#conditions of my parole

[giminal]

WHERES THE LOVE FOR HER

[juhnkit]

Motivational Music in the Morning ... #Puscifer, #Horizons ... From the Album #ConditionsOfMyParole [Official Audio Track] (2011) #MMitM1

[throughtrialbyfire]

tagged by @skyrim-forever to share my five most-listened to songs atm! thank you so much!! <3333

tagging @orfeoarte @archangelsunited @captain-of-silvenar @oblivions-dawn @vivifriend !!!!

these are ones ive had on loop a LOT, i hope you guys enjoy them!

[killingflies]

was listening to v is for vagina and i gotta say. i dont care about it..i've been meaning to listen to it for a long time now, the album cover is SO 2000s and SO trashy lookin i fell in love at first sight. ..but, now that i listened halfway.. its just really boring to me. i like the instrumentals, its just that im not a huge fan of maynards low range. it sounds really forced and well, i was never a fan of low "sexy" growls anyway. so it's just not for me. i might finish the album soon but i don't think my opinion is gonna change. I Do like momma sed and the undertaker tho. they're nice.

[seat-safety-switch]

I haven't fucked up this bad since the time I brought a package of Jiffy Pop to the veteran's hospital. Lots of people were screaming at me, both then and now.

For the longest time, my town had a coal mine. Shortly before my birth, they decided to close it. Coal was the fuel of the past, the town fathers said. Well, they didn't count on a TikTok trend (possibly sponsored by the coal industry) telling kids to burn it for clout. Suddenly, there were teenagers trying to break into the disused coal mine for more than just Halloween dares and pseudo-spooky makeout sessions.

Something had to be done about this. A security guard had to be hired. And, in flagrant disregard for free-trade agreements, they hired someone local. Me, specifically. It turns out that I am the only person left in town who is not working two or three jobs, and therefore perfect for the gig of night watchman at the coal mine. It also helped that my release conditions mandated I maintain employment, and my parole officer was starting to get suspicious that the screenshot of Microsoft Excel I taped onto my bedroom window did not actually constitute gainful "remote work." Bigot.

Now, you know me. You've gotten to appreciate, or at least tolerate, my whole "thing." I knew that I could work hard for maybe thirty minutes tops before I would, too, be descending inside that coal mine. Putatively, it would be to search for wayward kids (or the skeletons thereof) but in reality we both know that I'd be looking for an internal combustion engine to monkey with. Not like I didn't warn the town: I told them that they needed to get me a cool kei truck or something to patrol the mine with, but they were just like "bluh bluh it only has one entrance bluh bluh our road budget is already too high" and then they kicked me out of the Mayor's car.

I certainly did not have to look very far for one. The miners left a pretty rickety-looking mine cart right there at the opening. I could fuck with a train to pass the time, I thought. If any kids come, they'll be too scared by all the cursing and tool-dropping to break in here for French kissing. Or even Danish kissing, if they're freaks.

Anyway, it turns out that the mine shaft also had a bunch of tanks of pure acetylene lying around, and the little diesel engine pulling the mine train really liked that. Up until the pistons turned into incandescent bulbs somewhere along the highway into town. I'll tell you this much, though: after plowing right through the side of the high school, none of those overgrown children are going to think it's "cool" to fuck around with stuff in a disused coal mine ever again.

[genericpuff]

I know LO has been over for a while but something that's always confused me is the 10 year punishment thing. (I dropped the comic before the judgment so correct me if im wrong)

apparently Persephone was sentenced to 10 years in the mortal realm. Yet she complains that Zeus keeps extending her punishment but the timeskip only ends up being 10 years? (From 20 yrs old to 30). that makes it sound like she had a shorter sentence that was extended to 10 yrs (what a fuckin slap on the wrist if it was).

Either her punishment was 10 yrs and Perse was just banking on early parole release or she always had a short sentence which ended up being a measly 10 yrs anyway.

But then that would mean Demeter's punishment period was either tied directly to Persephone's or (for some reason) she had a full 10 yr sentence while Persephone got an initial shorter period

If it's not either of those then shouldn't her punishment be longer? 11, 12, 15, 20 yrs instead? Would make more sense that she was mad if she had to serve at least twice as long as she was told to

Ah so actually she wasn't sentenced to 10 years, she was basically sentenced to a perpetual punishment until Zeus felt certain conditions were met, such as her filling all of the responsibilities of Demeter and turning Minthe back to normal.

So the reason it wound up being 10 years was because Zeus kept finding reasons to extend the sentencing, clearly in an attempt to keep her away from Apollo as he was already suspecting that he might use Persephone's fertility goddess powers to overthrow him.

(joke's on Zeus though, he was overthrown with a poison cupcake lmaooo)

That said, Persephone was... really dumb when she failed her 10th inspection. Primarily because she broke one of the rules Zeus put in place for her before he did the inspection-

Like it's really funny in hindsight to read this scene because at the time the narrative was definitely trying to make us believe that Zeus was the bad guy here, and to a point he's definitely fucking around and not actually planning on letting her out of confinement while also doing jack shit to get to the bottom of his own suspicions regarding his son... but also girl, if your plan was to prove to Zeus that you had filled your end of the bargain, then why try and give him the letter prior to your once-a-year inspection? Either you're failed again over some arbitrary made-up bullshit reason so you can use the guilt-trip method after he's already screwed you over, or best case, you pass and you can deliver the letter to Hades yourself! It was a really dumb move on her part to immediately jump to asking him to bend the rules he made for her when she should know Zeus isn't gonna feel obligated to 'owe' her anything, and is completely contrary to her being as "smart and cunning" as the narrative tries to make us believe (remember when she hustled Hades at chess and lied to him about having a driver's license? where's that Persephone?)

And yeah Zeus really isn't wrong when it comes to how Persephone herself is such a "uwu look at me I'm a smol widdle baby girl, please break the terms of my punishment for me because I asked with tented eyebrows bats eyelashes" , this is honestly why so many people like Zeus as a character in LO contrary to how much the narrative tries to make us hate him, because while he's absolutely an asshole who deserves to be knocked down a peg, at least the narrative doesn't try to gaslight us into thinking he's a good person like it does with H x P. Zeus is a shithead but unapologetically authentic; Persephone and Hades both pretend like they're saints on earth (and the narrative tries to sell them to us as such) meanwhile they're constantly picking on lower class people and using their power and influence to get their way even when they haven't earned it.

But also yeah, it's funny how the fans will say "age doesn't matter when you're a god, time doesn't mean anything when you're immortal" to dismiss the massive age gap between Hades and Persephone, but then cry foul over Zeus keeping her in confinement for 10 years which is a pretty bare ass minimum sentence when you really think about it. Like, if the passage of time really is that inconsequential to a god, then how is 10 years even a punishment? It's only suddenly seen as a massively unfair punishment when it's Persephone who's suffering it.

[where-does-the-heart-lie]

One piece modern au, Mama Rouge :)

Happy Mother’s Day :)

Here’s some mama Rouge for the occasion!

Additional info about her 👇(there's a lot.)

Rouge is a bit sickly. Throughout Ace’s formative years, she was in a hospital, sick. Its honestly a miracle she got through child birth alive, but she’s a very very strong woman.

Garp was there when Ace was born because I like to imagine that Garp was Gol D. Roger’s Parole Officer, and so of course he became a family friend. But since he was there for Ace's birth, he was also there when Rouge held her newborn and cried because she knew she couldn't take care of him in her condition.

And look, I don't know how child handling works, but I think it would be really funny if Garp was like "you're okay, girlie, I got the perfect idea." And then he held out a sheet of paper with all the people on his parole list and said like "pick one, this could be part of their community service sentence."

And Rouge was like "might as well, I guess, I don't want to put him in an adoption center or foster home so I guess I'm doing this". Then she picked out Dadan because 'dad' is already in her name, and she's not really given anymore qualifications other than that, so Dadan it is.

Plot twist though because all these convicts just all live with each other so it really wouldn't have mattered, it just meant that now Dadan would be the main guardian of Ace.

-------------

Because she was in the hospital for so long when ace was growing up, she’s a bit of a mystery to him. Sometimes (like 3 times a year) she would come to visit him at The House Of Dadan and bring homemade large stuffed animals for him made with Ace's old clothes she's patched together. Ace loves them and they're on a high up shelf in his room, practically untouched in fears of potentially breaking them.

Whenever Ace has a day with Rouge, it's usually a bit awkward. Like Ace doesn't know how to have a mother and Rouge doesn't know how to have a son, but she is trying her best to have fun with him whenever she gets the chance to.

I kinda envision these vibes. Not exactly but adjacent.

Very like "what do you wanna do, sweetie :)"

Ace never gets to visit her at the hospital because Rouge doesn't want him to see her in that kind of setting. He tried to once when he became an adult but he was turned away at the door. He may or may not have tried to then find her through the outside of the building through windows and he may or may not have been kicked off the premises by security.

---------

The first day on the job after Ace completes his tattoo artist apprenticeship, he gets a customer who called the day before requesting him specifically, which is a little weird since he had just started that day, normal patrons wouldn't know him.

When it's time for the appointment, he goes to the floor from the back of the shop, and the person sitting in his appointment seat,

Is.. is his mom.

Shes talking to his coworkers and laughing with them! Ahh no nononono. His mom is not supposed to see this part of his life. What is she doing here????

He rushes over to her and asks her what she's doing here for??

"I'm getting a tattoo from my son :) can I get this flower please? :)"

So he starts the tattoo process and Rouge is very cooperative and receptive to when he needs her to move or anything like that.

He's.. he's never actually been this close to her for so long...

He glances up one and he sees her smiling so softly at him.

Ace looks away quickly, hoping she doesn't see him blushing.

For all wondering, the tattoo that she has is very much on her ass and it is very much Roger's name.

That's all I got. I got a couple of people asking about Ace's family situation, so here ya go :)

Oh additionally, Roger died before Ace's birth from Cancer

Thanks for reading if you got this far :)

[nightwing-bootylicious]

Batfam as MASH quotes, Part Two:

Jason, ordering takeout: "I need 20, no, make that 40 pounds of ribs... And a gallon of bbq sauce.....Yeah, we're having a party, my mom's out on parole..."

-

Steph: "Tim your hands are shaking!"

Tim: "it's a sinus condition."

Steph: "Jason, your hands are shaking too!"

Jason: "it's uh... Tim's sinus condition?"

-

Duke: "Damian can you hear me? If you can hear me, Knock three times. Knock twice if you can't!"

Damian: *knocks twice*

Duke: "Oh god he's dead"

[auschizm]

I’m confused about something. I don’t mean to be mean, but I don’t understand. How do doctors force people to take meds? Why would someone continue to take a med that they don’t like the effects of? When a doctor starts me on a new med and it makes things worse, I stop taking it. Do doctors have some way to enforce that I put a pill into my mouth every day? How do they even know if I have? No doctor has ever tried to prove that I was or wasn’t taking any med. I do inform them that I stopped taking the med that had bad side effects and they always seem to approve of that. Is that not how it usually works? I know doctors can be awful so I’m definitely not saying that being forced to take a med isn’t possible but is that common? Should I be worried about something bad happening from me telling a doctor that I stopped taking a med they gave me? I really hope this comes across as genuine curiosity!

Various ways doctors might force medication (in this context mainly antipsychotics) on people include:

Dismissing and invalidating your concerns/negative experience with the meds. ("If you don't think these meds are helping you're wrong/too sick to know what you need.")

Restricting treatment based on your refusal to take meds. ("If you don't agree to take these meds I won't continue treating you/I'll refuse to refer you to further treatment elsewhere.")

Threatening hospitalization. ("If you don't take these meds I'll be forced to hospitalize you.")

Making discharge conditional based on you taking the meds. ("I won't discharge you before you agree to take these meds.")

Physically forcing meds on you while inpatient. ("If you refuse to take these meds, we will forcibly inject them.")

Threatening further forced hospitalization if you stop taking the meds. ("If you stop taking these meds/don't show up for scheduled injections, I will forcibly hospitalize you again.")

Getting a court order mandating you to continue taking the meds as part of your parole.

Not all doctors use these strategies, but it does happen to a concerning amount of psychosis spec people.

[lawsofchaos1]

Shadowhunter Promptlet: Obeisance

In honor of the impending AO3 Shutdown Great Panic, please have a writing promptlet from one of my oldest journals. Fun fact: this is the predecessor to my angsty fic For Every Bird There Is a Stone. :)

~

When Alec is sixteen he discovers that his parents were in the Circle.

Not trusting any story they would tell him, Alec doesn't ask his mother or his father about their past, going instead to Alicante on official business and slipping the Hall of Records on his way back to New York.

Alec reads the file he illegally copied and is unsurprised to learn they were highly ranked- Maryse was one of Valentine's highest generals- and neither his mother nor his father stopped killing Downworlders without reason until it was made a condition of their parole.

Alec wishes he was surprised.

The file on his parent’s activity estimates the number of Downworlders they murdered and tortured, but no names are listed. The werewolves and the Seelie and the vampires and the warlocks are all left almost entirely anonymous, not even a cursory effort to identify them.

Alec reads every single word in both documents and discovers that there is one name contained in both, a single name that belongs to the only known survivor of his parent's wrath under Valentine's orders: a warlock that Maryse and Robert brutally tortured before his escape. Magnus Bane.

Alec is livid when he finds out that Magnus was never so much as apologized to, not even when he was later contracted by his parents to perform magical upkeep of the NYI wards after their parole.

When Shadowhunters have wronged another, the strongest expression of regret and repentance in nephilim culture is performing obeisance before the one who was wronged. It’s an expression of complete abjection and humility, acknowledging you (or one you are responsible for) have wronged the recipient and your punishment is in their hands.

In response to what he’s learned, Alec petitions the Clave for not only the Institute in full, but also the Headship of the Lightwood family.

Disgusted as they are by not only Maryse and Robert’s past actions, but also by their cowardice in refusing to take responsibility for their actions in the Circle and their present action in effectively leaving the Headship of the NYI to their son since he was fourteen, the Clave agrees. After the ceremonial transfer, Alec goes directly to Pandemonium. 

Magnus asks sarcastically if the new Head of the NYI is there to lay down the law or to make trouble. Alec doesn’t respond. Instead, he disarms himself, laying his weapons on the ground. All of them.

“Last week, I petitioned the Clave for Headship of not only the New York Institute, but also the Lightwood family. Both were granted, making me directly responsible for the future actions of all Shadowhunters under my command, but also for all actions of the Lightwood family, future and past.” 

Alec breathes deeply. “My parents, Robert and Maryse Lightwood, were in the Circle and believe wholly in the racist, genocidal doctrine preached by Valentine Morganstern. They committed unspeakable atrocities in his name to all factions of Downworlders, but when they spoke of their crimes to the Clave when requesting leniency, they only named the species of those they murdered and tortured without remorse. Except for you, High Warlock Bane. You, they named.”

Magnus was coldly imperious when he spoke. “Did you come to request absolution on their behalf, Shadowhunter? Because you certainly won’t receive it from me. Your parents slaughtered dozens for no other reason than their blood, and I will not forgive them.”

Alec nodded. “I didn’t expect you too. However, when I accepted the Lightwood Headship, the responsibility for their crimes became mine to bear. Although I know that this will be no consolation for you or for the friends and families of those hurt by my parents, you should know that I have ordered them confined to their home in Idris for the rest of their lives. They will never again bear weapons or act as members of the body of the Clave. They will never again harm another Downworlder. You have my oath on that.”

Magnus raised a brow. “A letter would have sufficed if that’s all you have to say.”

“No.” Alec paused. “Are- are you aware of the nephilim Rite of Obeisance?” 

Magnus paused for a fraction of a second, only noticeable to Alec given his closeness to the warlock. “I’ve heard of it, yes. It’s only been performed twice in the past century, if I remember correctly?”

Alec’s lips twitched sardonically. “It’s fallen out of favor since it requires admitting fault and accepting the consequence without possibility of appeal.”

Magnus’ own smile was cruelly amused. “Yes, I can see why you nephilim might not like that thought when the Clave hands out pardons to anyone with an old enough family name.”

Alec didn’t respond for a long moment. When he did, his voice was soft, but not hesitant. “Like they did to my parents.”

“Yes,” Magnus agreed, even though Alec hadn’t made it a question.

Alec closed his eyes for a brief moment in acknowledgement, then looked up to lock gazes with Magnus. “High Warlock Bane,” Alec’s voice was pitched to carry, his intonation suddenly formal. “As Head of the Lightwood Family, Maryse and Robert Lightwood now fall under my responsibility. They have both committed grievous harm to your person and have also committed grievous harm, including murder, to an unknown number of warlocks under your protection. Their crimes have not been punished by the Clave, nor can their crimes be fully addressed by anyone other than one harmed by them.”

And before the astonished eyes of all those present in Pandemonium, Alec sank to his knees, bowing forward until his forehead touched to floor in front of Magnus’ feet.

“As the one bearing responsibility for their actions, I give myself wholly to you in the fullest expression of remorse I can offer. In recompense for the harm done to you and yours, everything I have, up to my life, I give in offering to you.”

[tsukimefuku]

Kindness and sunflowers

This is part of my "Jujutsu Partners Canon Divergence AU". A sequence of short stories and random drabbles for a fic I'll eventually write (eventually). To see the ever-growing list of one-shots, please visit my masterlist :) 

Disclaimer: they’re NOT written and posted in chronological order of events. To see where this story fits in the timeline, please check the masterlist mentioned above.

Tags: f!reader, soft/implied Higuruma x reader, drinking, fluff, hurt, and comfort.

WC: 1.4k

"Hey, I think he's not doing very well." You said to the other sorcerers, while you were all sitting at the bar. Higuruma had his face plastered on the counter, and one of his hands covered a beer mug. He was mumbling unintelligibly.

This was his first time out of Jujutsu High's headquarters ever since they detained him. After saving your ass when you were on a mission, Higuruma — a curse user that was being hunted by Jujutsu High — was granted mercy under some conditions. If he proved himself as a worthy jujutsu sorcerer in their service, his suspended execution would be extinguished. You asked Gojo, as a favor from your friend, to try saving the guy (after all, he saved you first). Gojo agreed, but warned you'd be responsible for accompanying him in this "parole" period. Deal, you answered, and here you all were a month later.

The guy was smart (and a smart mouth), even with his kind of nihilistic demeanor sometimes. Working with him was very different from working with Nanami the months prior. Higuruma was an absolute beast in the field, and took many more risks than your previous mission partner. On one occasion, you had to take the poisonous hit from a curse to protect him, simply because he made no effort to dodge. You knew full well you could recover using your own RCT, but man, it was a nasty recovery period. He apologized at the time for his irresponsibility, and his empty sardonic facade seemed to get a little chipped away since then. At least for you.

"He seems fine to me." Nanami sipped on his own drink nonchalantly, as he raised one eyebrow while looking at the man. His contempt was hidden under the perfect monotone he had to his voice — Nanami was still furious at Higuruma due to the poisoning debacle that left you bedridden for an entire week.

You looked at him, somewhat irritated.

"Really? Does he, Nanami?" You asked rhetorically, pointing dramatically to face-plastered-on-the-counter Higuruma.

He sighed, putting his drink glass back on the counter. "I apologize, that was uncalled-for." Nanami said. "Yes, he should be taken somewhere else to sober up and sleep properly."

"Hey, lawyer man." Shoko poked Higuruma's arm, and he barely moved. "Yeah, he's out."

"This is it, I'm getting him home." You sighed. "I mean, now he's allowed to go out the headquarters, he might go home, right?"

Gojo shrugged, laughing, as he took many pictures of passed out Higuruma on his phone from different angles. "I didn't ask. They just said he could leave headquarters."

"You didn't ask?" You said, stunned.

He put his phone away in his pocket, clearly amused. "Well, when this happened to one of my students, he wasn't bound to be in headquarters all the time. So I think it's safe to say the man is free to go, as long as he comes back."

You facepalmed. Getting money from your wallet, you gave your and Higuruma's part to Gojo, the only person sober in the whole entourage. "Here, this should cover for us. I'm calling a cab."

He smiled as he said good luck.

***

After fumbling through Higuruma's wallet and questioning him relentlessly, piecing together everything the drunk man could tell, you finally got to drag him to his apartment, where he used to live when he was still a lawyer. There was just one thing you hadn't accounted for — neither of you had the key. You were cursing yourself and him under your breath as you conjured up a tiny grenade with your innate technique, just strong enough to bust open his door without causing collateral damage. He was leaning against the wall, sitting on the ground, and seemed to be snoring. May the neighbors not hear this. It was late enough to be almost early.

The controlled explosion was loud enough to startle him awake, but didn't seem to attract any attention from the other apartments. You threw Higuruma's arm over your shoulders and lifted him up, while you opened the door and carried him inside. Miraculously, when you flipped the lights on, it actually worked. You put him on the couch as you used one of the chairs around the place to hold the door closed.

"You're kind, did you know that?" Higuruma said, while he was a tad bit more sober now than when you both left the bar. He threw himself over the couch, extending his arms on the cushions and leaning his head back to look at the ceiling. "The world is not a great place for kind people."

"You don't say." You replied, smiling, while you looked around the apartment. Somehow, it was exactly what you expected his place to look like. A little messy, with lots of books lying around the house, and even if the place had no big decor or anything like that, it still felt warm. You saw a sunflower withered by the window, and you noticed he looked at it at the same time, grunting in complaint.

Higuruma leaned forward to remove his shoes, but was having a hard time pulling his shoestrings. You sighed as you said, "here, let me help you." You got on your knees and undid both of his shoes, taking them off. 

Higuruma took you by surprise, as he directed his hands to hold your face delicately and lift your gaze. He looked at you, your faces inches apart, as you could still smell the beer from him. His eyes were soft, something you hadn't seen yet. You felt your heart skip a beat as he was holding you like that. "Thank you."

You gulped and blinked a few times, as you removed his hands from your face and got up. "It's just shoes." You turned to walk away into the kitchen and see if you could grab him a glass of water, but he held your hand, still seated on the couch, looking down.

"No. I mean... Thank you." Higuruma said softly. "Thank you for defending me." He sighed deeply. "It's usually the other way around."

"Oh." You turned to look at him. A soft smile took over your face. "You saved me that day. I wouldn't forgive myself if I didn't at least try to return the favor."

He pulled you and had you landing beside him on the sofa. It startled you, as you felt your face warm and blushing. He was still holding your hand, making circles with his thumb over your hand's back, and spoke, nearly whispering, "You're too kind." He closed his eyes, and for your surprise, he leaned over and rested his face on your shoulder in a cat-like demeanor. Your body quivered as you felt his slow breath pressed against your skin, and you both stayed completely still for a while.

"Higuruma?" You asked, hearing in response a soft snore. Oh, he's out. Sliding him very carefully out of your shoulder and onto the couch, you got up. Time to go.

After taking a last look at the withered sunflower that was beside his window you sighed, looking at your wristwatch and feeling you could still wait a few hours. There was something you to do first.

***

Higuruma's head made him a thousand promises of regret as he tried to remember how exactly he got home. The sun was high outside, and it was probably noon already. After getting completely hammered at the bar, he had only a few flashbacks. Getting poked, an insistent camera flash on his face, everyone's voices, his sunflower dead by the window.

You.

He sat up on the couch hastily, feeling instantly dizzy as he put his hands on his head. "Where is she?" He looked around, and the apartment seemed empty. I hope I didn't make a complete fool out of myself yesterday, Higuruma thought to himself, as he got up, careful not to get the drunken vertigo.

Higuruma remembered the sunflower again, and grunted, displeased. He had bought it in an attempt to decorate his apartment, at least a little, and make it feel more like a home. The former lawyer found the idea of him taking care of a sunflower kind of funny and surely ironic. After everything that had happened, he was away from his apartment for nearly two months by this point. "Good thing I never had any food in here." He said to himself, walking towards the window.

He stopped as he saw a brand-new sunflower in a vase, right where the other one previously was. Higuruma smiled, amused with himself, and traced his messy hair with his fingers, wondering how he would thank you for that.

"Yeah. Too kind."

[presidentcircles-assistant]

redraw of one of my favorite lines from le chat du rabbin that i think fits these two very well

og under the cut + explanation

“Je lui demande de me montrer une image de Dieu. Il me dit que Dieu, c’est une parole.”

R. Line justifies her neglect and disdain towards Trey, her own son, by using the Gospel of Three Dimensions, claiming that the Holy Sphere purposefully guided evolution to give Women larger brains than the Isosceles of the village. Women are inherently better, and are above the Isosceles: this is the structure set in stone. Trey, suffering daily under this dogma, questions their religion and the existence of the Holy Sphere. If the Sphere was real, he would have already saved them from the conditions of poverty and suffering their villages are put into. Because of R. Line's overbearing nature and refusal to accept any other point of view other than her own, Trey does not believe that the Third Dimension or an afterlife exist. R. Line is content with sending her son to his own death, under reassurance that their next life in a higher dimension is all that matters.

umm now some very choppy explanation of symbolism in this bc it's hard to put into words:

-The background is yellow to show the idea of the Sphere, specifically R. Line's ideal of the Sun as a holy object that is intertwined with the Holy Sphere: Only R. Line's beliefs are what matter, and are extremely overbearing and searing. R. Line is outlined in yellow, as well as the pupil of her eye being yellow to show this ideal is the lens she views the world through. Trey does not conform to the idea of a Holy Sphere, and has no yellow on him, but he is surrounded by it because it is forced onto him.

-Also relating to their pupil colors: In white, Trey is seeking out an answer grounded in reality and truth. In yellow, R. Line makes up her own answers, and justifies them through saying they are only what the Sphere would want. Similarly to this: Trey has a very solid outline because he wants direct answers that make logical sense and can be proven. R. Line's outline is blurry/indistinct because she is willing to lead her life using blind faith. Trey's limbs are fading because his limbs are the body part that have the most semblance to his mother (very angular + have spikes on the shoulders), and no matter what he does, he is still his mother's son. + it also shows how he does not have much time left before his death

-The black holes on the bottom represent the cross-sections of a Sphere, and the Sun in the back represents R. Line's pendant. These are not concepts that can be translated correctly into 2-Dimensions, and stick out as something that is really not true. These concepts are shadows displayed on a wall in an attempt to mimic the real thing, hence them being black and solid. It is an attempt for them to project the Sphere into their lives, but in the end, it is all false. The idea that R. Line dedicates herself to, an all-powerful and omnipotent Sphere that will bring salvation, is false. But she whole-heartedly believes in them, and willingly allows them to consume her life. It is also why she is fully black: Her life is only a vessel for her belief in the Sphere, and she has no real emotional connection to this plane of existence. This is also why blood is draining into the most prominent cross-section: She allows so much death and suffering, ruins the lives of all that get close to her, watches her son's death without lifting a finger to prevent it. All in the Sphere's name.

[charliedawn]

Charlie, I don't know if you've watched it

But I've been binging House MD for a week now and I am curious

How would the slashers react to a nurse/doctor/caretaker that acts like House? Throw in the injured leg and popping painkillers if you want.

(course you don't need to do this, especially if you haven't watched it, but I suggest it, it's a really good show!)

(I love this show ! And I loved the idea. Maybe I went a little overboard, but I hope you’ll like it !)

Dr. Gregory House was not impressed.

He limped through the front doors of St. Louis Hospital for the Criminally Insane, his cane tapping against the marble floors, the sound echoing off the tall, institutional walls. The hospital looked like it had been plucked straight from a horror film. Looming in the shadow of a distant mountain range, the gloomy forest surrounding it, the structure was a mix of gothic and brutalist architecture, its jagged, imposing edges designed to keep people both out and in. The kind of place that whispered secrets in the wind and held darkness in its very bones.

House paused in the entrance lobby, taking in the security cameras, the reinforced glass, and the guards stationed at every corner like statues. A hospital, they called it. It was more like a fortress—a prison masquerading as healthcare.

"Well, this is cozy," he muttered under his breath.

Two security officers flanked him as they walked down the corridor, their eyes glancing nervously at every door. House smirked. Not even the staff feels safe here, he thought.

He had been transferred here after what his superiors at Princeton-Plainsboro had called "several breaches of professional conduct." To be fair, they weren’t wrong. Sure, he'd solved cases no one else could, but apparently there was a limit to how many patients you could verbally abuse, experiment on, or trick into revealing life-threatening conditions.

So now, after burning every single bridge out there, here he was—sent to St. Louis to deal with a different kind of patient: the criminally insane. Specifically, the violent ones. The ones who liked to stab, slice, and butcher. It wasn’t that they didn’t need medical care. They did—often after failing to finish the job on themselves or others. But these were the slashers, the ones whose names conjured fear and nightmares. Legends in their own right. And that made him excited.

"Dr. House," said a nurse as she advanced towards him with a smile. "Welcome to St. Louis."

He huffed.

"Really ? I feel like I should be checking in with my parole officer, not you," House replied, his voice dripping with sarcasm. He glanced at the directory on the wall: Intake, Ward A, Ward B, Ward C: Maximum Security. His eyes lingered on the last one. He bet that’s where all the "fun" patients were.

"Not many doctors survive long here," the nurse explained, ignoring his jabs. "Our patients... well, they have certain needs that require someone of your...unconventional skill set."

House raised an eyebrow. "Unconventional, huh ? Bouhou. You almost hurt my feelings."

He smirked.

She stared at him for a long moment before deciding to ignore him and continuing. "Your patients will be some of the most dangerous people in the country, Dr House. Murderers. Sociopaths. Many of them are mentally fractured in ways modern medicine still doesn’t fully understand."

House rolled his eyes. "Fractured brains, violent tendencies...sounds like a weekend with my ex-wife."

She smiled politely before gesturing down the hall, where a guard was stationed in front of a heavy steel door, the words Ward C etched above it in grim lettering. "This is where you’ll be assigned. Ward C—reserved for the most violent offenders." The nurse informed him and House tapped his cane on the ground, surveying the corridor. "And I get the pleasure of keeping them alive ? Lucky me."

He scoffed sarcastically and she nodded.

"They don't just need medical attention. They need to be understood. We need to know why they are the way they are, and more importantly, how to control it. Think of it as one long medical mystery, Doctor House. I know how much you love mysteries." She grinned—thinking he might take up the challenge and she wasn’t wrong.

House leaned in slightly, his face turning serious. "So, you're telling me I'll be working with slashers ? The 'legends' of the violent crime world ? Monsters who carve up people for fun ? Why, oh why, didn’t you lead with that ?" He grinned back.

Their lips tightened, unimpressed with his dark humor. "You’ll be given access to their medical histories and psychological profiles. If you’re good enough to figure them out."

He rolled his eyes.

"Toots, I’ve diagnosed people with diseases no one’s heard of and found cures no one believed in. Your little band of merry killers isn’t going to throw me off."

He didn’t hesitate before taking the files she handed him and leafing through them. His eyes widened on the little he was given to work with. Most of them were so classified all over that there was more black than white on them and House finally frowned before closing the files. Right. They were sending doctors in there with no idea about what they were supposed to do or what they were gonna face. No wonder they were short-staffed…

The nurse sighed. "Just don’t get yourself killed."

Too fast…, Dr House guessed she had left out by the way she looked away and bit her lower lip. Yeah. It seemed the cemetery he had seen on his way in wasn’t just early decoration for Halloween.

But, he still felt confide and smirked at her.

"Don't worry. I'm not planning on letting any of them get too close." He glanced at the guard by the door. "Besides, I always bring protection." He tapped his cane. "This thing’s more useful than it looks."

The nurse hesitated before sighing and nodding. A guard opened the door to Ward C, and immediately the mood shifted. The air inside was heavier, like the building itself could feel the presence of the patients it held. It was a long corridor lined with cells—each one sealed tight with reinforced glass, inside them dim figures pacing or sitting, their faces obscured. The sound of heavy breathing, the occasional murmur or maniacal laughter echoed faintly from deeper within. The first door they passed revealed a huge masked man hunched over on his bed, his eyes staring intently at Dr. House as he walked past his cell. His file—clipped to the door—read Brahms Heelshire, better known to the world as the ‘Nanny Killer’ or ‘Killer Doll’. Next to him was the infamous Freddy Krueger—his eyes fixed on him with a sleazy smile. Across from them was Jason Voorhees, his hulking frame slouched in a corner, his hockey mask reflecting the dim lights.

"This is like the slasher hall of fame," House mused, scanning the infamous names as if he were walking through a bizarre art gallery. "Do they give tours ?"

At the end of the hall was an empty room—empty except for a single metal chair, bolted to the ground, with heavy restraints dangling from the armrests. No patient. No file. Just an eerie, cold silence.

"Who’s this for ?" House asked, tapping the door with his cane.

"That’s for Michael Myers," the nurse replied flatly, the name hanging in the air like an ominous cloud. "He’s currently undergoing evaluation. It happens sporadically, but he always comes back."

House raised an eyebrow. "Ah, the Michael Myers. The boogeyman himself. I’ve read about him. The guy who never dies and never says a word. Sounds like an ideal patient—no complaints, no endless monologues about how their mother didn’t love them enough."

The nurse didn’t flinch at House’s sarcasm. "He’s unpredictable. Dangerous in ways you cannot possibly imagine."

House waved it off, still scanning the eerily quiet room with its empty chair. "Unpredictable ? That’s my bread and butter. Sounds like a normal day for me, minus the masks and machetes. Besides, I’ve been trying to kill myself slowly for years—alcohol, Vicodin, maybe the occasional slash-happy patient will speed up the process."

The nurse eyed him warily. "This isn't a joke, Dr. House. The patients here aren’t just disturbed—they’re lethal. You’re not dealing with people who want to be saved. They want to hurt. And they don’t need much of an excuse."

House rolled his eyes, tapping his cane again. "You don’t say. Well, considering this place looks like it could double as Dracula’s vacation home, I’m guessing safety measures aren’t exactly high priority. Where are the mood lights ? The potted plants ? You’re supposed to make hospitals inviting, you know. Maybe some soft jazz, something to make me forget I’m surrounded by lunatics."

The nurse ignored him, her patience visibly thinning. "You’ve been given full access to their records. Try to understand what drives them. They’re all damaged in ways that defy typical psychiatric diagnoses. If anyone can find out what makes them tick, it’s you.”

House sighed dramatically, the weight of the situation lost on him. "Fine, fine. I’ll crack open their skulls and poke around—metaphorically, of course—find out what’s rattling in there. Though I’d wager it’s mostly bad childhood memories and a fascination with sharp objects."

The nurse’s serious tone didn’t waver. "Be careful, Dr. House. This isn’t Princeton-Plainsboro. The rules here are different. These patients...they do not care about your brilliance. They won’t hesitate to hurt you if given the chance."

As they continued walking down the corridor, House’s eyes wandered over the slasher patients in their cells. He recognized many of them from headlines, documentaries, and whispered urban legends. The names alone would send chills down anyone else’s spine—serial killers who made a career out of violence, leaving destruction in their wake. But to House, they were just patients. Puzzles to be solved, however warped or shattered they might be.

House paused, his sharp blue eyes flicking down to meet hers, the smirk fading slightly. He let out a small, humorless chuckle. "You know, the thing about people like me ? We never really expect to survive."

The nurse ignored the comment. "These patients are unlike anything you've ever dealt with. Most of them are physically resilient, surviving injuries that should have killed them multiple times over. Their psychosis, in many cases, seems almost...supernatural."

"Supernatural ?" House let out a scoff. "That’s a fun word for 'We don’t know what the hell’s wrong with them,' isn’t it ?"

She didn’t answer, but her silence was telling. House could feel the weight of his new role settling on his shoulders, but it wasn’t the weight of fear. It was the thrill of the unknown. The mystery of minds so fractured, so broken, they seemed beyond repair. Seemed being the key word.

As they reached the end of Ward C, House stopped to study the doors once more. He tapped his cane on the floor, looking at the empty room reserved for Michael Myers. A shiver of excitement ran through him, though he’d never admit it. Whatever the slashers’ issues were, House lived for this—the challenge, the chase, the impossible diagnosis. And in this new place, with patients who blurred the line between reality and nightmare, he knew one thing for sure:

It was going to be one hell of a ride.

"You sure you’re ready for this, Dr. House ?" the nurse asked, her voice a little quieter now, as if she too had second thoughts. House smirked again, twirling his cane once before letting it tap the floor. "Ready ? I’ve been bored for years. This place might finally give me something to care about."

With that, he turned, making his way down the dim corridor, passing the locked cells of notorious killers, his cane echoing through the silent ward. Ward C, the place of horrors, home to the most disturbed minds in the world. But House didn’t flinch.

This was going to be fun.

He smiled.

That afternoon:

Dr. Gregory House stepped into the dimly lit room of one of the cells of Ward C, and his eyes immediately fell on the the broad bloke curled up on himself like a child. Sitting quietly in the corner was Brahms Heelshire, his face obscured by the mask of a porcelain doll, but this was no child’s toy. Beside him, placed with eerie precision on a small wooden chair, sat a life-sized doll—a spitting image of Brahms himself, right down to the carefully crafted clothing and unnerving, glassy eyes.

House smirked, his cane tapping lightly on the tiled floor as he sized up the room. "So, I guess this is what passes for family around here. Must be nice having a twin brother who doesn’t talk back."

Brahms didn’t move. His posture was perfectly still—like a statue frozen in place. The doll next to him—his other self—seemed to mirror the lifelessness of its owner. The room’s atmosphere felt heavy, as if the very air had been sucked out, leaving only the tension between House and the bizarre duo.

"Let me guess," House continued, walking slowly around the room, his eyes never leaving Brahms or the doll. "He’s the talkative one, right ? You’ve got the looks, and he’s got all the charm. Am I close ?"

Brahms’s head turned ever so slightly, just enough to acknowledge House’s presence, but he remained silent. His hand rested gently on the doll’s shoulder, as though it were a living thing—a cherished companion. The porcelain doll’s eyes stared back at House, empty yet somehow filled with something unsettling.

"You know, I’ve had a lot of weird patients," House continued, leaning against the wall, his tone casual but his eyes sharp. "But this ? This is a first. A grown man hiding behind a doll. I’ve gotta say, your coping mechanisms are fascinating. Must be a hell of a childhood story to unpack here."

Still no response. House wasn’t surprised. He’d read Brahms’s file—how he’d spent his youth hidden away in a mansion, isolated from the world, how the doll had become both his protector and his proxy. House found the whole thing both tragic and ridiculous.

"So, what’s the deal ?" House asked, raising an eyebrow. "Is he your bodyguard ? Your best friend ? Your brother ? Or are you just using him to keep the world at a safe distance ?"

Brahms shifted again, his masked face still unreadable, but the hand on the doll’s shoulder tightened slightly. House caught the movement, his curiosity piqued.

"Ah, I see. He’s not just a doll, is he ?" House stepped closer, tapping his cane as he circled the pair. "He’s you. The version of you that never got to grow up, the one who never had to deal with all the nasty bits of being human—fear, loss, rejection. You made him your escape."

The room felt colder, the air thickening with the unspoken tension. Brahms’ silence was oppressive, but House was relentless.

"You’re not the first person to create a shield, you know," House continued. "You’ve just taken it to a creepy new level. Most people use alcohol, drugs, or a good old-fashioned mental breakdown. You ? You went full Pinocchio. But instead of becoming a real boy, you’ve stayed a puppet."

Finally, Brahms moved. He lifted his head slightly, his eyes visible through the slits of the mask, and for the first time, House felt the weight of his gaze. It wasn’t anger, nor was it fear. It was something darker—something far more broken.

"You think you understand me," Brahms finally said quietly, his voice muffled by the mask. "But you don’t. He’s not just a doll. He’s my protection. My family. My…other half."

House raised an eyebrow, intrigued by the response. "Protection from what ? The big, bad world ? Or are you just protecting yourself from the mirror ?"

Brahms’s hand clenched the doll’s shoulder harder, the tension in his body palpable. "He’s everything I’m not. He’s the part of me that’s strong. The part that doesn’t feel pain."

House leaned in slightly, his voice dropping to a near whisper. "And what about you ? The real you, hiding behind that mask ? You think this little doll can keep you safe forever ?"

Brahms’s breathing quickened, and for a brief moment, House could see the cracks in the facade. This wasn’t just a man with a doll—this was a man torn apart by his own fractured identity. The doll wasn’t just a comfort; it was a prison. And Brahms had locked himself inside willingly.

"He protects me from people like you," Brahms hissed, his voice suddenly sharp. "People who think they can fix everything with their words. People who want to take him away from me."

House’s smirk faltered for just a second, and he tilted his head, studying Brahms more closely. "I’m not here to take anything away from you. I’m just here to figure out why a man who’s clearly smart enough to survive in a world that’s abandoned him is still hiding behind a doll."

Brahms suddenly stood up, his height more imposing than House had anticipated. He loomed over him, his masked face inches from House’s own. "You don’t know what it’s like," he growled. "To be trapped. To be hated. He’s the only one who’s ever been there for me."

House didn’t flinch and he kept staring at Brahms. "Maybe," House said, his voice low, "but he’s also the one keeping you trapped. You’re not protecting him. He’s keeping you from facing the fact that you don’t need him anymore."

Brahms recoiled slightly, as though the words had struck a chord. His hand hovered over the doll, but this time, there was hesitation. House took a step back, letting the silence settle in.

"I’ll tell you what," House said, turning toward the door. "You keep your little buddy here as long as you need to. But one day, you’re going to have to choose whether you want to be the man or the doll. Because trust me, living your life through a puppet ? That’s not living."

As House walked out of the room, leaving Brahms alone with his doll, the man’s gaze lingered on the figure beside him. The mask on Brahms’ face remained as blank as ever, but beneath it, there was a spark of hesitation.

What if the doctor was right ?

Meanwhile, Dr. House walked to the next cell. He step inside, the heavy door closing behind him with a hollow thud. He was no stranger to unusual patients—Princeton-Plainsboro had given him his fair share of weirdos—but this was something else entirely. The man sitting in front of him, legs crossed and a smirk plastered on his burned face, was notorious in ways that even House couldn’t ignore.

Freddy Krueger.

The infamous dream killer lounged in his chair, his signature bladed glove dangling from his right hand, the tips of his claws lazily tapping against the metal armrest. The sound was grating—like nails on a chalkboard. His weathered fedora cast a shadow over his disfigured face, but House could see the mocking gleam in his eyes.

"Well, well," Freddy said, his voice raspy and filled with dark amusement. "They sent me the famous Dr. House. Heard you were good at solving puzzles. You gonna fix me, doc ?"

House limped closer, his cane tapping rhythmically on the floor. He met Freddy’s gaze without flinching, his expression one of bored detachment. "Fix you ? I am a doctor, not a miracle worker. I am pretty sure whatever’s wrong with your face isn’t gonna be solved with a little Botox and a facial peel."

Freddy chuckled, low and menacing. "Oh, I like you already." He leaned forward, his gloved hand stretching out, one of the blades grazing the surface of the table between them. "But you see, Doc, I'm not one of your typical patients. You think you’ve got me all figured out ? All those fancy degrees and medical jargon…they don’t mean squat in my world."

House arched an eyebrow, unfazed by Freddy’s theatrics. "Your world, huh ? What’s that ? A world where people are dumb enough to let a burn victim in a Christmas sweater kill them in their dreams ? Yeah, sounds terrifying."

Freddy’s grin widened, showing off his jagged, yellowed teeth. "Ah, see, you don’t believe in me. You think I’m just another psycho. But trust me, Gregory," Freddy’s voice dropped to a whisper, "I live in the space between thoughts, in that part of your mind where logic can’t reach. You can diagnose diseases, figure out symptoms, but me ? I’m the disease of the mind. I’m what people fear when they close their eyes at night."

House leaned on his cane, smirking. "So you’re a glorified bad dream. Lucky for you, I am an insomniac. Let me guess, unresolved trauma, probable schizophrenia, homicidal tendencies. If I didn’t know better, I’d say you’re just another patient trying to sound special. But in the end, you’re just a guy who likes to kill people in their sleep because you’re too lazy to do it while they’re awake."

Freddy's eyes narrowed, but the smirk didn’t leave his face. "You think you’re safe because you’re awake right now, don’t you ?"

House shrugged. "Awake, asleep, who cares ? Reality’s overrated, and I’ve got enough Vicodin in my system to numb me to just about anything. So if you're planning on scaring me into believing your little Freddy Krueger bedtime story, you're gonna need more than some cheap theatrics."

Freddy leaned back, his blades gleaming in the dark. "Oh, I don’t need to scare you. You’re already scared. You’re scared of the things you can’t control. The things you can’t fix. I know all about you. The pain you try to hide behind that cane, the pills, the genius bravado. The people you push away because you don’t want them to see you falling apart. You think you're invincible because you don't let people get close, but deep down ? You know you’re as fragile as the rest of 'em."

For a moment, there was silence. House’s expression remained unchanged, but there was a flicker of something in his eyes. The truth in Freddy’s words was too close for comfort, but House wasn’t about to let him have the satisfaction of knowing it.

"Great," House said dryly, "another psychopath with a god complex who thinks he understands me. How original." He stepped closer, leaning on the table, his face inches from Freddy’s. "But here’s the thing—you may get your kicks messing with people’s heads in their sleep, but you don’t scare me. I’ve already seen my demons. I look them in the mirror every morning. So if you’re trying to play mind games ? You picked the wrong guy."

Freddy’s eyes glinted with amusement, but there was something darker lurking behind them. "Oh, don’t worry, Doc," he purred. "I’ve got all the time in the world. You’ll fall asleep eventually. And when you do, I’ll be waiting."

House straightened up, giving a dismissive wave. "Yeah, yeah, I’m shaking in my boots. Until then, try not to claw up the furniture. I’m guessing the hospital budget doesn’t cover Freddy-proofing."

He turned to leave, his cane tapping the floor as he moved toward the door. But just before he reached it, Freddy’s voice followed him, soft and sinister.

"Sweet dreams, doctor."

House didn’t look back. He wasn’t going to give Freddy the satisfaction. But as he exited the room and the door closed behind him, a faint chill ran down his spine, despite his best efforts to ignore it. He wouldn’t admit it, but there was something unsettling about Freddy Krueger—a nagging sense that even in a world built on logic and reason, there were still things out there that defied explanation. Things that lived in the cracks between science and madness.

And House knew better than most how fragile the mind could be.

Still, he wouldn’t give in to fear. Not yet. Not until he had more answers. And he wouldn’t that half-burnt steak face scare him…

Dr. House shook his head and entered the observation room of Ward C with his usual limp and caustic wit locked and loaded, though this time there was no sarcastic remark that immediately sprang to his lips. Instead, he found himself staring at a massive, hulking figure sitting motionless in the far corner of a reinforced glass cell. The dim lights glinted off a dirty, weather-worn hockey mask, the only visible part of a man whose very name had become synonymous with terror: Jason Voorhees.

House stood there for a moment, letting his eyes travel over the patient’s enormous frame. Jason was unnaturally still, his hulking body more like a statue than a human being. The man’s breathing was slow, controlled, the sound barely audible over the hum of the hospital’s air system. His presence filled the room with a tension that made the hairs on the back of House's neck stand up, though he’d never admit it.

House tapped his cane against the glass, the sharp sound ringing out in the eerie quiet. "Hey, Leatherface reject. Got a minute ?"

Jason didn’t move. No flinch, no twitch. Just pure, unnerving stillness.

House sighed dramatically. "Oh, great. One who doesn't talk. Why is it always the big guys who never have anything to say ?" He tapped the glass again, louder this time. "What, you too cool to chat with your doctor ?"

Jason’s head turned ever so slightly, the hockey mask catching more of the dim light. House could feel the weight of those unseen eyes behind the mask, watching him. There was something unsettling about the sheer silence Jason exuded—it wasn’t passive like a normal patient, it was a charged kind of quiet. The kind that spoke of brutal, unstoppable violence lurking just beneath the surface.

House glanced at the file clipped to the door—full of the usual psych evaluations, medical records, and police reports detailing Jason’s infamous history. Brutal killings, seemingly unkillable himself, somehow always returning to life despite countless injuries that should have put him down for good. It was like reading a case file on a walking corpse.

"So," House said, leaning on his cane as he studied Jason through the thick glass, "you’ve got quite the reputation. A machete-wielding maniac with mommy issues. You know, I’ve met a lot of psychos in my time, but you ? You’ve really set the bar high."

Again, Jason gave no reaction.

House’s eyes flicked back to the file. "Let’s see…drowned as a kid, came back to life somehow, spent years haunting a camp, and then went on a killing spree. Then you died. Multiple times, apparently. But, like a bad case of herpes, you keep coming back." He looked up, raising an eyebrow. "You ever think about retiring ? Maybe trying out knitting or gardening ?"

Silence.

House’s smirk faltered slightly as he watched Jason, his eyes narrowing. He’d dealt with plenty of dangerous people before—hell, he’d even had patients try to kill him once or twice—but this was different. There was an aura around Jason Voorhees that felt less like insanity and more like inevitability. House could feel it, a raw, primal energy that radiated from the man’s massive form, a quiet promise of violence.

"What’s your secret ?" House asked, his voice a touch more serious now. "How do you keep coming back ? You get stabbed, shot, burned, drowned—and yet here you are, sitting pretty in your little glass box. Most people die once and they’re done. But you…it seems you refuse to stay dead. How do you do it ?"

Jason’s head tilted slightly, as if considering House’s words, but there was still no verbal response. House squinted, noticing something. The mask, weathered and cracked, bore deep gouges and marks—battle scars from years of violence—but Jason himself, beneath the mask, seemed untouched by time.

House stepped closer to the glass. "You’ve been through more trauma than any human body could withstand, yet here you are. If I didn’t know better, I’d say you’ve found the fountain of youth. Or at least the fountain of ‘I don’t die.’"

Jason’s hand twitched, just barely—a subtle, almost imperceptible movement—but House caught it. He stepped back, a smirk returning to his face.

"Oh, did I hit a nerve ? Does the big, silent killer not like being called an anomaly ? Come on, talk to me, Voorhees. What’s it like to come back from the dead ? Do you remember it, or is it just one long nap before you wake up and get back to slashing ?"

Jason’s breathing seemed to deepen, the sound now audible through the glass, like a beast waking from a long hibernation. House raised an eyebrow, intrigued.

"Ah, there we go. I knew there was something in there. You’re not completely gone, are you ? You can hear me, you understand what I’m saying."

Jason’s hand flexed slightly, the faintest of movements, but House noticed it immediately. He pressed the point, staring directly into the blank eyeholes of the hockey mask.

"You know, it’s funny," House mused, "you and I aren’t that different. You hide behind your mask, I hide behind my cane and sarcasm. You’ve got mommy issues, I’ve got issues with just about everything. We both keep people at arm’s length, and we both…well, we don’t really die, do we ?"

The room grew colder, or at least it felt like it. Jason’s form loomed larger in the silence, and House’s smirk faltered again.

"You know what the difference is though ?" House asked, his voice lowering as he stared into the void behind the mask. "I know why I’m still here. I know what keeps me going. But you ? I’m not so sure. You’re just a blunt instrument, aren’t you ? You don’t have a reason. You just are. And that…that’s what makes you dangerous."

Jason shifted in his seat, the sound of leather creaking as his massive frame adjusted. House felt the weight of Jason’s presence bearing down on him like a storm cloud, but he didn’t back away.

"You want to kill me, don’t you ?" House asked, his voice calm but challenging. "But here’s the thing—I’m not afraid of you. You’re just another puzzle to me, another medical anomaly that I’ll figure out eventually."

Jason’s breathing quickened, and for the first time, House could feel a hint of the violence that lay just beneath the surface. He was playing a dangerous game, but that was nothing new. He lived for danger, for the thrill of the unknown. And right now, Jason Voorhees was the ultimate unknown.

"Well," House said, tapping his cane against the floor, "I guess we’ll see who figures out who first."

He turned, limping toward the door. But as he reached for the handle, he paused and glanced back over his shoulder at the motionless giant.

"And by the way," House added with a smirk, "if you ever feel like talking, just let me know. I’d hate for all this silence to go to waste."

With that, he left the room, his mind already working on the impossible mystery that was Jason Voorhees.

…But then, he was accompanied to that very special cell—the one at the very end of the corridor. He leaned heavily on his cane as he limped forward confidently. The security guard walking beside him cast a nervous glance at each locked door they passed, his hand hovering near the baton clipped to his belt.

"You sure about this ?" the guard muttered. "He's...not like the others."

House’s lips curled into a smirk. "They say that about every psycho I meet. They all have their quirks." He glanced up at the flickering lights. "Must be exhausting, constantly being terrified of your own patients."

The guard didn’t respond, his hand trembling slightly as he reached for a large key ring on his belt. They’d arrived at the heavy steel door, which creaked ominously when he unlocked it. A plaque next to the door read: Patient 1A – Myers, Michael.

"He's all yours," the guard said, stepping back.

House pushed the door open and walked in, his cane tapping rhythmically against the cold floor. The room was sparsely furnished, lit by a single, buzzing fluorescent light overhead. Seated in the middle of the room was a large figure, unnervingly still.

Michael Myers.

The infamous killer, clad in a worn, gray jumpsuit, sat motionless in a metal chair, his broad shoulders hunched and his head tilted slightly forward. The white mask he wore—blank and expressionless—was a stark contrast against the shadows that clung to him.

House raised an eyebrow as he observed Michael for a moment. "So...this is what all the fuss is about ?"

No response. Michael remained utterly still, like a statue carved from shadow and silence.

House let out a small sigh of mock exasperation and hobbled closer, flipping open the thin file he had been given before arriving. "Let's see. Killed your sister at six years old. Spent the next few decades in and out of psych wards. Then you got bored, broke out, and went on a murder spree in your charming hometown. Typical family drama. If I had a nickel for every time a patient had a screwed-up childhood…well, I’d probably no longer be a doctor."

Michael’s breathing was steady and slow, the only sign of life in the room besides House’s persistent sarcasm.

"Silent treatment ? That’s fine, I’m used to it after my little talk with Jason earlier." House circled Michael, tapping his cane lightly against the chair’s metal frame. He leaned in, staring into the black void of Michael’s mask. "So, are you the strong, silent type, or is this just an elaborate way to avoid social interaction ? I gotta say, there are easier ways to skip the small talk."

Still nothing. House leaned back, his expression mildly amused. "I’m guessing it’s neurological. No real emotional response. Nothing to explain why you don’t talk, but you seem to like violence. That’s gotta be fun at parties."

He flipped through the file again, shaking his head. "Shot, stabbed, set on fire…Yet here you are, still standing. I hate to admit it, but that’s impressive. Ever thought about teaching a class on survival ?"

As House made another pass around Michael’s chair, the room’s lone light flickered, casting the room into momentary darkness. When the light sputtered back to life, Michael was no longer seated.

He was standing.

House paused, his cane frozen mid-step as he turned slowly to face the now-looming figure of Michael Myers. The masked killer stood mere feet away, his towering form casting a long shadow over House, who looked up at him with a mixture of curiosity and defiance.

"Ah, finally," House said, his voice unfazed by the sudden shift. "For a second there, I thought you might actually be catatonic."

Michael’s hand clenched slightly at his side, the only movement he’d made since standing. House’s sharp blue eyes didn’t miss it, but he didn’t step back. Instead, he cocked his head, scrutinizing the infamous killer like a puzzle waiting to be solved.

"You don’t talk, but you do respond. Interesting," House mused, taking a half-step forward. "So what is it ? Trauma-induced psychopathy ? Genetic predisposition to violence ? Or maybe you're just really misunderstood."

Michael’s hollow mask tilted down slightly as if acknowledging House's proximity, but still, he remained silent. The tension in the room thickened, like the air itself had turned heavier. House could feel it, but instead of fear, his lips curled into a slight grin.

"You know, people keep saying you’re some unstoppable killing machine. Frankly, I’ve met interns scarier than you," House said dryly, gripping his cane a little tighter. He glanced around the room, noting the locked door behind him, the sterile, thick walls. "But I’ve got to admit, I didn’t expect you to be so...tall. Do you go to the gym ? Do they even have a gym around here ? Must have. Seems like most of you guys are shredded."

Michael didn’t move, but his presence felt suffocating, a looming storm about to break. House, ever the gambler, took another step closer, his eyes flicking from Michael’s mask to his hands and back again.

"So, what now ? You gonna try to kill me, big guy ?" House asked, his voice dropping in volume but not losing its edge. "Or are we going to stand here in awkward silence until you get bored ?"

There was a moment—a single, charged moment—where time seemed to stretch. Michael’s hand twitched, ever so slightly, as if preparing to strike. House stood his ground, his cane pressed firmly against the floor, his eyes locked onto the faceless mask before him.

"Look," House said quietly, his voice now laced with something almost resembling sincerity, "I’ve faced worse odds. Hell, I’ve faced death before. But you ? I am not scared of you. You’re just another problem to solve to me. And I love solving problems."

The lights flickered again, casting them both into darkness.

The room plunged into complete darkness, the flickering light casting eerie shadows across the bare walls. House felt the weight of the silence around him, his heartbeat steady, his breath controlled. He was no stranger to danger, no stranger to the edge of death, but something about Michael Myers was different—something primal.

The room plunged into darkness, the flickering light overhead extinguished entirely. For a moment, all House could hear was the sound of his own breathing, punctuated by the soft, rhythmic rasp of Michael Myers’ breath through his mask. The darkness was suffocating, thick with the weight of something dangerous lurking just beyond sight.

House stood perfectly still, his cane pressed into the floor, his senses heightened as he waited. Michael was close—he could feel his presence, the looming menace of the masked killer’s proximity.

Then, a single sound—a metallic scrape—cut through the silence.

The lights sputtered back to life, dim and buzzing, but enough to reveal Michael’s raised hand, fingers wrapped around the hilt of a large makeshift knife made from shattered glass. The blade gleamed in the low light, casting a sharp, menacing glint across the room. Michael’s mask, still blank and emotionless, tilted slightly as if considering his next move.

House, in typical fashion, remained unfazed. If anything, the sight of the blade brought a small, dry smile to his lips. "Ah, there it is," he said, nodding toward the knife. "I was wondering when the stabbing part of our little chat would begin."

Michael’s breathing remained steady, his grip tightening on the knife. He took a step forward, his heavy boots thudding against the floor like the ticking of a countdown.

House didn’t flinch. "You know," he said casually, "most people who resort to violence are compensating for something. Repressed emotions, fear, insecurity." He gestured toward the knife with his cane. "This ? It’s a crutch. But then again, who am I to judge? I have one too."

Michael’s body language shifted slightly, an almost imperceptible tightening of his shoulders. He raised the knife higher, his body coiling like a predator ready to strike.

But House stepped closer, invading the killer’s personal space in a way no one else had ever dared before. His voice lowered to a near whisper, his blue eyes boring into the blank mask. "You don’t scare me, Michael," he said, his words deliberate, calm. "You know why ?"

For the first time, Michael hesitated. The knife, poised to strike, hung in the air, as if something deep within him was listening.

"Because fear is a choice," House continued. "And I choose not to give you that power."

Another beat of silence. Michael’s grip on the knife remained firm, but his hand didn’t move.

House tilted his head, his gaze never leaving Michael’s mask. "You’re not a force of nature. You’re just a man. A man with a lot of damage. Maybe I can’t fix that, but it doesn’t mean I’m going to run from it."

The lights flickered again, casting long shadows across the room. House could feel the tension coiled tightly between them, a fragile line that could snap at any moment. But he wasn’t backing down.

Finally, Michael lowered the knife. It wasn’t a surrender, not in the traditional sense, but it was a pause—a moment of stillness where the chaos that usually followed Michael Myers seemed to dissipate.

House exhaled slowly, the tension easing just enough for him to speak again. "See ? You can make choices too, Michael. You don’t have to be what everyone thinks you are."

For the first time since stepping into the room, House took a step back, his gaze still locked on the towering figure before him. Michael’s mask, blank as it was, seemed to follow his every movement, as if considering the words, weighing them.

"Don’t get me wrong," House said, breaking the silence with a smirk, "I’m not expecting a thank-you card or anything. But at least you’re proving you’ve got a little self-control left."

But then, Michael’s hand shot forward, faster than House could have anticipated. In a blink, his massive hand was wrapped around House’s throat, lifting him slightly off the ground. The doctor gasped, his cane clattering to the floor as Michael held him there, suspended, staring into the empty blackness of the killer's mask.

For a moment, House’s sharp blue eyes flickered with fear, but then—just as quickly—they hardened into something else. Defiance.

His voice was strained but unwavering as he choked out, "So...you do...have a...pulse after all."

Michael squeezed tighter, the air rushing out of House’s lungs as the pressure increased. House clawed at Michael’s hand, his vision starting to blur, but he refused to look away. He refused to let go of that connection, however thin, however dangerous it was.

And then, just as suddenly as it began, Michael released him. House dropped to the ground, gasping for air, clutching at his throat. He coughed, his chest heaving as he sucked in breath after breath, but even in his weakened state, he managed a hoarse chuckle.

"Guess...I hit a nerve," he rasped, his voice rough but still dripping with dark humor.

Michael stepped back, his breathing slow and deliberate, as if nothing had happened. The mask remained impassive, cold. But there was something there—something unspoken in the air between them. A connection. A challenge.

As if on cue, the door behind House creaked open, the guard from before peeking in with wide, terrified eyes. "Doctor...we need to get you out of here. Now."

House turned, glancing over his shoulder at the guard, then back at Michael. He gave a small shrug, his usual irreverence returning. "Well, this has been fun, Mike, but l guess our time is up."

Michael remained motionless, his gaze—or whatever lay behind that mask—following House as he limped toward the door. Before stepping out, House paused, glancing back one last time. "By the way, I wasn’t kidding about the gym thing. You’re in great shape. Keep it up."

The door shut behind him with a heavy thud, locking Michael Myers back into his cage of silence.

As House walked down the corridor, the guard looked at him in disbelief, shaking his head. "I... I can’t believe you just walked out of there alive."

House smirked, his cane tapping the ground rhythmically as they walked. "Please. Michael and I were just having a heart-to-heart. Nothing personal, just another day at the office."

The guard swallowed hard, clearly unconvinced. "He doesn’t have a heart, Doc."

House shrugged, his eyes gleaming with mischief. "Maybe. But then again, neither do I."

He smirked.

Something told him he had chosen just the right job…

[fxckn-sxck-fr]

could we see some romantic yandere Scott summers x reader. I have been obsessed with the x-men lately and I need more content

𝐑𝐎𝐌𝐀𝐍𝐓𝐈𝐂 𝐘𝐀𝐍𝐃𝐄𝐑𝐄 𝐒𝐂𝐎𝐓𝐓 𝐒𝐔𝐌𝐌𝐄𝐑𝐒…

!!! Controlling behaviors, mentions of PDA, slightest bit of possessiveness, Scott doesn’t believe in boundaries, scary Scott, manipulation, delusions, mentions of murder.

Oooooooh, this one got me to think a little. I honestly haven’t written a purely romantic yandere in a while, so let’s see what we’re dealing with.

First off, forget about personal space. That doesn’t exist when you’ve capture the affection of a man like Scott. Expect there to always be an arm around your shoulders or waste, a hand on your back or thigh, and a shit ton of kisses. He’s not afraid of PDA, so be prepared to be absolutely disgusting to everyone around you. It’s more cuz he can’t fight the urge to touch you than to show that you’re his, but he’d be lying if that last part wasn’t a bonus.

If it was up to him, you’d be wearing his clothes 24/7. You just look so cute in his shirts and jackets, not to mention your scent being left behind on everything, too. He absolutely steals your dirty clothes just to smell them. Especially on the off chance you’re on a mission without him. It’s like he has withdrawal symptoms when you’re away, so expect him to practically attack you as soon as you’re back. Will kiss and cuddle for hours on end, don’t you dare test him.

Absolutely controls everything about your life. What you eat, what you wear, who you hang out with, what you can and can’t do... if it’s within his power, he’s taking over. He sometimes acts more like your parole officer than your lover, literally acting like you broke the law if you cross him. And honestly, in his book, you have; what he wants is basically the law. How can you do this to him, huh?!

Oh my god, please don’t keep secrets from him. Not only does he always find out, but he is absolutely terrifying when he’s pissed. You may find yourself fearing for your personal safety when you get into fights, with how he yells or roughly grabs you by the arm. Don’t worry, though. The last thing Scott wants to do is hurt you… unless if it’s absolutely necessary, but you’d have to really fuck up for it to come to that. Once he’s calmed down, he’s back to the docile cuddly Scott that’s way less scary. He also has this weird “it’s my fault that it’s your fault mentality,” which basically means that every argument is your fault, but he blames himself for not properly conditioning you to follow his every command, so part of it is still his fault, too.

A big part of Scott’s delusions surrounding you is that you’re the picture perfect couple. He’s always wanted to live the picket fence life and is a big lover boy at heart, which is why he likes to do romantic gestures like buying you flowers, picnic dates, candlelit dinners, murder, leaving little notes around the mansion for you to find… wait a minute. One of those is not like the others. Oh, yeah! Scott would totally kill for you if needed. It runs counter to the morals of the X-Men, sure, and in any normal circumstance, killing is a no-go. But he prioritizes you over anything and everything else, so if there’s even an inkling of a threat to your safety, he’s going in with fists clenched and visor blazing.

Two of the biggest advantages of having yandere Scott as your lover is that he’ll do whatever you want (as long as it fits within the parameters of his rules) and you’ll forever have scary dog privileges. While you might not have a lot of personal freedom, there are some loopholes to getting your way. You just gotta shower him in your affection and talk sweetly enough. Compromises will probably have to be made, but it’s better than nothing.

[unamusedcyclone]

Kurama The Retired Monster: A Look at Kurama's Canon Characterization and Impact

Kurama is one of the most popular characters in the decades old Yu Yu Hakusho fandom. Published in 1992 and dubbed into English in 2002, Yu Yu Hakusho is one of the most influential battle shounen anime. References are everywhere for this wonderful story about a delinquent that surprised the heavens and saved a little boy at the cost of his own life.

The series is my favorite of the old Toonami anime with its rebuke to the strict norms of Japanese society and its message about the grey tones of life.

It's in every character in one way or another, but Kurama tackles a trope I'm personally fascinated by: the retired criminal that is dragged back into his old life by circumstance.

This doesn't seem to be a common read of the character, though all the tropes are there. Youko Kurama was a vicious criminal who, after he was taken out of commission, essentially retired due to the love of a woman. While it was not planned, Shiori showing him love and a life outside of what he knew is what canonically happened and shaped his life. He chose, after she cut up her arms to save him from broken glass, to be the son she deserved rather than leaving as he planned.

When Shiori gets sick, Kurama is contacted by Hiei to join him on a heist in Spirit World for the Three Treasures. Given Kurama's nature as the exposition fairy, he is clearly aware of what those treasures are: The Orb of Bast, the Forlorn Hope, and the Shadow Sword. So, Kurama uses his experience as a thief and gains the Forlorn Hope for himself. As we know, the Forlorn Hope has a rule: It will grant your deepest wish in exchange for your life. Kurama considers this cost fair, since he clearly still feels guilty about stealing the son Minamino Shiori was supposed to have. In the dub, he comments about how some parents are devoured by their young, hinting at blaming himself for the condition Shiori is in. It is only because Yusuke intervened that Kurama is still alive, pulled out of his suicidal guilt spiral by Yusuke offering part of his own life to the mirror after seeing his own mother mourn him.

Kurama chooses to help Yusuke defeat Hiei, cementing him as one of the good guys and beginning his friendship with and repayment of Yusuke.

The Four Saint Beasts arc can be explained as part of Hiei and Kurama's parole. I won't linger on it, but I truly believe this is part of Kurama trying to be good, serving his sentence for what is likely the least of his crimes. In his fight with Genbu, Hiei talks about how he brought Kurama on because he'd rather have him as his ally than his enemy. This is one of the first instances of what Kurama's prior life looked like to others. He is a ruthless and intelligent fighter, and he is known for it. Before Two Shots, this implies Kurama had a reputation prior to his human life, one that lasted long enough that Hiei would have heard about it. (Based on later information, Hiei is less than a hundred years old and Kurama may have left Makai a thousand years ago, making Kurama's reputation incredibly significant.)

This reputation continues to assert itself in the Dark Tournament. The audience of the tournament continue to jeer at Kurama and Hiei for being demons fighting alongside humans, implying that they are well-known enough for this to be an issue. (In the manga, we get a page that shows that demons are total gossips and I love it.) We also have Kurama's fight with Ura Urashima, where Urashima comments that he believes this Kurama, our Kurama, might have taken on the name of the scary bastard that they still tell stories about. He is mistaken.

However, it is also in the Dark Tournament where we get his fight with Touya, where he asks Touya to be better than he was. This is where we see, wholeheartedly, that Kurama regrets who he once was. He regrets being the monster that Hiei and Yomi idolize. The nature of the series is that he needs to tap into that ruthlessness to survive, which is why he connects with Suzuki before the fight with Team Toguro. It is his desire to survive Karasu that returns him to that self.

Another scene that is incredibly important is the battle with Amanuma, the Gamemaster. As we know, for Amanuma to be defeated, he must be killed, as per the rules of his territory and the video game he uses. Amanuma is also eleven years old, manipulated into joining Sensui's crusade to destroy the human world for its evils and hypocrisies. Amanuma is a child, unaware of what Sensui's plans truly mean and as much as Kurama tries to say Amanuma chose this with the full understanding of an adult, it is clear he does not really believe it. Kurama is clearly upset by his choice, but he still makes it. There is no way out, no magic solution at the time. After Amanuma dies, Hiei implies that Kurama has killed children before, in his past life, but Kurama's grief is obvious. He reacts ruthlessly to Elder Toguro. His hands are bleeding from how much he hates the fact he made that choice and how much that decision is linked to the past he's clearly trying to leave behind.

The Three Kings arc is when this really begins to show up, though due to its truncated nature, it seems to go unnoticed. Yomi is essentially the end result of what happens when someone adopts Kurama's old views. Yomi is introduced to us as untrustworthy and brutal. Kurama's patience and ruthlessness became a guide to him as he became a king in the notoriously vicious Makai, after a botched assassination attempt left him blind. To be called to serve Yomi, Kurama has to face what he once was and how it impacted someone. Yomi didn't just look up to him, but he was also Kurama's victim: Kurama is the one who paid the assassin to kill him. Kurama also has to balance facing that with his desire to keep his mother and the Human World safe. Kurama's choice to betray Yomi and go along with Yusuke's cockamamie scheme can be read as a rejection of that past self as well as reinforcing that Kurama does not want to live that old life ever again. He chooses the human world, the world where he's not a vicious bandit and has loved ones.

The anime expands this by setting Kurama up against Shigure, the demon surgeon who gave Hiei his Jagan. This fight originally felt incredibly random: Shigure and Kurama don't have anything to do with each other. However, the fight with Shigure clicked once I realized that Shigure offers to restore Kurama back into who he once was. The entire fight is Kurama choosing to fight as who he is now, not rely on that past self he hates so much. At the end, Kurama even tells Yomi he doesn't throw anything away, but what he says in his little monologue is that he'll never be that version of himself again.

Kurama spends the whole series having to depend on the reputation and ruthlessness he cultivated as a bandit. He does it in life-or-death situations, not just randomly or for shits and giggles. He doesn't seem to enjoy his reputation, especially after living as Shiori's son. He looks more contemptuous of it, his face blank when he has to tap into it. He hates that he has to be that guy, that he was that guy. With the series over, it seems like he'll choose to stay human, to stay in the Human World for as long as he can.

Kurama's canon characterization draws him more in-line with the story's theme of growing up and healing due to the power of human connection. He is mostly retired from being a brutal monster and shows regret and guilt over the past, but by the end has mostly accepted who he once was, warts and all.