#domestic!carmen berzatto

[neonovember]

So I currently have food poisoning and I can’t help but it think how mad Carmy would be if a restaurant gave his gf/wife food poisoning

Also Carmy come take care of me and make me soup plz 🙇‍♀️😫

Plus he would give the best snuggles 😭

firstly, sending lots of love and recovery, i've never actually had fp lmao so a lot of time on webmd will be spent. get ur fluids in! secondly, carmen might have to go underground for setting the restaurant on fire. we love him for it

summary: You were hungry and had just finished work and you didn't think about inspecting the goddamn Michelin star restaurant, maybe you should have.

warnings; cursing, food poisoning, richie (he's a warning), hipsters, talks of future arsony, possessive carmen, cracked fic ngl,

divider by @firefly-graphics

i'm slipping back into the unsafe territory of wanting fictional characters. (and i don't care)

You could roll your eyes in annoyance if you weren't hunched over the ceramic bowl of the toilet heaving out the contents of your stomach while Carmen held you hair back.

The one time, the one goddamn time you decide to try a new place without Carmen's input, without his meticulous standards and in depth research behind every night out.

It wasn't like you hadn't tried to vet the new braised beef spot that opened up on west Avenue. In fact, you had heard all but stellar reviews from friends and family, meeting you with suprise hearing that Carmen hadn't taken you. You decided to bring home a small plate, their signature braised meat with plums, red onions and atrichocke hearts.

You had meant to share it with Carmen, and you were going to, but a botched catering order had him staying back another hour than what had been planned. And well..you say you tried to save some for Carmen, but despite its bacteria laced beef and vomit inducing sides it was pretty fuckin' good.

Was this God's wrath coming down upon you? Punishing you for your gluttony? Food poisoning did feel awfully close to perpetual hellfire.

The TV was blaring some indescriptive show, the kind with dramatic introductions and soap opera worthy screams. It helped fill the space of absence when Carmen worked long nights, and you felt quite comfortable wrapped up in a blanket with a full stomach and a warm sofa.

Your phone had pinged with the sound of Carmen's text, letting you know he was on the way when it started. At first you had written it off as mere indigestion, probably from shoveling the cursed meal into your mouth too quickly.

Then, around the time the show's main character had found out her boyfriend got her mother pregnant, the nausea set in. Swirling aches that felt like a whirlpool in your stomach had taken over, sloshing and swirling and never leaving. You couldn't mistake it, as you tried to swallow past a dry throat and the creeping sweats of a headache inducing fever began to ravage your body.

You hated sitting in discomfort, it wasn't as though you were afraid of vomiting no, you just could not bare to feel the way your stomach skipped and jumped with every wave of nausea that took over.

You thought of making yourself sick, but shook your head when the alarming disapproval of Carmen's voice loomed over.

"It's just gonna make it worse, you gotta sit with it till it passes"

Fuck him and his medical knowledge. What did he know?

You had ripped off the blanket that had once felt comforting, peeling of layers of clothing that stuck to your body like a second skin. You just felt hot, so hot, is anyone else feeling this heat? You try to move from the couch to reach your phone, but the sudden movement has nausea bubbling up your throat.

You fall to the ground in a heap, hand clasped around your mouth to stop the possibility of projectile vomiting on the rug you had just bought and shoot your hand up to reach for your phone.

You press Carmen's number, begging him to answer you in genuine crisis rather than when you were drunk with friends and missed him. You feel the urge to heave and crawl quickly to the bathroom, phone clasped in hand and suddenly desperately needed his medical knowledge.

Carmen phone rings from the behind the stack of documents in the office, and he hastily wipes his hands across his apron before trying to reach it before it rings out.

Guilt fills his stomach at the thought of you, he was meant to be home hours ago. The catering order needed a few extra hands to help, and once Carmen began he got lost in it, and now you had spent nearly the entire night alone.

"Fuck- Hey baby, I know I said I was comin' but I had to finish a couple things-" Carmen quickly responds as he swipes the call button.

The groan of pain that responds has Carmen freezing in the middle of the kitchen.

"Baby? What-, are you okay?" Carmen replies quickly, his voice going short as his mind turns every possible scenario that had you whining in pain over the receiver.

"Please come quickly, Carmen I think I might-" You gulp and make a retching sound "I think I got sick from that place I was telling you about" You plead out, breathing heavily into the speaker.

The guilt that had filled Carmen seems to morph into an anger that rushes up his chest as he shakes his head.

"The new place? The one with the fuckin' smoke meat? They did this?"

"Mhm" You mumble "I should've just listened to you" You groan out in sadness.

"Fucking idiots. How the fuck did they even? Okay, okay honey just gimme a second yeah?"

How did he let this happen? Carmen has half the mind to stop at the restaurant that more of a Instagram attraction that a respected place of business. You were so eager and excited t try it, Carmen had his own thoughts but would glue his mouth shut if it meant making you happy.

He'll make sure they get shut down, or at least black listed from Chicago as long as he's concerned. His hands shake with the eager want for the fight, to smash someones jaw for resorting you to a heap of tears and sick. He would, he knows he will, but at this moment he needed to take care of your first.

He mumbles out a rushed reply, phone between his shoulder and ear as he slips out of his work shoes and into his sneakers. He thinks for a moment to grab his things but immediately shut that thought out when he hears you groaning into the phone.

"Just stay on the phone okay? I'm coming now, I need to get you some things alright?"

You let out what you hope is a reply, hunched over the toilet.

Carmen rushes to the store fridge, grabbing containers of soup Tina had prepared for family as the Chicago winter was getting close.

"You alright kid?" Richie mumbles, walking into the kitchen entry way, scratching his stomach as he watched Carmen's erratic movements around the store.

"Fuckin-, she's sick. And I'm here chopping up tomatoes for fucking Guy while she was in pain for god knows how long-"

"Woah, Bugs sick? We talking COVID or.."

"I'm such a fucking idiot. No it's not COVID Rich, Jesus Christ. Some rookie new spot trying something outside of their abilities gave her food poisoning. Fuckin' hipsters"

"Oh that's bad. You know when I got food poisoning the one time I took Tiff to this romantic getaway. Had me projectile vomiting in the AirBnb bathroom. Couldn't even get a deposit back, had to pay some dumb ass cleaning fee-"

Carmen wipes a hand across his face shaking his head. He was already pent up, he might throw a pan at Richie if he doesn't stop talking.

"Richie, I don't have time for this, I need to get her some Sprite or"

Richie shuffles across to the cupboard near the back of the house, grabbing bottles of Gatorade and a pack of saltine crackers.

"How do you even have this stuff lying around"

"You're the one with the inhuman alcohol tolerance Carmy, someone of us actually have hangovers you freak" Richie retorts

"Yeah yeah, thanks. Fuck- I gotta" Carmen replies, to which Richie nods.

"Go. I'll wrap up anything here" Richie replies, understanding in his voice. You took precedence over pretty much everything in Carmen's life.

"And Carm?"

"Yeah?" Carmen calls out, slipping on his jacket as he turns to Richie

"Tell me when we're going to sort out those bearded wearing flannel ass wipes"

Carmen shakes his head with a smile, before nodding and pushing past the kitchen doors. The traffic lights better be green green fuckin' green tonight.

You were stripped to a singlet and sleeping shorts as you knelt over the toilet, blinking back exhausted tears at the state of you.

You suppose you have no one else to blame but yourself, but the indignation righteousness burns almost as bright as the acid reflux crawling up your throat.

You hear the faint opening and loud clang of the apartment door opening and closing and you sigh in relief as you hear the familiar footfalls of Carmen down the hall.

It had felt damn near torturous suffering without him, and as he calls out to you following the trail of loose clothing he spots your figure in the bathroom sprawled.

"Oh honey, I'm sorry" Carmen says

And it was as if your body needed to finally feel safe in Carmen's presence before you felt the nausea spill out of you and splash offensively into the toilet.

You feel Carmen crouch above you, dragging your hair that had gone loose from it's wrapped up do away from your face. Gently rubbing your back, his large hands softly dipping up and down your spine.

"That's it, 'atta girl. Let it all out" Carmen coo's softly

You purged the insides of your stomach into the toilet bowl, retching loudly with every heave as Carmen comforted you. After what seemed like hours, and the nausea had subsided Carmen carefully wrapped his arms up under your armpits picking you up of the floor.

"Slowly, yeah? You damn near emptied out you're entire water content" Carmen murmurs, flushing the toilet and helping you walk to the basin and wash out the taste of bile from your mouth.

"I probably look insane" You cry out, blinking back exhaustion from your eyes as Carmen shakes his head furiously.

"Never, my pretty girl. Need you to go easy okay? Gonna take you to bed and let you sleep through it. Can't have you collapsing on me" Carmen murmurs, wiping at the edge of your mouth, patting the sweat that stuck to your forehead.

You let Carmen carefully maneuver your body, one arm under your legs and the other supporting your back walking to the bedroom. Your wring dry and can barely keep your eyes open as Carmen placed you on the cool sheets you immediately moan at.

You hear the faint rustle of movement as Carmen brings in a paper bag. The clunk of bottles placed on the bedside table as you sing praise for the very short bit of relief you have before the next bout of nausea rolls in.

Carmen pads to the adjacent bathroom, the door opened so you can see the stream of light that illuminates him. Hes running a cloth under water, squeezing the excess and looking up to check on you every so often.

He looked so...domestic, like he hadn't come back from working at one of the most decorated restaurants in Chicago. Stripped of his shirt so he stood bare chested, golden curls pushed behind his ears, sweatpants hung low on his hips and the furrow of his eyebrows in concentration and worry.

Your eyes flutter shut as you thank the midnight sky for bringing him to you, for keeping him for you, this one good thing that was yours.

The skies answer by the sound of his voice listing off all the things you will not be doing in this stage of recovery. Sitting on the edge of the bed as he places the cool rag against your forehead, lips between teeth as he feels your temperature under his skin.

"Just bone broth, Gatorade and bread sticks for you, doll. And no, before you even think it, its not the garlic ones." Carmen tsks.

You were thinking it. He knew you too well, but when he kisses your eyelids and measures out careful tips of the Gatorade bottle, you don't mind it.

[purposechef]

bear hugs: a compilation

[0-n-1-x]

Masterlist!

my archive of my stories <3 ( all stories are labeled with indicators and trigger warnings if any)

My Domestic Jason Todd Series

My Damian Wayne masterlist

My Hiro Hamada masterlist

My Haikyuu! masterlist

My The Bear masterlist

My MHA masterlist

My Ultraman: Rising masterlist

My Shameless masterlist

My ATLA masterlist (in progress)

[currymanganese]

Is it just me or was the ending family meal in Braciole an allusion to Norman Rockwell's 'Freedom from Want'?

With Sydney back in his life and with a final benediction from Michael, did Carmy feel he was no longer suffering deprivation, that he wanted for nothing more? Note Mikey's knowing smile at the camera and the cheeky smiling figure in the lower right hand corner in the painting.🥲

From Wikipedia:

"Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms series of four oil paintings by American artist Norman Rockwell."

"The painting shows an aproned matriarch presenting a roasted turkey to a family of several generations, in Rockwell's idealistic presentation of family values. The patriarch looks on with fondness and approval from the head of the table, which is the central element of the painting. Its creased tablecloth shows that this is a special occasion for "sharing what we have with those we love", according to Lennie Bennett."

[livelovecaliforniadreams]

[gingergofastboatsmojito]

Logan Berzatto

Am I delulu? Yes.

Did I find parallels between Logan Wolverine and Logan Berzatto? Also yes.

Hear me out:

So Logan Wolverine is a lone wolf and constantly fighting the "beast" within him, has communication and anger issues and he blames the beast within him for his wife's death, and that guilt eats him away inside, he's highly traumatized since she died.

I have already mentioned that Carmy's whole arc is basically this:

And that Guilt is one of his main drivers:

Trauma is another:

Plus, "his nature" is affecting Syd, not killing her Marvel style, sure, but she's not loving it either, am I right or am I right?

And also, Logan Berzatto is not real, just like Logan Wolverine, whose real name is: James Howlett.

That's another reason why Carmy could escape the benign narcissist’s trap (at least for now) because she went for Carmy, but he served her Logan and Logan is not real.

That being said, I watched ALL the movies and this show for the plot. OFC.

[thoughtfulchaos773]

Headcannon, when Carmy gathers the kids for school.

Hedcannon, when Mom and Dad cook Sunday dinner:

[variousqueerthings]

i feel like the funniest thing about the bear s2 for me vis a vis the odd romance plot (and trying to figure out why it was done in the precise way it was) is that the closest we got to a sex scene if I'm remembering correctly was a strange purple-lit under the covers couple of flashes of difficult to decipher limbs. they coulda just been wrestling or hanging out, hell it coulda just been him in there or a piece of his imagination or a very windy day. the lack of attempting to inject sexual passion or chemistry into their relationship was fascinating and not because they were trying to give us ace carmen (rip that would be actually great). just threw out A Girl Template and did the absolute barest minimum to remind us she exists and "is great" according to occasional reviews from other characters and completely neglected to write. chemistry.

[violentdelightsandviolentends]

hey!!

could i maybe get a roommate fic where carmy’s getting ridden and about to come and has no filter so it slips out that he loves her

Baby, Please.

it’s been on the tip of his tongue for too long. it was only a matter of time.

roommate!carmen berzatto x female reader

warnings - smut. cursing. carmy’s a bit pathetic at some points in this (you’re welcome)

word count - 2.4k

authors note - ah shit, here we go again. I always end writing carmy as a little bitch in these, sorry lmao (i’m not). but here it is!! a love confession!! will they ever talk about anything, I hear you ask? we’ll see…

as always, reblogs, comments and feedback (even anonymous feedback) are immensely appreciated!! your reblogs are the only way to circulate my fics, which keeps me going <3

series masterlist. masterlist. inbox.

Carmen automatically smiles when he hears your keys clinking against the lock in the front door.

As soon as he clocks it, he rolls his eyes at himself. You’re not supposed to get butterflies in your stomach when your roommate comes home on a random Thursday evening.

And yet here he is, sitting on the couch, trying to play it cool - as if he hasn’t been waiting for your return for the last hour and a half.

You’re usually back from work before he is, and suddenly he’s grateful for it. He couldn’t do this everyday. Sitting, waiting for you to come home as if you’ve been gone for months rather than nine or so hours. The apartment feels a little bigger, a little colder without you in it. Carmy wonders how he lived here for so long without you.

You swing the door open, kicking off your shoes instantly. Throwing your bag onto the counter, you take in the sight of your home. It’s clean, tidied, more organised than you’ve seen it in a while. Carmy’s been putting the work in while you’ve been gone.

“What happened, Carmen? Are you okay?”

“W-what?”

“Were you stress cleaning?”

He laughs, all full and warm.

“No, babe. Just regular cleaning.”

He rises from the couch, coming over to press a kiss into your cheek before slipping your jacket off your shoulders and hanging it up behind you.

“Carmen, what’s that smell?”

“Tomato and basil slow baked rigatoni. Homemade garlic bread. And then, if you have any room left… my homemade snickerdoodles.”

“Did you… cook for me?”

“Yes I did, baby. It’s the least I can do after you’ve been at work all day.”

It’s all so domestic, so thoughtful, so heartfelt, that you don’t know whether to laugh or cry. You step forward into his space, looping your arms around his neck and pressing a kiss to his lips. He grins at you when you pull away.

“What was that for?”

“A thank you,” you whisper, kissing him again. “I really won the roommate lottery, huh?”

“We both did,” he chuckles, covering your face in kisses while you squirm in his arms.

Eventually, he lets you go, but not before raking his eyes up and down your figure very slowly. He takes you in - your work clothes, the way your hair is falling out slightly, your bare feet. As much as you want to let him devour you, you’re starving. A different kind of hunger to his.

“Dinner first. That after.”

“What after?” he plays coy, trying to fight the smirk off his face.

“Don’t play dumb, Berzatto. It’s not a good look on you.”

With that, you leave the kitchen to get changed, laughing as you go.

✵  ✵    ·　 ✵ 　　 *  · ✵

You sink further into Carmy’s side on the couch, trying desperately to pay attention to the vintage sitcom that’s playing on the TV.

All you can focus on are the rough fingertips tracing patterns on the bare skin of your thigh. They keep getting higher, brushing the seam of your pyjama shorts occasionally. Every so often, Carmy leans in to press a kiss onto your temple, into your hair, behind your ear. You rest your head on his chest, soothed by the steady beat of his heart.

“That was the best meal I’ve had in a long time, you know.”

“Yeah?”

“Yeah. I could eat that pasta every day for the rest of my life and die a happy woman.”

Carmy laughs, and the sound rumbles through both of you.

“I don’t cook for you often enough.”

You sit up, then, turning in your seat to look him in the eyes.

“Carmen. You cook for me almost every day.”

“Yeah, but… not really.”

“What the hell are you talking about?”

“Most of the time when I’m cooking at home, I’m trying a new recipe, or perfecting an old one - for the restaurant. And then we both eat it for dinner. But tonight, I actually picked a recipe I knew you’d love, and made it for you. Because I don’t cook for you often enough.”

You lean in to press a gentle kiss to his lips, smiling as you do it.

“You know I don’t mind either way, right? Whatever you make is always delicious. Except for that weird duck mousse from last week. That was… awful.”

He shoves you playfully, laughing when you topple backwards onto the couch cushions. Climbing onto you, he digs his fingers into your ribs, chuckling as you try to squirm away from him.

“Stop, before I kick you in the stomach or something,” you plead, wrapping your legs around his waist to try and keep him still.

When that doesn’t work, you resort to dirtier tactics. You roll your hips up into his, watching as his face changes when he realises what you’re doing. The tickling stops, replaced by fingertips gripping your sides in a completely different way.

“Fuck,” he murmurs into your neck as he drops his head down. “You know exactly what you’re doing. Minx.”

“Well you wouldn’t stop, so…”

“You’re usually telling me not to stop, honey. ‘Oh, Carmen, don’t stop baby, don’t stop’…”

You laugh as he mocks you, half in disbelief, half in amusement.

“You’re such a dick.”

“You still want me though, huh?”

The atmosphere in the room shifts, tension thickening in the air. Carmy’s eyes go dark as he looks down at you, gaze raking across your face. You nod in response to his question, chewing at your bottom lip.

“You gonna let me thank you for dinner properly, Berzatto?

Who is he to say no to an offer like that?

You tighten your legs around his waist and pull his hips down to yours, flipping you both over on the couch. You settle with your thighs on either side of his, your weight keeping him anchored down to the cushions.

“You look so pretty underneath me,” you whisper, tracing the features of his face with your gentle fingertips. “Pretty, pretty boy.”

Carmy’s hips buck up into yours at the praise.

“You’re so fucking predictable,” you giggle as he groans. “You love this, don’t you?”

“Love what?”

His voice is all strained and breathy already, and you can’t help but laugh.

“Being my bitch.”

He chuckles and rolls his eyes, but his tightening grip on your waist gives him away. You lean in to press your forehead to his, breathing him in for a moment. Carmy tilts his head up to meet your lips, slipping his tongue into your mouth as you whine.

You tangle your fingers into his hair, melding your lips against his. You let him explore your mouth, winding your hips down into him in a steady motion. You lean back to pull his shirt over his head, yours following suit shortly afterwards and ending up in a pile on the floor.

Carmy kisses his way across your chest, nipping and sucking as he goes. You’re way past the don’t leave marks stage. Neither of you care anymore. You rake your nails down his stomach, smirking when he shudders, goosebumps rising across his skin.

You tip forward to bite at the muscle of Carmy’s neck, licking a stripe up his throat as you go. He tastes like his minty shower gel and cinnamon sugar from the snickerdoodles. It’s the perfect combination to make your mouth water.

He tangles his fingers into the waistband of your pyjama shorts, trying to tug them down. You go to stand up to help him, but the whine he lets out stops you in your tracks.

“Don’t go anywhere.”

“Carmen, if you want my pants off, you need to let me stand up.”

“You can do it here.”

He pulls you back down into his lap, ignoring your raised eyebrows. You manage to slip your shorts and panties down one leg, rising awkwardly on the other to try and get them off. You kick them to the floor, chuckling as you settle back over Carmy’s hips.

“Happy now?”

“Very happy,” he mumbles, reattaching his lips to your jaw. “The happiest. Got the prettiest girl in the world naked in my lap right now.”

Heat rises across your chest at the compliment, head ducking down to avoid his eyes.

“Shut up,” you mutter, tugging down the waistband of Carmy’s sweatpants.

You pull them and his boxers off in one fell swoop, dropping them onto the floor. When you take him in your hand, he reaches out and grabs your wrist, looking up at you through thick lashes.

“Wait, baby.”

You freeze instantly, finally meeting his gaze.

“What’s wrong?”

“Nothings wrong. Just need to get you ready first.”

You shake your head, gentle smile on your face. He’s always thinking about you. Selfless boy.

“I am more than ready, Carmen.”

When he looks at you with skepticism in his eyes, you decide to make a point.

You trail your fingers down your stomach, pulling them through your wetness when you reach it. Sliding a digit inside, you rock your hips, throwing your head back. You can both hear how ready you are, and it makes Carmy groan.

“Oh, fuck.”

He’s whispering in awe, careful not to spook you when you’re so clearly in your own little world. You add another finger, and Carmy has to grip your hips as hard as he can to stop himself from flipping you over and having his way with you.

You remove your fingers and shove them straight into Carmy’s mouth, panting as he laves his tongue around them. You both whine in unison. Always so in sync.

“I’m more than ready,” you whisper into his jaw. “Promise.”

“I believe you,” he croaks, wrecked already. “Please.”

“You’re so pretty when you beg.”

You line him up, sinking down ever so slowly. You want to feel every inch, every ridge, every movement. You don’t want to miss anything.

You both drop your heads back in bliss, chests heaving against each other. You’re adjusting, while Carmy’s trying to get a hold of himself. He doesn’t want it to be over too quickly, but it so easily could be if he isn’t careful. He runs his hands up and down the bare skin of your back, admiring how soft you are.

“You’re so fuckin’ tight,” he says through gritted teeth. “Shit, baby.”

“You feel so good. So big, Carmen. Fuck.”

“Don’t do that.”

“Do what?” you can’t help but tease, running your thumb over his bottom lip.

“Talk like that. Fuck.”

“Oh,” you laugh in fake realisation. “You like it a little too much, huh?”

He leans his head forward to rest on your chest, gasping when you lift your hips up to drop them back down. It’s all so slick, so easy. It’s like you’re made for each other, made to fit together like two pieces of a jigsaw puzzle.

You can’t help but want to push him a little further. He’s always so quietly domineering, so seemingly in control, that you love when he allows himself to fray at the edges slightly. You’d be lying if you said it didn’t get you off.

“So you don’t want me to tell you how you’re filling me up just right? That you’re so big, that you feel so fucking good? That I could sit here for hours? That I’ve never had it like this with anyone?”

Carmy’s hips buck up involuntarily, and you chuckle a little cruelly.

“Baby, please.”

“Okay, Carmen. Okay.”

You press a sugary sweet kiss to his lips before settling your hands on his broad shoulders to give yourself some stability. You set a steady rhythm, winding your hips up and gliding them back down with a clear purpose. Your knees ache, and your hips are being held open a little too wide, but you feel delirious with it, high off the pleasure. It’s good. So good.

“Shit, honey. Fuck. S’good, yeah? So good. Keep going, don’t stop.”

You’ve always found his babbling amusing, but right now there’s nothing funny about the way the sound of his voice pushes you undeniably closer and closer to the edge. You never want him to stop talking.

Carmy moves one hand from your hip to between your legs, rubbing soft but intentional circles onto your clit. It sets your nerves alight, whole body buzzing with anticipation.

You keep your rhythm going, even as it’s getting harder and harder to concentrate. You can feel that Carmy’s close, that he’s sitting on a knife’s edge waiting for you. You realise, suddenly, that you want him to come before you. You want to undo him.

You move one hand to tangle in his hair, while the other settles at his throat. You don’t squeeze too hard, just enough to turn his moans into breathy little ah ah ahs.

“Baby, please. Fuck, so close. So good, honey. You’re so good.”

Your grip tightens in his curls, making him groan. Your hips get faster, and so do his fingers on your clit, the pressure more insistent now.

“Fuck, yeah, that’s it, don’t stop baby. Fuck, I love this. I love you. Keep going, so close. Atta girl.”

Your brain is too lost in your actions to register his words. Instead, you press your forehead to his, kissing him gently in contrast to the violent slam of your hips. This juxtaposition seems to be Carmy’s undoing, his grip on your hip tightening so much you hope it’ll bruise.

He emits the most gorgeous moan you’ve ever heard when he comes, which sends you straight over the edge. You tighten like a vice, whole body shuddering with it. Your climax seems to last forever, every single one of your nerves fried and frayed.

You both come down slowly, foreheads pressed together and lungs heaving. You’re panting into his mouth, smoothing out his hair where your fingers have ruffled it. Carmy’s arms wrap around your back, pulling you in so you’re chest to chest as he presses a kiss to your temple. You sit like this for a while, completely at peace in each other’s company.

Eventually, after what could have been hours but was probably minutes, you break the silence.

“So we should probably talk about the I love you, huh?”

@jazminsjaz @buendiabebeta @kingsqueensandvagabonds

[deunmiu-dessie]

𝑜𝒹𝑒𝓈𝓈𝒶'𝓈 𝓂𝒶𝓈𝓉𝑒𝓇𝓁𝒾𝓈𝓉 ⋆𐙚₊˚⊹♡

started ⸺ 04.12.24 ༉‧₊˚.

last update ⸺ 08.26.24 ˚ ༘♡ ⋆｡˚

𝒷𝓊𝓎 𝓂𝑒 𝒶 𝒸𝑜𝑜𝓀𝒾𝑒? | about me! | side blog ( where i post late night sloppy drabbles and my fav reblogs from you guys! ) | ˙ᵕ˙

𝒸𝒶𝓁𝓁 𝑜𝒻 𝒹𝓊𝓉𝓎 ༊*·˚

( S F W )

simon "ghost" riley - baking with him, a piece of you, simon's punishment, it's you

john "captain" price - domestic husband, first meeting, even a worm will turn

kyle "gaz" garrick - infatuated with you, his world, would u love me if i were a worm?, redamancy

john "soap" mactavish - obsession ⁽ˢᵗᵃˡᵏᵉʳ ᵃᵘ!⁾

( S F W ALPHABET )

john price ♡ 𝒶⸺𝓏

simon riley ♡ 𝒶⸺𝓏 ⁽ᶜᵒᵐⁱⁿᵍ ˢᵒᵒⁿ!⁾

kyle garrick ♡ 𝒶⸺𝓏 ⁽ᶜᵒᵐⁱⁿᵍ ˢᵒᵒⁿ!⁾

soap mactavish ♡ 𝒶⸺𝓏 ⁽ᶜᵒᵐⁱⁿᵍ ˢᵒᵒⁿ!⁾

( N S F W )

price ⸺ 1 2 3 4 5 6 7 8 9

gaz ⸺ 1 2 3

ghost ⸺ 1 2 3 4 5 6 7 8 9 ⁽ⁿᵉʷ!⁾

tf141 ⸺ 1

cod men rambles ⸺ with nsfw visuals

( N S F W ALPHABET ) w/p-links

john price ♡ 𝒶⸺𝓏

simon riley ♡ 𝒶⸺𝓂 ⁽ᶜᵒˡˡᵃᵇ!⁾

kyle garrick ♡ 𝒶⸺𝓏 ⁽ᶜᵒᵐⁱⁿᵍ ˢᵒᵒⁿ!⁾

soap mactavish ♡ 𝒶⸺𝓏 ⁽ᶜᵒᵐⁱⁿᵍ ˢᵒᵒⁿ!⁾

( N S F W )

ghost ⸺ pornstar!ghost x camera!reader ghost ⸺ say, i love you ghost ⸺ the guard dog ⁽ⁿᵉʷ!⁾

ghost ⸺ ( short ) birds of a feather [ one, two ]

ghost ⸺ ( short ) stay [ one, two, three ]

𝒻𝓍 | 𝓉𝒽𝑒 𝒷𝑒𝒶𝓇 ♡ ༘*.ﾟ🧸

( S F W )

carmen "carmy" berzatto - home, lagoon gaze,

𝓂𝑜𝓃𝓈𝓉𝑒𝓇 𝓁𝑜𝓋𝑒𝓇 ⁺｡✩₊✩｡⁺

shade ( sfw )

monster!boyfriend ( nsfw )

dragon ( sfw )

minotaur ( nsfw )

werewolf ( nsfw )

gargoyle ( nsfw )

paralysis demon ( nsfw )

ghost ( nsfw )

( N S F W )

werewolf

ghost

ulysses ⁽ᵈᵉᵐᵒⁿ⁾ ⸺ 1 2

ahn'thu ⁽ʸᵃᵘᵗʲᵃ⁾ ⸺ 1 2

loran ⁽ᵒʳᶜ⁾

elias ⁽ᵛᵃᵐᵖⁱʳᵉ⁾

wendigo

goblins

drusyn ⁽ᵃˡⁱᵉⁿ⁾ ⁽ᶜᵒᵐⁱⁿᵍ ˢᵒᵒⁿ!⁾

caspian ⁽ᵈʳᵃᵍᵒⁿ⁾ ⸺ 1

kallisto ⁽ᵛᵃᵐᵖⁱʳᵉ⁾ ⸺ 1 ⁽ⁿᵉʷ!⁾

( S F W )

nim'xen ⁽ᵃˡⁱᵉⁿ⁾

𝓂𝒾𝓈𝒸 ₊˚ෆ ˘͈ᵕ˘ֶ͈֢

mitachurl ( nsfw )

multifandom imagine ( sfw )

[purposechef]

personal space, what's personal space?

[0-n-1-x]

HIATUS OFFICIALLY OVER CHAT

GIVE ME SOME REQS PLEASE

[yannaryartside]

Okay, @dearpyramus in the sydcarmy context I had some thoughts of Dad Carmen:

1- he is in charge of dressing their toddlers (in my mind they have twins, boy and girl) and he is such a fashion obsessed dad, this toddlers going into daycare witch matching denim jackets (that he made), scarfs for the girl and cool shoes for the boy. He expends the night before choosing the outfits with them. Sometimes, for baseball games, the 4 of them have matching outfits.

2-he learns to do their babies’s hair and it’s one of the things the kids most love to do. Wash day, their heads in the kitchen sink, a book on their hands while they talk to dad about that they learned.

3-the kids are very creative, so Carmen has to keep up in going to the craft store. They woke up one day by the twins painting each others face for a Halloween party while watching YouTube tutorials. Carmy was beaming with pride.

4-Carmy will “kidnap” the twins from their crib to have them sleep in his chest.

once again asking for some dad!lip (or even dad!carmy) thoughts because I’ve had a shitty week (it’s only Wednesday)

[carmenized-onions]

I Want To. | Wellness Check

logline; Such is life, you go from not being needed at The Bear today to being more needed than you ever have been.

[!!!] series history, this is the fourth; First, Second, Third

portion; 4.7k+

possible allergies; a dash of Tony's former paramedic background (and just medical shit in general) in this one, so, a sprinkle of post-trauma stress (and her usual yikes psyche). Mikey comes up a bit, as usual! despite the ops, we ball.

pairing; Carmen ‘Carmy’ Berzatto & Fem Reader (pretty unavoidably gendered episode, mb non-fem folks)

we'll talk after babe, have a good time w/ this one.

Falling asleep was easy— par for Carmen fighting to keep his 6:30 am alarm on. When he finds out you don’t have a plug on his side of the bed and he has to charge his phone on your side, he turns it off. Cute.

Well, there’s also the part where you had to ask if he was okay because it sounded like he wasn’t breathing and it turns out —He was not breathing— He then pointed out that it sounded like you weren’t breathing —You were not breathing— Both of you thought the sound of your lungs would bother the other, so you opted not to use them at all. Turns out, counterproductive; you notice each other’s absences pretty well.

But besides that, it's easy. Carmen isn’t an awful bedfellow. He’s not super shifty, he doesn’t tug the blanket, he doesn’t roll all the fucking way over to your side, or anything like that. He’s honestly concerningly still. Is he annoyed that you’ve gotta toss and turn a little to get comfortable? Probably. He's probably dreaming of you exploding right now, he’s so annoyed. He didn’t make fun of your ages old build-a-bear plush nor it’s Cubs jersey, so that was nice. Pity, probably.

...If Carmen wasn’t here, he knows he’d be stirring and kicking and probably sleep-walking to his oven to light it on fire. But he is here. Where kicking would hurt. Where stirring would wake you. Where a fire would cause more anxiety than relief because all your plants and projects would die. Where you washed his hair and told him that taking care of people doesn’t feel like a lot of work to you. Was it not a lot of work, to take care of his brother? Was it worth it, to you? Probably not. How could it be?

He wills his body to not fucking move because if he does it's going to ruin everything. He's going to ruin everything.

He wakes up at 6:30 on the dot, alarm or no. He’d be concerned if his body functioned any differently. But he can’t get to his phone while you’re sleeping in his way and you’re so comfortable. You’re clutching a bear that’s undeniably on a losing team and you’re at peace with it. He’s trying not to make a metaphor out of this in his mind; alas, it’s already there. The only thing he can do is go back to sleep and dream about killing the teenage boy in his head before he can escape again and call you pretty.

It's around ten when you wake up, you try not to wake him when you turn to grab your phone, but the split second of motion makes him flinch like he’s about to get jumped. “Relax!” You hiss, but like, soft, whispered. “I’m doin’ the fuckin’ Wordle, not smothering you with a pillow.”

“You do the Wordle?”

“Oh, fuck you—”

“The first fuckin’ thing you do in the morning is the Wordle?”

“And I do the Crossword too, bitch, what of it?”

“…I like Connections.”

“I fuckin' hate Connections.”

“Alright, damn!”

The Chicago accent in both of you is stronger in your rasping morning voices. As is the laughter. You roll onto your stomach to get closer to him and let him see your screen. Neither of you have entirely woken up yet and that means it’s the perfect time to do a puzzle. If you don't focus on this puzzle right now, you fear you will get too comfortable in this idea of domesticity.

“C’s in the right place. Nothin’ else though.”

He’s the one that figures out its Cumin. You pretend not to be mad about this. You’re furious. Of course, it’d be a spice on the day Mr Food Guy sleeps over. Bullshit.

When you finally sit up, stretch, and say, “I’m just gonna shower real quick ‘nd—”

He’s at a breakneck speed to reply, “I’ll make breakfast.”

“Oh, you cook all the fuckin’ time, you don’t have to—”

“I want to.”

You blink, then shrug, the man likes to cook, c’est la vie. “Who am I to refuse?”

He looks far too happy about this, as though he’s won a lottery. A lottery of manual labour. He rolls out of bed, grabbing his back pack stuffed with yesterday’s clothes before leaving you to your own devices. In a literal sense, too, since you get a text. Ugh.

‘Gigi called in, can you reach?’

You would prefer not to reach, but this is capitalism.

‘When's the shift?’

‘6:30 to 12:30’

Why couldn’t something else at The Bear be fuckin’ broken today?

‘yeah i can reach’

‘that’s my girl, red tops today, see u’

You have also won the lottery of manual labour today. Look at you and Carm, luckiest people alive. Something like that. Alright, go shower and be normal about the fact that there’s a Michelin Star Chef making you breakfast in your kitchen. And he’s prett—

“You make your own bread.”

“I do.” You sit at your own little breakfast nook, waiting to be served. Towel hung around your neck post shower. You’d offer to help, but based on his urgency to cook for you, it’s gonna be a no. Plus, the gift on the table you’ve got for him is going to piss him off enough, can't poke this bear too much. He's already given you a mile. Too many idioms.

“I like to think in another universe I am a homesteader who makes her own soaps and renders tallow n’ shit. But I settle for growing basil and making sourdough in my shitty little Chicago apartment for now.”

“I like your apartment.” He hums, though amused. He turns and sets your plate—the one black plate— in front of you with a small smile. This smile immediately falls when he pushes the plate towards you and you push a travel bag of toiletries towards him.

“Fuck is this?”

“I don’t want to hear any complaints, Irish Spring.”

“How d’you know I use Irish Spring?”

“It’s all five of your routine, it’s going to be pungent— Now listen.” You pick up the bag; you’d dug through your sink cabinet and found a dollar store pack of plastic travel bottles, unused from cancelled trips of yesteryear. You've decanted your own products for him. It's fine, you buy jumbo sizes anyways...

“Shampoo, conditioner, face wash—They’ve even got labels.”

He takes the bag from you, setting it down on his side of the counter, begrudgingly. Though he hasn’t particularly paid it much mind, tunnelled on something else entirely, “Do you not like Irish Spring?”

"I didn't give you a body wash, you can still use it for that one purpose."

"Yeah, but do you not like Irish Spring?"

"...I think it's fine."

“Fine?”

“I’m more of an Old Spice fan.”

“You don’t deserve breakfast—” He pulls your plate, you pull it back.

“All I said—” “Thinkin’ I smell like shit—” “Did not say that—!” “Just cause you use the fruity stuff—” “I smell good! Deny that I smell good!” “You smell fine.” “Wowww—Whatever, do the thing.”

“Bruschetta with a breakfast twist.” Ah, that makes him give you the plate back. His kink is explaining food. “Sourdough toasted, topped with fresh basil—”

“Courtesy of me.”

“Courtesy of you, yes. Tomatoes, bacon glazed in balsamic, and you didn’t have parm so I used feta. And then, y’know, over medium egg on top.”

“You’re very good, Carmen.”

“Oh, I—Uh—” You haven’t even tried it yet. You’re telling him he’s good for the sake of the effort he’s given alone. He needs an antacid. “Thank you.”

It’s redundant to say his food is good. But what else can you say? It’s a fucking perfect open face sandwich. But he’s eating it with you, and half of it’s your own handiwork, and all of your pantry, so you leave your praises purely reaction based, unsaid.

You're honestly a little distracted, reading too hard into the act of him giving you the black plate and taking one of your shitty plastic ones for himself. Time to talk.

“Itinerary for today?”

“Gotta talk chaos menu with Syd before opening, then, well, running the restaurant all night… And then I’ll—I’ll go home.”

“Yeah? You can come back here, if you want to.” Thank God you took a bite in time to hide your selfish disappointment. It’s good for him to go home, but then he’s not here. Real Catch-22.

He shakes his head, “I think I’m good now. Thanks, though. What’s—What’s uh, your plans for today?”

“I’m gonna drop you off wherever you’re going, n’ then I’m gonna go shopping for Syd’s gift—”

“It’s her fuckin’ birthday or somethin?” It’s a delight how immediately panicked he is by this. You're also thankful because he's so distracted it means you won't have to tell him the rest of your plans for today. You'd like to keep that life separate. For as long as possible, at least.

“Nono, it’s just, I didn’t get her anything for her opening night and I wanna change that. I’ll get you something too.”

“You don’t have to—”

“I want to.” The very idea of waiting for his response is freaking you the fuck out, so you’re quick to clear your voice and add. “I’ll give you my number, in case you end up needing to crash.”

“Yeah, yeah, okay. Ey, text me your invoice too.”

You take both your cleared plates to the sink, and the lie is swift. You've gotten a lot better at that, in the past year.

“Oh no worries, your sister already covered it.”

It is 6:30 and your life is over. Kidding. Unless? You dropped off Carmen at the train station hours ago and, to use his words, ‘it’s hit’. He’s at The Bear and there’s nothing for you to fix there— So you’re not.

You’ve only been there like three times and yet it started to feel… Like your thing!

Like, like you’d just come in everyday and… Dunno, fix something... But it’s not like they’re gonna have a crisis everyday. Especially not ones that Fak can't handle himself if needed— There's no way he's gonna last at hosting, anyways. You’re now realizing the unrealistic dream— Possibly more unrealistic than homestead you.

Speaking of, Homestead You would probably throw up, if she saw the you you’re looking at in the mirror right now. You look good. Objectively, you know you look good. The mug is stamped. Your pants are black, high-waisted, and give you an ass. The bright red leather corset top is… Chafing, but it looks good! It's a sweetheart neckline so you have to take off your long rope chain necklace from Mikey and shove it in your pocket— Which is fine and doesn't feel bad at all. And listen, listen, being an on-call bottle girl is good money!

And you might get put on bar tonight! You don’t know for sure if you’re gonna have to juggle around lit up bottles for a bunch of fucking geezers!

...

God, fuck, it’s 10:20 and your life is over.

This group of geezers have been fucking annoying and fucking Cherry wouldn’t get off fucking bar even though you literally covered for her last week and these stupid grandpas asked if gratuity is included— No fucking shit! Did you take their card and put a 40% tip? Yeah, maybe. Fuck them! They’re too fucking rich to notice! And they took three hours to leave! Gonna bash this champagne bottle over his bald fucking—

“Ey! That’s a face I remember.”

You hear your name— Not Tony, not Chip, not Cousin. Your name.

You turn to see, oh fucking hell, let God kill you—

“Uncle J!~ Good to see you!~ What a surprise! It’s Jack, here.” Jack of all Trades. It was cute at the time of sign up. Your smile is bright, fake, strained, and beautiful.

“Been too long, really.” Cicero isn’t a bad guy—Correction: Cicero isn’t a bad guy, to you, but as Mikey once put it, he’s a fuckin’ ball buster and in your case, you’re one of the few people beneath him that he asks favours from. Always wants free labour and your expertise. And he always has a habit of asking for favours the second you need one back. But you don’t need one right now! So it’s fine! Everything’s fine!

“Do your Uncle a favour,”—Fully not your Uncle—“Could you pair me and my friends here with a good red?”

You let it go that they’re having fish and asking for a red. Stupid thing to get hung up over right now. You make a commission of it anyways; you just pick the most expensive bottle. He won’t know the difference. The Bear would know the difference. Carmen would notice the difference... Alright, relax.

While pouring glasses, Jimmy whispers to his compatriots and one by one they all peel off. It is almost alarming how quickly this group of men turn and leave without a second thought, taking their glasses with them.

You raise your brows and look at Cicero. “Ah. This is the moment where I sit?”

He nods, gesturing to the booth. “This is the moment where you sit.”

You slip into the booth, sitting across from him. “What do you need?”

“Right to the point with you.”

“I hate suspense.” You shrug.

“You liked Mikey.”

What the fuck?

You bite your inner cheek, hard. “Don’t say that shit.”

“I liked him too,” He says it solemnly, like your mutual grief is a proper apology. He takes a long sip of his stupid red wine. “Did you hear? Cousin Vinnie and Mira are gettin’ hitched, finally.”

“I have no fucking idea who Vinnie and Mira are.” You take the glass when he hands it to you, taking a sip. Small. You gotta drive home, after all.

“Really? It’s a big wedding—Destination too, in New York—”

“I hate to remind you, but I was friends with Mikey, not his family.” Not his biological one, at least. The Beef, sure. But you literally only met his siblings two days ago. “What’s a wedding gotta do with me?”

He bristles, and finally cuts it short. “Around three hundred guests, seven-hour shift, open bar—” “Oh, for fuckssake—” “Listen—”

“It’s an easy gig, I’ll fly you out for it, it’s a month and a half away, you’ll get to attend a big fuckin’ Italian wedding— Which will be a shitshow, certainly, so free entertainment; and Michelin Star level catering, kind of.”

You squint. Kind of? “You got Carmy in on this shit?”

“You know ‘em?”

You nod, pressing your elbows on the table, “We’ve recently become acquainted. What d’you got on him for him to cater a wedding?”

“He’s eight-hundred grand in the hole.” “Fuck!” “He gets thirty off for catering. Smart boy, said yes.”

Christ, you massage the bridge of your brow with one hand and pull out your phone with another to check your calendar, you might as well see if you can even entertain the idea. You don’t need a favour right now, maybe you can bargain and get him to actually pay you for it, this time.

“I dunno, Uncle J…”

Oh.

28 unread texts from Syd.

3 unread texts from an unknown number— Probably Carmen.

9 missed calls from Syd.

Uncle Jimmy, always, always, has a fucking way, of asking for a favour when you need one…

You slam your phone, screen down on the table, straightening your posture in your seat. “I have demands.”

He motions for you to continue, taking his wine glass back. “You always do.”

“You and your friends are gonna tip a hundred percent tonight.”

“That why you give me a 2016 Fisher?”

“I like to think ahead.”

“Smart girl.” He shrugs, palms of his hands out. Which means yes.

“If Uncle Lee comes up to the bar I’m throwing a fork at him and leaping over the counter.”

He chuckles, “Thought you 'didn’t know family'.”

“I remember what I'm told.”

His amusement fades quickly, remembering first hand. He nods. “…You’re allowed to jump him if I’m watching first.”

“And you’re friends with my boss, right?”

“We’re acquainted.”

“I’m gonna punch out now and you’re gonna smooth that out for me.”

He perks up, amused, glancing at your phone, “Somethin’ come up, Chip?”

“Don’t call me Chip.” He wants to poke at you, just a little bit more, but there’s a rattled look in your eyes that he’s so rarely seen that he lets it go.

He waves his hand, shrugging, “Be safe. I'll send you the details. December wedding, remember.”

At the end of the day, Cicero isn’t a bad guy to you, someone who loved his nephew as much as he did.

You’re running to your car while you dial back Syd. You don’t have time to read the texts, all you need to know is that it’s an emergency. She picks up just after the first ring.

“Syd what the—” “Code blue!”

You almost fall on your face and eat asphalt. For a flash, you’re in the back of an ambulance being handed a defibrillator at the age of 22, surrounded by faces just as scared and young as you. Then you’re back in the parking lot, slotting the key into your car door because the fob doesn’t work. It’s never worked.

“S-Someone’s having a fucking heart attack!?”

“What?!”

“That’s what fucking code blue means!”

“Oh my god! Sorry! No, I was just saying the thing that scares doctors the most!”

“Yeah, I’m fuckin’ scared Syd!” You slide into the driver’s seat and slam your car door shut. You take a deep breath, white knuckling the steering wheel. “…I’m-I'm sorry for yelling! Where are you, what’s going on?”

“The—The Bear, the restaurant.” The second you have a location you’re revving off.

“Nat locked herself in the office—” “Like trapped?” This shit again?

“No, no— Like she locked herself in— She did this like two hours ago and I thought she was just taking a breather— But we’ve closed and, and like almost everyone left and she’s still not coming out— And she blocked the door inside— and— And I think she’s trying to hide that she’s basically shrieking in pain every five minutes.”

You take a long time to register anything she’s just said. Her tone is as panicked as you feel on the inside. You’re only now registering the ambient yelling of Richie and Carmen in the background.

“…Did—Can you hear me?”

“Yeah, yeah Syd, I’m just thinking.” You don’t step on the gas on purpose, it just happens. “A pregnant woman is screaming in pain— in intervals— behind a blockaded door?”

“Yeah, I know.”

“Have you called an ambulance?”

There’s a much more distinct yell in the background from Richie, “No cops!”

Then from Carmen, “No coverage!”

“Yeah…” Syd shakily continues for them, “The insurance is a problem, and Richie said— Motherfucker—” You hear a muffled scrap over the phone before Richie continues on for Syd.

“Er, yeah, Cousin, Sugar keeps yelling that she’s fine ‘n blocked the door, if we call the cops they’re gonna ram that shit down and take her to the loony bin.”

“That’s not— That’s not what paramedics do.”

“That’s what they all do.”

“Richie, y’know, I was a paramedic, right?”

“…You a fuckin’ fed, Chip?”

“Richie, if I was a fuckin' narc you would be in prison by now. I, I— I'll be there in like, like eight minutes, everyone stop fucking yelling at Sugar!”

You’re there in four. You almost rear end someone and you run every yellow you get but you’re there in four. You don’t park properly in the back, you just drive your car in and turn it off in the middle of the lot. You don’t bother to be let in, you just punch the code in as you remember it. As Natalie told you.

“Oh good you—Oh my, God?” Syd is no better than a man in this moment, going from grateful for your presence to being one intrusive thought away from whistling.

You did not have time to change out of your ...outfit and someone has been hogging your Carhartt. You pass Syd quickly, waving a hand in front of her face. Goddammit, why do your boot heels have to have that incredibly satisfying femme fatale click right now?

“Alright— Relax—”

“Holy shit, Chippy!” Richie was yelling at Sugar through the door along with Carm, but once alerted to your presence is now snapping his fingers. You'd describe him more as impressed than actually attracted to you. “You clean up!”

 “Cousin, are you—” He grabs Carmen’s face, turning it to you— Carmen does of course, immediately slap Richie’s hand away which of course, means they just start smacking each other's hands. Like preteen girls. “Ey, get the fuck off—” “I just want you to look at a pretty girl, Cousin—!” “Stop fuckin’ touchin’ me!” “Are you looking!?” “I—”

“Everyone shut the fuck up!”

You silence the room. You’re thankful most of the staff has left by now since it’s well after close. It's just Carmen, Syd, Richie, Tina, and Fak for some goddamn reason...You can't be mean you're handymen, you have to stick together.

“I look different from the usual jumpsuit, yes, we get it, can we move on? Pregnant woman?”

Syd is the first to speak, “…Were you on a date, though?”

You blink and roll your eyes all at once, twisting your head to her, “Syd—”

“It’s good to see you getting out there, baby.” Tina, deeply unhelpful in this moment, puts a hand around your shoulder. Oh to have a mother’s judgment when she’s not even your mother.

“O-kay!” You drag on the ‘kay’, clapping your hands together, “Everyone, just get your thoughts out in the next five seconds and then we’re moving on.”

“Chippy, I cannot believe you’ve held this out on me—” “—I meant it like-like a concerned, did we interrupt your date—” “—The red is unbelievable on you, Cousin!” “I need you to teach me how you do your makeup—” “Can you— can you yell again—?” “Fak!” “Oh, so that’s too much?”

A cacophony, it continues on. Your eyes glaze over, and you’re waiting for Sugar to let out a scream so everyone remembers the fucking point of being here. But then you look at Carmen. Everyone’s pivoted from staring at you to yelling at each other. But Carmen; Carmen is still looking at you. Stupid soft scary eye contact. And his voice is so much quieter than the yelling but it’s the thing that you hear anyways.

“It looks tight.”

There’s a possibility that when you killed the teenage girl inside you that you also killed the feminist. Because there’s a small sub-sect of you that’s upset that he’s not objectifying you right now. That his vision is focused on you. Not the changes. He doesn’t seem to look at you any differently than when you’re wearing a jumpsuit and utility belt, covered in toilet water. This should not be annoying and yet it is.

“It is.”

He nods, eye contact unshifting, unblinking, “You wanna change?”

“Maybe after we find out whether or not your sister is in labour.”

He nods. He takes a second but he nods.

You approach him, rather, the door, knocking gently. Everyone quiets down.

You clear your throat, and once more, the persona is put on, you’re a paramedic, putting on that soft but firm reassuring authoritative tone. “E-M Rescue, I got a call for a wellness check on Natalie Berzatto?”

“Tony—” A groan of pain behind the door, “I am perfectly well! Everyone go home!”

You grimace, you motion with your hand for Fak to hand you a screwdriver— He keeps one in his breast-pocket, even when wearing a suit. Hey, you should start doing that.

“Nat, I’m a paramedic— Or I was—will you please let me in?”

“I don’t— Fuck! —Need a paramedic!”

“Never hurts to do a check-up, Nat.” You speak calmly, like you always did. “Listen, lover, if you don’t open the door, I’m gonna have to take it off its hinges, and we're gonna lose medic patient confidentiality.”

When she doesn’t reply after a good beat, you start to unscrew the top hinge; she can hear it, “Wait, wait, wait— Fuck-Fuck— I’m opening it!”

There’s another series of pained groans as she exerts herself to open the door, and once she does, it’s only by a crack, to look at you and you alone. She’s absolutely been crying. She speaks in a whispered tone. “Just you.”

You nod, handing the screwdriver back to Fak without breaking eye contact with her. “Just me.”

She cracks it open just enough for you to come in. And so, you do. Everyone is, for the first time, too worried about her shutting down to interrupt or yell a complaint.

You close the door behind you, pressing your back to it. You note the toppled over chair by your feet that she must’ve blocked it with. Plus the puddle of amniotic fluid beneath her. Oh fuck.

...

“You wanna talk or do you just want me to check your contractions?”

“I’m—” She shakes her head, covering her face. She half sits on the desk. “I’m fucking— I am not ready for this.”

“Yeah.” You nod. You’re not here to convince anyone they’re ready to be a fucking mother. But you’re here to listen, certainly.

“She’s gonna hate me.”

“Who?”

“Her—!” Her voice is choked, another contraction. You’re silently taking the time in your head. She points to her stomach.

“And— And we just opened, and— And I’m gonna have to go on maternity leave, which is the last fucking thing we need and— and— If I could just fucking keep her in!”

“Natalie.” You put a hand on her shoulder, she finally looks at you. “This is happening.”

“Not help—fu—ll.”

“I know it’s not. This is scary and there are no take backs—” “Very unhelp—”

“Nat, your daughter wants to meet you.”

You squeeze her shoulder; she looks like she’s gonna cry all over again for a completely different reason. “She probably won’t hate you. Who’s to say. But I know you’ll love her. And that’s enough, isn’t it?”

She nods, emphatically, but something is still bothering her. You squeeze her shoulder again. You whisper, so even if everyone’s ear is pressed to the door— Which you doubt, she’s screaming after all, they won’t hear.

“Carmen will still know you love him, even when you're not here.”

She immediately goes for a hug, you reciprocate with a shuddered ease. She sniffs, head on your shoulder. She stays there for a while before letting you go, nodding. “Okay.”

You hand her the tissue box next to her on the table, she takes it thankfully, crushing it in her hand. Another contraction. Oh, that couldn't have been more than 2 minutes. Oh fuck.

You kneel down in front of her, and you’re simply no longer in your body as a person but just the paramedic. You could not be more thankful that she’s wearing a dress today. Awkward requests of spreading legs and pulling off underwear aside, Natalie’s daughter does in fact really want to meet her. Oh fuck.

You look up at Natalie, between her knees, you speak cool, professional. “You’re crowning. This is gonna have to happen here. I'll have someone call your husband.”

You’re so calm that it doesn’t give Natalie the feeling or need to freak out, she just breathes. “Okay. Okay.”

You stand upright. “Do you prefer this office or somewhere else?”

“I can’t— Move.”

“Makes sense. Makes total sense. Okay. I’ll go get everything we need, I’ll be right back. I might send some people in, okay, love?”

She just grunts in reply, nodding, now that she’s not in as much emotional pain, she can entirely focus on her brutalizing physical pain.

“Oh, hey, I know—” You grab her purse, pulling out her phone and ear buds, handing them to her with haste, your calm demeanour is faltering just a bit. “Listen to some music, loud, y’know, chill…” You put the pods in her ear for her. She’s again, in too much pain to tell you to fuck off, and just plays her music loud.

You softly open the door, smiling just a bit too much as you leave, and very softly close the door behind you. Looking at the motley crew before you, your persona immediately falls apart. You really only wanted her to play music so you could scream. “Oh, my fucking God.”

“What’s happening, she good?” What a sweet, stupid brother, Sugar has.

You purse your lips together, eyes wide, shaking your head. “She’s going to give birth in like— Maybe six minutes. Max ten.” Everyone goes to speak in an uproar of panic, and then you slap yourself in the face. Hard. That stuns them silent.

“Alright!” You press your hands over your eyes, “Tina!”

She’s been around this block before, “What do you need?”

“Can you go sit in there with her? Tell her all the breathing exercises and shit? Keep her calm? Coming from you it won’t seem so—”

“Condescending as fuck?”

“Yes, exactly, can you?”

“Gotchu, baby.” She claps your shoulder when she walks past and into the office.

You clap hers in tandem, “Thank you, Mama—Okay, Richie!”

“Yeah?”

“I’m gonna need you to call Nat’s husband—”

“Why do I—”

“Because you’re a fuckin’ dad, Rich, and he will need you!” You’re yelling all pissed, snapping your fingers at him, but he does light up when you say it like that. “I don’t care if he wets his fuckin’ bed, tell him to get here!”

He salutes, walking off, “Aye aye, Cap’n Chip.”

You shake off the sting in your hand, God, you really did slap yourself too hard. You turn to the next targets. “Syd, Fak.”

Syd responds hesitantly for the both of them, since Fak is silently enjoying your colonel persona a little too much. “…Yes, C-Captain?”

“I need towels, a lot of clean towels— cloth ones, like sanitized clean— Warm half in water— And then I need a clean sheet— A table cloth or something, I don’t fucking care, something clean and big that you’re fine destroying. I need sterile sheaths, Syd you get those— Other than that, however they get to me, I don’t give a shit— Just scrub in before you touch anything!”

They almost knock into each other the way they run so fast. You yell after them. “Get the big sheet first, she needs to lay down!”

“Yes, Chef!”

You take a deep breath before moving your gaze onto Carmy. The screaming lead EM in you melts off your shoulders, just for the second.

He asks before you can even say anything, “Yes, Chef?”

“I need you to scrub in and get me gloves and an apron—” “On it, Chef—” “And you’re gonna sit in with me for the birth of your niece.”

He cringes, not to refuse, but just the mounting reality of the situation is dawning on him. His sister is going to give birth to his niece in their shared office of his high-class restaurant within it's first week of open.

But you then tag on, “Carmy, she needs you— Frankly, I’m not the one giving birth but fuckin' I need you. T-There.”

He softens instantly, like tranquilizing— Well, a bear.

“Yes, Chef.”

I know the opening probably feels so far away by now, but i do want to note that Breakfast Bruschetta is my own recipe that I used to make like every fuckin' day pre-employment. It's so goddamn good. I highly recommend it, babes. It's balsamic with brown sugar dissolved, btw, Carmy's just a quick explainer.

I wrote like a solid 75% of the labour sequence before deciding it just needed to have the breathing room of it's own chapter, so until next time for that one bbs. But I'm excited for it! And also dreading it! A lot of hard conversations combined with giving birth = nightmare to write, but well worth it, i think. Speaking of: I don't believe at the end of Season 2 that Sugar is at the end of her term of 36 weeks, but in our case here, she is. I'm very much so not interested in a very scary premature birth for our girl!! She's okay!! Dw!! I just wonked with time a little, hope that's okay.

And hey, look at that reveal! Bartender/Sommelier was code for bottle service-- Which is a very respectable career, btw, don't get it twisted-- I was critiquing it only in the way I would critique literally any other job: Misery Under Capitalism. And now we've got that fuckin' wedding in the future midst! Ah!!

Anyways please send me your thoughts ad nauseam, I reload my activity feed every 3 seconds to see what you guys are thinking. If you reblog, tell me what you think in the tags!! Yell at me in the replies!! Send an anon in!! I don't bite, I swear <3

Next Part

[l4long-winded]

so, i received the following comment on archive:

"it went from sweet, to sensual, to smut in just one short chapter. which i love.

"i like to think that carmen is an acts of service kind of dude, he expresses his affections through things like making meals for reader. i think it’d be cute if reader like forgot they're lunch at home or smth, and then carmen would deliver it to them in person–just a cute lil thought." - topostapocalyptic

so, here is my version of that. i tried so hard and i just can't look at it any longer!

o.s. basil, monterey jack, and the simplicity of a kind gesture

summary: you're late for work, rushing out the door, and carmen notices you've left your lunch behind. he can't help but interject his talents (carmen berzatto x afab!reader)

reflection: this took me so. so. embarrassingly long. i am not super proud of it. i feel like i needed to finish it in order to get out of my current rut in writing, though. i finished school up and graduated recently, on a lighter note! please enjoy and feedback is always appreciated!

warnings: stress, worrying, temper flares, cursing, shirtless!carmy, established relationship, journalist!reader, commentary on nutrition, poor eating habits, inner dialogue (just a little), nature's own slander, anxiety depictions, original characters, moody!reader, some longwinded descriptions (as always), awkwardness, fluff, kissing, carmen's nervous tick, domesticity, implied (like one or two instances) smut, humor, an act of service, laughing while kissing, a small flashback, no use of pronouns for reader (please let me know if there are other warnings i need to add)

word count: 3,207

( this work has been cross-posted to ao3 )

“Stupid shithead,” you mutter.

You’re frantically grabbing items into your hands. Your keys, your purse, the wallet that goes into the purse, your phone. Anything covering the counter. It’s the same counter your knee knocks right into as you turn the corner. Immediately, you bite the inside of your cheek as pain floats throughout your kneecap, a harsh sting that floats into warm pressure down your calf. You’re so self-aware of your blood’s rising temperature in this instance that it nauseates you.

“Motherfucker,” you blurt, sucking in a sharp breath through your nostrils. You lift your foot from the ground and lean a majority of your weight onto your opposite heel, elbow pressing onto the counter you envision your stupid boss’s face on. You would punch it if it didn’t mean breaking your knuckles on ceramic in your growing agitation. No, that’s irrational. You need that hand to type.

“Really hoping I’m not the motherfucker you’re talking about,” Carmen mumbles groggily as he emerges from down the hallway. His curls are tousled, somehow despite sleeping on your satin pillowcase his head continued to slide off. He’s not used to sleeping over here, but he’s willing to learn, if his tossing and turning and eventual spooning didn’t illustrate that to you already. There’s something to be said about the way he adjusts the front of his boxer shorts. Despite the adjustment, the briefs hang low on his hips, the v-line of him greeting you as happily as the trail descending to his waistband does. His shirtless form sleepily walks towards you to place a kiss onto your forehead.

“No, no, not you,” you say, gracious for his forehead kiss, but still rubbing your knee to alleviate the issue. He glances at it in concern, an eyebrow lifting. Before he can ask, you stand tall and give him a quick peck on the cheek. Your knee aches, but the less Carmen worries, the better.

“Stay as long as you like, spare key’s in the bergamot out front, I gotta get the fuck out of here two minutes ago,” you rush out in one string of words.

Carmen’s blinking sleep from his eyes, watching as you stomp out of the front door. He craves a longing kiss goodbye, but he’s not daring to request it seeing how urgently you’re behaving. He heads to the window, two fingers plucking the blinds open to observe you hop into your vehicle and speed off too fast for him to feel secure. He frowns. Carmen’s hand scrubs down his face, a migraine pounding in his temples that feels an awful lot like that worry you didn’t want to implement within him.

You’re working more than usual. He admires your work ethic, he does as it resembles his own, but he can’t stop from thinking about how tired you are when you visit him at the restaurant, or when you stay over at his place. You’re snapping consistently, and it may be at inanimate objects like your broken toaster, or the squeaky hinge belonging to your closet door, or your recent victim, this counter you have apparent beef with. The stress is collecting rapidly and Carmen unfortunately is starting to see the patterns interwoven in his skin stitching up your neck. He doesn’t want that for you. He knows you don’t want it for him either, so he’s trying to think of ways he can bring a smile to your face, or at least ease some kind of method to relax the both of you.

Carmen glances around your kitchen and he notices the brown bag sitting in front of your microwave. Curiously, he maneuvers to grab it into his hand. He opens it up and finds a sandwich there, lunchmeat stuffed between two slices of wheat bread. No condiments, no vegetables, no other ingredients. Just bread and turkey. It’s… it’s such a sad sandwich. He wishes you would’ve at least slabbed on some peanut butter and jam if you were going with the easiest route. Two slices of simple turkey breast are hardly nutritional.

Hypocrite. You drank a Coke and ate a bowl of off-brand Froot Loops the other night for dinner.

Carmen shakes his head free of his intrusive thoughts, picking his phone out of his pocket as he plans to text you that you forgot your lunch. You shouldn’t be too far down the road. Then again, as his thumb hovers over your messages together, he recalls how you’re already late. You don’t have time to turn back around for a shitty sandwich you probably won’t even eat. He’s seen you come home and dump these brown bags, still full of whatever meal you threw together in three minutes because you didn’t bother to take your lunch break.

“Not today,” he mumbles under his breath. He retrieves the sad sandwich and takes a bite, chewing it as he washes his hands in the sink. Then, he opens the fridge, scanning through what’s available. There’s not much to work with, but he’s efficient if anything.

“Blegh,” he scrunches his face, the flavor of the bread thick on his tongue as he smacks his lips, “Nature’s Own.”

You’re typing a storm in your cubicle. The deadline for your story is in a day. A day. You didn’t even have time to gather the interview materials and are still waiting on an email from a supervisor from whoever the fuck knows. The name is written somewhere on the clutter of sticky notes hanging precariously off the frame of your desktop. But then again, who has time to crane their neck to check in the middle of meeting your deadline? You’re making due with what you have on hand, your eyes strained from how long they’ve stared at your computer screen.

“Psst…” comes a voice from behind. Fingertips tap your shoulder, momentarily disrupting you from staring at your keyboard. You swivel in your rolling chair, eyes annoyed and tired.

“What?” You spit. Your gaze is unamused watching the world spin and land on Bill, the secretary from the front desk. You almost cringe the same way Bill in front of you seems to do at the tone in reaction. At that, you pick up your face, clearing your throat and straightening your posture, hoping it’s as polite as you wish to convey.

“Your, uh, boyfriend is up front,” he points towards the hall. Bill is jittery. You wonder if it’s because of an excessive use of caffeine or if because your slip genuinely scared him. You take a deep breath and compose yourself more than you have already.

“Oh… I’ll be right out,” you reassure, feeling bad for the small snap you engaged in. Bill is only doing his job. He’s reporting on a surprise visit from Carmen. That doesn’t mean it’s Carmen’s fault for showing up out of the blue, but yours for letting your cool flee, if only momentarily.

As Bill nods and heads off down the hall, you glance at your computer screen one last time. You choose to stop in the middle of the sentence. You tell yourself it’s because you think it’ll be easier to think of a fresh idea to continue when you come back and not because you’re at a loss for content at the present time. You stand up, palms smoothing the front of your vest down your waist as you walk from your cubicle and repeat the same steps as Bill on his way back to his position at the front of the office building. The ninety degree angle of the corner gradually unveils to you your boyfriend Carmen staring down at his phone, a brown bag in his opposite hand beside his pant leg.

He looks up as if sensing your presence, a shift in energy in the room he detects and smiles at from afar. His phone slides into his pocket the closer you approach him, eyes seemingly glowing underneath the shadow of his tan hat’s rim. It’s that kind of crystal embedded in his irises that makes them sparkle with a glass’s shine and an artist’s yearning. But his eyes carry ocean water, not wine, and the reflection of his muse, your face expanding over the roundness of them as you near him and greet him with a hug.

“Hey, your day alright?” He asks, his voice behind your ear. Your chin rests on his shoulder, one of his biceps cradling the back of your head into him. His other arm is still at his side as he kisses your temple and takes a step backward. You catch Bill glancing up from his computer at the two of you from his desk for a millisecond.

“Sure,” you opt for. Maybe if you say it enough, you’ll believe it. You’re capable of tricking your brain so you don’t psyche yourself on it with your overthinking too much… right? “Why’re you here?”

Carmen’s lips press tightly together. He doesn’t say anything, leveling you with his gaze and a raise of his eyebrows that even cause his hat to slightly lift on his forehead. One single look illustrates how wrong of a statement that was.

Replaying it in your head, you notice the edge to your voice, that small extra bit of irritation that made it to your lips. You didn’t mean it, much like you hadn’t meant it when you sharply responded to Bill’s alert.

You sigh and shake your head, one hand coming up to apologetically stroke his arm.

“I didn’t mean it like that–”

“I know,” he halts your explanation. Unlike you, Carmen falls back on the natural softness of his voice, the one where he refutes raising the volume of his words because you’re always standing so goddamn close to him. Another reason could possibly be that you’re having a hard day and he’s sparing you from an unnecessary argument. It’s not like he hasn’t poured lemon over wounds after particularly rough days at The Bear himself.

His hand with the brown bag thrusts in front of you. Short space separates you further. How ironic. He doesn’t want to poke the bear.

“I, uh, brought you your lunch.”

“Thanks…” You murmur awkwardly.

Carmen’s fingers brush yours once you exchange the bag. He curls those same fingers and attaches the back of his knuckles to his lips, stroking them back and forth over his mouth in that nervous tick of his. He stares along your face, the current contemplation in his head somehow both loud and eerily silent. He’s searching for something to say and it’s obvious.

“Yes, well… have a good day,” he settles for. Carmen turns away for a moment, but you don’t like leaving it this way. Especially not since he took the time to drive here and bring you your lunch. He’s subtly advising you to eat without pushing or adding another task you’ll be fretting over.

Your hand captures his, causing him to shift his eyes back to yours. You smile a little brighter. It’s not forced. The gesture is sweet. You lose sight when you’re stressed as any human does.

“I appreciate it, Carm. Thank you,” you redo your gratitude with sincerity.

Carmen’s hand relaxes in yours. He utilizes the hold you have on him in his own favor, tugging you closer to him, engulfing you into his arms. His scent calms you, lingering cigarettes, mint, pomade, and what seems to be a touch of olive oil. He must be working from home again on his day off. Your belly does a small flip thinking of him working comfortably from your home.

“It’s nothing,” he speaks into your hairline, dropping a few more pecks. He notices your shoulders lowering as he does, encouraging him to continue and then return his eyes back to yours.

“But seriously, have a good day,” he repeats, squeezing your forearms.

“Please,” he whispers. You have no choice but to promise him with a grateful and instant nod this time. You’ll find something to get you through the rest of your shift. You can do it for Carmen.

You can’t say you don’t feel defeated as you trudge into the breakroom with your lunch bag shortly after Carmen’s visit. You highly considered skipping lunch altogether to grant yourself more time to work on your report. However, Carmen walked here to get this to you. It’s not a short thing, either. You had to convince him to take your car so he could run some errands. He’ll be your ride back home after work. In the meantime, you’re going to eat to ease your conscience and so that you’re less cranky, minimizing the casualties of your unintentional attacks today. Your boss wouldn’t be as patient as Bill and Carmen.

You gradually open the bag, reaching in and furrowing your brows when your hand meets a cylindrical container first. You thought the bag felt heavier than a single sandwich should, but you were too distracted being apologetic with Carmen to realize he may have added something to your meal. You should’ve known that he wouldn’t be able to resist doing such a thing with how he’s always taking care of you in that department. He shares his talent where he can’t utter his affections, crafting in opposition to orating. Unless, it’s a different word using the root “ora.” He’s rather good at that, too.

“Carmen, you didn’t,” you mutter under your breath, unscrewing the cap of the first container. Basil, garlic, sweet confection underlying in the background, and roasted tomato spike up in a familiar aroma, the trapped steam floating up to blanket your nose in humid warmth and a nostalgic trip to when you sat with him at a fast food restaurant and he poked fun at you for ordering a grilled cheese.

“Who orders a grilled cheese without tomato soup?”

“Me. I do. Now give me a sip of your soda.”

He did. He said he felt obligated to since your grilled cheese looked dry.

The memory inspires you to reach further into the bag, and of course, you bring out a wrapped item suspiciously in the shape of a square. You already know what’s hidden inside as you undo the layers Carmen meticulously folded for you. Heat sticks to your fingertips. It makes you wonder if he jogged on his way here to get this all to you for it to be this warm still.

The sourdough bread in your hands is perfectly golden without being drenched in oil or even close to being charred on the sides. The bite you take is better than the appetizing appearance it has, a cheese pull connecting your teeth marks on the surprise sandwich to your mouth, steam rising off the strings of the monterey jack and cheddar webs. It pairs nicely with the tomato soup Carmen’s provided, the distinct taste mellowing the salt and tang of the sourdough, something sugary and smooth and still tart melding the classic flavors along your tongue.

You didn’t expect this, and part of you is asking why you didn’t see it coming because of who Carmen is and what he does for a living and for a hobby and for a passion, but you’re not going to mull over your perception’s off-game today. No, you’re going to finish your grilled cheese, soup, and that report. You’ll be sure to credit Carmen in due time.

Carmen’s waiting for you in the parking lot behind your office building. You see his reflection on the driver’s side mirror, his eyes lowered to his phone in his hand. He doesn’t see you coming, his head lifting up curiously as you approach his side instead of getting into the car on the passenger’s. Carmen blinks up at you, the window down most likely for him to get some air. It’s been getting hotter and hotter in Chicago with the change in seasons and your AC isn’t working, as per usual.

“What, do you want to drive—?”

You silence Carmen, obstructing his question with the barrier of your lips. If he’s shocked or surprised, it quickly gets replaced with acceptance and an instant response. He kisses you back, his chin tilting upwards, head perching up out of the window to meet your slumping frame. Your head lolls behind the lead of your mouth, seeking out the feeling and tenderness of Carmen’s lips that he parts to swipe his tongue in rhythm of an upstroking graze. You smile after that, the action creating a centimeter of distance that Carmen closes again, his hand traveling up to the back of your neck to tug you back into him.

You indulge him, laughing against his lips. A smile of his own stretches over his mouth, but he doesn’t detach himself like you did. He goes back for more, stopping only when your hands are patting his wrist to regain his attention back without depriving him too much of your mouth he’s ensnaring with his.

“I finished my report,” you shyly say. You made a big deal about it today and your job in general has been very demanding, causing your behavior to have shifts in line with the spikes in your mood.

“Knew you would,” he replies. He’s still kissing you. They’re spanned out pecks to allow you both to speak during, but he’s making it hard to remember what you wanted to say.

“And my grilled cheese,” you mutter into his smothering stamps. He lets up hearing that, pulling back slightly so he can peer into your eyes. He’s in your shoes this time, sheepish as he tries to casually nod.

“Yeah? And…?” He pauses, gauging your reaction with a suspicious glint in his eyes. You laugh again, nudging his shoulder.

“And my soup,” you stand up taller from the window, fingers resting over the bicep half hanging out of it. “You didn’t have to.”

“I wanted to,” he saves you the speech, knowing you far too well about how you don’t want him to waste his time. He’s going to convince you someday that his acts of service for you will never be a waste of his time. His hand comes over yours on his arm, glancing at your twitching fingers he’s heard typing in the long hours of the night. He’s not the only insomniac among you two.

“You should let me make you lunch more often,” he bargains. You playfully roll your eyes. This is one debate you’ll continue to have for a long time, it seems. He already works so hard.

“Slow down there, chef.” You use one of Carmen’s tricks, draping your mouth back over his before he has the chance to bullet point out his argument. He sighs, content from how you feel and yet that knowing frustration intertwined in that one breath lingers because he doesn’t mind putting together your future lunches whatsoever.

“Thank you,” you pur, and Carmen releases his grip on his conviction. For now, anyway. He’s planning on bringing it up again later. He’s just getting too lost in your appreciative kissing. It’s convincing him to do this again, actually. He’s plotting a new list of ingredients, cherries and almonds and white whine and… he loses his train of thought when your teeth scrape his bottom lip.

[whenmemorydies]

Carmen, Natalie, and the Berzattos

CW: this post talks about domestic violence, addiction, mental health, racialised trauma, toxic masculinity and intergenerational trauma (this show deals with so much friends!).

Go gently with yourself if you choose to continue to read. Also its a long one (longer than my usual!) so fair warning if you're diving in: maybe put the kettle on.

Following on from The Claw, The Scrunchie and The Prayer Card metas (Part 1 and Part 2), I've been thinking more about The Berzattos (represented via Natalie's hair claw in Carmy's apartment) and their presence (seen and unseen) in season 3 of The Bear.

@espumado's fantastic meta on The Night of the Hunter and its use in The Bear, particularly as it relates to Natalie and the struggle she goes through in season 3 has informed a lot of this post. My reblog of that post also contains a lot of thinking that I had started to scratch at but haven't been able to expand upon until now. Also check out @currymanganese's brilliant analysis of The Night of the Hunter in the context of romantic relationships in The Bear.

Another source of information I've used in the research for this meta is this fantastic interview in the LA Times with the cast involved in 2x06 Fishes (thanks @brokenwinebox for sharing it!). Also thank you to @thoughtfulchaos773, @brokenwinebox and @devisrina for the chat about the above interview and discussions about Donna Berzatto's relationship with her son, Carmy.

Finally @vacationship's most excellent breakdown of the roles taken up by characters in The Bear according to Adult Children of Alcoholics ('ACA') roles defined by Sharon Wegscheider-Cruise and communicator types as developed by Virginia Satir has also informed this post.

The Berzattos

Okay so, given what we know about Carmy and about the Berzattos, it would seem obvious that, yes, his birth family is going to impact Carmy. I think its probably so obvious, that a lot of the fandom, myself included, have taken Carmy's relationship with his family for granted this season. To be fair, we were also getting Claire and the Faks shoved down our throats so some things flew under the radar including, in my view, the Berzattos.

What got me thinking about the Berzattos as a source of anguish for Carmy was a rewatch of 3x03 Doors - specifically Carmy's panic attack during that episode.

The first panic attack of season 3

At this late point in the episode, we've been watching Carmy and the crew's slowly escalating struggle with the demands of fine dining, when we arrive at Carmy running expo and calling for hands. His voice is hoarse and it sounds like he's been screaming for some time. His vision starts to blur and as he continues to call out for hands, we see glimpses of what appear to be intrusive thoughts, interrupting Carmy's work and triggering a panic attack. The sequence of shots that appear during this panic attack is below:

I note that Carm appears to be trying to come out of the panic attack by remembering his time at The French Laundry and Noma - much like memories of immaculately plated food helped him regulate during his panic attack in 1x08 Braciole and memories of Sydney helped him to regulate during his panic attack in 2x09 Omelette.

The final thought Carm has during this panic attack - indeed the thought he has when it appears that his panic attack is reaching its peak - is of his sister Natalie, in a church praying:

Note: I'm working on the assumption that the above memory of Natalie takes place at Marcus' mother's funeral. This is based on the clothes Natalie is wearing and how her hair is styled.

Its at this moment in his panic attack that you can see the crest in Carmy's emotions. The orchestral score during this sequence also builds to its climax at this point. Carmy's face screws into a tight grimace and he practically spits out the word, Fuck. Its only then that the music cuts away and we hear Sydney's voice bringing Carmy back to the present:

The fact that thinking about Natalie (praying while she carries the next generation of the Berzatto family) is what causes Carmy's panic attack to peak is what got me thinking more seriously about the impact of his birth family on Carm. ( This is something that others including @mitocamdria and @moodyeucalyptus have also picked up on here and here - the Bear hive mind at work!)

Below is my attempt to map these impacts out, from the perspective of intergenerational trauma, which can be described as,

"the apparent transmission of trauma between generations of a family. People who experience adverse childhood experiences growing up, or who have survived historical disasters or traumas, may pass the effects of those traumas on to their children or grandchildren, through their genes, their behaviour, or both, leaving the next generational susceptible to anxiety, depression, hypervigilance, and other emotional and mental health concerns."

I'd argue that intergenerational trauma can continue well beyond a person's grandchildren, particularly in cases where the systemic factors may have caused a trauma (for example: racial segregation, colonialism), continue to impact on multiple generations of a family.

So lets start by looking at Carmy's mother, Donna Berzatto...

Donna's trauma

I preface the below analysis with the caveat that we are not told what mental health diagnoses (if any) Donna Berzatto has (though she is clearly struggling with her mental health when we first meet her in 2x06 Fishes). The inferences I make below are based on what we have been told in the show about trauma that Donna has experienced.

Recall 3x08 Ice Chips where Donna and Natalie are talking in between bouts of Natalie's contractions. At one point in the episode, Natalie says:

I don't remember your mom.

To which, Donna sadly responds:

You don't want to.

Donna then becomes silently tearful remembering her mother.

Its clear from this very brief exchange that Donna has experienced some level of abuse at the hands of her own mother: Michael, Natalie and Carmy's maternal grandmother. That abuse has no doubt impacted on Donna's ability to parent her own children and likely influenced how she parented them as well.

As a mother myself, I've found that one of the hardest things about parenting has been avoiding the repetition of harmful behaviours that I've picked up through my own childhood. For all of us, the first - and often most memorable - models we have for how to parent have been the experiences we've had with our own primary caregivers (whether they were our birth parents or other adults in our lives). If those models were abusive or violent, we have to work that much harder to make sure we don't fall back on those examples when raising our own children. (And let me tell you, in the heat of the moment when your child is cracking a tanty in the grocery store, it takes A LOT to not revert to learned behaviours and instead take a step back and act from a rational place of calm lol).

For many folks who've had abusive childhoods, raising your own children can also be a very triggering journey. This article goes into a bit of why this is the case. If you've not been able to do any work on yourself or receive help to work through your own childhood abuse, you risk "blowing your trauma through" your children (I've borrowed the phrase "blowing trauma through" from African-American therapist and trauma specialist, Dr Resmaa Menakem, whose fantastic book My Grandmother's Hands has also influenced this post and a lot of my thinking about racial and intergenerational trauma). Given Donna's own history of abuse with her mother, its not a big leap to assume that she has "blown her trauma through" Michael, Natalie and Carmy with each of her children experiencing this in different ways.

There's also Donna's clear mom rage, no doubt built up over years as a single parent, and epitomised in the line from 2x06 (that broke my heart when I heard it because it resonated so much),

I make things beautiful for them, and no one makes things beautiful for me.

Based on the show's lore, up until 3x08 it wasn't evident that Donna had ever taken any steps to try and work through her own mental health issues and trauma. Once we get to 3x08 though, when Natalie says that she didn't tell Donna about her pregnancy because,

I just didn't want all the stuff you bring with you.

Donna replies by saying:

Yeah. I've been trying to put that stuff away.

Natalie then asks her mother how that process is going and Donna responds,

Its not easy.

Natalie then tells her mother that she's glad Donna is trying and Donna says she's glad that she's trying too.

Its not much, but the above exchange points to a slight shift in Donna's approach to her own trauma and to her parenting. This shift appears to have put Donna and Natalie's relationship on firmer footing than it has been in the past. Whether it will be enough for Carmy's relationship with his mother is another question and one I'm sure we'll see play out in season 4.

The Berzattos and Italian American racialised trauma

Other than the above exchange in 3x08 Ice Chips, we have no information about Donna's parents. I assume that Donna was born in America given her description of the Feast of the Seven Fishes (also known as La Vigilia) as described to Richie in 2x06 Fishes. During her description, Donna speaks about the Italian immigrants who brought "their seven best things" with them as if she's speaking about ancestors, not her own generation.

She does not use the first person here:

[I]ts based on people who left Italy to find new dreams and homes with new people. And they brought their seven best things from their sea to their new homes. And not so their families end up being a bunch of fuckin' jagoffs. (lmao)

Then Class A Jagoff, Uncle Lee storms into the kitchen and tells Donna that her retelling of the Seven Fishes legend is "not even close" and refers to all the sevens that occur in the Bible. Which is likely a closer explanation for the feast (see this overview on La Vigilia published on the Italian Sons and Daughters of America website). Notably, it was southern Italian and Sicilian immigrants that popularised the Feast of the Seven Fishes in America.

Given the above, it doesn't seem to me that Donna is a first generation Italian immigrant. Depending on the Berzatto family history, its possible that Donna is the daughter of Italian immigrants or the granddaughter of them. Her Italian ancestry could stretch even further back in time. At this point in The Bear, we don't know.

What we should note is that Italian immigrants and in particular, southern Italian and Sicilian immigrants to America, endured a history of racism in that country before their acceptance into the category of "white" in America.

Image source: How Italians Became 'White', The New York Times

This NY Times article provides an overview of the racialisation of Italians in America over time. The article notes that,

"[d]arker skinned southern Italians endured the penalties of blackness on both sides of the Atlantic. In Italy, Northerners had long held that Southerners - particularly Sicilians - were an 'uncivilized' and racially inferior people, [considered] too obviously African to be part of Europe."

This racism of northern Italians towards those from the south of the country was no doubt tied to Italy’s own racist and violent colonial history, including its involvement in Europe's rabid "Scramble for Africa". In the course of its time as a colonial power, Italy came to brutally invade and occupy Eritrea, Somalia, Libya and Ethopia.

Note: I don't think its a coincidence that, Ebraheim, Somalian "grill master", medic and veteran of the American military intervention in Somalia, found himself working at an Italian American beef sandwich shop. Much in the same way that its no surprise that many folks in my Tamil family ended up in the heart of the British Empire - the UK - after fleeing civil unrest and genocide in one of its former colonies (Sri Lanka). As Tamil writer A.S. Sivanandan is famously quoted as saying about post-colonial migration: "we are here, because you were there."

Once they first arrived in America in the 19th century, racism against Southern Italians continued:

"They were sometimes shut out of schools, movie houses and labor unions, or consigned to church pews set aside for black people. They were described in the press as 'swarthy', 'kinky haired' members of a criminal race and derided in the streets with epithets [that were more commonly] applied to enslaved Africans and their descendants[.]"

Though while Italian Americans experienced the severe racial prejudice described above, particularly during their early history in America, some were still able to benefit from their European ancestry in ways that people with non-European backgrounds were unable to. This included: being able to apply for US citizenship, being able to marry, own property, and choose where to live - things that BIPOC people often faced great barriers (if not outright bans) to accessing.

Notably, in Chicago where the Berzattos are based, the history of Italian racialisation differed to other major cities in America. In Italian Immigrants, Whiteness and Race: A Regional Perspective (p. 6) Italian historian Stefano Luconi notes that,

[I]n Chicago, Italian Americans competed primarily with Polish immigrants, who generally turned out to be less hostile to them than Irish Americans in New York City or Boston, and overall their accommodation within the adoptive society was easier than elsewhere.

Given the above, the Berzattos' connection with Polish "family members" Uncle Jimmy Kalinowski, Uncle Lee Lane, and Cousin Richie Jerimovich appears rooted in a long history of Polish-Italian relations in Chicago.

Note: Ancestry.com tells me Kalinowski is a Polish and Jewish last name. Uncle Lee identifies as "Polski" in 2x06 Fishes and in the draft script for 2x06 is listed as Uncle Jimmy's brother. While Richie's ethnicity isn't explicitly stated in The Bear, in 3x04 Violet, he refers to his daughter Eva as żabka which is Polish for "small frog" and is also used as a term of endearment for girls or women.

Eventually Italian Americans were assimilated into the racial category of "white" both legally and in the popular imagination of the country. This happened in a few ways including via Italian Americans claiming whiteness for themselves, particularly in active opposition to Black, African American communities. This is despite their historic racialisation in comparison to Black, African-descent people (which, in a better world, could have been the basis for shared and sustained solidarity between the two communities). Luconi observes that,

"in Brazos County, Texas, Italian Americans learned to claim whiteness for self-protection, which involved showing off hostility toward African Americans in the mid-1890s [...] By the same token, after realizing the social benefits of being characterized by a white identity, Italian Americans in Baltimore embraced the racist premises of the local political leadership in the early twentieth century and joined two campaigns that unsuccessfully aimed at disenfranchising African Americans in 1905 and 1909 by amending the state constitution." from: Italian Immigrants, Whiteness and Race: A Regional Perspective (p. 15)

The above NY Times article states that in 1892, the lynching of 11 Italian immigrants who were accused of killing a police chief in New Orleans resulted in Italy breaking diplomatic relations with America. As a result of this and to prevent unrest in the Italian American community, US President Benjamin Harrison proclaimed 12 October as "Columbus Day" and encouraged Americans to celebrate the contribution of the Italian Christopher Columbus to the creation of America.

Apparently, this sleight of hand (a legerdemain because it: (a) magically erased generations upon generations of First Nations who have existed in the Americas long before Columbus' arrival (and who continue to do so), and (b) because it vanished the explorer's penchant for rape and enslavement of the First Nations' people that he did encounter) was enough to reinstate diplomatic relations between America and Italy as well as carve out a place for Italian Americans in the white, American imaginary.

Indeed, despite recent calls to stop the celebration of Columbus Day led by First Nations people across America, it is Italian American organisations (including the Italian Sons and Daughters of America) and prominent Italian Americans that are some of those voices leading campaigns to keep Columbus Day as it is, reductively and disingenuously dismissing its critics as attacking Italian-American heritage.

Note: the above views are obviously not shared by all Italian Americans. See below protest staged by Italian Americans in the Berzattos' hometown of Chicago, in opposition to the city's Columbus Day Parade (Source: Fox 32 Chicago):

One of my heroes, Toni Morrison, once said of American national identity,

"In this country, American means white. Everybody else has to hyphenate."

White supremacy operates amongst racialised communities through divide and rule, with these communities pitted against one another, trying to achieve as close a proximity to whiteness as possible. In the US context, that proximity brings those communities closer to what is perceived as "American". The above examples show how some Italian American communities in America shifted the racial categorisation of their community to "white" over time by fighting for that proximity. I would argue that that shift came at a great cost, as all racism does: a cost to the BIPOC communities that were fucked over in the process and a cost to the souls of those now "white" Italian Americans who participated in divide and rule to get closer to a white supremacist position of power. Dr Resmaa Menakem would refer to those costs as traumas for both BIPOC communities and (now) white, Italian American communities.

In My Grandmother's Hands, Dr Menakem discusses the impact of racialised trauma on white people. Specifically, that white supremacy - or as Dr Menakem refers to it, "white body supremacy" - is itself a trauma response. I won't get into the details of this framework (and make this post longer than it already is lol) except to say its fascinating and I'd encourage you to read My Grandmother's Hands to find out more. Its relevance here is to illustrate that on top of our individual, personal traumas, we each carry with us racialised trauma. I make the point of articulating this because while The Bear alludes to race (sometimes masterfully as in this scene where Donna tries to play divide and rule in her own way), it often does so obliquely in ways that are not always obvious to viewers (for example, see director Ramy Youssef's discussion in Variety about the bike crash scene in 2x04 Honeydew). But make no mistake, race permeates this show.

For example, I think about Uncle Lee’s jab at Mikey in 2x06 about the latter living with his mom, and compare this to Marcus living with his mother throughout seasons 1-2 or Sydney living with her father in seasons 1-3. I think about how in many communities of colour, multi-generational living isn’t seen as shameful because the focus is not just on financial dependence but on relationships and care. Certainly, an adult child might not be financially independent but if they are caring for their parent, this is something to be valued.

I think about how the move to individualism (championed by Uncle Lee) away from family and community (features that Italian culture is historically very well known for) is a shift that, for many Italian Americans, may be viewed as a cost incurred as a result of an allegiance to white supremacy.

I think also about the words of Tema Okun, who wrote about how white supremacy shows up in organisational and professional settings in her 1999 article "White Supremacy Culture" and how in that work, Okun noted particular identifying characteristics of organisational, white supremacist culture, including (but not limited to):

individualism;

perfectionism;

either/or & binary thinking; and

a sense of urgency.

Sound familiar? I thought they might. These are traits that Carmy has exhibited in almost every episode of season 3 (and periodically in seasons 1-2). Notably, these are traits that are also valorised in the world of fine dining, as we see it through Carmy's eyes throughout season 3 (in flashbacks and in how he chooses to run The Bear). And we all know how well this shit is going for our man (lol).

I'll get into this more in an upcoming meta (again, this is me manifesting in a bid to force myself to finish writing the thing lol), but I just wanted to point out how both in terms of his racialisation and his professional career, Carmy is immersed in white supremacy - whether he wants to be or not - benefiting from its privileges while also being witness and therefore, subject, to its horrors. No one escapes this shit, not even those who've been welcomed into the fold at the top of the hierarchy.

All of this - the racialised history and trauma associated with the Italian American community as well as the clear whiteness that marks the fine dining industry - makes Carmy's character that much more fascinating to me. Here is a character with seemingly no personal prejudices towards BIPOC folks. He loves the BIPOC folks in his life quite dearly (in particular, Marcus who he treats as a brother, and of course Sydney, in whom he's found a soulmate). I think this is likely due in large part to the role Carmy's siblings (Mikey and Natalie) played in raising him. These two characters also appear to care deeply for the BIPOC people in their lives without much of the prejudice that many who have been racialised and socialised in their community might harbour. And in their roles as surrogate parents for Carmy, they appear to have modelled that healthy and normal (because we must remember, what is abnormal is racism) respect for their fellow humans. They're not perfect in this (recall 2x06 and Mikey's bombastic objectification of Claire) but we do see repeated glimpses of their goodness throughout the show (recall 3x06 and Mikey's kindness to Tina, or the pantry scene in 2x06 and the gentleness he displays towards Carmy there). This is in contrast to their mother, Donna, who clearly has done no work to prevent blowing her own racialised trauma and prejudice through the bodies of her kids.

Also while the racialisation of The Bear's BIPOC characters is readily apparent (because the white supremacist culture of the West is more attuned to looking at non-white people and automatically seeing race), its white characters are also racialised and have racialised histories. The above was my attempt at stepping out a bit of the racialisation of The Berzattos, of Carmy, and of the racialised trauma that they also carry with them.

Phew.

Okay, now back to the Berzattos...

Carmy's birth

Recall 3x08 Ice Chips and Donna telling Natalie the stories of each of her children's births. By far, the birth that appears to cause Donna the most rage, the most pain, is Carmy's. It also happens to be the only birth out of her three children that her (by all accounts) deadbeat husband is present for. Donna describes fighting with her husband during the entirety of her labour with Carmy and that the hospital was fucked because it seemed like everyone went into labour at the same time. She then tells Natalie that Carmy took a long time to arrive:

Note: Its not lost on me that Carmy's obsession with speed, rushing and sense of urgency was almost definitely drilled into him from birth, given the rage with which Donna describes his "slowness" in being born.

Donna then goes onto express how frightened she was and the further difficulties involved in Carmy’s delivery:

It was so hard and so scary because he kept getting stuck, and they just kept having to move me, and I remember they were moving me in all these positions. And then at one point, I think they had me fucking upside down or something.

And then, so brutally it becomes darkly funny (I've pushed a kid out too: it can be so painful, if you don't laugh, you'll sob hysterically lol), Donna describes Carmy's birth as just all around fucked:

The whole thing was fucked:

No seriously, very fucked:

So Carmy entered the world and the experience of his delivery was fucked nine ways to Sunday for his mother. A very difficult beginning to this life for a baby, to say the least. I would go so far as to say, given the way Donna is recounting Carmy's birth, that she experienced birth trauma, and possibly developed birth-related post-traumatic stress disorder (PTSD).

Contrast this with how Donna describes Michael's and Natalie's births:

Despite Michael also having difficulty being born (Donna recalls that it seemed like "he wanted to stay" in the safety of her womb), Donna says that she felt really good, great and strong during her labour with him and that his birth was even described by a doctor as an "amazing" one.

Donna describes Natalie's birth as "beautiful" with Natalie arriving after Donna had had a restful sleep and a vivid, prophetic dream. Donna then goes onto tell Natalie that she was delivered in the presence of a "sweet" girlfriend (Cicero's first wife, Gail) who sat with Donna during labour and who played "Baby, I Love you" for Donna as Natalie arrived.

The differences in how Donna recalls Mikey, Nat and Carmy's births and Donna's propensity in the past for holding her children's "mistakes" over their heads (recall 2x06 Fishes and the story of how Natalie got the nickname "Sugar"), make me think that she was likely to have rubbed Carmy's difficult birth in his face when he was younger. I think that Donna was also likely to have either intentionally or unintentionally (or perhaps both, depending on the circumstance) made Carmy feel less than his older siblings, maybe not as wanted. We have some evidence pointing to this happening in Carmy's past, peppered throughout the show.

Growing up in the Berzatto house:

As a child Carmy had a stutter, which causes speech to inherently slow (as it takes longer to form words and sentences). He was also scared to speak. Now a stutter in and of itself would not make the person speaking scared. Its other people's reactions to a stutter that would do that. Given Donna's vitriol at how slow Carmy's birth was, and her obsession with time (anyone fancy a kitchen timer? this lady's got 700 of them), its not a stretch to imagine that any delay in Carmy articulating himself as a child would have been met with ridicule or rage from his mother.

We know that all the Berzatto children grew up scared of their mother, a survivor of abuse herself, and an addict who drank to excess with clear mental health issues that it didn’t appear she was seeking treatment for. Recall Natalie's disclosure to Donna in 3x08 Ice Chips:

Carmy also grew up embedded in a particularly toxic type of white, heterosexual masculinity embodied by his brother Mikey and "cousin" Richie (who undoubtedly had it blown through their bodies by family, friends and the white supremacist, homophobic culture we are swimming in, in the West). I've previously discussed this in my meta on the use of 90s alternative rock in The Bear and more recently, in this reblog of @mitocamdria's meta Sublimation and Intellectual Orgasms.

Carmy gets called "a weird little dude" for knowing how to mix a drink in 2x06. He gets called a "gayrod" for owning the Noma cookbook in 1x01. He gets called a "soft shitty bitch" for calling Pete instead of Natalie in 1x05. He gets called a "mopey little fuck" in 2x06 for questioning Mikey and Richie right before they accost him with a veritable wall of gross dudebro, horndog descriptions of Claire (a girl they know and are friends with - again, fucking gross). Carmy hears his mother describe Steve as "gay" for being "arty" in 2x06 (recall that Carmy is also "arty" in that he can draw and likes fashion). If you weren't performing alpha-male dominance like Mikey, Richie, Uncle Lee or even Uncle Jimmy, the Berzatto household was a rough place to be. Truth is though, that all of those white, alpha-males have their own demons, and in the case of Mikey, those demons drove him to take his own life. The truth is that, like white supremacy, no one escapes toxic masculinity unscathed either.

We know Carmy suffered from low self-confidence as a child which might have led him to feeling aimless. He tells us in 1x08 Braciole that he got shitty grades because he couldn't pay attention in school, he didn't get into college, didn't have any girlfriends or many friends for that matter. Carmy also tells us in that same monologue that he wasn't "built" in the same way as his brother, who could walk into a room and take its temperature right away, who was loud, hilarious and magnetic.

I think about how for someone like Carmy, Mikey would have cast a long shadow. I think about how hard it would have been to have lived under that shadow while trying to figure yourself out.

It wasn't until working in fine dining that Carmy found his purpose. He says in 1x08,

For the first time in my life, I started to find this station for myself.

This must have been intoxicating and affirming for Carmy. Yet I think about how, after all that, he could return home having achieved accolades and fanfare in his career, try his best in the chaos of a Berzatto family Christmas to diffuse the powder keg that is Donna, and still be called "Michael" by his mother, his very existence in that moment, feeling like a puff of smoke.

We also know that Carmy's eldest siblings ended up being like surrogate parents for him. Mikey almost certainly was a father figure given the absence of his biological father in Carmy's life. Its not a stretch to imagine Natalie as taking on the role of a surrogate mother, given Donna's abuse and how Natalie looks out for almost everyone throughout seasons 1-3 of The Bear. In this video, Jeremy Allen White also talks about the tattoo Carmy has of two angels with a sun in between them as representing his brother and his sister, further confirming the roles of his "guardian angel" siblings.

I think about Natalie, parentified big sister that she is, sneaking a wad of cash into Carmy’s pocket as he leaves her and Chicago for New York in 3x01. I think about her calling him “honey” in that same episode as she affirms that she knows how good he is at being a chef - “honey” being a term of endearment commonly used in family settings but between parents and their children, not as commonly heard between siblings.

I also think about Mikey being born the eldest, the first and only (for a time) to have to deal with his mother's trauma and expectations. I think about how he took on the work of looking after his mother and his siblings when his father left the Berzatto home. I think about how Mikey is described by the actor who plays him, as a "dreamer who's not allowed to dream. He has to take care of everybody."

Loose ends

Another set of incidents haunting spread throughout season 3 also raised concerns for me, in that they remain unresolved and point to a resolution or confrontation for Carmy and the Berzattos in season 4. I named them in my reblog of @espumado's post on The Night of the Hunter. For ease of reference, I'll bullet point them here:

Carmy finds a box labelled "DD" (his mother, Donna's nickname) at The Bear at the end of 3x05 and looks through it. He appears frozen as he finds a baby photo of his mother holding a baby I assume is him. The episode ends at this moment and neither the box or Carmy's reaction are revisited for the remainder of season 3

Cicero tells Carmy during 3x09 that Donna wants Carmy to call her back about "the baby" (one assumes this is a reference to Natalie's baby) and that Carmy has been "fucking avoiding it" (one assumes again that the "it" here is the baby...but maybe its also just the act of calling Donna back)

But then Carmy says something strange:

Yeah. Hoping it would just go away.

Surely, Carmy's not talking about a baby. Babies can't just go away. And I don't think Carmy is so malicious that he'd wish his sister's child to disappear. I also don't think Carmy would refer to his mother as "it" (he's never done so up to this point on the show, as monstrous as she can be).

And in case you were wondering, Cicero's response to Carmy also doesn't sound like it applies to a baby or Donna (lol):

[Y]ou run right the fuck into it.

Intergenerational trauma and legacy

So what is the "it" that Carmy wants to go away? What is the "it" that Uncle Jimmy tells him to face by running "right the fuck into it"? My suspicion is that this is Carmy's baggage. The baggage that comes with being born a Berzatto and being born to Donna. All the stuff that we've been talking about here. Its also the baggage that both Nat and his mother have been trying to "put away":

Above from 3x02 Next: Natalie in conversation with Carmy. "Its not great 8am stuff."

Above from 3x08 Ice Chips: Donna in conversation with Natalie.

Carmy is trying to do this too: put away his baggage, while having been the "Lost Child" (referring to ACA roles and the recording about them that Natalie was listening to at the end of 3x07 Legacy) and the youngest child in his family for so long but now having to be the "Hero". @vacationship's post on ACA roles as they relate to The Bear gives a great breakdown on what the "lost child" and "hero" roles mean.

In the LA Times interview mentioned above, Jeremy Allen White says,

I don't think Carm's ever been outside of himself enough to really take in another person in their entirety, sadly. I think that's Carmen's real struggle.

As the youngest child of the Berzattos, Carmy has never had to step outside of himself to the extent that Mikey, Natalie or even Donna have had to. He has never had to care for anyone other than himself, until he inherits The Beef. And that responsibility is a HUGE one.

But Carmy jumps into that role, initially fuelled by the desire to retroactively fix his relationship with Mikey and fix "the family". Recall again his monologue in 1x08 Braciole:

[I]ts very clear to me trying to fix the restaurant, was me trying to fix whatever was happening with my brother. And I don't know, maybe fix the whole family because that restaurant, it has and it does mean a lot to people. It means a lot to me.

For the longest time, I interpreted "the family" that Carmy refers to here as his chosen family: the crew at The Beef. I think that while that was true, it wasn't the whole picture. I think Carmy was actually being more expansive in his definition of family to include his entire family: chosen and birth.

So while Carmy is obviously trying to make The Bear a success for Sydney ("Syd, we're going to get a star") and for Marcus ("Take us there Bear", "Yes, Chef"), as well as for the rest of the chosen family he first found at The Beef, Carmy is also trying to fix the restaurant for the Berzattos. Specifically, Carmy is trying to do what his father and brother couldn't do in keeping The Beef/The Bear going. He is trying to embody the Hero ACA role, vacated by Mikey with the latter's passing, even though his sister told him from the start, in 1x01:

No one's asking you to.

What I think I took for granted this season was just how much Carmy's desire to repair the legacy of the father figures in his life (as represented by the restaurant) was brought to an urgent and frenetic head for him in the late stages of Natalie's pregnancy. Upon rewatch of 3x09 Apologies, I picked up on some interesting script choices and imagery that I think have been chosen purposefully to relay to us that this is the case and that the impending birth of his niece is indeed, weighing on Carmy.

Now, at the start of 3x09, Carmy may or may not know Natalie has just had her baby. I assume he does. After Marcus watches that clip about magic, followed by unnecessary Fak, Claire and dumpster content (lol) and then Sydney practising how she's going to break Shapiro's offer to Carmy, we cut to the kitchen of The Bear and we hear Carmy calling out orders while running expo. He's yelling again. His voice is hoarse like it was in 3x03 during his panic attack. We see Carmy's intrusive thoughts at a rapid clip intercut with close ups of his, Sydney's and Richie's faces. We also hear Carmy repeatedly yelling at the staff to push:

Please give me the fucking agnolotti. Push.

Lets fucking push, please. Lets fucking go.

Push, please.

Push, chefs! Please! The cook is fucked. Refire, please.

Push.

From a quick google, "push" is used in restaurant settings but not in the way Carmy's doing here. I've seen it used to mean "sell" an item (as in getting a server to "push" a particular dish to diners so they order it) as well as to describe a busy period during service (as in the restaurant is in the middle of a "push").

In 3x09, Carmy is yelling “push” like a midwife at his sister's side while she pushes out her child, the next generation of Berzattos, into the world. But instead of his niece, Carmy is trying to deliver one more in a litany of dinner services at The Bear.

Note: you can clearly see here that the jagged lines that have appeared since season 1 when Carmy is having intrusive thoughts are actually made up of what look to be hundreds of claw marks. I've noted in a previous reblog of one of @thoughtfulchaos773's posts (that I can't find atm sorry) that this evokes Carmy (the Bear) trying to claw his way out of a mental spiral and back to equilibrium. @currymanganese also noted that the lines themselves look like a neural network, driving the point about Carmy's mental state home.

And then directly after the above "push" scene, we see copious amounts of water ejected over the The Bear's kitchen island, washing away flesh coloured food and sauce that looks like blood splatter:

Having rewatched 3x09 through the lens of intergenerational trauma, with the spectre of Natalie's labour, Carmy's apparent resistance to seeing Natalie or her baby, and having just heard his hoarse voice screaming push, push, push...to me this water started looking a whole lot like birth waters breaking, and amniotic fluid flooding The Bear:

Note: Rest assured, amniotic fluid doesn't contain all those suds.

@espumado pointed out in their The Night of the Hunter meta that the song playing during the above "push" and "broken waters" scenes of 3x09 is a song by Trent Reznor and Atticus Finch from a war documentary. The song is "The Forever Rain" from the documentary series The Vietnam War by Ken Burns and Lynn Novick. I'm sure its no coincidence that a song from a documentary about the Vietnam War - a war whose veterans were the first to be assessed for post-traumatic stress disorder (PTSD) - is being used in a scene acting as an allegory for childbirth, given what we know about how traumatic Carmy's birth was for his mother, and inevitably, for him as an infant.

So why is Carmy so preoccupied with Natalie's pregnancy and the birth of his niece?

I think this all ties back to what Carmy told us in 1x08: that he wants to fix the restaurant (and in the context of season 3, this means making The Bear a success) and that in doing so, fix his family.

Note: which is also why I think we are shown that magic clip that Marcus is watching at the beginning of 3x09 with this bit of dialogue from it: "What makes magic different is that its inherently honest. You tell someone you're gonna deceive them before you deceive them. In some way, that makes it more difficult." We were told in 1x08 what the restaurant means to Carmy and his reasons for fixing it, but Storer and co have spent all of season 3 distracting us with Claire and Fak-shaped sleights of hand getting us looking elsewhere to understand Carmy's behaviour. By 3x10, Carmy's motives haven't changed. He's doing this for his family. All of his family.

Specifically in the context of Nat's pregnancy, Carmy wants to ensure that The Bear is a success for the next generation of Berzatto children, for his niece. And if Carmy is being haunted by a need to fix his family's legacy, particularly given the impending arrival of Natalie's baby - the youngest Berzatto after him - then his desperate, rageful plea to Syd after she brings him back from his panic attack in 3x03 Doors, is even more distressing:

They're going too fucking slow!

What Carmy means is:

I'm going too slow and this restaurant is going to fail because of it. And this baby is going to inherit my failure, just like I inherited Mikey's and just like he inherited our father's.

Remember: Natalie is a part owner of The Bear and so any financial failure of the restaurant will be felt by her and her family just as it would be felt by Carm.

What Carmy needs to realise is that while a brick and mortar institution may fail, what remains are the relationships, the people that he has met because of it (shout out to Chef Terry and her speech in 3x10 Forever, also shout out to Mikey and his chat with Tina in 3x06 Napkins). And if there are people - if there are relationships - there's always the chance to build another future together, again.

Conclusion (yep, I'm almost done)

I think about how whether he likes it or not, Carmy was able to pursue his passion in cooking because of his family’s racial (and class) privilege, particularly as a member of a community that was invited to join in the spoils of white supremacy. This privilege was most clearly embodied by the fact that the Berzattos had the means to own The Beef and the culinary opportunities for Carmy that flowed from that work and experience (contrast this with Sydney, Marcus and Tina's experiences in entering this field, which I've discussed here and which @freedelusionshere discusses here).

I think about how Carmy subverted and used that privilege to bring along the original crew of The Beef with him to The Bear, lifting up his largely BIPOC employees. And then I think about how he ran roughshod over them in order to try and meet the insane expectations he'd set for himself (in large part, as a result of his family's history).

I think about the safety net that Carmy had with Natalie and Mikey who were there to take care of The Beef, their family and their unwell mother, giving Carmy the room to find himself professionally. I think about Mikey leaving behind a restaurant for Carmy but also leaving behind an entire family for him too.

I think about Carmy not realising that while The Beef was a burden in some ways, it was a blessing in so many others.

I think about the clear intergenerational trauma that Carmy is contending with while trying to balance so many perceived, competing demands.

I also think about Donna's dream, the night she went into labour with Natalie:

In this nothing dream, I mean nothing dream. And it wasn't Chicago, and it wasn't New York. It was some sort of hybrid city, you know? And there was a fish tank. Big fish tank in the middle of the city. It was this giant fish tank, and I was the only one looking at it.

[...]

And I remember the colours were, they were so sharp and vivid and neon, you know, and I was the only one looking at it.

[...]

I was just staring at it for the longest time. And all of a sudden, I noticed that the glass started to come apart like it was gonna split. But I wasn't worried, you know? It wasn't bad, because I knew that more people were gonna get to see these beautiful fish.

And then I woke up, and I was sweating, and my water had broke.

When Donna had her children, she had no idea that she would lose her eldest child to suicide. She likely had no idea how far she was going to push her daughter away from her due to her abuse, and she most certainly did not know that her youngest would cease contact with her for years while becoming a renowned chef. None of us parents know for certain how things are going to turn out for our children, or for our relationships with them.

We can only hope, and do our best: do our best to break harmful cycles while trying to nurture children who will leave the world a better place than it was when when they arrived. And if our kids manage to do this not because of us but in spite of us, in spite of our slip ups and mistakes, in spite of our baggage, then honestly, we should be even prouder of them. Because it meant they were able to integrate our trauma, our histories, and their trauma, and their histories, all of it, and make something beautiful, something better.

And I think I can see why Donna wasn't worried when the fish tank started to crack. I get why she was so happy that more people were going to get to see her beautiful children and the world they were going to create, in spite of everything and because of everything.

As usual, tagging folks who might be interested (absolutely no pressure to read this fucking long ass thing though), but keen to hear from anyone who wants to discuss:

@currymanganese @thoughtfulchaos773 @moodyeucalyptus @vacationship @mitocamdria @brokenwinebox @espumado @tvfantic87 @turbulenthandholding @anxietycroissant @angelica4equity @devisrina @kdbleu @freedelusionshere @ambeauty @afrofairysblog @fresaton @hwere @ciaomarie @ambeauty