#come find yourself

[spilladabalia]

Fun Lovin' Criminals - Scooby Snacks

[cozylittleartblog]

cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[radiance1]

Killer Croc's little bro was apparently in Gotham.

How did everyone know? Because he was seen physically dragging said older brother out of the sewers and into the nearest cafe.

And Killer Croc was just. So docile??? He was shy, a bit nervous, amused, and was practically harmless. Which wasn't something anyone would have associated with Killer Croc.

And the fact that said little bro can lift him up easily too? What kind of parents did they have for their son to be able to lift up the Killer Croc so easily?

Meanwhile, Jack just doesn't get why everyone reacts negatively to his big brother, it's not like he was a ghost for goodness sake and yea he's working on not being like he was before his son revealed himself to be part ghost, but still.

His brother was still human, just extra.

Why did Jack come to Gotham? He was kinda maybe forced out the house to go and find his brother because he liked talking about him but never actually went out to find him.

Jack and Croc may be half-brothers, yes, but he's still family.

Jack strongarms Killer Croc into not living in, well, the sewers and at his house he bought when he came to Gotham and they both caught up with each other's lives. Jack told Croc about his family, and by extension the shit views he's had on ghost because it was a major part in their family dynamics, and Croc told him about his own life in Gotham.

Minus the more gruesome, parts.

Killer Croc lives with him for a while and notices that he didn't really seem to care for his life. Which is a major no to Croc, who tries to get him to gain some amount of self-preservation, yes he knows that his little bro is more durable than the average human has any right to be but please for the sake of your big bro's heart, please take care of yourself.

Jack is a bit floored by this, and tries to wave it off as a non-issue. But if Jack can strongarm Croc into living with him, then Croc can definitely strongarm Jack into things as well.

Busting through walls is fine, alright. He gets it, it's very fun. But please don't stick random things into your mouth that can kill you, nor follow strangers down an alleyway and shrug off a stabbing (Killer Croc had some choice words and actions for the person who did such a thing.), and please, please practice stranger danger, little bro. Please.

No, he doesn't give two, three, four, five or ten fucking shits if you have microsurgeons in your blood that gives you a superhuman healing factor, you can still feel pain little bro, and stop skipping meals and sleep to work on your inventions! No, you cannot substitute either for energy drinks!

The batfam keep an eye on the two brothers and find it to just be the both of them strongarming the other into healthy behaviors basically. (With a lot of verbal and physical "I love you"'s, the Batfam could NEVER. slash joke teehee.)

[aroaceleovaldez]

my hot pjo take is that Jason isn't a second Percy, Jason is a second Annabeth. Jason is just if Annabeth was a guy and also a Big 3 kid.

[moonkhao]

WE ARE | EP16

[tamberrio]

Chat am I cooking

[truly-sincerely]

Even More Comprehensive BG3 Timeline

(Now with citations!) Years in (paren) are confirmed, all other lines are approximations. For my own sanity this timeline is based on available in-game information and not the Forgotten Realms at large.

1450s

Enver Flymm born

Gale Dekarios born (1457)

Enver Flymm sold to Raphael by his parents, renamed Gortash

Gortash learns about Crown of Karsus while a prisoner of Raphael

Karlach Cliffgate born

1460s

Gortash escapes the House of Hope

Gale Dekarios summons Tara the Tressym (1467)

Wyll Ravengard born (1468)

1470s

Lae’zel of K’liir born (1470)

Gortash in his Heapside Reavers period

Gortash rebrands as a black market arms dealer

Orin the Red born to Helena and Sarevok Anchev

Durge begins their serial killing spree in Baldur’s Gate (1477)

The Emperor dominates Duke Belynne Stelmane (1479)

1480s

Elminster resurrects Mystra (1480)

Gortash trades Karlach to Zariel for infernal machines & iron (1482)

Baldur’s Gate’s Beloved Ranger statue goes missing (1482)

Duke Abdel Adrian murdered during Returning Day speech (1482) - Bhaal resurrected - Ulder Ravengard replaces Adrian as Marshall and as Duke

Orin kills her mother Helena in self-defense

Gortash recruits Franc Peartree to distribute infernal iron weapons

Gortash establishes a cult of Bane in Baldur’s Gate

Gortash approaches Durge about an alliance

Gortash moves against the Zhentarim & Knights of the Shield

Ulder Ravengard named Grand Duke

Wyll Ravengard pact with Mizora, leaves Baldur’s Gate (1485)

Dead Three made aware of the Crown of Karsus (most likely informed by Gortash)* - Gortash becomes Bane’s Chosen - Durge becomes Bhaal’s chosen - Gortash & Durge are instructed to recruit Ketheric

Gortash tells Durge about Crown of Karsus (via correspondence)

Hall/House of Wonders test mission* - Durge gets Bhaalist memorabilia - Gortash gets a bunch of Gondian designs - Durge & Gortash get companionship

1490s

The Chosen visit Ketheric at Moonrise, learn about Illithid colony

Gortash & Durge visit the House of Hope (for intel on Mephistar?)

Gortash & Durge raid Mephistar - They get the Crown of Karsus - They get the book on the accelerated grand design

Gortash captures the Emperor

Gortash & Durge return to Moonrise - Their identities are kept secret from Ketheric’s people - Durge impresses the Moonrise Gnolls, but not Steelclaw - Ketheric yells at Durge in the throne room for an unknown reason

Durge proposes their plan to the Elder Brain who accepts

Raid on the illithid colony (1491) - Durge puts the Crown on the Elder Brain - Orin gets Durge alone during the raid & stabs them in the head - Orin tadpoles Durge, making them the first True Soul - Orin declares herself the Chosen of Bhaal

1492

Durge is found by Kressa Bonedaughter

Minsc captured by Absolutists at a recruitment rally in the Undercity

Gortash gets weird and intense with unethical experiments - Some futzing to get the tadpoles to consistently remain in stasis - This is when the name ‘True Souls’ gets coined - Extremely questionable fun with brains - Getting the Absolute’s voice sorted out - Tadpoling his parents - Poorly conceived experiments on children & their parents

Gortash has Iron Throne converted to hold hostages

Gortash presents prototype Steel Watcher to the city council

Jaheira tracks cult to shadow-cursed land, meets Isobel

Minthara Baenre is 'recruited' by Orin and Ketheric

The Descent, Elturel fall into Avernus happens

Duke Vanthampur revealed as a diabolist, killed by adventurers

Guild Bursar Uktar launders money for Gortash’s Campaign funds

Isobel is resurrected by the Dead Three

The Elder Brain sends the Chosen dreams about the Astral Prism

Gortash researches the Prism, finds out that Vlaakith has it

Gortash tasks Ketheric with sending a team to get the Astral Prism - They send a nautiloid piloted by the Emperor and other illithid - The Elder Brain lets the Emperor slip its leash - Magthew Budj arranges for Durge to be on the nautiloid as well

Gortash deploys Steel Watch in Lower/Outer City

At this point Elturel is no longer in Avernus

First Druid Halsin captured by goblins

Nautiloid picks up Shadowheart & the Prism from Astral Plane

Nautiloid picks up Lae’zel

Nautiloid goes to Baldur’s Gate, picks up Gale & Astarion

Nautiloid goes to Avernus, picks up Karlach & Wyll

Nautiloid crashes, (20 Eleasis, 1492)

Some helpful links:

A page from Sarevok’s book: Sarevok - (Murder tribunal)

Accelerated Grand Design: Gortash - (Gortash's Office)

An Offer: Gortash - (Peartree basement)

Aquatic Labor: Gortash - (Flymm’s Cargo Basement)

Baldur’s Gate Temple of Bhaal: Yanthus - (Gortash’s Office)

Balthazar’s Notes: Balthazar - (Necrotic laboratory)

Clasped Book: Balthazar - (Balthazar’s chambers)

Devil’s Fee Observer’s Report**: Himberloo - (Nine-Fingers’ office)

Elder Brain Domination: Ketheric/Yanthus - (Ketheric’s Room)

Enhanced Weapons - Sales Ledger: Peartree - (Peartree basement)

Experiment on Cruor: Orin - (Temple of Bhaal)

How To Build a Watcher: deceased Gondian - (Steel Watch foundry) 

Journal of Enver Gortash: Gortash - (Gortash’s Office)

Magical Histories: Volume 2: The Spellplague: unknown - (Sorcerous Sundries)

Memoir Notes with Recent Addenda: Gortash - (Gortash’s office)

Missive from Gortash: Gortash - (Ketheric’s room)

Missive from Ketheric: Ketheric - (Moonrise, 2nd floor)

Mistress of Souls’ Research Log: Kressa - (Mind flayer barracks)

My Gratitude: Gortash - To Peartree (Peartree basement)

Next Steps: Gortash - (Gortash’s office)

Prayer for Forgiveness: Durge - (Necrotic laboratory)

Scrapbook of Letters: Gortash/Durge - (Flymm’s Cobblers)

Special Operations - Infernal Arms: Uktar - 

Studies of the Elder Brains: Gortash/Yanthus - (Gortash’s Office)

Suspended Ceremorphosis: Gortash/Yanthus - (Tadpoling center)

Test Mission with Gortash: Durge - (Temple of Bhaal)

The Astral Prism Heist: Gortash - (Gortash’s office)

The Dukes of Baldur’s Gate: unknown - (Baldur’s Mouth/Peartree’s house)

The Grand Design: Gortash/Yanthus - (Mind flayer colony)

The True Life of ‘Lord’ Gortash: a skeleton - (Wyrm’s Rock Prison)

The Ultimate State: Gortash - (Gortash’s office/Flymm’s Cobblers)

*an in-game contradiction between Gortash and Durge. See: ‘Test Mission with Gortash’ and ‘Memoir Notes with Recent Addenda’. I’ve placed it after, but there’s also a legitimate argument to be made that Gortash and Durge met and became allies much earlier, possibly around the same time as Gortash’s betrayal of Karlach

Additionally, the House of Wonders (church/workshop) and the Hall of Wonders (museum) are two different buildings in the Upper City. Durge writes that the Hall is their target, while Gortash writes that the House is their target. It is my opinion that they hit both locations.

**no link cuz the bg3.wiki doesn’t have it??

[poorly-drawn-mdzs]

Market based mistakes.

[First] Prev <–-> Next

[alchemistc]

Catie's Big Ass bucktommy fic rec (Part One)

So I'm not gonna lie, I have most of these fics priv. bookmarked because I HAVEN'T COMMENTED ON THEM YET AND I FEEL REALLY GUILTY ABOUT THAT. But more than one anon has asked for this and it tickles me pink that y'all like my writing enough to trust in my recs. So. Please, please, be better than I am and make sure to kudos and comment if you enjoy any of these works.

(Guys, there are SO MANY amazing writers in this fandom. So many truly breathtaking fics already. I got two hours into this and realized I was going to need to split this into parts because I have too many things to say about each of these and I want to do them all justice.)

Writers you can trust in:

@rcmclachlan /ao3 : I will sing RC's praises to the moon and back. There is something about the way RC injects humor into the tiniest of lines that makes me want to scream into a pillow until I pass out. You will see more than one of RC's fics in this list.

@kirkaut /ao3: kirkaut is the reason I jumped on this bandwagon. The unhinged spiral into LFJr obsession and the prevalence of well thought out meta and incredibly hot fic drew me in. If you are not following kirkaut, change that now.

@26-cats-in-a-trenchcoat / catfud_ohplease on ao3: Devastating prose. The ability to turn a theme on a dime and STAB YOU IN THE HEART with it. Mac owns my whole soul when it comes to really scratching that itch behind my eyelids for thematic imagery and really creative ideas for fic that aren't just run-of-the-mill smut/angst/fluff.

@devirnis / ao3: Ali only has one bucktommy fic up on ao3 but it is devine and I love it. Ali is also the only writer who has tempted me into reading buddie. This is not an indictment on buddie fandom or buddie fic writers in general, I just tend to be a one ship kinda gal and I don't really dive into fic for a ship I don't vibe with. Ali's writing has made me reconsider this position.

@beefcakekinard / thingbe on ao3: The domesticity. Literally just reread one of Rose's fics this morning and HAD to comment on it again because it made me want to fling myself to Jupiter.

(This is not a comprehensive list, but I just realized how many fics I have already bookmarked for bucktommy and I'm already under a readmore.)

Fics that make my brain go brrrr:

only fools rush in - somnum365 ( @firehose118)

Tommy lets Buck set the pace. Buck is ready for something.

Super hot and all about checking in. I've got a thing for discovering sex with a partner starting out with frottage and this delivers. The characterizations are so great.

Colin Firth Thinks You're Hot - IDontGoHereEither (@herrmannhalsteadproduction)

Buck is late for a special date night with Tommy, but he still stops to help a stranger stuck on the side of the road. Luckily, that stranger is about to help HIM.

Cute as fuck with a super fun guest star. Who doesn't want Mr. Darcy to think your boyfriend is hot?

sad girl poetic thursday night - screamlet

Date night menu: pasta primavera and emotional unpacking.

There's something about the pacing of this that sent me into a tailspin. The stream of consciousness that actually bleeds from the dialogue into the action and vice versa. Hng.

I Was Only Falling In Love - Princessfbi (@princessfbi)

Tommy in crisis mode.

There's a moment in this fic where Eddie has to pull Tommy back from the precipice of something and it lives entirely rent free in my head, forever and ever amen. The firefam taking care of Buck by taking care of Tommy.

let me count the ways - ashesandhalefire

Buck and Tommy in the aftermath of a good evening are chattier than they probably reasonably should be

There is something about this fic that feels like the witching hour is upon you, like you could live in this little pocket world Buck and Tommy have created for themselves forever. The dialogue is fantastic, and the way they communicate with each other is just *chefs kiss*

let's make it cinematic - kirkaut

Tommy helps Buck deal with some of his impotent rage in the face of the Gerrard of it all.

Listen, I do not have a praise kink. This kinda makes me wish I did.

"[...]Everything is.” He circles a finger around in the air. “It’s very spinny.” - this line of dialogue came for my fucking throat.

Sick with it - Mellow_Yellow

what if in an alternate universe babyslut Buck joined the 118 when Tommy was still in his closeted asshole era and they had a torrid affair??

The way this is a little fucked up. The way the characterizations aren't exactly familiar because they haven't aged into what we know them as in current canon. The way you can see in every broken line and every stutter step that Tommy is falling for Evan and has No Fucking Idea what to do with that. Ugh. Best Met Earlier AU I've ever read.

He blinked as Tommy walked by, eyes sliding closed again before he left. He felt a light touch on the top of his head but figured he was imagining it. He couldn’t think of anyone at the 118 who would touch him that carefully. - just absolutely fucking end me they're so good/bad for each other

A Full Body Workout - Persiflager

Tommy and Buck spend a day trying to distract Eddie from the *gestures vaguely* all of it.

The way this is so quiet in the way it shows you how Tommy and Buck care for each other. The way they are down bad but still so hyperaware of the pace they've set, the things they've talked about. The way they take care of their friend here. I'm obsessed with the tone of this one. Also, as a general theme, nothing draws me in more than well thought out dialogue, and this one has some fucking GREAT dialogue.

Your love is better than ice cream - Cecily_v, liminalmemories

An alternative meet-cute, where-in Tommy doesn’t know the 118 and decides Buck is worth it anyway. Buck is confused but figures some things out.

There is so much I love about this AU. How they meet. How their relationship progresses. How it feels glacially slow in comparison to the canon storyline but also how in character they both are. The foundation of their love in this fic is downright eatable.

just couldn't fall til we met - thingbe (@beefcakekinard)

Buck and Tommy spend a quiet morning in together.

This is the one that crossed my dash earlier today and made me eat fucking glass on reread. The closeness. The way they're both so tactile. The blink and you'll miss it hints at a life being built together. Eating this UP every time I read it.

The Premium Twunk Appreciation Society, President: Tommy Kinard - everythingremainsconnected

5 times Tommy almost faints like a Victorian maiden at the sight of Buck’s flesh, and 1 time he can do something about it.

“Hey,” Evan said, shoving Eddie out of the way and filling the screen with his playful glare, “organise bro time on your own time, I’m on the phone with– with Tommy.”

“With who?” Eddie repeated. Tommy didn’t need to see his face to hear the fondness in the mocking. “Who’s on the phone? I didn’t quite catch that.”

- They are so stupid about each other in this fic, please read it and watch steam blow out your ears at how sweet and hot and down bad for each other they are.

desire (i want to turn into you) - chthonicheart

The first time Buck’s really able to bury his face between a man’s tits, he nearly cries.

pwp but with a whole heaping of character study. HOT.

rule four (you were only waiting for this moment to arise) - middyblue (daisyblaine) [@middyblue]

Tommy has doubts.

There is a general mood to this piece that feels heavy in a way I can't quite explain. There was a weight on my chest all the way through this in the BEST way possible. The way Tommy navigates his mind and struggles to trust the little slice of peace he and Buck have carved out is just mindbogglingly beautiful.

Come Fly The Friendly Skies - RC_McLachlan (@rcmclachlan)

Buck meets their rescue mission's would-be pilot and is extremely normal about it.

"Throttling is what I'm gonna do to you if you don't shut up and let the nice man steal a helicopter for us,"

WHEN I TELL YOU I AM INCANDESCENT WITH RAGE over how funny and insightful this fic is.

Every characterization is picture perfect.

Maddie gives great hugs, but she's so small; if she had this guy's build and could basically fold Buck into her like an old blanket, they'd have to pry him out of her arms with the jaws of life.

In the back of Buck's mind, in a place he hasn't discovered, he's already picked out a venue and chosen his centerpieces. He's mentally putting together seating arrangements. This line of Buck's thoughts on Tommy Kinard told me so.

Please read this and join me in trying to destroy RC with my mind (lovingly).

little by little - MediaWhore

Buck & Tommy, during and after the wedding.

There is something so soft and gentle about this fic. The way Tommy just gives in to the exhaustion and props himself up against Buck because he knows he'll be able to take the weight (he wants to take the weight and Tommy knows it). The quiet flirting, the way they take care of one another. The jumpscare of Marge and Phil and how this fic is right at the edges of exploring that but Buck has me important priorities.

“It was badly done,” - the way this is so in character for Ma Buckley and the way it made me want to SHAKE HER TIL HER TENDONS SHATTERED AND SHE CRUMBLED LIKE A SATISFYING CASINO IMPLOSION

Soft and heartbreaking and mending all at once.

while you arranged flowers - newtkelly

Buck’s got a wedding date, but as far as today goes, he’s also got a regular one.

The way I want to wrap this Buck up tenderly and hide him from the people in his life who DON'T DESERVE HIS AFFECTION, HIS LOVE, HIS JOY.

The non-urgency of this, the absolute too-much-too-soon he's dealing with in his own mind while he grapples with the reality of seizing a second chance with both hands and getting to explore himself within the confines of a very lovely, very sweet and kind, VERY HOT man he wants to get on his knees for.

Beautiful prose, excellent dialogue, an insightful character study.

[youwerelikeanangel]

a collection of some lyrics from unreal unearth that have a particularly intense chokehold on me

And though I burn how could I fall? / When I am lifted by every word you say to me I, Carrion (Icarian)

But feel at home, hearing a music that few still understand/ A butchered tongue still singing here above the ground Butchered Tongue

Let all time slow, let all light go/ I don't need to know where we begin and end/ I'd still know you, not being shown you/ I only need the working of my hands De Selby (Part 2)

One bright morning goes so easy/ Darkness always finds you either way/ It creeps into the corners as the moment fades First Light

I will not be great, but I'm grateful to get through/ The feeling came late, I'm still glad I met you Abstract (Psychopomp)

I would not change it each time/ Heaven is not fit to house a love/ Like you and I Francesca

At last, when all of the world is asleep/ You take in the blackness of air/ The likes of a darkness so deep/ That God at the start couldn't bear De Selby (Part 1)

These days I think I owe my life/ To flowers that were left here by my mother/ Ain't that like them, gifting life to you again/ This life lived mostly underground/ Unknowing either sight nor sound/ Til reaching up for sunlight just to be ripped out by the stem First Time

Do you know I could break beneath the weight?/ Of the goodness, love, I still carry for you Unknown / Nth

So someone with your eyes might come in time/ To hold me like water/ Or Christ, hold me like a knife Who We Are

[starry-bi-sky]

Clone^2 Damian

If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.

And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?

Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.

And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.

But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.

After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.

And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.

And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.

This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.

But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.

He wants to go home.

And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.

And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.

And it's not happening.

But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.

And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.

But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.

And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.

There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.

And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.

This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?

And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.

Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.

And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.

"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.

"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.

And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.

That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.

It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[detectiveneve]

see the thing about Astarion to me is I don't actually think he has a clue who he actually is beneath all of the everything he's got going on. he's got impulses, he's got drive, a will to live, he's got desires and amusements and cravings, but an actual selfhood?? no. there's a blue error screen where the person of him should be, the person -- whoever that was, I'm personally of the mind he likely wasn't good then either, but we'll see where the story takes us -- before Cazador. the man in front of us today is this mishmash of interior delight at freedom and sunlight but also capable of true unapologetic cruelty and willingness to be ugly in a multitude of ways. so he follows the impulse. he follows what intrigues and amuses, and nothing will take that freedom from him again. and he reflects back onto others the violence that was done unto him. a lack of power kept him down? now he wants to accumulate power, so it can never be turned on him again. but he also misses the sun while he's underground. he's mean and desperate and ruthless and it's interesting because he's unapologetic about it, he's unflinching about it. he's vindictive and mean and desperately floundering around throwing stuff at a wall to see what sticks in terms of personhood because who is he now. 200 years of horrific servitude and now he's just out and about and he's in the mud.

and he can be horrible. and yet when you take the routes of prying open the faaairly shallow veneer he has of smug and snark and snappiness, he'll give you pieces of the raw and the desperate -- "I want to know what the world sees when it looks at me. what you see." is a line you only get if you're earnest with him. any other path in the dialogue will have him continue the shallow persona you've come to know. and in all of that I think nothing is "this is real, this is an act," set in stone because I just don't think he even knows, I don't think he has a CLUE what's his and what's the protective measures and what's the real delight and what's the cruel mockery of his surroundings and what he's willing to give vs what he needs to hide vs what he lets slip out on accident. the inconsistencies in his own ideas and what he says and what he does. I think most everything about him is in a weird place of deeply uncertain. is it a lie? is it a glimmer of truth? for me, I like to interpret him in this weird menagerie of half-truths and shallow lies and omissions, because we've only known him a short while and maybe also he doesn't even know the answer yet. who is he? fuck if HE knows. anyways. smash.

[witchspeka]

I love my girl Miwa but as soon as I read that this image immediately popped up in my head: