#this is objectively bad advice

[camembri]

usopp is objectively the best strawhat simply because he is the constant unwitting bystander slash victim. I think it's probably because he's easy to talk to (unfortunately). the man will walk into the kitchen for a snack and end up having to listen to three hours of someone's latent homosexual ramblings. whole time he decidedly Did Not Ask. and it's not like he can say anything either. it's like being the beleaguered customer service rep except the customers live in your house and will beat you up if you don't just stick to making vague noises of assent at appropriate times. truly incredible. what a man.

[reel-fear]

Wow, so umm... This looks bad, not only is it inaccurate due to using the wrong ink demon design [unless this is confirmation BATIM Ink Demon has been outright retconned... Which would make me pissed enough to make a new post just about THAT] but from an art standpoint this is just... Confusing and poorly done.

I wouldn't care if this was fanart, of course you should support young, indie artists... But for a Graphic Novel making sure your cover doesn't look like something Butch Hartman shat out in an afternoon is kind of important. Remember they're going to be asking us to give money to them to read this. The artist likely won't see any of that money and neither do the authors most of the time, not to mention this art screams of the artist being underpaid and overworked.

Like they Had to get something on someone's desk and their boss said 'good enough'. A concept Joey Drew Studios is very familiar with considering the allegations of poor working environments that Kindly Beast. Not to mention Mike Mood admitting in a Reddit AMA that they did in fact rush projects like Showdown Bandit. [Which they sold at full price]

He also says they can in fact say no or yes to designs involving their IP. Either Mike or Meatly had to say yes to this cover, according to his own damn words.

And do you really think this company in particular would care enough about its fanbase to not sell them garbage? They have done exactly that on several occasions. It's not like they care particularly about art either, considering their previous use of AI Art. There was no apology or even posts addressing it... Instead, they just rushed out an archives update to their game to get people to stop talking about it... Even forgetting an entire character in it. Again

This company is [or at least SHOULD BE] on thin ice when it comes to being suspected of misleading their fans or rushing out crappy products to them.

So with all that context in mind, I'm gonna talk about why this cover sucks ass.

The light sources are all over the place? Why does it look like someone put maces or knight armor on his shoulders but it's just flesh?? It looks both gross and weird [not in a good way either]

To explain more I'm going on a rant below but sadly this seems to have been confirmed to not just be a rough pass but the final cover and man... I am not excited about this graphic novel just at all. This felt like it really drained any possibility of it turning out good for me and I already had expectations low.

Okay first point, the light sources?? And there is no consistency here with the shadows or lighting, it looks like there's a hundred light sources all at once but none of them are even consistent!

the arrows here represent all the different light sources I can make out and yet the the shadow clearly implies there's only one. I understand wanting to use highlights to give the character a more clear shape but then just give him one or two lights behind him or in front of him? No matter how u follow the light sources, the highlights make no sense and the shadows make even less sense.

Why are the shoulders like that? Like on the legs it's a little understandable, at least those are clearly very heavily affected by perspective, for me I think they are so exaggerated it makes it look like one of the legs is either huge or one is small but that's maybe subjective.

However, the shoulders are unjustifiable, what happened there, what did they do??

I could pick on so much more honestly, how the color choices of piss yellow with no other colors being used, and the harsh pitch black being used for every part of his body is weird. How it looks straight out of Butch Hartman's recent crappy art. But to put bluntly bad start! Also what the HELL is going on with this background??

Seems once again the Bendy team is fine with sending out stuff thinking it's "Good Enough" for Bendy fans and honestly the people trying to tell me to "Be Grateful" for this are just proving that no matter how many times you betray your audience some of em will defend you!

Which is sad tbh. If anything we should be putting MORE pressure on the Bendy team to do better. Cause we deserve better than this, honestly we do. There are amazing artists in the bendy community who could do so much better for a cover. They've employed their fan artists before... Wouldn't it be great to do that for such a lore important book? The book that gives us the identity of one of the main characters in BATIM? The character you spend the entirety of Chapter 4 fighting to save? Not to mention will give several major characters their human designs?

But I guess this is... Good enough...

[fishandshesmygills]

been back in my little earthquakes era lately and it's healing me

[futuristicbarbie]

sometimes i think maybe i should cut my hair shorter(like waist length/boob length) so its easier to style and maybe it looksmaxxers me or something, because although long hair down to your butt is pretty (when healthy) its also difficult to style and maybe even drags down and weighs down your face but idk, maybe it looks good on me

[nopoodles]

I saw a post about world building and I didn't want to derail it becauseni don't think they're wrong... I just also don't think their perspective is the end of the story.

To paraphrase: they claimed that you need to know how food production works in your fantastical worlds because otherwise it undermines the entire story and world state. They referenced how Inca people didn't invent the wheel for transport because they lived in places it wouldn't have been useful and how thinking more widely can help make your fantastical world more well rounded.

And, fundamentally, the logic behind these statements is something I can get behind. Thinking more widely can and does make for better worlds and filling in facts or asking these kinds of questions can make for a better story.

But

And this is where I wanted to disagree and what triggered making this whole post

You don't have to.

If you want to make a story (whatever length) where you set it on the backdrop of a comfortably accessible landscape for you/your target audience, there's actually nothing wrong with that.

I know people say lots of things about it, there's lots of criticism levelled at fantastical worlds with no specific and on-page world building. But if you, like me, tend to skip description in books you might be intentionally very light handed with it, in which case there probably isn't space within the narrative to write where the grain comes from or why they have chocolate filled pastry but no coffee. Whether you, personally, know the reason and the logic is almost irrelevant if it never makes it to the page.

And again, it's fine that it might not make it to the page. Not all of your world building has to be on the page. You don't have to please readers who want that, because there are plenty of readers who don't and would actually be out off by that.

All this to say (as usual): take the time to figure out what works for your writing and also for the readers you want to attract. If you're going to use a comp title with heavy world building and not offer the same, you gotta make that clear. But, similarly, if you used my Guardian Cadet Series as a comp and spent pages talking about how the grain production worked, you'd probably end up with some frustrated readers.

[daisywords]

actually my toxic trait is that I've never ever thought that my writing was bad idk what you guys are talking about

[honeyblockm]

1 8 and 21

1: the character everyone gets wrong

i just answered this but yeah it's fundy and ponk. come to think of it possibly also happyduo. the whole eggpire maybe.

8: common fandom opinion that everyone is wrong about

despite my best efforts i suspect i live in an echochamber but. spaces out for 10 minutes trying to think of common fandom opinions. you know i cannot really think of a take that has not caused awful awful discourse on my dash. i mean i guess re: the attachments advice that phil gave tommy that caused everyone to try to kill each other on my dash: i dont think it's that big of a deal? if phil gave some bad advice? if said advice was even bad in the first place? <didn't get too invested in that discourse

also i don't think las nevadas had to be destroyed for the. waves hand. narrative. or smth. it wasn't like. the root of all cquackity's evil or whatever. and i think it's good and reasonable that the LN arc ends with q deciding to build it back up again. sorry its my girlfriend

21: part of canon you think is overhyped

bedrock bros ^_^

[fox-bright]

hi any life advice for 21yo

Don't date thirty-year-olds until you are at least 25.

Having a glass of water for every glass of alcohol will give you a 50% reduction in hangover viciousness.

Bad people will use your willingness to be quiet as a weapon against you. If someone's being awful to you and trusting you'll be quiet to keep from making waves, surprise them.

There is no physical object in the world that is worth as much as your honor.

Honor is not the same as dignity. Retaining one sometimes means leaving the other aside.

Don't have any sex you don't want to have; have as much as you want of the sex that you do, whether that's a lot, a little, or none at all. Nothing you can do to your own body is immoral, unless you're doing it as an act of self-punishment.

Food is morally neutral. You do not have to earn the right to eat calories. Fat and sugar keep your brain from eating itself.

Learning to sit still and breathe--in, in, in, hold, hold, hold, out, out, out, out, out, out--can give you five feet of clear space around yourself in a maelstrom.

Find out how to make three good meals: A comfort meal you can make for just yourself relatively easily, a fancy meal you can use to wow a date, and a meal you can feed a bunch of people. All the other cooking can come later, but you can build a community on those three meals.

If you ever get to the point that things are so bleak you can see no other way forward but to die, make any other choice. If that means leaving everything you own and being a beach bum, or quitting your career, or taking up or leaving a religion, or deciding to bicycle across the country, so be it; living means more chances, dying means everything stops and you don't get to see any more interesting things. As you have not yet seen all the things that can interest you, it is better to live.

[buryam-soul]

Trying to figure out commission prices but exchange rates are kicking my ass. Rp 150k seems resonable for a chibi full color but that's only $9.28 USD, meanwhile one of the first comm sheets I see in the tags here charges $20 for just lineart. I'm assuming I need to increase only the USD prices like I've seen at least 1 other Indonesian artist did.. the question remaining is just by how much....

[biboomerangboi]

More reasons why Zuko being the Firelord is objectively the funniest thing on earth:

HES SEVENTEEN

He hasn’t been civilised in 4 years, his entire teenage experience consists of living on a boat and sleeping rough. The most stable bed he has was probably in Ba Sing Se he probably will just nap anywhere.

He has customer service experience which means he probably uses his customer service voice on his minsters.

Additionally he probably just wanders into to kitchen to get his own snacks and tea because he forgets what servants do.

He probably has no idea why he can’t just chase after an assassin he used to hunt the avatar for Agnis sake why is the captain of the guard demanding he stay in his room he’ll find the guy first (he’s probably right)

Katara probably has a free pass on Eco terrorism because what’s he going to do challenge her, she’ll beat his ass.

If he saw a minster doing something shady he will either invite lady Beifong to detect their BS or commit B&E and look for evidence himself.

He somehow found a baby dragon and raises it.

He will be far to willing to give Kyoshi island anything they want cause he feels bad and Suki scares him.

He randomly insisted on giving some earth kingdom village 100 ostrich horses.

The Avatar will just show up call him Hotman and demand the go on adventures and the Firelord will just dip because he’s been confined to long and has the Zoomies.

He takes far to much advice from Sokka and will genuinely believe if someone doesn’t get Sokkas plans they must be an idiot because Sokka is 16.

Sokka and Zuko also get into a lot of teenage rebellion phases by accident.

Toph just walks in breaks a wall of his palace and demands a field trip that always involves the Firelord having to explain himself to the cops.

He somehow knows every dangerous teen in the world and they all come for tea uninvited.

He has broken into both the NWT and Ba Sing Se.

He has a really well documented facial scar and official portraits but still disappears to be Lee the tea guy like no one knows.

HES SEVENTEEN.

[knxfesck]

If art school is as lame as it is in fanfiction written by art school students I feel very bad for all of you. Personally if someone told me a sketch wasn't art because it didn't meet their standards I'd lose it on the spot

[punkedupclowns]

I KNOW I AM NEW BUT DAMN AINT NO ONE WANT MY MOTHERFUCKIN ADVICE? I GOT GREAT ADVICE. 💪

[mostlysignssomeportents]

The far right grows through “disaster fantasies”

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/25/mall-ninja-prophecy/#mano-a-mano">https://pluralistic.net/2024/11/25/mall-ninja-prophecy/#mano-a-mano

The core of the prepper fantasy: "What if the world ended in the precise way that made me the most important person?" The ultra-rich fantasize about emerging from luxury bunkers with an army of mercs and thumbdrives full of bitcoin to a world in ruins that they restructure using their "leadership skills."

The ethnographer Rich Miller spent his career embedding with preppers, eventually writing the canonical book of the fantasies that power their obsessions, Dancing at Armageddon: Survivalism and Chaos in Modern Times:

https://www.press.uchicago.edu/ucp/books/book/chicago/D/bo3637295.html

Miller recounts how the disasters that preppers prepare for are the disasters that will call upon their skills, like the water chemist who's devoted his life to preparing to help his community recover from a terrorist attack on its water supply; and who, when pressed, has no theory as to why any terrorist would stage such an attack:

https://pluralistic.net/2020/03/22/preppers-are-larpers/#preppers-unprepared

Prepping is what happens when you are consumed by the fantasy of a terrible omnicrisis that you can solve, personally. It's an individualistic fantasy, and that makes it inherently neoliberal. Neoliberalism's mind-zap is to convince us all that our only role in society is as an individual ("There is no such thing as society" – M. Thatcher). If we have a workplace problem, we must bargain with our bosses, and if we lose, our choices are to quit or eat shit. Under no circumstances should we solve labor disputes through a union, especially not one that wins strong legal protections for workers and then holds the government's feet to the fire.

Same with bad corporate conduct: getting ripped off? Caveat emptor! Vote with your wallet and take your business elsewhere. Elections are slow and politics are boring. But "vote with your wallet" turns retail therapy into a form of civics.

This individualistic approach to problem solving does useful work for powerful people, because it keeps the rest of us thoroughly powerless. Voting with your wallet is casting a ballot in a rigged election that's always won by the people with the thickest wallets, and statistically, that's never you. That's why the right is so obsessed with removing barriers to election spending: the wealthy can't win a one-person/one-vote election (to be in the 1% is to be outnumbered 99:1), but unlimited campaign spending lets the wealthy vote in real elections using their wallets, not just just ballots.

You can't recycle your way out of the climate emergency. Practically speaking, you can't even recycle. All those plastics you lovingly washed and sorted ended up in a landfill or floating in the ocean. Plastics recycling is a hoax perpetrated by the petrochemical industry, who knew all along that their products would never be recycled. These despoilers convinced us to view the systemic rot of corporate ecocide as an individual matter, chiding us about "littering" and exhorting us to sort our garbage:

https://pluralistic.net/2020/09/14/they-knew/#doing-it-again

We are bombarded by real problems that require urgent solutions that can only be resolved through collective action, which we are told is impossible. This is an objectively frightening state of affairs, and it makes people go nuts.

At the start of this century, in the weeks before 9/11, a message-board poster calling himself Gecko45 went Web 1.0 viral by earnestly bullshitting about his job as a mall security guard, doing battle with heavily armed gangs, human traffickers, and ravening monsters. Gecko45's posts were unhinged: he started out seeking advice for doubling up on body-armor to protect him while he deployed his smoke bombs and his partner assembled a high-powered rifle. Though Gecko45 was apparently sincere, he drew tongue-in-cheek replies from the other posters on GlockTalk, who soon dubbed him the "Mall Ninja":

https://lonelymachines.org/mall-ninjas/

The Mall Ninja professed to patrolling a suburban shopping mall while armed with 15 firearms as he carried out his duties as "Sergeant of a three-man Rapid Tactical Force at one of America’s largest indoor retail shopping areas." His qualifications? Mastery "of three martial arts including ninjitsu, which means I can wear the special boots to climb walls."

The Mall Ninja's fantasy of a single brave individual, defending the sleepy populace from violent, armed mobs is instantly recognizable as an ancestor to today's right wing fantasy of America's cities as "no-go zones" filled with "open air drug markets," patrolled by MS-13 and antifa super-soldiers. And while the Mall Ninja drew derision – even from the kinds of people who hang out on a message board called "GlockTalk" – today, his brand of fantasy wins elections.

On Jacobin, Olly Haynes interviews the political writer Richard Seymour about this phenomenon:

https://jacobin.com/2024/11/disaster-nationalism-fantasies-far-right/

Seymour's latest book is Disaster Nationalism:The Downfall of Liberal Civilization, an exploration of the strange obsessions of the right with imaginary disasters in the midst of real ones:

https://www.versobooks.com/en-gb/products/3147-disaster-nationalism

You know these imaginary disasters: "FEMA death camps, 'great replacement theory,' the 'Great Reset,' fifteen-minute cities, 5G towers being beacons of mind control, and microchips installed in people through vaccines." As Seymour writes, these conspiracy fantasies are proliferated by authoritarian regimes and their supporters, especially as real disasters rage around them.

For example, during the Oregon wildfires, people who were threatened by blazing forests that hit 800'C refused to evacuate because they'd been convinced that the fires were set by antifa arsonists in a bid to "wipe out white conservative Christians." They barricaded themselves in their fire-threatened homes, brandishing guns and prepping for the antifa mob.

Seymour says that this "disaster nationalism" "processes disaster in a way that is actually quite enlivening." Confronted with the helplessness of a real disaster that can only be solved through the collective action you've been told is both impossible and a Communist plot, you retreat to an individualistic disaster fantasy that you can play an outsized role in. Every crisis – the climate emergency, poverty, a toxic environment – is replaced by "bad people" and you can go get them.

For authoritarian politicians, a world of bad people at the gates who can only be stopped by "the good guys" makes for great politics. It impels proto-fascist movements to electoral victories, all over the world: in the US, of course, but Seymour also analyzes this as the phenomenon behind the electoral victories of authoritarian ethno-nationalists in India, Israel, Brazil, and all over the world.

I find Seymour's analysis bracing and clarifying. It explains the right's tendency to obsess over the imaginary at the expense of the real. Think of conservatives' obsession with imaginary and hypothetical children, from Qanon's child trafficking conspiracies to the forced birth movement's fixation on "the unborn."

It's not just that these kids don't exist – it's that the right is either indifferent or actively hostile to real children. Qanon peaked at the same time as Trump's "kids in cages" family separation policy, which saw thousands of kids separated from their parents, many forever, as a deliberate policy.

The forced birth movement spent decades fighting to overturn Roe in the name of saving "the unborn" – even as its leaders were also overturning the Child Tax Credit, the most successful child poverty alleviation measure in American history. Actual children were left to sink into food insecurity and precarity, to be enlisted to work overnight shifts in meat-packing plants, to fall into homelessness – even as the movement celebrated the "culture of life" that would rescue hypothetical children.

Lifting kids out of poverty and building a world where parents can afford to raise as many children as they care to have is a collective endeavor. Firebombing abortion clinics or storming into a pizza parlor with an assault rifle is an individual rescue fantasy that escapes into the world.

Mall Ninja politics are winning.

[pyrodolls]

what if the mk1 men were down bad for you…

upon seeing you walk into the room, johnny cage flexes his muscles ever so slightly and suddenly he’s telling the funniest story in the world to whoever he was already speaking to. he wants to catch your eye and gain your attention so badly. for you, he would make himself look like a fool. only as long as you look his way and give him even a slightest bit of attention, he’s satisfied.

when kuai liang notices you nearby, his entire body feels as if it’s on fire and he immediately worries about his appearance. does he look good? is his hair neatly tied up? he would make an attempt to approach you as soon as he got the chance, and try to strike up a conversation with you. if he didn’t at least say “hi,” he would feel like a fool for missing a great opportunity to engage in a conversation with you.

bi-han pretends he isn’t staring at you every time you’re in a room together. he is the grandmaster of the lin kuei, he must not engage in a romantic relationship. but he can’t help but feel his dark, cold heart light on fire at the sight of you. he yearns to go up to you and say something every time he sees you, but he holds back and settles for just admiring your looks from afar.

tomas vrbada is not afraid of showing his affection towards you. he believes that everyone should make the most of their limited lives, so he is very open about his advances towards you. the problem is, he’s a bit awkward and his efforts come across as more anxious than flirtacious. he would give himself a small pep talk before he talks to you, and he would be full of confidence and hope that the interaction would go well. but he would end up stammering or messing up his words when he speaks to you, and then he would just give up and run away. (he went to johnny for some advice after his mess-up, and it still didn’t work.)

zeffeero doesn’t think of himself as someone deserving of love. when he sees you close by, his heart beats fast and his face feels as if it’s on fire. he knows he has feelings for you, but he resists the urge to make a move. he could if he wanted to. but he doesn’t think he deserves to be joyful and in love after everything he’s done. he just hopes that someday you’ll be happy with someone that deserves you. he desperately wishes it could be him, but the last thing he wants is your sanity or reputation ruined in a relationship with him.

it’s very obvious that syzoth has feelings for you. his tail would sway from side to side, and his eyes would brighten as soon as they fell on you. he listens intently every time you open your mouth, and he never interrupts you when you are speaking. but he doesn’t exactly understand how humans court each other, so he would express his feelings in his own endearing way. for example, he gives you little gifts, similar to offerings. but they’d usually be shiny objects he thought was pretty and it reminded him of you.

raiden is so kind and humble, that he leads you to think his affection is strictly platonic. he’s been staring at you all day? oh, you probably just have something on your face and he’s too nice to let you know. he gave you a gift? he’s so generous, he probably does that with all his friends. no matter what he does to try to hint at his feelings for you, you would assume you weren’t special and he probably does it with everyone else he is acquainted with. he could even confess his love to you and you would just be confused on whether he meant it platonically or romantically.

[rfallfish]

Can we please all agree to stop framing modern trends as objectively good writing advice? I'm not trying to say that there aren't ways to give people pointers on their stories, but just because a style of writing has fallen out of fashion doesn't mean it's bad.

I am primarily referring to people saying antagonists need to be morally gray and to people who say you "shouldn't rhyme poetry" full stop. Sure, modern trends don't align with those things, but are you telling me Sauron isn't a good villain? That Golding's translation of The Metamorphoses is bad?

It's genuinely okay to try to help people with their stories when they ask, but pretending like modern trends are the only things that could possibly work in writing just isn't it.

[solxamber]

I loved the platonic Malleus helps Yuu get Idia fic and I was wondering if you could so something similar with Cater or Trey or Vil or Leona or Floyd? You can choose, anything like that would be amazing my liege.

you asked and i answered, i love this concept so much

Fae Courtship 101: Romance for Dummies || Floyd Leech

In your desperation to confess to Floyd, you made the grave mistake of recruiting Malleus for help—now the only thing you’re courting is death.

For reasons beyond mortal comprehension—beyond your own comprehension—you have fallen for Floyd Leech.

Floyd. Leech.

The man who treats personal space like a suggestion, bites people for fun, and once chased a first-year across campus while laughing like a slasher villain because he was “bored.”

The man who once tried to sell you to Azul in exchange for a really nice hat. The man who could, at any given moment, be contemplating something as simple as “what’s for lunch” or something as horrifyingly chaotic as “what if I threw the prefect off the third-floor balcony to see how they bounce?”

It’s a bad idea. Objectively, scientifically, in every single way, this is a mistake.

Grim and Deuce have been holding interventions. The ghosts of Ramshackle have been looking at you like they’re already preparing to welcome you into their ranks. You're rapidly losing the moral high ground in any discussion about Ace’s bad life choices.

But the heart wants what it wants. And unfortunately, yours wants to make terrible decisions.

Which brings you here, pacing alongside Malleus Draconia, crown prince of Briar Valley, king of ominous nighttime strolls, and your designated therapist for the evening.

“I just—I don’t get it, Malleus!” you wail, gesturing wildly as you stomp through the moonlit campus. “I should like normal people! People who don’t consider attempted murder to be a love language! I should have instincts!”

Malleus hums in thought. “Hm. Concerning.”

“Exactly!” You throw your hands up. “I should be running in the opposite direction! Instead, I’m over here, wondering if he’d bite me gently if I asked nicely!”

Malleus stops walking.

You stop too, looking over to see him gazing at you with a carefully neutral expression. There’s a brief silence. A beat. And then, slowly—gravely—he nods.

“Understood.”

You blink. “...Huh?”

He turns to you with the air of a man who has just accepted a sacred duty. “You have chosen a perilous path, Child of Man.”

You stare. “I—??"

“But fear not,” he continues, raising a hand to his chest in solemn promise. “I shall help you attain your romance.”

Silence.

A breeze rolls through the courtyard. A crow caws in the distance. Somewhere, Grim is experiencing a deep sense of foreboding.

“…You’re going to what?”

Malleus nods again, expression determined. “Leave it to me.”

You suddenly have so many regrets.

Grim looks at you the way a doctor looks at a patient about to flatline. Gravely. With pity. With deep concern for the irreversible damage.

"Okay, listen hench-human, I’ve let a lot of things slide, but this? This I gotta ask—do you hate life that much?"

You blink at him. "What?"

Grim waves his little paws dramatically. "First, you fall for Floyd of all people. That’s already a death wish. And now, you’re actually listening to Malleus for dating advice? What’s next? You gonna ask Kalim for tips on financial responsibility?!"

You open your mouth. Close it. You… okay, you really have no defense. But before you can say anything—

There’s a knock at the door.

And you don’t even have to guess who it is.

You open it to find Malleus standing there, his expression set in earnest determination. In his hands is a book that looks older than your grandmother. The kind of ancient tome that looks like it holds dark secrets, forbidden spells, possibly even a recipe for soup made from human souls.

Standing right next to him, grinning like a goblin, is Lilia.

You feel your soul leave your body.

"Ah, Child of Man," Malleus intones. "I have found it. The ultimate guide to fae courtship rituals. You shall use these techniques to win the heart of your eel."

"Oh, this is gonna be fun," Lilia cackles. "Do you know how long it's been since I’ve seen these methods in action? The devastation! The absolute carnage!"

You stare at them. You stare into the abyss. The abyss grins back.

Grim looks at you, his face a perfect picture of someone watching a loved one make the worst life decisions in real time.

"You’re really doin’ this, huh?"

…You sigh. "Yeah. I’m really doing this."

You are simply minding your own business, walking to class like a normal person, when you spot Floyd approaching from the other end of the hallway.

As always, you smile at him, because you have fully accepted your fate as a fool with horrible taste in men. You expect him to either grin back or threaten to suplex you for fun—classic Floyd things.

What you do not expect is the sudden sensation of a phantom hand shoving you forward.

And just like that, gravity wins.

You crash into Floyd with all the grace of a drunk goose, smacking into his chest with enough force to send both of you stumbling. Floyd barely moves (because he is built like a problem), but you rebound like a cartoon character, nearly falling over before his hands land heavily on your shoulders.

For a brief, dizzying moment, you stare at him.

Then, slowly, your brain remembers what just happened, and you whip around—

Only to see Malleus standing at the end of the hallway, looking extremely pleased with himself.

He gives you a smug, regal nod.

He is also holding a book titled "How to Romance for Dummies."

You are going to throw hands with a literal prince.

Before you can implode, Floyd’s grip on your shoulders tightens. You turn back to him, only to find him looking entirely too displeased about being your impromptu landing pad.

“Shriiiimpy,” he drawls, squinting at you like a judge in a courtroom drama. “What’s up with that, huh? Tryna tackle me first thing in the morning?”

“I—I tripped!” you stammer, trying to collect the shreds of your dignity. “I didn’t mean to crash into you, I swear!”

Floyd hums, unconvinced. Then, after a beat of consideration, he shrugs.

“Aaah, whatever.” His fingers dig just slightly into your shoulders, a slow grin stretching across his face. “You still ran into me, soooo… you owe me.”

You blink. “Wait. Owe you?”

“Mhm!” His grin widens, teeth sharp. “Now ya gotta hang out with me today.”

You blink again. Slowly. You could argue, but you have a sneaking suspicion that it won’t get you anywhere, and honestly? Maybe this is exactly the opening you need.

Maybe… Malleus isn’t that bad at this.

You take that last thought back immediately.

Because not even a day after that whole hallway fiasco, Malleus finds you again, pulls you aside with all the gravitas of an ancient ruler about to bestow divine wisdom, and insists that, in order to properly court Floyd, you must—

Compliment Floyd’s strength three times. At first, you thought, okay, easy enough, I can just tell him he’s strong and call it a day. But then—THEN—Malleus, in his infinite wisdom, handed you a quill and parchment and declared, “It must be in verse. Poetry carries the weight of true devotion.”

And now, here you are.

Standing in front of Floyd Leech. Holding a piece of paper with the most cringe-inducing attempt at poetry you've ever written in your life.

Floyd, to his credit, was already giggling the moment you approached with a look of sheer suffering. But when you clear your throat and attempt to actually read the thing—

"Oh mighty Floyd, with hands so bold—"

He just. Loses it.

Absolutely wheezing, doubling over, practically using you as a support beam to keep himself upright.

You glare at him and continue, determined to power through:

"A force unmatched, a tale retold—"

Floyd: "PFT—!!!"

He’s straight-up crying at this point. Tears. You swear you hear Jade laugh somewhere in the distance.

You don’t even make it to the third compliment. You just turn on your heel and walk away before your soul crumples in on itself like a dying star.

Malleus, watching from afar, sighs in clear disappointment. “You lack dedication,” he murmurs, shaking his head like an elder watching the youth fail at life.

You absolutely regret everything.

You don't know why you keep letting Malleus give you advice. Actually, no—that's a lie. You do know. It's because the second he heard you liked Floyd, his eyes lit up like he’d just been given a personal quest by the divine forces of romance, and now he refuses to rest until your love is secured.

Unfortunately, this means you are currently locked in yet another horrendous discussion about fae courting rituals.

"Scent-marking is a vital step in courtship," Malleus declares with the kind of grim authority that should be reserved for battlefields, not this. "He must recognize you as his."

You blink at him. "Oh, like giving him my hoodie or something?" That’s normal. That’s doable. That’s the kind of thing people do when they like each other, right? You’ve seen couples swap sweaters before. Maybe Malleus is finally onto something not-insane.

Malleus shakes his head gravely. "No. You must present him with something you have personally scented. Ideally, by rolling upon it."

Silence.

Rolling upon it.

You stare at him. He stares back. Completely serious.

You try to process what he’s just suggested. What he has just, with full sincerity, told you to do.

"Malleus."

"Yes?"

"You want me to roll around on an object like a dog and then give it to Floyd."

"Precisely."

You briefly consider just walking into the ocean.

It takes twenty full minutes to talk him down from this absolute lunacy and convince him that simply giving Floyd a sweater you’ve worn will do the job just fine. He looks at you the way a disappointed coach looks at a failing athlete.

"If you are not dedicated to the craft," he mutters, "you cannot expect great results."

You pretend you don’t hear him.

Fast forward to the next day, and you are sitting in class next to Floyd, who is draped over his desk in a deep and powerful boredom coma.

You pull out the sweater and awkwardly nudge it toward him.

"Here."

Floyd immediately perks up. Dangerously interested. He tilts his head, peering at the sweater like you’ve just handed him a rare treasure.

"Eh? What's this?"

"It's mine. You can have it," you say, trying to play it cool, despite the fact that your entire soul is trying to flee your body from embarrassment.

Floyd picks up the sweater and—without hesitation—presses his face into it.

You almost die. Right then and there. Instant expiration.

He leans back in his chair, grinning way too wide. "Heheh~ You smell nice, shrimpy~"

You barely manage to hold onto your composure. You are barely hanging on.

Malleus, watching from the hallway, narrows his eyes and mutters, "It is not the worst effort... but it lacks the impact of true commitment."

You ignore him. You ignore everything. You're just grateful that—for once—this wasn’t completely unhinged, and that Floyd somehow seems to like it.

"Nothing says romance like a meal made with your own two hands!" Lilia declares, slamming an ancient, definitely cursed cookbook onto the table.

You blink down at it. The title is in some language that makes your vision swim just looking at it. The edges are charred, the pages stained with substances you’re 70% sure are not food-safe, and Malleus—Malleus Draconia himself, looks a little unsure.

That should have been your first hint.

But you? A fool. An idiot. A desperate, love-struck buffoon? You press forward.

“Alright,” you sigh, rubbing your temples, already regretting this. “What ingredients do I need?”

Lilia beams, flipping to a page that looks like it came from an alchemist’s horror novel.

"Let's see! We’ll need:"

• Moonshade Truffle,

• A pinch of Sablethorn Dust,

• Three drops of Evernight Basilisk Extract,

• Seven Tears of a Joyful Banshee,

• And a Love-Smitten Fire Spirit’s Breath!

…

You stare.

"Lilia."

"Yes, beastie?"

"These sound like potion ingredients."

"Oh-ho!" Lilia chuckles, waving a hand. "You humans always get so caught up in technicalities. But what is cooking if not a kind of magic?"

…No. No, this is actual magic. You are not making a love potion, but this sure as hell sounds like one.

But, like the fool you are, you go along with it. You spend far too much money (your entire savings) at Azul’s Most Definitely Not a Scam Emporium for all of these ridiculous ingredients. He knows you’re up to something dumb. He does not care. He simply profits.

And now, here you are. In the Ramshackle kitchen. Grim watches from a safe distance behind a chair. Malleus stands off to the side with his arms crossed, looking like he is rethinking his life choices. And Lilia, that menace, is watching you mix the ingredients like a proud mentor.

Everything is going fine. Suspiciously fine.

And then—

"Alright, time to bake it!" Lilia claps his hands. "It says here to bake at 350 for 20 minutes!"

You nod. This is reasonable.

"However!" He flips the page. "In the olden days, we used a slightly different method."

Malleus frowns. Your stomach drops.

"Instead of 350 for 20 minutes…" Lilia hums. "It says here—750 for 10!"

…

"What."

"Don’t be shy! Give it a try!" Lilia gestures for you to do it.

Malleus shifts, looking like he wants to intervene. Grim is slowly backing out of the room. You ignore all of this.

Because you are an idiot.

You turn the oven to 750. You shove the pan inside. You watch in real-time as your dignity burns.

The oven makes a sound ovens should not make.

Something explodes. The smell is indescribable.

When you pull the pan out, it is a pile of pure, blackened charcoal.

You are horrified. Malleus looks concerned. Grim looks betrayed.

"Are ya tryin’ to kill me, Henchhuman?!" Grim yells. "I thought we were friends!"

But Lilia? Lilia is nodding approvingly.

"Ah," he sighs, nostalgic. "Just like how I remember it."

…This man should not be allowed in kitchens.

But you, an absolute buffoon, take the charred remains of your so-called courtship offering and bring it to Floyd anyway.

You find him in the cafeteria, dump the plate in front of him, and sit down. Defeated.

Floyd stares. Pokes it with a finger.

And then, he looks at you.

With pity.

"Shrimpy." His voice is gentle. You feel a chill of fear. "You goin' through hard times or somethin'?"

…

You die inside.

Your cooking was so bad that Floyd Leech—FLOYD LEECH—was feeling sympathy for you.

You have never known such shame.

You sit there, staring into the distance like a soldier who’s seen too much. A philosopher pondering the futility of existence. A person who has scent-marked a sweater and written poetry at the behest of a fae prince who thinks you’re simply not dedicated enough to the craft of love.

You are contemplating life, death, and the many, many decisions that have led you here.

And then, Jade sits beside you.

You don’t even flinch. You should. You should be wary. You should immediately launch yourself into the bushes and prepare to be interrogated in some terrifying eel version of psychological warfare. But you don’t. Because you have nothing left.

So you just turn your head slowly, look at him with the dull, hollow eyes of someone who’s really going through it.

Jade looks positively delighted.

"My, my," he says, in that syrupy, knowing voice of his. "What could possibly put you in such a state?"

You inhale. Exhale. Consider your options. Death is looking really attractive.

"I don’t want to talk about it."

Jade hums, obviously entertained, but then—then—he decides to make it worse.

"You know," he muses, "even Floyd has started to get concerned."

You blink.

"…Huh?"

"Oh, yes," he says, resting his chin on his hand, enjoying every second of this. "Between the odd gifts, the unusual behavior, and your general aura of suffering, even he has begun to notice. Which means you are being particularly obvious, because he rarely pays attention to anything that isn't entertaining."

You don’t even have the energy to be embarrassed.

"What’s your point?" you mutter.

Jade smiles like a predator about to land a final, devastating strike.

"You should simply tell him. Because this…?" He gestures vaguely at your soul-deep despair. "This is rather pitiful."

You stare.

You process.

And, somewhere in the depths of your heart, you realize he’s right.

You are in shambles.

Like, properly, horrifically, soul-crushingly in shambles. You’ve been through so much. You've spent weeks engaging in increasingly deranged behavior at the behest of a well-meaning yet hopelessly out-of-touch fae prince. You've endured ritual poetry readings, scent-marking disasters, and a culinary war crime that left you emotionally and financially bankrupt.

And now, standing in front of Floyd Leech—the very cause of your descent into insanity—you finally snap.

"I LIKE YOU!" you blurt, voice cracking like a cheap mirror. "I LIKE YOU AND I'VE BEEN ACTING LIKE A LUNATIC BECAUSE MALLEUS SAID I HAD TO FOLLOW FAE COURTSHIP RITUALS AND I—" your voice hiccups, borderline hysterical, "—I THINK I LOST A PIECE OF MY SOUL WHEN I TRIED TO BAKE THAT DAMN CAKE BUT IT'S FINE, BECAUSE APPARENTLY THAT'S JUST WHAT LOVE IS??? AND I DID IT ALL FOR YOU, FLOYD, BECAUSE I AM A DUMB IDIOT WHO LIKES YOU FOR SOME REASON."

You gasp for air, because this has been a lot.

And Floyd?

Floyd is laughing.

Not just a chuckle, either. No, this menace of a man is bent over, hands on his knees, actually wheezing with mirth as if you’ve just performed the comedy routine of the century. His shoulders shake. His teeth glint in the light. He looks absolutely delighted.

And you? You just stand there, a broken, hollow shell of a human being.

"You should’ve just told me, Shrimpy~!" he cackles, wiping a tear from his eye. "I like you too, y’know?"

...

There’s a moment of silence as your poor, battered brain struggles to process this information.

"WHAT."

Floyd grins, like you haven’t just endured weeks of psychological torment at the hands of a dragon prince. "I mean, you’re fun! You make me laugh, and I like squeezin’ ya. ‘Course I like ya!"

Before you can even begin to formulate a response, he lunges forward and grabs you in a hug so tight that your ribs beg for mercy. You are crushed, consumed, engulfed in the sheer force of his affection. Your spine may never recover, but at this point, what’s another injury to your dignity?

And honestly? You don’t care.

Because he likes you.

Floyd likes you back.

Which means—you realize, tears pricking your eyes in relief—you never have to perform another insane fae courtship ritual again.

No more humiliating poetry. No more dubious scent-marking. No more playing Russian roulette with your digestive system in the name of romance. You did it. You won.

And then Floyd leans down, cups your face, and kisses you.

It's a little rough, a little overwhelming, but you melt into it anyway, because Sevens, you earned this.

Somewhere in the distance, Malleus Draconia watches from the shadows.

Arms crossed, nodding sagely, he looks upon his greatest success.

"My expert techniques," he murmurs, pride swelling in his voice, "have secured my child of man their eel."

Behind him, Lilia wipes an imaginary tear.

"Beautiful," he sighs.

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