PARAsocial relationship
Miss Anna became the sensation of the Gamble Galaxy almost overnight. Young idol quickly climbed the career ladder, sparing neither herself nor others. Nevertheless, in public she manages to maintain a squeaky clean reputation, hiding her full name - SusANNA Patria Haltmann 2.0
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▲ After his daughter died during a test of the Star Dream interdimensional protocol, Mr. Haltmann was getting closer and closer to the edge. For years, he had been making the same wish on a clockwork star again and again: to bring his girl back to life. But the mechanism remained stationary. Max saw the glass eyes on that damn cat-like metal face open in response to his request, but beyond that, nothing happened. This worthless machine couldn't even fix the tragedy it caused. Instead of bringing mother back into their family, it took away the last thing he had. Mr. Haltmann's condition was already far from stable, when he made a decision: "If magic doesn't help me, then science will" in one of his last attempts to cling to elusive memories
▲ HWC had patents for the cloning technology for some time, although it needed improvement, it was quite capable of recreating the a little girl`s body. However, Mr. Haltmann was gone to far to understand that the clone will be *LIKE* his daughter, but will not *BE* her. He was going to put all the memories of the original into it, of course it had to be her!
▲ The clone turned out to be an immediate disappointment - the hair had the wrong color, the mannerisms are slightly different from those that he is used to. Despite the fact that the girl was just organically developing on the basis of those given memories. But she wasn't good enough for Mr. Haltmann, even when he had almost completely forgotten his daughter due to prolonged exposure to the Mother's Computer. Susanna 2.0 was shelved as a failed project. Max didn't even flinch when it turned out that she had cut off all her ties with HWC and disappeared
▲ Anna has exactly the same data as Susie: starting from vocals and ending with some sadistic tendencies. Which, in the process of her growing up, only worsened due to an acquired inferiority complex, expressed in her absolute hatred of Susie. She identifies all her problems with Susie, projecting very, very hard
▲ When Mr. Haltmann was alive, Anna blamed him for everything (which is deserved), but when she learned that Max Profit Haltmann had died somewhere on the outskirts of the galaxy, and his miraculously-turned-out-to-be-alive daughter took the CEO place... Anna will make sure, this isn't for long.
▲ She felt strange. This man didn't care about her at all. So why then are her eyes burning and she wants to burst into tears?
▲ "Do you know what it's like to remember something and know that these memories aren`t yours? To look in the mirror and see someone you hate?"
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I think Orym is a fascinating character in a way that is often underappreciated, because he is fundamentally a soldier, he was trained as a soldier, and that's... not a bad thing? It has no moral indication, and certainly doesn't imply that Orym is going dark. In fact, in the current circumstances, Orym acting as a soldier is very important and may actually get them through this in one piece.
I do feel that this aspect of his character is frequently approached in the fandom as an afterthought or even swept under the rug, or flat out viewed as a flaw to be overcome (especially given the overall landscape of military conflict in the real world), but being a trained soldier is not inherently indicative of specific morality or ideology. I think it's a judgment that also gets levied against paladins, because, much like any organized forces in fantasy are equated with modern militaries, fantasy worship is equated with Christianity (sometimes in the guise of 'organized religion' with all of its problematic connotations). It's incredibly black and white, and it doesn't fundamentally make sense in much of Exandria, but in this case especially.
You cannot fundamentally map the Tempest Blades onto any real life military, because the task of the Tempest, and Ashari culture as a whole, is protection against both extraplanar threats and also the malicious or misguided intentions of those on the Material Plane trying to fuck with the elemental planes. This is distinctly different even in universe from, for instance, Caleb, who was trained as an assassin in the name of nationalism, or Yasha, who was trained to be a leader in the name of tribalism.
And these two threats that the Ashari are tasked with resisting are both frequent, credible, and existential! Failing at this task is liable to have major sweeping repercussions for the rest of Exandria! It is highly probable that a soldier with Orym's training is expected to need to make incredibly difficult decisions in defense of the common good at more than one point in their life—decisions that would make every person who laughs at the premise of the trolley problem shit their pants.
And crucially, Orym wants his friends to get out of this. He has in fact already promised his entire life to ensure that they do, because he also fundamentally needs them to be able to do what they came for, without hesitation, because the singular mandate that he has devoted himself to is protecting the Material Realm from extraplanar threats, and regardless of the fact that the rest of them do not have the same training, that is also the task that the Hells have chosen.
If Nana Morri can get the Hells out in one piece, regardless of what choices they make, then their personal risk doesn't matter. I imagine that Orym isn't going to tell them that, because given the scope of the threat, there's not necessarily a guarantee that Morri can make that happen, so the rest of the Hells have to make the choice themselves to take the risk and trust that the others have their backs. And in the end, if Orym has to live with that no matter which way fate plays out, he will. He's already had plenty of practice.
They're at war, and that's how soldiers operate. Because when they're behind enemy lines, it's the only way missions get completed and they have a chance of making it back alive.
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little things in The Menu (2022) that I liked:
it ends with the sound of Chef Slowik Making The Clap (tm)
chasers rewarding that guy in hen house with an Egg Dish
Margot making The Entrance with the barrel
entire dynamic between Elsa and that one finance bro (who cheated on his gf Amber, that one)
"Can we have bread?" "No" exchange
Erin wiping her lips with the menu from the gift bag :)
sommelier having a laugh when he saw The Owner in angel wings
(also love how he's body language had a little bit of twirl when he was spilling wine during the dessert scene)
"Do you have student loans?" "No" "Then you die"
the reveal of why Chef Slowik invited that Actor dude (lmaooooo)
Lillian (the food critic) asking who wants more wine and all women immediately jumping on that train 'cause things got awkward and they need to change the topic skskhkjl
"I stole money from you" "I know" " I know you know" exchange
The Wife urging Margot to leave with hand gesture
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