#company cars

[e-carlease]

In terms of the car shown, the Porsche Taycan Saloon 420kW 4S 93kWh 4dr Auto [5 Seat] (Pure Electric Vehicle), this is based on the specification below:

          Crayon Pain

Black leather interior

Electric folding exterior     mirrors

Side window trims in Black     (high-gloss)

PORSCHE’ logo LED door courtesy     lights

Model designation painted in     Black (high-gloss)

Porsche Electric Sport Sound

Performance Battery Plus

Sport Chrono Package incl. mode     switch

Power Steering Plus

21-inch RS Spyder Design wheels

Automatically dimming exterior     and interior mirrors

Panoramic roof, fixed

Privacy glass

ParkAssist including Surround     View

Lane Change Assist

4+1 Seats

Ambient lighting

18-way Adaptive Sports Seats     with memory package

Heated GT sports steering wheel     in leather

Storage Package

Porsche Crest embossed on     headrests (front and outer rear seats)

BOSE® Surround Sound System

150kW DC on-board booster

Public charging cable (Mode 2)

[ivovynckier]

Received a new company car – a fully electric one. And so my gas-guzzling days are over once and for all.

The employer even equipped my garage with a 3-phase, 22 kW home charger. The fanciest one you can install in Belgium. The technology was developed by Smappee in Kortrijk, a few kilometers from my house.

Their “smart” charging stations dispose of load balancing, solar forecasting etc.

To give a quick idea, “intelligent” stations preferably charge your car with excess electricity generated by your solar panels that would otherwise be fed into the grid. Or they charge at night when the grid is more “relaxed” and electricity tariffs are the lowest, even though you connected the car earlier, during peak hours.

Load balancing means that charging your car never jeopardises the electricity needs of your home. Charging slows down or is delayed when your washing machine gets going, when you cook with an induction plate etc.

I could also tell you that the founder-CEO of Smappee is my cousin but you wouldn’t believe me. (He is. Does that make me a relation of the Belgian Elon Musk?)

The overall good news is that, in September 2024, for the first time, more electric cars were sold in Belgium than cars with a polluting combustion engine.

I was given the choice between various models; the shortlist contained a Tesla car. Although I don’t doubt the high quality of Tesla EVs, I didn’t consider driving around in a creation of the obnoxious muskrat for even half a second.

Personal behavior does matter! Maybe the oligarchs will understand that some day…

[tag-accountants-group-limited]

Business Vehicles and Taxation: A Comprehensive Overview

Navigating the tax implications of business vehicles can be complex, but understanding the key elements can help you maximize your benefits and avoid common pitfalls. Here’s a streamlined guide to the essential facts you need to know:

1. Deductible Expenses

When it comes to business vehicles, several expenses are deductible:

Fuel and Maintenance: Costs related to fuel, oil changes, and routine maintenance are deductible.

Insurance: Premiums for business vehicle insurance are also deductible.

Repairs: Expenses for repairs that keep the vehicle in good working condition can be deducted.

Note: Only expenses related to business use are deductible. For vehicles used for both personal and business purposes, you must allocate costs based on usage percentage.

2. Depreciation

Depreciation allows you to recover the cost of a business vehicle over time:

Section 179 Deduction: Allows you to deduct the full purchase price of a qualifying vehicle in the year it is placed in service, subject to limits.

Bonus Depreciation: Offers additional deductions in the year the vehicle is placed in service. This can be a significant tax benefit, especially for new or used vehicles.

3. Leasing vs. Buying

The choice between leasing and buying can impact your tax strategy:

Leasing: Lease payments are generally deductible as a business expense. However, there are limits on the amount you can deduct if the vehicle is also used for personal purposes.

Buying: If you purchase a vehicle, you can depreciate its cost over several years. This might provide greater long-term tax benefits but involves more upfront costs.

4. Personal vs. Business Use

For vehicles used for both personal and business purposes:

Allocation: You must keep detailed records of business vs. personal mileage. Only the portion of expenses related to business use is deductible.

Logbook: Maintaining a mileage log can help substantiate business use and ensure accurate deductions.

5. Common Pitfalls

Avoid these common mistakes:

Inaccurate Record-Keeping: Failing to track and separate personal and business use can lead to incorrect deductions and potential audits.

Misunderstanding Limits: Be aware of limits on deductions for luxury vehicles or vehicles with high value.

Conclusion

Properly managing business vehicle expenses and understanding their tax implications can lead to significant savings. By staying informed and maintaining accurate records, you can optimize your tax strategy and avoid costly errors.

For a more detailed analysis and practical tips, read the full article here: Business Vehicles and Taxation

[fishleeks]

I thought this was so funny I am posting it here too

[passingbypainfullyaware]

Please forgive the image quality

EDIT: I found something for Gus.

[myketheartista]

My piece for the @boatemvillagezine !! I had a fun time figuring out how I'd draw everyone, the designs, and the rendering style I was gonna go with, and I'm really pleased with the end result! Maybe one day the boatem sticker sheet will exist...

[mensfactory]

1970 Lamborghini Miura P400 S

The color is Luci del Bosco Metallizzato (Light of the Woods) with Gobi (beige) vinyl upholstery and cloth seat inserts. It’s hard to envision a more appropriate—and appealing—color combination in the era of gold shag carpet and Harvest Gold appliances.

A total of 338 examples of the Miura P400 S were built between 1968 and 1971.

Mike Maez, courtesy of Gooding & Company.

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[noyzinerd]

Sterek Rival Lawyers AU

It's A (Court) Date

Imagine, high-class, Ivy League, hot-shot, attorney Derek comes back from New York to the family firm to take over as partners with his sister after his parents decide to step down. He may not be on the level of his mother yet, but he's cut his teeth against Wall Street wolves and ruthless white-collar sharks. Derek's more than proved himself, so he just can't fathom these small criminal court cases his family is making him take "before he's truly ready" to be a part of the family business.

Enter in his first case. Right out the gate, the state assigned defense is, not only late to court, but also arrives in a flurry of limbs and papers, tripping all over himself, and profusely apologizing to the room as a whole. "Sorry! Sorry! Car trouble!"

The guy is out of breath, tie crooked and hair a mess. It makes Derek wrinkle his nose at the unprofessionalism and the blatant disrespect to everyone's valuable time.

The presiding judge, the Honorable Ms. Lydia Martin, only sighs a heavy sigh, as if this sight is nothing new, and says "Mr. Stilinski, I suggest you don't let it happen again."

Derek is honestly getting annoyed by how easy this is going to be. He could've been doing literally anything else right about now rather than being here going against a common rent-a-lawyer with some Podunk community-college degree. The opening statement for the defense is laughably inept. Full of nervous stuttering, backtracking, running tangents, and babbling. He's still apologizing, trying to assure the jury that he's just having an off-day today.

It's embarrassing to watch.

Nonetheless, Derek goes through the motions, practiced and poised. Examines all the evidence, presenting times and dates, prior arrest records, the works.

During this time, Mr. Stilinski is frantically (and VERY LOUDLY) flitting through a cartoonishly large stack of papers and whispering to his client. Derek has to fight to grit his teeth through his presentation.

Finally, it's time for Mr. Stilinski to cross-examine Derek's client and, unbeknownst to him, the beginning of Derek's long, long spiral of madness for the rest of his career.

"Judge Martin, I would like to move to have this case thrown out."

"Oh?" asks Judge Martin. For some reason, there's an amused smirk, almost fond, tugging at her lips "On what grounds?"

A giddy, almost manic, grin takes over the defense attorney's face just then. "On the grounds that the prosecution's client is full of bullshit."

The judge rolls her eyes and an exasperated "Stiles," slips from her lips, seemingly against her will. (Derek's not really surprised by the familiarity between the two of them. With how often state-assigned lawyers are called to the courtroom on small cases, it wouldn't be too big of a leap to suggest they might be chummy.)

"Respectfully, of course." Mr. Stilinski--er Stiles?--winks back at her.

"Objection. Your honor, this is ridiculous."

"Overruled. Make your point, Stilinski."

"Mr. Davis says he saw my client at 12:30 P.M., on August 4th, attempting to take his back-right hubcap outside his apartment. Mr. Davis' apartment complex at that time, on that particular day, would have cast a huge shadow over the back lot as evidenced by the gaudy sundial-art-installation outside the courthouse. Meanwhile, my client's picture, when taken in for questioning, has a sunburn on the entire right side of his face. This would corroborate Mr. Lyle's story of walking home alone, down the upper, unshaded side of Elmore Street, during one of the hottest days of the year, for an hour straight. Also, the fact that Mr. Davis has no realistic idea how long it would actually take a person to steal a hubcap should be evidence enough."

"Uh-huh. And this wouldn't happen to be something you've ever had any expertise in, would it, counsel?"

"I plead the 5th."

And just like that, Derek's case is thrown out so quick, he's still reeling about it all the way home.

For the next two years, this becomes Derek's life. This man, this Stiles Stilinski, keeps showing up like a whirlwind and absolutely puts him in his paces.

Stiles, as he insists Derek call him, is a powerhouse. Relentless and unstoppable. That mouth can filibuster for literal hours (which, for those unfamiliar, is when someone legally cannot be forced to give up their time on the floor as long as they can keep talking), that brain quick as a whip, with a hunger for research, a mastery of the English language svelte enough to trip up even the most well-rehearsed lie, and an attention to detail like nothing Derek has ever witnessed before. It's like he knows every law inside and out. Lives it. Breathes it. It's like he had been raised on the law his whole life. Not only that, it's like Stiles enjoys it. Every case is a new game to get excited about.

All of it makes Derek's blood boil.

However, it's not always about losing to Stiles all the time, because, honestly, that might be less humiliating.

In truth, when faced against Stiles, Derek's bound to win about 60% of the time. Out of that 60%, only 5% of those wins actually feel earned. As for the other 55%?

He knows Stiles is letting him win.

Derek can't prove it, but he knows the asshole is holding back on purpose nearly half the time. Knowing that Stiles could have beaten him if he wanted to, but didn't, is somehow more frustrating than just losing.

He hates Stiles.

He hates that the guy is so chipper and playful all the damn time. He hates that Stiles could probably work at any firm he wanted, could make enough money to get a decent car that doesn't shit out all the time, could buy a proper-fitting suit, but instead CHOOSES to stay here "watching out for the little guy", as he so put it.

He hates that facing Stiles in court is the most challenged, the most motivated he's ever felt in his entire life. He hates that Stiles brings out in him the spark of passion and drive Derek had long thought had died. He hates that Stiles always tries to banter with him during recess or whenever they have to exchange evidence.

He hates finding out that Stiles only loses cases on purpose when his endless amounts of research points to the defendant actually being guilty of horrendous crimes, because Stiles is a good fucking person.

He hates Stiles' constant teasing and he hates that Stiles is somehow able to bring Derek down to his childish level to tease back. He hates how much he looks forward to court-dates with Stiles now. He hates being invited out by Stiles over and over to grab a bite together after a long day, as if Stiles hasn't been wiping the floor with him on this case for the last month. He hates it even more that he always accepts and that now they have their own designated booth at the diner across the street. Derek's so unbelievably frustrated, it makes him want to bite Stiles at the neck just to hear that smartass mouth squeal.

"Hey, I ever tell you I was thinking of quitting before you arrived?" Stiles asks one night as they're walking to their cars.

Derek's head immediately snaps to him at that. "What?"

Stiles smiles distantly at the thought. "Oh, yeah. Things had started feeling like being trapped in a cubicle, y'know? There wasn't any challenge in it anymore."

"What made you stay?"

"Well...you did. You were the first, serious competition I'd faced in a while. It wasn't a matter of winning just to win, anymore. Going against you always reminded me of the reason why it was important for me to win. It gave me stakes, because now there was an actual chance I could lose and an innocent person could go to jail. You, I don't know, kinda reignited my passion for fighting the good fight, I guess."

Derek can feel his heart thumping hard in his chest. He wants to say 'You did the same for me!' He wants to tell Stiles that he didn't think his life could ever be this fun or happy or messy or chaotic or exhilarating or challenging or fulfilling before coming to Beacon Hills.

But just as Derek goes to open his mouth to sing Stiles' praises, he instead finds himself roughly shoving him up against the Camaro and biting hungrily at that mouth and tongue that's been the bane of his existence. There's a surprised little squeak that Derek quickly swallows up, but it isn't long before they're both tearing at each others' clothes and fucking each other dirty in the backseat of Derek's car.

What's crazy is, after they get together, nothing in their careers really changes. The only difference is now they get to fuck each others' brains out after an intense battle in court (and the sound Stiles makes when Derek bites him is exactly what he always imagined it would sound like). They still face against each other on opposite sides in court. They still give it everything they got, no conceding even if they are dating now. Not to mention, Derek wouldn't dream of tempting Stiles over to his firm. Not when he knows Stiles is at his best staying where he's at.

The day Derek's family finally decides it's time for him to take over the firm with Laura is the best day of his and Stiles' lives.

Not only does Derek tell them he's declining, he hires Stiles as his attorney to negotiate terms against his entire family of well-seasoned lawyers.

The entire month-long negotiation results in Derek, not saying a single word, but absolutely beaming as he watches his boyfriend run circles around his mother, his father, his uncle, and both of his sisters on contracts. It's so unbelievably hot, they're banging on whatever flat surface they can get their hands on every time they leave the boardroom. There's even one very memorable blowjob in the empty hall outside the boardroom when Stiles somehow manages to get Peter to agree to a (most likely illegal) clause dictating the firm will pay Stiles a finder's fee for any pro-bono case Stiles takes on outside of Beacon Hills that strikes his fancy.

And, no one says it, but they all know Derek definitely, 100%, dragged his own firm through this negotiation just to show off how incredible Stiles is to his family and preen about it.

--

Fast-forward, Derek is going to be in the audience for the first time for one of Stiles' cases.

While waiting in the hall, Derek sees a familiar face from his New York days. The prosecution has hired the eighth best lawyer money can get, Jackson Whittemore. He's sporting a Rolex, sunglasses indoors, and the face of someone who thinks he's above literally every other person in town.

Well, at least until he sees Derek.

For some reason, Jackson seems to think Derek is all the way out in the middle of nowhere to 'watch a master at work' (which...well...is technically true...).

As Derek goes to sit in the audience, Jackson tells him in passing, "This'll be over so fast, probably won't even get a chance to learn the other guy's name."

Derek chuckles and says back, "Ooh, buddy, you have no idea."

Before Jackson can think more on that, a whirlwind of limbs and papers suddenly hurls through the doors.

Derek sits back, gets comfy, and waits eagerly for the show to begin.

My first moodboard. Hope you enjoy. AU based on a discussion with @casually-eat-my-soul (I suggest checking out their version). This was kind of like a divergence from that (the brain juices just started flowing).

[flame-cat]

i love ford getting mad @ stan & accidentally triggering a flashback/bad memory recollection & that startling him enough for him to stop being angry

major wake up call. i love that man getting humbled

hmmmm yes i love it i'll take 20

bonus thing that happens Later

[idontcaboose]

Haunted Car Au part 13

Previous. Masterpost

“You done figuring out the sound files yet?” Duke asked while tapping on the hood of the Batmobile.

He was excited to hear a campy “Yes, Sir!” Come out of the open windows of the car.

“Neat, first off, any files that have your name in it?” He was a little disappointed, but still snorted to hear the tragic ‘Noooooo’ from Darth Vader.

“I think Red Robin has some pronoun type files in there, what are yours?” A mix of sir’s, dude's, and bro's were played until Duke had to stop the guy.

“Ok, what about age?” He wasn't expecting to get a straight answer, but when the car played a Scooby-Doo cut of ‘those meddling kids’, he was confused.

“So a kid?” Duke questioned. He got a weird mix of 'Ehhh', 'Kinda', and 'close enough' type files.

“We can worry about that later, any ideas how you got stuck?” A short ‘Nope’ with a pop on the P played.

Talking to the car guy was strange. Getting answers could be easy or turn into 20 questions trying to clarify an answer. So far, Duke knew the person:

is male or male presenting

a meta

has no clue how he possessed the car

has a good understanding of current memes

was possibly in their teens (probably a bit younger than Duke, but older than Daimian)

was a street kid? (When asked where he lived the car played “Why should I worry” from an older Disney movie about homeless animals in New York or something. He had to look it up.)

has a good sense of humor

and is taking their situation in stride.

Duke really had to wonder what their life has been where this is not a vast problem to fix…. And whether or not he should argue his ‘notification tone’ being a choir singing.

He really does not get paid enough for this, but it is better than the other stuff Gotham throws at the Bats.

“Mind if I get you up on the lift and check the engine? Might give us some clues.” After an affirmative from the car guy, Duke got to work.

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @thespacedragons @atinygracie @okami-love @lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[e-carlease]

The new Maserati GranTurismo Folgore Electric Lease 

[carsthatnevermadeitetc]

BMW 600 Spiaggia, 1958, by Moretti. A beach car based on the rear-engine 600 which was itself a development from the Iso Isetta 3-wheeler that BMW had licensed from the Italians. It's unclear how many 600 Spiaggias Moretti converted, it may just be this one

[ggrimboy]

they didnt tell me the maneater ate people ..... how could this happen to me .....

[britsyankswheels24]

🇺🇲 Step back in time and experience the roar of the iconic AMC Javelin, a true legend of American muscle cars! Introduced in 1967 by American Motors Corporation (AMC), the Javelin was a front-engine, rear-wheel-drive, two-door hardtop automobile manufactured across two generations, spanning from 1968 through 1970 and then from 1971 through 1974 model years. It was designed to compete in the pony car market segment against rivals like the Ford Mustang and Chevrolet Camaro.

🚗💨 The AMC Javelin burst onto the scene in 1968, showcasing a sleek design and powerful engines. Styled by Dick Teague, the Javelin offered a range of trim and engine levels, from economical pony car variants to high-performance muscle car models. Its distinctive appearance, featuring a long hood and aggressive stance, turned heads on the streets and racetracks alike.

🏭 Besides being manufactured in Kenosha, Wisconsin, Javelins were also assembled under license in Germany, Mexico, the Philippines, Venezuela, and Australia, showcasing its global reach. American Motors even offered discounts to U.S. military personnel, leading to many Javelins being exported overseas.

🛞 Under the hood, the Javelin packed serious power. It was available with inline-six engines or potent V8s, delivering thrilling acceleration and speed. The AMX variant, equipped with a 6.4-liter V8, boasted over 300 horsepower!

🏆 The AMC Javelin wasn't just about looks—it excelled on the track too. It competed in Trans-Am racing, demonstrating its speed and agility. In fact, the second-generation AMX variant was the first pony car used as a standard vehicle for highway police car duties by an American law enforcement agency. Today, the Javelin's unique style and racing heritage make it a sought-after classic among collectors.

💔 By 1974, the automobile landscape had shifted. While other manufacturers downsized engines in response to changing market demands and fuel shortages, the Javelin's big engine option continued until production ceased in November 1974 amidst the Arab oil embargo and declining interest in high-performance vehicles.

🦅 The AMC Javelin embodies the spirit of American muscle cars, blending style, performance, and affordability. It's a timeless classic that continues to capture the hearts of car enthusiasts everywhere. Get ready to hit the road and experience the thrill of the AMC Javelin!

[cars-are-life]