#ch : studies

[crowatyourwindow]

Kenji and his cow Hanako II were the best duo from wan change my mind

[kyouka-supremacy]

It's been quite the 48 hours for the bsd fandom uh

[lavampira]

I'll admit that I'm in deep that I don't know how else to be and I don't want to slow down

[darlingod]

I love how Cardan’s hair was just a lil tangled and without hesitation Jude comes to this conclusion

[shizukais]

[galedekarios]

EMMRICH VOLKARIN - The Mourn Watch

"A necromancer of Nevarra's Mourn Watch, this well-meaning scholar comes complete with a skeletal assistant, Manfred. Emmrich is as serious about his duty to protect innocents from the occult as he is about his studies and his interest in the mysteries of the fade.

Abilities

Final Rites

Replenish

Entangling Spirits

The Bell Tolls

Time Slow

Emmrich summons forth spirits of the dead to both entangle and hinder his enemies and heal his companions."

[source]

[maybeits-nana]

study 🐰❣️

ref: THEEDeezumaki

[nightfal1n]

Whenever I think about the way of 1st division (read: Isao's way of thinking passed down to Narumi), Shinonome's last stand always come to mind

(back to tag-talking habit for a peace of mind)

[cyberllfe]

connor vs sixty

[drewlover]

annabeth is first introduced to eve at school. her teacher—ms. honey—had given her a bible. no one had told her it was for religious purposes, or that someday the idea of it would be so ridiculous to her, so she just treated it like any other story, another poem-of-sorts to be read and analyzed.

she barely makes it past genesis—there was only so much a six-year-old's attention span could take, no matter how smart the said six-year-old was. perhaps it had felt wrong, too, older forces making the wind cooler and the book harder to read, century-old jealousy rearing its head.

but annabeth was annabeth, and she took on challenges better than most. she finished genesis and gave it back to her teacher.

"eve is like me," is all she says when she gives it back to ms. honey.

ms. honey nods and smiles. "yes, darling. she is a woman, and as brave and beautiful as you will be."

annabeth nods. she doesn't tell ms. honey that the only similarity she's noticed between herself and eve was that eve did not have a mother, either.

-

her father is a good parent. the thing is, annabeth doesn't really know what a good parent is, but her father is kind. he doesn't raise his voice at her, and he smiles absently and nods when she says something. he never forgets to put a side a smaller serving on a smaller plate whenever he eats, even though he barely remembers to.

she tells him about eve, and tells him that she is like her. she doesn't notice the way his hands grip his pen tighter when she says the word 'mother'.

she doesn't understand why her father won't bring her to church, either.

-

annabeth is seven when her mother first speaks to her. she's been on the streets for so long, and she's tired. the spiders keep following. the monsters keep following. she's alone, and so, so hungry.

"annabeth."

the voice is stern—there is no warmth in them. sterile. cool. precise. annabeth looks up.

somehow, she knows. "mother."

her mother looks her up and down, but makes no move to go closer. a cap appears in front of annabeth—old and worn, yet heavy, still. a gift from her mother. she takes it, and her hands tremble.

athena notices. her mouth forms a sneer, but no insult comes out of her mouth. "do me proud," she says instead, like a seven-year-old will understand, like a child will understand.

yet athena still flows through annabeth's veins, and she nods. athena disappears, and there is nothing left—just the slightest ripple of a breeze. the monsters come, still, and the spiders soon follow. athena doesn't come back.

annabeth wonders if her mother gifts her invisibility so that she will never have to see annabeth again.

-

the invisibility cap hasn't worked in over a year. the first time it doesn't work she's caught of guard, and the scorpion hits her on the shoulder, already weakened from the time during the battle of manhattan. it takes the combined force of her, chiron, and will to stop percy from storming olympus and destroying her mother's temple.

"why would she give something just to take it away?" percy asked her, eyebrows furrowed with anger. he's a hurricane in her arm, fingers trembling and veins thrumming.

annabeth doesn't answer, but she knows. this is her mother, telling her that annabeth needs to be seen.

-

annabeth is nineteen years old when she renounces her mother, and the pain is bone deep.

she does it in rome, where her mother had sent her in a fit of anger, sending her daughter to execute her revenge. take back the mark of athena. make your mother proud.

athena had sent her there, a pig raised for slaughter.

she had braved tartarus. the gods, no matter their cruelty, held no power over her now.

her mother had always been one of the crueler ones.

"you renounce me? you dare?"

annabeth could feel her blood thrumming in her veins, threatening to burst out. athena was barely keeping her essence in—annabeth could see her skin burning gold, on the precipice of shifting to her godly form. everything was blurring around the edges—athena was barely holding on to her disguise. despite everything, she refuses to incinerate annabeth. a small act of mercy.

"yes mother. i dare." she could feel the blood soaking her teeth, could taste it's metallic tang on her tongue. the air grew hotter.

"you would not have me on your side. you will never gain back my alliance, annabeth. do you dare?"

annabeth laughed, and somewhere she knew dionsyus was chuckling in delight at the traces of insanity in it. blood trickled down her chin and onto the ground, but it did not sizzle. the blood wasn't an offering to athena. it was an act of defiance.

athena's most successful warrior—whose blood no longer belonged to her.

"very well," athena said eyes flashing gold. "you are no longer my daughter. greek land will reject your blood. no longer will you be accepted into our world, and no longer will you be mine."

annabeth felt the bones in both her legs crack, but she refused to let out the scream of anguish struggling to be let out of her throat. refused to give athena the satisfaction of knowing that this hurt her as much as it hurt the goddess.

all at once the goddess disappeared, and annabeth was left alone in the middle of rome.

she looked up. it was a church, and it was beautiful.

eve looked down at her, with her frightened eyes and trembling hands wrapped around the apple.

the apple that had gifted her knowledge. the apple that had taken away everything from eve. the apple that had gifted humanity freedom.

annabeth had never been more like her.

[buttercupshands]

Chapter 419 Analysis or "How to make allies not pawns" a helpful guide from League of Villains (part 2)

This is now a second part of Tomura character analysis.

With chapter 419 being probably our last time seeing Tomura for a while, since we need to learn what happened with Aizawa now is time to remember that not only bad things exist it Tomura's life.

Warning of spoilers to the whole manga to the point of chapter 419! All of the warnings from My Villain Academy side of manga are applicable

So like... mentions of death, killing other people, manipulation, emotional abuse and many more!

This is Part 2 - See here for Part 1 of this depressing mess

With AFO being so sure that he knows better and actually controlled every single part of Tenko's life creating a Symbol of Fear without any redeeming qualities or even hope for saving after he destroys him. There's one thing that AFO still doesn't understand about Tomura and never did - and that's his allies, or the League of Villains that he created.

Even Kurogiri, being a Nomu who's views do not stray from what AFO thought was important didn't exactly understand what did Tomura think about his allies quick to assume that he thought of them as pawns all the was back in the Training Camp arc. With Tomura making game examples to explain the situation, he still didn't think of LoV as just pawns on a desk, like AFO does.

At the time of USJ arc there weren't many people Tomura called this, which could make you wonder how much it was just AFO's plan rather than Tomura's with him never worrying about those other villains yet getting so worked up over losing Nomu not only because he was strong enough to defend him from All-Might, but treating his defeat as something that must be avenged.

And that was long before Stain even entered the picture, the first of three people who greatly affected Tomura's view of his own motives alongside AFO's manipulation of literally everything else.

Tomura was terrified of fighting All-Might seconds before this and yet as this goes on it's becoming more noticeable - Tomura doesn't care for his own fear or worries as long as he's fighting for someone else's good. Not so different from how Izuku is ready to disregard himself for the sake of others, resulting in many injuries and being so close to dying so many times.

It never was a secret that Tomura is highly dependent on others to keep himself from losing confidence, or even will to fight, getting either too anxious to continue without anyone's reassurance.

And while AFO's "help" was mostly given only with some kind of lesson as we saw in "Tomura Shigaraki: Origin", with AFO literally sitting there, saying how Tenko is weak for not killing but showing some restrain instead suffering himself, never actually helping or comforting him. Only offering what he deemed nessesary for his own plan of making Tenko kill those thugs not caring that he's feeling sick from those hands.

But in USJ it's not AFO who's there with Tomura, it's Kurogiri, who was shown to still have some care that Shirakumo had that even Aizawa and Mic couldn't argue that it's similar to how Shirakumo couldn't just leave a kitten in the rain. No matter the responsibility that it would bring with taking a little one in.

A helpless little kitten that didn't get the help it needs from anyone else. Sounds way too familiar.

This never was a direct order from AFO other than he needs to "tend and protect" for Tomura, which can mean anything from just looking out when Tomura's sick, or protect him from any tread like someone trying to kill him.

Not helping him getting over his anxiety to fight or helping him and guiding him to do better as a leader of the League calming him if it got out of control. Which is somewhat opposite to the way AFO deals with Decay and Tomura's temper - letting him destroy anything even the hands that he gave him, just offering new ones when he succeedes and never really caring for his pawns, he can always get new ones.

And surely not asking if Tomura's well the first thing while talking to Heroes.

Which then leads us back to how Tomura never viewed anyone that he chose as pawns calling them his allies, with the word '仲間' which can even be translated as friends in needed context, but usually used as comrade or ally when Tomura says it. And the same thing is usually translated as "friend" when used by Twice.

In any case Tomura never once doubted his allies since he saw them as reliable, even if his first meeting with Toga and Dabi went so wrong that Kurogiri had to stop them from killing each other.

Up to the point of Training Camp AFO describes as him teaching Tomura to be independent which was at that point too far from the truth than he thought. If Tomura begging for AFO to leave with them is any indicator he actually was even less independent after All-Might almost caught them, making him doubt his own worth as a leader. Even if AFO's defeat finally let him think and wonder about himself and his past.

AFO believed that Tomura just knowing how to recruit people would suddenly make him great at using those new "pawns" which was proven wrong by Overhaul no so long after that. Showing how Tomura believed the same thing AFO did as well, fully trusting his judgement of anything including himself, all the while parroting what AFO says without fully understanding what it means.

Only after losing both Magne and Mr. Compress arm does Tomura slowly start making progress in becoming someone more than AFO tells him to do. Even if as we see in part 1 it used Decay as the ground to make it stable since he believed it was his quirk. And yet.

Even if Tomura didn't simply instruct his allies how to choose who to recruit, he never blamed them for it. On the opposite, when Twice was hard on himself after bringing Overhaul to them Tomura just looked at them for the first time without a hand on his face, or even on himself at all, showing how he trusts them as much as he would trust himself and believes that they can do it.

Taking off hands of his family would mean not relying on the conflicting feelings that they bring into the picture, something AFO would very much dissaprove, since he was now like an equal to everyone in LoV instead of being above them. He

And with this instead of making them blindly trust his decisions and following him from fear or adoration like people had been following AFO or Overhaul, he instead was an equal to them both in failure and victory that wasn't even all that guaranteed yet.

Each one of them had their own somewhat selfish goal that just seemed like they were just using each other without any worry being each other's pawns. Or maybe that's just how AFO would see them.

Yet it doesn't explain why did Toga care for Twice's trauma response of not having his mask on, since he already did his part and all that they both needed to do was done. But LoV was never about following orders or giving them, expecting for the pawns to follow without question. It was about a leader of the group that would stand up for his allies while allowing them full freedom, except when they needed to also accept that something is needed to be done for their own sake.

Like following Overhaul for a while all for cutting off his hands leaving him with nothing. Did that sound like something reasonable to do? No! They literally lost their chance at having sushi instead of just living at some abadoned building all the while occasionally searching for money or food, stealing and killing just to survive all while Tomura was just... waiting.

Nothing was really stable at the start of what we call My Villain Academia and yet no one from the LoV left while their state was... bad at the very least. No matter how AFO was teaching Tomura he was still left mostly waiting for something to happen rather than doing something to change the situation himself.

Sure, Tomura now was a famous leader of League of Villains that suddenly needed to be stopped rather that underestimated like before. But that was in the future, now LoV was laying low on funds and slowly Tomura showing his face became the norm, with him usually never wearing hands around LoV.

And with Tomura becoming more and more comfortable around LoV, the LoV itself was becoming more like a place that had one core value that accepted anything else added without anyone wondering about the past of others, like Compress said. Just some selfish people, who still followed their own needs first.

And yet somehow Toga, who joined just because she loved Stain and disliked how life was too hard found her place in the LoV alongside Twice who just needed to be trusted and trust in return. If Tomura only followed what AFO deemed to be the best way to lead no one would actually feel like they're accepted in the LoV as much as they were.

Goal or no goal Tomura succeeded even without having the whole world at the palm of his hands by just never pressing anyone to actually follow him - if they wanted to they could've just left here and there, but since they chose to follow he did what he thought was the obvious best - let his allies do what they wanted.

Which was okay for someone like Toga or Dabi who were either already comfortable by just being allowed to be themselves or being free to plan their own things for their own goals.

But not exactly that for Spinner. Who was instead literally searching for someone to show him what to do, not so different from Tomura, who still only followed whatever 'his Sensei' deemed worthy for him to look into, like letting Kurogiri go find unknown "power" that AFO left along with contact with Doctor.

And while Spinner was not fine with still being hollow even while following Tomura pretending that it's the same thing as following Stain... all it took for him to look differently at how exactly was Tomura thinking was the last real "barrier" that there was - Tomura basically spilling his whole backstory and motivations mostly for LoV to listen to, since Doctor was just testing Tomura's will all according to AFO's plan.

And after that it didn't took too long for Spinner to now follow Tomura, even if it was still not the time to really see the 'warped horizon that was waiting for them'. And yet in times where Tomura still showed some doubt over his decisions - that one old trait of his showing up like it was always at the back of his head not so different from USJ, only thing changing that Tomura got better and better at not letting his emotions control him so easily.

Since the price of that would literally be lifes of his allies.

And neither that or using their emotions to his own benefit was ever in his plans, contrast to AFO manipulating Tomura to do just that. Letting his emotions consume him completely just for his own goal and for his own sake. But as a person who was so familiar with this Tomura still was adamant at NOT allowing something like this to happen to his friends allies.

Effectively creating a bond between all six of them, including Toya that in the end kept them together until the very final arc, with Spinner keeping what Tomura would've thought and with him waking up and calling Machia to get LoV first and foremost Spinner did understand their's leader wishes, as well as Twice's who literally died for his friends.

With all that happening in the War arc the moment AFO returned with both being in control of Tomura's body and just abadoned anything that Tomura would care for like leaving Mr. Compress and Machia behind just to punish him for not getting OFA or not even caring to show any actual respect for Tomura's wishes. Instead showing how little he actually cared for anything but his own good.

But while AFO made so many pawns that he could change like gloves at any given moment, threating them and manipulating them with his power and quirks, Tomura only had 6 allies who stayed after AFO was caught and who were willing to die just to live the life they wanted.

And AFO couldn't give them that.

Even if Decay isn't Tenko's quirk and even if he has so much guilt for killing without it being a little bit justified by it...

LoV still followed him as a person who allowed them to live as they please and so what they want, not some all-powerfull overlord but an ally and a leader who had his flaws and fallings.

[facesofjustice]

҂  ·   HARVEY  DENT  𝐏𝐑𝐎𝐌𝐈𝐒𝐄𝐒  𝐓𝐎  𝐄𝐍𝐃  𝐂𝐑𝐈𝐌𝐄  𝐖𝐈𝐓𝐇𝐈𝐍  𝐓𝐇𝐄  𝐘𝐄𝐀𝐑  𝐈𝐍  𝐑𝐄-𝐄𝐋𝐄𝐂𝐓𝐈𝐎𝐍  𝐂𝐀𝐌𝐏𝐀𝐈𝐆𝐍  𝐒𝐏𝐄𝐀𝐂𝐇  .  ―

❝  If  we  want  this  city  SAFE  again  then  we  have  to  COME  DOWN  HARD  ON  THESE  CRIMINALS  !  I  will  not  see  the  people  of  GOTHAM  held  hostage  by  the  likes  of  𝐓𝐇𝐄  𝐑𝐎𝐌𝐀𝐍  or  𝐑𝐔𝐏𝐄𝐑𝐓  𝐓𝐇𝐎𝐑𝐍𝐄  !  ❞   

To  finish  MR.  DENT's  finishing  words  from  the  stand; 

❝  Thank  you  for  listening  but  instead  of  applause  let  us  conserve  our  energy  for  a  years  time  when  our  beautiful  city  has  risen  from  the  ashes  !    ❞  

[riacte]

I feel like I learned a lot about storytelling + "marketing" a story from Webtoon (the Webtoon from a few years ago when it was still decent). The way it worked was that 1) story blurb to draw in people 2) three initial episodes to get people invested 3) one episode per week. It showed the strength of a strong summary with a genre but without trope tags (unlike fanfiction) or describing your work as abc meets xyz (which seems to be what YA publishing does nowadays?). The three initial episodes introduces tone, artstyle, main characters, main plot, basic worldbuilding, and is supposed to quickly "hook" the reader. I like the format of three initial episodes (instead of one) because the first episode is usually different (given its main purpose is to grab the attention of new people), the other two gives you a taste of what a "standard weekly update" might contain.

I feel a lot of Webtoons start with a strong premise/ gimmick/ hook but they don't know what to do with it. And that's totally normal because some premises are better when shrouded in mystery and you have to do the hard work of explaining the mystery. I've read Webtoons that start with one premise, then it gets sidelined in the middle as new themes develop, and in the end you realise the "premise" was a marketing tactic to draw people in and the story is about something else entirely, but you stayed because it was still a good story, and you have no complaints. (Eg. I think people step into I Love Yoo thinking it's a romance, and the first bits do seem like a set up for romance, but it turns out the genre is drama and the romance is a slooooooow burn.) I've read Webtoons that start with one interesting premise, then it fizzles away and turns into a rather standard story for its genre to the point the hook is barely relevant when it was what made it stand out. And on the rare occasion you will find a Webtoon that has its premise, develops the plot from there, sticks with its themes, and the ending is thematically resonant. (I think Cursed Princess Club does a good job at this.) But it's difficult to craft a very consistent and coherent story (especially given the serial format), so it's fine to just kinda sideline or even ditch your premise so long the actual main plot is solid. Your premise is what initially got people reading, but they'll get invested in other things. Maybe you even have to manually create a hook and get into the meat later once your readers are properly invested. But I feel most of the time it's otherwise because you can get a really cool idea but NO CLUE on how to end it and it sucks because either you drag on or give it an unsatisfactory ending. The good thing is that you get a "buffer zone" in which readers are still interested in reading due to the premise/hook and you get the time to properly work things out.

So I don't think a premise has to be completely executed and explained in order for a story to be compelling. If it does its job of bringing in new folks and convincing them to stay long enough to get invested in style/tone/plot/characters/relationships/whatever, sometimes it's easier to let the premise go. Sometimes you want a tonal shift. But at the same time, a premise is so useful for marketing purposes. You can talk about what tropes it has and what media it's influenced by, but what is the story actually about?

[kyouka-supremacy]

Peoples I swear to God you can't do this every time Chuuya appears in the manga

[1-800-whatwouldbillydo]

I think about this picture a lot tbh

[shizukais]

"It's no good, Olivier. I can't… save this boy. Not ever…"