#don’t think of that as normal okay

[kitteecassee]

shout out to the babes whose pussies don’t get wet, we’re absolutely feeling the moment and the chemistry is hitting but sometimes the bod does not compute-

sometimes we’re ace/on the asexuality spectrum, sometimes it just doesn’t happen and YOU KNOW WHAT

shout out to us, the grip is still heavy gripping we just need some lube and there ain’t nothing, NOTHING wrong with that!!

don’t allow anyone to tell you differently okay, fuck all that SHOUT OUT TO US 🖤

[hilsonamore]

i don’t get people who don’t ship hilson because like- what more evidence would you want to convince you that they were in love with each other? Seriously, apart form the kiss and the canonical sex etc etc, what more is there? Love confessions? Done. Over-protectiveness? Done. Self-sacrifice? Done. Longing, loving stares? Done. Everyone else being aware of the tension between them? Done. Taking care of each other during difficult times? Done. Being silly and cute only around each other? Done. Always, even after the worst of scenarios have taken place, coming back together? Done. Literally not being able to function normally if the other is unwell/ there’s a rift in their relationship? Done. Being protective of each other when someone dares insult them? Done. Giving up their EVERYTHING just to be together? Done.

Like, WHAT MORE IS THERE?

[blossoms-phan]

many people are afraid to be real lovers. dan and phil are not

[leapdayowo]

Angst!

Close up and process pieces:

It’s bizarre to think that Loop went from ‘yeah they’re a pretty neat character but not my fav’ to I NEED-I NEED TO SEE THEM IN FICS AND ART! I have a few paintings now of them I’ve done, but have also started a short (ish) comic about them, Siffrin, and the King (post isat)

soooooo, if that sounds neat and if you like my art and want to see behind the scenes stuff, check out my Ko-fi :3 anyone who leaves a tip will see some WIPs and sneak peaks of projects before they get posted

[demeterdefence]

every time someone mentions the art quality in lore olympus i immediately default to the juxtaposition between these two panels

colour! nuance! depth! detail!!! both men have clear design choices and their rage is depicted both in their eye colouring and body languages! overlay texture is present but hasn’t yet reached “holy god turn up the transparency for the love of god” levels yet

literally looks like fanart made by someone who actively despises the series. ZERO depth, loss of details, that overlay is literally beating my ass in my own home it’s so overpowering.

art styles change and evolve and an artist will develop new styles and techniques as they grow, but lore olympus was literally a total degradation of skills viewed live. it was like rachel figured out how to kind of draw one guy and by god we were going to know it. the details that marked early lore episodes - gorgeous colour choices, composition, shading, soft details - ended up getting completely tossed aside in favour of the same two png cutouts pasted in various tiktok outfits over and over. it’s calarts if they had gotten a multi million dollar webtoon deal

[fumifooms]

thanks for infecting me with marchil its so so fun to just see them pair themselves up in the background now

especially love how much she picks him up like a cat (and when he has the opportunity to do it to her too he just lugs her around like a sack of oats) gosh i love them they're so funny

YAAAAAA 🎉🎉 I’m so glad to hear it welcome to the sillies corner 🤝

THEY’RE SOOO SO FUNNY

They’re worsties that cannot get enough of each other

[kelpermoosee]

C͙a͙n͙ y͙o͙u͙ p͙l͙e͙a͙s͙e͙ d͙r͙a͙w͙ k͙i͙n͙g͙ b͙o͙o͙ a͙n͙d͙ L͙u͙i͙g͙i͙'͙s͙ c͙u͙d͙d͙l͙e͙i͙n͙g͙ o͙n͙ a͙ r͙o͙o͙f͙ t͙o͙p͙ a͙n͙d͙ g͙a͙z͙i͙n͙g͙ u͙p͙ a͙t͙ t͙h͙e͙ n͙i͙g͙h͙t͙ s͙k͙y͙

YES, I CAN INDEED! Thank you for such a cute prompt! (Made everything a little sillier though, they deserve it ★)

[steddieas-shegoes]

Things I’ll never write because I lack the time to devote to it:

Corroded Coffin makes it big in the early 90s, and sure they get mistaken as a “grunge” band occasionally, but if it puts them in arenas then they’ll be grunge sometimes

Steve, of course, goes on tour with them because why wouldn’t he follow Eddie across the country (eventually the world)?

They have groupies falling all over them after every show and Steve just laughs about it because Eddie is so ridiculously in love with him he doesn’t even notice the women half naked in front of him in the autograph line

But he does notice that Gareth is just as avoidant, blushing when any attention is on him, but never does anything beyond a polite smile and autograph

Eddie tells him it’s because he’s never even kissed someone before, that he’s always been a romantic at heart who thinks the first time should be “special” (insert fond eye roll here) and Steve actually feels bad for him

Because how will he find that on the road? He has women coming up to him every night, but none of them would be “special”

Steve thinks for weeks, and Eddie knows something’s up but doesn’t ask. He knows Steve will come to him when he’s ready

And then after witnessing an especially awkward encounter between Gareth and two fans, he finally pulls Eddie aside and asks “what if we could make it special for him? Get it out of the way?”

It’s a hard sell at first, and Steve knew it would be

That’s one of Eddie’s best friends, they’ve been best friends for nearly a decade

And he’s so protective of his relationship with Steve, of their dynamic, possessive in a way that would probably be unhealthy if they hadn’t literally almost died together

But he realizes that Steve’s right, Gareth will never make a move on someone until he’s sure they’re right for him and that won’t happen on tour

And Steve was perfect for their first time. He’s patient and gentle, even now, even when they’re in a rush on the bus before everyone gets back

Eddie offers and Gareth just laughs, but it dies out when he realizes he’s serious

He asks a lot of questions, and he takes days to decide, avoids them both so he can make the right decision for him

But he knows they’re right. They’d be perfect for his first time. He knows it’s stupid to put so much weight into something like sex, but it’s just that he wants it to mean more than rough fucking on the couch of a bar’s back room

So he agrees

He agrees as long as they’re both involved and it doesn’t just turn into one of them fucking him or getting fucked by him. He can’t deal with either of them getting jealous or being mad at him

So they agree

And the next time they get to stay in a hotel, Gareth skips getting his own room so he can have the first time he’s always pictured, even though it’s definitely not who he pictured it with

[authenticcadence18]

FYI:

I do not think Phineas and Isabella will “break up” or anything of that nature in the new seasons.

At most, Isabella’s crush might take a backseat to some of her other character traits such as her being a leader, her snarky side, etc. Similarly to how they wrote her in Candace Against the Universe. They chose to explore other aspects of her character in the limited runtime of movie, which I fully support. But now they’ll have two full seasons, I highly doubt her crush won’t come up in some aspect.

The pnf writers know phinbella is a popular ship they would not sabotage it. I also suspect we might see Phineas’s side of things more, since the original show was lacking in that regard (and I suspect the crew have seen some of our critiques of “Act Your Age” and will not want to repeat that).

if you see me posting sad phinbella breakup content! that’s an au!! I don’t want them to “break up” in the show (I put “break up” in air quotes bc it’s unlikely we will see post-relationship phinbella in the show at all). I just think breakup head canons are neat and interesting to explore. There’s the canon timeline, then my chfil timeline (spoilers: they aren’t going to break up!!), then my breakup timeline. And then allllll the other timelines from other fic writers!

I can tag the breakup content if anyone would prefer not to see it! bc I would like to post more haha.

[atopvisenyashill]

cregan’s issue is the same as corlys which is ya kno never seeing his girl heir as an heir period. so just like corlys brings marilda’s boys to rhaenyra to legitimize instead of pushing for baela or rhaena to inherit, cregan decides to remarry for a THIRD time even though he has a granddaughter and SEVERAL daughters who could inherit. they’re perfectly happy to bow to a woman when it’s convenient, when it fits into their own honor codes and benefits them, but when it comes to their own families, their own legacy, only a man is good enough. when it comes to the it it’s like - aegon the younger has BEEN heir, and was already named the next king by the time cregan gets there, BY corlys, who goes along with the green style inheritance of saying aegon iii is aegon ii’s successor through daemon’s line, likely imo bc he just wants the war to stop and thinks getting rhaenyra’s last son on the throne is good enough (bc he doesn’t get it!! it’s why he pushes rhaenyra to name men over women with better claims during the dance; he’s not about disrupting the system, he only supports rhaenyra bc it benefits him!).

baela isn’t being denied the crown because not a single person including baela herself thinks she’s a viable contender and that’s the result of aegon ii being the last monarch & adult targaryen alive in the capital, and not anything cregan or to some extent, corlys, does; jaehaerys’ ideology is what the greens are fighting for and jaehaerys’ ideology is what wins and the person to blame for both jaehaera & baela not being viable contenders for the throne is aegon ii himself. but jeyne arryn is right there!! too bad it doesn’t matter, bc in a situation where cregan and corlys actually do have the power to go “i have the ability to just support my girl heir” they choose a boy. it’s just like cat says it’s just like borros lord misogynist himself says - a daughter is nice but ahhh a son. a son is more important!

[selfinserttothestars]

I made him a greaser 👉👈

[hplonesomeart]

Hey. Sorry about the inactivity, but pretty sure no one cared that much anyways lol. Been a looooong time since I kept that distant from Tumblr…at least now I know I’m able to survive without checking posts every day/being chronically online! I’ve got an intense love-hate relationship with this lifestyle I’ve dug myself into. Think I’m getting a little bit better with the balance even if school isn’t really giving me an option. Got a load of work I need to keep catching up on if I don’t want to disappoint my professors. We’ll survive somehow. Here take a quick batch of Puzzle doodles k bye

[luna-the-cretar]

Me: I am going to be normal about Shepherd and Sarnax’s dynamic

Also me, listening to the end of chapter 5: …fuck

[anna-scribbles]

h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work

unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion

[sunnydayaoe]

Diddd some, birds art :)

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.