#does this even count as analysis?

[kainereee]

This isn't an attack on fluff or anyone who enjoys a cute moment in ships because I love a cute moment! I do go crazy and kick my legs yes yes

But sometimes I sit and think that tbh? A lot of idv characters would not have nearly as flowery and non-problematic relationships as I see them portrayed. A lot of these people who've arrived at the manor are fucked up. Like they have deep-seated, deep-rooted issues that if they were to get into relationships would affect these said relationships — and I imagine not in the healthy way too.

And this isn't me saying your mental health or your flaws define how you'll act to a person. Nor that they aren't overcomeable. No, most certainly not, but they'll definitely play a BIG factor.

And honestly I think that should be considered more sometimes because its something super interesting to explore narratively. Give me something forever unrequited, doomed! Give me something codependent, hell, maybe even toxic!

Perhaps it's because for me the observance of any kind of dynamic ( platonic, romantic, maybe a secret third thing ) always tumbles into a straight up character study of both parties involved - but that feels hard not to do so when you have a media that can get really dark like IDV and when you have characters that don't fit within a black and white space of morality. When you have characters that, ultimately, have very unhealthy ways of treating people and when you pair them with others this can escalate, for better or worse. Because it doesn't have to be all doom and gloom, growth is beautiful too — but I don't think we should shy away from the struggle that comes from that. I think that makes it more beautiful

Idk this is just my propaganda post for the only way I like my michimary is unrequited and full of strain and that I believe Joseph Desaulnier is too far deep into his research and goal to ever fully commit to someone like that /lhj

[casscainmainly]

you’re soooooo right for the cass and jason stuff. i am obsessed with how their views make them behave in their own separate selfish ways. cass needing to believe people can change and be redeemed because she herself needs to believe she can be redeemed…… im thinking specifically in batgirl where she tries to save a murderer from death row. saying “maybe he changed” to the victims mother….. and then everything with jason really, the way he can’t see beyond how he was a victim to see how he has hurt and victimized others. how he has made himself into someone who really can’t see beyond his own tragedy in many ways… how he sees bludhaven literally blow up but refuses to let bruce leave to find Dick

YOU'RE so right because it's easy for people to side with Cass or Jason only, but it's more interesting to see it as neither being 100% in the right. That issue in Batgirl is literally so good - as this post points out, the crime the guy was in prison for was most likely a hate crime. The motive doesn't matter to Cass, since her belief is that no one should die, but it's deliberately disquieting that she doesn't stop to consider the victim until the victim is actually in front of her. Her point of view is focused around redemption and absolutes, to the detriment of justice and specific circumstances.

Jason, on the other hand, is so focused on justice that he has trouble making room for redemption. His is a situational ethics (in contrast to Cass' moral absolutism), which can be good in certain instances (like, debatably, killing the Joker), but can lead to really muddied actions and reasoning. Jason, like Cass, is fundamentally compassionate, but his actions are calculated in a way Cass' is not, leading him to sometimes lose sight of saving lives as the original goal.

Bruce, Jason, and Cass form a really interesting triangle of people whose views on murder are irrevocably tied to the perspective they witnessed the defining murder of their lives in. It's why none of them (yes, even Cass and Bruce) can ever truly understand each other, but also why they have a lot in common. Idk it's just very interesting to think about!

[02enthusiast]

why did it JUST click for me that the scenes in umbilical and tear drop mirror off eachother?

like, the clip in umbilical is in the earlier part of the day/beginning of the date, and tear drop is the later part/ night

(i feel like this might’ve been commonly known but i still wanted to share </3)

[iwritenarrativesandstuff]

P5R Random Thoughts #3: Annoyance, Anger, and Conviction

Or, just a couple more random thoughts about Joker.

I actually do enjoy that Joker seems to sometimes get genuinely frustrated with his friends' antics - I don't know if it reads that way to anyone else, but a combination of his dialogue options and character model body language definitely reads that way to me.

He's gotten mildly annoyed with Ryuji's loudness on several occasions - often having dialogue choices that are essentially some variant of "keep your voice down!" Much as Joker feels what I suspect is quite a lot of gratitude for Ryuji's unflinching support and passion (he was his first friend in Tokyo, after all - no deal, just friendship), his dialogue options also become a lot more passive aggressive during early Kaneshiro arc - and small wonder, because Ryuji's eager carelessness actually did get them caught; thankfully by Makoto, and not law enforcement. Of course, he still cares a lot about Ryuji; I think he's just a little frustrated right now.

He's usually pretty chill with Morgana bossing him around - for what reason, I honestly couldn't tell you, but he does pretty much anything that not-cat recommends. However, when Morgana spontaneously invites Yusuke to stay with Joker without asking him, Joker kind of "!!" and looks at him. It's then followed up with everyone deciding to invite themselves to Joker's place, again, without asking him and Morgana encouraging it. The scene ends with Joker straight up elbowing/jostling Morgana in the bag after everyone's left for Leblanc. Pfft.

He tells Yusuke to hurry it up in Mementos when he gets too in the zone... and much as you can't rush an artist, they do near immediately get jumped by Shadows after that, so, you know, he does have a point.

Even with Ann, Joker frequently sweatdrops at her kind of out-there ideas of how to strengthen her heart. While I wouldn't call it annoyance, per se, there is at least one scene I can think of where two of the options straight up shut her down, and the last is basically a sarcastic "good luck with that", which Ann proceeds to take at face value as encouragement, leading to Joker sweatdropping once again. Lol.

So many of these are basically the equivalent of Joker going >:( at his friends and them typically completely not noticing which is funny as heck.

Also, because I'm the kind of person who loves to read into things, I think it can tell us a little more about Joker. What actually frustrates him here?

Drawing attention to the group in the real world - something he actively tries to avoid, at first, because of consequences for him, and then, because it puts the thieves at risk

Getting himself and the group into unnecessary trouble - so we've got two instances of Joker being mindful of potential consequences

People getting invited over without being asked first - this one's a little ambiguous as to why. Could be a simple courtesy thing, could be related to Joker's earlier obvious discomfort with people getting in his personal space without permission, could be that he likes his privacy. Personally, I suspect he's actually somewhat embarrassed and a little concerned about what his friends' reactions will be to where he's staying - I do have some reasons for this interpretation but ultimately, no matter what reason you ascribe, he's definitely not initially happy about this spontaneous invitation by Morgana.

I think we can even condense the first two and say that Joker seems to be a little more focused on outcomes and consequences than much of the rest of his group, who (before Makoto joins) very much people who act in the immediate moment. He's not quite on par with Morgana's brand of pragmatism, but he does seem to always be at least thinking ahead.

There are a few exceptions, however.

Joker's actual anger is something he is evidently not good at hiding. He has an excellent poker face, but his eyes and, apparently, the way he speaks give it away entirely. To hide his anger, he outright has to not say anything and obscure his face. That actually does not seem like someone who is especially good at hiding strong emotions, even if he can school the rest of himself.

Ann, of all people, has to make excuses for his obvious disdain towards a cop. Every single dialogue option is some flavour of snippy comment. His character model continues to stare directly at said cop, even after Ann interrupts.

He is not thinking about consequences here. Joker fucking hates cops, and he is either very bad at hiding it - or he has no desire to. A very similar thing happened with Kamoshida too. He has nothing but disdain for abusers with power and authority over those they hurt. He also outright doesn't trust the justice system at all after seeing how it failed him and so many others ("They do more than the cops" <-hello. on live tv no less.).

And this leads to something else that's actually a fairly interesting facet to his character that I'm curious to see if it'll get acknowledged in some way.

For the most part, despite the Metaverse confidence and flashiness (which I feel isn't a great metric anyways - all the thieves are like that), Joker responds to most compliments and successes by either complimenting the whole team in turn, or brushing it off as luck or not a huge deal. This is likely in part a cultural thing, but when it comes to genuine appreciation being shown, he does seem to have some semblance of humility about it all - which is why it's almost hilariously shocking how pushy he can be about helping others.

He chases after Ann because she's upset, even though initially she told him not to. He corners some of the students getting exploited by Kaneshiro and won't leave until they tell him the details, even resorting to playing into the rumours about him so that they'll talk. He overhears his confidants in some kind of trouble on several occasions and near immediately asks them about it, and then continues to bring it up if they don't elaborate. It's notable that these instances are some of the few things he decides to do himself, without Morgana's explicit encouragement. I suspect a lot of this is because he has so little faith in anyone else to do the right thing - he has no trust in the justice system, and most adults don't seem to care. But Joker cares, and he will listen to what happened, and he will do something about it, and he will help, and he does so by refusing to let up - he does not wait for someone to ask for help necessarily, he just kind of goes and does it. It's not like I can't see the rationale here, but it's also, kind of, a little bit... presumptuous, in a way.

Again, it's a fascinating contrast with his typical (at least apparent) humility, and his kind of wishy-washy dialogue from early game - Joker has always been firm about this.

The official forming of the Phantom Thieves at the buffet is a scene that really caught my eye for this. Again, much as Joker has the same level of anger as his friends, his answers are still largely "probably"s and "maybe"s. He "hadn't even considered" continuing to act as Phantom Thieves. But interestingly, there is one dialogue option that is stated with none of the usual hesitancy or vagueness - "I want to help people". <- It's the crux of his awakening. This is Joker's true conviction. And he's willing to do anything, be whoever he needs to be, to see this through. He wants to help. He can't bring himself to look away.

Asserting the Phantom Thieves' brand of justice is a conviction that arises later on through proof of the effectiveness of changing hearts, and as a natural extension of his growing familiarity and confidence in their methods. Joker nearly always needs a little push to get started, but once he gets going, he's kind of relentless. He doesn't seem to be truly all that angry with either Makoto or Akechi for their questioning of the thieves' justice (barring his initial reaction), but he does, again, get annoyed at the assumption that the thieves are somehow a threat to people who aren't inflicting harm onto others - Joker says the thieves only target "criminals", implying that even though others may see them as criminals themselves, Joker does not agree. And when Makoto winds up joining them, there appears to be no residual hard feelings from him - she's like them, and she's come around.

It's likely too soon for me to state with any certainty, but I do think that's what Joker is hoping for - that people will come around if he gives them undeniable proof that they help instead of harm. Every character has at least some "selfish" motive to being a Phantom Thief, in addition to the shared goal of providing courage for those left abandoned by society. Ryuji wants positive instead of negative attention for once, Morgana wants his memories, Ann wants to alleviate her feelings of guilt surrounding Shiho, Yusuke aims to understand the human heart, and Makoto wants to feel useful and needed. What about Joker?

He started off this story just trying to help. No one believed him. He was punished for "hurting" someone and there was nothing he could say or do that would convince anyone otherwise. It was his word against society's. And when the Phantom Thieves' motives are brought up, it's the same questions: aren't they going to hurt people? Aren't they dangerous and untrustworthy? And this frustrates Joker in a similar way to the rumours surrounding his own arrest, but now - now he has proof. Proof that they helped, proof that this works. It's undeniable, to him, that real good is coming of this. And so now he has a leg to stand on; he can actually argue his point by saying "the Phantom Thieves aren't like that; look at the people they're helping, and how the people who should've done something can't do half the good they do". It's no longer his word against the rest of the world. He's counting on people being unable to deny what they are forced to witness.

In a way, Joker now has grounds not just to plead the Phantom Thieves' justice... but also his own innocence and good intentions. His defense of their justice is also, I believe, a defense of his own ego, to an extent.

[purplecelestial-buddy]

It's so funny to me that the fandom has come to see Hirano as a Sasamiya promoter of sorts because while he is, it took him some time to get accustomed to the idea of them together. And while he was never a hater Sasaki's actions towards Miyano certainly used to get on his nerves.

At first he was so worried and probably even felt a little guilty because (as mentioned in the following screenshot) because the only reason why Sasaki knows which class Miya is in, is thanks to him.

But like, that's not the face of a friend that's happy to play cupid and get their two acquaintances together. Not at all, that's the face of someone who puts his sempai-kouhai relationship with Miyano over his (pseudo) friendship with Sasaki.

Hirano from the first chapters would have jailed Sasaki if he were allowed to. (And he has his reasons, Sasaki has been something since the first chapters)

Anyway, the progression of events is really interesting.

He started, quite literally, shielding Miyano from Sasaki.

Then, he came to accept their relationship.

And at the end he really was rooting for them, to the point he ended up outright lying just so Miyano could meet Sasaki and they could talk it out and confess.

[arttsuka]

Usually, people tend to see the parallels between Jinx&Viktor and Vi&Jayce, nerds vs jocks in a way, I guess. There are more, sure, but I'm here to talk about Jinx&Jayce and Vi&Viktor instead.

(A little disclaimer, I haven't watched Arcane in 2 years more or less so sorry for any inaccuracies)

First things first, the obvious thing, their names.

J for Jinx and Jayce, Vi for Vi and Viktor.

For their appearance (at least in arcane), Jinx and Jayce have a more blue wardrobe and colors. Vi and Viktor have more red/pink instead.

All of them are stubborn but I think Jinx and Jayce are/were more optimistic than Vi and Victor who are more 'realists' (but can and will get stuck to certain ideas/beliefs and will sacrifice stuff to achieve their goals).

Jinx, due to her being younger and Jayce due to him being more 'sheltered' are more childish, easier to manipulate and rile up.

Jinx, mainly because of Silco and his influence in her life, didn't grow up (Powder to Jinx) 'in the undercity'. Sure, they were there, but it wasn't exactly like she was living on the streets with the other citizens, like Vi who we know had a social life (until she got thrown to prison for the ??? time). Viktor also was a direct 'product' of the undercuty. Jayce wasn't.

Jinx and Jayce both have memories from their childhoods that they keep 'close', thinking about them and it let them to change their whole personality, to shape it into something different. The bomb incident was the start of the Jinx persona, the Mage that saved Jayce and his mom were the reason he started to study and why he wanted to learn more about magic in the first place. Vi and Viktor are less likely to accept change, especially in people. Vi refuses to believe Jinx is no longer Powder, Viktor doesn't want to believe Jayce will put other things (fame, his reputation, other people) before him and their research.

Finally, Jinx and Jayce mainly use weapons (and while Jayce wields a hammer, it's still not exactly hand to hand combat). Vi and Viktor both have body 'modification' parts (her gloves and his cane + leg 'prosthetic').

So, to badly summarize:

J

Blue

Childish and optimistic

Weapons rather than body parts or armor

'Traumatic' thing that happened in the past changed them

'Not from the undercity' mentality

Vi

Red/pink

Realist but stubborn

Body parts that act either as weapons or armor (at least eventually)

Don't want to believe people change

Product of the undercity

I'm not very good at articulating my thoughts in a coherent way, I hope all that makes sense

[accirax]

Revisiting My Original DRDT Death Predictions

If you haven't been following what's going on over at @av-multifangan, Venus and I have been posting one of our fangans, Danganronpa: One Shot. Hooray! But, more relevantly to this post, we also posted the rules to a game that we've been playing for a long time-- a game through which you can score your performance at guessing how a fangan's kill order will go after viewing only its prologue.

Said old game was also invoked when we began watching DRDT, so I thought it would be a fun trip down memory lane to see what my genuine initial predictions for the entire killing game were after viewing just a little over an hour of Despair Time content.

While all of us non-cast-and-crew members obviously don't know the entire kill order at this point, I can rest assured that these predictions, well... ain't it. But, that's part of the point! To prove that even the creators of this predictions game can be terrible at it, and that there's no shame in making a guess and then changing your mind!

... Oh boy.

SPOILERS for DRDT through the end of Chapter 2, and IMPLIED SPOILERS for SDR2 and v3!

Well, no use in dilly-dallying. Here's my predictions sheet:

(god damn why is the quality so bad--)

If you haven't read the rules of our game, I'll quickly summarize them here. You have to predict the killing game using the most standard formula: one Chapter 1 victim and killer, one Chapter 2 victim and killer, double kill in Chapter 3 with one killer, one Chapter 4 victim and killer, one Chapter 5 victim and killer, and four survivors with a "surviving" (until Chapter 6) mastermind. These roles are listed out in rainbow order (Chapter 1 death = red, Chapter 6 = purple), and victims are marked with an X while killers are circled. The survivors are circled in purple, with a cyan star on the suspected mastermind.

At the end of the game, you gain points based on how far off you were, such that a low score is good. It's +2 points for getting the role wrong (victim vs killer/mastermind vs survivor), with an additional +1 point per chapter for how far you are off from the characters' last.

Although the quality is low, hopefully you can figure out what I predicted using those instructions-- or the image ID, if it's still too tricky. And, of course, I'm going to go through all of my choices below, starting with

XANDER in the role of CHAPTER 1 VICTIM

"Accirax," you may ask. "Why are you acting so doomed about your predictions when you literally got 1/4 of the confirmed deaths correct?" Unfortunately, my friend, I was already spoiled about Xander's death before I started watching DRDT. I'm very grateful that I had no idea about the circumstances of Xander's death (AKA, him stabbing Teruko) going in. But, I think I'd seen some thumbnail somewhere of Xander's BDA and knew he was a goner.

Hence, this was a free 0 pointer for me. I'm not that cool.

ARTURO in the role of CHAPTER 1 KILLER

Now, why I thought Arturo of all people would be the one to kill Xander is beyond me. I think my rationale was that, at the time, Arturo was giving me early death vibes, and this was the only spot I could put him in?*

This is one of the predictions that I know is wrong, because the Chapter 1 killer spot has already elapsed. The best I could do now points-wise is if Arturo is the Chapter 3 killer (I'd get +2 points for being two chapters off), which is definitely still feasible! Still, I wonder now if Arturo's vibe is too obvious for being a killer, and if he would ever be willing to put ~Julia Rosales'~ life in jeopardy by attempting to escape. J certainly isn't doing herself any favors with that Felicity reveal, at least.

ROSE in the role of CHAPTER 2 VICTIM

*This is where things get... a little complicated. As I already said, I had been spoiled to the fact that Xander was the Chapter 1 victim. However... I also thought I had been spoiled to the "fact" that Rose was the Chapter 2 victim?

I really don't know how this happened. I have a distinct memory of seeing a Tumblr post containing something that sort of looked like what I imagine an Ultimate Art Forger Lab could look like(?) talking about how the characters needed to investigate to figure out who killed the Ultimate it belonged to. I thought I remembered seeing Rose's face, but this was before I had ever watched any DRDT content. So, it's possible I had the wrong fangan, or accidentally stumbled into someone's AU.

It was pretty funny looking back on my Chapter 2 viewing experience, though. When Teruko got Rose's secret, I was like, "oh, it totally makes sense that DRDTdev would give Teruko Rose's secret as a natural way to hear about Rose's backstory before she dies. Clever." And then we got to the day of the motive reveal, and Rose is there, and David says that Arei of all people is missing, and my jaw dropped. "Spoilers," indeed.

It sucked for me at the time of making this sheet, though, because Rose was, like, the only woman I got survivor vibes from (other than Teruko). But, I thought I couldn't mark her as such! Of course, Rose could be a Chapter 3 victim for all I know, meaning that being "forced" to put her in this spot could actually be good for my predictions. However, scoring 0 points on Rose is fully off the table now, which is a bummer.

DAVID in the role of CHAPTER 2 KILLER

"Why couldn't you have put Arturo as Chapter 2 killer--" I also thought I had been spoiled that David was the Chapter 2 killer. If I didn't make Arturo the first killer, the earliest I could have put him would be Chapter 3 victim, which is hardly early at all. And yes, I thought I'd been spoiled on three out of "four" of the canonical deaths when I originally watched the series. That's just my life (/lh).

At least this one is obvious to figure out why I thought it was the case. I started watching DRDT in May of 2023, about a month and a half after 2-11 dropped. Hence, I knew DRDT was on hiatus, but I was under the impression that it was a hiatus after Chapter 2 had finished. I'd also seen 2-11's thumbnail, recognized it as David, and (along with having spoilers about David's "true personality") concluded that David must be the Chapter 2 killer.

Live footage of me watching 2-11 for the first time:

"Ah, there he goes... Man, we're gonna have to wrap this murder up quick, huh? I guess that's why he's admitting to it... Haha, 'Teruko, we fucked up'... WAIT, WHAT DO YOU MEAN IT'S A HIATUS ON AN UNSOLVED MURDER?!"

I decided quickly afterwards that I no longer believed that David would be the Chapter 2 killer.

Finally, we're done with roles that already happened/that I had "spoilers" for! You'd think that would automatically make them better (because most of them, at least, have not been disproven), but there are still plenty of things that contradict what I believe will happen now, at least.

LEVI and HU in the role of CHAPTER 3 VICTIMS

Relatively, though, this one isn't that bad. Don't get me wrong, these two aren't my leading candidates for Chapter 3 victims, but I'm not actively opposed to this happening.

The idea of Levi nearly evading dying at the end of Chapter 2 only to actually become a victim in Chapter 3 is a little puzzling, but still narratively on the table, imo. So much happens in a DRDT Chapter's worth of daily life that Levi could definitely still serve enough of a narrative purpose to justify his continued survival/eventual victimhood in that Chapter. Especially if that purpose had something to do with the fact that he was injured-- for instance, if it's important for an Arturo arc of learning that he actually enjoys taking care of others, or if the killer has to exploit Levi's injuries in order to have the strength necessary to take him out.

Meanwhile, I've long held the opinion that Hu will be a big character in the Chapter 3 Daily Life by virtue of not having done a whole lot in the Chapter 1 or 2 Daily Lives-- she definitely has content, but the majority of the important stuff occurs in the Chapter 2 Trial. Currently, I'm of the opinion that that spike of content wouldn't result in a same-Chapter death, but following in the footsteps of Xander and Arei, it definitely could. Same with Levi if he's a Chapter 3 focus, honestly.

J in the role of CHAPTER 3 KILLER

I really still want to believe that J will be a killer. Why? It's because, in my opinion, Ultimate Effects Artist is a talent that is totally optimized for being a blackened, whether it actually happens or not. You know why the idea of J and Arei swapping places was so popular? Because Ultimate Effects Artist is the kind of talent you give someone if you want to pull a trick like that off!

However, all of that "murder is despicable" talk is really cramping my style. Why would J ever become a blackened after opposing the idea of murder so openly?

(It'd be pretty funny if it was all an act so that people would use that as an argument to her credit down the road.)

It's possible she could have a crisis of faith/breaking point that would change her mind, but I doubt that would occur as quickly as Chapter 3. Or result in her killing two people. Sigh.

AREI in the role of CHAPTER 4 VICTIM and EDEN in the role of CHAPTER 4 KILLER

OKAY HEAR ME OUT BEFORE YOU ACCUSE ME OF CALLING EDEN EVIL--

Chapter 4 is, oftentimes, the sacrifice chapter, right? It's a killer that makes everybody cry, because they'd never normally do something like this, but ultimately decided to kill in order to spare their friends and take the bullet themselves. I'm, like, 99% sure that's what I was imagining for Eden. Whatever the motive may be, Eden would be the small and scrawny sacrifice killer in sort of a reversal of the buff curse...

... taking out the mean bully girl that everybody hated as the victim, if she had to choose someone.

I'M SORRY I'M SORRY STOP HITTING ME WITH ROCKS-- (/j)

But yeah, I definitely remember predicting that part of the surprise of the case was that the small nerdy girl was able to take out the Ultimate athlete mean girl. I don't know how I managed to deduce that Eden and Arei would have an important relationship with one another after the prologue (in which they don't really talk at all, to my memory), yet managed to get it so horribly wrong. Predicting that Eden would kill Arei was just in my DNA, I guess, even if I originally envisioned it for a different chapter.

In the light of Ace being declared the Chapter 2 killer, this one is just embarrassingly wrong. Evidently, Eden would never stoop as low as to kill Arei. The good news for me, I suppose, is that Arei will only net me +2 points, as the role was correct (V=V) while the chapter was 2 off (4->2).

As for Eden being the Chapter 4 killer, that's not one of my top spots for her. If I had to pick, I'd probably guess either Chapter 3 victim (especially if paired with Charles Ch3 Victim, this could really knock the wind out of Teruko's sails if needed), Chapter 5 victim (allows her a long period in the story that isn't a survivor nor a killer), or just a survivor (and/or mastermind). If she were to be a killer, then maybe I'd predict Chapter 4 along the sacrifice angle? Not with Arei, though.

MIN in the role of CHAPTER 5 VICTIM

+6 points (5->1) (V->K) on Min is... not the greatest score. In fact, it's only one fewer than the general max possible character score of 7, reserved for Chapter 1 deaths mistaken as Survivors and vice versa.

I think my original prediction for Min was that she would not necessarily be Teruko's support character emotionally, but that she would be a useful aide when it came to solving the mysteries of the Class Trial. Then in Chapter 5, to force Teruko/the other innocent students to solve the high-stakes Trial on their own, she would have to disappear.

Looking back on it, I really enjoy how Teruko is far and away the best at solving the Class Trials in DRDT-- she would have already earned the title through her connections to, like, literally every character and theme in the story, but making her the principal mystery solver really hammers the idea that she should be the protagonist home. Having Min be on Team Spotless for even one Trial might have diminished that effect, so it makes sense that she became the first blackened. Girl was too powerful to live, smh.

WHIT in the role of CHAPTER 5 KILLER

Personally, I've always gotten the vibe that Whit is one of DRDTdev's Special Little Guys. Perhaps it was the way that he showed up in three character introductions-- Charles', Hu's, and his own-- that made me think he had Favorite Character Privileges. As such, even when (get ready for a truth bomb) I didn't really like Whit after watching the Prologue for the first time, I always thought he had late game energy.

(I don't know how much it really comes across from my blog, but I'm actually fairly critical of new series when I pick them up for the first time, unless I've heard many positive recommendations from friends/online personalities I admire. Other than the spoilers, I hadn't heard too much about DRDT before I started watching it, so, unaware of DRDTdev's writing skills, I was worried that Whit would essentially be a poor man's Kokichi. As someone who really likes Kokichi, that biased me against Whit. Then, of course, I actually watched the series and Whit won me over very quickly. And the rest is history :) )

I’m not really sure why I went killer over victim, other than the possible “I’m making Min the victim and therefore Whit has to be the killer.” Maybe it was that Kokichi-ness that made me think that he'd be the man behind the slaughter? ... Even if Kokichi wasn't actually the blackened in that case? It might've also been an effect of wanting him to be just that much closer to surviving, to fully break the hearts of everyone who was rooting for this Special Little Guy to survive.

Like, uh... me. Um. Well, I do genuinely currently think Whit will survive right now, so... I'm willing to take a +3 if that's true!

TERUKO in the role of MASTERMIND

Yeah, I predicted that Teruko would be the mastermind because I'm a basic bitch (/aff). Uh, I'm not being affectionate towards myself, to be clear. I'm only being affectionate to those who still hold the (fairly, I think) popular opinion that Teruko will be the mastermind of DRDT. She's a popular choice because there's a lot going for her! I still ranked her as third most likely back in my mastermind analysis!

Everyone who plays Venus' and my game is forced into the same default formula (to make comparative scoring easier), and that formula locks in the protagonist as a Chapter 6-er, because of how frequently that is the case. Even so, I feel fairly confident now that Teruko will survive until Chapter 6 anyways. The more times she says "I'm the Ultimate Lucky Student and I can't die" and then doesn't die, the weirder it would be if she suddenly did drop dead in, like, Chapter 4.

As for whether she actually is the mastermind... dude, I have no idea. Back at the time I wrote that post, I named J and Rose as my most likely candidates, but now J has gone on a whole anti-murder bend and I'm growing increasingly worried that Rose is going to be the Chapter 3 killer (probably unfounded, but still). That would leave Teruko as the most likely option, but Teruko's behavior at the end of Chapter 2 felt anti-mastermind coded to me, too, even if she forgot about it...!

We are not reviewing my mastermind theories here and now. Next!

CHARLES in the role of SURVIVOR

If you're a giant fucking nerd (/j), you might have noticed that I said I made my DRDT predictions after viewing "just a little bit over an hour of Despair Time content." However, the Prologue is under an hour. What gives?

Well, I... broke the rules of our game, actually. You're supposed to make your predictions sheet after viewing the Prologue only, but I went straight from watching the Prologue into Chapter 1 on the same day, and I forgot to make my sheet until watching Chapter 1 Episode 1. Sue me.

At any rate, I'm sure you can figure out how watching 1-1 would make me think that Charles would survive. Obviously, I knew that other characters beyond Charles would get focus in later episodes, but that still doesn't change the fact that DRDTdev chose to highlight Charles and Teruko's relationship as the first thing we saw in the first chapter of their story. Even without that extra content, though, he's also very reminiscent of Danganronpa's "Jerk" archetype, which survived in every canon DR game.

All that said... obviously, I don't think he's going to survive anymore.

I've been saying that Charles is a Chapter 3 victim-- at least since that analysis I just linked, even-- and I will probably continue to say it until proven false by the story itself. He is simply arcing too fast, and Whit needs to be confronted with that grief he prefers to ignore, no matter what his eventual placement is. We got one real Trial with Charles to prove what a smarty-pants he is, but now that he's pulled that "out of your element" card, he's off to break down into two or more simpler substances. AKA, decompose.

If he's not a Chapter 3 victim, though, Survivor is at least back on the table.

ACE in the role of SURVIVOR

Here we have it! Proof positive that I (falsely) believed that Ace would be a survivor all on my own, without taking into account anyone else's opinions! My incorrectness is mine and mine alone!!! (/j)

So, yeah. Funny coward man go brrrr and character arc into survival, except then he didn't. I have to imagine that's the basic premise behind why so many people believed that Ace would survive. I don't really have much to say about this choice beyond that.

I don't like that I'm already tanking another +6 points (S->K) (6->2) from Ace, though. Save me Xander-zero-point spoilers, you're my only hope.

VERONIKA in the role of SURVIVOR

Whaaaaaaaat was I cooking here?

I guess I kind of remember. I think I was imagining Veronika along the lines of a poor man's Sonia (like I said, critical) due to her more apologetic attitude towards rambling and presenting others with horror concepts in the Prologue. With my prediction that Whit would die in Chapter 5, I guess I might've also been thinking that Veronika could then fill in that "comic relief" void in his absence? I also had Ace there, though. Moot point; every DRDT character has the capacity to be hilarious.

There are a lot of places I could see Veronika landing in this killing game, but survivor really isn't one of them. I could see Veronika as a Chapter 3 victim or killer for The Vibes, Chapter 5 victim or killer if she takes on more of a main antagonist role, or Mastermind also for The Vibes. But survivor is just... odd. At least from this point in the story, what business does the "fangirling over acevi dying" girl have taking up one of those coveted survivor slots? Surely either someone would think to kill her or she would decide to kill before four more chapters elapse!

That being said, locking in Veronika as a late game character isn't terrible in my eyes. Being "barred" from making Rose a survivor, I remember that Veronika was the girl who I initially got the second most late game energy from. Those Chapter 5 or Mastermind scenarios won't score terribly here if they come to pass.

NICO in the role of SURVIVOR

I want to mention here that, despite my other spoilers, I did not know that Nico was nonbinary going into Despair Time. Therefore, I didn't make Nico a survivor under the premise of "I'll have two girls, two boys, and one enby survive!" I don't really remember why I did make Nico a survivor, though.

My best guess is that I put them there for cast composition purposes. From the Prologue, all of Charles, Ace, and Veronika are pretty over-the-top in their own ways: Charles is overly condescending, Ace is really loud, and Veronika is an exaggerated fangirl. Adding in a quieter character like Nico would have been a nice way balance to the others... or at least, so I thought with only the Prologue to go off of. Now I know that Ace and Nico surviving together was incredibly unlikely to be the case.

Speaking of Ace, now that he's dead (and therefore can't be a survivor), my opinions of whether Nico could survive have definitely gone up. However, I still don't think that Nico surviving is particularly likely.

There's definitely potential for redemptive survivors in DRDT with the "fighting your fate" theme they seem to be setting up. But, I think that's more likely to play out with someone who might have committed murder before the killing game (like Levi) or someone who did terrible things, but never went so far as to physically attempt another student's murder (like David), than someone who actually attacked someone else and nearly succeeded. For media in general, I think it's much easier for audiences to forgive something that happened off-screen and/or to characters that barely exist than something that we saw visible evidence of on a character who many people adore. Nico's attempted murder just seems like a big hurdle to overcome on their path to survival, dude.

That being said, I've written before that for both in-universe and meta reasons, I don't think we'll ever see Nico as a blackened, which already eliminates, like, half of my options moving forward. Logically, that would conclude that if I don't think that Nico will become a victim, then they're likely to survive. I do (currently) think that Nico will probably be a victim sometime in the future, even if I'm not certain in which chapter. For the sake of my score on Nico specifically, I guess I'm rooting for Chapter 5. I already know that they wouldn't be robbing Min of a perfect zero, at least.

And that's my tally so far, a total of 14 points out of a possible... well, I actually don't know what the highest possible score is, both because math is hard and because I don't know what bonus rules, if any, will come into play in DRDT's future. It's 14 points across 4 characters, which comes out to an average of 3.5 points per character.

Comparatively, most of our game sheets have come out somewhere in the high-30 to mid-40 points range (predicting is hard). Across 16 characters, means that it's usually an average of, like, 3 points per character. So, I'm doing worse than usual, but not by a whole lot...!

But, how well I do isn't what matters. The important thing is that I had fun while making it, and got to think about what patterns and possibilities can arise when you look at the basic facts of a character's simplified personality and talent in time with their role in the story!

So if you want to have fun making a predictions sheet like this of your own, you should totally go read Danganronpa: One Shot's Prologue (before Chapter 1 starts airing on Friday) over at @av-multifangan and fill out that game's prediction sheet. That would mean that this shameful shameless attempt at cross-promotion would have succeeded at one of its desired effects! Or, if that's not your cup of tea, you could also fill out a predictions sheet for DRDT moving forward, and just acknowledge that Xander, Min, Arei, and Ace were placed after the fact. Who knows, maybe I'll make a sheet like that too, so we can compare.

Thanks for walking down memory lane with me, and I hope to be back with more DRDT content soon!

[puckpocketed]

caps fan here!

as follower of pld (the few, the proud, the courageous!), i was wondering if you had any thoughts about how he might fit in with our team, assuming he's going to be 1C with Ovi on the left and one of Wilson or Mangiapane on the right, and basically taking the former Kuznetsov/Backstrom spot on the halfwall on PP1. my thinking is that he can easily return to being a 60 point player just by the increase in ice time alone this coming season, and maybe even flirt with 70 if he has a triggerman like big O on his wing.

as someone who knows a hell of a lot more about PLD than i do, is that just wishful thinking because i'm a caps fan? what do you think?

The PLD Post, Part 2: mask-OFF

Hii!! (we are SO brave and SO correct). i am so sorry this took ages to answer, i was trying to decide how serious to be. I will admit, I was hesitant about going mask-off and hitting up the microstats and revealing that i do seriously think he can be better than he was bc that shit is kinda lame ESPECIALLY when defending a clear failhorse. but at this point any rep i have as someone with good opinions must be gone considering how many media scapegoats i've attached myself to (i got a fucking. c.gauthier ask the other day aslkjdkljas) so. mask is coming off. we've hit somewhere between well-considered manifesto and vibe check so . um. enjoy!!

I remain optimistic going from everything I've heard and from what you're saying here! But, big big asterisk. He absolutely needs to take ownership of his lack of engagement. when he speaks in media availability I believe him when he says he wants to change. The will to change is there, idk if it’s possible that any player would be satisfied with their performance being the way his was. There’s a lot that needs to be unpacked about his lack of production, the Character Issues, and what his role might look like going forward. You and any other Caps fan who reads this will have to tell me if the fit is right. Hockey talk below the cut lol!!

So before I start I have to say I know dick all about the Caps except:

You're dragging that old man (Ovechkin) to Gretzky's lawn (record) to set it on fire (break it before he retires)

Everyone is pining away for your very very injured 1C who is also Ovechkin's boybestfriend/perfect set-up guy/work wife

There's. intricate pre-game rituals?

So I'm not sure I can speak to how he will fit with your (our? i AM picking the Caps up fr given every acquisition/draft pick they've made) team with any depth or specificity. also i don't think i'd call myself a PLD expert. like. i just got here !! I haven't been following him since he was drafted or anything!! I have, however, consumed TOO MANY Kings games this past season and I can give you a broad look at what actually happened with them and why I think it didn't work out. I will not be making any overtures about being unbiased. My biases WILL slip through because I think Dubois is a sweetheart and I find the mental exercise of defending him fun <3 I’ll give you stats and observations and I will build a story that runs counter to what the prevailing media narratives say. While I stand by my opinions, they're also just one of many available interpretations of what happened.

character concerns

Everyone will be bringing it up at the first speed bump of the season, the first bad game he has. Please be prepared to have a crisis of faith and also be deeply disappointed in him. god knows I am, like, all the time <3 But... I always want to dig deeper when it comes to dominant narratives, because in following multiple teams I’ve become acutely aware of just how miserably Bad media can be at reporting on teams that aren’t their own.

I hear “Locker room cancer” accusations bandied about and I’ve yet to see anyone produce a primary source for this — podcasters, journalists, even people on nhl broadcasts will throw these words around so casually, assuming they’re correct because everyone knows the story. Some confounding factors in the character narratives arise when you scratch the surface. People who've worked with him speak well enough of him. Todd McLellan called him “misunderstood”, and had nothing bad to say about his character.

Matt Roy, who also just got picked up by the Caps, has recently said he’s a great teammate. MORE proof if you want to hear it directly, Roy went on Dropping The Gloves and had this to say about Dubois (transcript by me):

[on what actually happened] Honestly, I don’t know. I mean if you asked him he would say he had a down year. But it’s nothing like — I feel like the media paints this picture of him, and to me it couldn’t be further from the truth, you know. He’s a great teammate, he’s a great locker room guy, he gets along with everybody. So, in terms of all that I don’t know where the media is getting all this stuff. If I hated the guy I probably wouldn’t have come to Washington. He’s one of my friends on the team and I really think he’s going to have a bounce back year. I think he’s really going to be good for the team.

Matt Roy signed with the Caps of his own free will as an RD, a contested free agent in a sparse market, knowing Dubois was already here. He could’ve gone to plenty of different places. Why the hell would Roy sign here long-term, clearly wanting to play and win, if Dubois was as disliked as some pundits would have us believe??? Credible reports (and not just speculation) point to PLD’s other teammates liking him!! 

And here’s some propaganda; I direct you to this extremely sweet video where he gets asked about assisting on Akil Thomas' first NHL goal (and a bunch of other first NHL goals). He is so, so genuinely happy for Akil, who battled through injuries that set back his development for years. Just LOOK at his smile!! He can’t hold it back. (Others have said this but it looks like a little v. Like :> !!!! HELLO !!)

How does all of this happen when, supposedly, he’s a low-character asshole and a “locker room cancer”? It doesn’t line up for me.

On the other hand, I have seen Dubois cruise. He really can’t seem to bounce back from a poor start, and if you were just looking from the outside in, the scoresheet this year reflects this. The critique is fair; I’ve turned this over in my head enough times. there are less physically gifted, less skilled players, who are working so hard to stay in this league, and Dubois’ poor showing does feel somewhat like, idk, something I’d be mad about usually.

Here comes the “but”. Call this next bit the narrative section, because I’m showing my ass here: I think Dubois gets a lot of scrutiny because of his infamous Shift, which went a specific kind of viral, under the exact right conditions, and it has just. defined his career. And okay… I am not denying that the shift happened, but plenty of guys in this league have taken shifts off. come on. the season is long and they're only human. I’m not excusing it either! It was bad and he deserved his benching. Ideally, he one day becomes a player who always puts effort in. Working hard is one of my favourite traits in any player, and usually this would be enough for me to dismiss him as not worth being invested in.

and yet…. the reactions to his floundering performance feel so much like they’re about expectations as seen through the lens of The Shift. They’re calibrated differently because he went 3rd overall, and he's got this big body, the speed, the skill — it's the fact that he's got the tools and seemingly squanders them. All of this is amplified by the contract he's sitting on and his run of short-term stays on teams. Does he get this much scrutiny if he went in the 2nd or 3rd round? Does he catch this much heat for his low energy performance if that one shift clip hadn’t done all that damage? We’ll never know obviously but . I do wonder.

Final word on the character stuff is that we don’t know what truly went on in those locker rooms and i don't want to give more air time to baseless speculation. What we can examine is the hockey. The hockey tells the truth <3

the 23-24 la kings

Assuming the plan is to give PLD a look at 1/2C while he’s on the Caps, I think he’s a complementary type of player. The way he is right now, I don't think he can drive his own line or pull people up. He works with the calibre of lineys he's got and will produce the expected outcome. That sounds so obvious, but what I’m saying is I don’t think he’s capable of miracles like the best playmakers in the league, he's not about to make your guys look 15 years younger. In this vein, I look at his many first NHL goal assists as a symptom of what kind of linemates he was being paired with all season, and how unstable the situation was. His drop in point production IS more complicated than "he's just a piece of shit". From this article, the best summary I've seen of the Situation PLD was in:

LA acquired a player who had been a top-six center (and at times, winger) his entire career playing with established NHL talent. Yet after investing multiple assets to acquire Dubois and sign him to a significant contract, the team decided to put him in a third-line role where his most common linemate was a first-year NHL player who wasn’t expected to be on the roster in Alex Laferriere. Those two had a revolving door of wingers throughout the season. Moreover, Dubois’ most common on-ice teammates after Laferriere at 5-on-5 this season were Matt Roy and Andreas Englund. Gee, I wonder why he didn’t produce?

Context about Roy and Englund: Roy is a quiet but capable d-man who is defensively geared with a bit of offensive upside (j'adore. does things the right way and is very responsible and good. will throw hits but doesn't chase them or headhunt. I think playing away from the Kings’ more passive system will unlock more of his offensive potential. Matt Roy you will be SO good for the Caps I truly believe mwah mwah); and Englund is a leg weight/goon who, going by every single stat I can pull out, makes his d-partners Worse (with affection <3). Point here is neither of them being on the ice was particularly conducive to a lot of scoring chances.

As I said in my previous post, I think Dubois absolutely needs finishers. At some point there was hype around his shot but I didn't see much of that at all on lak? Eye test says: he was unwilling to shoot, and when he did shoot it felt like there was low/no commitment, no power behind it. Comments on his shooting called him “too deferential” at different turns. That’s just an insulting way to say a guy likes to pass and I truly think it circles back to the expectations thing. Would there be anything wrong with him not being much of a shooter this past season if he was another player? (Can't we just say he passed a lot this season without bringing value judgement into it? leave my failhorse ALONE!!!! like must a man score goals ,can't he be very very sweet and happy for the rookies he assisted ? wailing about it forever.)

More fun stats from that same article:

#1 on lak for passes that led to high-danger scoring chances, and scoring chances in general <- again, not a miracle worker. did not have finishers who could capitalise on these chances. its so fucked up what they did to my failwife

one of the best on lak in actually carrying the puck into the o-zone. (another reason i quite liked watching him!! transition forwards my BELOVED) everything I've ever observed about him off the cuff holds true here: he draws penalties this way, because he's fast and when he's locked in he is pretty good for controlled zone entries <3

Dubois had a career high in even-strength assists per 60, this is all in spite of his weird linemate situation and his reduced TOI and the power play mess (more on this later). he might have been deferring, but I truly think the lack of stability + good finishers, and ice time held him back from being more productive.

jim hiller

Building off that last point: even worse on the stability front, which I did allude to in the initial PLD Post, was what happened when Jim Hiller took over. You must understand one of the first clues that we were working with a different animal of a head coach is he was NOT afraid to line shuffle, and shortly after he found short-term success with that, they started running 11 forwards and 7 defensemen (you can see where it started precisely if you scroll back in lak lb because you'll find ME yelling about it LMAO). This shortened forward bench resulted in mid-game line shuffling, as in it was uncertain as to who they would be playing with from shift to shift. Hiller is on record saying he thinks it was beneficial, per this article:

It’s all about getting his deep forward corps engaged in the game. That’s sometimes difficult if you’re running four full lines and there are penalty kill or power play opportunities that alter the flow of the lines. Especially for the group of forwards who don’t kill penalties – think Kevin Fiala, Viktor Arvidsson, Quinton Byfield, Pierre-Luc Dubois – it’s an opportunity to get them extra shifts and engage in the game. “Some of our other players who don’t penalty kill, you know they can lose the flow of the game, so they enjoy it more I know,” Hiller said of having 11 forwards in action. “We’ve talked about it a lot. We really just think for our team, the way it is right now, that gives us an advantage getting those players more ice time.”

(and ok sorry to go off about my gripes with how the kings are run but .They were doing this into playoffs. This article was written during playoffs. god. CARL GRUNDSTROM, WHO HAS NEVER NOT PLAYED HARD, PLAYED 25 SECONDS IN GAME 2. all this while they were trying to get people 'engaged'. Idk. Maybe it did work for some players. I wasn’t behind that bench. But sitting one of your most energetic and committed forwards during a series in which you’re trying to come back from being down several games was a CHOICE!!!! also like what if you didn't double-shift QB. what then. And we all know how that series ended. lak coaching/management i am beating you with a pillowcase stuffed with bricks . <3)

Much was made of the Hiller takeover. I liked it at the time. In his first couple of media availabilities post-TM, Hiller emphasised bringing back "fun" to the game for many of the players who were slumping — and a reportedly tense locker room during the big skid that lost McLellan his job. It was all very Ted Lasso of him. Hiller also introduced a new way to rate Dubois for his performance every night, separate from the scoresheet. I made jokes about PLD's very special star-chart, everyone who knew about it was making jokes about it. This merit system was tailored towards communicating with Dubois what he did and didn't do well, and while no one ever went into depth about it we do know a few things:

It measured things outside of +/-, goals and assists, and was likely a score out of 5 per metric.

One of the metrics was about hits/physicality, another one was likely ‘compete’ levels.

He alluded to being measured on penalties drawn?? Or something??

Anyway it sort of … worked?? The change in Dubois was pretty immediate, the moment he was given some clear direction to work in. He played some of his BEST games of the year in the wake of this change. He got involved physically, he was not losing steam, he was drawing tons of penalties because he’s huge and fast and has good hands and IF he puts his mind to it he can truly be a transition monster.

CUE THE LINE SHUFFLING… imo, much of the progress made seemed to be lost, and the rest is history.

NOT saying Dubois is free of fault here. Needing that extra motivation to get physically involved is kinda wild, and I understand why for some people it’s a bridge too far. EYE am here for the laffs though and it's really funny that the communication came in the form of super special individualised performance evaluations/a glorified sticker chart. This is why he’s my temperamental desert flower. Wilting violet. Soggy kitten. <3 and for the record I truly don’t think I’d care if he put up 40 points per szn for the rest of his career. I don’t care because he’s a sweetie and the Bit i do when defending him is too funny. I don’t think I’d care if everyone was right about him — I just don’t actually think they are.

the power play problem

So okay, as per part 1 (my last email <3) we know Dubois thrives net front. It’s where he scored a bunch of his goals on the Jets. Every stat and the eye test supports this. So how come Lak had him stationed on the half wall doing jackshit, if he was on the power play at all?? I will admit I drove myself half crazy studying power play structures and watching LA Kings games back before coming up with a garbled, half-formed idea about how LA runs their PP. I was going to attempt to explain it here — had to do with Kevin Fiala and Dubois being lefties and how that's just an awkward passing sitch — but it turns out more than one person has had this thought and MAN I love being validated by actual hockey people. I fully thought i was making shit up in my head for a good week or two, and was seriously considering scrapping this portion . but it’s SO important for contextualising the production drop, so here goes !!

As early as September 2023 there was a story published about PLD’s role on PP1 — a place where he certainly should’ve belonged as a top-6 guy with plenty of ppg’s under his belt. From this article, which explains the issue very very neatly, and much more eloquently than I could ever hope to:

The addition of Pierre-Luc Dubois was a big one this summer; at first glance, he should be a great addition to the power play. But when digging deeper, the Kings might struggle to fit him onto the top unit. Dubois played mostly as the net front player for the Winnipeg Jets last season, the role Gabriel Vilardi often played for the Kings last season. So, it’s an easy one-to-one switch in that spot, right? Not necessarily. Dubois has all the talents to be an effective net-front player. He has the size and strength to battle in front, with the skill to effectively pop down low and create chances. However, his handedness is a big problem for this role. The Kings run their power play primarily on the left side with Kevin Fiala — Anze Kopitar when Fiala is hurt — which necessitates a right shot down low. When a right shot player pops out on the left side, there’s an easy passing angle for the half-wall player and more options for the player down low. Quick passing is key for a successful power and a left-shot can’t move the puck quick enough down low. They would have to either move too far into the corner or take the extra second to step out from and open up their body to create an effective passing angle. Time that would slow the power play down too much and allow the opposition penalty kill to get back into position. There’s also minimal shot threat from a lefty down low. We saw both Vilardi and Viktor Arvidsson frequently take the pass down low and quickly turn it into a shooting opportunity, something a left shot wouldn’t be able to do.

It then goes on to suggest 2 solutions that aren’t appealing at all:

Flip the power play entirely to accommodate Dubois net front. Not great as they dont have the players for that, and if they tried it they’d be hamstringing Adrian Kempe’s one-timer.

PLD on the bumper position. This one’s hard to swallow because that displaces Kopitar to PP2, there’s his position as captain and the optics of moving him off his spot.

In this article it is once again suggested that LA MUST flip their power play and figure out how to get PLD net front. In this article they point out how useless he was playing on the wall down the stretch, and how the only reason he seemed to be able to produce something was because he’d taken Kopitar’s spot in his absence. This article calls to attention Dubois’ worlds performance, where team Canada utilised him net front.

Big picture, the Fit

Do we see the problem here yet? It’s not the flat narrative I was sold by the national media, random assholes on twitter, and podcasters who don’t actually watch Kings matches!!!! Do we see how weird and messy and complicated it is, beyond “hey he’s just a sack of shit who isn’t trying hard enough”. Rob Blake himself has come out and admitted that they didn’t put Dubois in a position to succeed. And absolutely there was effort required on his end — a different player might have sucked it up and adapted to circumstances, a different player might never have needed that extra bit of communication, a straight up better player might have dragged his less skilled lineys up to a higher level. But the problem has always been two-fold: LA was trying to coach and manage a completely different player to the one they had in front of them and expecting good results; and Dubois was unable to keep competing with all he had in the face of that. I think both parties are at fault here. And I think, given the chance and the right circumstances, Dubois can hit 60 points again.

Okay, circling back to the big question of Fit. Will he be able to work with Ovechkin? Hard to think he could fail with one of hockey’s best goal scorers on his wing, if he does get a look at 1C. People who know the Caps better than I do, does this sound workable? Is Dubois going to be too difficult of a nut to crack for your coach? Your locker room?

And, of course, the power play issue. Maybe Dubois learns to be better on the half wall! Idk!! Maybe it was a matter of coaching and he thrives in Washington running your PP1 from there. For my money… I like him better playing net front or bumper. Do the Caps have the bodies to accommodate this? I did ask someone familiar with the Caps PP to explain it to me so I could try and figure this out but ouuuugh. My head is spinning. Someone smarter than me please jump in. I am TIRED . We don’t know what it will look like, what they’re planning to do with Dubois on the power play. You guys probably have a better idea about what’s possible than I do <3

Conclusion?

PLD is fast, big, a passing threat and a formidable net front presence when he’s given the opportunity and playing his A-game. As far as I can tell, his B-game is garbage </3 His poor performance is more complicated than people think and I’m pretty sure only the LA Kings beat reporters + the 12 kings fans on twitter know this. Most of them still dislike PLD anyway bc his low motor. I don’t blame them, I’m just more inclined to be forgiving because I love redemption arcs and I think he’s a good person. i would love to be wrong about his low-effort B-game LMAO but im trying to be realistic here. I want him to fit in and be embraced by the Caps so bad <3 Your coach sounds like he wants to help PLD succeed and is up for the challenge. The vibes from my friends who follow the Caps are always good, I’ve read through various tags and it sounds like a place that will take him in whether he likes it or not. I might be stupid but I believe in him !!! and I’ve laid out all the hockey bullshit for you to the best of my ability. Given all of this… do you think he’ll do well?

[withthewindinherfootsteps]

Wang LingJiao used the chance to scramble out. She took out a cylinder of fire-light from her lapels and shook it a few times. A light shot out of the cylinder. Along with a sharp whistle, it rushed out of the wooden window and exploded in the sky outside. Then, she fumbled out a second one, a third one. Hair tangled, she mumbled, “Come… Come… Come here… Everyone, come here!” Through the pain, Wei WuXian pushed Jiang Cheng, “Stop her from sending any more signals!” Jiang Cheng let go of Wei WuXian and lunged in the direction of Wang LingJiao. Yet, at the same time, Wen ZhuLiu was closing in on Madam Yu. He looked as if he was about to knock her down. Jiang Cheng hurried, “Mom!” He immediately gave up on Wang LingJiao and threw himself over. Wen ZhuLiu didn’t even turn his head as he struck, “Not even close!” Jiang Cheng’s shoulder suffered the attack. Blood immediately burst from his mouth. Wang LingJiao had already let out all of the signal fire-lights. Sharp whistles and bright sparks filled the entire grey-blue sky. - Chapter 58, EXR

It's quite interesting how, in this moment, Jiang Cheng does exactly what he's always criticised Wei Wuxian of doing: endangering the Yunmeng Jiang sect by 'playing the hero'. That's not what either of them are doing, of course – it isn't a motivation for Jiang Cheng here, it's not a motivation for Wei Wuxian anytime else, and the motivations they have definitely make sense – but it's exactly the sort of behaviour Jiang Cheng would criticise Wei Wuxian for, with those exact words.

Yet, no character ever criticises him for this – Wei Wuxian doesn't, even when it was his (necessary) advice that was disregarded; Madam Yu doesn't, even when her sect suffered as a consequence. Even when it very likely played a role in Lotus Pier's downfall (at least in getting a lot of Wen sect cultivators to get there very fast), it's never brought up by any character ever again... whereas Wei Wuxian's action of saving Lan Wangji, Jin Zixuan and Mianmian in the Xuanwu cave constantly is, even when the Wen sect was pretty certainly going to attack Lotus Pier anyway*. That's not to say Jiang Cheng should be blamed for the fall of Lotus Pier, either – that's on the Wen sect, and regardless of both of their actions, the attack was probably going to be a success. And can we blame someone for making a panicked decision protect his mother? – but one's action is definitely more direct than the other, and it's not the one that's constantly blamed.

The aim, though, isn't to compare the actions so much as the attitudes of the people involved, and this is another little detail that shows the imbalance in Wei Wuxian and Jiang Cheng's dynamic. Again, Wei Wuxian doesn't say anything about this afterwards, and doesn't seem to blame him, even when it's his words that were disregarded, and when the Jiang sect and Lotus Pier were undoubtedly very important to him as well. Which is good! That's a good thing and definitely the healthier option for both of them! If the roles were flipped, and Wei Wuxian saved a(n admittedly non-Yu Ziyuan) person, disregarding Jiang Cheng's orders while leading to more danger falling on Lotus Pier? Jiang Cheng would never stop blaming him or bringing it up. Even after the many years that passed between then and Wei Wuxian's resurrection, he still blames Wei Wuxian for the fall of Lotus Pier due to his actions in the Xuanwu cave** – once again, a much less direct scenario.

--

*Very strategic location (trade hub etc), they attacked the Cloud Recesses already, Jiang Cheng's internal narration literally admits this:

In his heart, Jiang Cheng knew clearly that back in the cave of the Xuanwu of Slaughter at Dusk-Creek Mountain, even if Wei WuXian hadn’t saved Lan WangJi, the Wen Sect would have found some reason to come over sooner or later. But he had always felt that, if the whole thing with Wei WuXian didn’t happen, maybe it wouldn’t have been so soon, maybe there would’ve been some way to turn things around - Chapter 59, EXR

Yet there was some time between the end of the Wen indoctrination and the Fall of Lotus Pier, and we never even saw attempts at security adjustments!

**As we see in the Ancestral Hall:

Jiang Cheng mocked, “Look how forgetful you are. What does unwelcome people mean? Then let me remind you. It was because you played the hero and saved Second Young Master Lan, who’s standing beside you right now, that the entire Lotus Pier and my parents went down with you." - Chapter 87, EXR

[basicallyjaywalker]

Wanna ramble about a moment/character in ninjago you think people need to talk about more?

I don't know who you are anon, but I'm glad you asked!

I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time

Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.

I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.

I might also just be reading too much into things, but hear me out

In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."

It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.

(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)

It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.

Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.

Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.

The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"

(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)

The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.

Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?

I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.

Let's talk about Wu's relationship with his dad.

Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.

For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!

The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.

(Source: The Book of Spinjitzu, Page 3).

Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.

(Source: The Book of Spinjitzu, Page 16).

Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.

(Source: The Book of Spinjitzu, Page 19).

This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.

Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.

There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.

(Source: The Book of Spinjitzu, page 61).

I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.

Morro. Wu's Biggest Mistake.

That might seem like an overstatement, but it's not.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)

Okay he says regret, not mistake, but I was paraphrasing.

Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"

From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)

A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.

This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.

There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.

Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.

Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.

Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.

Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.

And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.

As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.

(Source: The Book of Spinjitzu, page 32)

While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.

Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.

Final notes:

I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:

(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)

This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.

In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.

(Source: Prev)

Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."

Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.

Until the day he dies, he will guide and protect his students. And possibly? Even after death too.

[oui-maitre]

god you know this whole show has been building up to the trial. in episode 6 we briefly see Claudia and Madeleine being happy and then the trial starts and you can't help but think 'Claudia had barely left the nest, she deserved to have more time'. but of course that's the tragedy. the parent burying the child, a perversion of natural order. Claudia was inspired (at least in part) by Anne Rice's daughter who died at 5 from leukemia. there is no version of this story where Claudia lives.

[mahikamihan]

o.0

This is a long one

all throughout his concert, dream's been singing his own personal stories about the people he loves (kind of love, invincible), and the people he's lost (trust issues, roadtrip, until i end up dead) and sprinkled somewhere in between these songs, he performs songs that centered around living in the moment (afraid of myself, slow down, everest, one day cover) and showing very very vulnerable parts of his personality (paranoid, panic attack, spotlight, change my clothes).

This is a very heartfelt, very personal setlist, like I can't imagine any other artist literally just serving up their bleeding heart in their hands like that, let alone for his first tour but he trusts his audience, his fans with this. It's incredibly brave of him.

And he always ends it with Mask. One of his first, arguably most intimate(?) song that got ridiculed when it first came out. And it was in a pop punk band rendition. It was a reclamation of sorts. At the end of each concert, after all the laughs and shouting and singing, he wants to end it with a song that tells you "Look!! I'm still this same kid, you can see me trying, you won't see me crying, I'll still keep on smiling, I'm keeping this mask, it's a part of me still"

[virtualequilibirum]

Take a shot every time a Snape analysis devolves into a marauder’s rant

Take a bonus shot if they mention ‘gaslight’ anywhere in the text

[joun0]

What age did Tachihara join the Port Mafia?

This is very unnecessary but I am fixated on knowing/having a label on what age was this character is this event.

In Dark Era, Ango was 22 when he was a double spy for the Mafia but left after the events that occurred in Dark Era. After Ango left the Port Mafia, Tachihara filled in right away. Now we don’t know if he filled in a year after or sooner but Ango is currently 25 and Tachihara is currently 19 and Dark Era happened 4 years ago from the original timeline

Ango: 25 24 23 22

Tachi: 19 18 17 16

So, Tachihara must’ve been 16 (or 17 if a year was skipped) when he joined the Port Mafia

[daywoutmoon]

btw to me personally Dimple is funny uncle not only for Mob, but for Ritsu as well.

I mean clearly Mob and Dimple have a special bond, they're besties, their friendship is very important in canon and all, I'm not trying to deny it! But still Dimple and Ritsu do have a history, like. When Ritsu's powers awaken the first psychic experience he had was seeing Dimple. And then Dimple helped his ass in beating random kids to level up his cringe powers and stuff. And like it was messy and stuff, and Ritsu was aware and called out that he knew Dimple was helping out just because wanted to use him, but like... They got over it, putting it simple. Like not that they could never talk about it, but I don't think Ritsu is even mad about it and like Dimple no longer has any plans for using anyone so like. To me they just chill with each other.

Also Dimple basically "haunts" the Kageyama household (when he's not at work at S&S or hanging out in Mob's school), so like. There is so much potential of fun interactions you know?!

And like. I think Ritsu would feel really really glad for all the moments Dimple took care of Mob, like. Most of those times Ritsu didn't even know cause like... pre-finale Mob and Ritsu didn't talk that much so like... I doubt at the time he would know that Dimple was the one that made Mob escape from bullyworld the simulator by mogami stink ass, cause Ritsu don't even know Mob gone throught it. Or like, Ritsu is aware that Shou did a shit plan (technically it was a smart plan but also bro wtf bestie worst idea lol) to make Mob snap, but like I don't think Ritsu know the details that Mob didn't burned the whole world down in grief because Dimple calmed him down. Again, Mob and Dimple have a beautiful friendship, and I think Ritsu would appreciate all Dimple did for his brother.

And once again going back to Ritsu and Dimple history I think Ritsu feel very grateful for Dimple help with his powers and all. It's not like Dimple directly was the cause for Ritsu powers, but still it was important step in figuring out how that shit actually works.

And also. I think this scene:

It's mostly about Ritsu worried about Mob that been... Well zoning out a lot lol. And yeah Mob is in his weird grief (calling it weird cause Dimple powers not letting him remember what happened), and like. Again, pre finale Mob and Ritsu communications sucked, even thought there things got a lot better than it was at the story beggining. So yeah just him looking out for his brother. But like... Ritsu asking Mob if he is ok is something that happens more than once in the series, but my brain can't avoid thinking how like. Two chapters later Ritsu reveals that as a kid he would ask it too because he also wanted share how he is and. like fucking communicate and stuff. And like, it just. I just think Ritsu is also worried here the fuck their weird fart friend is you know?

It's not like people think they aren't friends too, but even in canon they don't have that much interactions after Ritsu arc and I think it's a friendship that would be neat see more of it :]

[kijosakka]

got possessed and decided i must make a post about noahs character arc in dramaturgy Immediately

ok,, so the gist is friends. this is the Give Noah Friends Arc. he starts with no friends and then he gets some.

and he also gets some character flaws. for fun. dont worry he grows he develops,, umm so noah [in this AU] as a Character is very deeply rooted in two things: his defense/coping mechanisms, and his background in the industry.

to cover: his defense/coping mechanisms. they are. Bad. his primary defense throughout the show is his nonsubstance itself — but beyond that, the way he intentionally makes himself unpalatable. he makes jokes and seemingly mean-spirited quips at peoples expense and that would be innocuous if it wasnt all he was. but he very intentionally doesnt have character beyond that.

its like advanced self isolation (and regular self isolation when he refuses to interact with anyone after he gets eliminated and generally when hes off camera). additionally (to bring in themes from my original two posts) he creates a severe disconnect between noah The Person and noah The Character and it seeps through to his perception of his castmates as well.

^ this ties back into his Industry past, which,,, kinda fucked him up?? its not like its a normal developmental setting and it shows when hes being noah The Person. he doesnt really know who he is in normal settings; hes so firm in his identity within the industry and his role in it, but in Real Life, Teenage settings? clueless. has no idea what hes doing.

his severe disconnect of person and character also affects the way he sets boundaries, which is to say, hes really fucking bad at it. entertainment industries are Sketchy As Hell, and he kept his head afloat by navigating the system and working within it, but never learned to set clear-cut, do-not-cross boundaries in his relationships as a result (smth smth setting those limits were ‘taboo’ within the industry and could limit the work you got or how many people were willing to reach out)

< tacking onto that parentheses thing, hes also wildly unfamiliar with non-transactional relationships (in this way, him and alejandro are very similar). hes grown up seeing these people around him play nice for the strict purpose of give-and-take and has very few examples for things that are not that. he constantly struggles with understanding that he doesnt have to ‘repay’ things or ‘give’ something to be treated fairly.

(also smth to be said about his ‘keep everyone away’ thing where he silently thinks that even beyond the cameras if he tried to form relationships on the show he would be treated poorly/‘trampled on’ because his nonsubstance wouldnt allow him to ‘give back’ in a way that would make those people see him as worth treating fairly.

his castmates are effectively part of the industry now, why wouldnt they treat him like hes always been taught the people in the industry would?)

^ and again, it seeps through to his perceptions. to things like the love triangle, or sierras obsessive behavior towards cody; noah has trouble understanding why people like courtney would be distraught at it, because to him he can only see it in a transactional light (amplified by it being an on-camera relationship eventually turned plot point). similarly, it takes him A While to properly understand codys distress because to him it seems like sierras giving and he should just ‘return something’ to make them even (not really hitting him that he cant ‘return’ feelings like that).

which brings be further into his overarching Arc. you know, the character one. kicked off initially by wanting to unmask alejandro as a patent fake, he gets his development in other areas too --- like finally getting some real-world experiences with kids his age instead of studio execs three decades his seniors.

it gives him proper, real point of reference as to what matters to his peers beyond a clinical sense and observation --- in short, he learns to better understand the castmates around him beyond what the industry exploits them for, and in doing so he develops past his initial stunted-ness.

< and that in turn helps him learn past his slightly (very) fucked up headspace and perception that his childhood environment created.

(and to slot in now, noahs character in the AU is perfect for consistent themes of internal conflict. how he initially builds up relationships, conflict. struggling on whether to keep the act or expose alejandro, conflict. being hyperaware of both the audience and cast perceptions of him, conflict. realizing his battle has become two-sided and alejandro and thus the cast/audience is catching glimpses of his Person, conflict. realizing hes in too deep and now the plot itself demands him from a meta-ish standpoint, conflict. just conflicts all around for this guy.)

now there is the whole... being a person on camera thing. which is in essence what the entire AU and story arc thereof is centered around: noah learns that he can Be a Person and drop the overly sterile self-regulation sometimes. im,, slightly torn on how exactly to cement this kind of shift in behavior,,

< as it makes sense in my head, noah would be more willing to relent his vice-grip on his facade for the sake of achieving his goal (being expose alejandro outright/at least see whats underneath). so therefore, for the story to progress, there would have to be those opportunities, and for it to make sense those opportunities would have to increase as the plot goes on (and, ofc, inline with alejandros own relent on his mask for the sake of going back and forth in some weird bid for who can expose the other and still keep up their own facade)

^ this is kindof what ive 'settled on' to build up the rest of the AU events on (i will have to find some way to slot in those opportunities proper uuuughghgggh) but yet again if Anyone has Any thoughts at all,, hand them over pretty pls pspspspspspsp