#covid-19 situation
Explore tagged Tumblr posts
serana666 · 4 months ago
Text
Starting September 23, 2024, U.S. households are eligible to order 4 free COVID-19 tests at
www.COVIDTests.gov
The COVID-19 tests will detect current COVID-19 variants and can be used through the end of the year.
3K notes · View notes
ifwebefriends · 3 months ago
Text
Y’all I actually can’t remember if COVID-19 is canon in the Sherlock and Co universe
31 notes · View notes
arctic-hands · 10 months ago
Text
I spent FOUR DAYS in an E.R bed because there were NO beds open anywhere in the hospital proper. I get discharged after a week of being dangerously dehydrated despite the constant heavy duty electrolytes being pumped into my veins round the clock and in the third worst pain of my life, only to watch on the news at home a report about the days-long wait times in hospitals and hear that the reporters have the audacity to wonder why hospitals are overcrowded again
It's covid. Stop being wilful idiots
8 notes · View notes
desolatehands · 8 months ago
Text
Hi! I hate to have to make a post like this, but I am in some need of assistance. I'm a disabled individual living on VERY limited income and most of my income has been going towards moving expenses as I am leaving this current housing situation in two months. I have already spent most of my paycheck on mailing off valuables to my next location. The next step is to get my furbaby the things he needs to travel comfortably with me.
The goal is to have him with me in the cabin to help not only him, but myself too with my anxiety. It's difficult traveling alone as an autistic individual, so my cat is my best bet in keeping cool without turning to opiates as a one day prescription.
Here is the amazon list, if anyone feels like helping.
And here are a couple photos of Steven hard as a rock Stone. He's a very sweet and loving cat. But, I am in a very poor state financially.
Tumblr media Tumblr media
My roommate is not the best and has 'forgotten' about the cash I have given her to purchase specific things for the cats in the house. Instead using that money to buy cigarettes.
While I don't feel comfortable talking about too many details, I can comfortably say I live with a hoarder, that I am blamed for things out of my control ( like the bills she should be paying w my rent ), so on and so forth.
I'm incredibly sorry to ask for this help, but my hands are kind of tied. It's been insanely difficult to get out of an abusive situation while being disabled.
4 notes · View notes
dreamly · 1 year ago
Text
i agree with a lot of music fans and journalists/critics/artists that “lockdown”/“pandemic”/“quarantine” albums usually aren’t great and also don’t do very well, but i do think there is one truly incredible (at least in quality i haven’t looked at numbers and tbh i don’t really care) and maybe not the most obvious exception (well maybe it is obvious but i don’t see this album talked about a lot since like the month it came out and i don’t think i’ve seen it talked about in the conversations about art inspired by covid-19/lockdowns). anyway can we play a little game where you guys guess what album it is (this might help me find more good music or at least music you think i’d like as well as be [hopefully] fun!)
#i would also exclude folklore/evermore and unreal unearth from that statement not just bc i think they’re great but mostly bc i wouldn’t#call them ‘pandemic’ albums#like obviously folklore and evermore were made during that time but only two songs on folklore reference the pandemic/lockdown/isolation and#it’s sort of referenced in the sound in that both of those albums are generally quieter for taylor and that might reflect the actual#emotions of isolation and loneliness but i don’t think the sound necessarily reflects/refers to the actual material conditions of#lockdown or covid-19#rather folklore/evermore contain just a few lyrical and sonic references to the emotions caused by that situation but again. not as many as#there were initially perceived to be#side note i think actually the most ‘lockdown’ song on folklore or evermore is mirrorball#and i think the reason mirrorball works so well is that despite the fact that both the overall concept of the song and the lyrical content#seem to directly reference covid-19 lockdowns and closures#it (mirrorball) is still extremely relatable#and i think what’s absolutely true about the album i’m referring to in the actual text of the post#is that it is at least mostly very relatable for most people (although probably for women in particular)#and actually i would say that the album im talking about has very similar themes and concepts to mirrorball but translates and expands upon#them into the form of an entire album#ok very long side note over. in terms of unreal unearth not being a lockdown album it’s true that andrew has literally said it’s not one#but also there aren’t even any small lyrical sonic or conceptual references to the pandemic like i mentioned there are a few on folklore#and evermore.#i did watch an interview where andrew says there /might/ be one lyrical reference but i can’t find it (message me if you know what he meant)#i would call unreal unearth something that i think andrew is understandably hesitant to refer to it as#and that is a breakup album#and i think the reasons he’s hesitant to call it that is that sometimes when people say a piece of media is about a breakup they use that to#reduce both the emotions and experiences covered in the work and the quality of the work#but i also think that in music specifically breakup albums are often (not always. often) a seminal important and iconic moment in a career#and are in many cases considered by many to be the best or at least the most iconic albums by an artist#examples of that include Rumours and even Red#congrats if you read all these tags you’re a real champ#i have so much to say about this topic and topics related to it sorry!#love ya and please take a guess
11 notes · View notes
tweedfrog · 1 year ago
Text
Ok gang how do you tell someone you love them and miss them and want to talk to them more in a way that isn't clingy or desperate :')
2 notes · View notes
spookysalem13 · 1 year ago
Text
Tumblr media
My close long distance friend, calls me Panda 🐼, this completely looks like me in a GIF haha 😄!
This is my energy right now. I'm still stuck in bed with covid-19, being immune compromised, my body is having a rough time fighting off this virus.
My chronic migraines are really bad today. I'm laying in the dark with ice on my head 🫠.
I laid down today expecting to take a thirty minute nap. When I wound up sleeping 💤 for 4 hours 🙃!
Today is not my best day. But I'm going to make the best out of it.
I have my friend texting me, keeping me company. I have my kitty 😺 who has been very cuddly today. ☺️ However her screams are a bit much for my migraine today 😅. I don't know why she likes to scream bloody murder as she talks to you... I have a weird cat. She's very loud!
I have my electric heated blanket, I'm comfortable in bed. I have social media to keep me entertained. My friend may go on Tiktok live later tonight, so I'll be able to watch and talk to him there.
I have yummy soup, all I have to do is heat it up when I'm ready to eat.
My parents are being very kind and are coming in to regularly check on me. 🥰
It may be another uncomfortable day. But I'm not mad about it. My body is taking the time it needs to get over this virus 🦠. And I hope soon I will be back at work.
I hope to do more of these daily GIF life updates.
5 notes · View notes
fredhugesfan · 11 months ago
Text
Wed. 8/31/2022
Currently, I find it difficult to concentrate and focus on tasks, even if they're not particularly significant. I wonder if this struggle stems from the influence of Social Media™ on my attention span, or if it could be related to an undiagnosed mental illness like ADHD, or perhaps it's due to insufficient sleep, or some other factor I'm unaware of. Being constantly attached to my phone certainly doesn't aid the situation; it feels like my only refuge at times. My current situation, living without a job and in a remote location, exacerbates these feelings. Access to transportation is limited, relying heavily on others for mobility as there are no nearby buses. Utilizing Lyft or Uber proves costly for simple errands like going to Walmart or Target, easily amounting to $20 to $30 per trip. While I share living space with two others, their leisure activities tend to be sedentary, revolving around screen time, walks, and puzzles. Though I understand the need for caution due to COVID-19 and rising gas prices, it doesn't alleviate the sense of stagnation. However, there's a glimmer of hope on the horizon; I'll be relocating to Arizona around October, where I anticipate better accessibility with public transportation and amenities within walking distance. Despite this prospect, I remain uncertain about fully committing to the move, as I hold no aversion to living in Minnesota or Washington State.
0 notes
pandemic-info · 5 months ago
Text
"Any chance we're wrong about Covid?"
It's a valid question many people earnestly think about — even the very cautious.
'it becomes important to ask: "what does the data actually say?"'
Quoting a few good answers from a thread:
"Covid left me disabled in 2020. I know with 100% certainty that I am not wrong about Covid. I live with the proof every minute of every day for the rest of my life."
"The insurance companies and government statisticians care, or rather they have taken an objective interest." > https://fred.stlouisfed.org/series/LNU01074597 > https://insurancenewsnet.com/innarticle/insurance-industry-coalition-forms-non-profit-to-study-excess-mortality
"There are parallels between how governments are responding to COVID-19 and how they responded to tobacco back in the day. “it would be a mistake to assume governments would automatically protect people from a public health threat in the face of more immediate economic considerations…there would be resistance to change that might be costly until evidence to justify it was overwhelming.”" > https://johnsnowproject.org/insights/merchants-of-doubt/
"I suspect most of us entertain this thought from time to time, especially when it’s this absurdly difficult and lonely to maintain a Covid Conscious lifestyle. But it’s important to remember that history is littered with people making terrible choices en masse: with handling past pandemics, the holocaust, slavery, witch burnings, etc. Hell pretty much everyone used to smoke and putting lead in everything was A-ok. Just because a lot of people believe something doesn’t mean they’re right. So it becomes important to ask what does the data actually say? The research and the statistical data on this subject paint an ugly but fairly quantifiable picture by which we can gauge our understanding of the situation and our choices in response to it. Read the science. Look at the data on things like Long Covid. There are also many of us who have already had our health absolutely ravaged by this virus or lost loved ones to it etc., and everyone in that position has first hand evidence for how dangerous this virus is. It’s tremendously difficult to swim against the current like we are and self-doubt is natural in those conditions, but that’s when seeking out factual information on the subject is the best course of action."
"But what it all comes back to for me is - say we're wrong, and covid is a big nothingburger and lockdowns are the root of all evil. Ok, well, what I'm doing is acting on the best information available to me at this time to protect my family. I can't regret that. I will always be able to look my kids in the eye and say "I did my best with what I had."" ... So if we're wrong - well, we wore masks, changed our social habits, reduced our consumerism and our contribution to the destruction of our planet, and reduced how often we got sick. None of those things are bad. If they're wrong, they and their kids are screwed. I'd rather err on the side of caution.
858 notes · View notes
thewackypegasus · 2 months ago
Text
COVID-19 AU???? haven't we suffered enough? 😭
Human AU, Modern AU and Covid-19 have got to be all around the worst fucking AU tags you can see on any fanfiction
6 notes · View notes
reasonsforhope · 5 months ago
Text
"Millions of Australians just got official permission to ignore their bosses outside of working hours, thanks to a new law enshrining their "right to disconnect."
The law doesn't strictly prohibit employers from calling or messaging their workers after hours. But it does protect employees who "refuse to monitor, read or respond to contact or attempted contact outside their working hours, unless their refusal is unreasonable," according to the Fair Work Commission, Australia's workplace relations tribunal.
That includes outreach from their employer, as well as other people "if the contact or attempted contact is work-related."
The law, which passed in February, took effect on Monday [August 26, 2024] for most workers and will apply to small businesses of fewer than 15 people starting in August 2025. It adds Australia to a growing list of countries aiming to protect workers' free time.
"It's really about trying to bring back some work-life balance and make sure that people aren't racking up hours of unpaid overtime for checking emails and responding to things at a time when they're not being paid," said Sen. Murray Watt, Australia's minister for employment and workplace relations.
The law doesn't give employees a complete pass, however...
"If it was an emergency situation, of course people would expect an employee to respond to something like that," Watt said. "But if it's a run-of-the-mill thing … then they should wait till the next work day, so that people can actually enjoy their private lives, enjoy time with their family and their friends, play sport or whatever they want to do after hours, without feeling like they're chained to the desk at a time when they're not actually being paid, because that's just not fair."
Protections aim to address erosion of work-life balance
The law's supporters hope it will help solidify the boundary between the personal and the professional, which has become increasingly blurry with the rise of remote work since the COVID-19 pandemic.
A 2022 survey by the Centre for Future Work at the Australia Institute, a public policy think tank, found that seven out of 10 Australians performed work outside of scheduled working hours, with many reporting experiencing physical tiredness, stress and anxiety as a result.
The following year, the institute reported that Australians clocked an average of 281 hours of unpaid overtime in 2023. Valuing that labor at average wage rates, it estimated the average worker is losing the equivalent of nearly $7,500 U.S. dollars each year.
"This is particularly concerning when worker's share of national income remains at a historically low level, wage growth is not keeping up with inflation, and the cost of living is rising," it added.
The Australian Council of Trade Unions hailed the new law as a "cost-of-living win for working people," especially those in industries like teaching, community services and administrative work.
The right to disconnect, it said, will not only cut down on Australians' unpaid work hours but also address the "growing crisis of increasing mental health illness and injuries in modern workplaces."
"More money in your pocket, more time with your loved ones and more freedom to live your life — that's what the right to disconnect is all about," ACTU President Michele O’Neil said in a statement.
The 2022 Australia Institute survey... found broad support for a right to disconnect.
Only 9% of respondents said such a policy would not positively affect their lives. And the rest cited a slew of positive effects, from having more social and family time to improved mental health and job satisfaction. Thirty percent of respondents said it would enable them to be more productive during work hours.
Eurofound, the European Union agency for the improvement of living and working conditions, said in a 2023 study that workers at companies with a right to disconnect policy reported better work-life balance than those without — 92% versus 80%."
-via GoodGoodGood, August 26, 2024
594 notes · View notes
vanteguccir · 1 year ago
Text
Tumblr media Tumblr media
── ୨୧ ! 𝗦𝗧𝗔𝗥𝗩𝗘 𝗔𝗡𝗗 𝗗𝗜𝗘
        𝒄𝒉𝒓𝒊𝒔 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader
SUMMARY: When Nick and Matt test positive for covid and Chris has to go into lockdown to prevent catching the virus, who will look after them?
WARNING: Covid-19, sickness.
AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.
   ༻✦༺  ༻✧༺ ༻✦༺
Y/N sighed as she turned off her car, preparing herself for the long days ahead, not that it was a burden for her to take care of her boyfriend and best friends, almost brothers.
Matt and Nick tested positive for Covid-19 two days ago, and the first thing Chris did upon receiving their test results was send a quick text to Y/N saying that they both had the virus and that he and his brothers would have to be in lockdown for at least five days.
He sent many texts asking her to not worry, as his brothers' symptoms weren't much more than the flu, and that he was fine and would stay in his room so he wouldn't run the risk of catching the virus too, but who said she listened?
Y/N knew that Chris wouldn't have the patience to make healthy food at least three times a day for him and his brothers, and she knew how afraid he was of getting sick too. Y/N didn't have that worry, being a medical student and a resident at LA's main private hospital, she knew very well how to deal with all of this and wouldn't spare any energy when taking care of her family.
The girl was grateful that her boss had empathy and gave her a few days off work.
With that, Y/N prepared herself the day before, going to the nearest pharmacy to buy some boxes of covid tests and a new box of disposable masks, since the one she had at home was running low, and then went to Target, buying several healthy snacks, fruits, vegetables and chicken to make several soups and light food dishes, not intending to make anything heavy or fatty with fear of making the boys' situation worse.
Today, before leaving the house, Y/N prepared a backpack with a few extra changes of clothes, without overfilling it due to having more than enough of it at the triplets' house. Furthermore, she took a purse and put everything she would need: masks, tests, food and some medicines that are allowed during covid to alleviate some symptoms.
Before getting out of the driver's seat, Y/N grabbed the mask she had ready next to her, putting it on her face and finally getting out of the car. Y/N closed the door and opened the back seat, grabbing her backpack and purse, quickly locking the car and walking to the front door. The girl searched the pocket of her Fresh Love sweatpants, soon finding the spare key to her boyfriend's house.
After unlocking the door, she opened it carefully, not wanting to make too much noise, already knowing that one of the boys had a headache, if not all of them.
The girl walked to the kitchen and placed her things on the counter, before going back to the door to close and lock it.
Before Y/N started her first task, she walked to Chris's room, seeing the door closed. She knocked twice lightly, opening it slowly and seeing Chris under the covers staring at the ceiling, in the dark, with only the light from his TV illuminating the space, the girl held back a laugh knowing that her boyfriend was probably losing his mind for staying locked in his room alone for days.
Chris quickly raised his head with the sound, taking a few seconds to realize that Y/N was there, his eyes widening in surprise.
"Babe, what are you doing here?" He asked, getting up quickly and walking towards her, asking with his eyes if he could get closer and the girl rolled her eyes, nodding.
"I came to take care of you three idiots." She mumbled against the mask, closing her eyes momentarily as she felt Chris's arms around her, never wanting to let go.
"I told you not to worry, I had everything under control." Chris murmured, pulling away to look her in the eyes.
"Of course, so much so that you were lying there staring at the ceiling like it was the most interesting thing in the world." She let out a laugh when she heard Chris snort. "I'm sure you must be starving, when was the last time you ate some real food?" Y/N questioned, seeing Chris shrug.
"You talk as if I didn't show up at the hospital almost everyday with lunch for you." Chris snapped like a child, crossing his arms.
"Lunch that Nick made." She argued, laughing loudly when Chris huffed, frowning. "I'm kidding, baby, I love it when you show up at the hospital with lunch for me." Y/N said, approaching and planting a kiss on Chris's shoulder behind the mask.
"By the way, weren't you on duty today?" Chris asked, furrowing his eyebrows as he took his phone out of his hoodie pocket and double-clicked the screen, checking the date.
"I did, but I asked my boss for a few days off so I could take care of you and she gave it to me." Y/N said smiling big, and Chris couldn't help but smile back as he saw his girlfriend's eyes shrink from her happy expression, without being able to see her smile directly.
"Well, since you're already here, I think I'm a little hungry." Chris joked, running his hand over his belly and giving her a mischievous smile.
"Alright little kid, I'm going to cook you something and you're going to stay here in your room and look pretty." The girl said, pushing Chris lightly, blowing a kiss and closing the door behind her.
Y/N walked to the kitchen again, not containing her goofy smile.
     ༻﹡﹡﹡﹡﹡﹡﹡༺
Y/N lifted the lid of the pan, taking the wooden spoon and quickly tasting the chicken soup (here in Brazil we call it canja, and it works miracles when you're sick, and it's delicious), letting out a sound of pleasure for the flavor. She turned off the heat, taking three plates from the cupboard and the spoon, distributing the soup on each of the plates, sprinkling some leek on top before taking three spoons and placing them inside the plates.
The girl took three glasses and added fresh orange juice, which she made minutes before, and took two pills of the only headache medicine allowed during the virus.
Y/N opened one of the cabinets and took three trays, placing them side by side on the counter and arranging on top of each one the plate of soup, the glass of juice and the medicine pill.
She quickly grabbed the first tray and walked carefully to Matt's bedroom door, bending down and placing the tray on the floor before knocking on the door three times.
"Matt?"
"Y/N? What are you doing here?" Y/N heard Matt's voice, feeling in his voice the pain the boy was feeling.
"I came to take care of you three, I made some soup and juice, they're in here." She replied, hearing the boy move around inside the room before walking away and returning to the kitchen, hearing the sound of the door opening and closing a few minutes later.
Y/N took the second tray and walked to Nick's room, hearing his voice behind the door, assuming he was on a call with someone or recording a video. The girl bent down and placed the tray on the floor again, knocking firmly on the door to make sure Nick heard.
"What are you doing outside your room, Chris?" Nick shouted from inside the room, making the girl laugh. "Y/N?!" He asked in surprise before quickly opening the door and Y/N applauded herself for wearing the mask. "What are you doing here? Shouldn't you be working?" Nick asked, holding the camera in one of his hands, looking at her with a raised eyebrow.
"I took a few days off to take care of you three. And I made real food!" Y/N repeated the same sentence for the thousandth time, pointing to the tray, smiling when she saw the taller's eyes light up.
The boy bent down, picking up the tray with one of his hands and straightening up, raising the camera again and smiling wide at the lens.
"Guys, Y/N brought food for us, the hungry ones. Everyone say "thank you Y/N"." Nick spoke into the lens, smiling widely at the girl before closing the door after seeing her turn to go back to the kitchen.
Finally, the girl took the last tray and walked to the last room, her boyfriend's, where she would stay for the rest of the days, knowing that the boy was free of the virus.
"Honey? Open here for me, please." Y/N asked from behind the door, entering the room after Chris quickly opened it with a smile on his face, staring at the soup on the tray.
The girl let out a laugh, placing the tray on the boy's computer desk and sitting on his bed, pointing at the food.
"Bon appétit, my love."
"What would I do without you?" Chris asked, approaching the computer desk and sitting in the chair.
"Starve and die." She replied, laughing loudly behind her mask as she saw Chris shove a spoonful of soup into his mouth as he nodded quickly, without actually hearing her.
Tumblr media
958 notes · View notes
justinspoliticalcorner · 1 month ago
Text
Amy Maxmen at KFF Health News:
Keith Poulsen’s jaw dropped when farmers showed him images on their cellphones at the World Dairy Expo in Wisconsin in October. A livestock veterinarian at the University of Wisconsin, Poulsen had seen sick cows before, with their noses dripping and udders slack. But the scale of the farmers’ efforts to treat the sick cows stunned him. They showed videos of systems they built to hydrate hundreds of cattle at once. In 14-hour shifts, dairy workers pumped gallons of electrolyte-rich fluids into ailing cows through metal tubes inserted into the esophagus. “It was like watching a field hospital on an active battlefront treating hundreds of wounded soldiers,” he said. Nearly a year into the first outbreak of the bird flu among cattle, the virus shows no sign of slowing. The U.S. government failed to eliminate the virus on dairy farms when it was confined to a handful of states, by quickly identifying infected cows and taking measures to keep their infections from spreading. Now at least 875 herds across 16 states have tested positive.
Experts say they have lost faith in the government’s ability to contain the outbreak. “We are in a terrible situation and going into a worse situation,” said Angela Rasmussen, a virologist at the University of Saskatchewan in Canada. “I don’t know if the bird flu will become a pandemic, but if it does, we are screwed.” To understand how the bird flu got out of hand, KFF Health News interviewed nearly 70 government officials, farmers and farmworkers, and researchers with expertise in virology, pandemics, veterinary medicine, and more. Together with emails obtained from local health departments through public records requests, this investigation revealed key problems, including deference to the farm industry, eroded public health budgets, neglect for the safety of agriculture workers, and the sluggish pace of federal interventions. Case in point: The U.S. Department of Agriculture this month announced a federal order to test milk nationwide. Researchers welcomed the news but said it should have happened months ago — before the virus was so entrenched.
“It’s disheartening to see so many of the same failures that emerged during the covid-19 crisis reemerge,” said Tom Bollyky, director of the Global Health Program at the Council on Foreign Relations. Far more bird flu damage is inevitable, but the extent of it will be left to the Trump administration and Mother Nature. Already, the USDA has funneled more than $1.7 billion into tamping down the bird flu on poultry farms since 2022, which includes reimbursing farmers who’ve had to cull their flocks, and more than $430 million into combating the bird flu on dairy farms. In coming years, the bird flu may cost billions of dollars more in expenses and losses. Dairy industry experts say the virus kills roughly 2% to 5% of infected dairy cows and reduces a herd’s milk production by about 20%. Worse, the outbreak poses the threat of a pandemic. More than 60 people in the U.S. have been infected, mainly by cows or poultry, but cases could skyrocket if the virus evolves to spread efficiently from person to person. And the recent news of a person critically ill in Louisiana with the bird flu shows that the virus can be dangerous.
Just a few mutations could allow the bird flu to spread between people. Because viruses mutate within human and animal bodies, each infection is like a pull of a slot machine lever. “Even if there’s only a 5% chance of a bird flu pandemic happening, we’re talking about a pandemic that probably looks like 2020 or worse,” said Tom Peacock, a bird flu researcher at the Pirbright Institute in the United Kingdom, referring to covid. “The U.S. knows the risk but hasn’t done anything to slow this down,” he added. Beyond the bird flu, the federal government’s handling of the outbreak reveals cracks in the U.S. health security system that would allow other risky new pathogens to take root. “This virus may not be the one that takes off,” said Maria Van Kerkhove, director of the emerging diseases group at the World Health Organization. “But this is a real fire exercise right now, and it demonstrates what needs to be improved.”
[...] Curtailing the virus on farms is the best way to prevent human infections, said Jennifer Nuzzo, director of the Pandemic Center at Brown University, but human surveillance must be stepped up, too. Every clinic serving communities where farmworkers live should have easy access to bird flu tests — and be encouraged to use them. Funds for farmworker outreach must be boosted. And, she added, the CDC should change its position and offer farmworkers bird flu vaccines to protect them and ward off the chance of a hybrid bird flu that spreads quickly. The rising number of cases not linked to farms signals a need for more testing in general. When patients are positive on a general flu test — a common diagnostic that indicates human, swine, or bird flu — clinics should probe more deeply, Nuzzo said. The alternative is a wait-and-see approach in which the nation responds only after enormous damage to lives or businesses. This tack tends to rely on mass vaccination. But an effort analogous to Trump’s Operation Warp Speed is not assured, and neither is rollout like that for the first covid shots, given a rise in vaccine skepticism among Republican lawmakers.
KFF Health News reports on how America lost control on containing the bird flu that could set the stage for another pandemic. If we see another COVID-level or even Ebola-level pandemic, America will be in for a world of hurt, thanks to the rise of anti-public health sentiments.
See Also:
CNN: How America lost control of the bird flu, setting the stage for another pandemic
193 notes · View notes
inthedayswhenlandswerefew · 6 months ago
Text
Where Will All The Martyrs Go [Chapter 9: Some Days He Feels Like Dying]
Tumblr media
A/N: Below are your guesses...let's see how you did!!! 🥰😘
Tumblr media
Series summary: In the midst of the zombie apocalypse, both you and Aemond (and your respective travel companions) find yourselves headed for the West Coast. It’s the 2024 version of the Oregon Trail, but with less dysentery and more undead antagonists. Watch out for snakes! 😉🐍
Series warnings: Language, sexual content (18+ readers only), violence, bodily injury, med school Aemond, character deaths, nature, drinking, smoking, drugs, Adventures With Aegon™️, pregnancy and childbirth, the U.S. Navy, road trip vibes.
Series title is a lyric from: “Letterbomb” by Green Day.
Chapter title is a lyric from: “Extraordinary Girl” by Green Day.
Word count: 8.3k
💜 All my writing can be found HERE! 💜
Let me know if you’d like to be added to the taglist 🥰
Let’s go back to the beginning of the end of the world.
On the big-screen tv in the Liberty Center at Saratoga Springs, Wolf Blitzer is saying: “We are receiving confirmation of additional outbreaks of the so-called Florida Fever, the first cases of which here in the U.S. were reported in Miami a little over one week ago. Concern is now growing nationally, especially as the modes of transmission, symptoms, and treatment options remain unclear. Let’s go across the country to Natasha Chen for the latest information. Natasha?”
“Hi, Wolf. I’m here outside the UC San Diego Medical Center where early this morning, two individuals suspected to be suffering from the illness were admitted. I’ve been informed by hospital staff that both patients are currently in stable condition, but there is still so much confusion and conflicting information regarding this ‘Florida Fever,’ and of course that uncertainty is leading to fear, rumors, and honestly a bit of hysteria. Even how to refer to the sickness is controversial, with no official name having been decided upon by scientists. Cases in Australia are known as Ragepox, the U.K. has dubbed it the 21st Century Sweat after a mysterious disease from the 1500s, and Russia is calling it the Ukrainian Flu while Ukraine has opted for the Russian Red Rot, inspired by the skin lesions that some patients experience.”
“Can you tell us what we do know, Natasha? Are doctors classifying this illness as a virus, or as a bacterial infection more akin to tuberculosis or meningitis?”
“At this time, what I’m hearing is that doctors are fairly certain it’s a virus, as patients do not seem to respond to antibiotics when they’ve been explored as a potential treatment. But there’s truly very little information at this early stage, and I think we’re all being reminded of those first days of the Covid-19 pandemic, when no one really knew how to best to avoid contracting the virus or what the long-term effects would be both nationally and globally.”
“There are absolutely some similarities, Natasha, which I’m sure is contributing to the unease surrounding the situation. What precautions are doctors currently recommending?”
“Wolf, doctors are urging the public not to panic, and to exercise common sense measures like avoiding crowded spaces, sanitizing surfaces, and staying home if they’re feeling unwell. Suspected cases of the illness should be reported to primary physicians or local hospitals. Typical symptoms appear to include headaches, fever, gastrointestinal upset, skin discoloration and blistering, and unusual bleeding, as well as behavioral changes, particularly disorientation, aggression, and even violence in some patients…”
“That ain’t what it is,” Rio says. He jabs his index finger at the tv from where he sits on the couch beside you. “Snowflake wasn’t sick, he was dead. He was motherfucking dead, flatline, code blue, crossed the rainbow bridge, he was gone. He was dead and then he woke back up, and he wasn’t a person anymore. He was…something else.”
“Dumbass, people don’t come back from the dead,” Mike says from the ping pong table. People are milling around pretending to play pool, darts, chess, poker, Monopoly, Uno, Parcheesi, but really you’re all here for the same reason. You want to know what’s happening.
Rio turns to you. “Wasn’t Snowflake dead?”
“He definitely seemed dead,” you reply, knees tucked to your chest and still watching the tv. Wolf Blitzer’s voice is calm, but his pale blue eyes have a manic sort of light to them, too large and too rattled.
“Man, fuck Florida,” says Desmond, a utilitiesman born and raised Trenton, New Jersey. “Nothing but psychos and alligators. Saw them off of Georgia and just let them float away.”
“What was that?” Tyler replies combatively. He’s from a trailer park in Tallahassee.
“Ty, why do you care? You’d be fine. You’re already up here. You can stay.”
“They’re lying,” Rio mutters, meaning Wolf and Natasha on CNN. “When the corpsmen called the hospital, they said to be prepared to restrain Snowflake and that he might try to bite us. Why aren’t they warning people about that?!”
Kayleigh, a steelworker from Oklahoma City, looses a frenetic sort of laugh. “Because there’s no non-panic-inducing way to say: Hey, go buy some duct tape and bungee cords to tie up your loved ones, because they might try to fucking eat you.”
Rio doesn’t frown often, but he is now; he slips his phone out of the pocket of his camo pants and types out a WhatsApp message to Sophie. You only know her from photos and quick hellos via video chat, a sweet diminutive woman with white-blonde hair and blue eyes that seem to fill up half her face, as fragile as Rio is overwhelming. She likes baking and romance novels and elephants; whenever Rio finds elephant-themed souveners, he ships them home to Oregon for her, refrigerator magnets and wallets and scarves and snow globes. Sophie wears a lot of long flowing skirts and hand-knit sweaters, and offers strange suggestions when she and Rio discuss baby names: Sage, Fox, Laurel, Coral, Juniper, Karma, Rune, Otter. Otter?! Rio had exclaimed. Babe, if you name our kid Otter, even I’M gonna have to bully them.
“I’m telling Sophie to stay with my parents,” Rio says to you. “They’ve gotten super weird with all the off-the-grid stuff, but they have years’ worth of supplies and grow most of their own food now, and they’re thirty miles from the nearest town. And no one knows how to defend themselves like doomsday preppers.”
“Good idea,” you reply, watching the tv. Now Wolf Blitzer is talking about tornadoes in the Midwest, and you could almost believe the world is normal again.
A few days later all major social media platforms begin censoring content related to the so-called Florida Fever, and then the internet goes down completely, and then the power turns off and on and off again, and finally quits like a car driven to its last mile. The combat units are moved out of Saratoga Springs—never to be heard from again—and the construction projects paused indefinitely, and one of the master-at-arms that Rio is friends with (Rio has a lot of friends, surely you aren’t so remarkable) relays information that he shouldn’t: tales of planned missions, impossible plagues, overrun cities, innumerable deserters in every branch of the U.S. military.
“Hey,” Rio whispers, shaking you awake one night, moonlight streaming through the windows and the pops of distant gunfire you aren’t supposed to ask about. “If I leave, will you come with me?”
It’s a big commitment; it could be a lifetime. You fear he might just be trying not to hurt your feelings. “I don’t want to slow you down.”
“No, you don’t get it,” Rio says. “I’m not leaving without you. Are you going to Oregon by choice, or should I tie you up and throw you in the back of the Humvee?”
~~~~~~~~~~
It’s a young one, maybe a teenager, little buds for horns and only weighing a few hundred pounds. This is good; if it was any heavier, Cregan and Rio wouldn’t be able to drag it back to the ranch. You’re still in Red Desert, Wyoming, and the bison are grazing just off I-80, an asphalt artery that cuts through an endless steppe of sand-colored rocks and tall grass. They gaze lazily in your direction with bulbous dark eyes, perpetually chewing, not terribly intelligent. The Colt pistols of the men who found you at the RV had been loaded with 9mm bullets, the same caliber your Berettas take; there weren’t many, but enough to fill both of your clips, something that feels like winning the lottery. You are lying on the rocky, dusty soil and lining up the shot. If you miss, the herd will scatter, and you’ll watch dinner vanish beneath a blue sky—pale like Aemond’s eye, a weak shallow blue—and rough white scars of cirrostratus clouds.
“Feels kind of wrong to kill a baby,” you murmur. Daeron, Luke, Baela, Helaena, and Ice are back at the house. Aemond, Rio, Cregan, Rhaena, and Aegon are here on the ground with you; Aegon insisted upon being brought along, and Rio agreed to carry him. Aegon had never seen American bison outside of the Oregon Trail computer game, those pixelated brown blobs migrating across the screen no more material than unicorns or faeries or basilisks.
“If the baby didn’t want to get killed, it shouldn’t be made of steak,” Aegon points out. He’s on a lot of Vicodin, the only narcotic Aemond could find back in Ogallala, Nebraska.
“No pressure, Chips,” Rio says, chewing on a long blade of little bluestem grass. “If you miss we’re just going to have to eat each other like the Donner Party.”
Aegon wrinkles his nose in confusion. “The what?”
“She won’t miss,” Aemond says, and Rio snickers to himself and gives you a quick wink that no one else notices.
“I don’t think one 9mm bullet will do it,” Cregan mutters. “Cows got thick skulls, I figure bison are the same way. You’ll have to hit it a few times, and before it can take off and disappear on us.”
Aemond casts him a patronizing glance. “And you’ve killed a lot of cows?”
“Oh yeah. Worked in a slaughterhouse for a while before I got hired by the power company. Hated it, went home and could still smell the blood and brains on myself no matter how many times I showered. Couldn’t get out of there fast enough.”
Aemond looks like he regrets asking. Rhaena frowns worriedly at the bison. “Will they charge if someone shoots at them?”
Cregan shrugs. “Probably not.”
“Probably?!”
You squeeze the trigger five times in quick succession, hit the calf thrice, tiny puffs of scarlet mist that spring from its woolly head. It flops over as the rest of the herd jolts into a gallop, kicking up dust and fleeing across the steppe.
“Yes!” Rio booms as everyone applauds. “We’re in business! We’re having ribeyes tonight! Cregan, my good sir, I take mine medium rare.”
“You’re getting well done,” Aemond tells him. “Everyone is. Just in case the bison has parasites.”
Rio groans. “You’re ruining my life, man.” Then he and Cregan trot over to grab the baby bison, each of them taking one of its back hooves.
“So,” Aegon says dreamily. “Now that Rio is preoccupied, who would like to assist me in returning my disgusting, debilitated body to the ranch? Anyone? Anyone?”
Rhaena turns to you. “When we have more bullets, could you give me shooting lessons?”
“Sure,” you reply, a bit startled. “Really? You’re interested?”
“Well…” Rhaena hesitates. “Baela’s always been the brave one. At home, at school, when we were shopping, even when restaurants would mess up my order, Baela would do the talking and make sure I was alright…and I would literally hide behind her waiting for her to solve all my problems. And now…with the baby, with Jace…it’s been really different being the one to help her for a change, and I don’t think I’m very good at it yet. But Baela deserves to have people to lean on, just like I’ve always had her. And…when I stabbed that guy in the RV…I kind of liked it.” She titters nervously when she sees the shock on your face. “No, not like that! Not the killing part, or the gushing blood, that was all super gross. But the fact that I helped protect Baela and Luke? The fact that I wasn’t useless in that situation? That was a good feeling. Baela is clever, and she’s courageous and caring and funny, and she’s always been better than me at everything, and I never minded because she…she was like my own personal superhero, you know? But now I feel like I need to start learning how to do things myself so I can help her. Even if Baela is still better at everything, and probably always will be.”
Aegon grins toothily and pushes his neon green plastic sunglasses up the bridge of his nose. “I know how you feel. It’s pretty impossible to look heroic next to Aemond.”
“Stop,” Aemond says, but he’s smiling, and a bloom of bashful pink blood appears in his cheeks.
“You already took over the driving,” you tell Rhaena encouragingly. “That was a big help.”
“Yeah,” Rhaena replies, a bit pensive. “Let’s hope I can keep that going.” Between the gas Aemond found in Ogallala and what was siphoned from the would-be attackers’ GMC Yukon, you got enough fuel in the Tahoe to take it halfway across Wyoming; but now the gauge is not just at but venturing below the E, and it can’t have more than five or ten miles left. That might not even get you to the next ranch, let alone a proper town. You need a working vehicle. There are nearly a thousand miles between here and Odessa, Oregon.
Aegon is pawing at Aemond like a cat. “Come on, hero. Help me up.”
~~~~~~~~~~
“This is why we’re friends,” Rio tells you as he shovels forkfuls of bison steak into his mouth, juice dribbling down his chin. Cregan gutted the bison and butchered it, then you helped him cook the steaks—not very uniform in size and shape, yet no one is complaining—on a pan heated in the woodstove. You fed the fire with books you found in the house, mostly religious in nature. “You convince me not to commit suicide when we’re stranded on a transmission tower, you share your Cheddar Whales, you’re good at shooting things…”
“How did you two become friends?” Baela asks. You are all arranged around the dining room table; there are just enough chairs for everyone. Ice lies beneath it mauling on bison bones that Cregan set aside for her. The room is illuminated by flashlights. Baela looks great: in good spirits, glowing, alert, wearing a loose cotton dress that Helaena found in an upstairs closet for her. Baela napped most of the day, something she rarely allows herself to indulge in, and the benefits are evident.
Rio says nonchalantly: “I talked to everybody and she barely talked at all. So of course I had to investigate and figure out what that was about. Turns out she’s kind of cool. You know the Wheel of Fortune game at arcades where there’s like a hundred little lights in a circle you have to press the button when the one that says Spin Zone lights up? She’s a freak, she can hit it almost every time. Can’t sink a basketball or sing karaoke to save her life, but you know, we all have flaws.”
Aegon looks up from his map, which he is scrutinizing as he eats his bison steak. “Do you realize that if we could just stop at gas stations like back when everything was normal, we’d be in Odessa or the Bay Area in fifteen hours? Literally less than one day. Fucking unreal. And yet here we are trapped in yee-haw country, freaky giant animals, no civilization but Jesus billboards everywhere, hell on earth.” He holds up a palm. “No offense, Cregan. You’re okay.”
Cregan smiles mildly. “None taken, Fried Foot. You know you’re a little well done yourself these days.”
“That’s ableist,” Aegon replies.
“We’ll find gas tomorrow,” Aemond says. He sounds confident because he has to; he’s not allowed to panic, to give up. He’s seated at the head of the table like a patriarch. His steak is the smallest and the most ragged. He wouldn’t accept any of the others.
You ask Baela: “Have you decided what to name the baby?”
“Kind of.” She rests both hands on her belly, a globe like a full moon. Helaena glances over at Baela, frowning and preoccupied. “If it’s a boy, I’m going to name it after Jace. We had already picked out Theodore…and Teddy for short, isn’t that cute? But now…I’d want him to have that connection to his father. The baby won’t have any pictures of him, or videos, or memories, or papers he wrote in school, or ties or rings or cufflinks, or…anything. But he could have Jace’s name.”
The rest of you nod, eyes downcast and feeling terribly sorry for her. “I really like that idea,” Luke says quietly.
Now Baela is thinking, her gaze traveling around the room as she chews on a cube of streak. “I’m not sure what I’d call a girl. Maybe something naturey like Violet, Rosemary, Ivy, Indigo, Fern…”
“You should name it Otter,” you say, and you and Rio erupt into raucous laughter. Aemond smiles as he watches you.
Baela is grinning uncertainly, trying not to be insensitive. Perhaps people named their kids stuff like Otter where you came from. “Um, sorry, what?!”
“That was one of the baby names on Sophie’s list,” Rio clarifies. “I vetoed it. Or at least…I think she agreed to cross it off…? Oh my God, imagine I finally get to Odessa only to find out my firstborn child has been named Otter.”
“You’d have to turn right back around,” you say. “Total abandonment would be the only honorable choice. We’d have to start over someplace else. I’ve heard Texas is nice.”
Aegon snorts. “You can’t live in Texas. They don’t even have legal weed there.”
Rhaena squints at him. “I don’t really think that’s a concern anymore, Aegon.”
Aegon smacks his forehead theatrically. “Oh no, I forgot about the apocalypse again!”
“So Cregan,” Baela says. “You were planning to vote for Trump.”
Everyone at the table groans. “No politics,” Aemond says.
“They’re all dead now, so it doesn’t matter,” Rhaena adds. “Biden, Kamala, that insane Kennedy brain worm dude, Trump…”
Aegon says: “If I was a zombie, I wouldn’t eat Trump.”
“I just found that interesting,” Baela continues, looking at Cregan like she’s expecting him to explain himself. Rhaena and Luke exchange a nervous glance. Daeron reaches under the table to pet Ice; you can hear her tail thumping cheerfully against the hardwood floor.
“I was a Trump voter, yeah,” Cregan replies between bites of steak. Aemond is studying him uneasily, but Cregan’s baritone voice is calm. “That doesn’t mean I approved of a lot of the things he did and said. I’m not a monster, I don’t believe in mocking people or all that January 6th stuff. But he was good for the economy. Back when Trump was president, groceries were more affordable, and houses were cheaper, and more companies were hiring. If I had tried to move out of my parents’ place in 2023 instead of 2019, there’s no way I could have done it. And I really needed to get out of there. A lot of people feel that they don’t have the luxury of voting for the nicest candidate, or the candidate they agree with on social issues. Something abstract like climate change isn’t even on the radar. They have to vote for their basic necessities.”
You and Rio understand what he means, you’ve both met plenty of people with the same perspective; everybody else seems shellshocked.
“But I don’t want y’all to think that I’m…” Cregan looks around the table, his eyes catching—interestingly—on Helaena, who observes him with a fully present attentiveness that you’ve learned is rare for her. “You know, like a sexist or a racist or that I hate foreigners or anything. Because I’ve never felt that way, and now I’m very happy to have found you guys, and I respect the hell out of you. And I want to be allowed to stay.”
“You can stay, Cregan,” Helaena reassures him.
“Yeah,” Rio says. “Especially since we’d probably starve without you.”
Cregan beams, clearly grateful, and there are chuckles and the tension breaks; and Baela is placidly skating her palm over the arc of her belly, and now that you’ve eaten all you can, Rio is spearing the remaining chunks of your steak with his fork and gobbling them down. He doesn’t ask before he does this; he knows you don’t mind. You’ve never understood why he’s given you so much over the past nearly five years. You are eternally offering him atonement.
Suddenly, Baela asks you: “What would you name a baby girl?”
You have to think about this before you answer. “Well, if you’re looking for something related to plants…I had a friend when I was growing up named Briar, and I always thought that was pretty.”
“Briar,” Baela echoes, intrigued.
“It means bramble, like a thorny shrub where blackberries grow. I remember her telling me that her mama wanted it to be a reminder that people go through rough patches and that life gets hard sometimes, but you have to keep going, and eventually you’ll find your way out.”
“Briar,” Baela repeats. “Yeah, that’s kind of neat. I’ll add it to the list!”
“And you’d have the same first initial,” Rhaena says. “Baela and Briar. Isn’t that adorable?”
Baela smiles. “And a few Rs thrown in there too. For Rhaena.”
Rio turns to Aegon. “Hey Honey Bun, if you had to name your kid after a plant, what would you name it?”
Aegon says without hesitation: “Marijuana.”
Now it’s an hour later, and Aemond is examining Aegon’s burned leg on the living room floor, Helaena holding a flashlight and you and Rio standing by for moral support. Underneath the bandages is a wasteland of red, weeping flesh…and yet there are spots where the skin seems to be hardening into white islands of scar tissue. Rhaena and Luke are keeping watch by the windows, Baela is passed out in one of the bedrooms, Cregan is showing Daeron how to put his wavy blonde hair up in a man bun.
Aemond points to a blackish patch on the top of Aegon’s foot, only a few inches from his ankle. “I have to debride this part here,” he says like an apology.
Aegon is afraid to ask. “What does debride mean?”
“It means I have to cut it out.”
“Cut it?!”
“It’s getting infected. I have to remove it or it will spread to the rest of the foot and you could get sepsis. I might even have to amputate the whole leg.”
“Okay, cut the dead stuff off,” Aegon swiftly agrees.
Aemond doesn’t have any more injectable morphine. He gives Aegon as much Vicodin as he dares and then begins working, carving away layers of dark disease with his scalpel and scrubbing the area with disinfectant. Aegon clutches your hand, squeezing so hard it feels like your bones might crunch, shrapnel-like splinters of marrow-stained organic glass beneath your skin. Rio has Aegon’s pink Sony Walkman—once owned by Ava—and takes one earbud while giving Aegon the other. They sing along to Sean Paul songs together, laughing as tears stream down Aegon’s sunburned cheeks:
“Well, woman, the way the time cold, I wanna be keepin’ you warm
I got the right temperature fi shelter you from the storm
Oh Lord, gal, I got the right tactics to turn you on
And girl, I wanna be the papa, you can be the mom…”
Now you’re curled up in bed, your arms crossed over your belly as you struggle to fall asleep. Aemond comes to bed late now; each night he waits until Baela is sleeping and then teaches Rhaena about childbirth and recovery: what to expect, what could go wrong. She is a good student, borrowing Helaena’s spider notebook to take notes and asking detailed questions. She wants to know everything she can so she can help when Baela goes into labor.
At last, the bedroom door opens. Out in the living room you can hear Rio asking: “Do you have Wagon Wheel? I love that song.”
Aegon scoffs. “No, of course I don’t have Wagon Wheel. Shut up and listen to your Enrique Iglesias.”
“You are so racist, man…”
Aemond sees that you’re in agony, rummages around in his medical kit, and gives you an oval-shaped white pill to wash down with the can of orange Sunkist on the nightstand; Helaena found a case of it in the pantry. “Why didn’t you tell me it was this bad?”
“I didn’t want to take any Vicodin from Aegon or Baela. They’ll need it more than me.”
“Your pain is as real as anyone else’s.” Aemond’s weight shifts the mattress as he crawls into bed beside you, his arm settling protectively around your waist, his hand covering yours where it rests on your lower belly. “If the Tahoe runs out of gas, will you be okay to walk tomorrow?”
“Don’t worry about me. I had three periods during basic training, I honestly thought I might die. After that I can power through just about anything.”
“I’ve noticed.” You feel the soft smile on Aemond’s lips as he kisses your temple. “Do you want quiet, or do you want to talk?”
“Talking would be a nice distraction.”
Aemond wastes no time. “Do you like kids?”
“Well, since birth control doesn’t exist anymore, I’d hope everybody does.”
Again, he is smiling; you can hear it in his voice. “Okay, but do you intend to have your own?”
“Yeah, I always envisioned myself having kids. I wanted a normal family and figured I’d have to make one myself, DIY it, you know? I don’t think the plan has changed. Gotta repopulate the earth somehow.”
“I wouldn’t try to sway your decision one way or the other. It’s a burden you should only have to endure if you actively choose it. But if you want to have children one day, I’d help you.”
You giggle in the dim orange glow of a single flashlight. “How self-sacrificial.”
“No,” Aemond says, laughing. “Not like, the making them. I mean, I’d help with that too, that aspect would be fun. But I was talking about the delivery, and recovery, and taking care of a newborn. I don’t know everything, but I know a lot. I could help you get through it. So that’s an option I want you to be aware of, if…you know.” Now he pauses. “If you trust me.”
“I trust you.”
“Sometimes I don’t know if you should,” Aemond murmurs; or at least that’s what you think he says as you lose consciousness, plummeting into sleep as if falling from a great height.
~~~~~~~~~~
The Tahoe runs out of gas just east of Tipton—not a city, not a town, just a collection of service roads linking sprawling ranches to I-80, the only continuous route across southern Wyoming—and Rhaena guides the SUV as it coasts to a halt on the shoulder of the highway. You hike about a mile to the nearest ranch house: Luke carrying the siphoning hose and empty gas can in case you can find fuel, Rio carrying Aegon on his back, Baela walking slowly and with great effort, Ice panting as she lopes across the dusty earth. You can’t spot any cattle or horses behind the endless strings of barbed wire fencing. Perhaps they are in a different pasture, or escaped or were stolen, or died of thirst without being tended to, or were consumed by a wandering hoard of zombies, never sleeping and always hungry. The house at the end of the dirt driveway is modest, old, and painted white. The front door is open; the screen door bangs in the wind.
“Rock Springs is the next real town,” Aegon says when Rio drops him to the ground, reading his map.
“And how far is that?” Rio asks.
Aegon deflates. “About fifty miles.”
“Great,” Rhaena says. “What’s the plan, to fly there?”
“Yeah, start flapping your wings, little bird. You’re light enough, you can make it.”
“No car in the driveway,” you tell Aemond. “Nobody home, maybe?”
He’s scrutinizing the house, his blue eye narrow. “Maybe.”
A thought occurs to Aegon. “Do you think ranchers have golf clubs?” he asks hopefully.
“No,” Aemond snaps. Rio is now on the front porch and pounding the butt of his unloaded Remington shotgun against the doorframe to see if anyone appears. Daeron is nocking one of his makeshift arrows as he trots around the perimeter with his compound bow.
Luke, peering through his binoculars, points to a large cylindrical aluminum structure about a hundred yards from the house, by a small red barn. “What’s that thing?”
“It’s a grain bin,” Cregan says. “Full of feed for cattle.” Ice whimpers at his feet, and he twirls his axe in his large, calloused hands. “Are we clearing the house or not? Something’s in there.”
“We are,” Aemond answers tonelessly. “Luke, Rhaena, stay out here with Aegon and watch for trouble. Daeron, you too.”
“Got it.”
“Baela—”
“Can I go inside?” she asks. “Please, Aemond. I’m so sick of sitting around feeling useless and exhausted. I want to help. I want to do something, I’m going insane.”
“Fine,” Aemond agrees. “It should be an easy one.”
It is easy, but it’s not pleasant. The house smells like dark, sickening decay. In the living room are the skeletal remains of two bodies, both children judging by the size; the maroon-stained bones are notched with indents from gnashing teeth. Cregan shadows Helaena as she searches through closets and drawers. She takes no clothing—it would have absorbed the stench of death—but fills her burlap messenger bag with matches, lighters, batteries, pills. She gives you a bottle of Advil before you can ask her for it.
“Thanks,” you say, a bit startled, as you tuck it away in your backpack.
It is not until Ice leads you to the final room, the bedroom at the rear of the house, that you hear the familiar, blood-chilling hissing and moaning of a zombie. It is in the closet, and emerges one limb at a time: one arm and then another, one leg long like a spider’s, streaked with a thick soup of rotting organs that spills from a gaping hole in her belly like the mouth of a mineshaft. Something has happened to its other leg; it is missing, and the corpse that was once a thirties-something woman—a soccer mom, perhaps, with a minivan and propensity to make meatloaf and fish sticks—drags itself across the fawn-colored carpet towards you, slow and pathetic. Ice growls and barks. Rio raises his Remington.
“Wait,” Baela says. Her hammer is in her right hand. “Can I do it?”
“Of course, be my guest,” Rio says; though you can tell he’s slightly disappointed. He loves clubbing things.
Baela approaches the yowling zombie—jaws snapping, claws swiping—and grimaces down at it, this one of millions of monsters that ended the world, that killed Jace and stole all the rest of her life from her too, all those normal things she was supposed to have, all those strings of fate that the plague cut through like a razor and sent floating aimlessly out into the void of the universe. Then with a scream, Baela swings her hammer and a catastrophic impact crater appears in the side of the zombie’s skull, and it crumples to the floor, its mindless brains spilling out onto the carpet.
“Nothing good?” Aegon asks when you reappear in the driveway, popping a Vicodin into his mouth.
“No,” Aemond replies grimly. “No gas, no bullets, no food, nothing to drink.”
“I knew it would be lean pickings once we got out here,” Cregan says, and Aemond looks like he could kill him.
“Well, fortunately, Luke might have some good news for us,” Aegon says with a grin.
Aemond perks up. “Really? What?”
“I saw a truck out there,” Luke says, using his binoculars to gesture to the grain bin. “It’s parked between the barn and the grain thing, I can just see the very front of it sticking out. And if there’s a truck, there might be gas.”
Aemond ruffles Luke’s fluffy dark hair. “Good job, kid.” And Luke lights up like how cities used to look at night, back when the power was on: Washington D.C., Key West, Corpus Christi, Chinhae. Rio stoops down so Aegon can hop on his back, and all of you trek together across the field.
“Nothing,” Cregan announces as he squeezes the little pump on the siphoning hose after opening the gas cap of the ancient Chevy Silverado and threading the hose inside. “Not a drop.”
“Fucking fantastic,” Aegon sighs from where he’s slumped on the ground. His eyes are glazed; he’s pretty stoned. He gazes pitifully up at you; you pat his shoulder sympathetically. You and Rio have already checked the barn, dilapidated but perfectly devoid of zombies. The roof has caved in; one of the two front doors are missing. “What now?!”
“We can go back to the interstate and walk until we find the next ranch,” you say, looking absentmindedly at the grain bin. It’s much larger up close, and rusty in spots. A ladder runs up one side to allow access to the roof. Ice isn’t whining or nudging anyone’s hands, but she’s sniffing the air as if she’s detected something interesting, unfamiliar.
“Yeah,” Luke replies miserably. “We can walk another five or ten miles and then maybe find a safe place to spend the night.”
Rhaena shades her eyes as she peers up at the sky. “It’s past noon already. Maybe we should just stay here.”
Rio barks out a sardonic laugh. “In a house with no supplies and that reeks of dead people?”
“Cregan, go kill us something to eat,” Aegon commands.
He chuckles in his deep, gruff voice. “It’s Miss Chips who is good at the killing, I’m just the authority on butchering at the moment.”
Aemond is watching Ice, his forehead furrowed. “What’s she doing?”
Cregan whistles. “Hey, princess, you okay?” Ice ignores him, still sniffing, her grey ears straight up in the air. Then it appears from behind the barn: a tiny brown creature, a baby bear.
“Aww, it’s so fuzzy!” Aegon squeals, stretching his arm out to pet it. Rio yanks him away; everyone else is backing up towards the grain bin. A second bear cub has now arrived, padding clumsily along, large cartoonish eyes and a little pink tongue poking out from its muzzle.
“Don’t touch them!” Aemond shouts to everyone. “Get away from them! If there are cubs, there’s probably—”
And around the barn comes the mother, a grizzly bear of 400 pounds. She bares her teeth and snarls, saliva dripping in long gluey strings. Ice is barking viciously; Aegon is shrieking and scrambling onto Rio’s back.
“Baela!” Aemond says because she’s closest to him, urging her towards the ladder of the grain bin. She gets the idea and begins climbing. Then Aemond reaches for you. “Come on, you next!”
“Rhaena, go,” you say instead, and she clambers up the ladder after Baela. Cregan is brandishing his axe; Rio has his Remington in his hands, Aegon still clinging to his back like a baby opossum to its mother. Now Helaena is climbing up the ladder, and Daeron nocks an arrow. You whip one of your M9s out of its holster, aim for the bear’s head, and pull the trigger.
Your bullet hits its skull, Daeron’s arrow pierces its chest; and the mother bear does not die but roars and rises up onto her back feet—taller than Rio, taller than Cregan—and then drops back down and charges towards you and the grain bin. Cregan blocks the way, swinging his axe. The bear reluctantly pauses, testing him with swipes of her claws that he evades. Rio is just a few steps behind Cregan, waving his Remington around hostilely. Aegon is screaming and holding on for dear life.
“Don’t shoot!” Cregan yells. “9mm isn’t big enough, you’ll just make her more angry!”
Aemond finally gets a grip on your wrist and drags you to the ladder. You obey and climb until your feet are several rungs off the ground, then you turn to see what’s going on below. Aemond, Luke, and Daeron are at the bottom of the ladder, their backs to you. Cregan is still wielding his axe.
“Fuck off, Mama Bear!” he bellows, standing as tall as possible and swinging his axe above his head. Rio follows Cregan’s lead and holds his Remington aloft. Ice is barking; the baby bears are fleeing in terror. Aegon is sobbing hysterically and saying he’s going to die. “You don’t want us and we don’t want you! Go on! Go get your babies! I’ll put this blade right between your eyes if you don’t change your stupid mind right quick!”
The bear pounds the earth with her front feet and growls, a beastly subterranean rumble, but she seems to be losing her nerve. The rungs of the ladder creak and groan; you see rust like blood-hued moss around the bolts.
“Get out of here!” Cregan shouts. “Go, you hairy old bitch! Go back to your babies!”
The bear glances back to see her cubs vanish behind the barn. Her mouth is open and panting, spittle gleaming on her pointed teeth; her black eyes are uncertain. As you hold onto the ladder with one hand, you have your M9 aimed at the bear’s left eye, just in case. Aemond is watching Cregan; on his scarred face a sharp severity, fascination and resentment and fear.
“Go on,” Cregan says firmly. “Leave us alone. You belong in the mountains, not down here. Go eat something that’s already dead, a nice easy dinner. You don’t want us. We’ll fight you.”
The grizzly bear shakes her head—flopping ears, shaggy fur filthy with dust and pieces of grass—and whirls, lumbering off to find her cubs. When she rounds the barn, Cregan waits a few long, tense, silent minutes and then turns to the grain bin.
“Alright y’all, we oughta hurry up and leave. I don’t think she’ll come back, but she might.”
From the top of the ladder, approximately forty feet off the ground, Baela begins to laugh. “Did that really just happen?! That was insane! Cregan, buddy, you can vote for whoever you want to. You and I are cool forever.”
He smiles up at her, wincing in the bright afternoon light. “I’m very glad to hear it, ma’am.”
Rio sets Aegon down on the ground and stretches his back; it must be hurting him. Aemond is taking your hand and helping you off the ladder, and you are reminded of the transmission tower where he found you in Catawissa, Pennsylvania, one of those middle-of-nowhere places like Tipton, Wyoming. As Helaena climbs down, you go to Rio and—with as much force as you can manage—knead the small of his back with the heel of your hand like you know helps him.
“You okay?”
He sighs loudly, relieved. “Yeah, I’ll be fine. Oh, wow, that’s good. Harder…oh yeah…”
There is a snapping sound, metal squealing as it breaks, and by the time you turn to look she’s already falling: her cotton dress billowing around her, her arms wheeling helplessly. It happens too quickly for her to scream—for her to understand what is going on and what it means—but there is a stunned gasp and then she hits the ground, and you hear a muffled crunch of bone—skull?? spine??—and she is completely, unnaturally still as she lies on her back, no pain, no words, nothing.
“Baela!” Rhaena shrieks, and she rushes down the ladder and runs to her sister. You are all gathering around Baela, petrified to move her��to make it worse—but pleading for her to wake up, examining her with terrified eyes. Baela’s own eyes, dark and glassy and serene, are open only a sliver like obsidian crescent moons. Aemond is asking Helaena for a flashlight and then prying them wide, checking Baela’s pupils.
“There’s no reflex,” he says numbly.
“What does that mean?!” Rhaena cries. “Aemond? Aemond?!”
“She’s…she’s…” He’s in denial; he’s in shock. He’s feeling for a pulse on her carotid, he’s digging his fingernails into her forearm to try to get her to respond to pain.
“Aemond?” you say softly.
“She’s gone,” he tells you, like he doesn’t believe it, like he’s waiting to wake up.
“The baby,” Rhaena says. “Try to save the baby.” And then, when Aemond doesn’t immediately understand, she grabs his backpack and begins ripping it off so he can get the medical kit inside. “The baby, Aemond!”
Now he knows what he has to do. He pulls the scalpel out of his kit as Rhaena moves Baela’s sundress to expose her belly. She was wearing biker shorts beneath, lavender, cute, something you might have picked out in a store. In less than a minute they will be soaked with blood. Cregan leads Daeron away, and he’s telling him that they need to keep watch in case the grizzly bear returns, but you think it is an act of mercy more than anything else. Ice goes with them. Helaena, her face pale and grave, is shining the flashlight on Baela’s belly, just beneath her navel.
“Aegon?” Aemond says.
“What? What do you need?”
“I need people to help hold open the incision once I make it. I have to be able to see the amniotic sac so I can cut the membrane without harming the baby.”
“I get it, I’m here, I’ll help.”
Aemond presses the blade of the scalpel to Baela’s skin and draws a semicircle from the top of one hip to the other. There is blood, but it is slow-moving and thick and dark; it is the blood of a dead woman, not a living one. Immediately, Aegon hooks his fingers under layers of fat, skin, and muscle, and opens the wound as much as he can. You and Rio reach in too, and you do this without thinking, without allowing yourself to feel the horror of it until the work is done.
“I can’t see,” Aemond is murmuring. Rhaena gets another flashlight and helps Helaena illuminate the area. Luke is on his knees with both hands clamped over his mouth, his eyes glistening with dread and disbelief. Aemond is slicing, pausing to probe around with his fingers, cutting again. Then his arm plunges into Baela’s abdomen up to his elbow and, with some difficulty, pulls out the gore-covered baby by its feet, a girl, large and limp and silent.
Rhaena sobs, equal parts grief and joy, a smile appearing on her face. “Is she okay? Aemond? Is she…why isn’t she crying? Aemond?!”
Rio yanks off his shirt and uses it to wipe blood and gelatinous clumps away from the baby’s eyes, mouth, and nostrils. Then Aemond takes the shirt and wraps the baby in it, warming her, rubbing her lifeless little limbs. When she does not stir, Aemond lays her on the earth and begins CPR: compressions with two fingers on her tiny heart, two breaths down the airway she’s never used. There are no sounds except his efforts. There is no crying when the baby wakes, because she never does.
Enough, you are thinking, as if from very far away: an island in the Indian Ocean, the Appalachian mountains in eastern Kentucky. Enough, enough, enough.
Aemond stops trying to revive the baby. He picks her up and holds her against him, and no one says anything. There is only the barrenness of the Wyoming steppe, an anemic blue sky, tall dry grass that bows in the breeze, black vultures that are landing atop the barn and the grain bin.
Aegon jolts out of his paralysis and reaches for his brother with bloodied hands. “Aemond, hey, Aemond, listen to me, it wasn’t your fault. Okay? Are you listening? Aemond, man, you did everything you could. You gave them a chance. You didn’t give up.”
But Aemond doesn’t respond; he only kneels there beside Baela’s butchered body, her dead baby girl in his arms.
~~~~~~~~~~
“Alys?” he calls, seeing that she never came back to bed. He is lying on his stomach, tangled in red sheets damp with sweat. It’s hot, too hot, and there is no humming of the air conditioning. When Aemond picks up his iPhone from the nightstand, it’s still plugged in but only at 87% battery. The power must have gone out.
He gets up, rubs the damp skin by his temple—headache, dehydration—and lifts open the nearest window. It’s odd: there is shouting, distant and indistinct, like the sound of a carnival or a concert. There are car alarms too, and sirens, and horns blaring, all too far away for him to see. It must be because of the power outage, traffic signals thrown into chaos, neighbors relaying the latest information back and forth. That’s the only logical explanation.
“Alys?” Aemond says again, groggy but with increasing curiosity, concern, guilt.
She started to feel sick last night, a pulsing in her skull and chills and powerful nausea. The possibility of it being the so-called Florida Fever barely registered in his mind. Alys gets migraines, and tofu is a migraine trigger, and he took her to a Thai restaurant (maybe he should have known better) and the curry Alys ordered ended up having tofu in it, and by the time she paid the check (as Alys always did) she was swallowing an Imitrex from the box in her snakeskin purse. She said she was going to lie down in the guest bedroom for a while so she wouldn’t wake him if she spent the next few hours dashing to and from the bathroom, a likely outcome, and if he was honest with himself about it, Aemond would admit he was relieved.
He shuffles to the bedroom door—black boxers, bare feet, century-old hardwood floors—and opens it. Now he can hear thudding, like someone tenderizing meat with a mallet. “Alys? Baby, you feeling okay?” There is no answer, only that rhythmic hammering. He realizes that it is coming from the guest bedroom, a door at the end of a long hallway still fuzzy through his half-awake eyes.
It had never felt right, but it had felt good: good in the body when she touched him, good in the soul when she told him he did something right. But lately—especially here, in the vast creaking historic house she shares with her husband and her children, who are presently sailing in Cape Cod—Aemond cannot shake the feeling that this entanglement is a surrender rather than an aspiration, something he fell into and now rests at the bottom of like a swimming pool or the sea, the cold weight of it threatening to pour into his lungs and drown him.
“Alys?” Aemond says, now with profound and inexplicable dread. Outside an ambulance or police car zooms by, sirens blaring. The pounding on the door of the guest bedroom grows faster.
I want to go home, Aemond thinks suddenly. At home, in the Federal-style townhouse his parents rented for him (Criston picked it out, a safe and quiet neighborhood in Beacon Hill, and Viserys paid), Daeron is visiting from California and watching golf tournaments with Aegon on the living room couch, pretending to be interested when Aegon describes the different types of clubs. Helaena, pursuing an Entomology PhD, is researching the Mediterranean mantis, clicking around on her MacBook Pro from the garden in the backyard. Jace and Luke live there too, and so Baela and Rhaena have all but officially moved in, keeping their apartment in Seaport only to have somewhere to retreat to when the Targaryen chaos becomes too much…and so the baby can have its own room. Baela bought a crib, a changing table, a rocking chair, a dresser, and about a million unisex onesies, mostly space-themed. Baela is studying Aeronautics and Astronautics, after all. Maybe one day she’ll work for NASA and fly rockets to the moon.
The door is rattling on its hinges. Aemond’s hand closes around the knob. On the other side is something terrible, and he knows this. But he cannot just leave her. Aemond is not someone who abandons people; he is not someone who turns away from responsibilities.
He opens the door of the guest bedroom, and immediately she is staggering towards him, limp dripping hair and naked like she was interrupted mid-shower: blood bubbling from her gaping mouth and the whites of teeth peeking through the crimson, necrotic skin hanging in strips from her fingers, eyes misty like steam on a mirror.
“Alys, stop! Alys! What’s wrong with you?!”
She’s alive but she’s dead. She’s yowling and clawing at him, but her flesh is the rotting swampland of a corpse. He’s pushing her away; his palms sink into her, places he once noticed and then fantasized about and then at last—euphorically, ashamedly—touched, held, borrowed but never kept. She’s trying to bite him. She’s trying to kill him. None of this is possible, and yet it’s true.
Aemond flings her away, and the woman who was once Alys stumbles backwards and down the staircase, sick wet thumps all the way to the ground floor, bones splitting through dissolving grey skin, organs sloshing around until they spill out. He can hear her still hissing, flailing, trying to get up again.
Without thinking—slipping seamlessly into what he learned during his psych rotation is called automatic action—Aemond races down the steps and grabs her by the skull, cracks it against the antique hardwood floor she once extoled the value of as he fucked her on it: shipped east from Oregon and laid in 1912, the year the Titanic sank. When she lurches up to try to bite him, he slams her head against the floor again and again until she is still.
Then Aemond kneels there alone for a long time, sirens shrieking outside, far-off strangers screaming for help, putrid black blood clotting on his hands.
241 notes · View notes
covid-safer-hotties · 4 months ago
Text
Also preserved on our archive
The casual ablists are finally connecting dots folks like me connected 4 years ago... (๑ᵕ⌓ᵕ̤)
By Tapatrisha Das
Covid virus can cause myocarditis, which can further push the heart to an attack. Here's why there’s a rise in heart attacks among young adults.
Earlier, heart attacks were thought to be a disease that affected one in later years but not anymore. There has been a disturbing rise in the number of young people suffering from heart attacks. Especially in healthy young adults, this disease has been observed at a more alarming rate. In the last four years, there has been a 66 percent rise in the number of heart attacks in young people in America – with one in every five heart attack patients being under the age of 40. A report on Daily Mail has explored the connection of this trend with the Covid-19 pandemic.
Reasons behind alarming rise of heart attacks in young adults The report mentions that many factors are at play in increasing the risk of heart attacks in young and fit adults – drug use, obesity and sedentary lifestyle are some of the main reasons. However, considering the timing, Covid-19 is also suspected to be at play here.
The Covid-19 virus can cause widespread inflammation throughout the body, especially affecting the heart and causing blood clots. During the lockdown, people were bound to stay at home – this further triggered depression, anxiety and stress. These all can trigger heart attack risk.
Impact of covid: The timing of surge in heart attacks is suspected to be directly related to the covid pandemic. The covid virus, once inside the body, can cause the heart to be inflamed – this condition is known as myocarditis. This further makes it hard for the heart to pump blood throughout the body. This condition can damage the heart and make it incapable to pump blood throughout the body. This is when heart attacks become more common.
The Daily Mail report also quoted Dr Susan Cheng, a cardiologist at Cedars Sinai who authored a 2023 study that found heart attack deaths in people 25 to 44 increased by nearly 30 percent during pandemic's early years. She had said back then as well that the connection was 'more than coincidental.'
'Young people are obviously not really supposed to die of heart attack. They're not really supposed to have heart attacks at all…There are a lot of things that COVID can do to the cardiovascular system. It appears to be able to increase the stickiness of the blood and increase... the likelihood of blood clot formation. 'It seems to stir up inflammation in the blood vessels. It seems to also cause in some people an overwhelming stress—whether it's related directly to the infection or situations around the infection—that can also cause a spike in blood pressure.'
151 notes · View notes
anim-ttrpgs · 5 months ago
Text
What to Play Next with Eureka.
So, now that the pay-what-you-want/free Eureka: Investigative Urban Fantasy beta has over 400 downloads at the time of writing this (wow!) and has been up for about 3 weeks, I’m sure at least some people have already played Horror Harry’s Haunted House, the free tutorial adventure module we included with the beta download, and are excited to play more!
To that end, I’ve quickly thrown together a non-comprehensive list of adventure modules to run using Eureka, and where you can find them.
Adventure modules, if you’ve never used them, are a lifesaver for GMs. (And also they’re a different thing from those railroady “adventure paths” and crappy 5e adventures that you might be familiar with.)
Official Eureka Adventures
You can find official Eureka: Investigative Urban Fantasy adventure modules on our Patreon page. Supporting us is what makes Eureka, and our ongoing promotion of many other TTRPG creators, possible.
Horror Harry’s Haunted House
This is an official Eureka adventure module that comes free with the beta linked above. It is a super low-stakes “tutorial” adventure that sees the PCs solving a “murder” in an interactive escape room. The point of this scenario is to be a short and fun way for players to learn the mechanics of Eureka: Investigative Urban Fantasy without risk of their characters dying.
FORIVA: The Angel Game
This is an official Eureka adventure module by A.N.I.M. currently available only to patreon subscribers. Set in the year 1999, this adventure involves the PCs investigating a mysterious threat targeting teenagers.
The Eye of Neptune
This is an official Eureka adventure module by A.N.I.M. currently available only to patreon subscribers. Set on a skeleton-crewed oil rig in the height of the Covid-19 pandemic, this adventure puts the PCs in a tense situation as members of the crew start to disappear one by one...
Free Call of Cthulhu Adventures
Since we have not had the time (yet) to build up a robust library of official Eureka adventure modules, Eureka: Investigative Urban Fantasy has been playtested the most by using Call of Cthulhu adventure modules, and it is designed to work well with them. In fact, in many cases it actually plays them better and smoother than Call of Cthulhu itself!
Chapter 7 of the Eureka rulebook covers how to convert an adventure module from another game for use with Eureka, and its super easy! The only thing that will need to be adjusted will be the HP values of monsters and we have a formulae for that.
What's In The Cellar, a super short adventure where the PCs will investigate a mysterious cellar.
Scritch Scratch, there's rats.
The Derelict, set in the modern-day in the icy waters of the North Atlantic, the thought of a substantial salvage reward drives the investigators to attempt to rescue the a stranded ship, but in doing so they attract the attention of a strange and deadly monster. 
The Lightless Beacon, the ivestigators are unfortunate passengers on a ship heading for Rockport, Massachusetts, on Monday, April 12th, 1926, the night of the new moon. Due to a malfunction at the lighthouse on Beacon Island, their ship founders on nearby rocks, forcing the investigators to take to a small lifeboat and head to Beacon Island for refuge in the growing storm.
Dead Boarder, a murder investigation, which centers on the discovery of a body in a locked room.
Paid Call of Cthulhu Adventure Modules
Even though they aren’t exactly “indie,” just about any non-WotC company that makes TTRPGs is an ally against the monopoly crushing the entire hobby and art form of TTRPGs, so we would love it if you could support them as well as supporting us. Eureka: Investigative Urban Fantasy wouldn’t exist without Call of Cthulhu, and especially not without Call of Cthulhu adventure modules! In fact they’re like one of the only “big” names out there that still regularly puts out adventure modules, which seem to be a lost artform seemingly everywhere else despite once being being absolutely synonymous with GMing. They’ve been making new official Call of Cthulhu adventure modules consistently for like forty years, and buying and playing these will encourage them to keep doing that.
New Tales of the Miskatonic Valley (pack of adventures)
The Reeling Midnight, by Tom Lynch. introduces Investigators to Arkham's truly decadent party scene. (I've played this one, pretty good.)
Wasted Youth, by Christopher Smith Adair, explores the roots of juvenile delinquency, culminating in a wild chase through the wilderness.
Spirit of Industry,by Oscar Rios, takes Investigators to the village of Dunwich, where they explore old murders and an ancient mystery.
Proof of Life,by Keith Herber, is a tale of extortion and madness in the Lovecraft Country town of Foxfield.
Malice Everlasting,by Oscar Rios, expores Kingsport and old grudges.
The Night War,by Kevin Ross, sees the author of Kingsport, City in the Mists, revisit his creation when a veteran of the Great War is suddenly haunted by deadly nightmares.
A Mother's Love, by Seth Skorkowsky, author of the Valducan series, takes us to the hidden town Innsmouth, with all its squalor, dangers, and dark corruption in a brand new scenario for New Tales of the Miskatonic Valley, 2nd Edition. (I've played this one, pretty good.)
The Things We Leave Behind (pack of adventures)
Ladybug, Ladybug, Fly Away Home, by Jeff Moeller. The investigators search for an abducted child in suburban Cleveland, Ohio, where time becomes a serious concern.
Forget Me Not, by Brian M. Sammons.  An accident in a TV truck in rural Michigan sees the investigators awake in a ditch with no recollection of how they got there.
Roots, by Simon Brake. Inquiries into a missing teen will teach the investigators that some mid-west communities prefer to be left alone.
Hell in Texas, by Scott Dorward. After a suicide at a church's east Texas Halloween haunted house, strange events threaten the lives and sanity of all those in the vicinity, including the investigators.
The Night Season, by Jeff Moeller, shows that fandom in Anchorage, Alaska, can go too far when reality begins to shift.
Occam's Razor (pack of adventures)
A Whole Pack of Trouble - a group of film students have gone missing while shooting a found-footage style movie over college break. 
Eye of the Beholder - five days ago, a young woman disappeared while working on an art project.
Frozen Footsteps - A Wendigo-obsessed professor heads off to Michigan's Upper Peninsula for some rare (for him) fieldwork and discovers far more than he bargained for.
Dark and Deep - A snuff film is making the rounds in which a woman is mauled to death by a Deep One. Are the film's establishing shots enough to track down the lighthouse was filmed at and get to the bottom of things?
Visions from Beyond - A late-night voicemail left by a friend/relative in need of immediate help followed by them not answering their phone 
The Watchers - the investigators are contacted by a single woman who lives alone and is being watched by unknown people.
A Cleansing Flame - Bodies are being discovered, burned to death, with no known fire starter/accelerant present.
Does Love Forgive? (pack of single-PC adventures)
Love You To Death, Chicago: February 15th, 1929. It’s a cold winter’s day when the investigator’s good friend Hattie May appears in their office at the detective agency. Her beloved pet dog, Highball, is scheduled to be destroyed later today and she needs the investigator’s help getting him back from the Chicago Police Department. It doesn’t sound like too difficult a task, does it?
Mask of Desire, New York: September, 1932. The investigator, together with their two close friends Anna Konrad and Lucas Reston, has been invited to a party at wealthy—and notorious—socialite Madame de Tisson’s swanky apartment on the Upper West Side. Anna is somewhat distracted by her audition tomorrow for Nancy Turner, the famous jazz orchestra conductor. What is the link between the audition and a mysterious parcel that arrives the next day? And, why do so many people seem to be interested in the contents of the parcel?
Night Mother's Moon (stand-alone adventure), investigators are New York City’s street homeless who come together to solve the mystery of something that is stalking and killing the members of their community. (Playing this one with Eureka right now actually.)
243 notes · View notes