#chris stafford

[addictivecontradiction]

Edge of seventeen, 1998

[dyscomancer]

This is a little out of left field, kinda off brand for me and specific to my area, but still. A very, very good person and critical figure in our local music scene was taken from us yesterday. This is really, really devastating for our city.

When these kinds of things happen I like to try and echo the voice of the departed as much as I can. So like if anyone is interested in broadening your musical horizons or hearing what music from my section of the world sounds like, it'd make me happy if y'all pulled up Feufollet's music and let his memory just exist a bit beyond our little corner of the swamp, at least for a bit. Would mean a lot

We often joke that Lafayette has 100 musicians but only 10 bands because everyone plays with each other. He was emblematic of that. Every person who has ever picked up an instrument in this city has an experience with this guy

[filmjunky-99]

e d g e o f s e v e n t e e n, 1998 🎬 dir. david moreton

[queerartisbetter]

Edge of Seventeen (1998)

[erstwhile-punk-guerito]

[movies-to-add-to-your-tbw]

Title: Edge of Seventeen

Rating: R

Director: David Moreton

Cast: Chris Stafford, Tina Holmes, Andersen Gabrych, John Eby, Stephanie McVay, Lea DeLaria, Antonio Carriero, Jason Lockhart, Tony Maietta, Jeff Fryer, Kevin Joseph Kelly, Mark Gates, Stevie Reese Desmond, Barbie Marie, Craig H. Shepherd, Doug Million

Release year: 1998

Genres: drama, romance, comedy

Blurb: A naïve 17-year-old navigates heartbreak and self-expression as he explores his sexuality in 1980s Sandusky, Ohio.

[lizacstuff]

Abbott Elementary cast at Ava Fest San Diego Comic Con 2024

[be-the-glenn-to-my-maggie]

Lil Nas X’s brother getting revealed on Claim to Fame was perhaps the funniest thing that’s ever happened. This man literally goes “he taught me so much about the l b g t community” and my brother and I bURst out laughing.

[getoutofthisplace]

Dear Gus & Magnus,

We had a 12-hour shoot today for a script I wrote of a cooking show spoof. I spent most of the day trying not to eat the pastries on set. It was a long day, but I think it's going to be a solid video. I can't wait to see what it looks like on screen. Driving home tomorrow.

Dad.

Wichita, Kansas. 1.25.2023 - 5.33pm.

[reallydeliciousgiver]

Miami Dolphins snap three-game skid with victory over the Los Angeles Rams

Read more:

Click Here:

[theroyalsandi]

British Royal Family - The Duke and Duchess of Edinburgh smile at each other at the Right Stuff Amateur Boxing Club during their visit to Staffordshire in Stafford, England. (Photo by Chris Jackson) | March 04, 2024

[addictivecontradiction]

Edge of seventeen, 1998

[wen-kexing-apologist]

Bengiyo's Queer Media Syllabus

For those who are not aware, I have decided to run the gauntlet of @bengiyo’s Queer Cinema Syllabus and have officially started Unit 1: Coming of Age Post Moonlight. The films in Unit 1 are Pariah (2011), Get Real (1998), Edge of Seventeen (1998), My Own Private Idaho (1991), and Mysterious Skin (2004)

Today I will be writing about:

Edge of Seventeen (1998) dir. David Moreton

[Available on: Kanopy, Archive, Amazon, Run Time: 1:44]

Summary: A teenager copes with his sexuality on the last day of school in 1984. It shows him coping with being gay and being with friends. (from IMDB)

Cast: Chris Stafford as Eric, the main character  Tina Holmes as Maggie, Eric’s best friend/girlfriend-ish? Anderson Gabrych as Rod, Eric’s gay awakening Lea DeLaria as Angie, former work supervisor of Eric, Maggie, and Rod at their summer job. 

__

I had some firsts with this film. This was the first film in the syllabus that had identifiable tropes that carry through some of the BLs, which makes sense as this syllabus was designed as a progression in to BL. But most importantly, this was the first film in the syllabus that made me truly understand how important it was for me to work my way through these films, and that comes down to the surrounding conversation I had with @bengiyo and @shortpplfedup, when I expressed absolute shock and awe that a film from 1998 had two men shoving their tongues down each other’s throats, mouthing at penises through pants, massaging bare asses on screen, mentioning/simulating rimming, showing and actually using lube. 

I decided to work my way through this syllabus because growing up I a) didn’t know I was queer or at the very least b) did not admit to myself I was queer, c) did not have any out queer people in my family and d) did not have any our queer elders in my surrounding life. Therefore every single piece of queer cinema or television that I consumed was something that I just happened to stumble across, or that I had potentially seen someone post about on tumblr. Thus, there is a wealth of queer cinema that I never knew existed. 

In the past few years I have reflected a lot on how little history I know about my community. I have thought about lines in The Inheritance play where older gay men are discussing how baby gays just Simply Do Not Understand but also how they don’t know the names of important and influential people in the community, we may all know Stonewall, but honestly until a year or so ago I could not name a single other important moment in US queer history. I don’t like how much I am missing because I didn’t know myself and didn’t have anyone around to learn it from. 

All of this to say, I wanted to watch more queer cinema because I didn’t know what was out there, and in doing so I have realized how important it is to me to see these glimpses of history in what was allowed, acceptable, tolerated, made visible, and the level to which queer characters were humanized and treated with empathy and compassion. 

Anyway, I was watching this film and DMing Ben and Nini about it and when I expressed surprise that they were going this far in a film from over 20 years ago, they said the following (independent of each other): 

“I realize you came of age after 9/11, but you truly have no idea how hard this nation regressed” 

“Ah the halcyon days of the 90’s before the weird post-911 puritanical backlash” 

So, naturally a conversation begun around society, art, and culture and how it change between the 90s and 2000s (@shortpplfedup). How military service and gay marriage were compromises compared to what queer people were pushing for before 9-11 (@bengiyo). And that is when I was struck with the understanding that I needed to go through this syllabus. For the sake of understanding what art and culture and queerness was like before 9-11. For the sake of understanding just how far film and television have regressed in the US when it comes to queerness and how it is portrayed, how frequently, and in what contexts in film and television. 

And there are little moments in this film that I see nodding to queer history, the most visually striking one for me being the shot of the back of a record holder that had a pink triangle as its design. That feels extremely intentional to me. 

It is also the first film in the syllabus I’ve seen that contains trends/tropes utilized in BL. First being where a boy, left unattended, grabs the nearest article of his crush’s clothing and smells it. The way the enter the final sex scene in this film by focusing initially on the feet, which I have seen done a number of times in the BLs that I have watched (l just finished You’re My Sky today and they imply sex through foot position, you can see it in the trailer for Only Friends as well). But unlike most of the BLs, I’ve watched that utilize that imagery due to rating requirements or censorship, THE CAMERA KEEPS GOING and you’ve got bare, hairy asses, all the hip you could possibly want, and two men practically eating each other’s faces. I see so many echos of Teh and Tarn’s relationship to one another reflected in the dynamic between Eric and Maggie. 

I guess I don’t have much else say about the film itself except that it is very clearly created by people who are queer, who get it, who understand what Rod is saying when he says he likes Madonna, how you can immediately tell that Eric is going to a gay club when he pulls up to the parking lot of Universal Fruits and Nuts. The way the exterior of that building feels very different from what is inside, and made me think a bit about speakeasies. The shirt Eric wears when he comes out being a disassembled, abstracted face, his brother wearing a That’s The American Way t-shirt. You know what the film is trying to tell us about Eric’s identity based on which female musical artists he has on his wall. 

Like the other two films I have seen in Unit 1, the ending of the film is the most striking, lingering part for me. Eric comes out to his mother in the following exchange: 

Eric says “I’m gay” \\ in the quietest voice she has, his mother says “I know” Eric and his mother hug* and she asks him“What did I do wrong?” she lets go and moves to the other end of the living room \\ Eric looks devastated says* “I love you” \\ she turns to look at him and says “I don’t know how to handle this”. 

In that initial “I’m gay” \\ “I know” exchange be followed by a nice, warm hug, there was a spark of hope in me that this would be a coming out that his parent would handle gracefully (despite the other moments in the film where she starts to suspect and question him). I thought for the briefest of seconds that her question “What did I do wrong?” was her asking Eric how she had misstepped in ways that he was worried about coming out to her. But in about the same amount of time that it took for Eric to process the question, I realized a much deeper, more painful thread was being called to the surface: “What did I do wrong [to make you gay?]”

This feels like an admission a la Mol in 180 Degrees, telling Wang that she is, in fact, disappointed that he is gay. And you can see the way it impacts Eric. And silly me, I should never for a second thought that this coming out might go over flawlessly, because this story and parts of gay culture and gay sex that are included in this film indicate to me there are queer people behind the story. Which means the way that Eric’s mother handles the coming out is so much more likely to be realistic. Parent and child both confirming that they love each other, but their child still being hurt by their parent’s inability to understand and figure out how to handle new information like that spoke directly to how the conversation between me and my mother went when I came out. 

But even more important to me than that scene, than the complexity that comes from loving someone and not knowing how to reconcile love and homophobia, is that life goes on. Eric leaves the house, and ends up back at the gay club, surrounded by queer elders, seeing a boy he has a crush on, and smiling and enjoying himself with his community while he listens to his friend sing the words “nothing but blue skies from now on”. Which just feels…idk, so goddamn real? Carrying the pain of rejection with you but being determined to find joy in the people who accept you, despite how much the rejection may hurt. 

I place this film in the by, for, about category 

In general, I would have given this show an 8.5/10, but with the inclusion of poppers, blow jobs, rimming, use of condoms, and the first fucking inclusion of lube in any gay sex scenes I’ve ever seen on screen, I’m bumping it up to a 9. 

Favorite Moment:

The Redi-Whip can spraying in Eric's hand after Rod says something out of pocket.

Favorite Quote:

Eric: “I guess I thought if I came out, everything would get easier” 

Angie: *immediately bursts out laughing*

[wankerwatch]

Commons Vote

On: Passenger Railway Services Bill (Public Ownership) Bill: Committee: Amendment 14

Ayes: 111 (95.5% Con, 4.5% DUP) Noes: 362 (97.0% Lab, 2.5% Ind, 0.6% SDLP) Absent: ~177

Day's business papers: 2024-9-3

Likely Referenced Bill: Passenger Railway Services (Public Ownership) Bill

Description: A Bill to make provision for passenger railway services to be provided by public sector companies instead of by means of franchises.

Originating house: Commons Current house: Commons Bill Stage: 3rd reading

Individual Votes:

Ayes

Conservative (106 votes)

Alan Mak Alberto Costa Alex Burghart Alicia Kearns Alison Griffiths Andrew Bowie Andrew Murrison Andrew Rosindell Andrew Snowden Aphra Brandreth Ashley Fox Ben Obese-Jecty Ben Spencer Bernard Jenkin Blake Stephenson Bob Blackman Bradley Thomas Caroline Dinenage Caroline Johnson Charlie Dewhirst Chris Philp Claire Coutinho Damian Hinds Danny Kruger David Davis David Mundell David Reed David Simmonds Desmond Swayne Edward Argar Edward Leigh Gagan Mohindra Gareth Bacon Gareth Davies Gavin Williamson Geoffrey Cox George Freeman Greg Smith Gregory Stafford Harriet Cross Harriett Baldwin Helen Whately Iain Duncan Smith Jack Rankin James Cartlidge James Cleverly James Wild Jeremy Hunt Jeremy Wright Jerome Mayhew Jesse Norman Joe Robertson John Cooper John Glen John Hayes John Lamont John Whittingdale Joy Morrissey Julia Lopez Julian Lewis Karen Bradley Katie Lam Kemi Badenoch Kevin Hollinrake Kieran Mullan Kit Malthouse Laura Trott Lewis Cocking Lincoln Jopp Louie French Mark Francois Mark Garnier Mark Pritchard Martin Vickers Matt Vickers Mel Stride Mike Wood Mims Davies Neil Hudson Neil O'Brien Neil Shastri-Hurst Nick Timothy Nigel Huddleston Oliver Dowden Patrick Spencer Peter Bedford Peter Fortune Priti Patel Rebecca Harris Rebecca Paul Rebecca Smith Richard Fuller Richard Holden Robbie Moore Robert Jenrick Saqib Bhatti Sarah Bool Shivani Raja Simon Hoare Steve Barclay Stuart Anderson Stuart Andrew Suella Braverman Tom Tugendhat Victoria Atkins Wendy Morton

Democratic Unionist Party (5 votes)

Carla Lockhart Gavin Robinson Gregory Campbell Jim Shannon Sammy Wilson

Noes

Labour (351 votes)

Abena Oppong-Asare Abtisam Mohamed Adam Jogee Adam Thompson Afzal Khan Al Carns Alan Campbell Alan Gemmell Alan Strickland Alex Baker Alex Ballinger Alex Barros-Curtis Alex Davies-Jones Alex Mayer Alex McIntyre Alex Norris Alex Sobel Alice Macdonald Alison Hume Alison McGovern Alistair Strathern Allison Gardner Amanda Hack Amanda Martin Andrew Cooper Andrew Gwynne Andrew Lewin Andrew Pakes Andrew Ranger Andrew Western Andy MacNae Andy McDonald Andy Slaughter Angela Eagle Anna Dixon Anna Gelderd Anna McMorrin Anna Turley Anneliese Dodds Anneliese Midgley Antonia Bance Ashley Dalton Baggy Shanker Bambos Charalambous Barry Gardiner Bayo Alaba Beccy Cooper Becky Gittins Ben Coleman Ben Goldsborough Bill Esterson Blair McDougall Brian Leishman Callum Anderson Calvin Bailey Carolyn Harris Cat Smith Catherine Atkinson Catherine Fookes Catherine McKinnell Catherine West Charlotte Nichols Chi Onwurah Chris Bloore Chris Curtis Chris Elmore Chris Evans Chris Hinchliff Chris Kane Chris McDonald Chris Murray Chris Vince Chris Ward Chris Webb Christian Wakeford Claire Hazelgrove Claire Hughes Clive Betts Clive Efford Clive Lewis Connor Naismith Connor Rand Damien Egan Dan Aldridge Dan Carden Dan Jarvis Dan Norris Dan Tomlinson Daniel Francis Danny Beales Darren Paffey Dave Robertson David Burton-Sampson David Pinto-Duschinsky David Smith David Taylor Dawn Butler Debbie Abrahams Deirdre Costigan Derek Twigg Diana Johnson Douglas Alexander Douglas McAllister Elaine Stewart Ellie Reeves Elsie Blundell Emily Darlington Emily Thornberry Emma Foody Emma Lewell-Buck Euan Stainbank Fabian Hamilton Fleur Anderson Florence Eshalomi Frank McNally Gareth Snell Gareth Thomas Gen Kitchen Gerald Jones Gill Furniss Gill German Gordon McKee Graeme Downie Graham Stringer Grahame Morris Gregor Poynton Gurinder Singh Josan Harpreet Uppal Heidi Alexander Helen Hayes Helena Dollimore Henry Tufnell Ian Lavery Ian Murray Imogen Walker Irene Campbell Jack Abbott Jacob Collier Jade Botterill Jake Richards James Asser James Frith James Naish Janet Daby Jayne Kirkham Jeevun Sandher Jeff Smith Jen Craft Jenny Riddell-Carpenter Jess Asato Jess Phillips Jessica Morden Jessica Toale Jim Dickson Jim McMahon Jo Platt Jo Stevens Jo White Joani Reid Jodie Gosling Joe Morris Joe Powell Johanna Baxter John Grady John Healey John Slinger John Whitby Jon Pearce Jon Trickett Jonathan Brash Jonathan Davies Jonathan Hinder Josh Dean Josh Fenton-Glynn Josh MacAlister Josh Newbury Julia Buckley Julie Minns Juliet Campbell Justin Madders Karin Smyth Karl Turner Kate Osamor Kate Osborne Katie White Katrina Murray Keir Mather Kerry McCarthy Kevin Bonavia Kim Johnson Kim Leadbeater Kirith Entwistle Kirsteen Sullivan Kirsty McNeill Laura Kyrke-Smith Lauren Edwards Lauren Sullivan Laurence Turner Lee Barron Lee Pitcher Leigh Ingham Lewis Atkinson Liam Byrne Liam Conlon Lilian Greenwood Lillian Jones Linsey Farnsworth Liz Kendall Liz Twist Lizzi Collinge Lloyd Hatton Lola McEvoy Louise Haigh Louise Jones Lucy Powell Lucy Rigby Luke Akehurst Luke Charters Luke Murphy Luke Myer Margaret Mullane Marie Tidball Mark Ferguson Mark Hendrick Mark Sewards Mark Tami Markus Campbell-Savours Marsha De Cordova Martin Rhodes Mary Glindon Mary Kelly Foy Matt Bishop Matt Rodda Matt Turmaine Matt Western Matthew Patrick Matthew Pennycook Maureen Burke Meg Hillier Melanie Onn Melanie Ward Miatta Fahnbulleh Michael Payne Michael Shanks Michael Wheeler Michelle Scrogham Michelle Welsh Mike Amesbury Mike Kane Mike Reader Mike Tapp Mohammad Yasin Nadia Whittome Natalie Fleet Natasha Irons Naushabah Khan Navendu Mishra Neil Coyle Neil Duncan-Jordan Nesil Caliskan Nia Griffith Nicholas Dakin Nick Smith Nick Thomas-Symonds Noah Law Oliver Ryan Olivia Bailey Olivia Blake Pam Cox Pamela Nash Pat McFadden Patricia Ferguson Patrick Hurley Paul Davies Paul Foster Paul Waugh Paula Barker Paulette Hamilton Perran Moon Peter Dowd Peter Kyle Peter Lamb Peter Swallow Phil Brickell Polly Billington Preet Kaur Gill Rachael Maskell Rachel Blake Rachel Hopkins Rachel Taylor Richard Baker Richard Quigley Rosie Duffield

Rupa Huq Ruth Cadbury Ruth Jones Sadik Al-Hassan Sally Jameson Sam Carling Sam Rushworth Samantha Dixon Samantha Niblett Sarah Champion Sarah Coombes Sarah Edwards Sarah Hall Sarah Jones Sarah Owen Sarah Sackman Satvir Kaur Scott Arthur Sean Woodcock Seema Malhotra Sharon Hodgson Shaun Davies Simon Lightwood Simon Opher Siobhain McDonagh Sojan Joseph Sonia Kumar Stella Creasy Stephanie Peacock Stephen Kinnock Stephen Timms Steve Race Steve Witherden Steve Yemm Sureena Brackenridge Tahir Ali Taiwo Owatemi Tanmanjeet Singh Dhesi Tim Roca Toby Perkins Tom Collins Tom Hayes Tom Rutland Tonia Antoniazzi Tony Vaughan Torcuil Crichton Torsten Bell Tracy Gilbert Tristan Osborne Uma Kumaran Valerie Vaz Vicky Foxcroft Warinder Juss Wes Streeting Will Stone Yasmin Qureshi Yuan Yang Zubir Ahmed

Independent (9 votes)

Apsana Begum Ayoub Khan Imran Hussain Jeremy Corbyn John McDonnell Rebecca Long Bailey Richard Burgon Shockat Adam Zarah Sultana

Social Democratic & Labour Party (2 votes)

Claire Hanna Colum Eastwood

[padawan-historian]

How do the memories and magic of children disrupt and upRoot the histories we tell ourselves? How do children navigate spaces of oppression and liberation? How do they find joy and hope in places that were not created for them to exist? They live.

(1) Portrait of two young Jackson girls in wrinkled, informal wear. Potentially the descendants of emancipated Virginian Bethany Veney, who authored a narrative of her life in slavery and went on to own three houses in Worcester's Beaver Brook neighborhood (1900)

(2) Three sister dressed in matching outfits (and shoes). The center girl holds a favorite object close, perhaps a record album (1926)

(3) Florence Jones (in white dress with large bow) and a friend swing on a family hammock in Lincoln, Nebraska (1915-1920)

(4) Students at the Harry Prampin School Recital in Harlem (1927)

(5) Washington, D.C. Young boy standing in the doorway of his home on Seaton Road in the northwest section. His leg was cut off by a streetcar while he was playing in the street (1942)

(6) A girl and her dog pose in a New York studio (1921)

(7) Ho-Chunk cousins Carrie Elksit (ENooKah) and Annie Lowe Lincoln (Red Bird) wearing elaborate beaded necklaces and earrings. Carrie (left) was the afroindigenous daughter of Lucie Elk, while Annie (right), was the daughter of King of Thunder in Black River Valley (1940)

(8) Ms. Ruby dons her Pullman maid’s uniform and and poses next to a young girl in Stafford County, Virginia (1904-1918)

(9) Eileen Buckner poses with her grandfather Anthony T. Buckner, who was born enslaved and would go on to be one the most respected merchants in the Charlottesville. Eileen's father, George W. Buckner, would go on to write the New Negro manifesto in 1921

(10) A girl smiles wide as she milks a cow (1934–1956)

(11) A young child plays the phonograph in his family cabin located at the Transylvania Project in Louisiana (1939)

(12) Two brown skinned girls pose in matching dresses near the center of their classroom picture in front of Lincoln High School, Nebraska (around 1919)

(13)  A young sharecropper lays out on his attic bed in New Madrid County, Missouri (1938)

(14) Chris Easterling (left) and George Mashatt learn how to signal when they want the bus to stop in Ann Arbor (June 1975)

(15) A little girl watches the Macy’s Thanksgiving Day Parade with her family in New York (1946)

(16) Little ballerinas dance at the Frederick Douglass housing project located in Anacostia, D.C. (1942)

(17) Integrated summer activities at Camp Nathan Hale in Southfields, New York where children learned different skills, like first aid, under the guidance of the Methodist Camp Service (1943)

(18) A young girl smiles at her feline friend; notice the ribbon on the cat's neck (1925)

(19) Children stand in a line to pose during their candy eating competition W.E.B. DuBois' Brownies Book

Sources: Worcester Art Museum, James Van Der Zee Collection, Library of Congress, Harris & Ewing, Leslie Jones Collection, Boston Public Library, National Museum of African American History and Culture

[sunburnacoustic]

14/08/2004  Muse forced to cancel Curiosa dates We are very sad to confirm that due to an injury Chris has sustained to his wrist, Muse have been forced to cancel their remaining three shows of the Curiosa festival. We apologize to all those looking forward to seeing the band in Chicago, Dallas and Houston, but the injuries are such that Chris is unable to play these dates. The band have just returned to London and Chris is currently receiving medical attention. We will of course keep you informed on this matter as soon as we have any news. Thanks so much for you patience and understanding at this time.

-------------

21/08/2004  Muse to play V! Muse are going to take the stage at the V Festivals tonight and tomorrow despite Chris being unable to play the bass. Morgan Nicholls has kindly stepped in and busted a gut learning the parts over the past few days. Full respect to him. Chris will be there and involved on stage. We hope those that are coming enjoy the spectacle! Confirmation of Muse playing Wiessen Festival in Austria and the Saint-Cloud Festival in France later this week will we be given after V.

------------

24/08/2004  Confirmation of Forthcoming Gigs Muse are pleased to confirm that they will be playing '2 days a week' in Wiesen, Austira on 26/08/2004 and 'Rock en Seine' in Saint-Cloud, France on 28/08/2004. All Australian and New Zealand dates will also go ahead as planned in early September. Morgan Nicholls has kindly agreed to cover for Chris until the fracture in his wrist has healed.

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09/09/2004  Chris back on the bass

The Australian tour is going really well. The cities, people and response to the shows are a real pleasure. Chris has now stepped back onto the stage with his loving bass around the neck and is playing full shows with his plaster cast. Having picked it up for a few songs in Wiesen and Paris before coming out here, in Perth, Adelaide and Melbourne he's been somehow going up and down the fret for the whole show and clearly pleased to be back and rocking. We're more than happy to say we've still got Morgan Nicholls with us, on standby should Chris' arm falls off. Morgan stepped in playing bass at the V and some European festivals. He's a talent and a touring inspiration. So Morgan, cheers you fiend. A real nice show coming up in Sydney, check back for some photos and footage from it soon. Meanwhile there's some shots from the V festival at Stafford to keep someone going.

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30/09/2004  From Morgan... A huge thanks goes out to the Muse family.. band, crew and fans alike for making me feel so welcome over the last few weeks.. It was a pleasure and a privilege to be asked to fill in for chris and I only hope I did him and his noodling some justice, given the 3-4 days of rehearsal time. I shall miss you all and as much as I would of loved to hang out and get into trouble for the rest of the tour...my kidneys need a new bra and I would hate to have been the one responsible for any more hitches !!! Anyway I hope the rest of the year goes well and is as much fun.... lots of love and get well soon! cheers Morgan PS:(I should also thank Mike Skinner for being such a geez and letting me miss a few Streets gigs at such short notice...cheers mate!)

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Developments on Chris' broken wrist in 2004 (chronologically), taken from archives of the news section of muse.mu.

Chris was indeed involved on stage, I believe he was on the keys?