#did you know this is like so canon actually

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[kyri45]

This may be an unpopular take lol but it just kinda crossed my mind. I don’t know but I kinda feel like MK doesn’t really have the right to know or ask about that kind of baggage from his bio parents? Like it has to be up to Wukong and Macaque to tell him. (Low key these three if you actually think about it have NOT known each other enough for that kind of baggage to surface up like this)

Like there are stuff about some family members of mine I did not even realize were terrible people until waaaaaaay later into adulthood, after being raised by my parents for a long time. And the only reason I was told about a lot of this is because my mom was stressed the hell out in the moment and blabbed it to me. To this day I am pretty sure she deep down did not want me to know.

I dunno maybe I am way off base here and it’s more a difference in cultures and family dynamics (ie from an Asian household weeeeeee) but the story having to bend over backwards to get to a point where MK is probs about to yell at the two of them just feels… eh to me. Like I said tho, unpopular take lol so I get if peeps will disagree haha

Oh yeah I agree on the fact that he also shouldn't have poked too much durong the series about what happened between them. The thing here is mostly- like the fight and everything is somethimg that is literally in JTTW, and since the book is canon it means that almost everyone who had at least read the book is aware of what happened between them. MK is known for only have read very few parts of the book so. In some way, he would have found out. And if the little guy got to experienced it 4k I guess he kind of neccessitated some extra explaination (even though I'll admit, he could have just read the book more and he wouldn't have such a high view of Wukong without having to go thtough extra trauma but i guess chat likes the angst

[cryptfly]

All I ever want to do is play dress up with my dollies. Here’s Rinsea, my ESO main, in some various ceremonial garbs she’s picked up during her adventures. More info under the cut.

Champion of Vivec

She would rather you think of her being the City’s champion than the God-King’s, but here we are. I obviously based it on the Buoyant Armiger’s glass armor. She’s not officially a Buoyant Armiger or anything, but she does get some fancy glass armor pieces for official occasions which she does not attend. This is also partially based on Bajoran liturgical wear because I like it very much.

Champion of Sotha Sil

Technically she’s the champion of the Clockwork City but that was very long to put on her picture lmao. I don’t think Seht would have gotten her any ceremonial wear honestly, but since it’s basically a standard Clockwork Apostle outfit, I like to think that one of that order got her this, something fine and suited to the environment as a thanks for saving their sadboi God. Drawing the armor pieces was really fun and satisfying and they turned out way better than I was expecting.

Champion of Almalexia

Once again I changed the actual title given to fit the picture. Almalexia actually named her a Hand! However as we all know, a Hand of Almalexia is a specific kind of Ordinator and Rin is not actually inducted into that order. She’s a Hand because Ayem says so but that doesn’t actually give her any rank or anything. Instead of giving her Ordinator armor, I gave her a fancy gown. I think Ayem did this with a touch of vanity-isn’t my Hero so beautiful, a true Daughter of Morrowind I am such a proud Mother. Also, I really wanted to draw a pretty dress and no one can stop me. I based some of the details off Kirkbride drawings of Almalexia herself.

Urshilaku Clanfriend

In my personal canon of the story, the Vvardenfell quest happened first for Rin and took around little over a year and in that time she became a Clanfriend among Ashlanders. Her father, Gares, had been an Ashlander until he was forced to flee with his infant daughter and when she returned on what seemed to be Temple business, they were wary of her. But she made herself useful and was unfailingly polite and she was folded into much of their life. I like that while the other outfits look designed and tailored to suit her, her Ashlander gear almost looks like hand me downs and mended pieces. She wasn’t given new and special clothes, she was trusted with clothes worn by the tribe, inviting her into the family itself. These clothes look nice but also like something she work in side by side with the Ashlanders.

[glisten-inthedark]

You wanna know what gives me confidence for Byler? The show.

That's it.

Because I promise you, if you watch the show objectively everything is there. You don't even have to look at camera angles, lighting, or signs that point towards closets, the information you need is there.

And it isn't even shit people made up (****** I'm looking at you, even though I ship it). It's there, I fucking saw it before even shipping it.

And at first, I assumed I was seeing shit. To be honest I mostly brushed it off, but when we found out that Will was gay and in love with Mike, it clicked.

My favorite mental exercise is: If Will was a girl, how would you perceive their scenes? All you have to do it's switch up their genders and it's not even up for debate because we all know everyone would eat that shit up.

I mean, a boy relentlessly looks for a girl in the woods, stays by this girl' side, tells her they'll go crazy together while touching her hand, tells her that asking her to be his his friend was the best thing he's ever done, fights with her but actually tries to apologize, then we find that said girl has been in love with her friend but it's lying so that this friend could be happy. Tell me that if this was the case there wouldn't be like 30000 fics of that couple on Ao3 and millions of people begging the showrunners to make them canon? Tell me, I fucking dare you.

And at this point I'm like a broken record but I am going to repeat myself.

WILL BYERS BEING IN LOVE WITH MIKE WHEELER does not make a difference to the plot. It doesn't.

He could have been gay and not be in love. If the life lesson was: "Will has to learn to accept himself as gay, and to love himself and understand he isn't a mistake" they could've done without the love. They could've given him exploring that part of himself in California, they could've presented another gay character that taught him that.

They could've fixed El and Mike's relationship without Will's love. We've seen them doing it before. Will could've helped by just being Mike's friend.

So can we ask ourselves this itsy bitsy question: Why make Will in love with Mike in the first place? Why make him say not once, but twice, that he and Mike could play DnD together for the rest of their lives which, if you're not good at subtext, means he sees himself with Mike by his side as long as he lives if all they're going to do is bring him more misery?

Because I'm going to be honest, with the way they wrote this love Will has, they literally didn't gave themselves a easy way out. They made sure we knew it was real, it was unconditional and that it would never change. We didn't make it up, they gave us that information with their writing.

So again, ask yourselves why that is.

Because whatever non Byler explanation I try to come up with doesn't make sense.

Queerbaiting? More like Bylerbaiting at this point considering Will is gay and again, he could've been in love with anyone else or not be a queer character experiencing love at all.

Make Mil*even stronger? It literally did the opposite, the ship is going down in flames and we all know it. Their relationship isn't healthy, El's arc isn't about romantic love and the painting which was the only reason Mike proclaimed the romantic love he doesn't feel literally came from Will.

So... Again. Why?

[jo-harrington]

Become What You Were Meant To Be (Eddie Munson)

Word Count: 2.4k

Themes/Warnings: Modern!Eddie, Older!Eddie, set in the mid-2010s, fandom lingo, nerd lingo, Star Wars, typical childhood bullying, angst, minor FOI reference, some canon divergence, coming of age themes, probably poorly written and not edited at all

Note: Happy Birthday to one of the backbones of this fandom, who supports and encourages so many of us, whose endless friendship I am so grateful for. Someone who has absolute endless creativity but doesn't give herself enough credit and grace, who is secretly sitting in the background pulling the strings on some of the best stories I've read and I've written. My muse, my life, my world, my cheeseburger. @fracturedarkness

Thanks to @dr-aculaaa for the beta.

You can find my masterlist here.

Please do not interact if you are not 18+.

Enjoy!

---

Eddie Munson was a nerd.

Point blank, end of story.

It was one of those badges he wore along with Freak and loser and...well, you get the gist of it. But it was a badge worn with pride. He owned his identity. Wasn't afraid to show everyone he came across who he was.

It hadn't always been that way.

There used to be a time when it felt like the worst thing in the world to be a nerd like that. The kids bullied him because he got overly excited talking about his favorite characters and favorite books that they found boring. They all teased him when he wrote stories about exciting heroes from fantastical worlds in English class, even though the teacher told him that his stories were ambitious and imaginative. And when he spent lunch doodling in his notebook instead of playing kickball or foursquare? Well, you get the point.

"You're so weird." They mocked him. "You're a freak. Draw normal things. Like normal things. Why can't you just be normal?"

It was cruel, in the way that children naively become perpetrators of cruelness. And it made Eddie sad.

Because what did that mean? He couldn't draw normal things, or like normal things, or do normal things. Then he wouldn't be himself anymore.

And that was the point where he decided normal was overrated. Why would he want to be normal when he could be...anything else.

He could pretend he was one of the Pevensies upon a throne at Cair Paravel. Or one of the Ghostbusters. Or a Jedi...

Of course, he couldn't actually be anything else; he was stuck being boring, old, nerdy Eddie Munson.

It wasn't until middle school--you know, middle school, when everyone decides to embrace who they are and become an individual--that he decided being Eddie Munson wasn't all that bad after all.

This epiphany definitely didn't happen after a Hot Topic opened up at StarCourt Mall. No sir. Not when one of the older kids that worked there, sporting armfuls of tattoos and a lip ring, told him the pen drawings on the toe caps of his sneakers were cool. Of course not. And not after he used the last bit of his birthday money to buy a cool band t-shirt and colored hair gel. Pssshhh...

So on the first day of 8th grade, he showed up rocking his dad's old leather jacket--the one that practically swallowed him--jeans that he ripped himself and a poor excuse for a mohawk, ready to accept the Freak label proudly.

He also accepted detention for breaking the dress code.

And a grounding from Wayne for cutting up a nice pair of jeans.

And a buzzcut because he'd done that poor of a job of cutting his hair for that mohawk.

But he'd gained a friend.

Several friends actually.

Ronnie Ecker and Doug Teague. They were both in the same grade as him, and shared many classes. And it might have been a little embarrassing, but a sixth grader named Jeff who told Eddie that he was his hero. That made Eddie feel like he was on top of the world!

They were friends that stayed with him all through high school, and when he repeated his senior year twice, even more joined the mix along the way.

Band kids and science fair nerds and...and...and...

He called them his sheepies, and he their shepherd clad in black band tees and ripped jeans.

And Eddie?

Eddie just got nerdier.

Got weirder.

Dug himself deeper into the pit of stark individualism that the close-minded town of Hawkins didn't know how to react to.

It was glorious.

He listened to music that made other kids cringe and turn away and neighbors complain about the noise; he liked it so much that he made his friends start a band with him. They played at every single school talent show until they graduated; they never won and sometimes people tried to plug their ears, but to Eddie and his friend, their sound and that stage was exactly what their hearts yearned for. To them, the auditorium might as well have been Madison Square Garden.

He started playing Dungeons and Dragons--started a club of his own design, Hellfire--when he found the guidebooks on a dusty shelf at the library. They were seemingly untouched since their initial publication in the 70s, but they were like a key that unlocked something inside of Eddie. Something that he seemed to have forgotten along the way of reclaiming the name "Freak."

Through DnD, the imaginary worlds that he left behind early in his adolescence opened their doors to him once again.

And his friends, his players, never made fun of him for knowing the ins and outs of the worlds of their fantasies. Worlds like Greyhawk and Faerûn.

Worlds like a certain galaxy far...far away...

---

Eddie's re-entrance into the world of Star Wars had been...an interesting one to say the least.

To Eddie, Star Wars meant the original trilogy. Cut, print, sign the check.

When he thought of Jedi, he thought of Luke Skywalker and Alec Guinness as Obi-Wan and a puppet Yoda. And of course he thought of the dreaded Darth Vader.

Yeah he had his books from the library, a whole extended universe with Mara Jade and Jacen and Jaina. But he'd missed out on the prequels growing up; from being a little too young to see them in theaters, to the whole fiasco of his mother's passing right before Revenge of the Sith had premiered.

As he got older, the need to see them just wasn't there, and hearing from friends and enemies alike that it wasn't anything to write home about was the nail in the coffin.

Until he met one Dustin Henderson.

It was the Jar Jar Binks t-shirt he wore on the first day of his freshman year that got Eddie's attention.

"What is that?" he flicked a finger against the graphic as he ran into Dustin and his friends in the lunch line. "Something from that new Star Trek movie?"

Cue a whole rant about the Gungans and the Separatists and an inter-galactic conflict that made Eddie happily fold Dustin and his band of nerds into the protection of the Hellfire Club.

Eddie still refused to watch the prequels, no matter how much Dustin begged.

"I like it when you guys talk about them," Eddie shrugged off the pleas. "Even better when you guys act out the whole fight between Anakin and Obi-Wan. I'd sell my left nut to relive seeing you and Lucas do that in Wheelers basement; it was the best day of my life Henderson, I swear to god. There's no way the movies could actually beat that."

He hasn’t expected that those little idiots would trick him into a movie marathon for Lucas's birthday.

Even Gareth was in on the whole plan. Traitor.

But it was the beginning of the end.

From the movies to the books to the cartoons, Eddie's love of Star Wars was rekindled. He even spent a short stint as a gamer playing The Old Republic on the old PC that was tucked into the corner of the trailer.

And when a new movie was announced, Eddie happily took his nerd-dom to the next level.

Yes, he was the one to suggest they all dress up for the midnight showing of The Force Awakens, but if anyone asked it was Mike.

He spent hours on a stupid Boba Fett costume. It was a different set of skills to the mini-figures he was used to crafting for DnD. He had to think on a different scale. Hot glue and spray paint and too much cardboard. Only to find real cosplayers used foam, not cardboard. His paychecks from Thatcher Tires went straight to the project, until he had something halfway decent for the premiere.

"What?" he laughed along with his friends when they joked about the hot glue spiderwebs that he'd been too lazy to clean up. "It's not like I'll have to do this again; we're not dressing up next time."

Or so he thought...

There was something so magical about sitting in a movie theater, in the middle of December, at midnight, surrounded by other people who decided to dress up for the occasion, and a few dozen plastic lightsabers all lit up.

To listen to the theme, to read the crawl on a big screen, to see the camera pan down into the vastness of stars...

This was what it was to be a nerd.

There was something extra special about finding a new favorite character. Something that touched something deep down inside of you when you saw something of yourself in them.

And Eddie had always been drawn to the villains. Whether in the media he consumed or the characters he created for DnD. He knew why; he wasn't totally oblivious. To be the hero of his own story, he often had to become a villain to someone else.

Besides, villains always had a little bit more fun.

So when Kylo Ren first made his way on screen, Eddie knew that he was done for.

The mask, the lightsaber, the Dark Side of the Force, the anger...how many times had he almost given in to the anger he felt at being mocked and teased. He'd overcome that time and again; what if he'd just given in?

There was also something about being Al Munson Han Solo's son.

Yeah. He could understand the anger there.

But then he was also Elizabeth Leia's son...the conflict.

It took Eddie a few days to get over the initial flurry of thoughts after seeing Force Awakens for the first time. That was when he realized he needed to see it again. And again. A matinee showing on Christmas Eve with Wayne, who he also treated to lunch. The last showing on a Thursday in January. Another outing with the guys, refusing to admit that he'd already seen it a few times between opening night and then.

Thankfully, this time, Mike was the mastermind behind their plans for the next movie as they waited for the previews to finish.

"So," Mike sat up straight. "I think I wanna get an early dibs on dressing up like Poe when Episode 8 comes out."

"I think I wanna try my hand at making an Admiral Ackbar costume," Dustin said with utter confidence, and then turned to Eddie. "What about you?"

It caught Eddie off-guard for a second; should he just say Kylo? Did they expect him to want to dress up as anyone else? Maybe they thought that he would want to be Poe, leader of their misfit group as he was.

"Eddie's obviously Kylo," Jeff piped up. Eddie's head immediately turned to him. "What? Don't think we didn't watch you drool over that lightsaber last time."

"And his ship?" Gareth cackled one seat over. "Fuck the Falcon. I swear, if you could turn the van into something that looked like that ship..."

"Oh my god, you're right!" Lucas cackled.

"Hey I think I could figure out a pretty convincing Snoke," Eddie argued, trying to deflect their teasing, but secretly pleased that he'd gotten exactly what he wanted.

And that his friends knew him so well.

---

For two years, Eddie worked on his costume.

Two. Years.

He was practically a different person by the time of the Last Jedi's opening night.

And yeah his motivation faltered, but he never quit.

It was strange, the need to perfect the costume. He’d almost given up many times. When there was a certain skill he wasn't good at or when he'd felt like it would never be finished. Every time, he felt like that silly kid who everyone just told to be normal. To like normal things.

He was growing up. He was a grown up! Shouldn’t he be passed all of this…silliness? Everyone else in the world seemed to think so, as they put away all the frivolities of childhood. Were they working round the clock and pricking their fingers on needles and burning themselves with hot glue?

Probably not.

Eddie found himself still stuck there, watching a world lose its joy and think that it was normal, and he always wondered if he should try to be normal too. For once in his life. The first time in his life.

But every time he thought about letting it all go, about putting his dream aside...something would come and drive him to keep going.

New promotional images, a new trailer. Especially the ones focused on Kylo himself.

"Let the past die," Kylo Ren grumbled in the voice over. "Kill it if you have to."

That became Eddie's driving force.

He owed it to himself to finish. He owed it to his younger self...not to let his dream die...to keep being weird and nerdy and happy.

"Let the past die," Eddie told himself as he stitched the hem of the tunic the week before opening night.

"Kill it if you have to," he said as he distressed the plastic helmet that he'd ordered, giving it the right amount of realism so it didn't just look like something so fake and commercial.

"Let the past die," his child self muttered, front teeth missing from the day Johnny B pushed him over on the playground because he was playing superheroes wrong. Eddie put a hand on his head and then stepped into his boots.

"Kill it if you have to," his preteen self urged him, self-assured, mohawk looking stupider than he realized way back when. Eddie flicked his ear good-naturedly before adjusting the cape on his shoulders.

There he stood--Eddie Munson, the young man, the freak, the nerd--in his bedroom before the mirror. He was adorned in pieces of foam and layers of fabric from the craft store, helmet tucked under his arm.

But in the mirror itself? There was Kylo Ren...there he was as Kylo Ren. In the hallway of a Star Destroyer, layered in armor and the shadows of the Dark Side itself, like he was ready for a battle with the Resistance.

Ready for the battle within himself.

But there was no battle, and the armor was actually Eddie's skin. This was his real self, his true self. All of his work came to fruition, all of the time and effort that he put into the craft. Not just two years working on a costume, but an entire lifetime poured into becoming an Eddie Munson who proudly wore the title nerd and freak and loser.

The destroyer melted away, and he was back in his bedroom once again. Surrounded by posters and books and drawings, by all of his crafts and his guitars and his endless clutter.

He smiled at himself, feeling lighter than he had in a long time.

Eddie Munson was a nerd, and as he lit the lightsaber and he was washed in a glow of crackling red light, he knew that this was who he was always meant to be.

[not-xpr-art]

Len and Tommy's life told through nine photos ~

A fanart based on the Inside no 9 episode 'Bernie Clifton's Dressing Room' because I loved it so much!

(09/2024)

See below for close ups and unnecessarily detailed explanations of each individual artwork lol

First wanna say that I spent wayy too long on these (like 25+ hours), especially trying to make them look like actual old photos lol... also trying to get their likeness right for the various ages was really bloody hard lol, but hopefully each photo has the essence of each character even if it might not look 100% right pfft...

Second thing is that the dates & locations are very much my own subjective thoughts on their life and not particularly rooted in the canon of the show lol

Also I did go really heavy with the colour symbolism lol...

Ravenhill School, 1965.

The year they met, both are around the age of 10 (give or take). Len is 3 from the left in the top row, Tommy 2 in from the left on the bottom row (also I tried to include references to the other 2 League Of Gentlemen guys... Though I think the only vaguely recognisable one is Jeremy pfft)

Also shout out to @lapis-lazuliie for the idea that they met at school!

(side note, this is the least detailed of all the paintings not just because I was too lazy to render all those children's faces pfft but ALSO because of the significance of them being less recognisable or prominent in each other's lives in this point...)

I was planning on making another childhood/early teen photo but couldn't really think of any good subject matter that could also fit thematically with the episode (also the fact both are coming from poor families who would have had limited access to cameras in this era means we can just pretend that there are just no photos that really exist of them at these ages pfft...)

Photo booth in Leeds, 1974.

Both in their late teens, they'd (well, mainly Tommy) gone to a photo booth in Leeds with the intention of getting some professional looking photos only for Len to immediately make Tommy laugh once they got in there lol

The middle photo is covered in lines as Tommy had planned on throwing it away, only to find he couldn't bring himself to do it in the end... Is it platonic? Romantic? Both? Who knows, you decide lol! I mainly wanted it to be a candid moment between two people that love each other lol

(final one is them play fighting because that's kinda just what 19 year olds are like pfft... also I think photo booths technically gave you 4 photos? so let's pretend there was another photo that they did throw away for whatever reason lol...)

Rehearsals, 1979.

Deep in the midst of practising their routine for some of their first performances!

I'll admit this photo was mainly me wanting to include something more episode specific lol and also to get in some much needed heavy handed symbolism (the crease in the photo separating them, the bottle in front of Len's face, etc)

Polaroids taken at Tommy's flat, 1985.

In-between shows the two often spent a lot of time at Tommy's place (featuring that god awful sofa the previous home owner had left). I did originally plan to have them in the sofa shot together, but was finding it hard to figure out who would have been taking that kind of photo so figured it made more sense to make it shots they took of each other.

Also marks the beginnings of Tommy's weariness (& Len's over drinking...)

Outside the Glasgow Pavilion, 1988.

The morning of that fateful performance...

Ok not much else I wanna say about this other than the reference I used for the pose had Reece sorta awkwardly clasping his hands in front of him which I really liked but unfortunately in my art it just looked like he was trying to cover his crotch so I had to change it pfft...

Tommy standing at Len's grave, 2024.

The sixth anniversary of Len's death, and the sixth time Tommy has travelled across from France to lay flowers at his grave. Photo taken by Leanne from the inside of a taxi (I'd like to have had more references to her in these photos but was unsure of dates/ages where it would have fitted...)

She couldn't get her phone to not focus on the raindrops on the window as she tried to take a picture of Tommy at her father's grave but then realised that she actually liked the pathetic fallacy and had it made into a print anyway lol (look I'll be the first to admit that this is the least 'realistic' in terms of a photo that people would take, but I couldn't resist the symbolism of it lol...)

There were a lot more ideas for photos I wanted to do but for obvious reasons had to keep it to just 9 lol

Also will be posting these on my ao3 with snippets of stories to go with each photo so keep an eye out for when I share that link!

[dianagj-art]

Is there Oneion facts we can know about?

THIS HAS BEEN ON MY DRAFTS FOR SO LONG OMG IM SO SORRY, HERE'S SOME FACTS ABOUT THE BABY BOY

(the baby boy in question is ten years older than me)

I'm gonna go canon stuff first, then some fun crossover stuff:

The version that I'm using is 35-ish years old (a few years before the movie events), he's been the leader of the resistance for around a decade

He still has all his brothers and loves them very much, would kill and die for them

Way more chill than One is right now, still a beast on combat

One can manipulate vines only using the seeds Draxum makes, Oneion can summon them at will from the ground with little issue

In the story he mostly goes by Leo now, very few people call him One (but lets keep calling him Oneion to avoid confusion)

The protesis he uses is an old one from Raph, but he outgrew it and gave it to Oneion when he lost his arm. It was a bit ridiculously big for him at the time, it's still a *little* too big for Oneion, but by the time he's 40-something (movie events) its gonna fit right in

The scarf he has is not the same One has, but as One's it was a gift from Draxum, he has carry the same scarf the whole apocalypse

Still has a lot of gold accents on his clothes

He's still the best fighter out of the four turtles

He loves being around kids but doesn't, he's afraid of hurting them. He knows he didn't had a normal childhood but is not 100% aware of what part was normal and ok and what part is not, and he rathers not take a chance and do something wrong.

He ends up enjoying teaching martial arts, tho he doesn't like being called sensei, and he wont spar with anyone bellow his level (again, being afraid of hurting them)

Casey Jr becomes the exception to these

Crossover stuff!

he can and will beat the shit out of One, he knows how much One can take so he's not really worried about that

when the apocalypse started he basically lost contact with the multiverse, so no fun crossovers for him. Until by the power of "@intotheelliwoods started doing fanart of Oneion before I even had finished his design" he had access to the multiverse again!

First of his "old frieds" he saw was Poptart and Sprout (2al huggy leos) and first thing he did was to hug Sprout<3 (well, he first kinda yelled at him but I'll draw that some day)

I don't think he has met again with the rest of the separated council? I don't remember if I've stick him in any crossover situations

he loves hugging Poptart, he's teddy bear size<3 and he'll never get tired of calling him his friend and loving him "the way he deserves" because he still hasn't forgive himself for the shitty way he treated Poptart (dont worry about it)

he fucking destroyed the attempt of a slau/2al crossover time line

he says he's fine by it but he keeps bringing up the "jawbreaker" incident, I dont think he got over it, actually

he hangs out with Sprout a lot

something something, being with Sprout makes him feel like a kid again, and it makes Sprout feel like a kid again because Oneion reminds him of Big Leo

Sprout and Oneion have a spa day, they deserve it<3 they also go shopping together. Also, they are not exactly good at cooking but they try and they love working together on the kitchen

Oneion got the "Oneion" nickname by Sprout and Poptart

he stronk. he can lift Sprout with no problem, and even Toast

if you wanna have a good time scroll down the besties tag on ell's blog or mine (2)

[oldmanjenkins985]

TW for pedophila since I mention it very briefly at one point I would like to clarify, with all the Tessa age shit that's been going on, that my intent with this was not to prove that Tessa is an adult so she can go on to be sexualized and shit like that. My intent was to prove it was ambigious by showing all the evidence is circumstantial with explanations that both sides could use. And if you boil down *any* character, ambigious age or not, to sexualizing them, that's a completely different issue and one that very much matters. I very much do not care for that stuff, and yes I did have a crush on Tessa once. I was 17 at the time though, meaning that even if she was as young 15 that'd only be a 2 year age gap, so don't you *dare* try and accuse me of being a fuckin' weirdo or anything. I've moved on to other characters now, that being N and Uzi.

Now then, to go along with that, anyone who is uncomfortable with explicit remarks made towards Tessa or Flesha are *completely* allowed to do that regardless of her age. Whether in ambiguity or if she eventually gets confirmed to be an adult, you are *allowed* to be uncomfortable with that. You're allowed to do that with 40 year olds even.

A lot of you who were saying constantly that Tessa is a minor as if it was canon are yourselves minors. So I completely understand why you'd feel this way. The two examples I can think of are @/nuvimuvi and @/kittydragondraws (Don't wanna ping cause I don't wanna bother you with this crap). Your feelings on this are valid and there's no need for you to say Tessa is a minor as if it's confirmed canon when it's not and even one of the people in the Glitch Inn can't give a definitive answer. I don't care that he's not the end all be all, if he has just as much info as the rest of us then why would he come to the conclusion it's ambigious if he could look and see she's "clearly" a minor?

So basically: You're allowed to headcanon Tessa as a minor and be uncomfortable with explicit content surrounding her and Flesha, but that does not mean Tessa is canonically a minor and that people are pedos for saying stuff like that.

Oh, one more thing since we're here. I wanna touch on the Bite Me music video render to clear things up.

So, I've seen a lot of people saying this isn't a "sexy" pose (sorry for lack of better word), but it just...is. And no, that doesn't mean they're sexualizing Flesha, I'll get to that in a moment.

So if you just look up "sexy lean back sitting" on google, you'll find a ton of pictures of people posed extremely similar to Cyn. I'm also pretty certain I've seen pin-up drawings of when in this pose. And one final example: Widowmaker from Overwatch. *The* character who's sexualization is a big part of her design. Her sitting emote is this exact pose. And for as long as I've known this is just *the* sexy sitting pose for women. I don't know where I got that from, just that it's been in my brain for years now.

Now then, let's get back to what I said earlier about this not necessarily meaning it's meant to be sexual. I just went over how it is clearly sexual, so why the fuck am I saying it's possibly not? Very simple, it could be a joke. I've done the "Sexy pose" as a joke for years now. Even when I was 16, 17, hell even maybe as far back as 15, I've done this *exact* pose as a joke. I'm a man, so a pose like this isn't the "sexy" pose most would think of for males and that's why it worked as a joke because it was like "oh, I'm so girly" Now that doesn't mean you *have* to be a man to make it ironic and funny rather than actually sexualizing. You can just be a girl or say...an eldritch horror wearing a girl's skin. Something that horrid looking could be seen as funny when doing a pose like this since it's not exactly something you expect to see. And an even further way to say it isn't sexual: It just...might not be intended that way. It could very well just be how they had her sit. Like I said before, this is *the* go to sexy pose for women, but that doesn't mean every woman sitting like this is intending for that to be how she's percieved. They could just be...sitting.

In conclusion of that, yes this is a sexy pose, stop saying it isn't, but that doesn't mean the intent is that Flesha is supposed to be attractive. It could very easily be a joke or have no intent behind it and that's it. So once again, like most stuff surrounding this, it's completely up to the viewer to interpret it as it's ambigious.

[kitsunemist66]

Explaning Rei as a character and some small backstory things

Although now a "cryptid-human and bunny person" Rei originally started off as a type of Tulpa like character, in a way accidentally made by Sebastian because he was trying to cope with his situation

Although he could only really access Rei via dreams, Rei is more in the subconscious mind area if that makes any sense

Since he often sleeps to escape the bizarre situations he would stick around Rei in said dreams, befriending them more and more

Because Rei is a type of coping mechanism,i made it so that they protect sebastian mentally at least by defeating creatures in said dreams that represent the household (as you know bad thoughts create nightmares which also causes many more issues to a person already suffering lol)

Reis main purpose of existence is to protect Sebastian

Although wanting to make a bigger impact on protecting him via real world, they would set off to try and enter the outside world

I plan to make a comic going more in depth on their journey but to keep it short , despite being informed that they cant leave without an actual vessel to possess they still went for it

When they did manage to spawn into the woods they experienced Amnesia and forgot their purpose and who or where they are , with no vessel to posess their body at the start was really flexible and floppy like a rubber hose animation (their whole being trying to adjust to reality with no real body) + their vision being based off of the way they perceive people (this effect stayed)

They Stumbled upon Present day problem robert takeuichi in the woods who attempted to recruit them, spent a week traveling the woods together before being fully seperated by a "werewoof infected person" (not sure what to call them) attack

Rei pretty much ran into the roadside where they got hit by the ivory familys truck and was then taken home because Luther wanted to help them recover (main reason why Rei really is respectful towards him and sees him as a normal human) although would later allow Randal to keep them as his pet

Since they forgot who sebastian was they had to completely start over, again Rei made it their main goal to escape the house with him (thats all i could think of at the moment.)

So very much ReiSeb (oc x canon because im insane)

I am cringe but free.

[buddiebeginz]

Fandom I'm begging you all to wait and see how the season plays out. Everything right now seems to be pointing towards Buddie and sure I could be wrong but I also think it would be the shows downfall if they didn't make Buddie happen this season and I think Tim and abc know that.

This isn't just about catering to fandom whims this is that since right before s7 they've done so much to put focus on Buddie way more than with any season before. Deliberate choices have been made that if they're not leading to Buddie can't not be seen as queerbaiting. And yes a show with queer characters can still queerbait if they're using a popular queer ship to garner attention and views. Though I don't think that's what's happening here.

The only reason I think more didn't happen with Buddie last season is because the season was short and they got renewed for s8 early. You can tell if you watch from eps 1-6 that they were leading somewhere with Buddie (they had them singing a karaoke love song ffs) but changed gears after getting renewed for s8. At the same time Tim still didn't put more development or focus on b/t so it's not that Buddie happening was shelved (as in it's never happening) it was just paused.

Also I see people spiraling about that pic Ryan posted assuming because he's in a robe and because he put "Don Diaz" on it that it's a reference to Don Juan and this means Eddie is going to be hooking up with a bunch of women. I just don't see that happening. Ryan could have easily just been making a joke or trying to mess with fandom or it could mean nothing. It could be a Godfather reference. Or it could be something like Eddie tries to hook up with a random girl and he just can't do it and then that leads to him talking to the priest. Unfortunately we aren't going to know what that pic really means until the episode airs.

I know we've all been burned by the show (and other shows) before and I get being nervous about what could happen this season. But remember that Buck was supposed to come out in s4 (this has been confirmed by Oliver) and Eddie in s5 (this has been confirmed by the the insider) and presumably that's when Buddie would have happened. Buddie has been in the works for years. The main thing stopping it before was Fox and last season it was just too short to have Buck to come out, Eddie come out, and then Buddie to happen. 10 eps was just not enough time to tell such huge important stories for the show and these characters.

I know Tim and others behind the scenes of the show have made decisions we haven't always loved and maybe it's naive of me to still have trust in them after all this time but it's not just that. I see the signs. If I had seen more effort being put into b/t last season and into promoting them as a couple and especially if I saw that happening this season I'd be a lot more skeptical about the likelihood of Buddie ever happening. But I haven't seen any of that.

This season Tim has talked about how b/t are still together but he doesn't talk about the ship like it's this important thing, he talks about it like T*mmy is just like any other person Buck has dated. Meanwhile Eddie is ALWAYS mentioned when b/t are talked about including by Tim. Networks and showrunners know how to handle these kinds of things. If they wanted to minimize the attention Buddie gets they would have done so. We know this because that's exactly what they did in past seasons while they were with Fox, particularly after Tim left. Instead though since last season they've actually been putting more attention on Buddie, Ryan, and Oliver.

Like I said I get being nervous that something we've all hoped for for a long time might not happen. I know that Buddie and Eddie coming out means more to a lot of us than just some fictional characters and a ship. I know a lot of us see ourselves in them and we also see how important and groundbreaking in a way it will be when they finally go canon. I get why the anxiety around this season is heightened probably more so than any other season before it. We've never been as close to Buddie happening as we are now and that's so exciting but also scary.

But this is why I think we need to take every bts and spoiler etc that we get from the show and people involved in it (including the journalists who review it) with a grain of salt. We just aren't going to know what each episode is about until we watch them. Even when the season starts we need to remember to let the story play out. We might see things we won't like with b/t or Eddie in 801 but there will still be 17 more eps to get through where anything could happen.

We are so lucky that 911 is still on the air with most of the original cast still there and not looking to leave. That all the people that matter Tim, Oliver, and Ryan have all spoken out in support of Buddie happening. I've shipped non canon ships before that just were never going to happen, where showrunners and actors literally made fun of the fans for even shipping it. That's not what's happening with 911. Buddie now is being treated like a legitimate possibility we just have to be patient.

[nqueso-emergency]

Sometimes I sit back and just have to laugh at Bestie Boo’s stupidity.

No Network TV show is going to make both of it’s young attractive (arguably, I don’t find Ryan hot) male mains queer. They still need SOMEONE for the younger General Audience to latch onto. They were hesitant at BEST to make Buck bi and had it not gone well, they would have ended Tevan and put Buck with a woman.

Ryan has come on record repeatedly stating that Eddie is straight, and most of the time, actors aren’t allowed to say that because they don’t know the direction the show would go, so it’s VERY telling Ryan was allowed to do that. Before anyone comes up with the dumbass excuse that “Oliver said Buck was straight before s7.” no he didn’t. He never put a label on Buck. If Ryan was trying to “surprise you” bc Eddie was going to end up being gay, he would have left it ambiguous. There was NO reason for him to say Heterosexual. At all.

They have also been stating that Oliver “hates Lou” and “wants nothing to do with him” and “hates how this storyline went”. Oliver has talked about how happy he is with where the storyline is. Has called Lou funny. Has said Lou was a great addition to the cast. Did an interview where he CLEARLY did not hate Lou as much as they try and claim. If he didn’t like Lou, this storyline wouldn't be continuing. He would tell Tim and it would be shut down.

They twist everything that Ryan and Oliver say, or fall for the lies of the Journalists and their constant baiting (which, yes, they DO bait) and end up tricking themselves into believing Buddie is going canon. They do it every year. I wish I could say they were smart enough to open their eyes and see that they are tricking themselves, but they’re not. Some of them actually need mental help at this point because the delusion has gotten so bad.

If you are so obsessed with a ship that you have to call someone slurs or just be a general piece of shit (Aka a majority of the Buddies in the fandom; and the ones who don’t speak out are just as bad) then you need SERIOUS mental help. For their sake, I hope they get it. It’s exhausting to be so hateful all the time, I don’t know how they do it.

Mmm

[fandomfluffandfuck]

Okay okay. I just had this beautiful mental image of competence kink Steve. And my brain produced two fairly different images: Steve sees Bucky do something incredible during a mission. Idk what. And *oh*, he pops a boner right there and then, as much as the cup of his suit allows anyway. He can barely wait to get off the quinjet post mission, much to the team's amusement, to blow Bucky and then fuck into next week because holy shit hot

Or, Steve having an unfairly wet dream about WS!Bucky in the leather and incredible skills with all the knife tricks and so on and feeling very guilty about that. Because getting the horny from something Bucky had no control over? Not cool, at least in his mind. Bucks somehow gets him to spill though, and then ties Steve up and uses his knife skills to get him out of his clothes very efficiently, leaving Steve there as a panting and moaning mess Uh yeah my brain melted a little

For reference, my ask box is no longer open for requests, but this is from before I closed it, so I will be writing for this ask.

Oh, fuck yeah, I love competency kink. We can certainly talk about that and soak in the brain melt together, lol

Besides, we all know that that fucker has one

gifs by @/linusbenjamin

and this moment haunts him 😏 because of it.

Plus, that single shield catch isn't even to mention the million other examples I could think of for Steve's fixation on the Winter Soldier. The ghost is strutting around in what's practically fetish gear, like, c'mon, give Steve some slack. It's leather and straps and shimmering metal and decisive, confident combat. Motherfucker.

I am SO fucking down to think about Steve watching Bucky execute some incredible feat on a mission and getting turned on because of it, and I will expand on that in a minute. But, also, the second option, too. YES. Steve wet dreaming about the Winter Soldier? God, it's more than just likely, that shit absolutely happened.

(I did write something about those wet dreams in this ask answer under "war paint")

(Also, you need to see this art, that is... yup. Knives and bondage and competency.)

Okay, competency on missions driving Steve insane...

(warning for canon typical violence!)

It happens like this: one instant Steve is solely focused on strangling the underling that's freshly come at him 'cause he's just trying to get through the masses of them before he can actually disarm this whole fucking shitty, dangerous situation alongwith it's leader, and the next instant Steve is totally, completely, and entirely distracted from getting an arm around this fuckers throat, squeezing off his air between his forearm and bicep. It could not be farther from his mind, really.

Rather than thinking about how he can best discard this underling and move on to the next--always plotting his following move, what punch should he throw, what kick, where's his shield, how should he throw his shield, who's around him, and are they his teammates or this month's big enemy--he's aching, not thinking, aching to drop to his knees. It is a visceral, very unchill reaction that Steve can't fucking control. There is no way on god's green earth.

The wanting to drop like a fly isn't because he's tired and ready to give in and surrender, nah, he could do this all day, it's because he's at fucking full mast in his uniform pants so suddenly that he needs a goddamn break from himself. His own hyperreactive body. It's dizzying, debilitating, how his blood rushes from circulating oxygen as fast as it can to his bulging, burning, working muscles to pooling heavy and hot in his cock.

All that hot, thick blood filling his dick out as he moves and twists, grappling with his fucking random ass bad guy, and threatening, incidentally, to rub himself salaciously against the hard pressure of his athletic cup.

His cup is cupping him.

He's big, he can't not. He's got no fucking room. It's... yeah, it's, just--

Jesus Christ.

Steve's aching to drop to his knees and more. It doesn't stop at getting to his knees. One moment and he has the worst kind of desperate craving crashing through him, leaving him hankering for the sensation of firm, muscular legs squeezing around his throat, the pressure tight on both sides, making him feel like his head might explode as he gasps for air or he might pass out without any air or he might cum from pure fucking lust at how hot it is or all of the above all at once.

All at once.

It is an onslaught of arousal. Just. His appetency is un-fucking-checked for the tingling, sharp burn of fingers raking through his hair and pulling hard until he feels it in his scalp and skittering down his back, richly feeding the fire at the base of his spine. He needs to feel body heat suffocatingly around his neck and shoved up against him from behind. Heat painted like thick, sticky tar up the nape of his neck to the crown of his head.

And all that weakening fucking hunger is inspired by one instant. A single flash that he catches, lightning-fast, out of the corner of his eye.

Dark leather molded to fit a shapely body perfectly, sinfully, waves of hair flowing like water, and the distinct glint of silver metal caught in the sun, flashy and, just, sexy.

Bucky.

Bucky, who's barely just been able to be comfortable in combat again after deprogramming but is ever-skilled. Honed. Deadly and gorgeous as a honey trap.

Bucky, who has spent more hours in the gym training with Natasha than anyone else combined--something about mutual trauma and understanding and trust.

Bucky in elegant, lethal motion, wrapping himself like a lithe snake around his own steroid-fit underling, his burly thighs squeezed around the baddies thick, muscular throat, his veins bulging in strain, balanced perfectly on his broad shoulders, and keeping the power in his own mismatched hands. The palm of his hands, like it's easy.

Bucky is fucking winning, it's plain to see. No sweat.

Bucky has shocked this baddie by mounting him, throwing his weight around with ease in a way that shouldn't be possible for a man his size. Better, Bucky has thrown him even further off, fisting a hand into his hair cruelly, pulling so hard that his choices are to let his hair be ripped out and deal with the gritting pain or follow the hold and put himself in worse danger, prolonging the time before the pain. The unnamed baddie follows, of course. Anyone would follow someone as intoxicating and beautiful as Bucky. But he's then pinned there, throat fully exposed. Perilous. The most animal form of submission, this time forced and humiliated by defeat.

Bucky is the dominant fighter.

He is in control.

And he is making it known with what would be sickening glee if Steve was anyone but himself--if Steve wasn't so fucking aroused by watching Bucky wield himself as a weapon of his own choosing, taking control, and reveling in doing good.

God.

With his thighs around his neck, Bucky deftly plucks a long, sharp knife from its holster strapped onto his mouth-watering thigh and twists and twirls it around his fingers before holding it against the underling's throat. The threat is crystal clear and needs no further explanation: move and its lights out for you.

So, the underling folding to his mercy, Bucky slowly, slowly contorts his body, displaying his oh-so flexible spine and positioning his mouth right above his ear. Steve watches him whisper into his ear--his pink lips curling over the hushed syllables in the heat of chaotic, loud battle--and shivers.

Goosebumps come to attention all across Steve's body.

Shit.

He's unreal.

He's so gorgeous and so good and so charming.

At whatever he tells him, the baddie nods stiffly, all the color drained from his face, and Bucky retracts his knife unhurriedly, perfectly moving according to his own schedule, and confidently sheathes the blade it once more. Then, neatly, he unclenches his thighs from around his throat and slithers off his shoulders. It's almost a dance--totally smooth, well-rehearsed choreography.

He defies gravity.

As soon as Bucky is far enough from him, peeled away, the underling scurries off like a frightened rat, stumbling as he sprints off. Bucky watches him go with an unhinged, almost-pitying smile, an expression just for himself, as if to say, that's right, you better run. Tell the others, too. You fuck with me and it's over. Don't bother coming back.

Steve whimpers.

Realistically, it--Bucky devastatingly executing one of Black Widow's signature flipping, twisting moves as if it's his own and something developed specifically for him, an over 200 lbs man of pure muscle and metal--all happens in the span of seconds. Or, maybe it happens faster. It may not even be a single second. But for Steve, it plays in slow motion; it lasts ages in his mind.

Still, really, just it's one instant, and then his brain chemistry has been fully altered. Immediately. His wires have been crossed over and shorted out. Sparks fly. And his reboot back to being a functioning fucking human comes in the form of a punch to the face.

Fuck.

Steve groans through the pain of a fist colliding with his face, wincing, and opening and shutting his jaw to have it crack back into place. He's gonna fucking feel that later. But, for now, he has to ignore the heavy, aching throb of his cock, the pain in his jaw, and get back to fighting.

Later, he tells himself.

Later, that'll be his treat for getting through this shit day. He can kneel and beg, forgetting himself as a drooling, heaving, out-of-breath, hot faced mess at Bucky's feet, fumbling over words as he incomprehensibly pleads to have his shapely thighs wrapped tight around his head, his neck, his waist even, anything. Just hold him there until he fucking dies a happy death between those legs.

Heaven.

[saintsenara]

Why Harry being short and frail (or even petite and delicate) past puberty is such a popular take these days? Sure, he is not bulky, but don't we know from Voldemort himself that James was tall and don't we know that Harry was exactly the same height as James during the final battle? Don't we know that Harry works out 3 times a week and is generally athletic? Is it the same thing that is happening with fanon Sirius or is it something different? Is it because he was short as a child and grew up in a cupboard, thus unlikely to end up like he did at the end of the series? What do you think about it? How likely is it? I keep seeing it in many slash ships and I am genuinely baffled. Is it me who has it backwards? Please solve this mystery, dear Asenora!

thank you very much for the ask, anon!

i think several things are at play, tbh - some which are more understandable than others.

the first is that daniel radcliffe genuinely is short [for a british man, at least] - his height is given online as 165cm [or 5'5], but looking at pictures of him leads me to suspect that's an exaggeration - and was, unsurprisingly, even shorter when he was a teenager. many of the other actors in the films are much, much taller than him - especially people like alan rickman and david thewlis, both of whom were over six foot - and since the films inevitably influence how people picture the characters physically, the height differences we see on screen end up becoming part of that.

the second is that, while harry is described as "tall" in canon, that term appears to be doing a fair amount of heavy-lifting. numerous male characters are described as taller than him in both half-blood prince and deathly hallows - with the example which always stands out to me being the fact that fred and george weasley are said to "shrink" when they polyjuice into harry before the seven potters chase. fred and george - like charlie - are described in canon as being noticeably shorter and stockier in build than bill, percy, and ron. unless ron et al. are so tall that it would be thought of as really unusual - let's say above 6'6/198cm - harry probably isn't over 6'0/182cm tall.

thirdly, it's worth saying that what is meant by "tall" is culturally contingent. i've said that daniel radcliffe is shorter than average for a british man - and that's true - but his height isn't going to be thought of in that way in different parts of the world. similarly, there are parts of the world where describing a man who was, say, 5'10/178cm as "tall" would be considered quite strange - but i don't think the uk [where the average male height in 1998 was just over 5'8/174cm] is one of them. certainly, i picture harry as around that height [allowing characters like ron, sirius, dumbledore, and voldemort - who are all described as such - to be noticeably taller than him, but not so tall that their height would be considered abnormal], and i don't think it precludes him still being thought of as "tall" within the context in which he lives. but an author from, for example, the netherlands - where the average male height is 6'0.5/183cm - would probably think differently.

[there's a point about cultural contingency in the quip he makes about being short because of the cupboard too: i would read that as a dark joke which he doesn't actually think has any truth behind it specifically when it comes to his height, but which nonetheless expresses that the dursleys abuse him generally and this abuse has had a long-term impact upon him; readers from other parts of the world take it more literally.]

and finally, harry is definitely physically fit and - of course - works out a lot as part of playing quidditch, but both he and james are emphasised in canon as having slender builds - and it's also implied in the text that seekers are generally slim. harry doesn't need to be seen as any less sporty if we presume that he has the physique of a distance runner or triathlete rather than that of a sprinter.

however, there are definitely some aspects to the tendency for harry to be written as short and slender which do bother me a fair amount - and i do think that these have something in common with what we see with fanon sirius.

that is, that harry and sirius aren't written as short and slender because the author wants them to just happen to be short and slender. they're written as short and slender because the author wants them to be passive. their height/build is emphasised in the story in order to hammer this home - and it's often accompanied by them being assigned other aspects of physical appearance, personality, dress, or manner [especially ones which might be considered as "effeminate"] which, once again, aren't intended to communicate anything other than this passivity.

and - of course - in the writing of vast amounts of slash, any indication of passivity, submissiveness, or femininity - and the physical traits which end up equated with them - is taken as an indication that the character in question would be an exclusive - and submissive - bottom, who defers to the whims of their partner, an exclusive - and dominant - top.

and - unsurprisingly - topping ends up being associated with masculinity - and the personality traits and physical characteristics - above all a tall, muscular build - which are equated with that.

frail!harry seems to be most prominent - in my experience - in ships like tomarrymort, not so much because people really care about the implications of harry's characterisation, but because they're hugely opposed to the suggestion that characters like tom riddle would ever bottom [since - of course - they associate the act of being penetrated with femininity and femininity with weakness...]. great lengths have to be gone to, then, to emphasise that voldemort - or whoever else - is powerful and proud and authoritative and masculine and tall. and, for some reason, this is apparently incompatible with the idea that he might also like to get railed... which means that harry has to make sure nobody is in any doubt about who's the woman bottom by becoming as teeny tiny as he possibly can...

[medra-gonbites]

Baldur's Gate 3 Companion Head Canon Party Edition

Tav is throwing a party for their birthday. The playlist is ready, the neighbors are warned and the balloons are blown.

Here is what the companions (and three surprise party crashers) would bring to that little soirée.

Laezel | A strange liquor nobody has heard of

Impossible to know what it is, the label is written in a different alphabet. It has a crazy high alcohol percentage. Never mind it tastes like diesel: it's strong and if you want to get drunk it will get you there. Also it was crazy cheap so she bought 5 bottles (which she'll be the one drinking).

Gale | Some fancy ass bourbon

Nobody will drink it, because it is not that kind of night, Gale! He spends 19 minutes explaining to Tav why this vintage is special and what kind of smoky and woody hints they should get from the taste as well as an extensive story about where it was brewed (some place in the Highlands with blind dwarven monks no doubt).

Shadowheart | Wine 

It is a lower to mid quality bottle but she actually spends all evening drinking cocktails mostly composed of juice and vodka: she likes wine but it stains her teeth and gives her a headache, plus she really likes bright colors in her drinks. If there is Passoa and orange juice and the weather is nice she will be giving it a go. 

Wyll | Tequila

Alongside lemons and salt. The group complains because it’s just not something that gets drinken casually. However, they all end up taking shots around 3am and pass out and/or barf. Wyll is the only one who does not have a hangover the next day because he drinks water in between shots. Will make the cocktails if he is being asked nicely (he brought his shaker as well).

Karlach | Beer

She either comes with two 64-beer crates, one on each shoulder, or a keg (with a funnel and a pipe). She drinks most of these together with Wyll and burps loudly before shouting 'better in than out' and belly laugh herself to cramps. If the beers are canned, she will crush them on her forehead once they are downed. Ultimate beer pong winner.

Astarion | Shows up empty-handed

He feigns he didn't know or that he ran out of time to get something but he'll promise to bring something the next time (which is a lie as he already promised last time at Karlach’s costume party). He will leave with Gale’s expensive bourbon though and gift it to one his teacher from law school (in order to bribe them, of course).

Halsin |Juices

Not these industrial juice boxes mind you, but some organic 100% fruit, no added sugar juice from the bio coop. Or better yet he makes the juices himself - If the time of year is right he will make punch or sangria himself (and be careful it’s sweet but it is treacherous).

Minthara | Cocaïne

Nobody wants to do any. Frankly, Minthara did not read the audience  well. Astarion is willing but feels the vibe and decides not to (he takes her dealer's number for later though)). She ends up doing a line alone in the kitchen. At the height of the night when she's loaded and drunk she makes out with Gale or bullies him (or both).

Jaheira | Soda and ice

To be fair, all kinds of soda, and not just the generic crap either, the good brands. Bubbles no bubbles, fruity, bitter, sweet, you name it. She does not drink as she is the designated driver for her and Minsc (no way they're sleeping over with these kids) so she spends her night sipping on some ginger ale.

Minsc | Goblets

A lot of them. While it was disappointing at first it turns out to be a super sharp idea. Either to drink from or play beer pong they came in extremely handy. Halsin will pout and comment on the sustainability issue. Minsc drinks water but takes a new cup everytime he gets another drink (partly because he is proud of his goblet idea, partly to antagonize Halsin).

Durge | Flour

They are Tav's neighbour and they were invited out of politeness and actually showed up. They come with flour because “hey, remember when I borrowed some, years ago, there, I’m bringing it back like I said I would. We are even now”. They have the best jokes but they will try and start a fight over the playlist (they have issues with music it seems).

Here are a couple of party crashers who were not invited but came anyways.

Barcus | Airfryer and Snacks

He shows up very early to Tav's surprise. He was not exactly invited but thought he was due to Tav mentioning the party to him at work. Upon seeing him Tav is actually happy though and his glad he popped by. He brought his airfryer and some fried goods and that's just awesome.

Volo | His guitar

He was not invited and knew it but he shows up anyway. He will complain about the music the whole time while drinking wine and take his guitar to try and play wonderwall for everyone, even though nobody asked. Lae’zel will lock him on the balcony at some point during the night.

Gortash | Cheap Vodka

He was also not invited. He was told explicitly he was not but what can you do.... His shirt is way too open on his chest, he wears way too much cologne and his pockets are full of condoms. He tries to get into Shadowheart’s pants all night, refilling her glass constantly but he’ll end up at Durge's place next door.

[qiu-yan]

3 6 7 11 16 20 25

bro is trying to get me killed lmao /s

choose violence ask game

3. screenshot or description of the worst take you've seen on tumblr:

this shit

6. which ship fans are the most annoying?

gonna be honest here, the single most annoying part of the MDZS fandom is that one hyperspecific sort of wang and xian stan who insists on shitting on not only the other characters, but also other wang and xian fans who ship the characters in ways they don't approve of. this kind of stan can not only be relied on to have the worst possible takes on everyone ranging from jin guangyao to jiang cheng, they can also be relied on to harass other wang and xian fans simply for putting wang on the bottom. fun times.

7. what character did you begin to hate not because of canon but because how how the fandom acts about them?

surprisingly, no one yet. sometimes i feel the hater urge to dunk on the morally-pure version of wei wuxian that the diehard wei wuxian stannies have collectively hallucinated, but i still find the wei wuxian from canon to be quite compelling.

11. number of fandom-related words you've filtered

the "canon jiang cheng" and "canon jc" tags. everyone stfu

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

"morally pure wei wuxian who did nothing wrong ever." to me, wei wuxian's hubris, his unique capability for inventing new kinds of cruelty, his failure to think of the consequences of his actions, his tendencies to run away from negative feelings, and his ultimate failure to protect the people he was trying to protect, are what make him a compelling character to me. these flaws in parallel with his courage, kindness, stalwart moral compass, and genuine love make him interesting to me. so i don't quite understand fans who instead insist on erasing all the morally grey and highly interesting stuff he did in favor of insisting he did nothing wrong ever.

20. part of canon you found tedious or boring

not quite what the question is asking, but i found the actual wang and xian romance in the original novel to be a bit lacking. mainly because (as other people have said already) a lot of the romantic development happened when lan wangji was drunk. at the very least, i wanted to see lan wangji's reactions to his various drunken adventures once he sobered up the next day, and i'm rather disappointed we never got to see that.

furthermore, on wei wuxian's end, it did kind of feel like wei wuxian was using this exciting new romance to distract himself from his past problems, even though it also seemed like he didn't actually know all that much about lan wangji. the only version of the romance that makes sense to me is the one where wei wuxian was already into lan wangji (subconsciously or consciously) in his first life; otherwise, wei wuxian falling in love with lan wangji during his second life, when he's yet to process any of the shit that happened in his first life, feels too much like him running away from his problems with a guy he believes will validate all his decisions. meanwhile, on lan wangji's end, i feel like the novel just did not give us a lot to work with in regards to his character. so it feels like, if you want to be a fan of lan wangji, you have to do a lot of the legwork of building up his personality yourself.

what also disappointed me a bit about wang and xian, as well as lan wangji's character arc itself, is that lan wangji is never really challenged on a moral-dilemma level in the same way that many other characters are challenged by the story. how do i explain this...alright, i'll put it this way. i've been brainrotted about madohomu (madoka magica) since i was in middle school. and that's partially because i know for a fact that, if homura was put in the trolley problem and had to choose between [killing 5 strangers] and [allowing madoka to die], she would choose to kill those 5 strangers to save madoka. but after reading MDZS, i realized i legitimately did not know what lan wangji would do in such a moral dilemma. because MDZS equates [being morally righteous] with [supporting wei wuxian], lan wangji is never placed in a dilemma where he has to choose between sacrificing wei ying and doing something the audience would think of as unforgivable.

these are just my own hyperspecific tastes, though.

25. common fandom complaint that you're sick of hearing

gonna put my hater hat on for a second, but i kind of roll my eyes at the jiang cheng haters complaining about how jiang cheng stans keep posting in the "canon jiang cheng" tag. dude, if it bothers you that much, just block the jiang cheng stans. then things will be peaceful in your favorite tag again.