#do i like the part of myself that makes it very very very hard to finish projects i start? nah. but i am trying to like it more

[jockwrites]

selfish - p.b

part: 1

summary: the beginning of “friendship” between you & paige.

warnings: cursing

a/n: hellooooo welcome back to another series, i’m sure this will be fun to write and im excited for you guys to see where this goes!

my eyes drifted across the lecture hall, landing on a familiar face—paige bueckers. obviously, i’d heard so much about the star basketball player, but seeing her in person was different. she was leaning over a textbook, her blonde hair falling forward as she focused intently.

i felt my heart flutter slightly as i took her in. there was something about her demeanor, her strong jawline, and the way her muscles filled out her shirt. i quickly looked away, chiding myself. i kind of forgot i have a boyfriend and what not.

as the lecture began, i found myself sneaking glances at paige every so often. each time, i felt that familiar flutter in my chest. i tried to brush it off as mere admiration for her athletic prowess, but a small voice in the back of my mind whispered that it was more than that. but it can’t be, i have a boyfriend.

after class, i gathered my courage and approached paige as she was packing up her bag. my heart raced as i got closer. “hi, i'm madison. i just wanted tell you i really admire your skills, you know, on the court.”

the voice in the back of my mind was telling me i sounded so very stupid. introducing myself to the paige bueckers? absolutely ridiculous, but worth a shot.

paige looked up and flashed me a warm smile, her blue eyes crinkling at the corners, “hey, thanks! i've seen you around campus. you're in my psych class, right?”

i nodded, feeling a little flustered under her gaze. “yeah, i am,” she stood up and stretched, her arms reaching overhead and making her shirt ride up slightly. i caught a glimpse of her toned stomach and felt a sudden urge to reach out and touch it.

but i can’t be feeling like this. over a girl? no way, i have a boyfriend.

paige's smile lingered as she tucked her book bag over her shoulder. “it's nice to meet you, madison,”she said, her voice low and smooth. “maybe we can study together sometime? psych can be tough.”

i swallowed hard, nodding eagerly. “yeah, that'd be great,” i managed to say. as paige walked away, i watched her retreat, admiring the way she looked with each step. i shook my head, trying to clear it.

what was i doing?

i met up with my boyfriend, jason, later that day. he wrapped his arms around me, pulling me close and kissing me deeply. usually, his kisses made my heart race, but today, all i could think about was paige. guilt washed all over me.

no girl has ever made me feel this way, ever. i’ve always considered myself straight, maybe bisexual. but the only reason i’d ever consider myself bi is because i’ll think a girl is cute every now and then.

sure, i’ve kissed a few girls, but i never felt anything. i’ve never felt that kind of connection with girls, ever. well—atleast not the feeling i feel with jason. i love jason, he’s my everything, but i can’t help but shake the feeling of how im lowkey simping for a girl.

—

one weekend, paige and i had spent the day together. no studying, just hanging out. we'd gone to the park, lay on the grass, talking and laughing. i'd felt so at ease with her, so comfortable. too comfortable, maybe.

at one point, she'd leaned against me, her head on my shoulder. i'd stiffened at first, surprised. then i'd relaxed, enjoying the warmth of her body against mine. i'd even slipped my arm around her, pulling her closer.

it had felt... nice. too nice. i’ve started to love looking at her mouth, wondering what it would be like to kiss her. i'd quickly pushed the thought away, guilt washing over me. i have a boyfriend, i reminded myself sternly. i can't be thinking about kissing paige.

but i couldn't stop thinking about it. days turned into a week, and the memory of that moment in the park lingered. i always remember myself staring at paige's mouth during our study sessions, blushing when she'd catch me looking. i was so confused. it felt so wrong, but so good.

—

weeks passed and i’d continued to steal glances at paige in psych class, my heart fluttering each time. for the past few weeks we’ve hung out, nothing special but it was great. we would go for ice cream, maybe get my favorite—zaxbys, and it would all be good. but genuinely, it’s horrible being around her.

im in a relationship with someone, yet im falling for another person. that person being a girl. i sound fucking stupid.

our professor announced a big project, assigning partners randomly. my heart pounded as the list was read aloud. “madison cooper and paige bueckers,” she called out.

i froze. there is no way she assigned me with the girl call myself liking. paige and i exchanged a surprised look. a slow smile spread across her face, and i felt my knees go weak. as we gathered our things after class, paige approached me. “looks like we're partners, madison.”

“looks like it,” i breathed, my voice barely audible. her nearness made my pulse quicken. we decided to meet at the library that weekend to start on our project. as i left the lecture hall, i felt a mix of excitement and dread.

i have a boyfriend.

—

that weekend, i sat across from paige at a worn wooden table in the library. she was leaning over her laptop, her brow furrowed as she typed. i couldn't help but stare at her strong hands, her broad shoulders, the way her hair fell messily over her shoulders.

paige looked up, catching me staring. she smirked slightly. “you okay, madi? you seem a lil… distracted.” i blushed, averting my eyes. “i'm fine, just... thinking about the project.” even to my own ears, the excuse sounded weak.

but that nickname, madi.

i mean—everyone calls me madi. but from paige, her saying it, it sounds heavenly. i don’t want anyone else to ever call me that nickname again now that it’s left paige’s mouth.

—

i notice madison staring at me—a lot, and it makes me feel a strange warmth in my chest. as we worked on our project, i found myself stealing glances at her too, admiring the way her brow furrowed in concentration, the way her lips parted slightly as she reads.

i start wondering… wondering what it would be like to kiss those parted lips, to run my fingers through her silky brunette hair. i shook my head slightly, trying to dislodge the thought. madison isn’t my type, i don’t think. i know she’s straight, but i could definitely turn her.

then again, she has a boyfriend.

she’s only mentioned him a few times, talking about their dates, future plans and what not. but honestly, he sounds lame. she mentioned he got her flowers & candy for her birthday, what a loser. like seriously? a girl like her? if it was me, i’d go all out.

as the day went on, i became more aware of the subtle signs madison was giving me. the way her eyes lingered on me, the slight flush of her cheeks, the way she bit her lower lip.

i decided to test the waters. as she passed me a printout, i let my fingers brush against hers. i saw her intake a sharp breath, her eyes darting to mine. her skin is soft, smooth like butter. despite the subtle, small action, i could feel how soft and fragile her skin felt.

“sorry,” i murmured, not pulling away from her touch. her fingers curled around mine, squeezing gently. “it's okay,” she whispered back, her voice barely audible. i felt a jolt of electricity at her touch, her response. i was onto something.

—

paige's fingers brushing against mine sent shivers down my spine. i looked into her eyes, and for a moment, everything else faded away. i felt a strong urge to lean in, to close the distance between us. but then reality hit me like a cold shower.

i have a boyfriend.

i gently pulled my hand away, trying to compose myself. “we should probably focus on the project,” i said, trying to sound normal. i turned back to my laptop, my mind racing. i can't let myself fall for paige, i have to stay loyal to jason or whatever.

but i still don’t understand how im falling so hard for a girl. a girl i just met at that, it sounds alien to me. if you told me 2 months ago i’d be head over heels for this woman, i’d look at you like you needed a straitjacket.

we continued working across from each other, the air thick with tension. i made sure to keep a safe distance, to not let our hands touch again. but being near her was torture. her scent, her presence, the way her voice deepened slightly when she was concentrating... everything about her drew me in.

as the hours passed, i found myself zoning out, my mind wandering to forbidden thoughts. paige's strong arms around me, her lips on mine, her hands exploring my body. i quickly rolled my eyes, trying to clear the images. no, i can't think like this.

i have a boyfriend.

i feel like i’m going insane, there is no way in hell im actually thinking like this. thinking like this about a girl, am i crazy? i think so. but it just sounds so right. i don’t think i’ve ever imagined times like this with jason though.

i mean, we did have sex a few times. but when i met him, i didn’t think like that— it was more of an emotional connection. i wasn’t immediately thinking about what his lips would feel like on mine.

paige seemed to pick up on the change though. she didn't bring up the touch again, didn't act the way she was acting earlier. we worked in near silence, the tension between us palpable but unspoken. as we finished up for the day, i felt a mix of relief and despair.

“not gon’ lie, i didn’t expect you to be this smart,” paige remarked, laughing softly as we packed up. “yeah, i try my best in academics,” i agreed softly. she smiled at me, and i felt my heart ache. why does it have to be her? why do i have to be taken?

“same time next weekend?” she asked. i hesitated for a moment. being around her was torture, but it was a torture i craved. “yeah,” i heard myself say. “same time next week.”

as i walked home, my mind was in turmoil. i knew i should end things with jason, that my heart wasn't in it anymore. but the thought of hurting him, of disappointing my family, held me back. i buried my face in my hands, a frustrated groan escaping my lips.

and no, im not trying to end things because of paige, thats silly—this thought weighed heavy on my mind for months. i mean, very good guy, but things just haven’t been the same. paige, she’s just the cherry on top.

i found myself in an impossible situation. i was falling for paige, but i was committed to someone else. i couldn't keep stringing jason along, not when my heart barely belonged to him.

here’s the situation: me and my boyfriend are falling apart, i’m falling for a girl, and my life is in shambles. sounds crazy right? yeah, i know.

i spent the rest of the week distracted, snapping at jason when he'd try to talk to me, zoning out during family dinners. but can you blame me? my situation is shit. i feel horrible, horrible for doing this to my boyfriend, horrible for falling for this girl.

my mom noticed, pulling me aside one evening. “madison, talk to me,” she said softly. “something's on your mind.” i hesitated. i wanted to confide in her, to tell her about paige, about my conflicted feelings. but i was scared. scared of her reaction, scared of what would happen next. so i chickened out. “it's nothing, mom.”

she searched my face, concern etched on her own. “madison, you can talk to me, you know. whatever it is, we'll figure it out together.” her voice was gentle, encouraging. but i just shook my head, pushing past her to retreat to my room.

alone in my room, i curled up on my bed, hugging a pillow to my chest. all my thoughts weighed down on me like a brick as i realized the mess i was in. i was torn between duty and desire, between what was right and what felt right. and i had no idea how to fix it.

this is the reality of being a girl i guess— or being a girl liking another girl. i’m a mess. i barely know her, it’s only been about a month or two, and they’ve been great, i can say that. but i just don’t get what’s wrong with me. what kind of phase am i going through?

i guess time will tell sooner or later.

[narfin-frood]

pivotal moment where wander "has to" integrate sylvia into the hivemind and it EATS at him and it's the catalyst for a great deal of his redemption arc

GOOD PROMPT!!!! VERY GOOD PROMPT!!! i'm sorry the captions and timing are a little fuckedup but i could not REST until i finished this. i do recommend pausing to read some of this, and if that ends up being tedious, i'll put the thumbnails with a transcript under the cut!!

TRANSCRIPT:

[interior, planet yonder. wander growls in distress, green lightning sparking around him]

MR. METEOR: peepers, we gotta get outta here! [he grabs peepers by the hand and takes off]

WANDER: N-N-N-NO! YOU WILL NOT UNDO ALL MY HARD WORK!!

[wander growls again. sylvia covers her head to protect from falling objects]

SYLVIA: WANDER! are you okay??

WANDER: I'M FINE!!!

SYLVIA: really?? cuz this place is lookin' like it might not hold up much longer!!

WANDER: NO!!!

[wander rubs his forehead with his fingers, grimacing with effort. the lightning dissipates. cut to mr. meteor and sir peepers, at a crossroads. mr. meteor is looking up and around the ceiling as peepers scampers around him, looking for the way out]

SIR PEEPERS: ohhhh where'd we park?? which way is out??? ohhh grop it all looks the same!!! we're trapped!!!

MR. METEOR: it stopped...

SIR PEEPERS: [glances upward] ...huh.

[cut back to sylvia and wander]

SYLVIA: that's some willpower you got there, buddy...

WANDER: sylvia?

SYLVIA: hm?

WANDER: i want you to go after them. and i want you... to hurt them.

SYLVIA: wh...what...?

WANDER: i believe i've made myself clear.

SYLVIA: [shakes her head] no. i'm not doing that. you don't want me to do that.

WANDER: AND WHO ARE YOU TO ARGUE??? FOR THE GOOD OF THE COLONY, SISTER, I ORDER YOU TO GET THEM!!!

[wander breathes heavily from the effort of screaming. sylvia looks disgusted.]

SYLVIA: [removing her cloak] alright.

WANDER: w-w-wait, what're you doing?

SYLVIA: i'm leaving. [she wads up her cloak into a ball] if this is the kinda operation you're running now, i don't wanna be part of it. have fun spreading kindness across the galaxy.

[wander stares at her, wide-eyed and baring his teeth in an intense frown, as she walks away]

WANDER: [reaching out to grab her with several arms] YOU GET BACK HERE RIGHT NOW!!!!!

[cut to mr. meteor and peepers, who are running down a tunnel]

MR. METEOR: are you sure we're going the right way??

SIR PEEPERS: i have NO IDEA sir

MR. METEOR: it opens up ahead! this might be the way out!

[camera zooms in and focuses on the end of the tunnel. something drops from the ceiling right in front of the exit, unfolding itself to take the form of sylvia. she has two mushroom arms sticking out of the sides of her head, connected to the ceiling, and her cloak is on again.]

MR. METEOR: UH-OH!

SIR PEEPERS: OH GROP

[closeup on sylvia's face. she snorts]

MR. METEOR: she doesn't look too happy, peepers!

SIR PEEPERS: why are you saying that like it's MY fault??

[sylvia mimics rolling up the sleeve she doesn't have and crouches, preparing to leap. peepers reaches for his sword.]

SYLVIA: GRRH!

[sylvia leaps into the air, screaming, aiming for peepers]

SYLVIA: YAAAAAAAAH!!!

SIR PEEPERS: ENGARDE, SHE-BEAST!

[shot changes to a flat shot from the side, and sylvia sails over peeper's head, crash-landing on the floor with a smack. she slides forward until she arrives at mr. meteor's feet.]

MR. METEOR: uhh...?

[sylvia shoots back to her feet, grabbing mr. meteor by the collar and winding back to punch him in the face}

MR. METEOR: WHOAWHOAWHOAWHOA WAIT!! NOOOOOO NOT THE FAAAAAAACE!

[sylvia's fist makes surprisingly gentle contact with hater's jaw. he looks at her in confusion, and sees her crying]

MR. METEOR: uhh. okay. um.

[he begins to scoot past her and away. sylvia crumples to the ground, shaking]

MR. METEOR: seems like you're goin' through a lot right now, and...if you're done, y'know, trying to kill us, or whatever that was...

[he trails off and makes eye contact with Sir Peepers. They dash off down the tunnel and disappear.]

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[cazort]

I strongly agree with almost everything in this post, but I have one quibble, and this is the use of the term "moderate".

I find this frustrating because I'm trans and nonbinary, and I consider myself a moderate, and I very much dislike how some people use the term.

Being a "moderate" on trans issues does not mean caving to any of the right-wing attempts to roll back trans rights. What it can mean, however, is:

wanting sports leagues or their independent governing bodies to make their own decisions about who can and can't compete on what teams (contrast with the right-wing stance saying they want the government to bar trans people from competing even if sports leagues want to allow trans people to compete, but also contrast with far-left stances saying they want the government to force all independent sports bodies to accept trans people according to some set of criteria that the government sets) Why am I moderate on this issue? Because I don't want trans identities politicized. I don't want politicians to be debating our rights. If it's kept in the realm of the independent sports bodies, it's kept out of the political sphere and I see that as a win.

wanting all trans people to face zero pressure one way or the other when it comes to any sort of medical transition (contrast with the right-wing stance which wants to make medical transition illegal, or at least ban it for minors and make adults have to pay for it out of pocket, but also contrast with the transmedicalist stance which is unfortunately common in left-wing circles, which says that medical transition is the be-all and end-all of transition and trans people need medical transition to be happy, it's necessarily the right choice for all trans people, and you aren't really trans if you haven't medically transitioned) Why am I moderate on this issue? Because I see great pressure to medically transition both from transphobia (not having our genders recognized unless we transition) and from other trans people (glorifying the effects of transition, saying it will solve all our problems, etc.) and from left-wing pro-trans ideology which can get wrapped up in transmedicalism (equating "transition" with medical transition, equating medical transition with transness, etc.) and I hate this pressure. When people don't desire medical transition, it can lead to regret. When people do, it can mess with our motivation because it can be hard for us to sort out which desires or motivations are innate vs. which are imposed on us.

wanting people to be a bit more tolerant of the language people use, especially in the absence of any overt rudeness or explicit proof of bad faith. For example, not berating people or snapping at them for using the wrong pronouns (only politely correcting), not criticizing people or telling them they are "wrong" or "transphobic" for using older terminology (like "FtM", "MtF", "became a (wo)man", etc.) Why am I moderate on this issue? Because I've seen so many people get attacked, sometimes brutally, for using the "wrong" terminology, and this then makes the trans rights movement look unreasonable. Also the single worst stereotype I have to contend with as a nonbinary person is the expectation from others that I will be "demanding" and get angry at them if they use the wrong pronouns or gendered language to refer to me. And this is so frustrating because I'm actually laid back about these things, but I have to contend with these stereotypes in part because a lot of people do react this way.

wanting any pro-trans people to be more understanding of things like how it can be hard mentally and emotionally to adjust to people changing the gender, name, and/or pronouns they are referred to by. Why am I moderate on this issue? Because I prefer they/them pronouns and yet I still find it a bit hard or awkward sometimes, even though I prefer them over he/him and she/her pronouns. And more broadly, even though I'm nonbinary, I find the concept of nonbinary genders highly abstract and a bit confusing and hard to wrap my mind around. So I figure, if it's hard for me, it's probably going to be even harder for a cis person so the least I could do is to have a little bit of patience with them. Also, I don't want people to perceive my gender as an imposition on them so I don't particularly want others to be abrasive or aggressive about enforcing my pronouns or gender.

So yeah, I'm a moderate on trans issues. What this means is that I want to keep government out of gender, and more broadly, keep trans people from being politicized, I want there to be no pressure to medically transition one way or the other, and I am tolerant of people using older and/or nonstandard terminology to refer to trans people, and I'm relatively laid-back about people misgendering me or using non-preferred terminology to refer to me.

It does not mean I want to cave to any of the demands of far-right ideology.

The state of gay rights in the early aughts was not good; criminal penalties for homosexuality were rarely enforced but were on the books in many places, there was no right to marriage, and the morality of homosexuality was hotly contested in public. Big culture war issue. In that environment, where substantive protections were lacking, Democrats could be tepid on gay rights without actively giving anything up—if, like Obama in 2008, you didn’t support gay marriage, you could still be seen (correctly) as advocating for an overall better situation for gay people, or at least one that was no worse, in contrast to your right wing opponents.

Trans rights are not in the same position. Before the big trans rights backlash started, access to gender affirming care was pretty widespread, was everywhere legal, and was a matter for private concern only. Trans people could play in school sports subject to whatever their league’s rules were, and the idea of trying to make it illegal to cross dress in public was absurd. The conservative position since has become one of an explicit rollback of rights: revoke access to gender affirming care, create new criminal sanctions to punish trans people, make it illegal for them to participate in school sports, etc.

In that environment, tacking to the right on trans issues means deciding which elements of trans rights you are willing to concede to this project of actually rolling back trans rights. The only thing comparable from the gay rights fight is maybe state constitutional amendments to ban gay marriage, or DOMA—all of which were, IIRC, passed despite gay marriage not being legal in affected jurisdictions. Their enactment, while deplorable, had no material negative affect; gay people already couldn’t get married.

And that this project of rolling back trans rights is not a particular fetish of the religious right is more worrying. Plenty of liberals and liberal institutions are pretty transphobic. Britain has been working to export its flavor of (Moderate, Sensible, Secular) transphobia to other countries in Europe and the Anglosphere. Transphobes winning these fights isn’t a status quo situation—it’s a sharp increase in repression of trans people.

In light of that, I regard calls to “moderate” on trans issues with at best scorn. I think the party of civil rights condoning the rollback of citizens’ civil rights is really bad for its brand, won’t win it more votes, and may sufficiently alienate members of the base—who are invested in the party specifically because of its historic support for civil rights—that they simply don’t bother to show up in elections.

[solar4seekstron]

(Requested) TFOne!Sentinel x Model!GN!Cogged!Cybertronian!Reader Oneshot: I Wasn’t Offering Part 1

Part 2

TW/Tags: possessiveness, forced relationship, trapped, cogged!reader, scary Sentinel.

You were a model. Performing for many higher ups and showing off new paint jobs and polish. Posing for the media and data pad magazines.

This was something you did in order to make enough to get more energon and treats for the miners who work tirelessly for the city. Always bringing them plenty of energon and treats that they worked for.

You were good pals and on good terms mostly with the miners Elita, Orion, and D-16, who you saw every day after a day of work. One day.

On a very special night you were modeling for a live singers even of Iacon and were to pose as one of the primes. You being Prima. After the show you were still covered in gold Cybertronian jewelry and the paint of gold and white on your frame.

As well as the face make up.

You honestly loved the look. You wont lie. As you made it to your dressing room with a few others. You manager was the one to tell you you had a special visitor. And so as you made your way.

You realized you were headed to a room for VIPs who speak to the singers and dancers.

A place to hang out. You though the singer wanted to speak with you or something.

But as you made your way too the room and opened the door. You saw that it was just Sentinel there. He was laid back against the sofa as the room played soft music.

His arms placed on the top of the sofa as his cervos hang. His legs spread as he sat there without a care. At this point you had the make up of but the jewelery was still on. The singer letting you and the other models keep them as a gift.

You walked in as he then noticed you. Not sitting up but his usual smile to the city soon appearing. “Ah Y/N! The Model of Iacon! Glad to finally meet you sweetspark.”

You chuckled a bit at his words once he said “sweetspark”.

You’d stand there putting your cervos behind your back as you looked at him. “Is there something you needed Sentinel Prime?” Your voice was soft.

”Ah just Sentinel is fine babe. Now why don’t you take a seat.” He gestured to the seat next to him. But you pretended to not notice. Turning your head soon and sitting in the sofa across from him. He lost his smile for a moment and his eyes narrowed.

But it wasn’t like that before he went back to smiling. He’d then stand up and walk over to you. “You know I’ve always enjoyed your work as a model. Seeing that you’re always so well fit and such.” He chuckled.

You did the same. Flattered by his compliments as your cervos rest on your lap, as he stands before you. His cervo then gently holds your chin. “That jewelry is a cheap…..”

His helm then leaned down closer to yours as he examined them then look back at you optics to optics.

”Let me get you better ones.” You only stared at him. Uncertainty in your optics as the cervo once holding your chin then moved to the neck less laying against your chest. Gently rubbing it between his digits. “Tell me.”

His voice was low as he spoke. The same cervo moving down before holding your waist.

”How would you like to be more in the city of Iacon.”

His cervo gently pulls you a bit closer to your frame. “And be seen by my side.”

He whispered into your audio sensors. You froze for a moment. You had many other higher up femmes and mechs. Bigger and smaller then you give you the offer but that wouldn’t always land long and would go to the next hot topic in the city.

You gently set your cervos against his chest. He looked a bit confused for a moment before you spoke.

“Sorry..Sentinel. But.” You stood up creating some distance between you two. As you spoke.

”I made a promise to myself when gaining my ‘populatiry’ I would only do it to help those who want to do better on my people and the miners who work hard for us everyday. And I wont just ‘join’ anyone who just wishes to use me for status and looks like some eye candy.”

As you spoke his optics were narrow and he only sighed and took a step. He then let out a deep chuckle. “Goodness no my dear. I have no intentions of keeping you only for a few days or anything….”

His frame almost touches yours. His optics narrowed as you stared up at him.

”When I say I’ve been watching you…I mean.” Both of his cervos gently grab your waist keeping you still. “I want a model of Iacon to be…mine.” He said in an almost sinister way.

“I have seen you. Been watching you. Always taking care of my miners everyday after you work. And not to mention how hard you try to stay the way you look. I’ll admit I have a crush on you. And so.”

He then sat down pulling you onto his lap. Only sitting on one of his thighs as he then picks up an energon drink that was on the table. Your cervos on his shoulder and chest as he took a sip of his drink. Then looked back at you. “Why don’t you be a good bot and accept my offer hm?

You can live like a true ruler on my side. And continue to help your mining friends…”

You stay quiet for a moment before speaking. “And if I refuse?”

He said in a low voice once more. You only looked at him unsure. He can tell and brought your leg up moving it around his waist as he stared at you. Now fully on his lap as his cervos remain on your aft. Your cervos still in place.

”I’m afraid what I said wasn’t a request.” He said in a threatening way. His cervos grip tightens as he rests a kiss on your chest after leaning forward.

You were frozen.

Even as you lightly push against his shoulder and chest it get up. His grip only got more tighter and tighter. “I wouldn’t try it. You see sweetsaprk when I want something I expect it to be mine in less then a second. So….be a good bot….will you?” His optics looking up at you. Almost narrowed.

You knew he was threatening up. In his own way. You could only stare down at him. Did you really have a choice now? You were…shaking..Just by the look of his optics you know he’s mad.

”Shh shh shh sweetspark no need to be scared..” One of his cervos move from your aft to the tip on your thigh. Gently squeezing.

”You just have to say yes…and…Non of your mining friends have to get hurt….” You two stay still for a moment. You looked down thinking. Your cervos moving to your own lap as you grow unsure. Against your better judgment….You agreed…

The image of those miners like Elita, D, and Orion coming to mind. You’d slowly nod. Still looking down.

”Look at me.” He spoke. And so you looked at him. Your optics sad and his cervos don’t move. His optics narrow still. “Now my partner isnt sad…You always have a smile when you’re with me and….by my side.”

He places another kiss on your shoulder and the side of your neck a few times. “Now be good for me and open that chest plate of yours..”

You held in your tears. How did things move so fast for you? Slowly your chest plate opened showing your spark. He’d then open his. His cervo once on your thigh moving to your upper back. gently pressing your chest against his. You then felt a rush. Your spark connecting with his.

He’d then press his dermas against yours. The kiss was hungry and yeet still full of….love?…. You didn’t return the kiss. But he didn’t seem to care.

The kiss continued. All you can hear is the soft music and the kisses he exchanged against your dermas. Keeping your frame against his as he continued. The spark bond was completed and he leaned back with a sigh. Glad to finally have what he’s been craving for so long.

He’d then resume, kissing your neck and chest. Ignoring the jewelry as his cervos explore your frame. Your own on his shoulders. Trying to not let out a few soft moans as he assaults your frame.

He’d then pause looking at you with his optics full of lust.

“Such a good Conjunx. You're going to make everyone…and Me very, very…Happy.”

This one I was pretty excited to write about and I swear all I can hear his voice in my head when write him lmao. The writer I wasn’t fully sure what to do with at first ‘cause I don’t know if models even exist in Cybertron. But hey I hope you all enjoy non the less and hope you all have a good rest of your day.

As always, a repost is appreciated.

[honourablejester]

Is this, the anxiety about working women, a common interpretation? I’d never heard it before.

Not an interpretation I’d have come to myself, either. The femme fatales that I think of first aren’t usually working girls, they’re things like wealthy wives wanting to bump off their husbands (Phyllis Dietrichson from Double Indemnity), wealthy heiresses trying to cover up their (/family’s) crimes (Vivian Rutledge, The Big Sleep), itinerant conwomen (Vera, Detour), or ex gun-molls who shot their shady boyfriends and will do anything (and seduce anyone) to make it out alive and with the cash (Kathy Moffet, Out of the Past).

The femme fatale is more … the woman who pretends to love you (or even genuinely does love you) but whose priority is something else, often money, and she’ll use you until she gets it and then go through you for a shortcut afterwards. They’re usually not working girls, they’re bored and murderous wives, alluring crooks, or desperate blackmailers. They’re either rich already, seeking more control over their money, or desperately seeking financial stability via crime. The fear to me feels more like being used and discarded by a woman who wants something else more than you, at least in some of the cases?

Also, a lot of the classic 40s noir movies were based on books that were written much earlier, in the 30s, which would pre-date the post-war economic anxieties (although fit right in for the Depression-era economic anxieties, and the ‘woman willing to kill for money’ might well fit there). Though, granted, a lot of those stories were altered in the book-to-screen transition, and the adaptations likely did reflect more contemporary anxieties.

There was also some real life inspiration for some of the famous femmes fatale. Both Phyllis Dietrichson of Double Indemnity and Cora from The Postman Always Rings Twice, both by James M. Cain, might have been at least partly inspired by Ruth Snyder, a woman who in 1927 murdered her husband with her lover in the hopes of cashing out the insurance policy they’d ‘signed’ in his name.

There’s a lot going on with noir as a genre, it’s a whole melting pot for a bunch of early 20th century anxieties. The class changes coming out of the Belle Epoque, the interwar period, prohibition and rampant crime in the 20s, the massive economic turmoil of the stock market crash and the Great Depression in the 30s, and then, yes, the social changes during and following WWII in the 40s, with so many disaffected returning soldiers, rampant crime, and the skyrocketing rates of divorce that resulted from hasty wartime marriages. Noir as a genre was an attempt to ground Hollywood glamour in some of the darker realities of those very turbulent few decades, and while the femme fatale has certain common traits, she also has a lot of variety, reflecting more than one anxiety of the time. She’s just … the woman who’s just as hard and bleak and dangerous as the men, except men (in Hollywood movies in the 40s) didn’t usually fall in love with other men, but they could (and shouldn’t, and did) fall in love with the femme fatale. She was more a reflection of the general fear that the romance and safety of marriage that society had promised men at this time was no more real than the financial or physical safeties they’d been promised either.

Which, yes, women in the workforce is part of that disintegration of promised safeties, so I can see it as an element, an aspect of the fear. But I wouldn’t have said it was the driving one, just one more facet of the perceived social degradation embodied in the noir genre. Textually, a lot of the classic femmes fatale weren’t even in spitting distance of a factory job. For a start, it’s not exactly glamourous. And for a second, that’s a long, slow way to get what you want, when you can just murder or betray someone for money instead. Or string some poor lovesick sucker along as a patsy for your crimes, or as an escape hatch for your schemes.

Basically, I don't think the fear was of being supplanted, or at least not in all cases, it was more a fear of being used. Controlled. Betrayed. Murdered. The femme fatale wasn't the woman who replaced you, she was the woman who lured you, seduced you, lied to you, hurt you, controlled you, incited you to do things you wouldn't normally do. Instead of being the safe harbour, the soft, righteous reward promised to the hero, she hurt you instead. Used you. Love is a lie, marriage is a lie, and murder might well be the result.

My film noir hot take that I’ve been mulling over for a while is that I really don’t think the femme fatale in noir was an expression of anxiety about women working in the aftermath of WWII. Evil seductresses are present in literature since before the printing press, and in pulp crime fiction since at least the 1920s! And when did you ever see a femme fatale working as a mechanic or on an industrial assembly line? I’m not saying the archetype doesn’t pull from contemporary sexism, but Rosie the Riveter didn’t invent the idea of sexy mean ladies, especially in gritty melodrama.

[lazy-sixteen]

Daniil why would you say that???

Watching Pathologic (classic HD) while on break from suffering in Pathologic 2, and it really struck me how different the first meeting with the Bachelor was in each game.

Pathologic 1, well, only a screenshot can do it justice,

(Yes . . . far be it from me to call myself a person of mystical inclinations. However, when I look at you, I get the feeling that nature is playing jokes on us. It is as if both the left and right hand have clutched the head to realize for the first time they are two parts of a single whole.

>Why?

>I get that feeling too. Does that mean that we are alike?)

That's like the first thing he says to the Haruspex, and while yeah everybody in Pathologic talks like that to a degree, even in game, in character that's a wild thing for Dankovsky specifically to say.

We just spent an entire playthrough as this guy mocking and/or having breakdowns over the existence of the supernatural - especially precognition. And in strolls this 6'2 resting murder-face dude with half-a-medical degree, widely thought to be a serial killer (kinda true), and Dankovsky's like,

"BTW, my heart is telling me we're kinda two halves of the same whole.😊❤️"

Absolutely hilarious. Even funnier is that the Haruspex, grumpy at baseline and currently having the worst day of his life (so far), can agree with him. Great first impression all around!

Then over in Pathologic 2, the Bachelor is high-key fumbling, like fumbling so hard you can get an achievement for it.

Carpetbagger - Remind a colleague of the Hippocratic Oath -- and fail

Not to meme on the guy (who is of course, multi-faceted and at his core deeply altruistic even if he often seems to have trouble expressing that on an individual basis), but initial Pathologic 2 Bachelorencounter is Daniel at his most prickly prick.

He gets Artemy's name wrong (possibly on purpose and definitely twice),

condescendingly demands the Haruspex be his errand boy,

basically calls himself the smartest person in a room of 2,

and can accidentally imply that he left a couple of orphan children to die because he doesn't treat mutts (he actually refused to treat the orphans' dogs).

Yikes - no wonder Artmey spends the first couple of Days taking cheap shots at the guy.

I mean in both Haruspex routes eventually he ends up very friendly with the Bachelor, which makes senses on a thematic level given the some of the Haruspex's major themes/ideals are connection and community. You could say their first meeting was changed to be funnier ("Vorakh") or more in character for the expected tension between two people under a lot of stress who can both be difficult to get along with at baseline

However, what about if we look at it from a meta-narrative level?

While you can play Pathologic 1 as either the Bachelor or the Haruspex on your initial run, it's pretty common knowledge who you are supposed to play first.

"Daniil Danokovsky's Fun Steppe Vacation was just the tutorial for Artemy Burakh's Tormentous Nightmare" - HBomberguy in Pathologic is Genius and Here's Why

This means that the player in Pathologic 1 has already been introduced to Daniil - even if Artmey hasn't - and the game reflects that! You the player know the Bachelor, you've been him, and you probably got really attached after keeping him alive for 12 horrible, horrible days.

Even though you know he can be a bit sanctimonious and dismissive, the player knows he's rational and compassionate and thus already used the evidence at hand to figure out Artemy hasn't killed anybody!

Of course one of the first things you (the player) would want to do as the new protagonist is check on your former avatar, and the game rewards you for it! Talking with the Bachelor on Day 1 as Artemy can raise your reputation - which is super critical. It might be the increase that keeps you from getting hunted in the streets or starving as shops refuse to sell food. What a great first (Second?) impression!!

Daniil's unprompted "hey are we soulmates or is it just me?" line is funny, but meta-narratively it is also true. They are the player's first two avatars, taking turns being puppeted by the same you as protagonists through the same overall story to two opposing conclusions. They are (your) right and left hand. You've played Dankovsky, (you) know this and having previously been the protagonist this new Dankovsky seems to subliminally know this too.

Meanwhile over in Pathologic 2, the only route is the Haruspex - disregarding the Marble Nest (worst day of Dankovsky's life [so far, ad infintuum]) which has enough time fuckery going on that I shall disregard it for this analysis - you can only be Artemy Burakh.

Either under the assumption that the player of Pathologic 2 hasn't played Pathologic 1 or that they've played all of Pathologic 1 including Changeling' Route's extended murder hide and seek between Dankovsky and Burakh, We (the player and Artemy) don't know Daniil when we meet him in Pathologic 2 as anything but the broken man we saw in the depressing into.

Is he our friend this time? Is he our enemy? Whatever he is, he's certainly a sanctimonious prick.

(Today's tragedy won't be the last. I was blessed with a naturally high intelligence, and my observations indicate that a very deadly visitor has come to this god-forsaken town. That's all I can say for now.

>...I don't like you, Bachelor Whatever.)

In Pathologic 2, both the player and Artmey meet Daniil Dankovsky at at his worst, and slowly work-up from there because both of us are meeting, getting to know, and building a relationship with him for the first time.

This is actually parallel to how you first meet the Haruspex in Pathologic 1 as the Bachelor!

If you are playing in the intended order, both the player and Daniil don't know anything about Artmey besides the serial killer rumors, and likewise you meet him at his worst - (in prison and later he murders a young woman to get Daniil the infected heart he needs to try and develop a vaccine). Much like we see the worst of Daniil's classism, arrogance, and inability to connect beyond quid pro quo (hehe, latin) in our Patho2 intro; in Patho1 we initially only see Artemy's standoffishness, brutality, and stubbornness.

Interestingly, following Daniil's themes/ideals of transcendence and rationality we (the player and Daniil) don't actually end up connecting much with Artmey on the Bachelor's route. The player is influenced by the puppet, and why would Dr. Daniil Dankovsky - whose route is plagued by betrayal, manipulation, and the difficulty of connecting to even people who do selflessly care for him (like Eva) - make friends with a violent, possibly dangerous guy who practices a sort of medicine Dankovsky doesn't believe in?

(I couldn't find a good screenshot for this, but mentally insert a picture of Artemy doing a roadside dissection)

Basically if Daniil is the player's protagonist he won't reach out, because in-character why would he?

If Artemy is the player's protagonist, Daniil will try to be friends in Patho1 (because of the player's previous actions affecting both avatars) or in Patho2 Artmey will eventually connect with him because that's in-character for him.

Overall, I suppose this means that Danii's instant and uncharacteristic buddy-buddy attitude with Artemy on the Haruspex route Patho1 is completely justified from a meta-textually narrative, as is his horrific fumbling in Patho2.

And it is also very, very funny.

[lulublack90]

Prompt 11 - Home

@jegulus-microfic November 11, Word count 563

Previous part First part

Regulus cringed internally as he followed James, Sirius and Remus down the flight of stairs and out into the pouring rain. He had no idea what had possessed him to suggest the art show, but here he was clambering into the back of James’s car— apparently, Sirius had called eternal shotgun years ago—and on their way to the gallery on the other side of town.

“So when did you get into painting then?” Remus asked pleasantly while James and Sirius argued over what music they would put on. 

“Oh, er, I think I always liked art. Our house was full of dusty old oil paintings, and I was fascinated by how the artists had made it look like the eyes were following you. Took me years to figure out how to paint them.” Regulus answered, going into far more detail than he usually would with someone who was basically a stranger, but something about Remus made him want to spill his guts. He was so calm and sincere that Regulus had a hard time not trusting him. 

“Wait!” Remus gasped excitedly. “You know how to do that?” Regulus nodded. Remus grabbed both of Regulus’s hands in his and earnestly asked, “Can I commission a portrait of myself with the creepy eyes? I want to put it in Sirius’s office to freak him out.” Remus leaned conspiratorially. “He’ll hate it, but he won’t take it down in case he upsets either of us,” Regulus decided there and then that he was going to be very good friends with Remus Lupin. 

“You pay for the supplies, and I’ll do it just for the knowledge that Sirius will wig out every time he sees it.” 

“Deal,” Remus grinned at him mischievously and then grabbed the phone Sirius had plugged into the car’s speakers and put on NSYNC, to which two unhappy moans chorused from the front seats. “They both hate them, and I take great joy in singing the songs word for word as loudly as I can, so I’d cover your ears if I were you,” Remus warned before launching into ‘Bye Bye Bye’. Regulus grinned widely, loving how Remus was torturing his brother, not so much James, but this was just too much fun. He did something he never thought he’d do and he joined in. 

“I know that I can't take no more. It ain't no lie. I want to see you out that door. Baby bye bye bye.”

“Oh gods, there’s two of them,” Sirius complained as he put his hands over his ears. Remus leaned forward and prised Sirius’s fingers away from his head as the last verses started playing and sang loudly into the gap he’d made. 

“Bring it home Regulus!” Remus beamed, still holding Sirius’s hands away from his ears. So, Regulus did what he was told. He shuffled forward and scream-sang. 

“Don't really want to make it tough. I just want to tell you that I've had enough. It might sound crazy, but it ain't no lie. Bye bye.”

“We’re here,” James said as he pulled into the car park and found a parking space. He turned to Regulus with the most dazzling smile. “You have the most beautiful voice, my love, shall we go look at your beautiful art?” Regulus felt the blush coming before the heat even hit his face. James was a total menace.  

Next part

[yamisnuffles]

DATV Spoiler Free Review

I beat Veilguard a couple days ago and have had some time to let it settle in my brain. So, without getting into the nitty gritty and more spoilery things, here are my overall feelings on the game.

The Great:

The world itself. The scenery. It was really gorgeous and felt fully alive in a way that none of the previous games have quite managed. Since it wasn't as open world as DAI nor as narrow in scope as DA2 (nor as old as DAO lol), it felt more vital. Definitely a place where the advances in graphics helped, I'm sure.

The Good:

The companions. I wouldn't say any of them blew me away but they all at least ranged from enjoyable to very good. I definitely had my quibbles here and there but I think they were all pretty solid. As such, though I've only done one romance, I'll suppose they're all good. A bit... sparse in my experience and from what I've been hearing, but nice enough.

Overall, I also think the story was pretty good. Like much in this game, nothing that blew me away, but solidly compelling.

Also, mechanically, the gameplay and the glamour system. It still doesn't feel like DA to me but it was enjoyable once I got used to it. It works well with how I play games. And it was nice to just set looks for myself and my companions and not worry about stats vs appearance.

Rook. I have some definite Complaints, and so this point is probably closer to the good to mid range, but they did a pretty good job with letting you pull in your faction stuff. I'm prevented from saying great because it feels like, even with what are supposed to be rougher dialogue choices, you're limited to being mildly pleasant.

The Mid:

The music. This is tragic to me because every previous game had some really standout songs and DAI especially was such a solid soundtrack. I love soundtrack music. Also because Hans Zimmer! I love Hans Zimmer. But the entire thing felt very generic epic fantasy to me. It wasn't bad but it didn't feel good. The only times I ended up moved by the music was when they lifted DAI songs.

The lack of imports. It wasn't the end of the world but did make some cameos feel really off. And for all the talk of making what few things were imported matter, that really didn't feel like the case at all (unless you were in a specific subset of players). I didn't care too much, but it was just enough to make things feel weird, especially with characters like Harding who are so attached to previous stuff.

The Bad:

The world felt so sanitized. I have no issue getting rid of real life bigotry that makes so sense in the context of the world. For example, the sexism in DAO especially made no sense. That said, there was a lot of in world nastiness that is just... gone. The game does a lot of telling us the elves have it bad but doesn't show it. No one bats an eye at a Tevinter mage running about outside of Tevinter. No one cares about a Qunari in occupied Treviso. I suppose it's not the worst thing in the world but it feels weird, especially when it's so central to Solas' motivations.

This sanitization carried on through pretty much everything. All of the factions are presented as good and heroic, even the ones that are historically pretty shady. Your companions are all pleasant and palatable. They have the occasional minor squabble but even when they almost have actual beef, it's solved super easily. You might get some disapproval for decisions but companions never seem to much care or hold it against you, even on really big things. I don't need DA2 levels of interparty drama but, boy did I want a bit more tooth sometimes.

The Awful:

I can't get into it without spoilers but it did a Thing that Bioware sometimes likes to do that I absolutely loathe. This is definitely personal but it ruined some of my desire to replay.

Overall:

I'd give the game a 7/10 or maybe 6/10, depending on how I'm feeling. It was enjoyable for the most part but it had so many things that felt like splinters. Lots of little things that stuck under my skin and bothered me. Would I recommend it? Genuinely depends on the person.

[nausicaamusiclover20]

Feeling very drama and angsty today. Imagine after rehab in 2001, James starts dating reader and it’s all going well, she is really helping him, etc. but when she finds out that he’s only separated from his wife, there’s no official divorce. The worst part is that she finds it from gossip magazine, and she gets the “homewrecker” label? She feels disgusted with herself as she honestly thinks now that James was only using her for his recovery and is going back to his family after he completely recovered ?

I still hope for some happy ending please?

I think you know by now how much I can love angsty stories. I hope you like this💕

Fix us

After James finished rehab, things between us moved fast. He’d been vulnerable, raw, and in need of support. I was there with him, by his side through every late-night call, every rough moment. He’d say that I made him feel whole, that I was the calm he needed in the storm. And I believed him—every word, every promise. I let myself fall.

It felt like everything was finally going right. That was, until today.

I had stopped at the grocery store after work, glancing through the usual row of magazines when something caught my eye. There, on the glossy cover, was a photo of James with his arm around his wife—his wife—alongside the headline: James Hetfield's Secret Affair? Spotted with a New Flame, But No Plans for Divorce.

The world seemed to spin around me as I flipped through the pages, my heart sinking with each line. Separated, not divorced. Speculation. Gossip. And worst of all, that word burned into my mind: homewrecker. The one thing I’d tried so hard not to be.

I felt humiliated, my cheeks hot with a mix of anger and shame. How could he do this? How could he keep something so important from me? Did I mean so little to him that he didn’t even tell me the truth? Had I been nothing more than a distraction—someone to lean on until he could go back to his family?

I barely remember the drive home. By the time I was back in my apartment, I could hardly hold back the tears, still clutching that damn magazine in my hand. I wanted to scream, to throw something. But instead, I just stood there, feeling the weight of it all pressing down on me.

The sound of the door startled me. James had let himself in, his face softening when he saw me standing there, holding the magazine.

“Y/n,” he started, his voice heavy with guilt, “I can explain.”

“Explain what, James?” I spat, holding up the magazine. “Explain how you lied to me? Or how the whole world knows your truth before I do?”

He stepped forward, his face pained. “It wasn’t like that. I didn’t lie to you, I swear. I just… wasn’t ready to face it myself. I didn’t know how to tell you.”

The anger in me flared, but it was the pain that took over. “I thought I was helping you get better, helping you move forward. But all this time, you’re still tied to her. I mean, what am I? Just some temporary fix until you’re ready to go back?”

“No,” he said, reaching for me, but I took a step back. “You’re not a rebound, Y/n. You’re so much more than that.”

“If that were true, then you would have been honest with me,” I shot back, feeling a lump in my throat. “You’ve put me in the worst position possible. I look like a homewrecker, James. I feel used.”

I could see him struggling, his hand running through his hair. “You’re right,” he finally said, his voice breaking. “I never should have let it get this far without telling you. I was selfish, thinking I could handle it all, but... I was wrong. And I’m sorry.”

The sincerity in his voice broke something inside me, and for a moment, I wanted to believe him. But it was hard to shake the betrayal, the embarrassment that had settled in me. “James, I’ve given you everything. My time, my trust… my heart. And now I don’t even know if I can look at myself without feeling disgusted.”

He stepped forward, his eyes pleading. “Please, Y/n. Just give me some time. I’ll fix this—I’ll make it right. I know what I want, and it’s you. I’ll handle everything with her. I’ll show you that this is real.”

I didn’t say anything, just looked away, feeling tears spill over despite myself. “I don’t know if I can trust you again, James. I don’t know if I can trust me anymore.”

“I know,” he whispered, taking my hands in his. “I’ll prove it to you, even if it takes the rest of my life.”

---

Then one night, months after our fight, I heard a knock at my door. When I opened it, there he was, looking exhausted but hopeful, a familiar warmth in his eyes.

“I’m here,” he said, his voice soft and steady. He held up a single sheet of paper—signed divorce papers. “Completely here, Y/n. And if you don’t want me anymore, I get it. But I need you to know… I’m not going anywhere. Not unless you tell me to.”

My chest ached at the sight of him, all the hurt and love I’d kept bottled up unraveling at once. I took a shaky breath, my voice barely audible. “I don’t know if I can go back to the way things were.”

He nodded, taking a small step closer. “I don’t want to go back, either. I just want you, now, however you’ll have me.”

I looked at him, feeling the last of my anger melt away, replaced by something deeper. I reached for his hands, and he closed his fingers around mine, steady and real. His thumbs gently brushed over my knuckles, and I felt him pause, lifting my hands to his lips.

Then, without a word, he pressed a soft kiss to each one, his gaze never leaving mine, his lips warm and tender against my skin. The quiet intensity of it made my heart ache, each kiss melting away the pain I’d held onto for so long.

“I want to try,” I whispered. “But don’t lie to me again, James. Not ever.”

“I swear,” he murmured, his voice filled with relief, his hands still wrapped around mine. He pulled me into a gentle embrace, holding me close, his arms secure and unyielding, as if he never wanted to let go. I let myself sink into him, feeling his heartbeat, steady and strong, and for the first time in a long time, I felt whole again.

This was our new beginning, and this time, I knew we’d face it together.

[tomorrowxtogether]

BEOMGYU: “I realized just how much love I have for performing onstage”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.12

BEOMGYU says he spent the time he was out with an injury falling even deeper in love with the stage. Clearly, the idol draws on hardship to propel himself forward: Even as he talks about the hard times, a humble smile flashes across his face as he adds, “but it’s okay.” BEOMGYU—who knows that “sometimes you stumble, it’s fine”—knows what it takes to get back on his feet.

Season two of Workout ZZANG is really entertaining, just like season one. You seem really comfortable doing variety shows now. You’re really in your element! (laughs)  But you’ve also said that you’re not usually so energetic. BEOMGYU: Workout ZZANG is a physically demanding show. I figured out during the first season that people find it funnier when I’m really struggling. You can just tell by looking at the view count—the episodes where I have the hardest time always got the most views. (laughs) I realized not to play it safe and that I need to put in as much effort as possible. And I think my genuine love of the show makes that possible. I mean, it’s got my name on it. I really love how you’re always quick to make your guests feel welcomed, too. BEOMGYU: Because I’m playing host to them on my own show. (laughs) I thought a lot about how to approach them without making it awkward. I couldn’t do a total deep dive on them, but I tried to be plenty familiar with them. I even watched other variety shows they’d been on to see what kind of things they like to do. HUENINGKAI made a surprise appearance, too. BEOMGYU: It was great to have someone I have perfect back-and-forth with on. He was great at coming up with these quips, probably from filming so much content, like TO DO X TXT. He was a lot of fun. Oh, and the aerobics episode was exhausting, and even though it was really hot and Huening gets hot easily, he was really active during it, which I was grateful for. I was laughing, watching that episode by myself when we were in the US and I showed it to him and said, “Hey, this one’s really funny.” (laughs)

You talked before about the pressure you feel to be good on variety shows. Do you find you’re able to enjoy it a bit more now? BEOMGYU: I was worried right from when we first debuted about what special thing I could do or role I could play to contribute to the group. Thanks to doing Workout ZZANG, I think I’ve established myself as the one who’s good at doing variety shows. I was really grateful they called me back to make a second season, and I could feel that I’ve grown a lot from it. My friends I hadn’t heard from in ages suddenly contacted me to say, “Hey, this is really funny,” and the rest of the group said the same thing and wished me the best with it. I felt really proud—like I was being acknowledged.

In contrast to your overflowing energy when you’re on variety shows, the very calmest side of you comes out when you do BEOMEDIO. BEOMGYU: Part of it’s about showing what I’m like at three in the morning, but the best part is getting to read what MOA sends in. Reading their stories let me visualize and indirectly experience things I haven’t experienced myself. I read them all through quickly and thoroughly before going live. There’s a whole lot of people who write really beautifully. (laughs) A lot of times I feel like I understand them so well that I get choked up reading them. And I’m always thankful for the ones that end with, “I love you, BEOMGYU.”

You said on BEOMEDIO, “When it comes to sharing happiness, the person doing the sharing doesn’t end up with less, and it fills the hearts of the people who receive it, too.” If you could share one thing that made you happy recently, what would it be? BEOMGYU: Honestly, this year’s been filled with a lot of good experiences. I’m making an effort to find happiness even in the smallest things now. There were minor things, like when we had our “Deja Vu” comeback, I felt great because the outfits were beautiful. I helped write the lyrics for two tracks on the latest album, and that made me extremely happy. (laughs) And I’ve been incredibly happy going to my favorite artists’ concerts and doing our own. I’d say there was more happiness than sadness this year.

Even though it’s been a year full of happiness, there was also a painful period for you because of an injury. I can guess how tough that was for you considering you were crying at the end of the concert. BEOMGYU: It was really hard for me mentally. That was right when I was deep into my work. We had this great schedule lined up, and as things started to fall apart, it felt like my mental state fell apart with it. And when we were at the Tokyo Dome, I thought, We’re at this place with this huge audience and I can’t even perform? It killed me. On the other hand, though, it also had a positive impact on me in a way. That was my first time watching the other members perform from offstage, and I could see how amazing and impressive they were. The place was packed, and hearing them cheer, I was like, I’m doing something really amazing—I’m working with some really amazing people. I found it really motivating.

Didn’t it also make you think about how you’re just as amazing when you’re up on that stage? (laughs) BEOMGYU: I thought, I can absolutely slay when I’m onstage, too! (laughs) I think the others were amazing and put on an absolutely flawless performance as just the four of them, but I have certain ways of expressing myself and there’s some breathtaking parts that only I can do, you know? I thought, I don’t even care if my foot gets more broken—I just wanna be onstage. I took performing onstage for granted, but as soon as I wasn’t able to, I realized just how much love I have for it. All the rest of them carried you around when you got hurt at the Tokyo Dome. BEOMGYU: It was really reassuring to me and I was so grateful to them, but in a way I also felt really sorry. When a concert’s coming towards the end, we’ve already used up so much energy that just standing by itself can be hard by that point. I realize how hard it was for them to carry me around under those circumstances.

You said “We’ll Never Change” is the TOMORROW X TOGETHER song that made you cry the most. The practice period for it overlapped with when you were injured. BEOMGYU: It was when we had already learned all the choreo for Japan and were about to start practicing for “We’ll Never Change.” I couldn’t learn any of it because of my injury and was just staying in my room. But I said, “I really want to go to Japan. I want to sing, even if I have to sit,” and I sat in for lessons for the live performance. I felt sort of insignificant sitting at the back just singing while all the other members were dancing, and I felt terrible. I shed a tear or two at the back, but I doubt they would know that. (laughs)

I remember you said you were disappointed that your injury kept you from making the people who came to your concerts into total MOA. It’s really admirable how passionate you’ve always been about converting people into fans. BEOMGYU: I’m in it for the long run. There’s still so much I want to accomplish. Celebrities like BTS, IU, or DAY6 feel like celebs’ celebs. I feel like you have to see them in concert at least once in your life, and I want to receive recognition from my fellow artists and be the kind of person that they want to see in concert, too. I take pride in the quality of our concerts. (laughs) I used to think accomplishments didn’t matter all that much. I thought, as long as MOA’s happy and I’m happy, that’s enough, and that it’s better just to be nice and happy, but lately I feel driven to do even better anyway. (laughs) You showed off your guitar skills at this year’s Weverse Con Festival, which you practiced for until you got blisters on your fingers. Did that come from the same drive? BEOMGYU: It was no easy task. (laughs) I kept up my lessons online when we were in the US and even gave up my vacation to keep learning and practice. I love playing guitar, but it isn’t my specialty. Lots of people are pros at it so I was worried about the thought of me going up onstage and playing it, but I decided to just go for it. It’s difficult to master anything, and practice was the only way for me to make it happen. MOA loved it in the end, so I was proud. (laugh)

You’ve been going to see a lot of other artists perform lately. How does it feel being in the audience after being the one onstage? BEOMGYU: Watching things purely from a fan perspective showed me how joyful the concertgoing experience can be. One time I went to IU’s concert, and sitting in the audience at that huge venue and watching her, I felt how amazing a thing it is to be a fan of somebody and show them your love. I became determined to give MOA not just 100% but 150 or 200% at our concerts. (laughs)

The last track on your new album, The Star Chapter: SANCTUARY, is called “Higher Than Heaven,” and it feels like it perfectly captures TOMORROW X TOGETHER and MOA’s connection, especially the part where you go, “I’ll hold onto eternity, our names / Let’s dream of an endless tomorrow together.” BEOMGYU: I thought those lyrics were absolutely wonderful. “Let’s dream of tomorrow together” sounds so romantic. Since we’re in our sixth year now, I think it’s time we focus on the future more than the past. What I want now is to keep looking toward the future with the other members and with MOA—to see them there tomorrow.

The part where you go, “What you doin’ to me?” in ‘Danger’ is a real standout. It felt like you were using a voice we haven’t heard from you before. BEOMGYU: I practically insisted that the producer give that part to me. (laughs) I said, “I promise I’ll kill this part,” and that clinched it for me. When I was recording it, I had to get the pronunciation and nuance to work together, and do it all in a really deep voice, so it was kind of hard. I couldn’t get the tone right when I looked alert and ready, so I tried making a pose like someone who’s about to start a fight—stuffing my hands in my pockets, tilting my head slightly—and sang it that way. And then I was able to really bring out the right feeling. (laughs) You’ve said before that sometimes a song doesn’t feel quite right until you’ve heard the group singing it, and then it sounds better. Are there any songs on this album that were like that? BEOMGYU: “Forty One Winks.” It’s actually my top pick—I loved it right from the start, in fact. (laughs) I always connect more with the songs after I hear them with the group’s vocals. The demo versions are good, but it really feels like a TOMORROW X TOGETHER song when you hear it with our vocals. You mentioned you were happy to write lyrics for two of the new songs. What was that process like? BEOMGYU: It wasn’t anything special. (laughs) I find it’s best to write lyrics as the thoughts naturally come to you and not overthink it. I worked on “Resist (Not Gonna Run Away)” while we were touring. I was writing like crazy on a three-hour trip to a ryokan in Japan and I think the lyrics came out well.

You said before that you tend to have an ear for what people generally like. How did you feel when you first heard the single “Over The Moon”? BEOMGYU: At first I thought it was good but not lead-single good, but I fell in love with it once I heard it with the group’s vocals. It’s got a feeling that can’t be described in just one word. It’s not just, This one’s upbeat! Or, What a tough image! It’s got a little bit of this and that and everything in it. It feels like “one of our songs” or “TOMORROW X TOGETHER-ish.” (laughs)

You truly have a deep affection for the group. During YEONJUN’s first solo promotions, all the other members sent him a coffee truck and repeatedly visited in person to support him. BEOMGYU: It was the first solo work for any TOMORROW X TOGETHER member, and I knew how hard he worked on it. While the rest of us took it easy, YEONJUN had to be getting ready for it. I really empathize with how much pressure he must’ve felt. As a member of the group, I thought about what I could do and decided all I could do was go support him in person, buy him a little something, and go cheer him on. You truly have a deep affection for the group. During YEONJUN’s first solo promotions, all the other members sent him a coffee truck and repeatedly visited in person to support him. BEOMGYU: It was the first solo work for any TOMORROW X TOGETHER member, and I knew how hard he worked on it. While the rest of us took it easy, YEONJUN had to be getting ready for it. I really empathize with how much pressure he must’ve felt. As a member of the group, I thought about what I could do and decided all I could do was go support him in person, buy him a little something, and go cheer him on.

You recently wished on a sky lantern in Taiwan for the people you know to be happy, not for yourself. BEOMGYU: I really just hope that everyone I love and everyone who loves me is healthy and happy. I think it’s always like that. I’m more concerned with others being happy because of me than I am for my own happiness. You can sacrifice or give up things and still feel like, Okay, as long as you’re happy, I’m fine. It doesn’t mean I’m not happy. (laughs) I can take care of my own happiness, honestly. That’s why I wrote that. You have to be happy yourself in order to share that happiness with others.

If you were going to write down a wish not for the people close to you but just for yourself, what would it be? BEOMGYU: There isn’t really anything I wish for. I’m content with who I am right now. (laughs)

[thatsveryvortex]

Writing Tools for Planning Your Story

I've tried tons of writing apps and sites, so you don't have to. Here's a list of free sites to plot out your novel, with my review and some images of how I use it.

Milanote

Milanote is like having a giant pinboard with folders. You can upload anything onto it [yes even your main doc] and then draw over it or connect things with lines and arrows

Milanote lets you add up to a hundred things for free, not including drawing. This is one of the downsides of the site as I've found myself reaching that limit recently.

For me, the best part is being able to draw over stuff, and the color swatches.

Milanote is a lot less structured than other sites I've used, and personally, I don't think their templates are worth using.

8/10 overall, Milanote is what I mainly use. Here are some pics of how I use it:

Miro

Miro is a flowchart website mainly used for corporate jobs, however, it can be a great plotting tool for that reason

Miro has a lot of great starter templates if you are looking for a more structured freeform experience. It also comes with a blank page as well.

Unfortunately, I'd argue that it's a bit of a hard tool for beginners to use without a template, I've learned copy-paste is my best friend with Miro the hard way.

It's much better than most platforms at making timelines though.

It has a limit of three boards which is a bit disappointing but overall, I think it's worth the try.

5/10 Miro is very middle of the road for me due to the limited ability to customize things and the free limit. Here are some pics:

[I wrote that part weeks ago, I am now fully using Miro and believe it's the best for making timelines and charts, I just wish it let me make more boards 8/10]

Hiveword

This might be someone's jam, I can't really say it's mine though.

First off, the unpaid version is really just a few boxes saying "Write a summary here." which makes it just not worth it in my opinion

There really isn't any way to customise things which is my favorite part of most of these softwares

I've barely used this, so maybe there's something I'm missing but

1/10, Just use Google Docs at this point, here's a couple pics

World Anvil

People like this software, it's mainly used for tabletop, which is just a different way of writing adventure, and I've seen it recommended by authors.

Unfortunately, I'm going to disagree with a lot of people and say it's hard to use and isn't even really good at plotting.

I may be biased on this one as every time I've tried to use it in the past I've struggled. However, it seems like another just write it in a document and create a folder.

I'd say it's closer to an organizing tool, but even then just use something else.

3/10, I have nothing to say about it but maybe you'll enjoy it, all here are two photos

Campfire

This is the one I think I've heard the most about, but have never actually tried.

right off the bat, I'm going to say this is 100% worth it, you'll see at the end with the photos but this is like if Miro and World Anvil had an organization baby.

It's extremely easy to understand, and it makes timelines, it's more for writing your whole book but idk about that yet.

7/10, its themes are really pretty but it limits how much you can do to 20 I believe. Here are the photos

That's all for now, honestly, I think you should use Miro if you are looking to plot things out, and Milanote if you want to collect and organize your thoughts for writing, as that's what I do. Obviously what I like won't be for everyone, but hopefully, this helped you see some options

[joelsgoldrush]

wip wednesday: "lovers once a year" (dbf!joel miller)

hello to you, tiny people on my phone. reaching the end of this semester has thrown me onto a motherfucking rollercoaster. if i even think about the amount of finals i have to sit for, i'm afraid i'll tear up. so here i am, drifting away from real-life responsibilities </3 still working on this dbf!joel fic cause i haven't had much time to write lately, but i'm trying not to be too hard on myself. i really like how it's coming along. i'm close to finishing, though i'm not going to promise a specific posting date because i never seem to manage it LMAO

anyway, thank you to @elflutter @joelsdagger and @ovaryacted for tagging me!!!

No one could’ve ever said Joel was a great best friend. For one, he was terrible at remembering important dates. His mind just didn’t catch hold of details like that—never had, really. He wasn’t the affectionate type, either. At best, he’d manage a pat on the back or a firm handshake, maybe even a call on Christmas if he remembered. Emotional displays weren’t in his nature, far too used to keeping things at arm’s length. Luckily for him, Stephen never seemed to care much about these things. They’d been friends for over forty years—which is, well, a hell of a long time, especially considering each had gone off to carve out his own life. They’d trudged through both primary and secondary school side by side, and Joel felt Stephen’s absence like a hollow ache the day his friend left for university in another state. Technology eventually offered them more ways to connect, but it didn’t make keeping up any simpler. The years had tested them, and somehow, they’d held on to the quiet strength of their friendship—a bond they’d forged across decades and distance, held steady like the roots of an old tree. Stephen was the laid-back type, always down for anything as long as a cold beer was part of the deal. It was rare for him to lose his temper, having a way of letting nuisances slide. Joel could bend every rule, yet Stephen’s patience never wavered. He was unflappable, hardly bothered by Joel’s mood swings, which was what made them a match made in heaven. Nothing seemed to throw him off. Though Joel doubts Stephen would stay so calm if he knew what he’d done to his daughter. As mentioned, Joel’s not exactly what you’d call a good friend—particularly considering he’s slept with his best friend’s daughter. Just once, to be fair. One ephemeral, impulsive encounter. Right here, in this very house, exactly three hundred and sixty-five days ago.

AND

Apart from the glint in your eyes, he catches the persistent, quiet ache of want. He isn’t sure if it’s just physical attraction, if it runs deeper, or if that’s all it is for him, either. He doesn’t need to know. The simplicity of it all is a short-lived relief. It’s an easy escape, though, this bare minimum of understanding—you want him, he wants you. Let it be enough for one more moment, for tonight, just another memory he’ll have to lock away. Yet he’s aware, deep down, of his own pattern: promises broken just as easily as they’re made. He’s only fooling himself. The part of him that knows this isn’t something he’ll let go of so easily sits there, silently taunting him, daring him to make another promise he won’t keep.

tagging: @lubdubology @zloshy @princessanglophile @cavillscurls @guiltyasdave @tightjeansjavi @mrsmando - so sorry if you've already been tagged :( - and anybody else who feels like doing it!

[louloulover]

‧͙⁺˚*･༓☾ℌ𝔬𝔤𝔴𝔞𝔯𝔱𝔰 𝔇ℜ★

I have changed some things for my own enjoyment, the history is made up. I haven't changed the original story of harry potter. I simply added my own things. ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

｡･:*:･ﾟ★〘ℌ𝔦𝔰𝔱𝔬𝔯𝔶 𝔬𝔣 𝔰𝔢𝔩𝔣〙

☘Family Magic - Rune's father has been on the earth for more than a thousand years, back in history Vikings were users of a ancient magic. The real magic of the world, They danced, sang and used magic one with themselves. The magic could only be passed on through blood. But as the Vikings fought and the people slowly decreased in the world. So did their true blood. Leaving Rune's father to be the last true blood user. The magic can be passed on, but memories will be passed on. Memories come from ancestors. The magic used in todays world isn't the same, nothing as powerful.

☘Parents - His father was one of the Heads of the people, he went into hiding once they were all gone. Rune's mother is a Russian hairdresser. They were brought back to Scandinavia so Rune could be with his people and learn magic from his father. But once his father gave Rune all of his power he was gone. Rune and his mother moved back to Russia. His mother is knowing for being the best hairdresser for muggles and wizards. His mother possesses regular magic.

☘Runes magic - Although Rune isn't full blood his father transferred all his magic and being. So Rune is the strongest being, who can shape nature and anything he chooses. He doesn't use a wand, he can but he doesn't have to. He uses his body.

»»───※ ·ℜ𝔲𝔫𝔢·ℌ𝔢/ℌ𝔦𝔪· ※───►

Rune has knowledge of all his ancestors, the magical runes that cover his every inch of his body shows how powerful he is. ₊˚⊹☾

★Important - He can take away his tattoos simply, but the rune his father put on his back stays. It shows the magic has been passed down.

★Features - Rune possess dark black hair, green like the earth eyes. Eyebrows like his father, big bushy and angled down. When he smiles it is a smirk, sharp canines show from his mouth. A piercing on his left ear, a hoop stays there.

★Body - 6'2''. He is fit, and very tall. Not as tall as the twins. He gives off confidence and pride. (Harry Potter Tyler Durden lmaoo)

★Animal - Rune owns a Crow, connected with his ancestors it is his messenger 'owl'. He also owns a dog at school, (my dog from here) instead of other pets.

★Outfits - He wears colors, often crazy color schemes but somehow works? he walks in a robe or just underwear in his shared room. You will never catch him only wearing black.

its hard to find images of crazy guy outfits, so imagine them with weird color combos ⋆⭒˚｡⋆

➶ ｡˚ °》𝑾𝒉𝒚 𝒂𝒎 𝑰 𝒉𝒆𝒓𝒆? 𝑾𝒉𝒂𝒕 𝒂𝒎 𝑰 𝒅𝒐𝒊𝒏𝒈?《✧ ˚ 　· 　　

＞Honestly, i just want to have fun. That's why I gave myself such power. I don't want to deal with classes or sticking to a schedule. I want to go here for fun with friends, flying and of course the creatures. I want to see them all, fly with them, feel them.

✦ » 𝑾𝒉𝒂𝒕 𝒂𝒃𝒐𝒖𝒕 𝑹𝒖𝒏𝒆? « ✦

＞He was asked by Dumbledore (6th movie) to come protect his school, he knew something was going to come up this year. He has been trying to find Rune but it toke him years, and having to talk to the Merlin to even get to me.

(yes Merlin's going to be the Merlin from the show Merlin.)⋆.ೃ࿔*:･

＞He agreed if he has freedom to do what he pleases, so really he is just to hang around the school. Allowed to enter wherever and whenever. You may see him on top of the highest part of Hogwarts watching the stars, napping on furniture in the halls, playing with his dog in the fields, and throwing items at quidditch players while they practice. || He is still keeping the school protected as he does so ||

Oh and of course hanging out with his brother Casimir..

˚୨୧⋆｡This post toke so long omg, I would love to hear of other people's dr's or even link your scripts in the comments if you want! C:

I'm going to make a post of the other characters in Hogwarts, as I've added some characters. The link will be posted below this once its made!

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[nova-rpv]

a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)