#dennis comics
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nightwing psa dont vape fear toxin and dont get your super friends on toxic fumes and dont throw up on my brand new gloves you ruined the circuitry timmy
#dc#young just us#tim drake#dick grayson#idk man#shitposting whips and nae naes#''haters gonna hate drakes gonna vape'' insightful addition from the team#dennis doodles#dennis comics#yj98
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ahh
#experiencing Feelings in this dennys parking lot tonight#is this considered poetry#fursona#lotus art#original art#comic#poetry#artists on tumblr
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Bashes them all with a comically large hammer
#thx for the love on my last little comic. have another#um idk thinking about how they act in this au…..#see they still bully Dean because of course they do#but it’s for all the opposite reasons they make fun of Dee in canon#because although Dean is practically identical#now that he’s a dude they call him small and too girly or whatever#like a weak little bird#and Mac fuckinnnn#she’s not like other girls#genderbent sunny#its always sunny in philadelphia#iasip#dennis reynolds#mac mcdonald#dee reynolds#my art
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These two never showed up in each other’s comics beyond sometimes sharing a cover which is all fine and well; personally I’m not a big fan of crossovers and multiverses and I like that they have their own individual shit going on, but also. But also. They’d be super fun together.
#my good boys#not a braincell between them but they'll still save the day#it'll probably happen on accident#but no one needs to know that#plastic man#the spirit#patrick eel o'brian#denny colt#golden age comics
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insider info
#iasip#iasip fanart#dennis reynolds#sorry this is not like a regular comic at all#weird diary comic idk~~~~~#it just amuses me#the difference between talking about sunny with cishet dudes vs queers#machinegoods#edit: i forgot to say the bf seems totally fine in reality lol
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Beautiful goat sounds
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some sketches of my guy
#original character#angel oc#monster boy oc#wings#winged oc#for those curious he is the main character of this serial comic i have planned after my short film and one shots are#finished called “Mayflies”#Basically its a slice of life/fantasy comic about a world where “angels” are these huge insectoid-like entities that exist in a symbiotic#relationship with humans#They spend the majority of their life cycles in a juvenile state similar to mayflies#where they inhabit the bodies of dead humans#so every once and awhile when someone dies they will come back as an angel spontaneously. Denny was walking to work one day in the#dark and rain and got hit by a car. lucky for him#an adult angel appeared at that moment and triggered the angeldeath and he Came Back#hes like the same guy though angels dont have a separate conciousness from their host. its like#he is the angel. like a lichen. from his POV he can't tell that anything's changed inside his brain only now. he feathers#so yeah. i love him#side note#he has a GNC boyfriend named Ruth#mayflies
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drawing a frame from every episode of it’s always sunny season 2 episode 3: dennis and dee go on welfare
#aka trash twins get addicted to crack#iasip#iasip fanart#its always sunny in philadelphia#sunnyblr#fanart#artists on tumblr#dennis reynolds#iasip dennis#glenn howerton#dee reynolds#iasip dee#sweet dee#kaitlin olson#pixel art#comic art#my art#s2e3#trash twins
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1979's The Comics Journal #50 cover by artist Dennis Fujitake.
#the comics journal#Dennis Fujitake#x men#uncanny xmen#70's#70s#1970s#late 70s#disco era#chris claremont#john byrne#terry austin#dave cockrum#roger stern#great run#children of the atom#phoenix#cyclops#wolverine#magneto#colossus#storm#nightcrawler#banshee#havok#jean grey#scott summers#logan#alex summers#piotr rasputin
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really really enjoying arc-v's cast
#yugioh arc v#yuya sakaki#sylvio sawatari#shingo sawatari#celina#serena#dennis macfield#shay obsidian#shun kurosaki#reiji akaba#declan akaba#gong strong#noboru gongenzaka#the lancers#and also riley and moon shadow are here too I KEPT HAVIGN TO EXTEND THE CANVAS THIS SHOW HAS SO MANY CHARACTERS#ygoart#dana art#redraws inspired by the classic tails gets trolled troll slaiers panel and @/joeobligations' extremely good beast*rs comic#and also some whispr i found on pnterest. i know im right btw on that one
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the Spirit by Neal Adams, with Inks and Colors by Richard Corben.
#Neal Adams#Richard Corben#the Spirit#Denny Colt#Master Class#PinUp Process#Process#Comics#Art#Illustration
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dads and their inability to remember your friends' names
bonus:
#dc#robin#batman#stephanie brown#dick grayson#jason todd#tim drake#damian wayne#barbara gordon#duke thomas#based off my dad listening to my robin rant and proceeding to butcher everyone's names#very sincerely and confidently saying pablo#followed up by fabian#dennis doodles#dennis comics
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SLAMS FIST ON TABLE. NOBODY CAN STOP ME!!!!
(Noel is a Fisher, Oscar a Scottish Fold cat and The Butcher a Jack Russel Terrier.. bc they hunt rabbits)
#malevolent#malevolent fanart#oscar malevolent#detective noel#the butcher malevolent#dennis collins#these are just the designs. yall aint ready for the comics im gonna start pumping out#out of the designs so far i have to say this particular sheet is my least favorite bc its the least visually interesting to me#but i still really like the designs!#the butcher's could be tweaked so could noel's#but oscar is perfect hes my sunshine child#also these aren't size accurate. if i made a height chart noel would be the second tallest after parker#and fun fact! noel and parker are both mustelids because iiii thought noel WAS parker for the longest time#(aka a week)
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tw // smoking 🚭
at least I’m pretty (1/?)
I wanted to challenge myself and try comic format/dialogue stuff 😮💨 anyway they were roommates,,,
⭐️ support me on ko-fi ⭐️
#macdennis#macden#mac iasip#mac mcdonald#dennis iasip#dennis reynolds#iasip#it’s always sunny in philadelphia#it’s always sunny#illustration#comic#iasip genderbent#iasip au#support me on kofi#kofi#mac x dennis#tw // smoking#smoking#my art#digital art#procreate#comic art
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Introduction to Batman: A Lonely Place of Dying, April 1990
Introduction by Dennis O'Neil for Batman: A Lonely Place of Dying (1990 collected edition)
Transcription below the cut/readmore.
INTRODUCTION by DENNIS O'NEIL
Robin was gone. We needed a new Boy Wonder. There had been two previous Robins. The original first appeared less than a year after a new costumed hero called Batman made his debut in DETECTIVE COMICS #27, to instant success. Some time within the next eleven months, his creators, artist Bob Kane and his writer-collaborator Bill Finger, decided to give their dark, obsessed hero a kind of surrogate son, Robin, who was hailed on the cover of DETECTIVE #36 as “the sensational character-find of 1940—Robin, The Boy Wonder.” Over the next 40 years, Batman’s fortunes varied: always, however, Robin was at Batman’s side.
He served a couple of functions. If Batman were real (and it may shock some of our more avid readers to learn he isn’t), and if he were the grim, obsessed loner he is often portrayed as, Robin, with some help from Batman's faithful butler Alfred, would keep him sane; a man whose every waking hour is focused on the grimmest aspects of society, who is unable to release the effects of seeing his parents murdered, whose life is an amalgam of sudden violence and lonely vigilance, would soon skew into a nasty insanity if he did not have someone to care for, someone to maintain a link with common humanity. But Batman is, of course, not real. (My apologies to avid readers.) He isn’t exactly a fictional character—more on that shortly—but he does not and could not exist as a living, breathing human being. That doesn’t make Robin any less useful: he serves the same functions in the Batman stories as Watson served in the Sherlock Holmes canon and the gravedigger serves in Hamlet: like Holmes’s faithful doctor, Robin is a sounding board, a person with whom the hero can have dialogues and thus let the reader know how brilliantly he’s handling matters and like the gravedigger, he occasionally provides a bright note in an otherwise relentlessly morose narrative.
Which is why I was a trifle uneasy when we—the editorial staff of DC Comics—decided to let our audience decide whether he would live or die. It came to be known in our offices as the “telephone stunt.” We had a character, Robin, the readers didn’t seem terribly fond of. This wasn’t the original Robin, the “character-find of 1940”; that Robin was Dick Grayson and he had graduated from sidekick to bona fide hero who fronted a group of evil-fighting adolescents, The Teen Titans. In 1983, it was decreed that Robin should grow up and assume a crime-fighting identity of his own—become his own man, as befitted the leader of the mighty Titans. He left Batman’s world to assume the name, costume, and persona of Nightwing. Gerry Conway and Don Newton replaced him with a second Robin, Jason Todd, whose biography was virtually identical to that of Dick Grayson. Why not? Gerry and Don were not trying to innovate, they were simply filling a void. The assignment they were given was simple: Provide another Robin. Quickly and with as little fuss as possible.
In 1986, Max Allan Collins inherited the Batman writing assignment and told his editor he had an idea for an improved Jason Todd. Make him a street kid, Collins said. Make his parents criminals. Have him and Batman on opposite sides at first. Sounded fine to the editor and, since DC was in the middle of a vast, company-wide overhaul of storylines anyway, Collins was told to go ahead. I was the editor; I did the telling. And I’d do it again, today. Collins’s Robin was dramatic, did have story potential. But readers didn’t take to him. I don't know now, and will probably never know why. Jason was accepted as long as he was a Dick Grayson clone, but when he acquired a distinct and, Collins and I still believe, more interesting backstory, their affection cooled. Maybe we—me and the writers who followed Collins—should have worked harder at making Jason likeable. Or maybe, I guessed, on some subconscious level our most loyal readers felt Jason was a usurper. For whatever reason, Jason was not the favorite Dick had been. He wasn’t hated, exactly, but he wasn’t loved, either. Should we write him out of the continuity? It didn’t seem like a bad idea, and when we thought of the experiment that became the telephone stunt, Jason seemed the perfect subject for it. The mechanics were pretty simple: we put Jason in an explosion and gave the readers two telephone numbers they could call, the first to vote that Jason would survive the blast, the second to vote that he wouldn't.
It was successful—oh my, yes. We expected to generate some interest, but not the amount or intensity we got. As soon as the final vote was tallied—5271 for Jasons survival, a deciding 5343 against—the calls began. For most of three days, I talked to journalists, disc jockeys, television reporters. We got a lot of compliments. They ranged from a critic’s liking our stunt to the participatory drama of avant garde theater to the brilliant comedy team of Penn and Teller expressing mock envy that we beat them to “the kill-your-partner-900-number scam.” But then came the backlash, ugly and, to me at least, totally unexpected: one reporter claimed that the whole event had been rigged—that, in fact, we had decided on Jason’s demise ahead of time and staged an elaborate charade; a teary grandmother said that her grandchildren loved Jason and now we’d killed him; several colleagues accused us of turning our magazines into a “Roman circus.” Cynical was a word used. And exploitive. Sleazy. Dishonorable. Wait a minute, I wanted to reply. Jason Todd is just a phantom, a figment of several imaginations. No real kid died. No real anything died. It’s all just stories—
I would have been wrong. Batman, and Superman, and Wonder Woman and their supporting casts are quite a bit more than “just stories” if, by “stories,” we mean ephemeral amusements. They’ve been in continuous magazine publication for a half-century, and they’ve been in movies, and television shows, and in novels, and on cereal boxes and T-shirts and underwear and candy bars and yo-yos and games—thousands of ventures. For fifty years. Fifty years! Although the circulation of our magazines is relatively modest, these characters have been so enduring, so pervasive, they have permeated our collective consciousness. Everybody recognizes them. They are our post-industrial folklore and, as such, they mean much more to people than a few minutes’ idle amusement. They’re part of the psychic family. The public and apparently callous slaying of one of their number was, to some, a vicious attack on the special part of their souls that needs awe, magic, heroism.
We had promised to abide by the telephone poll, and we would. But within a few days, it became apparent that we’d have to begin growing another Robin. We had forgotten that Batman exists outside the pages of our comics, is not the exclusive property of DC’s editorial staff; because he is both popular and imperishable, hundreds of others have some legitimate interest in him (not the least of whom are the readers who, for one reason or another, had missed the voting.) Our medium may have kept him alive, but others have added immeasurably to his success. When we began hearing from them, the consensus was that a Batman without a Robin wasn't quite a Batman. I wasn’t surprised. Nor did I disagree, particularly. So our problem became: how to create Robin III without generating the hostility that plagued poor Jason. Dick Grayson was the answer. If, as we thought, readers felt Jason had somehow usurped Dick’s place, then we should link the new Robin to Dick—give Robin III his predecessor’s stamp of approval. One writer had done almost all of the Dick Grayson material DC had published for a decade: Marv Wolfman, co-creator (with George Pérez) of the New Teen Titans. That made Mary the first, and really only, choice to undertake the task of giving Batman a new helper. And if we were using Marv, why not have some of the story happen in the pages of THE NEW TITANS, which he was already writing, and thus be able to take advantage of the very considerable talents of Marv's collaborator on the Titans, George Pérez? George volunteered to co-plot the story with Mary and do layouts on the TITANS episodes, and editor Mike Carlin enlisted Tom Grummett and Bob McLeod to complete George's graphics work. I asked the regular BATMAN artists, Jim Aparo and Mike DeCarlo, to handle the BATMAN issues. Finally, we chose a name for Robin III—Tim Drake—and, after a couple of editorial conferences, six gifted gentlemen retired to do what they do best.
The result seemed worthy of being collected between one set of covers, to be read as a graphic novel. We decided to do that and you’re holding the result. I hope you enjoy it. But please don’t think it’s the end of the Robin III saga. Dick Grayson’s lasted 50 years, after all, and Tim Drake does have his blessing.
Dennis O’Neil
April 1990
#scanned so you can read & interpret for yourself (sorry for the page quality this book is 30+ years old now...still a great intro though)#tim drake#dick grayson#jason todd#batman#robin#batfam#i particularly like the part abt the heroes being psychic family/post-industrial folklore. agree. tho the jason stuff is a little agonizing#'i dunno why he was so unlikeable' meanwhile jim starlin interviews are like 'I wrote him unlikeable on purpose so they'd let me kill him'#not that jim starlin is the only reason some readers hated jason but it's like. c'mon...having writers who hate robin is certainly a factor#bonds: I knew it was you#batman: a lonely place of dying#dc comics#dennis o'neil#heroesriseandfall
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Desperate measure
#artists on tumblr#webcomic#webtoon#original characters#comic page#percy#dennis#sad under pink tones
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