The farmer’s son is a smart boy, very studious, has big dreams of getting into politics one day and always seems to have his nose in a book the size of his head. Though he’s got a good work ethic, his mother thinks it needs to be put to the test in a way he’ll understand— all of his big talk about generating plasma falls on the deaf ears of a farmer who knows that the true way to revolution is through toil.
When his big, grand dreams about liberation drive him to want something greater than working as a farmhand, his mother brings on a new project— a temperamental steer, rescued from inhumane living conditions, with a penchant for violence and an unrelenting stubbornness. The farmhand is tasked with the care and keeping of the cattle, and though the two get off to a rocky start, the man treats the steer with the first show of humanity he’s ever experienced— giving him his abuela’s old glasses, allowing him to see clearly for the first time in his life.
Somehow, the young man is able to tame the bull, who listens intently as he reads him theory, parrots his speech; the two eventually grow to have a bond. It is anyones guess whether this relationship, unseen before in history, will succeed— with a creature who is finally trusted to learn, and a man who is only beginning to experience the world in anything but theory.
The Hermitcraft Season 10 ‘Pirate’ AU - the notes of a madman
The premise is an expansion from this post now with more ppl innit.
The S10 island is full of criminals (charged with things done in different seasons timelines) and it’s the Time Police’s responsibility to set things right… but unfortunately this is also Grian and Demise is just a game to get ppl to do the work for him.
There are things like witches and Magic, but lately there has also been a rise of the Machine and the steam punk era with the introduction of the autocrafter.
saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.
I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.
Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?
I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.
You will get art and you will get my opinions as well.
*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
The problem with a lot of traffic life interpretations in my opinion is they don't understand character foils or don't employ them in their writing. Grian-Martyn and Scar-Ren are genuinely pretty good character foils for a series that is not really scripted or planned out like a book is. I could go on and on about how they parallel each other and the similarities between them. Even the smaller details between the four usually match up
leaving the rant in the tags so I don't have a huge block of text again ueueue
Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).
He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.
And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.
No one knows how he does it. No one has to know.
Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)
He needs to be quick.
Efficient.
Perfect.
And so he comes and goes like the wind.
Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.
Kaeya had only been late once his entire life.
He'd rather he never be late ever again.
It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...
.
.
.
" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.
"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.
Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.
He imagines hearing a clock ticking.
Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?
Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.
truly i love all of you and i'm so grateful for all the support i get on my vanilla milkshake posts here because i've just seen the way people talk about vanilla milkshake and mysticao on twitter and its genuinely taken 50 years off my life. now i've been reminded as to why i should never join the crk fandom on twitter
"Someone said it, I forget who said it but, like, 'you dream your entire life on being on a team that freakin' good.' Right? It was meant to be—it was destiny. That save Bob made not even fucking looking? Like I bought the t-shirt! 'The Bobbery!' It's—"
"Fuck, yeah!"
"Bob—What's he like?"
"That's the kind-of shit that you realise is just destiny...in my opinion..."
"Does he talk?"
"Does he smile?"
"Bob? Yeah! Bob's awesome! Yeah, yeah—again, one of those perfect people."
The Cam & Strick Podcast | 7.30.24 (x)
even ekky isnt immune to good merch hats off to breakingt thats ekkys most prised possession now XD
Jesse explaining that although all three boys generally experienced the same physical abuse, Roman has internalized his experience as a victim in a different way than Kendall and Connor.
“I would suggest Logan would have cuffed and hit all the boys at different times in their lives. I think the difference for Roman maybe is that he feels like he was bullied in the domestic environment and so we can all react to things in different ways. I think Connor and Kendall probably have experienced that and have managed to accommodate it without it being a big part of their psychology whereas I think Roman being that beaten dog and being - there’s often a dynamic isn’t there with bullied people as sort of needing the feeling of negative attention that you get from that and I think he’s become, not addicted to it, but related to it.”
Excerpt from Firecrotch and Normcore: They Like to Watch (recorded at Edinburgh Fringe Festival) – Aug. 29, 2023
ive been replaying kh1 (going thru the whole series on steam since i never got the chance to play all the games) and i was struck by something a bit odd. i have been dyinggg to talk about it
it's about kairi and her past.
i don't think she's a replica or construct necessarily
but in kh2 there's a parallel drawn between her and sally in halloween town; and the same i think could be true in kh1.
sally is a Frankenstein monster/doll made by the doctor. the entire plot of Halloween town centers around the need for the dr to make a "heart" which requires memories from Sally (the scene of her picking the forget me nots looks a lot like kairi holding a flower for aqua too)
sora takes interest in the project to restore a heart to the heartless too because of his desire to restore Kairi's heart.
i havent really come up with a coherent thought about what this means.
but given that we know kairi was experimented on in a way that involved her heart, it just seems suspicious that this parallel was made twice to her and a doll that was stitched together and animated by a mad scientist.
shes also compared to chirithy in kh3, which from my understanding were created by MoM for keyblade weilders; and to Pooh, who is a toy/story book character that came to life
given too that Kairi already has a weird thing going on with her heart, it just seems possible that theres something..more to it that i have yet to piece together. and its driving me crazy
NO, WAIT… ANON YOU’RE COOKING. Idk what it all means either, but those parallels are so good and so true. Cause there definitely is something artificial about Kairi’s heart, even if just partially. It was experimented on, like you said, and it looks completely different than the organic hearts we see, and I suspect that’s why we’ve never seen Kairi’s heart station. Because it’s (at least partially) artificial. It would look totally different than all the other heart stations and would probably give away what’s going on.
allison and five are actually fascinating to write together. allison is the sibling for checking on people and asking in plain english if they're okay but five would literally rather bleed out than show a shred of vulnerability
you know, a plothole (kinda, its one to me) i havent even talked about before is .. how is there basically no sonau tech in the past, or isnt shown nor used; the only thing i remember is that weird half assed way to try and make us care about the apparent time zelda had spent there and tell us in a tiny text you have to find scattered above the sky that she "tamed a construct beast" which .... could be anything bc its so vague and non-interesting and .. maybe one or two non-combat constructs in the background in a few of the cutscenes
but given how many constructs there are alive in totks present, and more are broken down that were probably working back in the past, did they even use anything of it against ganondorf? like, i know its called a war but we only see ganondorf charging on that badass horse we never see again and that bit lasts like .. 5 seconds? and he just ... somehow ends up in that cave so far below the earth with the other sages? HOW did he even get there
the constructs you find in the game can be pretty tanky and packing quite a punch, theres auto-targeting mini tanks, lasers and fire/electric/ice throwers, bombs and otherwise explosives, couldnt they have easily fought against some bokblins even if they were miasmafied
or am i supposed to believe ganondorf became THAT strong just through that little magic pebble (isnt that a little insulting too?), while all the other stone having people are so much more inferior AND have gans bossfight not be that hard is kinda ... weird? i know link is special an all, but he doesnt have a stone and the sages dont really add to his powerlevel, the msot they do is distract gans little clones for a bit
doesnt that, and how irrelevant the whole sonau tech actually is to the plot, feel even more like its a thing put in there just to showcase that they could do it (like ... a tech demo) and like its an unfitting sandbox element just for some very dedicated players to build entire war maschines for viral videos out of but the vast majority will not have that kind of patience nor fun with that (i for one do not care to laser explode or otherwise terrorize little enemy camps with otherwise overly ridiculous weapons bc its not fun and really not worth the effort to me)
watch my body disintegrate into a pile of ash like a cartoon character who just got struck by a lightning bolt (JOINT PAIN JOINT PAIN JOINT PAIN JOINT PAIN) (just got off work)