#doesn't work if it's only one way

[jordanswitches]

i just wanna be bitten all over by someone with a massive crush on me is that too much to ask

[somerandomcockroach]

[mumblesplash]

part 2!!!! [read part one here]

transcript below the cut arranged into stanzas to help show where the rhymes are:

“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone

“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try

think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress

[a-most-beloved-fool]

spirk using telepathy to keep each other alive. kirk, desperate, psy-null and untrained, reaching clumsily into spock's dying mind and pulling, dragging spock's essence into himself, wrenching him forceably from the very jaws of death and holding him there through sheer strength of will, saying you can't die, i won't let you, you can't leave me, i need you, and binding him to life and to himself until it's impossible to fully separate them. spock, more skilled, carefully managing each one of kirk's vital signs - keeping his heart beating steady, his lungs drawing breath, his temperature within a safe range, all while suppressing kirk's pain, and at the same trying, vainly, to keep their minds from tying themselves inexorably together, but they're pressed too close and he can't, and he hopes that kirk will forgive him, for bonding them like this (he will, of course he will), but the alternative, letting kirk die, was - unthinkable.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[scintillating-scales]

Dude I need claws SO bad. Except I need prosthetics to be really sturdy, so I can actually like. Use them for shit. Like I wanna be able to wear them to help me climb or claw at stuff or whatever I need them for. But people only make like plastic or foam or resin claws. It's not STRONG enough. I need like. IRON claws. STEEL claws. Claws I can climb trees and rock faces with. Claws that could kill a man if I wanted them to. It's a fucking TRAGEDY these aren't a thing, and I swear to God I'm about to learn metalworking just so I can make myself a suitable set.

[copia]

endless ghifs 18/? ⛧ source — "the ancient serpent deceiver..."

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[reineydraws]

had to draw this to understand the way i feel about him now that the manga's ended. 🥲 on that note: if you like hawks and his ending, maybe don't read my tags lol. it's not bashing (imo) but they're not v nice. 😅

bg + unobstructed pose under the cut!

his expression's a lil different 'cuz i only changed the merged layer, all the lighting effects already flattened onto it. 💀 alas.

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[rainbowberriesandcookies]

"Orihime being afraid of Ichigo's hollow power shows she doesn't fully accept him."

I see this take and similar ones pop up from anti fans of Ichigo and Orihime and try to say that Orihime is bad, in the wrong, etc. for being afraid of his hollowfication powers when her first encounter with a hollow was her brother Sora.

I know the anime did a lot of damage to Orihime's character - especially by taking these scenes out and altering them compared to the manga - but when Ichigo begins to undergo the same process as Sora, it only makes sense that she's afraid.

Not because she's afraid of Ichigo but because what he can become.

And just like Sora said, "It would be [her] fault"

Also - this is to counter the whole "Ichigo and Orihime were never close/barely friends/just acquaintances" that I see floating around often too.

But all in all - Orihime was never afraid of Ichigo. She was afraid of what he could have become.

As Acidwire, Sora targeted Orihime because of her growing bonds with Tatsuki and Ichigo. He even says that he attacked them because they tried to tear him and Orihime apart and that she already knew why.

For clarity - what I'm about to say isn't me saying that Sora was abusive in life and I'm going to specifically try to use his name as a hollow "Acidwire" as much as possible to express the slight separation between Sora as he was while he was alive and Sora as he was when he became Acidwire.

Especially since early on, it established that hollows - while they were once former humans - often end up being twisted versions of the people they once were.

Now onto the point -

The "You already know why" isn't dissimilar from how abusers, manipulators, etc. often talk to their victims when they're angry or upset. It's similar to the silent treatment in a way where it implies that the victim intentionally made the abuser upset.

He references her prayers for him every day helped ease his own suffering before she became friends with Tatsuki and entered high school before she stopped praying for him altogether. He then says how it hurt him that when she got home, all she would talk about was Ichigo.

For one - the fact that Acidwire knows this proves that Ichigo and Orihime were at least already friends by the time the manga started. In contrast to the anime where Ichigo outright says to Rukia that they've "never had a real conversation"

Anyways - this here in and of itself proves Ichigo and Orihime at least knew each other beyond just acquaintances - because they were close enough for Acidwire to notice and be hurt by it.

She tries to defend herself but he cuts her off before attacking Ichigo again

Acidwire tells her to come with him back to when it was just the two of them. In the context of the story, this would basically be him killing her.

However, this is also a tactic abusers use known as isolation.

When she questions why she should go with him and why he'd hurt Ichigo and Tatsuki before saying that the brother she loved would have never done anything like this.

I feel like in the anime, it kinda breezed by these moments which are honestly heartbreaking in hindsight and key for the leadup to why Orihime was afraid when Ichigo would use his hollow mask.

but Acidwire's response to her refusal and saying that the brother she loved would never do this is to not just harm her, but blame her and say that he is going to kill her.

In the time that she's become friends with Ichigo and Tatsuki and slowly grew happier, Acidwire blamed her for his own despair and sadness.

The kind, loving older brother that she had always known became a monster that would kill her and everyone close to her, and it would be her fault that he did because she stopped praying for him.

Here, it shows how Acidwire views Orihime not as a person who should live her own fulfilling life, but as an object who should live for him because he gave up his entire life to raise and protect her.

Once again, not to say that Sora was an abuser or abusive person, but this line of logic is the same one that abusive and toxic parents often use when it comes to emotionally abusing their children. Saying how the sacrificed so much for their children to control how their children live their own lives when the child never asked to be born. Similarly, Orihime didn't ask to be born or ask for Sora to raise her.

Sora did because that's the kind of person that he is, but Acidwire turns these loving traits of Sora's into a manifestation of abuse.

And even though she has nothing to be sorry for... She apologizes to Acidwire because that's the kind of person she is.

It also shows how she puts on a smile so that way others don't have to worry about her. She didn't want Sora to think that she was sad and hurting, she didn't want him to worry about her so she buried and hid her own sadness.

She apologizes to Acidwire for making him sad and (in what she thinks are probably her last moments) says that she loves him and that she didn't mean to hurt him.

As he's slowly regaining himself, Sora admits that he already knew that Orihime was just trying to shield her sadness from him but still wanted her to pray for him because it was only in those moments that her heart was his.

Ichigo then tells him that it's the same, those who die and those who survive are just as sad as the other.

It's in this moment Sora had fully regained himself, enough to know that he couldn't stay in a form like this or else he'd come to hurt Orihime again. If he killed the little sister that he raised like a daughter over his own heartache, would he have been any better than their own abusive parents?

And finally, the two get to say goodbye properly.

Also - a side note - a lot of people criticize Orihime's passive nature and how she never seems to fight or argue with anyone but it's because the one time that she did have a fight with someone, they died and became a monster.

This entire sequence emphasizes why Orihime always tries to reach out to others in need and never argues or fights. She doesn't want her friends or even strangers, to become like how Sora became Acidwire.

Now, Rukia had changed/erased Orihime's memories following this event but it likely didn't work as intended since during the Rukia rescue arc, Orihime mentions that she's been able to see hollows and spirits ever since the encounter with Acidwire.

Now let's go ahead and jump ahead to VL Ichigo -

Going to Hueco Mundo - Ichigo already knew without having to be told or convinced by anyone that Orihime was in danger. Aizen did his best to make it look like Orihime was a traitor to the Soul Society and Ichigo never bought it

It's being put in plainer and plainer terms that Ichigo transformed as a response to Orihime's call for help.

Even if you want to argue that there was a mistranslation or that Ichigo doesn't directly reference Orihime, even if you remove all of the text the sequence of events goes

Orihime's cries

Ichigo began to move and get up - functionally coming back from being dead

Once again, even if you want to remove the text avoid arguing about whether or not it was properly translated - nevermind the fact that in Japanese pronouns are often omitted and there is a big assumption to just know who/what you are talking about -

Even without text, the images show Orihime crying, and Ichigo beginning to come back to life.

Both she and Ulquiorra question whether that is Ichigo

Now that said, I think that Ichigo vs Ulquiorra is one of the most brutal and best fights in the series. Both Uryu and Orihime know that this isn't Ichigo.

Yet remember how it is established that hollows often become twisted versions of the people they once were? This is a power that Ichigo can't control and yet uses it to protect the person who called out to him.

While I don't disagree with the notion that this is also White protecting Ichigo, it doesn't change the fact that Kubo intentionally drew Orihime and Ichigo rising side by side multiple times. Even without text, Kubo places emphasis on her and her cries for help against VL Ichigo - not White or Zangetsu.

And when Uryu tries to bring him back to his senses what does Ichigo do? Put a sword through him.

Once again, even if you want to remove any and all text, Kubo puts VL Ichigo paneled side by side with Orihime, and when Ichigo comes back to his senses

The first person that he sees is Orihime.

As much as I want, I'll save my yapping about Ulquiorra for a separate time.

But for a moment, even if only briefly, his desires to protect were twisted in a way that hurt those around him, and once again - Orihime was the catalyst.

Ichigo says that he didn't want to win like this - showing that he views fights as something more honorable than what White/VL Ichigo had done. His last memory being that he had a hole put in his chest, also shows that he more or less "blacked out" and had no control over his actions.

What is one of the things established when people become hollows?

That they lose control of themselves and their desires are twisted.

The difference between Ichigo and Acidwire is that Ichigo wants to protect Orihime while Acidwire wanted to own her - which is why Ichigo never directly harms Orihime even as he loses control of himself.

But - all of this yapping is to show how from Orihime's perspective, hollowfication and hollow powers aren't good. They turn people into monsters that hurt their friends and loved ones.

It's also established that Orihime is the type of person who will internalize her own thoughts and feelings (it isn't ""hubris"" as some people call it).

Whether or not you want to argue that it was an assumption that Ichigo became a VL because she cried for help, it doesn't change the fact that she still cried for help and that Ichigo became a hollow/VL.

From her own perspective, she blames herself regardless of whether or not you think that it is an assumption on her part that Ichigo became a VL to protect her.

And after all - why wouldn't she blame herself when her first encounter with a hollow - Acidwire - blamed her for the monster that he became?

I know I skipped over him using his mask in the fight with Grimmjow, but I already yap too much and wanted to try to keep an already long post short(er).

Anyway - all of this illustrates the trauma that Orihime has regarding hollows and hollowfication. It's not truly her fault - yet in both instances she blames herself.

And not just Kubo, but Ichigo himself is fully aware of this.

Which is why when he tells her not to worry and that he's still himself is so important - because it shows that Ichigo has learned to control that side of himself while at the same time, being aware that Orihime is someone who has been traumatized by hollows and hollowfication.

Ultimately - she doesn't want Ichigo to become a monster like Sora. For Ichigo, it's growth in his own ability while for Orihime it's comfort in knowing that Ichigo won't lose himself fighting to protect those he cares about.

In short, she isn't afraid of Ichigo - she was scared of him becoming a monster like Sora had.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[merakiui]

Absolutely love the possessive ex Scaramouche ramble in tags, please feed us more of that.

Gladly!! :D

(cw: yandere, extremely toxic ex scara, modern au, unhealthy behaviors/relationship, stalking, coercion, obsession, forced marriage, violent/suicidal threats, manipulation, mentions of intoxication/alcohol, implied self-harm)

The two of you were what everyone calls ‘high school sweethearts.’ You met him in the cafeteria when the both of you were first years. Despite the scowl etched on his face, he looked lonely sitting all by himself while everyone was finding tables, old and new friends gathering in groups. He’d ignored you, even scooting further away when you’d attempt to move closer. Even though he seemed so averse to you, you remained, silently eating your lunch. Neither of you said anything, but you did introduce yourself. He scoffed under his breath.

You started to sit next to him for every lunch, and he continued to give you the silent treatment. You never pressed him for conversation, instead choosing to enjoy silence while you ate and admired him from the sidelines. He never looked at you, always facing forwards and toying with his chopsticks, bending them so far until they were ready to snap. Eventually, he seemed to grow accustomed to this routine because many weeks into the semester he turned to address you.

“Why do you always sit by me? Don’t you have anyone else to bother?”

“Maybe. But I don’t think anyone’s as mysterious as you are.”

“‘Mysterious…’ Yeah, whatever.”

That seemed to be the catalyst because, as sardonic as he was, he’d begun talking to you. And it wasn’t long until he started to warm up to you every lunch until the both of you were exchanging lighthearted banter. Your friendship would only grow from this point onwards until, at the end of your first year during a study session to prepare for finals, where you were both pulling an all-nighter at your house, he’d asked you out. And you said yes, and the both of you had gone from best friends to lovers within the span of a year. The both of you were each other’s first partner, so it made doing things as a couple even more exciting because neither of you had any experience with dates or holding hands or kissing.

Kuni wasn’t a bad boyfriend. In fact, he was very loyal and sweet. He’d stand up for you if anyone was being rude to you or scrutinizing your relationship with hateful eyes. The two of you were nearly inseparable. When you weren’t spending time together in school, you were out doing things together. And when you couldn’t meet up in person, you’d text or call, sometimes talking late into the evening about all sorts of things. You were so immersed in him that you failed to notice the red flags slowly raising over time. But looking back there were a few notable ones.

He never invited you to his house. In fact, you’d never even met his parents, whereas he’d been to your home so often that your family practically became his own. He hadn’t mentioned anything about his family, and if you tried to suggest going to his house for dinner so that he could introduce you to them he was quick to change the subject. For a while you’d push this, more curious than concerned, but eventually you’d drop it when it became clear that he wasn’t going to divulge anything on the matter. That had stung, but you snuffed those feelings in favor of focusing on other aspects of your relationship.

The second red flag was just how clingy he became when the both of you were in your third year, having been together for two solid years. You never noticed it before because you loved him, but when friends had pointed out how attached he seemed—and it was to rather unhealthy levels, according to their observations—to the point where you were the only person he’d ever formed a bond with while at school you started to see the cracks in what felt like the perfect relationship. He’d text you every single day, at every single hour, all the time. He’d call you nonstop, even more so when you didn’t immediately pick up.

The third red flag coincided with the second. When you couldn’t make it to your phone, he was quick to blame himself and those around him for being responsible for your deteriorating relationship. Did I do something wrong? Are you mad at me? Did those guys bother you again? They probably told you some stupid shit about me, right? Don’t listen to them. Hey, you’re not mad, right? Call me back. I need to talk to you. Just text me when you can, okay? (Name), please don’t leave me. I’ll fix whatever’s wrong. Just promise you’ll stay. Messages of these kinds were what you could expect to receive from him. He’d fluctuate between self-loathing to loathing those around him within seconds, shoving blame onto classmates who’d bully him for being that “weird emo kid with too many piercings” and anyone else who tried to, in his words, “come between you and me.”

By the end of your third year, you started to fall out of love. He was so very dedicated to this relationship, evidenced by how much effort and care he’d put into it, but his clingy behavior was stifling. You’d lost some of your own friends because he chased them away, and it felt like you couldn’t do anything without him breathing down your neck. If you wanted to go anywhere with a friend or two, Kuni had to be there to accompany you. If you looked at another for too long, he’d think you were cheating. If you didn’t text or call him at certain times, if you failed to pick up, or—Archons forbid—you left him on seen, he’d spiral.

Kuni had this habit of sounding dangerously self-destructive when he feared you were being unfaithful or he thought you were going to break up with him, which meant you’d have to sit on the phone for hours convincing him that you loved him, that you’d never leave him, that you’d always be here for him, that you were sorry for not responding, that he needs to calm down and please, please, please don’t do anything rash. Those phone calls were always so stressful. You cried a lot; you’d beg him to put the knife away when he’d threaten to use it on himself, on you, on anyone who might try to take you from him. And, after a few hours of this, he’d be back to his usual self, as if a switch had been flipped. You could hear his adoring smile in his voice when he spoke, when he’d lovingly whisper into the phone, “I’m happy you’re mine. I love you so much.” And you’d shakily parrot the affirmation, too frazzled to say or do anything else.

One of your best friends Rosalyne, who you’d befriended in the midst of all of this, had been so supportive the minute you spilled the truth to her. Kuni hated her the most because she wasn’t afraid of him. Because she’d shut him down when he tried to pull you away from her. Because she wouldn’t approve of any of his toxicity. Rosalyne would take you on shopping sprees, brunch dates, and jogs at the local park. She was plenty of good to outshine Kuni’s bad, and the more time you spent with her the clearer your head would become. The both of you had plenty of sleepovers together, and she let you rant your heart out while she listened. She’d tell you to break up with him, but you’d agonized over how terrifying that would be. You couldn’t bear to tell Kuni the truth—that you wanted to separate because things had turned so rotten—because you were so scared. Scared of him and what he might do.

Scared that if he really did take a blade to himself it would be your fault. He told you that a lot. That it would be your fault if he did anything. That his blood would be on your hands. You believed him every time.

By your final year, you’d already had a plan for university outlined and you’d started applying to a few in advance. You never told Kuni about any of them because you worried he might apply to each one in hopes of going to the same school as you. And when there was the dance for the graduating class and Kuni had asked you to it, you’d told him you were going with Rosalyne and a few other friends as a group. He didn’t like this, as expected, but you’d been so sick of him and his behaviors that you snapped and spilled everything to him. You’ll never forget the look on his face when you told him that you were done with the relationship and that you never wanted to see him again.

He looked as if he could lunge at you and tear you to bloody ribbons at any moment.

You graduated single and so very refreshed, and your summer had been filled with friends. Kuni didn’t message you at all, which was surprising considering you were certain he’d spam you relentlessly after the break-up. But he never did. In fact, you never saw him again. Graduation had come and gone, and now that you could recover from such a terrible relationship he was becoming less of a burden for you. For a while you were anxious. You kept expecting to receive a phone call or to see some news about Kuni, but neither ever came. Rosalyne told you to stop thinking about him. It would only make you even more paranoid and that wouldn’t do your mental health any good. You were so grateful to have her in your life, but most importantly you were glad Kuni failed to scare her away.

Now you’re a second year in college and things have only gotten so much better for you. You and Rosalyne still keep in touch despite going to different schools. She’d gone to a university in Snezhnaya, while you enrolled in one in Sumeru, and you’ve blotted Kuni from your mind. You’ve made a fresh group of friends while attending classes: criminal justice major Shikanoin Heizou, creative writing major Kaedehara Kazuha, musical therapy major Venti, botany major Tighnari, and so many more wonderful people who have all welcomed you into their circles.

So when Venti drags a familiar face to your usual weekend outing, which is really just a retreat to the forest for drinking and smoking, creeping cold settles into your bones. He looks awkward with Venti’s arm slung around him as the more bubbly of the two drags him towards the bonfire, where you sit with the others roasting marshmallows for s’mores, and it’s a look that is so uncharacteristic on him. What’s even weirder is how friendly everyone greets him—as if they all know him—and you’re completely lost when they turn to you and ask if you’ve met Kunikuzushi.

“No,” you lie through your teeth, forcing a pleasant smile and extending your hand for a stiff handshake, which Venti snickers at. “No, I’ve never met him before.”

Apparently, he’s in one of Venti’s classes—it’s a course he’s taking solely because he needs the credits. Tighnari knows him because they usually work the same shifts at the campus café. Kazuha knows him from his linguistics and philosophy classes. Heizou’s ate with him in the dining hall plenty of times now and they’re also taking the same psychology class. It feels so genuine and yet so fake at the same time. Too perfectly manufactured to be a mere coincidence. But you do your best to push past these suspicions, and when he sits across from you, smiling at you and saying how nice it is to meet you, the warping flames paint his face in devilish shadows. That’s what you think he is when he acts like a completely different person from how he was when you dated: a devil who’s good at being kind and outgoing, noisy and abrupt, and always so foul-mouthed, but in a way that makes him charming. Your friends are so enthralled. They love him and his sense of humor. They love his quick wit. They love how fun he is. And suddenly weekends spent in the forest aren’t so enjoyable.

You do your best to overcome your doubts. For a few months you’re on edge. How he even found you is a mystery. Surely he wouldn’t stalk you and enroll in the same college just to get revenge or…whatever vengeance he wants from you. But when he treats you to coffee, when he brings you and the others pastries every other morning, when he invites the lot of you to study at the library, when he tells the funniest stories while crossed and everyone’s giggling like schoolgirls it really feels like he’s…healthier. Like he’s turned a fresh page in his life and is starting anew. Like he’s changed for the better.

Perhaps he just doesn’t remember you. You’ve changed your style over the years, so it’s possible he’s simply forgotten your image and can’t place memories to your name. Eventually, after soothing yourself with these theories, you begin to accept his presence in the group. He fits in so flawlessly, as if he’s a missing piece to the puzzle, and you can’t believe you’re admitting this, but you like this version of Kuni. He’s confident, not cocky. He’s kind, not rude. He gives everyone space. In fact, he rarely texts frequently in the group chat. And he’s funny! He’s so funny. You don’t think the Kuni from your past was ever as funny as the Kuni who regales everyone with lighthearted stories of how he once took in a stray cat that turned out to belong to his neighbor or how his old job had the strangest customers.

Maybe he truly did change. Maybe all of these coincidences really are coincidences. Maybe it’s for the best that you leave the past in the past.

Finals season looms, and the group hasn’t had time to meet up outside of class. Venti has tried to persuade everyone to come study at his apartment. His roommate won’t care (yes, he will. Xiao hates it when everyone gets blackout drunk and he has to wake everyone come morning), but if you’ve known Venti long enough you’ll know there is no studying that happens at these study sessions. This is probably the reason why he’s had to repeat a year.

With everyone’s schedules packed with academics, it’s difficult to find a time where everyone can get together to study. You think you might just be better off studying on your own, but Kuni’s message of you wanna pull an all-nighter for these lame af finals together?? accompanied with a photo of snacks and coffee, any thoughts of studying alone instantly vanish.

This is how you find yourself in his dorm, sprawled on his bed while he sits on the floor, whacking your dangling feet when they get too close to him. His roommate Albedo is currently out tutoring a few students at the library and won’t be back until much later, so it’s just you, Kuni, and a pile of textbooks and notes. You’ve hung out with Kuni a few times and he was great company during each. You’ve also fallen asleep in his dorm before, when you’d come over to binge a show the both of you enjoy, and you’d lost track of time and had slipped into a dream halfway through the marathon. You’d woken the next morning with Kuni looming over you, grinning deviously and holding an uncapped marker. He’d leaned down and whispered, “You drool in your sleep,” and you’d swatted at him and groused about how you were sleeping so peacefully when he just had to ruin your sleep (and your face) with his antics. And then there was that time when you were so drunk at that one party and you could hardly stand, he’d been there to help. He even stayed with you for the rest of that night, offering his assistance when you became nauseous or needed water or a snack until you passed out.

Despite your initial apprehensions, you consider him a friend. He’s no one nearly as close as Rosalyne or your other friends. He’s just a mutual friend, someone you’ll spend time with when you feel like it, but you don’t truly need him in your life. That, and part of you still struggles to trust him after all of the stress and unhealthy obsession he subjected you to.

“Kuni,” you whine, lifting your head from the textbook. “Can you get me some water? I’m thirsty.”

“Do I look like your maid?” he snaps, immersed in organizing his notes. “Get it yourself.”

“I’m picturing it now and you’re in a frilly dress and—”

“Forget I asked.” Setting his notebook down with an exaggerated sigh, he crosses the distance to the mini fridge and withdraws a bottle of water.

Grinning, you slide off of his bed and reach for it with a grateful hum. He smirks and takes a step back, holding it away from you.

“Seriously…”

Rolling your eyes, you lunge for it and he side-steps you with the practiced grace of a cat. You brace yourself against the wall and swipe at him. Again, he dodges, unscrewing the cap and shaking the bottle teasingly.

“I think I’ll take a sip for myself. All of this studying has left me so parched.”

“No fair! That’s mine!”

“Is it?” He pulls it away from his lips to observe the bottle and feigns surprise. “That’s weird. I don’t see your name on it.”

“Look closer!” you exclaim, but just as he’s about to humor you you pounce, tackling him to the ground—there’s a beanbag cushion that breaks your fall—and the water spills all over the both of you in the midst of the tumble. A slew of colorful words stick in Kuni’s throat and your laughter rings out melodiously. You seize his wrist and hold it down while reaching for the bottle in his other hand, where there’s still some water left. He struggles halfheartedly, relinquishing the bottle with a disinterested scoff, and you pull away from him to down what’s left.

While crushing the plastic bottle into a ball, you notice something on your palm—the palm that had grabbed Kuni’s wrist—and it takes a minute before the skin tone-colored substance registers in your mind.

Concealer.

You peer at him and notice that he’s cradling his arm, and confusion sprouts.

“So funny,” he spits with a hollow laugh. “You owe me a new beanbag if this one’s ruined.”

“Hey, hold on. What’s with the—”

“Forget it. You got your water, so let’s get back to studying. Or do you no longer want to be a perfect student?”

Without thinking, you grab his arm as he’s standing and when you look at his forearm you can see where the water’s started to wash the concealer away. Curiously, you scrub at it while he tries to yank his arm away, but when you unearth a dozen scars littering his wrist and climbing the length of his arm that creeping cold from before returns.

And suddenly you’re brought back to those phone calls—the ones where he’d threaten suicide and murder—and you stumble back as if you’ve been burned, half-expecting to hear those threats once more. Kuni’s staring at his wrist, his features twisted in grim disapproval, and for a moment you think he looks…hurt. Or maybe that’s sadness you see. Whatever emotion it was, it doesn’t linger because a quiet chuckle slips past his lips, and the sound is so very frigid it has your blood crystallizing.

“It really hurt when you said you never wanted to see me again.” Kuni peers down at you, and his eyes that had once been so bright and filled with light are dull and dark. “But nothing hurts more than loving you.”

You open your mouth to say something—anything—but the words won’t come. You’re rooted to the ground, horror slinking through your body and rendering you immovable. Your heart is in your throat, pounding so loudly it’s practically a drum, and a cold sweat washes over you.

“Each time I found myself hating you, I thought it was odd because I love you so much. I can’t possibly hate the one I’ve loved all this time.” He scowls. “But loving you hurts. Loving you feels like chewing glass and drinking poison. Loving you isn’t fair because while you moved forward with your ‘friends,’ I was forced to stay behind and pick up the pieces of what was left of you. So for every moment I couldn’t stand you, I tallied it on myself so that I’ll never forget the times I loved you so much I hated you.”

This can’t be happening, you’re thinking, curling your hands into trembling fists. He changed. He changed, right? This isn’t the same Kuni from before. This isn’t…

“And when I saw how well you seemed to be doing without me, I hated you even more.” Without warning, he’s grabbed your arm and hoisted you up. You open your mouth to scream, but no sound comes—not that anything could when he’s pulled a switchblade from his pocket and poised the pointed tip at your jugular. “You have poor taste in friends. Those guys suck.”

Tutting, he shakes his head at you like a parent might when scolding a child, and says, “Do you know how fucking tiring it was pretending? You think I care about pastries and stupid campfire stories? You really think I’d ever want to associate myself with that sorry lot?”

“K-Kuni, please let go of me. I… I’m sorry. I didn’t know you were—I’m sorry. So please just…”

“And then the first time you see me after all these years apart and you had the gall to lie to my face! ‘I’ve never met him before.’ Bullshit. You just didn’t want any of your loser friends to know our history, right? Because you’re ashamed to have known me, right?”

“That’s not it! I… I was just—I didn’t… I was… I just…”

“I… I… I…” he mocks, shoving you down onto the beanbag. It dips under the sudden weight, and you sink further into it when he points the blade at you. “Stop tripping over your tongue. I should be the one near tears! You cast me aside and then forgot all about me. You abandoned me when I needed you most.” His voice cracks at that last sentence, and your heart skips erratically.

“That’s not what happened! We needed space. I needed space. You were being too—” You stop yourself, unsure of how to phrase it. Too controlling? Too dangerous? Too scary?

“Lucky for you, I’m willing to overlook these past...slights.” The blade twirls effortlessly in his grasp, and you heave a relieved breath when he’s no longer pointing it in your direction. “Marry me and we’ll forget all about the past. We’ll start over.”

His demand almost stops your heart altogether. You stare up at him, mouth agape, and mumble a disbelieving, “What?”

“You heard me.” He seems to soften with his next words, and for a moment he looks and sounds like the Kuni who hangs out with you and your friends. The harmlessly fun Kuni who always takes such good care of you. “You’re the only one I’ll ever love, so let’s get married.”

“K-Kuni, I can’t... I really can’t...”

Within seconds the blade has found itself on his wrist, pressing into delicate flesh. Not enough to cut, but if he applies more force you’ll definitely see blood. You choke on a horrified gasp.

“What was that?” He raises his brow at you, challenging you with a calm smile.

Your mind reels in an effort to conjure a plan. What can you even do? If you take the blade from him, will he turn his anger on you? Will you have to wrestle him into submission? And if you do manage to get out of his dorm, will anyone believe you? He’s painted himself in such a pleasant light. Your friends love and trust him! So what can you say? And if there isn’t any solid proof, no one will even entertain bringing the authorities into this mess.

“I’m waiting, (Name). Are you really going to make me add another tally? Do you really want me to hate you again? Oh, but maybe I should start marking you! We can add a slice for each time you failed to love me. That way we’ll both look like used cutting boards.”

You need help, you want to say, but the words escape you.

Instead, you nod hastily and say breathlessly, “Okay, yes! I’ll marry you!” Swallowing your horror, you glance at the blade as it’s lifted from his skin. Thankfully, there isn’t a cut. “I... I’ll marry you, Kuni. So... So please don’t hurt yourself. Please.”

It feels like you’ve been strangled for an eternity, so when he finally pockets the blade the air in your lungs returns and you collapse against the beanbag, chest rising and falling in short, panicked breaths. 

“Good.” He bends down to your height, grips your chin with cold fingers, and forces you to meet his adoring stare. “We’ll look at rings tomorrow. Or maybe you’d prefer bracelets instead? I can be flexible but only for you, so you’d better be grateful.”

You swallow rising bile and nod. “T-Thank you.” You’re not sure why you’re thanking him when he hardly deserves it, but it feels like the right thing to say to ease the tension.

Kuni’s eyes sparkle, no longer a void of endless darkness, and when he leans in to capture your lips in his your heart sinks. You really can’t run from your past, can you?

[scificrows]

The feed ID doesn’t need to say anything other than what everyone else’s says, just name, gender, and…” She trailed off. She was looking at me and I was looking at her. - Martha Wells, Fugitive Telemetry (The Murderbot art I used is the official cover art from the French edition of ASR)

[rabarbarzcukrem]

Ok so it's like.

The motorcycle scene: Touga is obviously imitating Akio and failing miserably. Represents an attempt at achieving maturity and adulthood through adopting empty symbols of power. Gives the impression of movement and progress, but in reality is going in circles. It gets faster and faster, there's a sense of danger and agitation. Touga is driving and Saionji sits in the sidecar, they're not on the same level and Saionji disapproves. Seems like they're heading towards some destination, but they're going nowhere.

The bike scene: A reference to their shared memories. Represents clinging to the past and trying to return to the time of childhood. The wheels may be turning, but the bike stands in place. It get slower and slower as Touga gets more tired until he finally stops completely. There's a sense of nostalgia and emotional fatigue. Touga is the only one pedaling, but Saionji doesn't comment on it (meaning that perhaps Touga being in control wasn't the problem in the first place. Maybe it was always about wanting to restore their lost connection and equal footing). They're facing opposite directions, but at the same time leaning on each other.