#derogatory posts | Explore Tumblr posts and blogs

gallusrostromegalus · 3 months ago

Text

Move To A Darker Place

This is a story of Man Vs. Machine.

---

Last March, my father attempted to file his Taxes.

My beloved father is a Boomer. Unlike most Boomers, my father is rather handy with technology because he was one of the people that had a not-insignificant hand in Developing a hell of a lot of it. He was studying Computer Science at Cal Poly before the computer science degree existed. I have many fond childhood memories of skipping through the aisles of various electronic and computer part warehouses while Dad described something that either terrified the staff or made them worship him as a God. He taught himself how to use his smartphone. Internationally.

So when he saw the option to file digitally with the IRS through the “ID.me” program, he leapt at the chance to celebrate the Federal Government finally entering the Digital Age.

It was all going swimmingly for about six hours, until he was ready to file and the system told him that it needed to verify his identity.

“Very Well.” said my father, a man unafraid of talking to himself and getting something out of the conversation. “It wouldn’t do for me to get someone else’s return.”

The System told him that it needed him to take a “Digital Image ID”.

a.k.a: A Selfie.

“A-ha!” Dad beams. Dad is very good at taking selfies. He immediately pulled out his phone, snapped one, and tried to upload it.

Please log into your Id.me Account and use the provided app to submit your Digital Image ID. The System clarified.

“Oh. You should have said so.” Dad pouted, but used his phone to log onto the ID.me account, do the six security verification steps and double-checked that the filing looked the same as it did on the desktop, gave the IRS like nine permissions on his phone, and held up the camera to take his Federal Privacy Invasion Selfie.

Please align your face to the indicated grid. Said The System, pulling up a futuristic green-web-of-polygons approximation.

“Ooh, very Star Trek. Gene Roddenberry would HATE this!” Dad said cheerfully, aligning his face to the grid. My father is a bit… cavalier, when it comes to matters of personal information and federal government, because he’s been on FBI watchlists since the late 60’s when he was protesting The Vietnam War and Ronald Regan before he’d broken containment. Alas.

Anyway, there is very little information the federal government does not have on him already, but he’s as good at stalking the FBI as they are at stalking him, and had worked out a solution: He has something approaching a friendship with the local Federal Agent (Some guy named “Larry”. Allegedly), and got Larry hooked on Alternative Histories and Dad’s collection of carefully-researched “there is very likely buried treasure here” stories, and Larry is loath to bother his favorite Historical Fanfiction author too much.

But I digress.

After thinking for a minute, The System came back with an Error Message. Please remove glasses or other facial obstructions.

And here is where the real trouble began.

See, my father wears glasses that do substantially warp the appearance of his face, because he is so nearsighted that he is legally blind without them. His natural focal point is about 4 inches in front of his nose. While Dad can still take a selfie because he (approximately) knows where his phone is if it’s in his hand, he cannot see the alignment grid.

He should ask someone to take it for him! I hear the audience say. Yes, that would be the sane and reasonable thing to do, but Dad was attempting to do taxes at his residence in Fort Collins, while his immediate family was respectively in Denver, Texas and Canada. He tried calling our neighbors, who turned out to be in Uganda.

He looked down at the dog, Arwen, and her little criminal paws that can open doorknobs, but not operate cell phones.

She looked back at him, and farted.

“Well, I’ll give it a try, but if it gives me too much trouble, I’ll call Larry, and Larry can call the IRS about it.” Dad told her.

She continued to watch him. Arwen is an Australian Kelpie (a type of cattle-herding dog), going on 14 years old, deaf as a post and suffering from canine dementia now, but she still retains her natural instinct to Micromanage. She was also trained as a therapy dog, and even if she can’t hear my dad, still recognizes the body language of a man setting himself up for catastrophe.

So, squinting in the late afternoon light next to the back door, Dad attempted to line his face up with a grid he could only sort-of see, and took A Federal Selfie.

The System thought about it for a few moments.

Image Capture Failed: Insufficient Contrast. The System replied. Please move to a darker place.

“...Huh.” Dad frowned. “Alright.”

He moved to the middle of his office, away from the back door, lit only by the house lighting and indirect sunlight, and tried again.

Image Capture Failed. Please move to a darker place.

“What?” Dad asked the universe in general.

“Whuff.” Arwen warned him against sunk costs.

Dad ignored her and went into the bathroom, the natural habitat of the selfie. Surely, only being lit by a light fixture that hadn’t been changed since Dad was attempting to warn everyone about Regan would be suitably insufficient lighting for The System. It took some negotiating, because that bathroom is “Standing Room Only” not “Standing And Holding Your Arms Out In Front Of You Room”. He ended up taking the selfie in the shower stall.

As The System mulled over the latest attempt, Arwen shuffled over and kicked open the door to watch.

Image Capture Failed. Please Move to a Darker Place.

“Do you mean Spiritually?” Dad demanded.

“Whuff.” Arwen cautioned him again.

Determined to succeed, or at least get a different error message that may give him more information, Dad entered The Downstairs Guest Room. It is the darkest room in the house, as it is in the basement, and only has one legally-mandated-fire-escape window, which has blinds. Dad drew those blinds, turned off the lights and tried AGAIN.

Image Capture Failed. Please Move To A Darker Place.

“DO YOU WANT ME TO PHOTOGRAPH MYSELF INSIDE OF A CAVE??” Dad howled.

“WHUFF!” Arwen reprimanded him from under the pull-out bed in the room. It’s where she attempts to herd everyone when it’s thundering outside, so the space is called her ‘Safety Cave’.

Dad frowned at the large blurry shape that was The Safety Cave.

“Why not?” he asked, the prelude to many a Terrible Plan. With no small amount of spiteful and manic glee, Dad got down onto the floor, and army-crawled under the bed with Arwen to try One Last Time. Now in near-total darkness, he rolled on his side to be able to stretch his arms out, Arwen slobber-panting in his ear, and waited for the vague green blob of the Facial grid to appear.

This time, when he tapped the button, the flash cctivated.

“GOD DAMN IT!” Dad shouted, dropping the phone and rubbing his eyes and cursing to alleviate the pain of accidentally flash-banging himself. Arwen shuffled away from him under the bed, huffing sarcastically at him.

Image Capture Failed. Please move to a darker place.

“MOTHERFU- hang on.” Dad squinted. The System sounded strange. Distant and slightly muffled.

Dad squinted really hard, and saw the movement of Arwen crawling out from under the bed along the phone’s last known trajectory.

“ARWEN!” Dad shouted, awkwardly reverse-army crawling out from under the bed, using it to get to his feet and searching for his glasses, which had fallen out of his pocket under the bed, so by the time he was sighted again, Arwen had had ample time to remove The Offending Device.

He found her out in the middle of the back yard, the satisfied look of a Job Well Done on her face. She did not have the phone.

“Arwen.” Dad glared. It’s a very good glare. Dad was a teacher for many years and used it to keep his class in order with sheer telepathically induced embarrassment, and his father once glared a peach tree into fecundity.

Arwen regarded him with the casual interest a hurricane might regard a sailboat tumbling out of its wake. She is a force of nature unto herself and not about to be intimidated by a half-blind house ape. She also has cataracts and might not be able to make out the glare.

“I GIVE UP!” Dad shouted, throwing his hands in the air and returning to the office to write to the IRS that their selfie software sucks ass. Pleased that she had gotten her desired result, Arwen followed him in.

To Dad’s immense surprise, the computer cheerfully informed him that his Federally Secure Selfie had been accepted, and that they had received and were now processing his return!

“What the FUCK?” Dad glared. “Oh well. If I’ve screwed it up, Larry can call me.”

---

I bring this up because recently, Dad received an interesting piece of mail.

It was a letter from the IRS, addressed to him, a nerve-wracking thing to recessive at the best of times. Instead of a complaint about Dad’s Selfie Skills, it was a letter congratulating him on using the new ID.me System. It thanked him for his help and expressed hopes he would use it again next year, and included the selfie that The System had finally decided to accept.

“You know, my dad used to complain about automation.” Dad sighed, staring at the image. “Incidentals my boy! My secretary saves the state of California millions of dollars a year catching small errors before they become massive ones! He’d say. Fought the human resources board about her pay every year. I used to think he was overestimating how bad machines were and underestimating human error, but you know? He was right.”

He handed me the image.

My father was, technically, in the image. A significant amount of the bottom right corner is taken up by the top of his forehead and silver hair. Most of the image, the part with the facial-recognition markers on it, was composed of Arwen’s Alarmed and Disgusted Doggy face.

“Oh no!” I cackled. “Crap, does this mean you have to call the IRS and tell them you’re not a dog?”

“Probably.” Dad sighed. “I know who I’m gonna bother first though.” he said, taking out his phone (Dad did find his phone a few hours after Arwen absconded with it when mom called and the early spinach started ringing).

“Hey Larry!” Dad announced to the local federal agent. “You’re never gonna believe this. My dog filed my taxes!”

Larry considered this for a moment. “Is this the dog that stole my sandwich? Out of my locked car?” he asked suspiciously.

“The very same.” Dad grinned.

“Hm. Clever Girl.” Federal Agent Larry sighed. “I figured it was only a matter of time before she got into tax fraud.”

---

I'm a disabled artist making my living writing these stories. If you enjoy my stories, please consider supporting me on Ko-fi or Pre-ordering my Family Lore Book on Patreon. Thank you!

#Family Lore #Dogs #arwen #Arwen the Crime Dog #Taxes #Ronald Regan mention (derogatory)#long post under the cut #this one is funny this time #I could really use some extra tip money this month

9K notes · View notes

coddda · 5 months ago

Text

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

#death note #dn #light yagami #l lawliet #lawlight #death note anime #coda analyzes stuff #sorry this is all very scattered and probably doesn't make sense i wrote this on a whim one day and then the post had a mind of its own #this was originally gonna be shorter but then light yagami (derogatory) happened #it was so difficult to avoid going on 27450438 different tangents i love this series btw #you know my post about LCtW parallels with Light post L's death. yeah pretend i copy pasted that whole analysis here too #it also applies and is very relevant #death note multiverse my beloved i will love you forever #i just ran this through a word counter 1K+ word rant about these scenes. in 2024. God i'm Cooked #^ LMAOOOOOOOO (laughs in ~2.5K wordcount weeks later at the time of finally finishing writing this) god I Hate it here #also sorry i havent been posting a lot of art lately i'm busy and i've decided to save up all my Art Energy for lawlight week #so i've just been finishing off and posting analysis that have been floating in my drafts.lawlight stp au parallels/notes are probably next #sorry not sorry </3

185 notes · View notes