chickens

[micaramel]

Through his personal and professional life, one thing has remained constant for artist Nick Turner—his connection with horses. The American artist has led an eclectic life, which brought him to pass his adolescence in France before returning Stateside to study art.

As an artist who cuts across mediums—his work includes photography, drawing, and painting—a through line is his incorporation of nature and fascination with the equestrian world. Recently, he traveled to Iceland—a country that has long fascinated him—with the arts organization Twyla, in order to work on a powerful new set of self-portraits incorporating horses.

The final works are a study in energy and return to man’s animalistic instincts. Turner’s nude body, entwined with the wild horses, speaks on multiple levels. Recalling Classical sculpture, his muscles stretch and bow as they strain to meld with the horses. We recently had a chance to speak to Turner about his work, his fascination with horses, and the different levels of meaning within the series.

Can you share with us how your connection to horses began?

I was homeschooled as a child and then moved to France to attend high school and begin university. Feeling like an observer for a large portion of my younger years, and not a participator in social activities and not part of any real social groups, I tended to spend a lot of time riding horses which, unlike a lot of social interactions in school, I felt very comfortable with.

I competed in Eventing for awhile before bringing them into my work as an artist. After painting, drawing, and photographing them, and traveling the world looking for ways to capture them, I began placing myself into photos with them. I wanted to not be just a man standing with horses, but one of the pack.

Historically I find it important also to look at philosophers like Thomas Hobbs, and ideas like social contract theory where man and animal are referenced as one and the same when rules and laws are taken away and not there to structure set rules for them.

What do you think it is about horses that allow humans to create such a deep bond with them?

Historically horses have enabled man to innovate and evolve much faster because of the ability to travel and transport each other and things. Being a fundamental necessity to human growth and life, humans naturally protected and valued horses for this specific asset they became.

Can you tell us a bit about your path to becoming an artist and how your bond with horses became so intertwined with your art?

Horses were a big part of my life growing up and competing. It was a natural thing for them to stay present in my life and work, even though I don’t still ride competitively anymore. I do think something horses give me is my mind usually becomes quiet when I riding or just around them.

There’s something very therapeutic about horses. I often have trouble not living in my head and thinking constantly, and nature and horses, specifically, really quiet my mind and I only think that’s a good thing to be fully present, even if it’s for a short time.

Speaking specifically about your series set in Iceland, it’s clear you have a love of this country. Of course, many people come to photograph Iceland’s environment, but your work comes from a different place. How does Iceland’s environment influence your work?

You are right, I am fascinated by Iceland for a few reasons. Of course, it’s an incredible place to photograph nature and landscapes, but I also find the history and culture of Iceland inspiring as well. The horse culture there and how hardy and tough these horses truly are.

I grew up with this unique education being homeschooled and traveling a lot as a child before ending up based in France for awhile, and I read a lot of adventure literature like Robert Louis Stevenson’s Treasure Island and The Lion the Witch and the Wardrobe by C. S. Lewis, so I had this somewhat magical or fantasy views on traveling and nature since I was a kid. Iceland has a sense of familiarity to it, something magical and inspiring. Like dragons could be living behind the jagged cliffs as you drive past. I think that has been one of the attractions to Iceland, this feeling like I’m on an adventure living in one of the books I read as a child to some extent.

Iceland has a sense of familiarity to it, something magical and inspiring—like dragons could be living behind the jagged cliffs as you drive past. I think that has been one of the attractions to Iceland, this feeling like I’m on an adventure living in one of the books I read as a child to some extent.

Your works on paper and paintings exude a frenetic energy, almost animalistic. Can you share a bit about your creative process when painting and sketching?

That is a very accurate way of describing it actually. I work very fast on paintings in short blocks of time or rotate paintings so I don’t focus on one too long.

I’m more interested in the abstract idea of a horse than a realistic one. I started off painting very traditionally, going to art school in NYC at Parsons School Of Design, but over the last few years, my interests and focus have changed. I am also shooting photographs a lot aside from the physical paintings and drawings.

The visceral feeling I get from Iceland, and horses in general, I have been trying to capture in my paintings for a while now. I am painting an emotional reaction rather than a visual one.

Your nude self-portraits alongside the horses are immediately striking. What brought about the project?

Putting myself into images with the horses came slightly after a lot of the foundation for my work about nature and horses already existed. I begin placing myself into images as a means of self-examination. I grew up feeling like an outsider socially and didn’t have a lot of confidence and carried a lot of doubts so it started really as a means of exploring these personal issues and trying to understand why I was insecure or lacking confidence.

Then it evolved into more of a means of wanting to be part of the pack with the horses. Philosophers like Thomas Hobbs and his ideas about man always interested me. Man being an animal, having primal instincts and not being separate from nature but just an element in a large ecosystem.

How do you think that man and animal intersect? What does running naked with these animals bring out of you?

Like I mentioned above, I think man’s natural instincts are still very much primal and animalistic. On a basic level, I think we are still very much animals, and the overlap is mostly an instinctual one. Running with the horses, or interacting at all in this way, is not quite as romanticized as it appears to be.

All the shooting in Iceland and other parts of the world where I have traveled is more work than anything else. Once you put yourself into these landscapes, especially harsh environments, it becomes very tough on myself and the human body. I find locations and go shoot and sometimes I don’t like the images or I find a few that work. It’s really trial and error.

It’s often a somewhat brutal experience, and I have had a few instances shooting falling, getting kicked or stepped on. It’s hectic and real and not quite as carefree and poetic as it can sound. The end result is what matters, and even in the toughest experiences, there’s always an element of adventure and unknown because it’s controlled only to an extent. Nature is really in charge and the horses. There’s an element of calm and connection that is very satisfying mentally after working through a freezing cold day or something very harsh on the human body and mind.

You mention the series being a method of self-reflection. What did you personally take away from the experience?

Yes, well the origins of self-portraiture for me are self-reflective in nature and I certainly was trying to sort out insecurities and, in a way, prove to myself I didn’t need to feel this way or carry these emotions around with me. I also feel as though horses were my bridge to nature, something I was comfortable around, and so they were a natural addition to the self-portraits.

I learned a lot about myself, both good and bad I think, during the process. One thing I always wanted to be clear about was I was not exploring vanity, a path driven by ego. So, none of my photographs that involve myself were taken during a high moment in my life. I think almost all of them have been during some form of frustration or internal struggle which helped me deal with some long-standing issues or insecurities I may have had.

Of course, this body of work also led to other interests within it. For awhile I began to want to be one of the horses, not a man posing in their midst. And then, of course, the bigger perspective on social and human instincts and how it has shaped society today, and most importantly, how it shapes our relationship with nature. This is probably even more relevant now with the concerns about our environment and our impact on it.

Society is now so often used to the female nude, even though historically the male nude was a regular part of the art historical canon. Can you talk about the influence of Greek sculpture or Old Master paintings in this respect?

This is a great question actually, and I’ve been reflecting on it for a long time because indeed the female nude is far more mainstream in contemporary art and the male nude has very much part of the past and often not as widely accept as “serious” art these days. For me, I spent a lot of time in Europe and lived in Greece for a few years when very young and have been reading about the Greek myths and looking at classical sculpture. I am undoubtedly influenced by this even subconsciously.

Today classicism in contemporary art is rare.  Conceptual art, in my opinion, has become the central focus. For me I think it’s very important to have a foundation in learning and being proficient technically I very much admire the large-scale works I learned to paint and draw. I first began to paint huge life size horses, but very stiff and static and slowly that has evolved into this loose line work and mark making that is more about the emotional and energy of the animal than a depiction.

Michelangelo’s David, I still think, is one of the most impressive sculptures I have seen and being exposed the male nude in classical art I never really doubted the relevance of me being a man and putting myself into specific images. When I began to play sports and workout, which I started very young, I found the relevance of not just using this work as an exercise in self-examination of so many social issues I had, but also I felt I could come closely to resembling the art I saw growing up. And also try and adapt this idea of man and animal—trying to compare my body with the horses side by side etc.

I also have some work just me that is posed very sculpturally. They are meant to be very large prints and conceptually to be a contemporary take on some of the old classic paintings that were life-size or even larger than life. My photographs of horses, nature and myself are meant to be seen in this way. Scale is important and, I believe, putting that into context is of the utmost importance when talking about this work. 

Do you have any upcoming projects you’d like to share?

I am working on a book about my adventures in Iceland from an intellectual art perspective, but also a personal story perspective, compiled full of sketches and journal pages along with the more finished images and photographs. I hope this type of work that focuses on man’s complex relationship not just with horses, but nature in general also brings more attention to the natural world we are part of and how much we need it and have to find a balance and not try and conquer everything.

Nick Turner: Website | Instagram

My Modern Met granted permission to use images by Nick Turner.

The post Interview: Artist Who Runs Naked with Horses Shares Why These Animals Are His Muse appeared first on My Modern Met.

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