#depression is real....
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willmpy · 2 months ago
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Hey Tumblr... sorry that I haven't.... posted anything.... I was... in a dark place(hetalia😦😱😖) heh....
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moggettt · 7 months ago
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@whirlpoolleaf asked: Can I request Murderbot for the sketch request thing? Thanks so much :)
-performance reliability at 60% and dropping-
(I'm a big fan of the idea that mb tends to be very expressive during fights, considering how accustomed it is to the privacy of the helmet)
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mr-malumm · 7 months ago
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Something told me yall would like this
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butchhamlet · 2 months ago
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this is the opposite of a new observation but hamlet's uncle really is such a bitch. if i were grieving someone i had complex and intense feelings about and someone told me, IN PUBLIC IN AN ASSEMBLY OF MY FAMILY AND THE GOVERNMENT AND ALSO IN FRONT OF MY MOM, WHO THEN JOINS IN, to get over it already because uwu well everybody dies </3 i would have started throwing hands in the throne room. claudius didn't even like take him aside. he gave this lecture in front of god and everyone. we undersell hamlet's self-control
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theorist-fox · 2 months ago
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Simon makes love to you
Drabble to get me out of the block
Word Count: 1.6k
18+
CW: fluff, smut, contains themes of depression
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Simon fucks you hard.
It's an unsaid promise, a sort of bargain. 
You need someone to fuck your head empty, he needs someone who'll let him unload whatever mess is brewing inside of him. 
You like it hard.
He needs it hard.
Mutual agreement. Everything had clicked so easily you two had never even bothered setting ground rules or whatnot. They flowed naturally, as if you knew, and he did as well.
Whenever you wanted, you just knocked. If he was up for it, you'd spend the night in his bed until your throat would go raw and your limbs would turn floppy.
The same happened when he was on the other side of the door.
Independently on who asked, the outcomes rarely changed. If ever.
Yet Simon now finds himself in front of a crossroads, when you knock on his door with bloodshot eyes and a tiredness so horrible that, for a moment, he feels afraid.
That lasts a swift second, though, because the next thing he registers is complete discomfort. Helplessness.
He doesn't think he can fuck that out of you. Not when your eyes are so chock full of tears yet so hollow.
Your lips look cracked and swollen, like you've spent a while nibbling at the flakes of dry skin. He's sure they'd taste of iron if he were to kiss them.
As he takes in your state, he narrowly misses your sniffle, the tremble of your hands. Or the way your voice, so feeble and strained, as if exhausted from the words themselves, whispers:
"Can you make love to me tonight?"
Simon barely reacts as it reaches his ears. On the outside, he's impassive as ever—inside, on the other hand, he's rattled to the bone.
Because he doesn't know how to do that. 
What he does know, is that he could tell you no, and you wouldn't so much as bat an eye. You're not one to push, and neither is he. It's always been such a balanced thing. 
And yet he'd rather gouge his eyes out than watch you tremble any more than you already are.
Which is why he doesn't answer verbally—doesn't trust himself to do that, to sound as kind as you need him to be. He simply curls his hand at the nape of your neck and pulls you in, lips to lips.
And exactly as he thought, taste of iron they do.
Simon's kiss is not devouring. It's hesitant because he's new to it, soft because you asked. There's no tongue yet, simply lips smacking and a gentle hand on your hips. The white lights of the building's hallway flicker overhead—some old place in which neighbours don't ask much about what's happening in the other flats, which is exactly what he needs.
Gently, he guides you inside, closing the door behind you with the flat of his hand. Feels the salt of your tears on his own lips, like he's cried them as well. 
Your hands cradle his neck, fingers dreadfully cold and rough—callouses you've bitten in anxious habit, perhaps to cause pain so the one inside would quell. 
Simon guides your back against his door, as his hand blindly reaches for the lock. It twists smoothly in his fingers. Clicks. You unravel there, like the sound's given you permission to do so.
Simon is used to drinking up your moans, never your sobs. He tries as you hiccup in his mouth, holding you gently yet firmly, grounding you to where it matters.
Careful as ever, his fingers tug at the zipper of your coat, and then helps you out of it. Similarly, your own lift his shirt up and off his head. And then it's a dance he knows by heart, hands tracing the shape of you the more it gets exposed.
Loose clothes on the floor. Your cold hands holding onto him for dear life. His own guiding you to the bed, steering your body where he needs it—where you do.
But differently from previous times, there's so much softness in his fingers that they tremble almost as much as yours, like he's afraid he'd bruise you when he bloody well knows he's held you far more harshly and you never complained once.
And then you're on his bed, on your back with his own body as an anchor to reality. A big arm snakes in the sliver of space between your bodies to reach your sex.
He kisses your cheeks first, as his fingers draw soft circles at your clit to get you wet. Your chest stutters with hiccups to catch your breath, tired hands threaded through his hair—perhaps to keep him closer, perhaps to ground yourself.
Whatever the reason, he lets you. Feels your breath—thick, heavy, wet—brush his skin. Your lips reciprocate his kisses, landing damp and swollen on his shoulder, on his neck.
That night, Simon fucks you softly.
He doesn't thrust into you until you can't breathe but keeps his hips flush to yours instead. He rolls idle circles that sheath him fully inside and cradles your head to keep you still—to keep you comfortable, to give you what you asked.
Can you make love to me tonight?
Simon is not sure he can, doesn't think he has what it takes.
But still, his hands hold you gently, instead of marking you blue. His mouth draws in your breath, like he's trying to even it out when you can't. 
"That's it," he whispers when he feels the stutters in your chest settle down. "That's it—deep breaths. Good girl, y're doing so good." 
Your hands come to hold him like he is you, and then you cum around him breathing hard and burying your face in his neck instead of moaning and clawing at his skin.
"There it is," he tells you quietly when your pussy clenches around him. His voice chokes on itself because you're not the only one affected by this—not by a long shot. "There it is, swee'heart. Jus' like that."
He keeps his focus on you as you come down from it, satisfied when he notices that the trickles down your temples are of sweat and not tears anymore. 
But there's something in your eyes, he thinks. Something that has been torn to shreds so many times you gave up even trying to fix it. A loneliness so fierce it’s burning you to ashes, an exhaustion so deeply engraved you carry it within your bones.
How a man as attentive as him has never noticed is beyond him, but now he finds himself wanting to see it, to try and help you mend it until you're whole again.
"Fuck, you're lovely, yeah?" He murmurs when your hands come to cradle his cheeks and his do the same. "Sight f'sore eyes."
You smile for the first time since you knocked on his door. 
Can you make love to me tonight?
Simon is not sure he can, but he'll be damned if he doesn't try—if it means you smile like that again.
Your hips start moving to meet him, ankles locked at his tailbone. Simon cums inside of you for the first time since you two started seeing each other, rocking his hips as you caress the back of his head.
He’s always tried his damned hardest to avoid leaving strands of any kind that could tie you to him. He's a dangerous man, one you shouldn't be tangled with. 
But if you look so safe in his arms, enough to seek him at your lowest, enough to smile even when your world seems torn asunder, then there's little he can do to fight it. 
To fight you.
He collapses, chest to chest, knocking the breath out of your lungs—a sound so soft it tickles his ear enough to raise goosebumps.
Simon holds onto you something fierce, arms tucked under the hollow of your spine—inked skin, rough and thickened by a harsh life, against the velvet of yours.
Usually, you’d spare a few moments for the two of you to catch a breath, and then you’d leave, or he would, and life would roll on by. Tonight, he senses your hesitation in the tremble of your arms, and how they’re still holding on tight, wrapped like a silk ribbon around his neck.
Simon finds himself at a crossroads again, but this time it’s so much easier to make a choice.
Can you make love to me tonight?
As he nuzzles your skin, Simon realizes he never even had to try.
“Stay,” he whispers into your neck. 
It’s then that you suck in a deep breath, one that bullies its way into his own lungs too. The curve of your cheek presses into his temple, as if you might be smiling. There, something fills him just right.
He wants to look up and see if he’s fixed a few of those shreds, if he’s managed to at least squeeze a thread in there, within the broken seams. 
Perhaps he has, because your voice quivers less, and there’s that golden touch of hope in it, refreshing and bright—somehow louder than the sobs he’s been striving to take from you all night.
“Okay,” you breathe. “O-okay, I’ll stay.”
Thing is, you never leave. 
If not once or twice, with Simon in tow, carrying a few boxes in his hands with your initials scribbled on one side.
Until your books are on his shelves, your toothbrush on his sink, and your name on the doorbell, right next to his own.
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poorly-drawn-mdzs · 3 months ago
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Your beats make me sick
[First] Prev <–-> Next
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girlstressed · 11 months ago
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im going to kill—(remembers suicidal ideation is bad) see the beauty in everyone and everything around me
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dreamsteddie · 2 months ago
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Enamored with an Eddie who comes back from the Upside Down completely changed and turns to writing as his only solace, eventually turning it into a successful career.
When Eddie realized that the grate wasn't closed properly and the bats started swarming, when he saw the fear in Dustin's eyes as they quickly lost control of the situation, he had been well and truly prepared to die. Part of him, privately, was hoping to die.
The town was out for his blood, his friends hadn't even come to the trailer park to check on him, and despite what he said, he knew 86' was not going to be his year. Not even close. At least if he died in the Upside Down, he died as a hero. Not a failed rockstar, or a high school dropout, or another victim of Hawkin's endless bloodthirst for anyone outside of their preconceived ideas of "normal". Not a mirror image of Al Munson.
So when he wakes up in the hospital, bedridden and dehydrated, it doesn't feel like a victory.
When Dustin comes in to see him, positively bursting at the seams with excitement at Eddie's long-awaited return to consciousness, Eddie can't say a word. He has to watch as the light in his too-wise eyes dims as Eddie just stares. He's trying, he's trying so fucking hard, to say anything, but the words have dried up.
All Eddie can think about is the lack of anything worthwhile waiting for him out in the big, scary world. He's missing the pinky on his left hand, and the corresponding elbow has been chewed to bits. Even through the opioids, he's aware of an odd, sharp tingling that screams nerve damage. He knows that he'll never play again, and if he does it will never be worth anything to anyone. He's not going to graduate, which is the one thing Wayne always wanted for him. The one thing that has always kept him going despite how much the world has tried to bury his head in the sand has been taken from him, his excitement to get out into the world.
When Eddie looks out the window in his hospital room, all he can think about is how badly it wants to swallow him up and spit him back out.
Dustin has to be dragged out of the room by Steve and Robin as Eddie's silence seems to make him hysterical. He's screaming at Eddie, mad and desperate and sad.
Eddie doesn't see him for a week. When he comes back he's sheepish but determined, carrying a load of books under his arm. Eddie still won't say a word, but Dustin sits by his bedside and reads out loud until his voice is hoarse. Tolkien, Le Guin, Pratchett. He ends every visit by taking his hand, squeezing it tight, and telling him he's glad he's alive. Eddie can't agree with him, but he's grateful that doesn't stop him from saying it.
Wayne is faithfully by his bedside. He doesn't say much, content in Eddie's silence the same way he was in the midst of his endless chatter. He holds his hand, brushes his hair, turns the TV to all his favorite channels, and settles in for the long haul the same way he always has. Eddie doesn't know what he would do without him.
The rest of the monster fighting crew are in and out. Steve is there the most, standing in a corner with his arms crossed near the door during Dustin's visits. He never says much, but Eddie thinks Steve might understand him the best. He thinks back to those moments in the Upside Down.
"Don't be cute"
"Please be safe"
"we are noooot heroes"
"We'll try our best"
"Steve...make him pay"
"I'm scared, but I'll keep him safe"
When Steve looks his way, it feels like someone is hearing him, hearing how loudly he's screaming in his head.
He's in the hospital for five months and not once during that time does he breathe a single word. He feels hollowed out in a way that's foreign to him, like a great void has taken the place of organs, veins, and muscles and left him cold and stiff.
When he gets home, a new but almost identical trailer sitting in the same plot as the last one, he's far from better. He's weak, and sore, and tired to the bone. Wayne has to go back to work, no two ways about it, so Eddie spends his days wasting away on the couch. Dustin is back at school, leaving long stretches of time where Eddie is alone with his void and the sound of him screaming into it, so he turns to his books.
Except there are only so many books in his possession and even if he wanted to leave his house, a feat that seems insurmountable in his current condition, he still can't walk more than the length of the trailer without feeling like he's going to collapse. So, he turns to his notebooks.
At first, it's just reems and reems of sloppy-looking screams. He tries to make them as loud and angry looking as the voice in his head. His hand aches, weak from damage and disuse, but when he's done his throat feels just a little looser. Like maybe that void just got a little smaller.
That's how Steve finds him, sitting on the couch huffing like he just ran a marathon, surrounded by pages and pages of frantic writing. He's been coming by once a day, usually for an hour or two after work, to sit with Eddie and hang out. Eddie is pretty sure Wayne asked him to, but he honestly doesn't care. Steve is a little more chatty in the confines of the trailer when it's just the two of them, and Eddie craves the presence of someone who gets it. Gets him.
Steve takes in the scene, gives a low whistle, and asks if Eddie feels a little better getting that all out. Eddie still can't talk, kind of hoped for a moment there that he would, but when all he does is nod Steve still gives him that annoyingly charming smile and a firm pat on the back with a wide, warm hand.
And, well, Eddie doesn't think he's ok, but for the first time in a long time, he thinks maybe he will be.
After that, it's like something is unlocked. He spends almost all day every day writing away in his notebooks. They used to be for songs and campaigns, but even the thought of music and DnD makes him feel like he's going to be sick, so instead he writes stories.
Eddie has always loved to spin a tale. As a child, his mom would make up stories of knights and princesses, bards and bakers, peasants and children, love and life. When she died, Eddie wrote as many as he could remember in a book that sits proudly on his shelf. He can't bring himself to crack it open, crack himself open, when he's already so vulnerable, but the act of building a narrative makes him feel closer to her.
He writes stories about a young alchemist falling in love in a foreign land. A scribe reluctantly taking up with a rouge knight until she reaches a more accepting kingdom. A princess working to expose the ugly underbelly of her village.
A handsome prince abdicating the throne to fight on the side of the rebels.
A disgraced bard finding his way home.
Day by day, page by page, the void gets smaller.
The first person he shares his writing with is Dustin. The younger boy spends all Saturday at the trailer with Eddie, chattering away about Suzey, the Party, school, and all the things a kid his age should be worried about. He never asks what he's writing, which probably means Steve warned him not to, which Eddie can't help but appreciate.
Eddie wordlessly hands him a notebook. The one he's been filling for the better part of the last two weeks. Dustin takes it with eager hands, flipping through pages until his eyes are clouded with tears and he's flinging himself into Eddie's side.
It's about two brothers, separated at birth but brought together by a mutual cause. They adventure across the kingdom, seeking the knowledge that will end the brutal war ravaging their homeland. In the end, the eldest must sacrifice himself for the other, but the youngest defies fate to save him. It ends with the eldest, unable to live the life he once thought he would lead, thanking his brother for fighting for him when he wasn't brave enough to do it himself.
He lets Dustin take that one home with him.
Ultimately, it's Steve that gets him to speak.
He doesn't try, never seems bothered by Eddie's lack of voice, content to pass notes and relish in the silent company.
Eddie hands him their story, the one about a handsome prince and a voiceless bard, and for the first time since he woke up is met with that terrible smile. The one that isn't a smile at all, but an apology. While Eddie and Max may have come out the worst, no one came out of the years of interdimensional terror unscathed, especially not Steve.
He explains that since last summer, his ability to read has deteriorated steadily. The doctors aren't sure exactly what the cause is, but they assume the continued damage to his head has damaged the centers of the brain dedicated to reading and writing.
But Edddie needs him to read this, needs him to know this. Because this is the only way Eddie can think to confess. Writing has become so much of who he is since he left that hospital bed, and he wants more than anything to offer it to Steve.
When he speaks, it's rough. Scratchy and almost incomprehensible but when he chances a look up Steve is giving him his undivided attention. It takes him all day, stopping and starting and getting water and fighting off the pull of the void. The only thing that keeps him going is the stars he sees in Steve's eyes.
When he's done, there's no room for the silence to build back up because Steve is cupping his face in his wide, warm palms and telling him how much he loves him, too.
In the end, Eddie never regains his voice entirely. He goes days, sometimes weeks without saying a word. A year in, when they've all accepted that Eddie will never be the same as he was, Robin invests in a handful of ASL books and drills them all in sign language until their fingers cramp.
Two years in, Steve and Eddie watch as the kids walk across the stage, all six of them flipping Principle Higgins the bird as they accept their diplomas. Eddie cheers so loud his throat aches the next day, telling them how proud he is of them even as their parents tell them off.
The year after that, Nancy confiscates one of his books and sends it to her friend in publishing, mailing him a generous publishing offer and a heartfelt letter that makes him cry. Steve holds him tight as they call Nancy to work out the details, his boyfriend talking into the phone for him as Eddie signs frantically.
Five and a half years after Eddie survived, Eddie's first book opens like this:
To the love of my life
Who hears me in my silence
And to myself
For filling the void with words
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The funny thing about the PJO cabin system is that everyone's always all 'oh the twelve' this and 'the twelve' that but that's absolutely not even remotely accurate. To start, right off the bat it's thirteen, not twelve, because they don't count Hades. But not really because before Percy, there were no big three kids, so we're down to ten active cabins already but it's actually eight because Artemis and Hera don't make demigods.
And of those eight, Mr. D is stuck at camp (thus not really making new demigods all that often) and his only two kids don't even sleep in a cabin, they sleep in the Big House with him.
So, pre-Percy, there are seven active cabins at Camp Half-Blood:
Glee club, the Jocks, the Nerds, the Geeks, the Farmers, the 'Sketchy Kids' and the Popular Kids.
Or, in other words, the Apollo, Ares, Athena, Hephaestus, Demeter, Hermes (and the unclaimed kids) and Aphrodite cabins.
What's cool is that you can already see the cabin dynamics in the show. For example, the Athena cabin allies with the Hermes cabin for the numbers. The Hermes kids plus all the unclaimed kids? It's the biggest cabin in the camp by far. It's a battle strategy. Luke and Annabeth's close relationship is just the cherry on top for Annabeth. It'll be really cool to see how the show develops the differences in the cabins during the series.
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xiewho · 1 year ago
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no time to celebrate
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shizunitis · 5 months ago
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okay, if there's no shen yuan, then binghe becomes a violent and miserable asshole. but if there's no binghe, what happens to shen yuan?
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pixlatedvampire · 6 days ago
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i killed myself with a phonograph like 6 times in a row.
perfect game no notes 🫶💗✨
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dorkicon · 8 months ago
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well. i dont have much. but i do have a quintesson team up au that lives in my head. that has to count for something right.
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ghxstshxrk · 1 month ago
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alexa play losing my religion by R.E.M.
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greenheartart · 9 days ago
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Because this is absolutely the kind of petty rules-lawyering thing Rus would do.
Painted over this because I couldn't unsee it.
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sen-ya · 2 months ago
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like a lithograph | intensive outpatient program
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