#disco prog

[spilladabalia]

Keith Emerson ''I'm A Man''

[haveyoulistenedtothisalbum-poll]

Tracklist:

The Eve of the War • Horsell Common and the Heat Ray • The Artilleryman and the Fighting Machine • Forever Autumn • Thunder Child • The Red Weed (Part 1) • The Spirit of Man • The Red Weed (Part 2) • The Artilleryman Returns • Brave New World • Dead London • Epilogue (Part 1) • Epilogue (Part 2) (NASA)

Spotify ♪ YouTube

[myvinylplaylist]

Ghost: Meliora Deluxe Edition (2015)

2023 Limited Edition Indie Exclusive Reissue on Translucent Yellow Vinyl.

Deluxe Edition Inclues the Popestar EP

Album Artwork by Zbigniew M. Bielak

Loma Vista Recordings

[fishoutoflovebeach]

any abba fans out there?

[lowdowndandy]

holy shit the tags on those rap posts are fucking wild you'd have to waterboard that shit out of me. at least i know my taste is garbage 90s and early 00s but at least it's genre inclusive

[lukesalbumawheneverhefeelslikeit]

3562: "Chorus" by - Mildlife

[eggmeralda]

can never describe enough how excited I am for the inevitable 2010s revival of the future

(also this turned into a massive ramble accidentally?)

[crypticalwitch]

Hey, people with ocs and charatcer like em, I've got a world request;

Tell me a weird fact about them, in the same way you'd give a headcanon about a popular character

[spilladabalia]

Alberto Radius - Poliziotto

[cannedbluesblog]

Bobby Conn

[clear-ear]

Guerilla Toss - Gay Disco (2013)

Genre: noise rock, math rock, dance-punk, no wave, zolo, brutal prog, sass, art punk

Length: 29:27

Contrary to the previous Guerilla Toss album that I reviewed, this album sounds almost nothing like its artsy psychedelic cover suggests. Instead, Gay Disco is more like a modern, colorful take on no wave punk. Did any of you ever play Maplestory? Gay Disco sounds like a punk album recorded in Kerning City, or maybe Splatoon's Inkopolis. For me, these are compliments.

Every song on this relatively short album has its own character. Kassie Carlson's vocal style on this is much frenzier and zanier on this than in their later GT Ultra (2017). The songs use noise breakdowns more frequently, and those noise breakdowns themselves are complex and mix well with the conventional instrumentation. Lyrics, when you can understand them, are fun and interesting. Otherwise, this is more an album to listen to than it is to sing along with: I'd reckon it a real challenge to properly recreate the things Carlson does with her voice on Sugar Better or Club Kids. My favorite track on this album is Operate, with its memorable chorus and grimy guitar work.

Links: Spotify | YouTube

[mucdj]

(The Lot Radio)

[smallscreengifs]

[ladycharles]

Surprise! Just a little lyrics video for my new single, Hands. It's a dark disco dream with some alt rock and prog vibes. Featuring the entire vertical music video I edited for clips, so it's a bit like a music video, there is some flashing light btw. 💖💖💖

streaming and buying links

[the-hottest-band-tournament]

Round Three of The Hottest 80s Band Tournament

Rush

Defeated opponents: Bananarama, UB40

Formed in: 1968

Genres: Prog rock

Lineup: Geddy Lee - Vocals, bass

Alex Lifeson - Guitar

Neil Peart - Drums

Albums from the 80s: 

Permanent Waves (1980)

Moving Pictures (1981)

Signals (1982)

Grace Under Pressure (1984)

Power Windows (1985)

Hold Your Fire (1987)

  Presto (1989)

Propaganda: 

"Because how many other bands do you know that have: a frontman who can do vocals, bass, and keyboards at the same time, a drummer who's the lyrical mastermind and writes on a variety of topics (from trees arguing to different spheres of the brain to theocratic dystopias to the Lord of the Rings) and a guitarist who can do three different guitar solos in a single track and is talented enough to have his own signature chord?

They are also beautiful no matter what age (yes, even Geddy's mullet, don't @ me) and have one of the sweetest, most loyal friendships I've ever seen in rock and roll. Example: when Neil lost both his wife and his daughter in the same year, Geddy and Alex supported him and were happy to wait as long as he needed before they started recording again."

Sparks

Defeated opponents: My Bloody Valentine, Grateful Dead

Formed in: 1968

Genres: New wave, art pop, disco rock

Lineup: Russell Mael – vocals

Ron Mael – keyboards

Albums from the 80s:

Terminal Jive (1980)

Whomp That Sucker (1981)

Angst in My Pants (1982)

In Outer Space (1983)

Pulling Rabbits Out of a Hat (1984)

Music That You Can Dance To (1986)

Interior Design (1988)

Propaganda: 80s Sparks Ted Talk

Visual Propaganda for Rush:

Visual propaganda for Sparks: