#doesn't work if it's only one way

[jordanswitches]

i just wanna be bitten all over by someone with a massive crush on me is that too much to ask

[somerandomcockroach]

[mumblesplash]

part 2!!!! [read part one here]

transcript below the cut arranged into stanzas to help show where the rhymes are:

“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone

“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try

think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress

[scintillating-scales]

Dude I need claws SO bad. Except I need prosthetics to be really sturdy, so I can actually like. Use them for shit. Like I wanna be able to wear them to help me climb or claw at stuff or whatever I need them for. But people only make like plastic or foam or resin claws. It's not STRONG enough. I need like. IRON claws. STEEL claws. Claws I can climb trees and rock faces with. Claws that could kill a man if I wanted them to. It's a fucking TRAGEDY these aren't a thing, and I swear to God I'm about to learn metalworking just so I can make myself a suitable set.

Edit: someone actually made me some 👀 he's open for commission if anyone wants their own set. Check the RBs for my post !!

[licorishh]

double ?? upload ???? yeaaaahh i've gotten FASTERRrr for whatever that's worth so complementary blyla because guess what i miss them too (nobody was surprised by that)

[a-most-beloved-fool]

spirk using telepathy to keep each other alive. kirk, desperate, psy-null and untrained, reaching clumsily into spock's dying mind and pulling, dragging spock's essence into himself, wrenching him forceably from the very jaws of death and holding him there through sheer strength of will, saying you can't die, i won't let you, you can't leave me, i need you, and binding him to life and to himself until it's impossible to fully separate them. spock, more skilled, carefully managing each one of kirk's vital signs - keeping his heart beating steady, his lungs drawing breath, his temperature within a safe range, all while suppressing kirk's pain, and at the same trying, vainly, to keep their minds from tying themselves inexorably together, but they're pressed too close and he can't, and he hopes that kirk will forgive him, for bonding them like this (he will, of course he will), but the alternative, letting kirk die, was - unthinkable.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[copia]

endless ghifs 18/? ⛧ source — "the ancient serpent deceiver..."

[teyrnacousland]

I've seen the headcanon that Lucanis' mother, Caterina's perfect heir, was actually similar to Illario in some ways. That she was calculating, ruthless, ambitious, obedient... all the things Caterina overlooks in Illario because Caterina sees her favourite daughter's deep brown eyes and quiet, controlled demeanor and careful planning in Lucanis.

But I am also attached to the idea that the opposite is true too. That Illario's mother shared similarities with Lucanis; that she was empathetic and stubborn, with a slight rebellious streak. But she was always outgoing and charming, was more impulsive with her emotions, and was always sharper with her tongue than with a sword, so Caterina only sees her in Illario.

I just love the idea that Caterina can't look beyond the surface and see who her grandsons really are because on some level she can't see past the ghosts reflected in their eyes. She can't see that the quiet brown eyed boy is is more of the gentle hearted rebel, and the one with blue eyes and a shining, fake smile is the ruthless leader who would do anything she asked.

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[asavt]

[ Reflection ] About yourself.

Was listening to Shunkan Sentimental by SCANDAL at like 10 p.m. and stayed up until 4 a.m. to work on this. I didn't finish it right away tho, I still had to sleep.

Two extras below read more!

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[cluescorner]

I'm back on my bullshit

Optimus: I've loved you in every universe, even if you twist into someone I should hate.

Soundwave: I've loved you in every universe, even if it never ends well for me.

Rodimus: Every other universe can rot for all I care, I love you in this one.

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[rainbowberriesandcookies]

"Orihime being afraid of Ichigo's hollow power shows she doesn't fully accept him."

I see this take and similar ones pop up from anti fans of Ichigo and Orihime and try to say that Orihime is bad, in the wrong, etc. for being afraid of his hollowfication powers when her first encounter with a hollow was her brother Sora.

I know the anime did a lot of damage to Orihime's character - especially by taking these scenes out and altering them compared to the manga - but when Ichigo begins to undergo the same process as Sora, it only makes sense that she's afraid.

Not because she's afraid of Ichigo but because what he can become.

And just like Sora said, "It would be [her] fault"

Also - this is to counter the whole "Ichigo and Orihime were never close/barely friends/just acquaintances" that I see floating around often too.

But all in all - Orihime was never afraid of Ichigo. She was afraid of what he could have become.

As Acidwire, Sora targeted Orihime because of her growing bonds with Tatsuki and Ichigo. He even says that he attacked them because they tried to tear him and Orihime apart and that she already knew why.

For clarity - what I'm about to say isn't me saying that Sora was abusive in life and I'm going to specifically try to use his name as a hollow "Acidwire" as much as possible to express the slight separation between Sora as he was while he was alive and Sora as he was when he became Acidwire.

Especially since early on, it established that hollows - while they were once former humans - often end up being twisted versions of the people they once were.

Now onto the point -

The "You already know why" isn't dissimilar from how abusers, manipulators, etc. often talk to their victims when they're angry or upset. It's similar to the silent treatment in a way where it implies that the victim intentionally made the abuser upset.

He references her prayers for him every day helped ease his own suffering before she became friends with Tatsuki and entered high school before she stopped praying for him altogether. He then says how it hurt him that when she got home, all she would talk about was Ichigo.

For one - the fact that Acidwire knows this proves that Ichigo and Orihime were at least already friends by the time the manga started. In contrast to the anime where Ichigo outright says to Rukia that they've "never had a real conversation"

Anyways - this here in and of itself proves Ichigo and Orihime at least knew each other beyond just acquaintances - because they were close enough for Acidwire to notice and be hurt by it.

She tries to defend herself but he cuts her off before attacking Ichigo again

Acidwire tells her to come with him back to when it was just the two of them. In the context of the story, this would basically be him killing her.

However, this is also a tactic abusers use known as isolation.

When she questions why she should go with him and why he'd hurt Ichigo and Tatsuki before saying that the brother she loved would have never done anything like this.

I feel like in the anime, it kinda breezed by these moments which are honestly heartbreaking in hindsight and key for the leadup to why Orihime was afraid when Ichigo would use his hollow mask.

but Acidwire's response to her refusal and saying that the brother she loved would never do this is to not just harm her, but blame her and say that he is going to kill her.

In the time that she's become friends with Ichigo and Tatsuki and slowly grew happier, Acidwire blamed her for his own despair and sadness.

The kind, loving older brother that she had always known became a monster that would kill her and everyone close to her, and it would be her fault that he did because she stopped praying for him.

Here, it shows how Acidwire views Orihime not as a person who should live her own fulfilling life, but as an object who should live for him because he gave up his entire life to raise and protect her.

Once again, not to say that Sora was an abuser or abusive person, but this line of logic is the same one that abusive and toxic parents often use when it comes to emotionally abusing their children. Saying how the sacrificed so much for their children to control how their children live their own lives when the child never asked to be born. Similarly, Orihime didn't ask to be born or ask for Sora to raise her.

Sora did because that's the kind of person that he is, but Acidwire turns these loving traits of Sora's into a manifestation of abuse.

And even though she has nothing to be sorry for... She apologizes to Acidwire because that's the kind of person she is.

It also shows how she puts on a smile so that way others don't have to worry about her. She didn't want Sora to think that she was sad and hurting, she didn't want him to worry about her so she buried and hid her own sadness.

She apologizes to Acidwire for making him sad and (in what she thinks are probably her last moments) says that she loves him and that she didn't mean to hurt him.

As he's slowly regaining himself, Sora admits that he already knew that Orihime was just trying to shield her sadness from him but still wanted her to pray for him because it was only in those moments that her heart was his.

Ichigo then tells him that it's the same, those who die and those who survive are just as sad as the other.

It's in this moment Sora had fully regained himself, enough to know that he couldn't stay in a form like this or else he'd come to hurt Orihime again. If he killed the little sister that he raised like a daughter over his own heartache, would he have been any better than their own abusive parents?

And finally, the two get to say goodbye properly.

Also - a side note - a lot of people criticize Orihime's passive nature and how she never seems to fight or argue with anyone but it's because the one time that she did have a fight with someone, they died and became a monster.

This entire sequence emphasizes why Orihime always tries to reach out to others in need and never argues or fights. She doesn't want her friends or even strangers, to become like how Sora became Acidwire.

Now, Rukia had changed/erased Orihime's memories following this event but it likely didn't work as intended since during the Rukia rescue arc, Orihime mentions that she's been able to see hollows and spirits ever since the encounter with Acidwire.

Now let's go ahead and jump ahead to VL Ichigo -

Going to Hueco Mundo - Ichigo already knew without having to be told or convinced by anyone that Orihime was in danger. Aizen did his best to make it look like Orihime was a traitor to the Soul Society and Ichigo never bought it

It's being put in plainer and plainer terms that Ichigo transformed as a response to Orihime's call for help.

Even if you want to argue that there was a mistranslation or that Ichigo doesn't directly reference Orihime, even if you remove all of the text the sequence of events goes

Orihime's cries

Ichigo began to move and get up - functionally coming back from being dead

Once again, even if you want to remove the text avoid arguing about whether or not it was properly translated - nevermind the fact that in Japanese pronouns are often omitted and there is a big assumption to just know who/what you are talking about -

Even without text, the images show Orihime crying, and Ichigo beginning to come back to life.

Both she and Ulquiorra question whether that is Ichigo

Now that said, I think that Ichigo vs Ulquiorra is one of the most brutal and best fights in the series. Both Uryu and Orihime know that this isn't Ichigo.

Yet remember how it is established that hollows often become twisted versions of the people they once were? This is a power that Ichigo can't control and yet uses it to protect the person who called out to him.

While I don't disagree with the notion that this is also White protecting Ichigo, it doesn't change the fact that Kubo intentionally drew Orihime and Ichigo rising side by side multiple times. Even without text, Kubo places emphasis on her and her cries for help against VL Ichigo - not White or Zangetsu.

And when Uryu tries to bring him back to his senses what does Ichigo do? Put a sword through him.

Once again, even if you want to remove any and all text, Kubo puts VL Ichigo paneled side by side with Orihime, and when Ichigo comes back to his senses

The first person that he sees is Orihime.

As much as I want, I'll save my yapping about Ulquiorra for a separate time.

But for a moment, even if only briefly, his desires to protect were twisted in a way that hurt those around him, and once again - Orihime was the catalyst.

Ichigo says that he didn't want to win like this - showing that he views fights as something more honorable than what White/VL Ichigo had done. His last memory being that he had a hole put in his chest, also shows that he more or less "blacked out" and had no control over his actions.

What is one of the things established when people become hollows?

That they lose control of themselves and their desires are twisted.

The difference between Ichigo and Acidwire is that Ichigo wants to protect Orihime while Acidwire wanted to own her - which is why Ichigo never directly harms Orihime even as he loses control of himself.

But - all of this yapping is to show how from Orihime's perspective, hollowfication and hollow powers aren't good. They turn people into monsters that hurt their friends and loved ones.

It's also established that Orihime is the type of person who will internalize her own thoughts and feelings (it isn't ""hubris"" as some people call it).

Whether or not you want to argue that it was an assumption that Ichigo became a VL because she cried for help, it doesn't change the fact that she still cried for help and that Ichigo became a hollow/VL.

From her own perspective, she blames herself regardless of whether or not you think that it is an assumption on her part that Ichigo became a VL to protect her.

And after all - why wouldn't she blame herself when her first encounter with a hollow - Acidwire - blamed her for the monster that he became?

I know I skipped over him using his mask in the fight with Grimmjow, but I already yap too much and wanted to try to keep an already long post short(er).

Anyway - all of this illustrates the trauma that Orihime has regarding hollows and hollowfication. It's not truly her fault - yet in both instances she blames herself.

And not just Kubo, but Ichigo himself is fully aware of this.

Which is why when he tells her not to worry and that he's still himself is so important - because it shows that Ichigo has learned to control that side of himself while at the same time, being aware that Orihime is someone who has been traumatized by hollows and hollowfication.

Ultimately - she doesn't want Ichigo to become a monster like Sora. For Ichigo, it's growth in his own ability while for Orihime it's comfort in knowing that Ichigo won't lose himself fighting to protect those he cares about.

In short, she isn't afraid of Ichigo - she was scared of him becoming a monster like Sora had.