#disclaimer that all of this is opinions!!

[deliy-art]

Homicipher HUGS SFW

Rating their hug ʕっ•ᴥ•ʔっ

Disclaimer: this is just an opinion, I obviously don't know how they'd actually react to an hug. So if you think that the rating is wrong is totally understandable, hopefully I'll not make anyone angry 🙌

Mr Crawling👣: 7½/10

If you had to hug him, you would always need to lean down or kneel, and you might feel him shaking slightly because he would be forcing his legs so much to avoid putting his two-meter weight on you and practically crushing you. Occasionally, he might even attempt to stand up, trying to make you feel more protected during the hug—which, of course, would make you scold him.

If the two of you were sitting or lying down, though, he would probably be the best. He’d let you rest your head on his shoulder, and he’d rest his head on yours, gently caressing your back, side, or even just your head.

Mr Silvair💉: 5/10

Don't kill me and LET ME EXPLAIN!If you were to hug him, he would probably return the hug in a somewhat cold and detached way. Even if he tried to mask it with a smile and gentle manners, it would be obvious that he's the type to give those awkward side hugs before quickly changing the subject. He's simply not used to this whole "affection" thing—or love, for that matter. He's much better at teaching you new words, but hugs? Even if he tried, it would end up being a very distant and calculated gesture. (For those who know certain endings, you might understand what I mean when I mention his "calculating" side.)

Mr Scarletella☂️: 4½/10

.. SO. AHAHAHAHAHAH! I KNOW YOU PROBABLY HATE ME FOR THIS BUT AGAIN. LEMME EXPLAIN.

He's obsessed. Very obsessed. To the point where, if you let him hug you, you might just end up "dead" or gasping for air. I mean, considering how delusional he seemed throughout the entire game—wanting to know our name just to claim our soul—that says enough, doesn’t it? Sure, he was adorable holding the umbrella with us, even if he stared at us like some kind of yandere character. But. BUT. A little extra thought here: I imagine he’d excel at holding our hands, pressing his forehead against ours, and gazing straight into our soul through our eyes. You know what I mean? 👁👁☚

Mr Hood👤: 10/10

.. Aaaaahm.

When I tell you this man is SO FINE.

He.. AAA!

he's literally the first one who tried to help us.. And who taught us the first words in his language bruh.

I feel like he would hold you, and his clothes would make the hug even warmer, thanks to the fabric, making you feel incredibly protected. Bruh, there's just something about faceless people that makes me feel so safe... HELP!?

Mr Gap🕳️: 2/10

Max he can do is give you some headpats and then take your hair while smiling in exchange.

(I love that stinky)

(Again it was all made based on my opinion! Allll for lolzzzz.. Don't kill me pls)

[azaharinflames]

I still don´t get what they thought they would achieve with Brad but it seems to never have crossed their minds that people would actually NOT care for the character. It is wild how much screentime he got, in a mid-season finale no less, and this public ass kissing of cast and the official account after he left is so weird. Nobody piled hate on the character or the actor they just were not interested, so why the need for this outpouring of support all of the sudden?

When the next character making eyes at either Buck or Eddie comes around and this lot decides to stay silent again we will all have our answer without a shadow of a doubt. That they hang the LI out to dry because they are scared shitless of Buddie backlash, but will jump into action for the next bit part player who just wasn´t as popular as they thought he would be.

I really started to dislike them, not gonna lie. I like Tommy, I like bucktommy but I will cheer on who ever comes next for Buck or Eddie just out of spite now. Because whoever plays them will be treated like shit by the fandom and will get no help from the mean girls clique that is the 911 production

Hi, Nonnie! Thanks for the ask. I see what you're saying, and overall I have to agree.

Here is my take. I try to play devil's advocate and give grace as much as possible. But earlier today I went on Twitter, and I saw a hate tweet (disclaimer: I've blocked hundreds of BD accounts by now, and I have blocked many, many words to not find a new one, but a BT account I follow had quoted it, so I saw it). In it, they were essentially laughing and having a party at the goodbye comments Callum had received, because that 'confirms' for them that the cast hates Lou. That they knew before, but now it's confirmed.

And the thing is... I've said it before, Lou is not a defenseless little boy. He's a grown man that, in my opinion, has a great head on his shoulders and knows very well what he's doing. And he's a busy man. So I honestly don't think he gives two craps about some losers on Twitter claiming his co-workers hate him - he knows better (he knows what happened), and he's the one with a career in acting and loving fans, so. Does he deserve the harassment? Hell, no. But I don't think he cares if some loser claims the cast hates him.

However. This behavior is only enabling hate. Not addressing the hate the LIs go through and the harassment the actors receive isn't just 'ignoring the hate so it goes away'. Ignoring that behavior and then showing support for other guest stars tells the deranged fans that they are good to go. That their bullying and hate is allowed, justified.

Is that the truth? Well, no. But it is what has happened. Because all the people being this hateful and sending harassment or death threats fully believe the show has their backs because nothing has told them otherwise.

Is it the intention of the show? No.

Is it still what they're accomplishing by their lack of response? Yes.

I don't overall dislike the cast as people because I don't know them. But the representation of themselves they're giving right now,? Not exactly a fan of that.

Also, as for Brad... I just have to laugh. They fully thought the Facebook moms would fall deep in love with him, and didn't take into account their hearts were already taken by Tommy, and that they'd be heartbroken enough for Tommy to not care for a character that doesn't have nearly the same charisma or depth.

Anyway. Thanks for letting me rant, lmao.

My inbox is always open for venting, ranting, and to discuss any topics <3

Take care!

[eternalbuckley]

His everything. — aemond targaryen

SUMMARY: You help Aemond to calm down before he was about to meet your family for the first time since you've been in a relationship.

word count: 1,781

genre: fluff | no specified reader, queer!reader, bipoc!reader and plus-size!reader friendly

warnings/tropes: modern au, aemond feels insecure, it's mentioned that reader has siblings, parents and grandparents, reader wears lipstick and earrings, english is not my first language, slightly proofread — if I forgot something, please let me know!

a/n: i needed to write some fluff for our favourite silver-white haired man again. it's been some time since i've published something here because i'm still working on my au for him BUT i needed to write something else, so i hope you enjoy it <3 reblogs, feedback and comments are highly appreciated and welcomed!

disclaimer: please do not repost or try and take ownership of my work or post this anywhere without my consent. do not translate my work and post it anywhere — i give you no permission to do that. i only post my stories here, so if you find my work anywhere else please let me know!

stars and moon divider by cafekitsune

⋆౨ৎ˚⟡˖ navigation | hotd masterlist | add yourself to my taglist

“Babe, are you ready?” You asked Aemond while you walked into his bedroom and fixed your earring. You were about to drive to your parents’ home to have a dinner with your family. A family dinner where you would finally introduce Aemond to your loved ones. You were nervous about their reactions and if they’d accept your relationship, but so was he for many reasons. He wanted to make sure that your family would like him, but he was still feeling very uneasy – given that he didn’t want to potentially lose you. You had been together for over a year now and it was the best year both of you ever had – and you wanted to share many more with each other.

You saw your boyfriend sitting on his bed, fiddling nervously with his fingers and staring down at the floor. “Babe?” You asked him again; this time, your voice was softer. You didn’t want to accidentally startle him in case he was lost in his thoughts, which happened often some days.

Aemond didn’t look up or turn his head to you, but you noticed that his leg started to bounce. You walked up to him, “Hey… What’s going on in your mind?”, you spoke with a tender and caring tone in your voice as you stood in front of him. You gently cupped his face with your hands to tilt his head and make him look up at you. You stroked his cheeks with your thumbs and watched him closing his eye for a moment and taking a deep breath.

“I’m nervous…” Aemond mumbled and opened his eye. He looked into yours for a moment before he put his hands on your hips and pulled you closer, so you stood between his legs. He nuzzled his head into your stomach and sighed contentedly. You moved your hands to his hair and carefully brushed over his head, helping him to relax with your gentle touch.

You already assumed why he was nervous – it would be the first time he’d finally meet your family. You knew your family had their prejudices about other people, it was basically a part of their nature. They always had their specific opinions, especially if they were about members of other influential families in Westeros – just like yours. The world you and Aemond live in isn’t always the easiest one. Yes, you may have opportunities some other people aren’t able to have but growing up with the world having its eyes on each step you both take and the responsibilities you have, has taken a toll on both of you many times in your lives. His family expected a lot of him, and so did yours. And in this big chaos in your lives, you and Aemond found each other and fell in love.

It may be the first time your family would be meeting him, and they had heavy prejudices about the silver-white haired man, especially because he was a Targaryen, after all. They were very biased due to different things they had heard and seen of his family already, but they were open to meeting him – for you. They knew about your relationship for months by now and how happy you have been since you met him. Even if they had their prejudices, they were eager to meet the man who made you so much happier.

You knew how protective they were over you, especially your older siblings. After two failed relationships in the past, they always looked out for you and hoped you’d eventually find someone who was good for you and treated you well enough. After all, you found that someone and that person was Aemond, he made you feel complete, loved and seen for who you are. Even if you had been together for over a year already, there hasn’t been a moment yet where you could have introduced Aemond to your family until tonight. You didn’t put in a lot of effort to actually find a fitting day to introduce Aemond to your family – you wanted them to meet him but you were too afraid that they could or would try to find something to ruin this for you, even if you were completely sure that they would not succeed. Aemond understood that feeling perfectly, he wasn’t ever pressuring you to do anything you weren’t ready to do, even if it meant waiting longer.

You had met his family before, and it would be a lie if you’d say you were relaxed back then. Luckily everything went well, and you get along with his closest ones, especially his siblings. But you were just as nervous about meeting them as Aemond was about meeting your family, you knew what he was feeling. He was afraid that they would not like him for different things, one of them being that he was a Targaryen and the reputation some of his family members – if not all – had, or even the different rumours about him and his family. There were days when it didn’t bother him, but on other days, he felt incredibly bothered by it. One of these days was today.

“What if they won’t like me?” He looked up to you, his chin resting on your stomach, “If they’ll dislike me for who I am? If I fail to impress them? I know they aren’t very fond of the stories about my family. Even I’m not happy about some of them,” his voice was rough as he spoke, “They’ll hate me. If not for the way I am, they might find something else to dislike about me. I know that.”

You looked down at him and brushed a hair strand out of his face. Your gaze softened, but your heart wrenched as you listened to your boyfriend’s worries, “You won’t have to impress anyone. If you’re yourself, it will be enough. You don’t have or need to put on a show for them, my love. I love you, and that’s what matters, okay?” You leaned down and kissed his forehead, he closed his eye and hummed before you continued to speak. “I know they have their opinions about your family, but I’m sure that they’ll see what I see in you once they get to know you. It will be okay, and even if it won’t be okay, you won’t lose me. I care about my family, but so do I care about you, and I won’t let any of them get between us, okay?”

“I love you so much,” Aemond whispered, his tensed shoulders dropping as he seemed more relaxed again. He gently pulled you on his lap to straddle him, “I’m most terrified to meet your father and grandfather,” he mumbled as he snuggled into your arms even more after he wrapped his arms around your waist and leaned his head on your shoulder.

You chuckled and moved your arms around his neck, gently stroking his back and neck with your hands. “Well… If you want to be terrified of someone, it should be my grandma,” you warned him playfully, “My father and grandpa may seem like a dangerous and hard to crack duo, but my grandma is harder to crack than anyone else in my family.” You noticed his body tensing up again as he slowly lifted his head to look at you with an uneasy expression, “But she is one of the most loving people in the whole wide world once she gets to know you better, I promise,” you quickly added. “She’s just very protective of me and my siblings, which doesn’t mean anything negative. There just might be a few…” You exhaled, “Uncomfortable questions she might ask you, but it’s her way of making sure you’re good enough for one of her grandchildren. I’m not helping to calm you down, am I?” You whined at the end of your sentences, but he chuckled and shook his head – he felt calmer again.

“It’s okay, Issa jorrāelagon (my love),” he spoke tenderly with a small smile tugged on his lips. You kissed his cheek, which left a small amount of your lipstick on it, “Sorry,” you giggled softly and gently wiped the lipstick away with your thumb. You looked him in his lilac eye and held each other’s gaze for a moment.

Aemond leaned his forehead on your shoulder again, “Thank you for being there for me, love. I’m still nervous about the dinner, but I have you, you’re all I need to feel better.” He left a tender kiss on your collarbone and shoulder while his fingers circled on the flesh of your hips.

You kissed the side of his head and gently swayed both of you, telling him that he was good enough for you and how lucky you are to be with him. Telling him how happy you’ve been ever since you’ve met and got closer with him. That he was the love of your life, no matter what your family might think of him in the end. No matter what would happen at the dinner tonight. You’d always love him. He was your person, and you were his.

After a few minutes, you slightly pulled away from him and removed your comfort bracelet from your wrist – which he got for you on your second date. “Here,” you put the bracelet on his wrist, which caused him to smile again, “I know that it helps you every time you feel nervous. So… You’ll wear this tonight, okay, my love? I’m still going to be there at your side all night, and nothing will happen. If anyone in my family wants to say something negative, I’ll tell them to fuck off because I definitely won’t let them get between us. I promise.”

His smile widened and he moved his hands over your wrists and held your hands. He moved them to his lips and kissed your knuckles tenderly, “What would I just do without you in my life?”

You giggled softly and pulled him in for a passionate kiss. “I love you so much,” you mumbled against his lips. “And I love you,” he responded and kissed you again.

Aemond felt ready for whatever might happen tonight, as long as he had you by his side, he was ready to face it all. Even if he was still worried about the potential outcome, he wasn’t going to let you go. Not after everything he was able to feel just because of you. You made him happier; you made him feel seen and loved – something he had been missing and wasn’t able to fully experience many times in his life before he met you. You were his everything.

[yumeka-sxf]

Spy x Family merch: cringe edition

I know we were all anticipating a new chapter today, but unfortunately there will be another break (hope Endo is okay!) But to make up for it, I decided to create this fun little post based on a silly idea I had a while back.

As most of you know, I buy a lot of SxF merch exclusive to Japan, mostly from Mercari Japan. I'm constantly browsing the listings for various different kinds of SxF stuff, and while most of it is normal, there's the occasional item that's a bit...off, either because it's bootleg or it's just made that way for some reason. So I wanted to showcase a few of what I like to call "cringe" SxF merch.

Disclaimer: This post is all in good fun, so if you happen to find this merch endearing and not cringe, that's great! This is just my opinion

First are these three oddly sculpted and possibly knock off keychains. Loid looks more like Loid disguised as Loid than actual Loid 😅

Anya and Yor have definitely seen things 😐

Next we have poor Bond, bloated head and squished head version!

Speaking of heads, I never liked the "severed head" type of plushies...having a character's decapitated head hanging on my bag is just kinda cringe to me, lol. Especially when they have no pupils, like this Loid one here.

I can't quite pinpoint what's so "off" about the below Loid figure...maybe the expression is too innocuous, lol. It looks more like another spy disguising himself as Loid 😆

In addition to the severed head plushies, I also don't like the extremely round, super deformed plushies. Maybe for characters who are naturally round-ish to begin with, like Pikachu or something, but for most characters, I don't get the appeal of this exaggerated humpty-dumpty look.

Egg Yor is just 😬 And only the most observant could even tell the one on the right is Yor, lol.

Not sure what it is about these two Anya plushies that don't look right to me. I think it's the lack of white on her eyes for the left one, and the shape of her hair and big forehead on the right one.

These Yor and Yuri are obviously Dittos 😂

If ever Loid looked like a sad puppy and Anya looked like a cat, these are those plushies 😆

I really wanted to come up with clever, funny captions for all these photos, but I have no talent for that, haha. But if anyone else wants to, feel free~

[gayferrari]

okay i am coming to you as carlos fan who loves charles to my core (he is my soul sister!!!) but only ever roots for him for ferrari reasons, trying to see this from charles fans pov how is anything that happened tonight carlos’s fault and not just ferrari’s fault… like i try to be critical and i love to shit on carlos when he is stupid (bc he is stupid a lot) (for example spain24 i fear i am not on his side there) but ferrari fucked carlos over so bad today with his pit stop like i truly believe the thing that happened with charles was more of a fuck you to ferrari and not anything to do with charles at all so like i get why charles fans are upset but… i don’t know again would like to hear your thoughts on tonight

DISCLAIMER VIEWS MY OWN (as in. I don't speak for all Charles fans and probably not even a majority of them about this. and I enjoy it when athletes are petty and angry and grudgy and let out their ugly sides)

my first takeaway is that it's truly not that deep. Like, yeah, it's race day emotions are running high but so are the emotions of the guys in those cars. they're gonna get out of the car, calm down, shower, go on with their lives, and not think half as hard about this stuff as fans do, and some fans will remain upset for far longer than their blorbos will ever remember this. I think it is good to keep in mind before getting worked up

what happened: [regardless of garage 55 brainfart moment] Charles was ahead before the pit stops. At the pit exit, Bryan told Charles that Carlos had been told not to fight him and he should just focus on tyre temp instead of defending; Carlos went ahead and overtook him anyway. (That's when Charles said "Next time tell him in Spanish") Later, when Max was right behind Carlos and Charles was trying to overtake Max, Carlos was really slow. Like, there's speculation on reddit that he was feeding Max DRS <- not saying it happened (WE will never know) BUT he was slow enough that other people went "Wait this is weird," and his frustrated teammate would have noticed. If EYE was fighting for the wcc and I even suspected my teammate put someone else between the two of us (costing the team points) to protect his individual race, I would also go off about it. Regardless of whether it's true. Again! Not saying this is what happened and we will never know, but earlier in the race Carlos was definitely told not to overtake, and did it, and between the two of them he's the one with a history of ignoring team orders.

EYE (tumblr user gayferrari) have my own opinions. nuance button. I don't think you should get a gold star for being a "good teammate" or that following team orders is always the right thing. But CHARLES clearly values it, and in the past he's actually put his money where his mouth is and pulled his weight even when it cost him individual points, and I can understand he'd go on a heated tirade for 4 seconds when he's high on adrenaline. I don't think any of this should be a big tell about Charles's personality, team dynamics, his relationship with Carlos or whatever. I think he just spoke without a filter for a couple seconds, and I believe in taking these kinds of radio moments with a big pinch of salt. I'm gonna RPFy the shit out of this because I am on f1blr to have fun not to get angry. But I don't agree Charles was mad at the team, it was a very much "other side of the garage" kinda moment.

(*) note also that Carlos was told to swap with Charles earlier and DID do that, but after a few laps / because he was struggling with pace + very early on, when Charles dropped P2 -> P4, he was the one who spontaneously brought up letting Carlos pass because he knew he was struggling. So they both had moments where they were collaborating this race. I'm bringing this up for completion's sake, like, yeah Carlos swapped when asked even if late! But he also overtook when told not to

I hope this clears it up! Again, it's MY view that it's not that serious because we all choose how to enjoy sports and I'd much rather get angry about other things I feel matter more, and leave the petty drama as RPF fodder. But everyone enjoys sports differently so I can't speak for others

[hestzhyen]

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

*---------------------------------------------------------------------------*

DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

*---------------------------------------------------------------------------*

All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

[hrst4yves]

One of the girls

“I just wanna be one of your girls tonight.”

Caitlyn Kirammen X female reader

Disclaimer- smut, cussing, smoking, and drinking some mentions of season 2 act 2 spoilers, and mentioning of prostitution

Extras- inspired by the song ‘One of the girls’ by The Weekend, Lily-Rose Depp and JENNIE

Enjoy :)

The city of Piltover has seen numerous attacks due to someone from the under city. Only the higher ups of the city truly know what is going on leaving the city in complete silence. But you still have to get up everyday at exactly 7 pm to start your day at the club. You obviously didn’t imagine this life for yourself while you were in school but due to the death of your father who kept the family unit afloat your education was forcibly put on hold.

He died young, only at the age of 48. Your mother completely disappeared after his death. Her ghostly figure hovering around the house. Her steps heaving and her head held low. Your father always told you that if something happens to him. You had to be responsible for the family. So now you work late into the night to sustain the life your family once had. You can tell your mom is truly thankful for your sacrifice but doesn’t show it much. She is far more embarrassed by the life you had to chose because she couldn’t get her shit together.

You get out of bed and look at your hands. Trying to see if the fight you were in yesterday is visible. Seeing that it is not you stand and start to get ready for your shift. Picking out an outfit that will hopefully get you enough money to put in the monthly payment for your younger brother’s tuition. Already running late you take some things you need to keep getting ready at work. You walk out of your room and the house is quiet and dark. A pot of stew on the stove waiting to be eaten.

You give your home one last look before leaving and locking the door behind you. The walk to the club is sketchy. Of course it is, this form of work in Piltover is illegal. But for girls like you this is your only option. You walk quietly through the city. Seeing flowers in memory of the council memories that passed away due to the attack. You observe young men slumped over clearly intoxicated crying out for someone.

After many flights of stairs you finally make it to your job. Hearing the music from outside of the building always gets you prepared for what you are about to expiernce. You knock three times rhythmically on the door letting the security know it’s one of the dancers. A tall broad man opens the door for you and gives you a quick glance. “Good afternoon Y/N, loads of people here tonight.” The man says while keeping his eyes straight avoiding eye contact.

You push your way through to get in and chuckle at his statement. “That’s every night.” You sassily reply to him. He shakes his head in disagreement and bends down closer to you. You feel his slow breathing on your neck and twitch slightly. “No, it’s different tonight.” He says ominously. You playfully push him off of you and walk away. ‘Can’t be that different, right?!’

The club is dimly lit and flashes of color appear every so often. You hear all sorts of songs tonight and men whistling at the women dancing sensually on stage. You walk to the back and open the door to the dancer only section where girls are getting ready. “Hey Y/N.” Farrah says while snorting some substance up her nose. Farrah actually introduced you to the club life without her.. you don’t even want to think about it. You smile at her and walk over in a skippy manner. “How is the money tonight?” You ask while giving her a friendly kiss on her head.

She slightly blushes and waves you off. “It’s great. Like really great. Probably best all year in my opinion!” She says excitedly. You walk over to the changing rooms and start changing. Everyday is a theme and tonight it’s ’Under the sea’ kinda stupid in your opinion but whatever. Your outfit is light blue and barely covers anything. You slip on your high heels and start to pick out your songs for tonight. “Y/N! You are on stage right now.” Your boss says while quickly scanning her eyes over her clipboard. “Okay.”

Going on stage is always nerve racking but once you are up there all of the nerves go away. Your music starts playing and you start dancing sultry and smooth. Desperate men throw their money at you that they promised to save. Your body touches the cold pole and sparks your excitement even more. While dancing you see a figure in the back with piercing blue eyes. You stare directly at them. Watching them like your life depends on it.

You try to focus on your dance while still trying to make out who the figure is. ‘Maybe it’s a regular? What no way I would’ve recognized those eyes. Hmm their hair seems kinda long, maybe it’s a woman?’

You hear men whooping and hollering over your and seeing men slouched over at the bar with an empty drink besides them. It’s usually never women in these kinds of places. With this conclusion you start to feel more into the music than ever. Squatting slowly down the pole and pressing your pelvic era near it slowly. You start to slowly walk around the pole and rolling your body. You keep eye contact with those blue eyes. You guide your hands down your body and bring it back up to suck on your fingers.

This movement always makes the men in here holler for whatever reasons. The figure starts to smirk slowly which gives you all kinds of excitement. Your song ends and the men start to stand up and clap and throw money at you. You wink at them and start picking it up slowly while mouthing ‘thank you’. You step off stage money in hand and go to the dancer section only to get ready for private rooms. “Great job Y/N! You already have a customer wanting a private room with you.” your boss says while taking an inhale from her cigarette. “Okay, let me get ready then.” You tell her while putting your money in a bag saving it to count for later. You retouch your makeup, and fix your hair a bit before walking out to the private rooms.

“Hey Y/N.” A man says while putting down his glass. It’s Harlow he’s always in here. His shaggy hair covers his deep eye bags and his forehead wrinkles. “Hey, sorry can’t talk right now private room!” you say quickly trying to avoid a conversation. He’s a nice man but he’s very pushy and if you don’t stop him. He will take up your whole shift talking about himself. “Of course baby. After him it’s my turn.” He says while attempting to wink at you but actually just closes both of his eyes. You give him a wave and keep walking.

‘Him, huh? Damn I wanted it to be ocean eyes.’ You think to yourself before opening the deep red curtain to the private room. “Hello..?” You say while entering. Before even being able to finish your sentence you see the person that was smirking at you while dancing. You were right it was a women. Infront of you is a women with her legs spread and slumped down in her chair. Her features are intriguing her teal-blue piercing eyes that shine in the dim lit room. Her long blue hair that she keeps pushing out of her face. She must be nervous. Something about her looks so familiar. “You don’t look like you are supposed to be here.” You say while closing the curtain behind you. You feel her eyes stare at your figure and you suddenly became nervous.

“What does that mean?” She scoffs at your comment. Her voice catches you off guard for a moment. “Love your accent.” You say while walking towards her. She rolls her eyes and looks at you up and down. Inspecting every part of you. “You are fucking gorgeous by the way. Wouldn’t think a face like yours would end up here.” She says to you while stretching her hand out to you. You hesitate for a moment than take it. Her long slender hands are cool to the touch. ‘Wonder what this would feel like up my.. fuck.’

You smile at her. No one has ever called hour gorgeous before. Mostly because people can’t even spell it where. “I didn’t think so either but here we are.” You giggle for a second before straddling her. You really aren’t supposed to get this close to the clients but damn this girl is different. “I don’t even really know what we are supposed to do in here. But I like this a lot already.” The ocean eyed lady says while slowly gliding her hands up and down your body. Some of you is bare due to your outfit so it tingles in a good way.

You give her a quick smirk. You start to move your hip closer to her. Grinding back and forth. She pulls you closer to her and squeezes your ass. “Can I kiss you?” She asks shyly as if you aren’t basically riding her. “Of course.” She grabs your face tightly but also comforting and pulls you into a kiss. Her mouth opening to let your inside. Everything about her is so addicting. The way her tongue slowly enters your mouth.

You slowly moan into her and she takes that as a sign to take off your top. Which is totally against the rules but fuck it. She exposes your breast to the cold air. “So beautiful.” She says before leaning into your chest. She opens her mouth and sucks on your nipples needly. “Fuck..” you mumble while resting your head on your shoulder. You have never been this intimate with someone before and this experience is out of body. She smiles into your chest hearing the sounds that you are producing just from her mouth. She grips your other breast with her free hand squeezing them.

“Damn they are soft.” This comment makes you a bit embarrassed. You start sucking on her neck and run your fingers through her hair. “Hah..” is the only sound you can make just from her sucking on you. She opens her mouth exposing your breast to the cold air and lifts your body up to take off your skirt. “Can I?” She says before sliding her index and ring finger into you. The noises your body makes is fascinating.

You start to moan into her neck. “Come on baby ride my fingers.” She whispers into your ear sending shivers down your spine. You start to adjust your self into her fingers and start to move your hips. “Fuck your tight.” She whispers while pushing more into you. You try to maintain a steady rhythm with your hips like you are on stage but this is just so different. Her long slender fingers fit so well inside you. She starts to move her fingers in and out of you.

“Ha.. I can’t.” you softly grunt. “Are you about to cum?” You nod and she smirks at you. “Come on baby.” She begs while looking at you. Your body squirms with every slightly movement she makes. “Mmhmm..” is all you can muster out before climaxing. “Good job baby.” She praises you as if she didn’t do all the work. She slowly lifts you up and takes her fingers out slowly. The slimy residue that is left on her fingers is a creamy white color. She stretches apart the two fingers that were just in you and a string of the substance is shown.

She looks at you and starts to put her fingers in her mouth sucking in her cum filled fingers. You can’t even look at her embarrassed from what just happened. She takes her fingers out of her mouth and tilts your head towards her with her thumb and smiles at you. “Beautiful.”

──★ ˙ ̟🐇 !!

HIIII I hoped you liked it!! Bro I’m so terrified to finish arcane that I distracted myself and wrote this instead!! I’m so tempted to write caitvi fic bc I’ve already seen all the videos their little scene it was so hot. Well anyways bye :) until next time!!

Speaking of next time what would yall prefer- Caitvi, Viktor x reader or boxer Vi x reader ? Please tell me <3

[lukedruid80]

MY PROBLEM WITH MINDSETS

I possibly have OCD, and i am very much sick of the shifting community always saying "Don't say you don't believe, it'll ruin your mindset" well buddy some of us CAN'T control our intrusive thoughts, can we?

Here's my tip/take on how to deal with this for shifters struggling with mindsets, especially mental health like OCD included. (Disclaimer: This works FOR ME, it is no guarantee for everyone, but this is just my tip. If it doesn't work, it may not be for you.)

I figured, why hasn't anyone talk about that we can literally rely on our emotions instead of mindsets?? Our minds can TALK, it can say unspeakable things that YOU don't even want to think about. Some of us are BUILD to be talked over by our own minds. The ONLY THING that doesn't betray our nature is our emotions.

In my personal experience, when I use my mind to say affirmations, intrusive thoughts starts sparking and it's so frustrating because I can't deal with it, and it betrays my mindset. The only thing that is REAL enough for us to believe is our hearts. Mouth, mind, words, writings can LIE. But our hearts doesn't, it only beats for truth.

I've tried to rely on my emotions, and I literally felt my s/o's head laying on my chest. That was the closest i have ever felt him, because I relied on my emotions of him. I focused on how I feel, I just let myself feel how much I miss him, how much I'm sad because I need him. Hell, I actually let myself CRY, my emotions is the strongest quality i have than my untrustworthy mind.

It's the saying in Once Upon A Time (most shifting coded show ever in my opinion), Rumplestilksin told Emma, that magic doesn't come from our mind but our emotions. He said "Stop thinking, feel it." Emma represents how a lot of people are like in this reality, she always need PROOF when all she had to do is BELIEVE. That was her flaw, and I think that's also a lot of our flaws as shifters.

If you think about it, a lot of magical or power portrayals in stories are surrounded with emotions. Avatar The Last Airbender, Zuko channeled by feeling his anger for firebending, eventually using the feeling of peace to bend. Harry Potter, the patronous spell can only be casted with happy memories, to FEEL those memories and that's how it can be casted. Teen Wolf, werebeings use anchors to help them stay grounded, the anchors are a connection to their most humane thing in life, and they feel it in order to shift back.

We overcomplicated things with our mind so much, but what makes US HUMANE is not our minds, but our emotions to feel for passion and love. Everything in this reality, is created with our hearts before mind.

Sure, mindset IS important, but what made us want to shift in the first place? Certainly it's not our head that went "oh this seems fun", it's our desires, and desire is an emotion.

Look at you, you're still here on shiftblr, you're still here to want to shift. Why is that? That FEELING of your desire, is what drives your motivation. Who's to say that emotions can't be reliable to shift?

[skeletinmoss]

Let's talk about Sanders Sides and why it should end.

Disclaimer: this is my opinion, I don't have any malicious intentions by voicing it, please don't harass me or people working on the show as the result of reading this rant. You can just stop reading if you don't like what I am saying.

Thank you for understanding.

I myself only joined the fandom 3 years ago. Along the years there has been a lot of content and I was captivated immediately. The characters are the main thing of this fandom and I would like to talk about them first.

They started to not be themselves. Maybe it's now that obvious when you watch one new episode every year, but for someone who just showed up and binged it it's quite noticeable.

There is a thing that happens to every character in every long term content (I'm sorry I can't remember how it's called). With time they become parodies of themselves. And as the time goes on they become more and more simple. That can change the character drastically. Someone who was street smart becomes a character that you can't believe is still alive with how stupid they are.

The same thing is starting to happen is Sanders Sides. It's basically a running gag that Logan lost all his whimsy and is gonna snap at any time. This is the example of simplification, what is left of him is only his core elements. Logic, no feeling, smarty pants, facts, jam. However it ties into the story quite well. No one listens to logic. It makes us invested in how this unnoticed before conflict would be resolved.

With Patton it's not the same. He used to be innocent. An adult who doesn't want to grow up. He was relatable. Maybe it's because Thomas is older now, but the innocence in Patton's character started to come of as ignorance. He used to come of as deeper than at first glance, smarter than you give him credit for. Now he just acts stupid. A guy who can set water on fire. A guy who doesn't even try to confront reality. He was supposed to get character development. Where is it?

Virgil started to be more cringe and boring. He's emo and his character trait is to act like an angsty teen. However now it's more of an adult pretending to be a teen. You can most see it in the Jam video where he tries to do skateboard tricks and we can see his boxers sticking out. Why would you do this? He used to be sassy, he used to be arrogant villain who can't get rid of. He got excepted, and despite the Halloween episode about the phases, and him saying " It's still my job to scare you" we don't ever see him do it. He hangs around I guess, but he lost all his bark and bite. All that's left of him is just moody.

Roman likely didn't change that much. His original chaotic nature masks any changes so far. Although I would say Roman lost quite a bit of his drama and sass. Being sick because the ego was bruised, starting a rap battle just to prove a point and show off, singing and " Making the song 10 times better" in his opinion, freaking out because a person he ships Thomas with has called him back. In flirting with social anxiety he does freak out because of the cute guy, which is very Roman, but it's a bit strange that the embodiment of pure creativity would not find words to finish a poem. ( I have my questions with him in the nostalgia episode like playing the instrument poorly even if he showed he can draw a Mona Lisa with crayons, or not allowing Thomas to demonstrate the dance, but I'm just gonna put that under " Possibly Janus pretending to be Roman")

And Remus and Janus wasn't here long enough to start to fall apart. Although I don't think Remus would actually be able to fall apart as a character because of his chaotic nature.

The second thing I want to discuss are sponsorships.

I am happy that Thomas gets the money and has the opportunity to get more. But did he had to put characters into the sponsorship?

The jam one was fun. It was a joke what turned true. A running gag. But it also gave the community something to interact with. Four new jam flavours, characters on the package, limited sets. You could try something your favorite character likes!

There were good sponsorships on Thomas's chanel before. Like Hello Fresh. He did the advertising as himself, not as characters. It wasn't so in your face. And that's how it should be. He wasn't begging for you to buy it. He was simply sharing a good thing he uses. It wasn't loud and obnoxious. Even if it wasn't as entertaining as the jam musical or character jam merch, you still felt like you could buy it. The food looked good!

It's not the same with VPN, now is it? I would not get any character interactions if I buy this thing. So why are the characters involved? Because I like them and it would be easier to sell me something if They tell me to buy it? Why are you so pushy for me to buy it?

We all are waiting for the season finale. Something grand. Something epic. Something to finish the story. But I don't think Thomas should start another season. He would probably be tempted to, because of the new character involved, but that might not be a good decision. I'm not saying he should stop with the Sides altogether. But I feel like short video format would suit the characters better from now on. No big plots, no storylines, just characters interacting with each other in different situations.

Finish it. Put a stop to the story. All good things need to end. Don't drag it out or you will ruin what we love so much about those characters. It would turn into 8 seasons of Winx instead of the planned 3.

Give them their happily ever after.

I hope I'm not coming of as rude, because I don't meat it in a rude way. I just have things that are bothering me that I want to talk about with someone and see if other people think the same

[cowardlypenis]

so i completely changed my mind on curly mouthwashing! while obligatory disclaimer he's not as bad as jimmy he absolutely fucked up Big Time

mouthwashing the game is so interesting to me for how narratively dense it is and how many lenses through which it can be analysed... and i think curly's a really interesting example of a pretty nice dude who (seemingly uncharacteristically) is incapable of calling his friend out on shitty or abusive behaviour. i've not seen many characters like him before!!

before i was of the opinion that due to both the abusive company and ship conditions that facilitate highly abusive crew behaviour that realistically curly couldn't have done much to jimmy without risking him crashing the ship regardless - then i thought about it some more and realised that's a pretty backwards way to look at it! like, jimmy had the potential to crash the ship so curly can't criticise him at all in case he does? he crashes it anyway!

what really changed my mind was looking at the scene where daisuke gets stuck in the foam and the entire segment just prior to jimmy crashing the ship. in the utility room, curly is totally capable of telling swansea off for allowing the foam accident to nearly damage a cryo pod and is respected when he does so. so it's not as if curly as a person is such a people pleaser that he can't put his foot down around people he considers friends! and the "dead pixel" analogy doesn't apply here - curly doesn't just see the bigger picture that the pod Wasn't damaged, and makes sure to take responsibility and give swansea a warning.

then later 0 days prior to the crash, we see totally different behaviour from curly. something else that really changed my perspective was the line from anya saying "i told you." when curly asks who the father is, then curly immediately understanding. it demonstrates that despite curly being told about the assault, he seemed to have filed it away and dismissed it as something out of character for jimmy, similar to how friends of rapists excuse or dismiss their behaviour. curly also continues to insist that he'll just talk to jimmy and that he's known him a long time, which was likely the type of reaction that lead anya to lose faith in him and be proactive in hiding the gun in the first place. indeed, curly is exceptionally weak-willed when talking to jimmy, and effectively lets him lead the conversation to his own conclusions. initially i thought this discrepancy between curly's treatment of swansea and jimmy was odd, but i think it acts to emphasise that men considering others their friends Before their colleagues or employees will excuse or cover for very poor behaviour out of a sense of loyalty. this is probably also exacerbated by jimmy's status as co-pilot, essentially elevating him and curly to a status above the other crewmates and more equal to each other.

while curly does seem to be in somewhat of a panic in his conversation with jimmy, this really doesn't justify his outright agreement that a tragic accident leaving their reputations intact would be preferable to facing the music upon their return. another possible explanation for this behaviour is that with the foam situation, if a cryo pod Was damaged it would unambiguously be swansea's fault and a morally simple issue to handle as captain. however, anya's assault (and the pregnancy as undeniable proof) reflects badly on curly personally for both judging jimmy's character as safe to bring on board and failing to safeguard his crew and allowing an incident like this to happen. it provides an interesting look into how an otherwise well-regarded and kind person's behaviour will completely change as long as there are personal stakes for them. i see some posts talking about how curly and jimmy are opposites, and while i agree they are absolutely foils of each other, i do believe they share this character trait of ultimately being concerned for themselves first when the chips are down.

curly absolutely acted as jimmy's enabler throughout his time on the ship, not by actively enabling his abusive behaviour but rather through passively allowing it while fully aware he was the only crew member in a position to discipline him. curly's pride in his judgement of jimmy and sense of self-concern at the most critical moment overriding his responsibility to look after the crew were his two big mistakes that allowed jimmy to crash the ship. by no means was curly an irredeemable villain, but as captain, the person who brought jimmy onboard And jimmy's friend, he absolutely shares the responsibility for everyone's deaths and uncomfortably parallels "friends of rapists" in real life who excuse their friends' assaults but come across as nice guys otherwise. this ties into one of the game's larger themes of abuse and the ways in which it can be perpetuated and fester in non-ideal circumstances, which goes beyond the scope of this post.

[rootspiral]

I love your recaps/analysis of the episodes, they are so good !!!

The writers (and Billy) really clearly love the wizard of Oz, right ? I mean not only on the road but also in the narrative itself of the show.

So... Who corresponds to who in your opinion? Is there even one on one parallels?

That's an interesting question anon, I've been trying to puzzle it for twenty minutes now without coming up with a definitive answer. Disclaimer: I'm no Wizard of Oz expert, I read the book once and don't remember it at all, so this is only based on the classic movie.

Starting with the tree obvious parallels, Lilia is the lion, Jen is the scarecrow and Alice is the tin man: all three have set out looking for something without realizing that it was inside them from the beginning. Lilia like the lion needs courage to face her own death and the death and suffering of loved ones that she keeps seeing in her visions, and eventually she has to look inside herself to find the immense strength she has always possessed. Jen is the scarecrow, she thinks she's no longer able to be a healer despite her experience and skills, and she has to relearn that she's smart and knowledgeable and formidable even without powers: her brain is her most powerful asset. And Alice is the tin man, strong but lonely and looking for love, when she has the biggest heart and the biggest capacity for love of them all.

Now we get to muddier waters. My idea is that Billy sees himself as Dorothy, young and innocent, setting out to chase his goal thorugh uncharted waters. Agatha is more difficult to pinpoint. Despite all the Wicked Witch parallels that she likes to draw, I see her more akin to the Wizard of Oz himself, a scam artist manipulating and deceiving people,despite not really knowing what she's doing. What's more, Agatha is on her way to eventually become Glinda the Good Witch, a mentor and mother figure guiding Billy through his trials.

And Rio... I just had the mental image of Rio being Toto and now I can't stop laughing. She's just a little guy creating chaos and mayhem and having a good time!

What do you guys think??

[shouts-into-the-void]

Just read screenshots of the Aaron extra chapter and I have so many thoughts, so here they are:

It's always so funny to me to be reminded of the fact that the animosity between Aaron and Neil is mostly one-sided. Like, Neil finds Aaron frustrating, but all the antagonistic stuff he does to him is ultimately in service of helping him in some way and while he's angry when Aaron provokes him, he otherwise regards him with disinterest and even expresses the desire to see what he's like when he's relaxed and enjoying himself during the party with the Vixens. Meanwhile Aaron just really hates that man.

I really appreciated Nora using this chapter to clear up some of the gripes a lot of the fandom has had with Aaron's character in the past and confirm that Aaron's comments to Nicky have to do with his cousin making graphic and unwanted sexual advances on their teammates, and his accusations towards Neil were from a place of concern for his brother. I also liked that it was pointed out that of course he would have at least some internalized homophobia due to being raised by religious zealots in a conservative area, but is unlearning it due to Nicky.

On a similar note, I'm glad that we were provided the context that Nicky's inappropriate behavior is a defense mechanism to weed out people who might hurt him rather than legitimate advances, because I think the fandom tends to forget that he is also a character with extreme trauma written outside of the "perfect victim" stereotype. His actions aren't okay, but the entire point is that they are the result of what he's had to endure just like every other member of the team

The implication that Andrew specifically signed with the Foxes so Aaron could go to college

Aaron and Andrew have the same nervous habit of picking at loose thread

It causes me physical pain to see Andrew clearly trying to open up to Aaron about his self-harm, but because his way of communicating is less straightforward (he doesn't lie, but he because he stuggles to confront and be open with his emotions, he presents the truth in flowery, vague language) and because the two dont really know or understand each other, Aaron can't fully grasp the implications of what he's saying

On the subject of things that cause me physical pain: baby Aaron telling his mom that he wanted to be a neurosurgeon like the people on TV and her laughing and saying he'd never make anything of himself. Fuck Tilda Minyard, all my homies hate Tilda.

Andrew is so uncomfortable, someone Get Him Out of There.

Going off that and his nervous habits (that Aaron mentions he did often enough to be noticable as a habit premedication), I am highkey wondering if the reason Sober Andrew doesn't talk to anyone outside Neil is because he's just. Socially Awkward.

We get a little bit of insight into Andrew's "misogyny" (I personally think distrusting certain people as a result of extreme personal trauma is a little bit different than just being sexist, in the same way women distrusting men because they're used to being harassed and belittled isn't misandry, but that's up to your personal opinion) and that his distain for Katelyn comes from the fact that he thinks she's stringing Aaron along and will turn out to be awful like his previous girlfriends (there's also a notable implication that Aaron has the same self-destructive tendencies as Andrew, and may be why he went out of his way to get him into college and on the straight-and-narrow) also see that this extends to Bee as well despite their close relationship, with him being so afraid that she'd reject him for being gay that he can't even look at her while talking about Neil, probably made worse by the fact that she's a maternal figure for him, which is where this trauma response originates.

Aaron is the only person on the team who's aware that Andrew hasn't slept with Neil, and the only one to grasp the significance of the fact that they've gotten close to that point already despite Andrew's trauma, outside of Renee

It was overall really interesting to see inside Aaron's head (I actually wouldn't mind a book from his perspective, he has a similar way of thinking to Neil but much more grounded) and to see Andrew through the lense of someone who just views him as Just A Guy

[tubbytarchia]

I swear to god 99% of people watching WL forgot who won SL. Put some respect on his name

[nastasya--filippovna]

Crush Culture; Conan Gray x Beatrice and Benedick (Much Ado About Nothing 2011)

For me these two will always be ace icons. Thank you Shakespeare for writing Ace characters that can and do fall in love.

There's this general misunderstanding that just 'cause you're Ace ergo you're also Aro. Aro and Ace are two separate identities. Some people on the spectrum identify a both Aro and ace hence they're Aroace (simple really!)

And I think that's the same misunderstanding these two have internalized. They've been told that just because you don't like someone "like that" also means that you are not capable of loving.... that love is just "not for you".

So here's to all the Ace people who have those who will find their love, their soulmate, and whoever matches their freak. I love you all!

Lovely moots: @a-singing-lunatic @shadesofecclescakes @suburbia-and-brentwood-market @glitterypin @angie-words

@davidtennantgenderenvy @dreamsfrozenincandyland @turtleneck-crowley @dtmsrpfcringe @princeloww

@consanguinitatum @mystic-mae @cranberry-sniffer

It would mean so much to my pathetic low self-esteem ass if you checked out my edit!! Lots of love 😘

[egophiliac]

so we know you love diasomnia endlessly, but who is your favorite character from each of the other dorms

this is SO hard to answer, because so many of the characters are, like, those pet adoption ads that say "MUST STAY TOGETHER, CANNOT BE SEPARATED". it's all about the relationship dynamics! and I think everybody in the main cast is pretty neat, honestly; there isn't anyone who doesn't have something I really like about them. but if I haaaaad to choose...

Hearts - Trey, partly because I do like me a good Mom Friend™ character, and partly because he pretends like he's all sane and normal, right up until he does something to prove he's just as much of a dipshit as everyone else. you're not immune, sir.

Savana - BUFF 👏 TSUNDERE 👏 WEREWOLF 👏

Octa - this one took a lot of soul-searching, because I do feel like the Octatrio is at their very best when it's all three of them, especially when they're in full Ed Edd n Eddy mode. but in the end, Jade ekes out a win, because sometimes you get this Jade:

and then when he gets back from his nice mushroom-foraging hike, you get this Jade:

Scara - Kalim, my sweet little moron. such a good heart, so few braincells.

Pome - 90% of the time when Rook shows up, you know it's going to a be fun time watching a silly little man dance around and break into song for no reason and wax poetic about the beauty of, like, a chair. always a delight!

except every once in a while, he'll bust out something that is absolutely insane even by Twst standards:

this isn't a complaint, it's just. why is he like this. I want to study him under a microscope, except I'm afraid of what I might find.

Igni - MUST STAY TOGETHER! CANNOT BE SEPARATED! ...but I would probably go with Ortho, just because right now I'm pretty invested in his Learning Emotions story arc and looking forward to seeing it progress. he's a good boy who will post your cringe fanfic publicly if you annoy him

...and at this point I'm calling technicality because the ask says "other dorms", and I genuinely do not think I could choose between the Dia boys at this point. let's see how episode 7 goes first!

[asha-mage]

The Seattle Polycule's got nothing on the assholes from Night City.

Consider enlarging for readability- I did my best for the amount of effort this was going to get.

(File under: things I made while procrastinating the final mission in Cyberpunk 2077).