#character. part 6 shes there for the Final Confrontation. she gets more screentime but it doesnt actually mean much because every non-main

[allseeingdirt]

everytime i think about kath for too long especially when considering the wider picture im like. ngeremes plastik

[gartenofbanny]

Back with the milk (kinda), time to talk about how Niffty fails at being comedic relief.

Niffty is most certainly a character in Hazbin Hotel. She's the main character who has the least amount of screentime in the show. Unsurprising considering the number of characters that were introduced in this mess of a season alone, which is another topic I'll get into on a different day, but today I'll be talking about a possibly non-canon aspect of Niffty. That being she's the comedic relief character.

I'm not entirely sure where this even came from because I haven't seen any statements of Niffty being the comedic relief character from the writers themselves. I've mostly seen people in the fanbase claim she is, but since I'm talking about how she fails in that aspect, I wouldn't mind seeing the proof of the writers themselves saying it.

Comedic relief characters are usually characters who are comedic to relieve the tension of an earlier scene.

This is a pretty great example of a comedic relief character in action.

After a tense moment of Star Lord promising to kill Gamora if she ever gets captured by Thanos and a possible final kiss between the two, Drax chews loudly on Zarg Nuts in a pretty unexpected way. While delivering some pretty hilarious lines and movements afterwards. This is what a comedic relief character is. They relieve the tension of a previous scene, giving the audience something to laugh at.

And this is where Niffty fails for the most part because of two reasons. The first one is that she doesn't have much screentime. As I said before, she's likely the main character in Hazbin Hotel with the least amount of screentime, and because of that, she doesn't get any prevalent moments where she relieves tension. Is she comedic in some scenes she's featured in? Sure, but just being comedic doesn't always mean a character lightens the mood.

The second reason is that I'm not entirely sure if the writers know how to use comedic relief characters or if they know what comedic relief is. Whenever Niffty does something funny, it's usually in a part of the episode where there's no tension, or she, in fact, makes things worse. Which is the opposite of relief.

For instance, when Niffty stabs through Adam. It was a pretty prevalent moment for Niffty, but it wasn't a tense moment in the slightest because Adam had already been defeated but wasn't killed because Charlie stopped Lucifer from continuing to beat him to a bloody pulp. The situation was already solved by then.

An example of my second reasoning is when she unintentionally causes problems for Angel Dust in Episode 6. Being under the influence, she runs toward Valentino, letting Angel Dust and Valentino confront each other. Though this did show that Angel Dust has gotten stronger mentally against Valentino, it still caused tension, which is something a comedic relief character isn't supposed to do.

So to pretty much make Niffty more of a comedic relief character, they just need to give her some more damn screentime and actually learn how to place her in a scene where she can ease the tension. In short, they should make her a comedic relief character. Again, I'm not entirely sure if the "comedic relief" thing was just something the fandom came up with or something that the writers actually said. Regardless, her actions just aren't consistent with what she's intended to be, but that could be fixed in the future.

As for..me, uh, I'm back, but not really. This blog was something of a reminder that I'm alive because I've been radio silent for a couple of weeks. Still in college doing college work, but I do have some blogs in drafting. I have seen the latest Helluva Boss teaser, but I don't care about that right now. Anyway, thanks for reading, and I'll see y'all in the next one. Whenever that will be.

[penultimate-step]

JJK S2 Livewatch: Eps 5-7

the watch continues! Ep 5 acts as a sort of coda to the previous arc, and then we return to the present time for eps 6 and beyond. honestly that surprised me - part of the fun of going blind into a series that you heard mutterings about but don't know details is seeing where you have weird impressions for no reason. I thought the flashback arc was going to be more substantial - like half this whole season. joke's on me, I guess, but it's fine.

Ep 5 continues going extremely hard and unsubtle on the imagery. Like 15 minutes are devoted to showing just how traumatized Geto is. Everywhere he goes, a part of him is back in that audience room, hearing the cultists cheer. The show uses audio and visual cues to indicate this to the audience - windows act like TV sets and display scenes from the past, the sound of rainfall is swapped out for the sounds of applause. I'd be quite interested to know how the manga conveyed it, because these all seem like flourishes distinct to the adaptation, which I appreciate. Eventually we get to the moment of Geto's final choice, with the light flickering his shadow into two versions of him that he could become, he fully becomes a villain and massacres the town.

Honestly, while I did feel the ep was great, if I do have a complaint it did feel like the whole thing happened way too fast. I didn't question my assumption that the flashback was going to be longer last time because it seemed like there was a long way to go for Geto to become the self he was by the movie, but in the end it felt pretty abrupt. He struggles for a while with inner doubts then decides he will be the kind of person to commit mass murder, and then does. It's a little weak for a villain arc.

What's not weak is the scene where Gojo confronts Geto, though. My favorite bit is how they have their argument in the middle of a crowded street. The way passerby are going about their day, pushing the two aside, really emphasizes the whole thing - because the everyday civilians can ignore the sorcerers, can walk right past them as if they are in a different world entirely, but they aren't. theyre right there, and their presence is very clearly what the whole fight is about. One of my favorite scenes.

I liked the scene right before where Geto talks with Shouko a bit less, though. Apparently she doesn't go on missions? I'm curious what her deal is. Anyway. Feels like she didn't get enough screentime for me to understand her relevance or her importance to the other characters. Between her and Tsukumo, both of the relevant female characters in this ep only have screentime so that they can show up and ask the main men about their feelings. The "proud" shonen tradition of strict gender roles in action I suppose.

Overall while I have some issues with the pacing, and think the flashback needed some more substance to make us really feel the change in Gojo and Geto, I still liked ep 5.

Ep 6 brings us back to the present, but not fully into the main plot just yet. First we have a brief interlude where the main trio meet at a cafe, along with an old classmate of Yuji's. Going to be real, I had forgotten what the personalities of these three even were, so it was nice to have a relaxed refresher before jumping into the main event. That is the main purpose of this little event, I think, a bit of a tone cleanser to break up the melancholy flashback and the action-heavy present time. It's also good to get glimpses of the lives of the protagonists from before they entered the story - little bits of characterization can go a long way.

As for the battle that follows, I have mixed feelings. It did have the kind of overly flashy fight style that I disliked in S1. However, the fact that the guy brought out a whole mecha does make it seem warranted this time. It didn't really grab me as a fight, but probably if it had been less dramatic I would have thought it had fallen flat.

The fact that I rambled for so much longer about ep 5 alone than the next two eps combined is probably a bad sign, I think. I just find the present day plot less interesting than the flashback was. But I'd rather be optimistic, the show still has plenty of time left to change my mind.

[sovpologist]

Lightfall Review: TLDR

Read my full review here!

Best parts of the story:

Zavala immediately squashing the "The Traveler tried to abandon us" hot take by explaining that it went to confront the Witness at the end of Seraph. Like I felt like this was obvious but some people want the Traveler to secretly be evil so badly they'll use anything as proof

Osiris launching himself in a Cabal drop pod

Nimbus and Osiris bickering

Caiatl coming to help us and Nimbus thinking she's hot

Calling down orbital strikes

Neomuna being an Ishtar Collective colony (science wives Maya Sundaresh and Chioma Esi were alive! And thriving!)

Osiris' theory that Light = material/physical and Dark = mental/immaterial

And how this would build/add onto Ikora's theories about pain, forgiveness, and memory and why the Light forgets but the Dark remembers

The Witness taking control of Ghost to get to the Veil

There's precedent for this in the Vow raid lore; plus the Witness/Darkness has influenced/taken control of Ghost before. It also always seemed too good to be true that Ghost and the guardian could spy on the Witness with no issue but that connection didn't go the other way around

Worst parts of the story:

Amanda being on the front lines of the battle despite being a civilian non guardian??? and later in defiant battlegrounds devrim even has a line about how he and amanda cant be on the front lines bc they dont have lives to space so why was she there in the first place?

Osiris seeing the Witness touch the Traveler, leave, and immediately guessing that the Witness 1) saw the Veil 2) is going to get it right now

The Veil and the Radial Mast in general

Rohan's death being obvious from a mile away and him not getting enough screentime that wasn't draped in "I'm definitely going to die soon" red flags to actually be able to get attached to him

"Let's stand perfectly still in the dark!" -Mara, Zavala, Elsie, Ikora

Overall:

Story: 4/10

Pros:

Lots of mystery going into "Final Shape"

Strong aesthetics + vibe

Post-campaign content is largely better written and more engaging

Cons:

Breakneck pacing

Poor motivations

Lack of setup

Overutilization of MacGuffins

Rapid, jarring tonal shifts

Obvious, guessable deaths

Stakes are supposed to be high but feel low

No payoff

Bungie telling people who are confused or unsatisfied to buy the year's seasons and play them to get answers… Expansions should be mandatory to understand seasons. Seasons should not be mandatory to understand expansions.

Characters: 6/10

Pros:

Fun new characters

Interesting character interactions

Cons:

Underutilized existing characters

Gameplay: 8/10

Pros:

Difficult but not oppressive content

Strand is massively fun and engaging

Interesting, well-designed missions

Lots of opportunities to use/experiment with Strand during main campaign, meaning putting together a build post-campaign is easier

Strand is much easier to unlock than Stasis, which was a huge pain

Replayable activities in Neomuna

Cons:

Some of the "secrets" on Neomuna are not really secrets (Vex disruption, Cabal ammunition, disrupting transmission)

Post campaign content with great lore (yay) is largely patrol based (nay...)

Will need to see the longevity of Neomuna + how it shakes up in the long run; Savathun's throne world had some things to do for leveling/unique replayable missions right after the campaign but a season or two later they were essentially worthless, meaning there was no reason to go back

QOL Changes: 9/10

Pros:

Simplified mod system

Ada-1 sells shaders now!

Loadouts!!!

Mod building screen!!!!

Commendations are fun

Artifact mods are intrinsic

Artifact is free to reset

Power system less relevant

More ways to stun champions

Cons:

Guardian ranks system is underwhelming, just another list of tasks to check off

Lore being moved to triumphs is a bad design choice IMO; I much preferred being able to read it on the same screen I unlocked it 

[mc-critical]

I was curious since you were just talking about Suleyman sisters. Which one is your favourite and what would you change in their storylines? (Me: I would Sah being in love with Ibrahim and her and Hürrem being enemies, because I truly someone from the imperial family liked Hürrem)

I honestly love all of them. Even though they all share a similar purpose in the narrative on the outset (that is, being antagonists to Hürrem), they have distinct motivations and personalities that always succeed to make them so interesting to analyze.

Despite of that, I have to say that my favourite is Hatice. She's the one who felt most fleshed out, with the widest arrays of personality and relationships and I sympathize with her in nearly every level. While I know that S03 Hatice could turn people off and I could understand why in theory (good flanderization is still flanderization after all and her "Heel Face Turn" could feel underwhelming after Hü's huge E63 victory and it lowkey makes for kind of a soft reset of the show's status-quo, but not only I haven't seen this actually being used in arguments against her, but this is solely a writing problem that didn't even originate from her and wasn't totally fixed until the end.), I felt this was the most logical step in her arc and her development made complete sense, no matter how flanderizing it was and how tragic it ended up being. [poor Hatice :(] I have analyzed her character and why I love her so much as well in more detail here.

The one thing I would change is, again, her spending more time with Osman and Huricihan. The need of having kids was set up as a very important part of her character from the beggining and Osman and Huricihan's birth could've felt as a new wave of hope after the devastating child losses. It felt like they were the start of an entirely new chapter of her life where she could enjoy the company of her kids the way she so wanted to, but the birth of Huricihan and Osman ended up being only the finale of Hatice's worries over her children, a satisfying end to these arcs of hers where she could finally find happiness at last and with this it was over. It wasn't built on at all and this whole angle of Hatice's character was seemingly dropped just like that. While I get that her storyline was very densely packed and they may not have had time, they could've given us a few scenes at the very least, especially in S03B where they would play part in empowering even more Hatice's tragic arc, being a reminder of Ibrahim. Not to mention that Huricihan would've been a much better character if that set-up existed.

I adore Şah Sultan, as well and I actually enjoy her dynamic with Hatice even more than her dynamic with Hürrem, because it tells us much more about who she is. It was so enjoyable to watch these two sisters confront each other on not so few instances, while still loving each other. I love how Şah's ambition contrasts so well with her genuine care for the people she loves (like Hatice and Esmahan) and how her pragmatism could actually get in the way of that care, while we could still see that the two coexist in her regardless. It makes her motivation so interesting to figure out in a way we haven't seen before or after with any other character. Her love for Ibrahim.. while yes, I get that it may seem a little weird, putting so much stuff in their past into another context that could draw the line between "this makes sense" and "how exactly did that happen?", it explains why Şah may have this deep seated resentment to Hatice, it is a nicely used plot-device to drive conflict between them (the conflict set-up in their past that is outside of their clash of ideals and philosophies in the present and near future) and her and Lütfi later. It makes her more interesting, too, because it shows her ability to let go of her feelings when she sees is necessary. Her approach is also very interesting and unique (at least at first) and while I find most of her scenes with Hürrem generic, she was a formidable and effective antagonist. I also find interesting that in rewatch, you do see that out of her and Hatice, it's Şah who is more elitist, interestingly enough. (because while Hatice mostly pulls rank out of ignorance or when she's challanged outright, Şah pulls rank not only in confrontation, but in casual conversations with people around her, as well - E87 is a perfect example of this. She also views the dynasty as something even more valuable that shouldn't ever be touched - her not wanting to fight Mihrimah in the end, even though I'm sure she could've outsmarted her if she truly wanted to, she wanted the most out of anyone in S03B for the dynasty members to have each other's backs and support each other no matter what and she was as ready as Hatice to stand behind what the dynasty represents, but not on a more personal level like Hatice, rather on standing behind its laws and traditions, like Ayşe Hafsa.)

What I would change with her, is that intrigue of hers that succeeded to have Hürrem be exiled for the third time. There's nothing wrong with the intrigue neither writing-wise, nor with Şah's character in it, and I kinda appreciate Hürrem's overspending there as a parallel to Mahidevran's overspending in S02, showing that they're not so different after all in a bunch of cases. But otherwise, the whole thing felt like pointless filler that only repeats some aspect of previous storylines. Yet another harem riot, though not as large in scale, and that almost contrived exile, which served nothing in the end (except for showing how Hürrem has gained a decent network of political allies, but that was shown before the exile, too). I would probably make it a far more complex, but still to the point intrigue, the outcome of which sure wouldn't be another exile for an episode. This also wouldn't have been the ending culmination of Şah's careful plans against Hürrem, either. (Ayaz Pasha's death afterwards was relatively quickly planned in comparison! Like.. c'mon..)

Fatma is my least favourite sister of the sisters, but she certainly has her moments. I love her debut and I love how fun loving she is, I sorta wish we saw even more of that. I actually don't recall a moment where Fatma ever pulled rank on someone in the way Hatice in E26 did and Şah so casually does and if there truly isn't any moment like that, then I love her even more for it. What is even more interesting is how her motivation is a promise made to Mustafa (even though this whole motivation is kinda strange writing-wise, since she's an entirely new character and the devotion to Mustafa could look like something the writers only came up with in the heat of the moment for S04A's bad use of flashbacks and to make yet another antagonist for Hürrem... Fatma could've been next to Mustafa when he was a child in Manisa and she liked him as a child, who knows? That coupled with Mahidevran probably reminding him of Fatma's existence, as well.) and how far she's going to go to fulfill it, even after his death. It all showed a side of hers that is willing to put the dynasty members in intrigue (the way she put Selim and Bayezid against one another and even when she played that game on Mihrimah), an interesting contrast with the other sisters, who would do anything but, at least not so consciously. (I'm referring to Şah's very first scheme against Hürrem, in E85-6) I love how she scolded Mihrimah in E121 and I love how they showed her sorrow for Mustafa's death. (that little scene where she said: "I failed.." was so touching, honestly... It shows how devoted she was to it all) Her relationship with Kara Ahmet is also pretty great.

What I would change with her, is her part in the menopause plot. The episode itself is such a weird and tonal mess, but Fatma there was at her worst and I don't agree with her making fun of Hürrem like this. I get the purpose of the episode and scene, but it still sits wrong with me and since that was our first episode with Fatma, it rendered her a little petty for me when I was first watching. I wouldn't have had Fatma tell it out loud for everyone to hear, I would've probably made her show Hürrem she knew in a confrontation similar to Hürrem and Mahidevran's (hey, a part of their formula could work for once!) between both of them during the entertainment. I would have also given her a little more balanced screentime. In some episodes it was very fine, but in others, it felt like she was more shoved into the background.

About Hürrem having at least one dynasty member to like Hürrem - I agree, it would be a breath of fresh air, to say the least, there should've been this kind of variety. If there is one I would make a friend of Hürrem's (at the most part), that would be Beyhan.

I would have given her more screentime, especially in S01-2, she could be there to advice and support her sisters even more and for them to calm down from the games and intrigues. She wouldn't play such a big role in the story, aside from an arc or two that would be different from working against Hürrem. Her and Hürrem would be usually on good terms, since her emotional maturity would let her understand at least a bit of her side of the story and wouldn't be so quick to accuse her. (as she wasn't when she learned of how Hatice learned about Nigar and Ibrahim) Beyhan can't be fully on board with her, of course, because moments where Hürrem tramples on Hatice's happiness directly or indirectly could put them at odds, but I feel Beyhan's personality and shtick would be the best suited for a friendship with Hürrem of sorts. Since she still wouldn't be part of the throne war, Hürrem would have no reasons to act against her personally, either. (now, S03B could be a problem, but then we could... have her return to her castle permanetly?) It would've been epic if Şah had only her dynamic with Hatice in the story, but I don't think that alone would be enough for the writers, because they sure were searching for someone to replace Ibrahim as a more prominent antagonist until S04's switch of focus and enrichment of storylines. 

[howlingday]

About Jaune ships...

I have opinions. You may not agree, but they are mine. They may change in time, but not now.

LANCASTER ( RUBY X JAUNE )

The old tried and true. I mean, what's not to like? Cute girl falls for first guy she meets at Beacon? Classic romance trope, and after reading how much Ruby loves romance stories (I consider certain parts in the manga canon), it makes sense. In fact, after Arkos sank (A moment of silence, please . . . Thank you), many moved to Lancaster, which isn't bad. Happens all the time in fandoms. Sad thing, though, is far I think she'll last. If we're talking Volume 5 or earlier, then maybe. However, I feel if Ruby were to have an endgame in romance, it would be RoseGarden (I have opinions on that as well, but today isn't the day to discuss that), mostly because Oscar bumped Jaune's role from male lead to male side. Not to mention that while Jaune is becoming a beast in his own right, Ruby is a different creature altogether and evolving her character more rapidly and chaotically than anyone else (Must be all that screentime).

TLDR: I want it to be canon, but I might just be hoping.

WHITE KNIGHT ( WEISS X JAUNE)

Doofus in tin foil meets princess who hates daddy (Am I in the romance section of the library? You know, the corner for adults only?) No, but I do like this ship. I'm always a sucker for the fantasy genre, and using a zero to hero male makes it relatable. I also kind of ship it because the same reason I ship NaruSaku in the Naruto fandom: he likes her and he's willing to go the distance. But enough about that; instead let's talk about canon. Will they hook up? It's a soft maybe for me, for two reasons. 1. Rosegarden is most likely to be endgame, and after Ruby and Pyrrha, I'd say Weiss is Jaune's next to be his love interest. 2. Weiss has warmed up to Jaune. Sure, not lover or crush level (Yet), but she's definitely changed her opinion on him. In Volume 1, Jaune was bugging her, like all the time, which I could see as him getting mixed signals on (Exhibit A: Tall, blonde, and scraggly). When Volume 5 came around, everyone jumped onboard because he saved her life (Don't lie, because I'll admit that I did it, too). Not the best reason, but still reason enough, I'd say. Then in Volume 7, she hangs out with him and Oscar to the movies (It was either that or awkward Bumbleby all night. I feel ya, sister). Nothing romantic happens, but it does show how much their relationship has developed. If Weiss is Jaune's endgame, then they have set the pieces up perfectly to do so.

TLDR: High likelihood to be canon and I'm a sucker for Knight/Princess ships.

KNIGHTSHADE ( BLAKE X JAUNE)

This is the part where I say definitely not. Not in a million years, but I'll explain why I like the ship, though. As for why it won't work, the answer is Bumbleby. They haven't kissed yet, but you know they're going to eventually (Because if they don't, the fans will attack like a swarm of hornets). But here's the question you might be asking now: why do I ship this? Well, it's part of the allure of "opposites attract" ('Cause I'm dressed like a cat!). Blake is an intelligent, outspoken, and agile ninja with a criminal history of terrorism who spends her free time reading novels. Jaune is a B at best on his tests, soft-hearted, and ground-based knight who's worst crime is fraud (Still a crime, but peanuts compared to literal terrorism) and spends his free time hanging out with his team. Day and night. But they also tried that with Sun for a season and a half and it didn't last (BECAUSE BEES).

TLDR: Not even a snowball's chance in the summer sun, but so much story potential if you do (Which I do)!

DRAGONSLAYER ( YANG X JAUNE )

This, I would say, is the opposite of Knightshade, where Jaune is the day and Blake is night, here Yang is the Sun and Jaune is the Moon (Like their crests! Remember those? Y'know, when they were relevant?) Will it work? Even less so than Knightshade. However, it does open up some interesting paths considering how... provocative Yang can be, and Jaune, compared to the other guys, is the nerdiest, geekiest dude at Beacon. It's like the cheerleader/nerd romance, except the cheerleader is the captain of every sports team... and rides a motorcycle. The Volume 8 preview introduced us to Yang and Jaune riding motorcycles and we went nuts over it. Yang was back in her element, roaring down the street, riding on walls, popping off tricks with Oscar riding- Back to what I was saying, people were asking, "How did he know how to ride a motorcycle?" and the elementary answer is "He didn't." He almost fell off his bike from a small box in the road. True, anyone would, but look at how he reacts: he stiffens, he refocuses on the road. This kid literally started riding at breakfast, and I DARE you to prove me wrong. But hey, great fic material right there, though, eh?

TLDR: Never gonna happen, but I don't care. All I care about is writing that they love each other. And they also fu-!

ARKOS ( PYRRHA X JAUNE )

I'm sorry, I need a moment. . . . Alright. Do it for her. This ship... was perfect. Probably the best ship out them all. I legit almost cry every time I think about Volume 3. Pyrrha was everyone's favorite. Her background, her interactions, her choreography, everything! But, of course, like everything in our lives, she was too good to be true. But let's honor her memory by talking about her ship, Arkos. Pyrrha was the champion of the world, the Brothers' and Oums' gift to Remnant. She could do no wrong and she HATED it. Her plight was with how she was seen. Everybody knew her! Everybody, except Jaune. And he only figured out she was "a big deal" was because Weiss had to spell it out for him! As time went on, they became the best of friends, two peas in a pod, the perfect odd couple! They worked together and trusted each other, they cared for and supported each other, they lo- No. No, I can't say it. It's been years, and it still hurts. So, I'll explain something else: the reason why Jaune SHOULD NOT be shipped right now. That reason is Pyrrha. Jaune was helpless to save her. He's suffering from survivor's guilt and he's still grieving. In Volume 4, he would sneak away and train until late at night to scroll recording of her. In Volume 5, he confronted Cinder and got Weiss almost killed because he let his grief for Pyrrha take control of him and let his emotions run wild. In Volume 6, he finds the Pyrrha statue and he... I don't know how to say this, but he let's go. He accepts that Pyrrha is gone and he's starting the healing process. He's finally ready to move forward.

TLDR: T.T I never felt that it was wise to wish too much~

MARTIAL ARCS ( REN X JAUNE)

I'll be honest, I don't really ship it. Yeah, it's cute, and it falls perfectly into the "if I had to pick a guy" part of me, but to be honest, I don't ship it. 10% because Renora and 90% it just doesn't click with me. They both just seem too soft, too quiet, too introverted. Best friends? Yes, definitely! But lovers? Eeeeeh, not really.

TLDR: I will only ship as neccessary.

NORA'S ARC ( NORA X JAUNE )

I've only just got in this deep with the fandom only recently, so I don't know if a lot of you know me. Heck, I'm probably just some RWBY fan you happen to spot as you move through your dash. However, old or new, I want to be made absolutely positively clear on this. Of all the ships here, this has got to be my-

O T FUDGIN' P

Wow! Never thought I'd feel so strongly about a crack ship like this. And yes, as sad it is to say, this is a crack ship. Renora was planned from day one, so it can't be helped. At least it didn't blast me in the face all of the sudden (OH NO, NOT THE BEES! AAAAARGH! THEY'RE IN MY EYES!). But why this ship? Well, for one thing, it's that whole opposites attract thing with Nora as the bubbly, outspoken, airhead powerhouse and Jaune as the soft spoken, introverted, nerd tactician. But wait, there's more to this trope, because it can go deeper: Order VS Chaos! Who makes all the messes? Who cleans up those messes? Who follows all the rules? Who makes their own doors? It's just. So. Damn! GOOD! One sad thing about this ship though is that it's not only not canon because of Renora, it's anti-canon because Renora. Every fan fic of Nora's Arc requires an explanation for Ren and Nora to not be together-together, like you have to write a formal apology to the FNDM for liking something that's different from what is canon or commonly accepted. If that's the case, then I'll be the anarchist here!

TLDR: I LOVE IT! What's that? Not canon? Who gives a damn?! I just explained why Jaune won't be shipped anyways! Now, if you'll excuse, I have some fan fics to find.

ARCFALL ( CINDER X JAUNE )

Oh, here it goes! Now, if we're talking ships that'll never happen, this is where we find better reasons than "it's not canon" and "character development". No, this... This is a declaration of war. Allow me to explain. Cinder Fall is evil. Like, down to her core. She wants power and she'll cut through anyone to get to it. Including Pyrrha. This woman sank Arkos by means other than "X and Y kissed, so..." She killed X, leaving Y alone. And her interactions with Jaune tell me she wouldn't even be worth a hate-bang. But, as Momma always, there's a thin line between love and hate. This is where the appeal comes in. Cinder is evil with no past, which leaves the previous chapter's of her life story blank to be filled in. Jaune is good with a troublesome, albeit easy past, but untapped potential for more. It's another opposites attract, but different from INTRO VS EXTRO and CHAOS VS ORDER; this is GOOD VS EVIL. Who will win this battle of wills; will our hero purify the tainted heart, or will he slip deeper into darkness, never to return to the light?

TLDR: Should be a NOTP, and yet the allure pulls me in.

What do y'all think? Do you agree? Let me know!

[growingstronglikeahighgardenrose]

Sanditon Season 2: all the news & my thoughts

So, we're getting not one but two new seasons of Sanditon! After a year of tremendous effort on behalf of the Sanditon sisterhood who kept the fandom alive, we'll be looking at a new season. Although I think the biggest thank you probably goes out to Bridgerton, which showed that romance, regency, a diverse cast and butts are a perfect mix to lure audiences.

I want to take this moment to reflect on what I think we'll win, what we'll lose and what we can expect in the future.

1. No Sidlotte HEA

This is probably the most heartbreaking salty news we could get. But I know Theo James, he likes new projects. And after divergent's disaster, I can't blame the boy for not wanting to hang onto another franchise. As a fanfic writer, although mainly an Esther/Babington one, I broke my head for over a year on how to get Sidlotte together. I had to imagine the grandest schemes to get them together. Tom needed 10 000 pounds in less than a month. Even Babington was probably not worth that much. That's over 6 million in today's money if adjusted to inflation. Regency era's England's top 1-2% made that in a full a year, and most of that is probably in assets and investments. And they don't just get to keep that money, most used a good chunk of it to keep their estates running and to pay their staff. Anyone know someone who has a casual 6 million lying around?

There's only two realistic solutions: either have Eliza die: which would be cruel and take years (unless you kill her in childbirth 9 months in), or create a grand scheme that would take months and see Sidney, Crowe and Babington actively work hard on their 'business' while in the meantime Charlotte, Lady Denham and Lady Susan get everyone including the prince regent to come to Sanditon. I kind of accepted they would have a hard time getting out of that plot twist. It was likely that Sidlotte could not be endgame.

Personally, I never felt a strong connection to Sidlotte, and had hoped that Charlotte, like Jane Bennet, would go to London with Lady Susan to recover from her heartbreak, and I kind of hoped James Stringer would eventually go down there for his apprenticeship, where a sort of Captain Wentworth-like situation would come to exist where he is a young man trying to make something of himself. I know Charlotte didn't love him. But I also knew that Charlotte wanted adventure and perhaps needed to grow as a person. But in the new season she'll probably be a bit jaded, closed off, and depressed. And will probably need a softer more available man. Growing up goes with swinging to extremes. She was an open optimist at the beginning, and eventually turned to the opposite, not letting her emotions shine through and being very guarded (@miss-holly-goes-lightly did a wonderful post on this). Adulthood is finding a good balance again.

So while I am saddened, because this brings along a long set of questions like: "Does Sanditon still take place in Sanditon then?" "Where will Sidney live, will he then live in London with his wife?" "Why doesn't he come help his brother the next season or visit his family, as we know Tom will make a mess of things" The show will have to answer these questions in a believable manner.

2. No Beaufort twins

Mollie Holder said on her instagram that the Beauforts wouldn't be returning. This leads to quite a few questions like: where will Georgiana stay then? What will be happening to Mrs. Griffiths? Will Georgiana be her sole ward while the Beaufort's absence is explained as them having married or having become governesses?

3. Who remains aboard

Rose Williams is definitely on board. It's also pretty certain Tom will be there again. Lady Denham is also likely to return. The child actors and their parents were willing, but worried about their increasing age a few months back. Old Stringer said he'd have loved to be part of Sanditon again and to see it continue, but he's well... dead on the show so he won't return. So who will join Charlotte?

Leo Sutter might not return. He plays an important role in the next spin-off of vikings. Vikings has a new season each year. On top of that he's currently busy recording Gateway 6. We don't know how long that might take. And perhaps by the time filming ends he's required for the next season of the Walhalla series. Leo Sutter is a rising star, he might not even have the time to return. Especially for two seasons. At his age and point in his career, he needs to cement his name, or he'll remain b-list while he has a-list potential. So he might have to give up Sanditon for his career. It's sad, I'd love a Stringer/Charlotte future where they both grow to being suitable for each other while becoming people confident in their own abilities. But in the end, I would be alright with it, as Charlotte didn't express immediate interest in him. Writing him out would also be fairly easy, they could just write that despite thinking he had to stay home after his father's death, he went to London in the end under Charlotte's encouragement. Perhaps he could then come back for a guest appearance.

Crystal Clarke will reprise her role as Georgiana. Clarke has, since Sanditon, spoken out about the sometimes tone-deaf director and scriptwriters. She had to step in a few times to make sure Georgiana was done justice. She also said she hoped Georgiana, if the show was continued, would get the space to breathe and be independent, instead of playing a minor role as token black friend of Charlotte while under the control of Sidney. It will be complex to have her return without involving Sidney, as his character will have to be written out. I imagine this can be done with a timejump, but the timejump would have to be 4 years to make Georgiana 'of age' as she is 17 in the show. They'll probably place her under someone's care while saying Sidney is "still her guardian, but away". Georgiana is, in my opinion, an essential part of Sanditon. Bridgerton showed the world wanted to see diverse faces. Austen wrote a black character as a wealthy and desirable woman. They simply have to do more with her in the future. Clarke will reprise her role, this time with black writers to do justice to her character. I'm excited to see what will be done.

The actor who plays Arthur, Turlough Convery, is a good actor and mostly in period pieces. However he's never overly in demand, and usually stays with shows for multiple seasons. I think he's quite willing to come back and it means Georgiana would have a friend. I also hope they delve into his character, especially after his "I don't think i'll ever get married".

Matthew Needham and Mark Stanley, Crowe and Babington, are Sidney's best friends. It will be hard to have them come back without them explaining why Sidney is never with them. But I believe they would work well as a duo: the drunk and the one braincell are a fun dynamic. Both are not much in demand, despite that I quite like them as actors. So we might see them returning. Their return would also be vital for the return of a few other characters:

Their return would also be vital for the return of a few other characters:

Charlotte Spencer's Esther Denham is married to Babington. Without Babington returning, how can Esther? And vice versa. Their storyline was also the main romance for me and a big part of the last few episodes. They kinda need to return. Babington is also Sanditon's access point to high society. To cash in on Bridgerton's success they should search that royal connection. Babington is friends with the Prince Regent. On top of that he has the most money. If he hosts a party and Charlotte is invited, this is where they get those grand-bridgertonesque scenes.

Lily Sacofsky's Clara had a romantic subplot with Crowe. In their final unaired scene they went to London together. She could return. However, the chances are quite slim. Clara is in London, and Sanditon takes place in Sanditon. Unless Lady Susan takes Charlotte to London for a while and she meets Clara and Edward there, cooking up a plan to get back at Esther and Lady Denham.

4. Predictions

There's no words to describe the popularity of Bridgerton, so this WILL influence Sanditon. I predict: more sex, more scandal, and even more ahistorically modern ideas and characters, multiple female characters and multiple male characters that each get screentime and their separate storylines and developments like in bridgerton, instead of just Charlotte's pov we follow. Glamorous scenes. And more POC.

The season will start with a timejump in all likeliness (as it is easier so they don't have to focus too much on her grieving). Charlotte will catch us up with what has happened while perhaps narrating over some letters she's written to georgiana and lady susan. She'll return to Sanditon during a summer. Sanditon will have been partially rebuilt with Eliza's money, and many activities will be planned. Sanditon will be in some kind of trouble. Charlotte will still be a planner. Her being very actively involved in things and having a vision was one of the most alluring parts of her character. In the books there was a rival town Tom hated. That might be a bit tricky to adapt so they could introduce some local competition for attention around Sanditon. A local duke hosting parties could overshadow tom's events. Or the social season in London could lure everyone there instead of to Sanditon. Charlotte will try to help Tom with this while getting reacquainted with everyone still in Sanditon, and hearing about the reasons why Sidney/Esther/Stringer/The Beauforts (to be seen) aren't in the show anymore. She'll also rebuild her relationship with Georgiana.

Then one day for an event Charlotte will invite Lady Susan, who will invite her to the London season to get over her heartache à la Jane Bennet. Charlotte will join Lady Susan to lure a crowd to Sanditon. There, she'll be confronted with some of her demons of the past season. Perhaps a pregnant Eliza Campion makes an appearance to rub it in Charlotte's face. In Sense & Sensibility Margaret discovered Willoughby's relationship in a most shocking manner in an almost public setting. Sanditon likes to nod at all Austen books so this could be a nod at that book when Charlotte discovers unpleasant news in a public manner. Charlotte will congratulate her and wish them happiness, and afterwards either a girlpower moment could happen with Lady Susan or Georgiana supporting her, or a love moment. Mrs Campion has tried to talk Charlotte down in front of people in the past, if she did it again, a new love interest could step in at that time to compliment her and then take her off for a dance. That could be an emotional moment for her, as she realized her feelings for Sidney in London during a dance the last time around as well. And she could have her cinderella moment by excusing herself and running off after the dance, uncertain of her feelings. She'll have some grand balls, might be harrassed by a man and risk a scandal, or try and prevent Georgiana from ruin during a scandal.

At the last moment she'll succeed in her goal and lure a crowd to Sanditon's events that will put Sanditon on the map. Either the local competitive duke, or someone from London will be impressed with her, but she won't be ready to marry yet. I trust that by the end of the second season, she'll finally have a realisation that she's quite happy with how she's living her life and how good her work is, and that she has finally stopped feeling sad. So the second season will stop with her atop a cliff, letting go of the traumatic loss she suffered on that same cliff a season before. By the end of the season, one or two love interests will be set up for the last season.

So the nudity and big romance will have to come from elsewhere. Georgiana will get more agency and action in the next seasons. She could be trying to tempt Charlotte in joining her adventures as a single wealthy independent woman. She might even leave to find her place in the world via boat, returning to where she was last truly happy: Antigua. The second season could maybe end with Charlotte overlooking Georgiana's boat leaving from the previously mentioned clifftop. Another option is Georgiana falling in love with a local man and taken an interest in the town. Financially speaking, Georgiana could be the only one able to save Sanditon. But I don't think she owes the town anything. Another option is the writers focus on Georgiana navigating her relationship with Otis, who might be back home for a holiday after navy duty. We could also see some political debates à la Poldark S5 about freedom, servitude, independence and so on. The first plan for Georgiana doesn't even have to exclude the second, she could decide to sail away with Otis to find their place in the world. In any case: race shall not be brushed under the carpet and Georgiana will kick some shins on her way to her happy ending. In Jane Austen, we have rarely seen a woman who tried to elope, or escape her guardian, get a happy ending. Georgiana Darcy, Eliza Williams, Eliza's mother, ... they're all tragic tales of women falling for bad guys who try to steal their virtue or take their money. And in the end they always become dependent on men again. I hope in Sanditon Georgiana will learn and grow herself, instead of being coddled by men. A lot could be done.

Esther and Babington could be a very cool insert if the actors join. They can really connect the high society to Sanditon. They could host balls, invest in Sanditon or drive the London plot. But they can also be an emotional backbone to the show. Esther married Babington, but she wasn't in love yet. I'm not a fan of the edward/Esther angle. After all he did, I rather she hated him with burning passion and never spoke to him again. But he could try to blackmail her and ruin her reputation in London. Perhaps become some kind of Lord Whistledown. With Charlotte coming to Esther's aid. Esther's plotline could be about learning to trust people and open her heart again. Perhaps she could have a conflict with Babington about him wanting a family and she still being uneasy with marriage, let alone children. Maybe they could have a fight, with one of them going to London. In their separation they might realize they love each other. And then the other comes back home from London with Charlotte and they fix everything. Another route is them having a fight, Esther going to confront Edward or Clara about their blackmailing or maneouvring. Babington thinks it's because she doesn't love him, but actually it's because she loves Babington and wants to be rid of her past. But she gets into an accident and Babington only realizes the truth later on, leading to a happy ending.

Other things I'd love to see: Mary finally growing a backbone and telling Tom to either be open about his affairs and finances or be gone. Arthur and Diana growing a backbone and telling their brother he's a fuck up. Charlotte realizing Tom is stupid. Lady Denham appointing Charlotte or Arthur to head of Sanditon after showing their worth an entire season. Tom being repentant. Diana getting over her fears. Arthur getting a love interest. Crowe being in Sanditon, I just love him. Kisses. Healthy love interests that aren't broody and traumatized and in need of fixing by women. Jane Austen's men need to do their growing ON THEIR OWN. And then they earn their brides.

5. What we'll lose

- A Sidlotte ending: once the new season comes out, Sidlotte is no longer headcanon.

- A happy Esther/Babington ending: they married and looked happy, despite Esther's rushed turn around. If they're in the new season, their marriage won't be perfect. They'll have conflicts, just for plot. Whatever headcanons we had for them will probably be falsified. We might come to dislike them or their relationship. I've seen almost all my ships crumble to dust on the rocks of multiple seasons dragging out relationships and piling on conflict just to keep it interesting.

- A part of what made Sanditon Sanditon: we'll lose many faces we've come to love. And the dynamics and relationships will therefore change a lot.

- Fanfics become dated: I know it is the problem of every fandom, but it's one I regret all the same. Part of why I love Austen fandoms is the fact that the books are written. The characters and relationships won't change. With 2 new seasons coming, all fanfics out there will become dated. The millions of hours authors put into Sidlotte fics will perhaps become barely read when Charlotte gets new love interests. All the headcanons I and many others wrote down for Sidlotte, Esther/Babington, Charlotte/Stringer, will officially become silly fantheories. I've been there a couple of times before that shows changed the entire course and personality of certain characters and then you can't help but feel exhausted and sometimes annoyed because these are your babies and you had dreams for them, and the writers took them in directions that sometimes don't do them justice. But it's canon so you gotta accept it. Sometimes fantasy is nicer than a writer toying around with storylines and characters just to create drama. And I'll have to write my characters in a new way that fits the characters based on the info from the new seasons. I might fall out of love with them. Ah, the burden of being a shipper weighs heavy.

- Perhaps we still lose a HEA: Season one ended with a happy babington/Esther and an unhappy Charlotte who learned a lot, and a Sanditon that was saved. Although Sanditon has been extended for two seasons it's possible that if the ratings for S2 aren't good they may still cancel the third season. If they don't learn from their mistakes and end season 2 on another cliffhanger even Esther's relationship and sanditon may be at stake. If they're getting 2 seasons they will also not marry or engage charlotte in the second, meaning Charlotte will still be single by the end of the series if they cancel season 3. The whole reason we wanted more seasons was for charlotte to have a HEA. So I'm really fearful that she'll be put in another hard spot. They at least need to get her happy by the end of S2.

6. What we'll gain

- More sanditon content

- More regency era content and images and music which is always lovely

- Seeing our favourites again

- Hopefully we get to see new challenges and romance and humor and tense moments and scandal and drama that will be fun to watch

- A Georgiana story arc: a black woman in a realistic historical setting living her life, being wealthy, and England just having to Deal With It. And as cherry on top she'll be written by black writers.

- Happy endings (hopefully)

- New hot men! This is a guarantee

- Perhaps LGBTQ+ representation with Arthur

- Frustration at Tom's antics (guaranteed)

- Maybe some interactions with Charlotte's siblings

- Esther Babington content

- New material to write fanfics and metas about

- Over 8 hours of viewing pleasure

[vanillawaiver]

i tried to figure out the enneagram types of dream smp characters

have you ever wanted to know the enneagram types, and therefore motivations and fears, of your favorite dream smp characters? that’s a rhetorical question. don’t answer. this post contains a quick explanation of the enneagram and an analysis for every included character. i’m just gonna put it all under the cut.

i’d absolutely love to hear your thoughts!

ENNEAGRAM EXPLANATION

a quick low-down on the enneagram, for those who don’t know:

the enneagram actually refers to a funky circular graph, numbers 1-9 on the outside that depict 9 different personality types. each type is adjacent to two other types around the circle (see image for clarification). the two types on either side are the possible wings for that specific type, a wing being an additional set of personality traits alongside the main personality type. an enneagram type is written as [type]w[wing]. for example, my enneagram type is 4, and i have a type 5 wing, so my enneagram type is 4w5.

(the lines through the inside of the enneagram won’t be mentioned in this post, but you can find more information on them online if you’re curious. i won’t link anything because links can be sketchy)

the nine enneagram types are mostly easily explained by their basic fears and basic desires. the enneagram is intended to explain the “why” behind someone’s actions, which is why it’s so hard to type someone else. you cannot get inside their head to find out their true motivations. however, today i am working with entirely fictional characters and not the content creators themselves, so i give myself a free pass. please don’t go around psychoanalyzing your friends or people you don’t even know and jumping to conclusions without their input lol

also all of these are just what i think ! if you (respectfully) disagree, i would actually love to hear your opinions - you are probably right and i am probably wrong.i don’t watch every stream or even know of every event, and my reasoning is probably weak at best. enough rambling, here we goooo

the grouping will be by type, just because… idk how else to organize this.

again, /rp /rp /rp ! i don’t know these ccs in real life and will not pretend to. i’m talking about minecraft roleplay.

(also, i didn’t proofread this. sorry fnjakdfda)

type 1: the reformer

principled, purposeful, self-controlled, perfectionistic

desire: to be good, to have integrity

tubbo - type 1w2

tubbo is a classic example of a type 1 being put into the worst possible situation for their current mental state. tubbo was the moral and sensical anchor for tommy’s more eccentric and self-centered actions, and they functioned as this duo UNTIL tubbo was made the president of l’manberg. tubbo’s more self-critical tendencies were amplified because his actions had so much weight. tubbo is quick to turn against and polarize those he sees as “evil”, making broad generalizations like “technoblade is wrong” and “tommy is good”, regardless of all the moral gray areas, and even changes his mind drastically between them as he seeks the right answer. (ex: exiles tommy, but then decides it was the wrong idea, and now seems to agree with everything he says again.) i think part of his flip-flopping comes from a sense of people-pleasing and generosity, again amplified by his position as the (now former) president of a nation.

type 2: the helper

generous, demonstrative, people-pleasing, possessive

desire: to feel loved/appreciated

quackity - type 2w3

(as far as i know) quackity’s first major action on the smp was to run for president. wilbur and tommy wanted quackity (as part of swag 2020) to share the votes of the two parties in order to ensure a victory over schlatt. however, quackity acted out against them because he felt used instead of appreciated for his ideas. schlatt promised him at least some amount of respect, so quackity switched sides regardless of what was better for the smp at large. i believe quackity kept looking for approval from others, but also some sense of accomplishment, by founding mexican l’manberg (is this even canon…idk but i liked it), starting the butcher army, and trying to bring schlatt back to life. quackity even fought technoblade despite being grossly unqualified and i believe this is due to the martyr mindset that often comes with unhealthy type 2s. 

type 3: the achiever

adaptable, excelling, driven, image-conscious

desire: to feel valuable

nihachu - type 3w2

(at the time of writing this, niki hasn’t had a ton of canon screentime, so this is mostly based off of the doomsday stream.) when in emotional distress, niki applies her type 3 ideas of being the best she can be to others, hyperfocusing on “teaching them a lesson” by destroying l’manberg. unhealthy 3s also tend to become jealous of other people’s happiness and success to the point they attempt to destroy it, perhaps explaining how niki’s character felt that no one wanted to listen to what she had to say about the political state of things. i see niki as a character that values her image in relation to others, hence the 2 wing. when fundy showed her respect, she became even more sure of herself, and this seems to be the kind of thing she is after.

schlatt - type 3w4

much like ghostbur (as mentioned later), schlatt is a very exaggerated character. it’s hard to type him, because the enneagram focuses around people who behave in the way real people do, and schlatt is a larger-than-life villain. i’ve typed schlatt as a 3 because of his narcissistic tendencies. schlatt not only wanted to be but believed he was integral to l’manberg’s continued function. unhealthy 3s tend to be devious and manipulative in order to hide their own wrongdoing, like how schlatt exiled the main opponents of his rule. schlatt doesn’t have the emotional introspection of a 4, only the temperamental self-absorption, but i think this is the best i can do lol

type 4: the individualist

expressive, dramatic, self-absorbed, temperamental

desire: to be significant, to find identity

tommy - type 4w5

most of my reasoning for tommy’s typing comes from his time in exile. tommy displayed an impressive connection to his emotions, maybe just out of necessity because he was alone. his constant cry was that no one cares about him, but not in the way a 2 may fear the same thing. tommy feared he had faded from significance. when he felt this way, he was quick to make rash conclusions and decisions. he is self-centered, caring more about his discs than about anything on the server. the 5 wing is there because of tommy’s constant assertion that people pity him when they show basic human kindness. he dreads others viewing him as incapable.

type 5: the investigator

perceptive, innovative, secretive, isolated

desire: to be capable and competent

awesamdude: type 5w6

is sam incredibly important to the plot? not as i write this. but i don’t want to leave type 5 empty. sam does cool redstone and built a cool prison. he’s super swag. i’m too lazy to attempt to do an analysis. this is just what i believe to be the objective truth on his character. give sam your primes.

type 6: the loyalist

engaging, responsible, anxious, suspicious

desire: to have security and support

wilbur (alivebur) - type 6w5

(pls disagree with me on this. this was so hard and i didn’t start watching dream smp until after the original “it wasn’t meant to be” moment sjkdfadkl) it’s right in the l’manberg national anthem. a place men could go to emancipate the brutality of their rulers. wilbur created l’manberg for what i interpret as security reasons. a peaceful land without americans. as an american, i understand completely. wilbur demonstrates the tendency of 6’s to shun outsiders and to turn to hysterical violence in times of distress. wilbur’s final action before his death was to blow up his safe place, because he believed the security had been tainted. i have typed wilbur with a 5 wing almost exclusively because of the intentionally radical beliefs that unhealthy 5s exhibit, becoming obsessed with blowing up the place he once called home.

type 7: the enthusiast

spontaneous, versatile, distractible, scattered

desire: to be satisfied and content, to avoid pain

fundy - type 7w6

fundy grew up in constant distress, what with his dad kinda losing it and the constant political turmoil. fundy has acknowledged that there is nothing that comes from conflict except for personal gain. fundy is selfish (taking netherite meant for everyone, hardly taking other people’s feelings into account) by nature of the society he was born into. like most distressed 7s, he has mood swings and comes off as demanding. i gave fundy a 6 wing because of what i see as the origin of his issues: a lack of support and stability. because of this, fundy often seeks external solutions (material possessions) instead of internal ones (fucking THERAPY OH MY GOD).

badboyhalo - type 7w6

“l’manberg? pogtopia? who cares?” :D

type 8: the challenger

self-confident, decisive, willful, confrontational

desire: to protect themselves, to be in control of their own life

dream - type 8w7

(warning, a lot of this typing is based on my own theories about the smp, because dream doesn’t stream rp to give us his own perspective.) dream claims that his motivation, at least presently, is to cause as much chaos as possible, but this has to come from a more philosophical place. dream is the one who started the server, and, i believe, canonically created the world they all populate. dream’s rule was originally questioned by the creation of l’manberg, which he interpreted as a personal attack. as a type 8 would, he is attempting to destroy all that does not conform to the vision he has for a peaceful, unified server. this may make it seem like dream should have 9 wing, but i don’t believe stability factors into his reasoning. dream seeks fun, for himself and others, and also finds this by causing chaos, as mentioned before.

technoblade - type 8w7

now, just because techno and dream have the same enneagram typing here does not mean they are at all similar. techno also lashes out at things that do not conform to his vision (anarchy) but has a stronger connection to his 7 wing. he wants to protect himself because of the comfort and happiness that would provide, not exclusively to be in control. he cares more about the pain and suffering caused by the government. still, i don’t think techno’s primary motivation is to be happy, as he still causes harm and puts himself in danger in order to achieve his goals. when a type 7 would become depressed and isolated, techno decides to spawn six withers. to each their own.

type 9: the peacemaker

receptive, reassuring, agreeable, complacent

desire: to have inner stability, to avoid loss

ghostbur - type 9w1

more than anyone on the server, ghostbur is a two-dimensional character. (absolutely not meant in a negative way. i adore ghostbur as both comic relief and a consistent character. ghostbur simply doesn’t behave like a normal person, and that is the point.) this makes it difficult to type him, but i tried my best. ultimately, ghostbur cares about others, but not in the way a 2 does. blatant negativity from people he interacts with doesn’t affect him in the slightest. he hands out blue because he is good, hence the 1 wing, and not to be loved. the only time (i can remember) that ghostbur has expressed anger was when friend the sheep was killed in techno and dream’s terrorism upon l’manberg. loss is the only thing he seems to be afraid of, and he applies this to all people within the smp. 

philza - type 9w8

to put it nicely, philza is a mediator. to put it not-so nicely, he doesn’t give a fuck. philza has actually achieved much of the goals a 9 has, making him an anomaly on the smp. (most every one of these characters expresses extremely unhealthy characteristics of their type.) philza is accepting of others, and does more listening than speaking. however, philza still feels the effects of loss from murdering his own son in cold blood (just minecraft things <3) and presumably fears losing something else important to him, thus forming few attachments (ex: didn’t care his house in l’manberg got blown up, didn’t react much to tommy’s betrayal.) i typed him as a wing 8 because of his healthy self-confidence and confrontationalism.

please keep in mind that this is all referring to the dream smp characters these streamers portray. i don’t claim to know anything about their deeper philosophical reasoning for whatever they do irl. not really on that parasocial type beat, ya feel me? i would love to hear your thoughts.

 thanks for reading!

[dorovahkiin]

SのK Chapter 132 - My personal thoughts

I'm glad so many people enjoyed this chapter, but for me it was pretty meh tbh. It had some great moments, but the general writing felt super rushed to me.

- So they arrived in Odiha already... I was hoping for more talk and bonding on the ship, but at least we got some talk in Odiha

- The bombs Armin mentioned will definitely be important. I hope it won't be another suicide mission, suicide missions got really repetitive at this point

- Falco finally showed more reaction to the deaths of his loved ones, was waiting for this!

- I loved the MikAnnie conversation! I think it's pretty fitting Annie doesn't want to fight and I'm glad she didn't change her mind. Of course there is a possibility she might join the fight later, but I personally hope she won't. Give her some rest

- Love Mikasa and Annie bonding!!

- The way Mikasa noticed Annie's feelings was really funny. Now we got the confirmation Annie has feelings for Armin either, there is no ship that's more canon at this point

- AruAni haters would say it's character regression of Annie, but I think it's the opposite. Annie always hid her emotions and was a loner, she'd never open up to anyone except Hitch maybe. So her allowing Armin to love her, someone she has feelings for either, is good development. It would have been different if AruAni were toxic, but it's pretty healthy imo

- F if one of them dies lmao I hope they both make it out alive

- When Mikasa said she has the scarf... Does she mean she has it somewhere in Paradis or with her right now? I'm really looking forward to the EreMika confrontation. I used to be both EreMika and JeanKasa, but not EreMika anymore since timeskip because Eren is an ass and a genocidal maniac. But I'm still fond of it and really looking forward to its closure

- Mikasa however is still delusional if she believes she can bring old Eren back. Not to mention old Eren was already a maniac. I can't blame Mikasa though, everyone would be biased in this situation

- Levi's finally talking since chapters again, I missed him! Isayama trolled himself when Levi said "I'll be forgotten if I sleep more" because he got so little screentime 😀

- Same as Pieck when she said "I have nothing to do". I love Pieck, but what's her character arc right now? I don't know and I am afraid she will die soon. But I think she will play a part in the ZeVi confrontation since she was part of rts, has nothing else to do and she was next to Levi in the plane, maybe they'll have a talk next chapter?

- I loved Pieck mentioning her death comrades, I want her to react to Porco's death more, maybe that's the closest reaction we'll get 😔

- So Yelena indeed knows where Eren is going, I thought she was bluffing

- He is aiming for the flying boats in port Salta. I wonder if those flying boats are going to have some importance - I hope. Some people could save themselves by using those planes and they have a military base there, so maybe the military will be more useful than in 130?

- I also had this crack thought: Imagine the military in port Salta decides to take their planes/airships to attack Paradis. A desperate attempt to stop the rumbling "If rumbling won't be stopped immediately, we'll attack Paradis with our planes". It would be a horrible thought, but not impossible. Paradis is totally unprotected right now and an easy target. All shifters gone and a lot of soldiers dead. This would also be a good opportunity to introduce Historia to the story again

- Lmao Yelena wanting approval of euthanasia. Of course euthanasia is not cool at all, but imo way better than genocide. Btw Zeke coming back when? Pls next chapter

- My favourite moment was probably the conversation between Reiner and Annie. I waited so long for Reiner apologising to her and I'm happy Isayama made it happen

- That AruAni goodbye wow. No words could express the same amount of emotions as this eye contact did

- Floch comeback.. Floch dead. I'm not a fan of Floch, but his death and closure was very underwhelming, rushed and one reason I didn't like this chapter so much. He was a plot device this chapter. A plot device for drama and to kill off Hanji indirectly for more drama. I expected more. In this case it would have been better if he died in the port battle or not die at all

- Engineer-kun is a hero

- Too late, rumbling is there. Reiner and Armin arguing who's gonna sacrifice themselves was a bit pathetic. They are both suicidal af. Especially my boy Reiner. I feel like he mainly did it because he still wishes to die as hero. Similar to Historia back then in the snow with Ymir and Daz. That's the main reason I want Reiner to survive this series because his wish to die got so pathetic at this point

- Reiner saying "Armin will stop Eren" started a fight between Reiner Helos and Armin Helos fans which is annoying lol. Of course I tend to Reiner Helos because Reiner is my fav, but tbh I think stopping Eren will be a group effort, so more like Alliance Helos

- Now let's talk about Hanji's sacrifice. Next to Floch's death it's the main reason this chapter was meh to me. I am biased because I loved Hanji and mourn, but imo the death was unnecessary, avoidable and only there to create some drama. I don't know if I'll ever get over it. But still: Hanji is the goat and will be very missed. Now I am afraid we'll have more unnecessary deaths for drama, I'm tired of the repetitive suicide missions

- Levi and Hanji - oh well my heart hurts. Levi yet again lost another important person, how will it effect him? Who is able to hold him back now? He is so alone. But I don't want him to die, even if he could reunite with his comrades again. Levi putting his hand on Hanji saying "Shinzou wo sasageyo" fuck. I wasn't ready for this. And I still can't accept Hanji's death 😭

- So when Erwin and the scouts appeared... Was it a vision or afterlife? Imo it was the latter because we saw Hanji's blood and more importantly we saw Keith Shadis, Hanji doesn't know he's dead. And how is afterlife far fetched if we have paths fckery and titans?

- Some people support afterlife especially because characters could reunite with dead characters again. Dead ships could become alive again. Somewhat. I understand it, but I don't like this thought process at all. Like I am a huge NejiTen fan (never accept Neji's death, it was as unnecessary as Hanj's), and of course I hope they'd reunite again once Tenten dies - but not now, Tenten shall live a long happy life first and Neji would want the same. What I mean is: I'd never wish for a character's death only for the sake of my ship

- MVP of this chaper: Hanji

- My rating: 6 out of 10 maybe? Chapter felt rushed and the deaths were poorly written imo. Other than that it was good

- What happens next chapter? I guess they will either meet Eren or Zeke. Or both? It's getting spicy from now on and I am not ready. Nobody is

[undertheinfluencerd]

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Sam Raimi’s Spider-Man trilogy redefined the superhero genre and the summer blockbuster. The three films provided audiences with a sense of escapism unlike anything they had seen before, thanks to its heart-pounding action scenes and collection of beloved characters.

RELATED: Spider-Man Villains Ranked Least-Most Likely To Win The Hunger Games

Peter Parker, his friends, and his foes all got many chances to show off their abilities on the big screen. Indeed, the trilogy’s characters star in some of cinema’s most unforgettable moments. From upside-down kisses in the rain to heartfelt monologues about the responsibilities of a hero, Sam Raimi’s trilogy has plenty of scenes that rank as some of the most memorable in cinematic history.

10 Eddie Becomes Venom

To say that Topher Grace’s depiction of Venom is unpopular would be an understatement. In fact, most fans agree he was one of the things Spider-Man 3 got wrong. That doesn’t mean his character didn’t have some thrilling moments on-screen, though.

Eddie’s most memorable scene in the movie is his transformation into Venom. As Peter gets rid of the symbiote while in a belltower, the alien falls and lands on Eddie, quickly overtaking him. A killer soundtrack and fittingly gloomy atmosphere accompany the transformation. And even if Eddie ended up being an underwhelming villain, his conversion into Venom is definitely memorable.

9 Flint’s Confession

Every fan knows that Spider-Man 3 has way too many villains. None have enough room to shine or prove themselves as worthy heirs to Goblin and Ock’s legacies, but they still get some redeeming moments. In Sandman’s case, it’s his final monologue to Peter, where he confesses his guilt about the part he played in Uncle Ben’s death.

Enhanced by Thomas Haden Church’s performance, the scene succeeds in providing some much-needed closure for Peter. Sandman is less a villain and more a tragic figure of circumstance, and his confession to Peter confirms it.

8 Goblin’s First Flight

Willem Dafoe redefined what it means to be a comic book villain. His take on the Green Goblin is the perfect mix of over-the-top and seriousness, adding a sense of gravitas that overcomes the more cartoonish aspects of the role.

The character has plenty of memorable moments in the first Spider-Man movie. However, his initial confrontation against Spider-Man during the World Unity Fair will go down in cinematic history as one of the best action scenes of all time. It is fast-paced and thrilling, wasting not a single moment of its four-minute length. The Goblin gives an impressive display of his powers, proving that he will always be Spider-Man’s best villain.

7 Otto Octavius’s Sacrifice

Sam Raimi’s first two Spider-Man films succeeded because of how much they fleshed out the villains. They weren’t just CGI creations trying to take over the world, but three-dimensional characters with ambitions and limitations of their own. Spider-Man 2‘s Otto Octavius is one of the genre’s most compelling villains, one who succeeds in winning the audience’s sympathy while remaining a fearsome threat.

RELATED: 10 Things Only Comic Book Fans Know About Doctor Octopus

During Ock’s final moments, he sees the error of his ways and decides to go down with his creation. Proclaiming he will “not die a monster,” Octavius sacrifices for the greater good. Thanks to Alfred Molina’s committed performance, the moment is one of the trilogy’s most memorable, cementing Octavius as one of the genre’s most complex characters.

6 J. Jonah Jameson Saves Peter Parker

J.K. Simmons as J. Jonah Jameson is the very definition of spot-on casting. The actor took an already well-known character and translated him into the screen seamlessly and faithfully. Throughout his tenure in the trilogy, he gets plenty of comical moments, but his most memorable is his protection of Peter Parker.

When the Green Goblin blasts into the Bugle’s offices, he threatens Jameson and asks for the name of the photographer who takes Spider-Man’s pictures. Jameson refuses to tell on Peter, telling the Goblin the reporter sends his stuff through the mail. The scene shows a new and unexpected side to JJ, a glance at the empathy he works so hard to hide.

5 Uncle Ben’s Lesson

Uncle Ben’s death is one of the defining moments in Peter Parker’s storyline. It’s the first of many (many) tragedies to happen to the character, inspiring him to become a hero in the first place. Sam Raimi provides enough room for Uncle Ben’s character to develop before arriving at the inevitable conclusion.

Cliff Robertson’s heartfelt monologue summarises the essence of Spider-Man. “With great power comes great responsibility” has become one of the most enduring phrases in pop culture, adding a more profound layer to Raimi’s trilogy. And while Uncle Ben has little screentime, his presence remains throughout the entire trilogy, thanks in large part to his now-immortal words.

4 Aunt May’s Advice

Rosemary Harris remains the most compelling and memorable cinematic Aunt May. She imbued the role with plenty of warmth and empathy, avoiding the one-dimensional approach of subsequent movies. Harris’ Aunt May wasn’t just another peripheral character; on the contrary, she was Peter’s anchor, a constant source of inspiration for both the boy and the hero.

Her role as Peter’s guide is blatantly clear during her monologue in Spider-Man 2. While she packs her things to move out from her house, she talks to Peter about the nature and importance of heroism. Her speech is the gentle push Peter needed to understand the true role of his superhero counterpart. It’s a sweet but unforgettable moment that confirms Aunt May’s importance in the friendly neighborhood Spidey’s life.

3 Goblin’s Last Flight

Throughout the Raimi trilogy, Harry Osborn suffers almost as many ups and downs as Peter himself. The loss of his father leaves him devastated and desperate to find someone to blame, leading to his descent into the Green Goblin persona. Alas, Harry was never his father, and he proves it at the last moment.

RELATED: 10 Most Powerful Variants Of Green Goblin In Marvel Comics

Sporting the Goblin costume, Harry goes to help Peter fight Venom and the Sandman. The two confirm their friendship, and Harry bravely dies fighting the enemies. Harry’s sacrifice continues the recurring theme in the trilogy that every victory comes with a steep price. It’s also a perfect send-off for the character and a way to restore the Osborn legacy.

2 Mary Jane’s Upside-Down Kiss

For all its strengths, the Raimi trilogy has one undeniable flaw, and that’s its treatment of Mary Jane Watson, Peter Parker’s main love interest in the comics and most movies. The character barely received any development beyond her damsel in distress role. Still, Mary Jane is a crucial figure in superhero movies; she defined the “superhero girlfriend” role for better and worse.

Out of all her moments in the trilogy, Mary Jane’s most memorable is her upside-down kiss in the rain with Spider-Man. It’s not only one of the most iconic scenes in modern cinema, but a perfect summary of MJ and Peter’s relationship. The setup may seem a tad outdated under a 2021 eye, but Kirsten Dunst and Tobey Maguire’s chemistry is so electric that fans can let go of the more dubious elements of the scene and enjoy the romantic aspect.

1 Spider-Man Stops A Train

Tobey Maguire’s Spider-Man remains as beloved now as he was back then. His take on Peter Parker gained new life thanks to the internet; indeed, Maguire’s Spidey is the king of memes, from Bully Maguire to the now-iconic “I missed the part where that’s my problem.”

However, this Spider-Man remains a blueprint for cinematic superheroes, thanks to his many heroic moments on screen. None is more memorable or inspiring than his efforts to stop a speeding train in Spider-Man 2. The scene works not only as an action setpiece but as a demonstration of Peter’s strongest power: his perseverance. Peter will never stop trying, even if all the odds are against him. Spider-Man is so relatable because he makes multiple mistakes and spends his time trying to fix them. But the point is, he will always try, and the train scene is the perfect representation of Spider-Man’s essence.

NEXT: 10 Unpopular Opinions About The Sam Raimi Spider-Man Movies (According To Reddit)

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The post Sam Raimi’s Spider-Man Trilogy: Each Main Character’s Most Iconic Scene appeared first on undertheinfluencerd.net.

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[travllingbunny]

The 100 7x12 The Stranger

This is an episode I’ve enjoyed a lot more on rewatch than the first time. Which I kind of expected. The first time, I really didn’t like it, but this was mostly because I was too impatient to see Bardo and Bellamy, and really didn’t have patience for the Sanctum scenes, which again took up so much of the episode, or focus while watching them - that is, I did at the beginning, but not in the second half o the episode. 

In fact, there was nothing that bad about the Sanctum scenes, and I enjoyed many of them on rewatch, but this storyline is simply not as interesting as the one about the Anomaly, Bardo and the Disciples, especially now when Bellamy has returned and just had a most dramatic character transformation, 5 episodes before the end of the show. And that’s been the main problem of the season so far: pacing. Jumping from one plot to another works when you have two equally interesting and exciting stories, and that really isn’t the case here.

It also didn’t help that this episode - by a first time writer - had too much clunky dialogue, such as so many times when characters were recapping events to each other:

Indra recaps to Memori what happened in a scene we saw 5 minutes earlier (at least this was brief)

Hope recaps her life story to Jordan, which we already saw in 7x02 and 7x04 and heard retold 7x07

Madi recaps what happened to her on Earth (to be fair, we did not actually see that on screen)

Bellamy recaps not just 7x11, but also season 3 and season 6

Murphy recaps 7x03 to Nikki

Now, some of this was probably necessary, but some of it wasn’t exactly - for instance, did we really need to hear Hope’s life story again? The scene was very nice, but we could’ve just have Hope tell Jordan “Dev was my friend” and assume she already told him who he was. This wouldn’t bug me if it was just one scene, but it was so many of them in the same episode. It’s OK to have characters sometimes learn info off-screen, especially when there’s just a few episodes remaining. It’s not that there isn’t enough time left to resolve all the storylines - there are 4 episodes left, about the same net amount of screentime as the entirety of Avengers: Endgame - but the show needs to pick up the pace.

It could’ve been a better episode, especially considering the fact that some big things happened, and the storylines finally converged by the end of the episode, setting up potentially exciting final 4 episodes. 

On the more positive note - it was very interesting to see Bellamy’s conversation with Cadogan and his repressed but clearly conflicted emotions in his scenes - first with Echo and Raven, and later with Clarke and Octavia, and his attempts to find reconcile his new faith with his desire to save the people he loves. And on rewatch, I enjoyed a lot of the other scenes -nice character moments with Madi and her friends, and with Jordan and Hope, cute moments with Memori, or even Murphy’s confrontation with Nikki, though I would’ve enjoyed some of them better if they had happened in some other episode earlier in the season.

Bardo

Bellamy is now in full-blown Disciple mode, wearing one of those ridiculous white robes, similar to what Doucette wears, even though Bellamy is not a Conductor or a science-oriented person like Gabriel, hasn’t gone through any Disciple training and isn’t even Level 1 (as seen by the lack of the marks on his face). He is clearly being treated as one of the top Disciples anyway, one of Cadogan’s inner circle, which may be justified by the fact that he has gone through the Etherea pilgrimage. We know that Cadogan’s pilgrimage is a big deal in Disciple religion, which would raise both his and Doucette’s status, but he is also, of course, important to Cadogan because of his connection to Clarke and the “Key”.(Sidenote: I don’t think anyone has been appointed the new First Disciple after Anders’ death. The job of the FD was to act on behalf of the Shepherd and lead in his absence, and wake him up every 20 years to update him on the progress of the search for the Key and the Final Code. Now that Cadogan is there to lead himself, he has no need for a deputy anymore.) 

He is also getting to have one-on-one talks with Cadogan. This scene is one of the most interesting in this episode. Bellamy is incredibly repressed, with subdued feelings, but those emotions are still simmering and coming through on his face and in his voice, thanks to Bob’s great acting. Bellamy gives Cadogan condolences for Anders’ death, and Cadogan replies that he really barely knew and didn’t care about Anders, which we knew already. Cadogan interprets this as Bellamy testing him if he has any attachments. I don’t know if that is true or just how Cadogan read it, or if Bellamy assumed Cadogan and his FD must have been close, and/or if he was doing it so he could bring up the issue of his friends, who are supposed to be executed for “their” crimes. (Which are really just Echo’s and Hope’s crimes, but the Disciples seem to have decided they bear collective responsibility, even though many of them tried to stop it - and no one is disputing it.) Cadogan goes on about how trying to suppress attachments and emotions is a long way and says he is still struggling with it after doing it for hundreds of years. (No, Bill, you haven’t been even conscious for hundreds of years. You were in cryo. Shut up.) He says Bellamy reminds him of his son Reese/ Since Bellamy and Reese are nothing alike, I can only interpret this as Cadogan trying to manipulate Bellamy by presenting himself as a father figure. I thought at first that he may really have meant it because he assumed Bellamy would be as loyal to him as Reese was - but that’s clearly not true, since the end of this episode shows that Bill does not fully trust Bellamy.

Bill thinks that Callie must have killed Reese, since he apparently can’t see any other reason why Reese never got to bring him the Flame. It says a lot that 1) he assumes that 1) Reese always remained loyal to him and that 2) Callie would be willing to kill her brother. He always put them against each other and made them fight as children. And he doesn’t even entertain the thought that Reese may have had any character growth and changed his mind. I have a feeling he may be wrong on both accounts.

But Bellamy is good at manipulating Cadogan, too, in order to save his friends - he realizes that Bill’s family is his weak spot. Cadogan was not entirely convinced by Bellamy’s suggestion that the Flame can be repaired, but he was affected - even if he didn’t admit that - when Bellamy told him he may find out what happened to his children through the Flame.  I’m not entirely sure if Bellamy believes that 1) the Flame can be repaired (which may or may not happen) and 2) the Commanders' memories would still be there (which doesn’t make a lot of sense and seems unlikely). He is very sincere about his faith, and he says later he can’t lie to the Shepherd, so he wouldn’t be lying... But he is clutching at straws to save his loved ones, maybe even trying to convince himself. And there’s also the fact that he does lie to Cadogan later, during Clarke’s MCap.

We then see two conversations Bellamy has with the people close to him - the first one is with his Spacekru family: his girlfriend Echo and his long-time friend Raven. The second one is with Clarke and his actual family, Octavia. The Disciples again made sure to put characters in cells for two people, but we don’t get to see Bellamy talk to Miller and Niylah (even though the scene was filmed, as we saw in the promo pictures). I hope that scene was not cut due to time - considering how much screentime was used up by the Sanctum storyline, again, and these characters are constantly getting short-changed. But I think it may have instead been cut because of the story structure - to focus on just these two scenes. What’s more, Raven’s role is much smaller than Echo’s in the former scene as she leaves early, and, surprisingly, Octavia plays a secondary role in the latter, which is mostly focused on Bellamy and Clarke’s interaction. And considering how the former scene was changed from the script, - Bellamy’s emotions toned down, Bellamy not explaining his experiences to Echo and Raven as he does later to Clarke and Octavia - which made the contrast between the two scenes stronger, I think the intention was to focus mostly on Bellamy’s relationships with Echo and Clarke, and that the compare and contrast was deliberate.

Throughout both of these scenes, Bellamy insists that he is trying to save everyone from death, while also being true to his faith, but his loved ones, understandably, are shocked by this new Disciple Bellamy, who feels like a stranger, and who is acting as one of their captors and is even willing to let them be put in MCap against their will. He notably does not answer the question Echo asks - if he is ready to watch them die, which is a strong possibility if his attempts to placate Cadogan don’t work. Instead he just says “You know that’s not what I want”, which doesn’t answer the question. Maybe because he is not sure yet what the answer is. But he does answer one other question...

In his talk with Raven and Echo, Bellamy shows emotions (including concern when noticing Echo’s scars), but they are very subdued, and he eventually makes it clear that, if push comes to shove, he is prioritizing his new faith over his people. Raven reacts with typical Raven anger, and throws the words "So much for family" in Bellamy’s face (echoing what Bellamy himself said to Miller in season 5 - "So much for the 100"). Echo is also indignant but tries to plead with him, hoping to bring back old Bellamy in him - without any success. Which may be seen as a sign of how strong Bellamy’s indoctrination is... but looking a little beneath the surface, a lot of what she says makes me wonder how well she knew the old Bellamy in the first place. Bellamy, on his part, asks Echo to believe in him and be on his side, but his argument is to appeal to her feelings for him (”I am the man you love”), expecting her trust and loyalty without really offering anything in return, such as, say, some promise, some mention of his feelings for her. Echo tells him about how obsessed she was with saving him... and then avenging him - she is really channeling S2 Finn with how she refers to her genocide attempt as a grand romantic gesture and sign of love that he should appreciate. Even if Bellamy was his old self, I’m pretty sure he wouldn’t be happy to hear that. Disciple Bellamy remains stone-faced and gives her only a flat “I’m sorry you had to go through that”. 

(And this is what annoys me about this scene and this storyine in general: somehow, Echo is made to look morally superior, after having murdered and betrayed multiple people this season an some two days after she murdered people as a way to torture Levitt and almost committed genocide, and no one has any time to even mention that or blame her for anything. If Bellamy had done a fraction of her actions, it would’ve turned into a huge story of guilt and Bellamy being blamed and needing to redeem himself forever.)

But regardless of how you see these characters’ respective arcs, one thing is clear: they are on completely different wavelengths. Echo mentions how she tried to keep her identity by scarring her face - but that scarring was an Azgeda custom; the core identity she was trying to preserve was that of an Azgeda warrior/spy, which is hardly something to mention as a positive thing to Bellamy. Not only does it have nothing to do with them as a couple or as a team/”family”- her Azgeda spy/warrior identity made her Bellamy’s enemy and caused him a lot of trauma. This is either some weird and bad writing, or an intentional attempt to show the cracks in this relationship that have been there all along. Bellamy, on his part, seems to think Echo will understand the appeal that this faith has for him - a promise of “no more war, no more killing”. Why does he think this is something that would appeal to her? Fighting and killing for her “people” and her “King” and fulfilling her mission is what she lives for, even after having spent 11 years in peace.

Throughout this scene, Echo looks very emotional, especially by her standards, while Bellamy is incredibly restrained. She finally asks him point blank “Is this (his faith) more important than us?” This is a very ambiguous line, because the pronoun “us” can be understood as “all of us, your family/friends” or “you and me/our relationship”. There’s been a debate on which one she meant - I even created a Twitter poll about it (where about 2/3 of voters said they thought she meant their relationship). I can see both of these interpretations, but the intimate way she said that line and the way she was looking at him make me think that she meant “us” as in their relationship. Either way, the fact that Bellamy - after a pause - unambiguously answered “Yes”, makes it pretty clear that this relationship is over. I find it hard to see any future in this relationship even if/when Bellamy stops drinking the Kool-Aid. I do think someone will be able to get to him, but it won’t be Echo.

Echo cries after he has left (which I feel was much more in character than if she had been crying during their talk, as in the script.). Back in 7x04, Echo asked Orlando: “ It must be hard to dedicate your whole life to something that may never come.” I’ve always felt that was foreshadowing for Echo’s own arc - with the way she was saying she wouldn’t know what to do without Bellamy. I didn’t expect their relationship to end for this reason - but this is a much stronger blow for Echo than if they had just broken up for more mundane reasons. She didn’t just lose her boyfriend, she lost her king.  If her arc is to make any sense, the show will have reflect on her life, identity and priorities and her find some purpose in life that’s not about Bellamy or serving another leader.

Octavia and Clarke are together in another cell - and we get a brief interaction, where Octavia tells Clarke she “finally understands” her, because she knows what it’s like to have a child you’re desperate to protect. I’m not too fond of this line, because it feels kind of obvious but also reductive - “I finally understand you” makes it sound like she finally understands who Clarke always has been, since she met her in season 1, which doesn’t make sense. It’s reducing Clarke to the role of the mother, and it would make a lot more sense if Octavia said she now understood the post-Praimfaya Clarke. But understanding was never an issue between them in season 5 - Clarke was simply standing in Blodreina's way. It was back in seasons 1-4 that Octavia had trouble understanding Clarke and her decision as a leader - something that she probably understood when she became a leader herself, responsible for a bunch of people.

Bellamy’s second big confrontation is with Clarke and Octavia. And in this one, Bellamy was much, much more openly emotional, much more vulnerable. This time, he not only told his experience to his sister and Clarke - he is now desperately  pleading with Clarke to believe in him. He doesn’t bring up her feelings for him, but their connection and - in a way - his feelings for her, what he did for her, the fact he did not give up and brought her back to life in S6. They are both yelling and looking in pain and with tears in their eyes. He isn’t shouts “I am trying to save you, all of you!” But this is not about Clarke believing in him or dismissing his experiences. She accepts that what he says may be true, but refuses to give in to a man like Cadogan and let him start a war, and she stands her ground, while Octavia turns away from her brother to comfort her, looking at him disapprovingly. If someone can get to Bellamy, if his feelings could outweigh his faith and loyalty to Cadogan, it is most likely to be Clarke (It could be Octavia, of course, but the show is not choosing to focus on their relationship at the moment.)

I’d like to point out that we have seen this kind of angsty conflict between Clarke and Bellamy almost every season, and often around this part of the season, and that it always ended in an equally huge reconciliation. In season 3, it was earlier (3x05 to 3x11). In season 4 it was in 4x10/4x11 with a reconciliation in 4x12. In season 5, it lasted from 5x09 to their big reconciliation in the season 5 finale. They always end up forgiving each other because they can understand each other - and are a united team in every season finale.

I want to address something else I’ve seen people say: that it is “worrying” that Clarke has called Bellamy her best friend twice this season, after never having defined their relationship that specifically before. Which is seen by some as a sign of the show trying to “clear” that they are “platonic” - even though this really doesn’t do that. (Anyone remember a certain real life tweet going: “Recently, I married my best friend and soulmate...”?) If anything, it is a step forward, since she has previously only referred to Bellamy as one of her friends/family. What else would she call him that would give him a special place, unless you expect a love confession from her at a moment like this (or talking to Cadogan in front of everyone), which wouldn't make sense. Specifying their current relationship status  of two characters feels like something you would do if that status is to change - one way or other. (I think that Bellamy has also been called Echo's boyfriend for the first time in S7.) 

The struggle inside Bellamy continues as he sends Clarke to MCap - which rightfully shocks and hurts both Clarke and Octavia, But he clearly has a hard time seeing Clarke in pain. and, in spite of what he said earlier (that he can’t lie to the Shepherd), lies to Cadogan, claiming Clarke doesn’t know where the Flame is. There is no way he actually believes that - Clarke didn’t even try to pretend that she didn’t know it, and she’s struggling to hide that knowledge. Unfortunately it’s an obvious lie Cadogan sees through, but the cracks in Bellamy’s loyalty to him are starting to show.

(Many people were hoping that the MCap session would allow Bellamy to see Clarke’s memories and that this would be some kind of breakthrough that would let him realize her feelings for him and get him emotional - but I’m glad nothing like that happened, Mind violation is not a good way to bring two people together..)

Clarke, being Clarke, hurts herself rather than giving Cadogan what he wants and letting him start a war, until he promises he release her friends.

The show is really not subtle with its imagery - first we had Kane crucified in season 3, and now Clarke looks like Jesus with a crown of thorns. 

So, Cadogan sends the rest of the group (Octavia, Echo, Hope, Miller, Niylah, Jordan) to an unknown location, as a collateral, so Clarke would keep her end of the deal and find the Flame for them. But he doesn’t reveal the location to Clarke - or to Bellamy, because, in his words, he doesn’t trust Clarke. But this means that he doesn’t really trust Bellamy, either - at least not when Clarke is around.

Doucette seems to be constantly hanging around Bellamy - he was there when Bellamy was reunited with his people, he appears after Bellamy’s talk with Clarke and Octavia, and he’s with Cadogan, Bellamy, Clarke and others in the team that goes to Sanctum. I don’t think it’s just because they are the Disciple version of friends - I think Cadogan has made Doucette Bellamy’s unofficial Handler, and that he’s supposed to keep an eye on him and make sure he stays loyal and doesn’t give in to the temptation of emotional attachments to his friends and family. He also has a brief interaction with Echo, where he seems amused and mildly contemptuous. Which makes me think he’ll have some interesting interactions with Clarke and possibly others in 7x13 (but mostly Clarke, especially going by the promo photos) while he is  around Bellamy to remind him of his Disciple side.

There’s been a lot of speculation where the group has been sent. It’s certainly not Skyring, Etherea or Nakara or Sanctum, which means that the options are either Earth, or some new place we haven’t seen yet. It would make sense if it was the same place where Gaia was. It certainly seems that we won’t see this group before 7x14, as the upcoming episode will probably be full focused on Sanctum. The Stone on Earth has been shown to be offline - but so was the Stone on Sanctum, and that didn’t end up mattering at all.

What I don’t understand is why Cadogan thinks they won’t be able to find their way to Sanctum - which is why he didn’t let Gabriel and Raven go with them. But they do have Disciple helmets (unless all info in them has been disabled), and Jordan was around when Raven talked about the Anomaly and has spent a bit of time researching the Bardoan text on the Anomaly Stone on Bardo - so I expect him to be able to figure things out.

So many of the characters need to resolve their storylines - Echo, Hope, Jordan? The former two have character arcs that badly need resolution and character development, after they have lost everything. Hope has been driven by anger, pain and revenge all season - and it all came crashing down when she attempted to commit genocide, and unintentionally caused her mother’s death as a result. Diyoza’s last words were to be better than she was. Hope still has Octavia, who has struggled with and resolved the darkness and violence in her soul, and now she also has Jordan to bond with, as they did in their scene in the cell in this episode. They are two of the kids who grew up in isolation and raised on stories of Clarke, Bellamy, Raven, Murphy and others as legends, but with drastically different worldviews and experiences. I expect both of them to survive to the end, together with Madi, as the new generation/hopes for the future of humanity.

As for Jordan, I would say that his arc needs a resolution, but his brainwashing by Trey at the end of last season seems to have been completely forgotten and ignored. Maybe it became a casualty of the rewrites, when the show opted to go with another brainwashing/indoctrination storyline with another one of its men of color. I certainly prefer this Jordan we saw talking to Hope and comforting her, but why didn’t the show keep him that way all the time, without that really annoying Prime-apologism phase?  

I feel that Octavia, on the other hand, has completed her character development, but she needs to deal with the loss of Diyoza, have some meaningful interactions with Hope, and of course, a resolution to her relationship with Bellamy. 

It really struck me how little Bellamy/Octavia interactions got focus in this episode - their one scene was more focused on Bellamy's interaction with Clarke, and Octavia didn't even get a line or closeup in the scene where they were being sent off (unlike Clarke, Echo, Raven, Gabriel and Miller) nor even a moment of eye contact with Bellamy (unlike Echo and Clarke). That must mean there are going to be big Blake sibling scenes later, probably in the finale.

Sanctum

When you think Sheidheda can’t get more over the top, he does it again. I don’t know if this is a bad or good thing. If you’re doing a cartoonish villain, go all in, right? It’s kind of entertaining, though it doesn’t fit with the usual way this show does villains. This time, he actually has a throne made of skeletons! (That’s one way to use those skeletons of the Primes’ former hosts.)

He’s also borderline  Villain Sue, with a bunch of incredible fighting skills that now go beyond Grounder style fight. Now he’s also really good with automatic guns. When did that happen? I mean, Madi does know how to shoot a gun, but still? The scene where he shoots all of the Children of Gabriel would’ve been much more convincing if he had given a sign to Wonkru to start shooting them, instead of doing it all by himself.

Nelson’s (Sachin)’s death was fitting for his character, and many would say it was heroic and impressive, refusing to kneel to another false god. Or one could say it was stupid and pointless - as it did not result in just his death, but also the deaths of all the people he was leading, and that he should have instead taken Emori’s advice and knelt today so he could find a way to beat Shady some other day, while saving his people. I’ll let you guess which one of these is closer to how I feel. In any case, on the Doylist level, I’m not fond of how fast the show is to kill off another bunch of people, but it is what it is, the show has always been fond of mass murder. And this is Shady’s second one this season. First he killed the majority of the Faithful, and now almost all of the Children of Gabriel - so we wouldn’t have to deal with more factions of people in the show’s endgame. And conveniently, CoG got removed from the board just before Gabriel comes back to Sanctum, Now we won’t have to have that arc followed up on. How many people are left in Sanctum now that aren’t Earthkru? There must still be quite a few of the ordinary Sanctumites there, such as Delilah’s parents, but we rarely get to see them. I would hate it if the show killed off the majority of the Sanctum residents just because they’re not major characters.

The only CoG who gets to survive is Madi’s friend Luca, the one other CoG we know. Indra, who witnesses the massacre and saves Luca, must be thinking back to how her mother knelt to save her (just like she knelt to save Madi) and hopefully realizing that her mother wasn’t a coward and did the right thing. 

Meanwhile, Murphy and Emori are hiding Madi, the remaining Faithful, and now Luca, too, in the nuclear reactor. Trey, the big believer, has no problem suggesting they kneel to the guy who killed his god Russell, before Murphy points out that Shady would kill them anyway for fear they would want revenge. Oh, Shady - you killed so many people and didn't even have the decency to kill that annoying asshole Trey?  

One of the best parts of the Sanctum plot in this episode is Madi comforting a really traumatized Luca - who has lost first his biological family when Shady killed the Faithful, and now his people/his real family - and telling a group of orphaned children a story of her own survival in the Shallow Valley. Whether or not this is foreshadowing for a possible return to Earth (I am in two minds if this is going to happen or not), it is a sweet moment of hope for rebuilding life and society, similar to the scene between Jordan and Hope.

Murphy confronting Nikki and telling her how and why her husband died and that his sacrifice should not be in vain, is a good scene - and won’t be pointless if it finally results in some sort of character development for Nikki, who has been so one-note throughout this season. But she is simply not that interesting. The one interesting thing about her plot is that she could remind Murphy of who was back in season 1, but the show, usually not subtle with parallels, hasn’t done anything with that so far.  

There also some lovely Memori moments - they are the one couple in the show who are getting to be happy and have these ordinary coupley scenes. And you know that I have always shipped Memori. But the problem here is - there have been many cute Memori scenes this season; they have both proved to be good leaders, who take care of people, playing the role Clarke and Bellamy did once; Murphy has been proving every episode that he’s a real hero now, coming a long way not just since season 1 but from his questionable and selfish choices in season 6, too. He gets told “I’m proud of you, Murphy” again by someone, this time Indra. All of this is very nice, but repetitive. After so many episodes this season have shown us these things - we get it. We don’t doubt anymore that Murphy and Emori are heroes. Sheidheda is 100% a villain. There is no moral ambiguity - except with minor characters: the only unpredictable thing about the storyline is what Nikki will do and whether Knight will stop obeying Shady. It’s not that this is a terrible storyline, and on rewatch, it was fine in this episode - but the other storyline is way more interesting, and there are so many other characters that are in pressing need of character resolutions, with 4 episodes to go.

At the end, we’re left with a stalemate, as Murphy is captured by Shady, but Shady can’t move to capture or kill Emori and the people they are protecting in the reactor, because she could blow it up, so he leaves Knight to wait for them to come out. 

And then, finally, Cadogan and the group come from the Anomaly. Why did we have that Disciple so dramatically disconnect the Sanctum Stone in 7x04? Another abandoned subplot? Wonkru simply moved the Stone and brought it tot Shady, and it worked just fine. 

(I suspect the Flame may turn out to be impossible to repair or useless, because the show has been emphasizing Madi’s remaining memories so much this season - and that wasn’t needed for this plot, since Shady also remembers the Anomaly Stone and could have been the one to tell Wonkru about it. The Disciples may end up trying to get her into MCap to see if she remembers the Final Code that Bedca used.)

I’m ecstatic that the Bardo storyline is finally converging with the Sanctum one. But that somewhat initially ruined by the bad direction in the last scene, which made it less clear which of the characters were back on Sanctum, until you went back and paused the scene. Clarke asking “What the hell happened here?” and Murphy’s reply “Gee, where to start” was great, but the fact that so many people  were asking “Did Bellamy come to Sanctum with them?” and weren’t sure of it before the Inside the episode and sneak peeks came out, shows how poorly this scene was done. It should’ve made it crystal clear that Bellamy, Raven and Gabriel were coming back to Sanctum together with Clarke and Cadogan - getting people excited for the next episode.

Rating: 6.5/10 

[aion-rsa]

Brooklyn Nine-Nine’s Funniest Guest Cast Characters

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Warning: contains Brooklyn Nine-Nine spoilers.

Brooklyn Nine Nine is one of the funniest sitcoms around thanks to its fantastic ensemble cast and just-broad-enough humour blended with almost-realistic cop show elements. But that great regular cast are supported by an equally brilliant array of recurring characters and guest stars. In this list, we’re celebrating the funniest of the show’s less often-seen characters, those guest appearances who’ve turned up once or twice to inject a fresh burst of comic energy into the show.

Note that we’re not counting regular recurring characters like Adrian Pimento, Madeline Wuntch, or Kevin Cozner, aka Mr Raymond Holt. If they turn up more than once a year, or in more than three episodes in one season, they’re off the list.

12. Adam Sandler, played by himself in Operation: Broken Feather, Season 1, Episode 15

Adam Sandler’s appearance as himself in Season One is beautifully self-deprecating as well as funny. His deadpan delivery of “I’m a serious person” is hilarious in just the right way – of course the real Sandler is, presumably, as serious and as complex as anyone else, but he knows his own public persona and just how to play on it in the right way to raise a different kind of laugh. The interest in antiquities, the planned film about the Russian Revolution, it’s all funny – and somewhat undercut, even more amusingly, by his taunting of Jake straight afterwards. The whole scene did help to flush out a criminal though, so it wasn’t a total loss for Jake.

Funniest moment: Admitting his “serious” Russian Revolution film features Kevin James as Trotsky, and a wife who doesn’t wear a bra through the whole film.

11. Geoffrey Hoytsman, played by Chris Parnell in two episodes in Season 2

When Jake’s lawyer girlfriend Sophia uses her boss as a transparent excuse to break up with him (by going on ‘pause’), Jake wilfully misunderstands and decides that the boss is the key problem, so he sets off to make the man like him. It all goes horribly wrong when Jake finds Hoytsman snorting cocaine in the bathroom, which Hoytsman claims he was doing accidentally while screaming loudly that Jake is arresting him to the whole room of lawyers. Sophia somehow still ends up blaming Jake – probably because she simply wanted to break up with him in the first place – and Hoytsman ends up returning to take Jake hostage and quite seriously threaten his life later in the season. Parnell’s over-the-top performance as a character who is, of course, high for much of the time, is what really sells the character.

Funniest moment: Sniffing cocaine off his collar in the middle of the police precinct.

10. Jessica Day, played by Zooey Deschanel in The Night Shift, Season 4, Episode 4

Back in 2016, both New Girl and Brooklyn Nine Nine were active Fox sitcoms, so the network decided to do a crossover event in which the New Girl characters travelled to New York City and ran into the 99. Most of the crossover scenes actually ended up in the New Girl episode, but Zooey Deschanel’s character Jess Day did make a brief appearance in the otherwise stand-alone Brooklyn Nine Nine half of the crossover. While the New Girl episode provided a lot more context for Jess’s feelings about New York and her stress level surrounding Schmidt’s mom’s car and the soup she’s carrying, her appearance as an apparently slightly nutty woman who resists Jake’s attempts to commandeer the car is an entertaining interlude during the half hour.  

Funniest moment: Insisting that Jake’s oath to serve and protect applies to her soup.

9. Philip Davidson, played by Sterling K. Brown in The Box, Season 5, Episode 14

If this were a list of the show’s ‘best’ guest characters, rather than ‘funniest’, the top ranked would surely be Philip Davidson, played by Sterling K. Brown. ‘The Box’ is a tight, taught bottle episode that takes full advantage of Brooklyn Nine Nine’s hybrid status as both sitcom and cop show, and Brown’s Davidson forms a strong third of a triangle in this three-header with Holt and Peralta. It’s a really strong performance, but given that he’s playing a tough-to-crack murder suspect, not really the funniest, exactly. Still, he gets a good few laughs when appropriate over the course of a really engaging half hour of comedy/cop show crossover.

Funniest moment: When Davidson finally cracks, he cracks hard – his confession is equal parts triumphant, cathartic, and hilarious.

8. Karen Haas, played by Maya Rudolph in Coral Palms Parts 1&2, Season 4, Episodes 1&2

Maya Rudolph has a good line going in slightly weary authority figures (see also: The Good Place). Handling Holt and Peralta while they’re in witness protection is not an easy job and her exasperation at Jake’s refusal to accept his situation is well played. Haas is really funny, though, when she starts bringing her own issues into her official duties, clearly trying to get permission to cheat on her husband from someone, anyone – and Holt is happy to oblige.

Funniest moment: Whoever it is she wants to sleep with is “really young” – something that clearly shouldn’t be funny, but the face Rudolph pulls as she says it is what sells it.

7. Lin-Manuel Miranda as David Santiago in The Golden Child, Season 6, Episode 9

Miranda is marvellously smarmy as Amy’s too-perfect brother, her demanding parents’ favourite, who snubs popular culture and shows off by saving people’s lives (including Amy’s own husband). Amy’s delighted reaction when he’s arrested for cocaine possession and deep disappointment when he turns out to be innocent are highlights, but the funniest scene by far is the dance-off between David and Amy, in which both comprehensively demonstrate that dancing is not among the Santiago family’s many strengths.

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Funniest moment: David thinks elbows should form a bigger part of a dance routine than they really should.

6. Frederick, played by Nick Offerman in Ava, Season 3, Episode 8

Any time we meet Captain Holt’s friends and family, many of whom share his stoic, Vulcan-like demeanour, it’s always hilarious. JK Simmons as his old friend Dillman very nearly made the list, but he was just pipped to the post by Ron Swanson – sorry, Nick Offerman – as Holt’s ex-boyfriend. There’s a lot of crossover between Parks and Recreation and Brooklyn Nine Nine among the cast and crew and Offerman isn’t even the only Parks & Rec alumnus to appear on this list, but he’s probably the one whose appearance most quickly calls to mind his earlier character. The idea that Holt’s ex-boyfriend is Ron F-ing Swanson is just genius. OK, Frederick lacks Swanson’s magnificent moustache (though he has a glorious beard) and he’s even more brusque and stand-off-ish, but he’s a perfect match for Holt, even more in their post-break-up mutual antagonism than we imagine they were in their relationship.

Funniest moment: His straight-faced insistence at the door that they have a “wooden-duck situation”.

5. Mark Devereaux, played by Nathan Fillion in Serve & Protect, Season 4, Episode 14

It’s always funny any time police characters in a cop show visit the set of a TV cop show, and for added meta humour, in this case the actor playing the fictional detective is played by an actor who works on a cop show (albeit as a non-cop character). Phew! That’s a lot of layers of meta. Nathan Fillion’s pompous star who apparently thinks playing a detective makes him a detective is very funny, and it gets better when it turns out that was a ruse to cover up his own petty criminal activity before he folds like wet paper. It’s just a shame we didn’t get to see more of him.

Funniest moment: Devereaux tries turning on the angry detective act from his show to cover up his own crime, only to be confronted with quite a lot more than a “shred” of evidence and fold immediately.

4. Eleanor Horstweil, played by Kathryn Hahn in Hostage Situation, Season 3, Episode 11

We heard a lot about Boyle’s ex-wife over the first couple of seasons, partly because Boyle was still living in her basement, hanging out with her new husband Hercules. We knew what sort of person Eleanor was when Boyle explained that he gets the beach house from December to February. When we finally meet her in the flesh, Kathryn Hahn does not disappoint – Eleanor is surely one of the most purely horrible characters we’ve seen on the show (and yes, we’re including all the murderers). She hits a 90-year-old priest with her car and then destroys Boyle’s frozen sperm, all with no apparent sense of guilt, and she largely gets away with it, too. But she does it all with a perfectly deadpan expression and carefree attitude, each horrifying act funnier that the last.

Funniest moment: She goes further than Jake ever thought she would when she “shoots a hostage” – i.e., throws some of Boyle’s sperm down the drain.

3. Seth Dozerman, played by Bill Hader in New Captain, Season 3, Episode 1

Bill Hader’s screentime on the show is relatively brief, but he is hilarious from start to finish, attacking the squad with every shouted command like he’s firing metaphorical bullets at them. It might actually have been really cool to see the squad try to deal with him as their Captain for more than one episode, with his extremely demanding requirements and very highly strung personality, but on the other hand, perhaps this is a joke that works better in small quantities. Any character whose dying words are “Tell my wife I love her work ethic” is probably a character better enjoyed for a shorter period of time. 

Funniest moment: Both heart attacks are very funny, but the first (non-fatal) one just pips it for the sheer suddenness of it.

2. Caleb, played by Tim Meadows in three episodes in Seasons 5 and 6

Jake is shocked to discover his only friend in maximum security prison is a cannibal (though he would prefer to be identified as a wood-worker), having assumed everyone in protective custody was a wrongly accused police officer. Caleb is surely Brooklyn Nine Nine’s best streak of really, really dark humour – not only did he murder and eat nine and a half people, they were small children too. Every reference he makes to his “nightmare” past is sickly hilarious, and gets worse and worse every time, including a reference to his “skin suit”. But he really does care for Jake, even if he still kind of wants to eat him. The sheer audacity of the black humour surrounding this character is fantastic and always funny.

Funniest moment: Caleb shows that he has a softer side when he saves Jake’s life – but he immediately deeply regrets it and would not do it again.

1. Doug Judy, played by Craig Robinson in multiple episodes (one episode or two-parter per year)

Yes, we carefully defined a recurring character as someone who is either in more than three episodes or who appears more than once a year specifically so that we could include Craig Robinson‘s Doug Judy. It’s our list and we make the rules. There’s something twistedly beautiful about Jake and Doug Judy’s tender but tense friendship, even in the early years when Judy is constantly double-crossing poor Jake. The two of them have perfect comic chemistry, and each running gag in their friendship, especially their fondness for swaggering out in a new outfit or disguise, just gets funnier and funnier. Long may Doug Judy continue to turn up roughly once every twelve months to harass his long suffering best friend.

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Funniest moment: Having escaped yet again, Doug Judy leaves Jake a pre-recorded message in a karaoke booth – complete with a full hour of pre-recorded singing for Jake to duet with.

The post Brooklyn Nine-Nine’s Funniest Guest Cast Characters appeared first on Den of Geek.

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[kittyprincessofcats]

MCU movies ranked by how well-written Loki was

Well, one person did tell me to post them, so here we go. This list ranks the 6 MCU movies Loki appeared in - solely based on how well-written he was. This list disregards how good/bad I thought the movie was otherwise, and also doesn’t factor in how well the story treats the character - it’s based just on how much I agree or disagree with Loki’s characterisation. (In other words if he gets brutally murdered or treated like shit by his family, that doesn’t necessarily mean he himself was ooc.) Also, this is of course just my opinion and very much up for debate :)

This ended up getting kinda long, sorry - I just really like talking about Loki :D

ALSO THIS LIST CONTAINS ENDGAME SPOILERS

6th Place - Thor: Ragnarok

Yeah... Sorry, I know people love this movie, but it really deserves last place on this list. Now, to be fair, I didn’t completely hate how Loki was written here, there definitely were some nice moments (”I’m here”), but overall I felt like the movie played Loki’s trauma for laughs to much, made him the butt of a joke too often and didn’t make him stand up for himself like he did in his previous movies - which is one of the things I liked most about him. I also didn’t like that the movie tried to retcon him into someone who’s been hurting Thor his whole life, or that they made his “redemption” involve forgiving Odin. And even though this movie is praised for its “anti-colonialism” message, it really fails to address that Loki was one of the biggest victims of Asgard’s colonialism and that Odin never really changed his ways after banishing Hela.

And beyond that, I just felt like there was something slightly “off” about how Loki was written here. It was his first time back on the big screen in 5 years, and somehow it just didn’t feel like the same character anymore. Ragnarok was the only movie Loki was in where I went out of the cinema and didn’t feel the need to read tons of fanfic about him. At first I thought it was just because I’d moved on in those 5 years and wasn’t as invested in his character anymore - but then Infinity War happened and (despite killing him off) absolutely nailed Loki’s characterisation and brought my love for him back full force. And that’s when I realized I hadn’t moved on - Ragnarok just hadn’t gotten Loki right.

5th Place - The Avengers

I initially wanted to place this higher, mainly because it’s such an iconic movie (that I really like) and because so many of Loki’s most iconic and well-known lines are from this one. Tom absolutely plays the sassy, charming but vulnerable trickster to perfection here. Then why is is to so low on my list? First of all, because I feel like there was a giant personality shift for Loki between this movie and the first Thor. Loki has previously stated that he never wanted the throne (of Asgard) and now he suddenly tries to conquer earth and we’re not really meant to question it.

Now before you all say it - Yes, I’m aware that Loki was tortured by Thanos between this movie and the last one. And while the movie doesn’t explicitly tell us that, I think between him looking like hell and limping in his first scene and his scene with The Other (”He will make you long for something as sweet as pain”), the implications were clear enough. Plus, there’s the whole revelation that the mind stone influenced his thinking. So yes, I think his personality shift is understandable - BUT I wish the movie itself had made that clearer instead of leaving it to fans to connect the dots and understand why Loki is acting so different now.

And lastly, I don’t like his “mewling q**m” line to Natasha. I think it’s incredibly misogynistic on the writers’ part (ahem... Joss Whedon again), and it’s also incredibly ooc for Loki, who subverts gender roles, is genderfluid himself if we go by the comics, and has always been shown to respect women, especially his mother. So I don’t feel like using gendered insults is something he would do.

4th place - Avengers: Infinity War     

Yes, the scene was horrible. Yes, it broke my heart and made me angry at the Russos. No, I don’t have the desire to rewatch it. BUT the one thing I do have to give this movie credit for is absolutely getting Loki’s character right. This was the movie that reawakened my love for Loki after Ragnarok failed to do so. Tom’s acting throughout this scene is brilliant and heart-wrenching and the dialogue features some of my favourite Loki lines. I mean: ”For one thing, I’m not Asgardian - and for another, we have a Hulk.” “The sun will shine on us again.” “You will never be a god.” Loki finally acknowledging himself as “not Asgardian” and “the rightful king of Jotunheim”? Loki repeating “We have a Hulk” - symbolizing that he’s on the same side as the Avengers now? Loki looking his biggest fear in the eye and choosing to sacrifice himself for his brother? GOOD SHIT. That’s some good shit right there!

Even Loki attacking Thanos with a butter knife isn’t necessarily ooc - He didn’t do it because he thought it would work, he was simply out of ideas and decided to distract Thanos and save Thor. He knew he would die. And if you tell me that wasn’t absolutely heroic then I don’t know what is. Though I do agree that the writers (not just of this movie, but of all of them) seem to have forgotten all the powers Loki is supposed to have and I’m also annyoed that they just make him stab people instead. And also, I don’t like that Loki calls himself “Odinson” in this scene. Forgiving Odin shouldn’t be a part of his redemption, bla bla, we’ve been over this. I like to headcanon that that part was more meant for Thor than Odin.

3rd Place - Avengers: Endgame

I know what you’re thinking - Does Loki even have enough screentime in Endgame for it to be on this list? And yeah, good point. It’s hard to be completely ooc when you basically have two minutes of screentime and I did consider leaving it off the list for precisely that reason. But, I mean COME ON. I just had to give a shout-out to how absolutely iconic those two minutes were. Imitating Cap? Sarcastically waving at the Hulk from the elevator? Dramatically rolling his eyes when Thor mentions Odin? Grabbing the tesseract at the first chance and just noping out of that horrible mess of a movie? ICONIC. Two minutes of screentime and he somehow stole the show. When could your fave ever?

2nd Place - Thor 1

This is the movie that made me fall in love with Loki in the first place, so obviously it had to be high on this list. The way he was written (and acted) here was absolutely beautiful, his story is heartwrenching in all the right ways, he makes all the wrong choices but as a viewer you understand why he makes them. He’s presented to us as this outcast who doesn’t quite fit in, who’s always in the shadow of his brother, kind of gets bullied by his brother’s friends, yearns for his father’s love - and who one day has to deal with the realisation that his life was a lie and that his father resents him for something beyond his control. The confrontation between him and Odin in the Vaults is still the best Marvel-scene ever, hands down.

Fun fact: I literally first watched this movie because I wanted to know “who that Loki-guy is and why people love him so much”. I finished watching the movie and was like “Ah. I get it now.”

My only complaint would be that they deleted all the scenes that explained Loki’s motives and made him more sympathetic. To be honest, I sometimes forget that they’re “deleted scenes” because I’ve watched them so often that I just consider them canon.

1st Place - Thor: The Dark World

Honestly, it was close between this one and Thor 1. I love them both, but while I think the first one is a better movie overall, Loki’s portrayal in the second one is probably my favourite. He starts the movie already disillusioned with his family and spends it unafraid of calling them out on their mistreatment of him. This is the movie where Loki won’t be silenced about the injustices he’s suffered, and I love that about him. I also love how he just replies to threats with sarcasm now (”You’ll kill me? Evidently, there will be a line.”).

I also like that his movie gave more depth to his relationship with Frigga, and also showed Loki being heroic: Helping Thor, never betraying him, protecting Jane, sacrificing himself for Thor. In fact, I stick by what I said before: Loki wasn’t a villain in this movie. There isn’t a single evil thing that he did in this film. NOT ONE.

I also love how this movie makes Odin’s hypocrisy more evident than ever (Telling Loki they’re not gods and that he shouldn’t think himself above Midgardians, but telling Thor he shouldn’t date Jane because Midgardians are “goats”... You get the idea). I also like the contrasts painted between Odin and Loki and how they think about Thor’s relationship with a mortal - Odin tells him he shouldn’t date Jane because she’s “beneath” him, Loki tells him he shouldn’t date Jane because she’ll die one day and that’ll break his heart. And that’s just one of the many contrasts between them in this movie.

And THAT ENDING! Thor getting his only bit of good parenting ever and it was actually Loki - Loki still being alive - Loki sitting on that throne. HELL YES.

(I seriously don’t get how people thought that ending meant Loki was evil? Hello?? He just freed Asgard from a totalitarian dictator? Last time I checked that was a good thing? Have some people not gotten the memo that Odin’s evil? This movie in particular was very clear about that.)

My other rankings: Thor | Steve Rogers | Natasha Romanoff

[rwbyconversations]

The weaknesses of Volume 6

As someone who had sub-zero expectations going in, Volume 6 was overall a really good season of RWBY- in fact I’d called it the best overall Volume since Volume 3, if not overall, the best season we’ve had so far. Everything seemed to come together for this season, and most of the fandom has agreed that the opening salvo of episodes was the best the show had, and that the season hadn’t had a dud episode until the group reached Argus. I know some parts of the fandom don’t love the Argus episodes but I found something good in nearly all of them so I can’t say it was a complete waste of time. 

But, every cloud has a silver lining, and while Volume 6 was unmistakably a huge improvement over the previous Maya seasons, especially Volume 5, there are still several areas the show can seek to improve on as the show moves to the chilly frozen north of Atlas. So in this essay, I’m going to highlight the (ultimately small but notable enough to warrant talking about them) weaknesses I found in Volume 6. 

1) The show needs to more efficiently handle its villains (and why Cinder and Neo’s plot was a drag)

Weird that I’m saying this in the season that gave its longest episode to exploring Salem’s origin story, but Volume 6 had a lot of difficulty managing the pacing of its villains, and the largest subject of its focus arguably didn’t need to be in this Volume. I’m talking of course about Cinder and Neo’s plot this volume.

Now on paper, giving Cinder more spotlight should be what I want. After all, I wrote an essay last year detailing why parts of the fanbase weren’t fond of Cinder, so giving her focus should ideally be able to remedy those problems, right? 

Well, that’s the problem. In that essay, I talked about how Cinder’s two biggest flaws as a character were that she was very boring, and how her lack of backstory made it difficult to really care about her as a character. Cinder has effectively been the same character for six volumes in a row and much like Volume 4, the show has a golden opportunity to finally change that and give her a new narrative arc only to waste it.

Volume 6 should have been a drastic wake-up call for Cinder. Unlike at Beacon, where she lost due to Ruby’s sudden intervention and the awakening of her Silver Eyes, Cinder lost at Haven entirely thanks to her own failings. Raven beat her handily in straight combat and goaded her into the entire train-wreck of an operation to begin with, which for a power-focused individual like Cinder, should have really been an igniting spark to get her to begin seeking some introspection on why she’s lost twice in a row in failing to burn down the Academies. But sadly, just like in Volume 4, right as Cinder appears to be getting an arc about her recovering from her loss at Haven, she just ignores it and goes right back on her murder-Ruby train, as if she’s stuck in a Groundhog Day loop. 

Cinder’s refusal to move on from a basic arc of “Plan to destroy an academy, enact the plan, get slaughtered, blame Ruby, rinse and repeat” has made her easily the least interesting villain in the entire show. At this point we’re six years in and barring a few contextual clues, Cinder has no backstory, no sympathetic traits, not even any character development to differentiate her from her Volume 1 self. And this after the season where she dominates the villain screen-time until the final third when Adam hijacks the plot.  

Cinder’s plot in Volume 6 is therefore largely just setup for Volume 7, in that it explains how Cinder survived Haven and how she reaches Atlas. Along the way, she encounters the in case of bad season break glass button Neo, whose out for revenge and gets a really cool fight scene that’s ultimately just there for fanservice. 

Let me repeat. Good fight, really liked it. Let me also repeat- just there for fan-service. This is not an inherently bad thing, but it does have weaknesses. 

Neo was always coming back to the show and part of me feels like she was always being held in reserve in the event of a really bad season, so that the next one could have her return and generate some hype since her fan-base are that loyal. And sure enough, Neo’s return did see a notable collection of fans who had dropped the show after 4 and 5 coming back to see their ice cream queen return in a non-Chibi format. I won’t fault the crew for using a plan that worked. Where I take umbrage is that this fight was not necessary. It was a good fight, but I’d have much rather taken a Cinder scene of her actually recovering from Haven and thinking about why she lost again. Instead, Cinder and Neo effectively hijack all the villain screen-time for the rest of the season. And as someone who doesn’t adore Neo like her fans, this made their arc very tiresome, especially when the hints we got of the other villains were far more intriguing. I could talk a lot about the symbolism and thematic choices of the Mercury/Emerald scene in Chapter 9 but I’d struggle to find a lot to say about Cinder’s plot that wasn’t just “Setup for Volume 7.” 

The other problem of course is that the rest of Team WTCH are sorely underdeveloped. Hazel at least is interesting again now that he’s several miles away from Ozpin, Tyrian came back and was a delight and I loved seeing him all-but-begging Merc and Em to run so he could hunt them, but Watts remains crucially underdeveloped. He really needs to step up in agency in Atlas because his sardonic wit can only carry him so far, and the man’s voiced by Christopher Sabat, what more reason do you have to give him more to do? The man made the virus that Cinder used to cause the Fall of Beacon, can he be given some agency now please? 

Ultimately, Cinder’s plot didn’t need to be the focus for the villains and yet again, the fragments of focus they got showed how much more interesting they were as antagonists. While ultimately Volume 6 did finally give Mercury and Emerald more screentime than Volumes 4 and 5 combined and reminded the audience why you should be paying more attention to them, the rest of Team WTCH desperately needs development, Watts in particular. Cinder remains the worst villain in the entire show in my opinion, and it’s a shame that she’s almost guaranteed to be the one that makes it to the end of the show. I can only hope in Atlas she finally gets time devoted to what makes her tick, but at this point I’m almost at the point of not caring. It’s been six years, I won’t start caring for Cinder now if the show finally remembers to tell us why she joined Salem.  

... also I just think Cinder’s new costume sucks and I’d rather Em and Merc get new ones over Cinder and Neo buying extensions for their wardrobes.

2) Cordovin was a joke and she really shouldn’t have been

Show of hands, who actually took Cordovin seriously? Yeah, me neither. 

Even during the fight scene, the heroes don’t take it seriously. Having a fight the characters aren’t taking seriously isn’t an inherent flaw but it does mean you can’t expect us to turn around and take it seriously five minutes later.

Cordovin was a wasted character, and one that the show shouldn’t have undershot in all of her scenes by making her the punchline of nearly every joke. Her long-winded rant at the gate scene in Dead End is a huge factor in why a lot of fans, myself included, consider it the weakest episode of Volume 6 despite picking up in the back half. It just drags on for so long that Cordovin outstays her welcome from her first scene. 

Additionally, the show not taking her seriously steals a lot of gravitas from the mech battle, and plays a large role in why I think the mech fight failed to really excite a lot of fans outside of key moments like Ruby’s missile run and canon shot. Being alongside Adam’s confrontation with Blake and Yang didn’t help but even on its own, the mech battle drags. Not quite to the same extent as Haven dragged, but on rewatches I was making liberal application of the skip button. That lack of gravitas itself goes on to hamper Cordovin’s serious moment in the season finale where she realizes that her ego allowed the Leviathan a straight shot on Argus and undergoes a soft redemption to let team RWBY leave the city. However, this moment of taking Caroline seriously comes after the plot has made it clear that the entire reason the Grimm attacked Argus was because of Caroline over-reacting to Maria and breaking out her mech instead of scrambling fighters as Qrow predicts they will. Caroline is solely at fault for the Leviathan getting as close to destroying Argus as it did, so it’s difficult to care when she pulls her head out of her ass to do her job. 

A lack of investment also means a lack of emotional dedication, which I think showed in the lack of fanart Caroline has generated since her reveal. Her design being very drab and militaristic doesn’t help matters but unlike say, the Yang/Adam rematch where the stakes were present on an emotional and thematic level, Caroline failed to excite the audience beyond a few funny memes. 

The additional problem with lacking in emotional dedication/investment is, again, we don’t have enough interest in Caroline to take her seriously, she goes in one episode from the Kooky Racist Grandma to someone we’re expected to sympathize with. And additionally, asking the fans to sympathize with a character whose opening scene includes a not-too-subtle dig at her Faunus traits was asking a lot of the fandom, especially after the previous years showed that the show’s handling of the Faunus racism plot was... varied in quality. 

In short, Cordovin basically took a shotgun to her own foot in her first scene. Establishing her as an over the top comic relief character before expecting the audience to care when she broke out a walking advertisement for gen;LOCK was an extensive reach for the writers to try and unfortunately they fell flat. Trying to make the audience care for the problem she herself created is a similar long-reach. Hopefully this extended comedy sequence depiction of the Atlas military will be left behind as Volume 7 heads into the heart of darkness itself. 

3) Oscar desperately needs limelight

Oscar’s been in the show now for three volumes. He spent much of Volume 4 on his own, much of Volume 5 as Ozpin’s meat-sack, and now in Volume 6 he finally gets to... get some clothes. I like them, but they’re not suitable compensation for the character development that he clearly had stolen from him.

Oscar is easily the most underdeveloped main hero right now, and it’s a problem that’s haunted the series since Volume 4. Oscar wants to be a hero much like Ruby herself did as a child, but this sole fragment of backstory is never used to make a connection to Ruby. Aaron Dismuke, bless his heart, is giving this show his all and his impression of Shannon McCormack’s tones must be applauded, but much like Cordovin he’s not given much to work with. In a way, he’s almost the hero’s version of Cinder- a character who keeps finding themselves in situations where they should realistically develop as a consequence... only for each time they do, it either gets shuffled into the next volume or relegated to offscreen happenings. 

Volume 6 really should have had Oscar undergoing some kind of arc, be it his fear at being persecuted by Team RWBY and Qrow due to harboring Ozpin, his fear as his days as himself become more and more numbered, his acceptance of the fight against Salem or, most glaringly, his running off while the team is in Argus. But every time, Oscar just powers through these circumstances and never gets to develop from them. He never holds it over Qrow that he attacked a child, that Yang indirectly called him a bastard, he never thanks Ruby for having his back after the train crash, and he brushes off Jaune’s apology for smashing him into a wall and alleging he’s Ozpin masquerading himself as Oscar. 

Argus is really where Oscar should have stepped into his own. I was looking forward to him going solo and having to fend for himself for a short while, maybe have a scene where he forces Ozpin to come out and talk or gets to chat with Ozma himself about his place in the war against Salem. Have him be scared of losing his personality and just becoming another body for Oz to inhibit, have him be angry that his dreams of being a hero have been cruelly dashed on the rocks for some agenda he never signed up to. Oscar should be an emotional hurricane and instead he’s just a gust of wind. 

Seriously show, you had a golden opportunity for an Ozma and Oscar scene since we know Oz can speak to his past selves, and you know Arron has enough range to do both roles at once, why do you spite my farmboi. 

But he got a coat now so I guess that’s technically development. Kerry admitted in the Rewind for Volume 6′s finale that some parts of the season got pushed to the next one as they usually do, and I can only hope that Oscar finally expressing emotion was one such scene because Christ alive, he needs it after all the times he just got over crap offscreen this year. I want to like Oscar, he could easily have one of the most tragic arcs of the entire show if they went with it, but the show really needs to give me something to like about him in the first place. Or else he really will become the heroic Cinder, trapped forever in a nightmarish world of never getting to properly develop in spite of countless opportunities being handed to them on a silver platter.

... I still think Oscar lifted Qrow’s wallet for that costume btw. 

4) The reaction to Jinn’s story felt lockstep

I don’t have as much to say on this point but I find it rather saddening that all of the characters have much the same reaction to the truth of Ozma’s past- “Salem can’t be killed, you were leading us on for nothing”- when the weeks around the Ozma reveal had the fandom reacting to the story in a far more diverse way. Even in the hiatus we still have arguments over whether Ozpin was truly in the right or if the story was painting Salem as the true innocent party, to say nothing of the takes that Salem and Ozma’s relationship could be seen as an early iteration of Arkos or even Taruadonna with Salem as the abuser. 

The fandom had such a diverse range of reactions to Jinn’s story, with everyone seeming to have their own take on the episode and the truth wherein. Some people even used this to ponder if Summer Rose had learned the truth during her time and tied it in with Red Like Roses 2, where she laments having made a necessary sacrifice, to ask if Summer had learned the truth and bitterly signed on to the war against Salem in the hopes that she’d be able to turn the tide thanks to her Silver Eyes. 

“Just because I have to give you this origin story doesn’t mean you’re gonna take the right lessons from it.” 

Some idiots even decided that this meant Oz was the main villain now, but I’ve learned to drown those people out. 

But the show itself has a very flat range of reactions, with nearly everyone in-universe only taking away from the story that Salem cannot be conventionally killed and that therefore their entire journey is pointless. Everyone had the same reaction, with the only levels of variance being how angry they were at Ozpin and Oscar, ranging from Ruby’s “ask first if they have a plan and then be angry at Oz specifically” to Qrow and Jaune’s “physically assaulting a fourteen year old child.”  

It almost makes me wonder, if the characters themselves didn’t take anything from the lesson barring Maria connecting the Silver Eyes to the God of Light and that “SALEM CAN’T BE KILLED,” why should the fans? No one took this and went “OK so we can’t stop Salem with force, maybe try talking her down?” Their minds all immediately went to not just being able to shoot her.

Jinn’s story was great, but the reaction to it in universe felt very lacking and I only worry that the more people are told about it, the more chances we’ll get to hear a variant of “Salem can’t be killed.” It’s a shame that such a morally gray out of universe debate has been stripped to its raw components in-universe. 

Conclusion

Volume 6 was really good, I really liked a lot of it and it still warms my heart that I can say that about a season of RWBY post Volume 5. But there’s still a lot of work that can be done behind the scenes to fix up the flaws remaining. I chose three big flaws here but there are a few more I could bring up for quick points (mostly: Weiss getting shafted entirely in V6 feels like an overly corrective backlash to her constantly getting slaughtered in V5, Ruby’s agency does not substitute for a character arc and she still needs one, the introduction of the Faunus in Ozma’s flashbacks felt very contrived, Ren and Nora continue to feel useless to the wider plot but at least this time Ren wasn’t getting bodied every fight, so on and so forth), but ultimately we got more good than bad, and you don’t throw out an entire batch of apples just because of one rotten one near the top. I can forgive a lot more when the overall product is good, and Volume 6 certainly was a good season. Hopefully with these smaller problems fixed, which mostly just extends to “Give Cinder and Oscar onscreen development,” Volume 7 and onwards can keep the show moving forward into a brighter future and a better tomorrow.

[shadows-twilight]

RWBY Volume 6 Chapter 10

My personal thoughts and opinions on Chapter 10 of RWBY Volume 6, "Stealing from the Elderly"

SPOILERS BELOW:

As if Jaune's idea wasn't a big enough crime as is, you had to go and say it like that?

I swear they intentionally planned to use every second of Cordovin's screentime to make her more and more unlikable. It's like Jacques, just more hammy.

Also, not sure how I didn't catch this from Nora's "big dumb boot" comment, but I'm changing my official guess to her being the Little Old Lady who lived in a shoe, which probably makes all of the guards her "children".

And the Academy Award for Best Actor goes to...Adrien Cotta-Arc! I mean, it certainly isn't going to his mother.

I must say, I have to feel sorry for Terra in all of this. There she was, just enjoying a nice peaceful life with her wife and son, the BAM suddenly her in-laws show up, eat her food, break her house, and get her mixed up in a crime involving the relay tower that she was already catching crap about. Saphron owes you one hell of a night out once all of this done, hun.

Still holding out for the proper bees talk, but I can live with these small cute moments in the meantime.

Ok, who the hell sells these nigh-invisible ear coms that every action hero seems to have access to whenever sneaky stuff goes down? I don't imagine they would be cheap, yet everyone seems to have them when convenient.

Ren and Nora sitting there like "He's a dork, but he's our dork." I love Team JNPR so much.

Ok, the Penguin guards may have weirded me out the first episode they were in, but I will freely admit to their hilarity this time around.

Maria is such a grandma and I love her for it.

Cue the "This is the part where things go wrong and drama occurs" part of the heist.

Wouldn't a smart part of the plan be for their to be a way for Maria and Weiss to confirm Blake's success before turning back. I mean, not only was Blake's part the most crucial part of the mission, but it also had the most potential for going horribly wrong. Simply assuming that it had all gone well and turning back like they had just seems rather silly.

Seeing Weiss slowly die on the inside at Maria's expense is easily one of the comedic highlight's of this episode.

To all of the people who worked on that "jargon" joke, writers, directors, actors, etc., that was one of the funniest jokes I think this show has delivered in a while, and I applaud you for it.

Oh my god...did Maria really make a point to bring an entire bag of cashews on the off chance that she could use them to tell Cordovin to fuck off? How much more can you make me love this woman, RT!?

Ok, I'm just going to say it Qrow, that little "this is my fault" piece was probably one of the dumbest things I've ever heard. And I've read my own attempts at fanfiction.

Are Miles and Kerry seriously going out of their way to avoid so much as mentioning Summer. This was yet another golden opportunity for Qrow to echo Raven's line, and they still decided to pass it up. What are you holding out on us for, guys!?

Wow, the gen:LOCK advertisement campaign is getting intense. They must have a lot riding on that one.

Now forget about the battle with the giant frikkin' robot, we've got something much more interesting to deal with! Adam.

(Words I never thought I would utter)

Ok, I get that the image of Adam dropping his mask in the character short was cool and all, but it kind of loses it's oomph when he goes and covers his eyes anyway. Besides, one of my biggest fantasies was for his eyes to be revealed Yang shattering his mask with her robot fist, and you just can't do that with a blindfold. Sigh, oh well.

Well, I suppose it has been a while since an episode ended on a proper cliffhanger, so I'll give CRWBY that.

For such a short episode, they managed to pack quite a bit into it, setting up not only a fight with a giant frikkin' robot, but what I imagine to be the final confrontation between Adam, Blake, and inevitably Yang. Kind of sad that the latter sounds much more interesting and exciting than the fight with the giant frikkin' robot, but I guess that's RWBY for you

[sambart93]

2018.05.04 WakasamaGumi Mairu (2): IceCream [Review]

This is the second installment in the WakasamaGumi series! I believe they are based off a book collection (see here). The first installment is here, and the DVD order is here.

Official Site here Official Twitter here Press Coverage 1, 2, 3, 4, 5, 6 PreOrder the DVD here My Review of First Stage here

CAST and CHARACTERS

Tamaki Yuki as Minakawa Shinjirou Irie Jingu as Nagase Shiono Akihisa as Sonoyama Kaoru Nakamura Yuichi as Fukuda Harunosuke Yasukawa Junpei as Koyama Miyazaki Karen as Koizumi Sara Inoue Sayuri as Shido Shinako Wagou Shinichi as Maki Atsuyuki Kobayakawa Shunshuke as Souma Koyata Hashimoto Zenichi as Anno Kazuma Takeshi Naoki as Souma Kakunoshin Matsunami Yuuki as Tatsusaki Hiromitsu Onodera Zuru as Katou Tomoe Kamakari Kenta as Tamai Kazuma Itou Yuuichi as A Niwa Reporter Awane Makoto as Koizumi Takuma

Ensemble: Kida Haruka, Nakano Yuka and Ashida Chiharu

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NON-SPOILER REVIEW Overall: This was a lot of fun (I feel I say this a lot but it is important!). I think I liked it just as much as the first one but for very different reasons. Don't get me wrong, neither version is perfect or what I would be satisfied with but they were good and fun enough in their own way. The first one was a lot of fun because of the story, the cast (I liked many in that cast and even the ones I didn't know I enjoyed for the most part), the songs and because I was new to MMJ so things like the paper props they did were so much fun and fascinating to me. This time I felt like the comedy really shined through and hit the mark very well, the adlibbing was very good, the main story was great (it focuses on Tamaki character Mina-chan and his dream this time), I really liked the side plot with the brothers too. I really liked the cast changes for the most part (I love Tamaki and Shiono, and Yuichi wasn't too annoying -- sorry NY lovers but I've never liked him for some reason). But I don't particularly remember any of the songs being memorable, unlike last time, and personally the romantic story line A. confused me (because of what happens in the first stage and to my knowledge) and B. girls being bitches because of jealous is really over done and just not fun to watch. Also I don't like how much they changed Wagou's character. And I really wanted us to stay focused on the military guys - I wish most of them had been back this time around. I do love Tamaki's Mina's story but I felt we lost a lot of stage time with the Wakasama and such I was really looking forward to see the ridiculousness between Kenta's character and Wakasamagumi. There has been a 3 stage announced so I hope we get more Wakasamagumi and a lot of the military back next time. And less romantic lines. Also I really enjoyed the NEW characters, especially the brothers, so it'll be great if they come back alongside Tamaki next time around. Rating: 6/10

SPOILER REVIEW

The story for me didn't quite have the impact this time round. While I loved the main plot line: Mina-cyhan realising and making his baking dreams come to life, and I loved the brother plot line; one trying to protect the other but both of in severer poverty; the other story lines just bored me; I really, really, really, really HATE romance in stories, ESPECIALLY when it's the troupey 'bitchy girl sabotaging nice girl because she's jealous' bullshit which is what we have here. Also I was super confused; in the first play they make it obvious that Sara is in love with Nagase but THIS time around we see Sara falling for Mina-chan and it's like WHICH ONE WOMAN?! Don't flipflop between your TWO CHILDHOOD FRIENDS!' so that ticked me off.

BUT, I really liked the ending for Sara's development. Most of this play she's either being attacked by the horrible idiotic girl, or she's being forced into omiai's // arranged marriages by her father. And finally at the end she confronts her father and explains 'I don't want to get married right now. I was go out and find out what I can do and do I want to do.' which was really great and girl-power. It was great seeing Sara get her control and power back into her life. She's pretty girl-power and strong in the first stage with all the protests and supporting the right to be 'free' so with this stage forcing conservative views on her and other girls trying to hurt her through jealousy, she does lose herself for a bit in this. But seeing her come out and realising what she wants and what she wants to do is so empowering. I love Sara -- yes, you heard me! She's one of the few female characters that I love and I'm so happy she found the strength to tell her father no. And what made it even better was that her father was understanding and accepted her choice! It was such a feel good moment. I kind of hope, thinking about it now, that the third play is focused around her. In the first one we focused on Nagase and his time at the military, then this time we focused on Mina and his dream to open his own bakery, and hopefully next we have Sara pursuing her dream and focusing on her. It would make sense because they're childhood friends and have always been together so I do hope! I assume the next stage is following the next book so I'll have to find out what the next installment is.

*searches* Looks like the next one is ‘Wakasama to Roman’ and there seems to be a spin off with the yellow cadets too called Meiji, Kiniro Kitan and Meiji, You Modan.... so we’ll see what happens next.

I was completely onboard for the cast changes, or at least I accepted the cast changes for Tamaki and Shiono.... AND now I've only just realised that Yuichi replaced Someya. Which doesn't make sense; I thought it was an obvious end for his character at the end of the first one. I guess that's why he doesn't have as big of a role this time around because he already got his head on straight and already has a girl in his life. But... you could've just not had him in it.

I like the scene in the beginning when the boys are slacking off at Mina's bakery/cafe and an officer walks in and they try to hide but JP forgets his sword and the guy is like 'oi!' and points to the sword and JP hastily grabs it and they run out of the store. I guess they still haven't matured since the first stage xD Shiono's character was funny because he'd get his sword out for any type of conflict or the moment that didn't suit him and everyone else had to hold him back xD I didn't realise until later but he replaced Kubota Hidetoshi which is a shame because I really liked him in the first one, but I guess Shiono is a good choice as a replacement. BUT he doesn't have the scar this time?!? What's that about?! They actually ate sweets during the show and it made me so hungry.

I really, really liked Kobayakawa's character! He was just the sweetest! (haha get it?!)

I've heard that Takeshi is a dweeb in real life but I've only ever seen him as Doudanuki in TouStage and in this and his characters are pretty similar in these two; very angry, very aggressive and very 'my way or the high way' kind of thing, so much so that he hurts the people around him (ie. manba-chan and in this, his brother). But I really liked the ending when he and his brother made up and TamaChan kindly offered them jobs at his shop and all of a sudden Takeshi was just the cutest and happiest character, running around and helping xD

KenKen's character was fucking ridiculous this time around! Unfortunately, he has no where near as much screentime as he deserves. But when he's playing Tamai he's ridiculous and pompous and feels above everyone as usual. But then he falsl for Shinako and becomes this romantic, idiot mess. And then there's other times where he's playing the waffle ghost and going around as like a narrator and doing these stupid dances and just being ridiculous. Everyone was laughing so hard. OH there was a moment when it was Shiono, JP, Yuichi, and KenKen. The three of them were facing KenKen in a line and KenKen had his back to the audience. KenKen started talking but messed up right away and the three of them just broke down into laughter immediately and KenKen tried to keep it together but you could hear him wanting to laugh so hard! It was a really good moment. KenKen was like ‘I’ll beat your ass!’

Wagou's character was also confusing. In the first one he's this quiet, mysterious, starts to get stupid towards the end in a funny way, ninja character. But in THIS one he's basically his Osomatsu on Stage character; a big shot with lots of confidence and completely pompous. So I am not sure why they brought him back and/or why they gave his character a complete 180 change.

The end dancing scene is funny because it's obvious KenKen character is still in love with Shinako. I also liked the dancing scene in general, it was sweet yet still had a nice balance of comedy in it.

TamaChan fell out of character at one point and it was totally cute. Something happened, and he just burst out into proper laughter. It was the cutest thing! Then during the curtain call, KenKen was showing off the marshmallow goods and started opening it up and showed the faces on the marshmallows before putting on into TamaChan's mouth and TamaChan yelled Wagou's character's line of 'DELICIOUS desu!' and Wagou got embrassed because previously in the play he had messed up that line a little so TamaChan was getting payback. Then Wagou pulled this angry sulking face at TamaChan and TamaChan (mouth full) was like 'I swear I'm not making fun!' so Wagou redid this line straight away so he could come out on top xD

Tamaki actually ices the cake here! So god knows how many cakes they wasted in total! I just hope they ate them every time! Or that the cake is fake but just the icing isn't.

JP's repetitive comedy part was catching swords with his barehands and then those swords being ripped out of his hands and his reaction everytime was perfect and so funny! His character is an idiot. It cracked me up everytime!

The Aftertalk

The aftertalk consisted of: Yuichi, Irie, JP and Shiono. It was super funny! They talked about what sweets they like and/or recommend to people so they said:

Irie: Monte Blanc << He mentioned he can eat 6 in a row and everyone was like 'WTF?! HOW?!' Shiono: Crepes and came make them himself. He used to work part-time at a crepe store. Yuichi: recommended Rokkatei which sounds like a famous sweet shop here JP: Choco with strawberries inside. And he also liked Rokkatei here

The Ex-Aid kid, Iijima Hiroki (how many fucking Hiroki's are there?!?!?!?!?) was there tonight! He walked in and he's tall and so freaking skinny!! He looks so much better in real life than on TV xD He has this white t-shirt on and flappy hair; no mask, no glasses. Just waltzed in.

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GOODS

I’m lucky JP isn’t so popular so I didn’t have to try the random badges myself. I feel like KenKen will be easy to get too.

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And there we have it! Stay tuned for more reviews/reports coming up!