#certainly not the greatest episode

[aqueeracademic]

morse being queer (and other commentary) pt. 9:

season 3, episode 1, “Ride”:

- here we go season three‼️‼️

- give me some gay shit

- i just SMASHED an angel heart and an iced coffee so i am ready to go

- i do recall this episode being very gay in a very Gatsby way so i’m feeling excited

- i love rich people they’re so terrible

- winnie not saying “come home safe” to thursday because they’re all still shook up over what happened

- thursday assuming jakes would be the person to see morse

- “not since he got out.”

- ^jakes picked morse up from prison and also visited him in prison confirmed

- this whole episode proved that morse was well liked even though he doesn’t like being around people

- people. like. him.

- he’s a loner because he chooses to be. because HE thinks there’s something wrong with him

- they were not subtle with their plagiarism of Gatsby and i respect them for it

- going all in on the dark academia vibe

- thursday misses morse so much im SICK

- morse got invited to a party which means the gay stuff is gonna start happening

- monica deserved better ‼️‼️

- “he doesn’t want to be found”

- do you mean physically or spiritually queen?

- morse walking through this party has me cackling he’s so buttoned up

- roddy is gay for bixby

- i have 0 proof i’m going on vibes alone from a 0.2 second interaction

- thursday is wild for just breaking into morse’s house and waiting

- morse is absolutely gorgeous in maroon

- the way morse is so obviously trying to flirt with bixby and is confused when he doesn’t flirt back

- “and what’s the truth of you?”

- king CALM DOWN

- morse looks at bixby like hes another mystery to solve which means he is immediately obsessive and attached

- “you hardly know me!” “gamblers instinct”

- this translates directly to “ur hot”

- morse taking on bixby’s mentality to decide how to approach his life is so…

- “how was it?”

- strange i need you to reconsider the questions you ask

- he was a COP in PRISON

- this woman is awfully quick to assume morse is attracted to her

- the way he’s so uncomfy 😭😭

- given that jakes is the one who went to go see him in prison and given that he is clearly upset that morse is gone and given that he thinks he won’t be coming back…

- jakes is the only one who knows what morse went through in prison

- he knows!

- and he’s mad morse isn’t coming back

- “i wouldn’t hold your breath”

- he’s mad

- i need answers ‼️

- morse looks jealous asf that bixby’s attention is tacked onto Kay instead of him

- it is so unfair that both Kay AND bixby are using morse to get to each other

- like literally using him and for what

- “are you falling in love with me? men do.” “i can see how that might happen.” “then why don’t you kiss me?”

- i fucking HATE these manic pixie dream girls in the sort of episode

- like shut up

- no girl acts like this

- immediately jumping to his boyfriends protection 🙄🙄

- munch.

- “bix, you could have any woman in the world.”

- and then IMMEDIATELY looking ashamed for having said it

- he is basically saying “you could have anyone. you could have me. so why her?”

- them on the dock together is so intimate

- you can tell they feel it’s the last they’ll see of each other

- even though they don’t know why

- a romantic opera playing during this scene (depicting a forlorn man finding his lover dead)

- jakes being the only person to try and talk to him after he finds bixby 🥲

- morse trying to express to thursday why he feels like he doesn’t wanna come back and thursday being like “stop being a pussy and get used to it” is so insane

- bright is doing his absolute best to apologize and i gotta respect him for it

- my mom giggles every time thursday speaks (she has 0 clue what’s going on idk why she’s watching w me)

- morse opening up about prison makes me 🫤

- he didn’t know whether thursday was alive or not for so long 🫤🫤

- rich people in this time period really just stood around in silence drinking and smoking and thats all

- wish i was them

- ope nvm they also got abused by their husbands i do not wanna be them

- thursday WOULD love magic shows

- he is that bitch

- after morse got shot he reacted poorly to everything from a door slamming to a car backfiring; thursday gets shot and he lets a magician fully point a gun at him and fire for FUN

- heroin feels like such a random tie in to this episode

- like it makes sense in the plot but why

- morse is awfully quick to defend bixby despite not knowing him at all

- little bit 💅

- i know he met bixby in a vulnerable state and was glad to have that sort of attention but he is soooo determined to prove bixby is a good person despite FULLY knowing it isn’t true

- which is insane

- and gay

- you gotta be some kind of freak to have a portrait of someone you have no official attachments to hanging above your bed

- i know kay is supposed to be a sort of rattled and traumatized character but i don’t like the way they wrote her at all

- her entire character feels misogynistic

- even my mom doesn’t like it and that’s telling

- “bixby” being alive is so fucking funny to me

- gay people don’t die ‼️

- roddy deserved better! he was j a lil gay guy there was no need for all this hatred

- morse and jakes are so cold with each other this episode i hate it

- i know we don’t get to know anything about jakes as a person in this show but listen

- i feel like he’s intentionally really closed off and defensive and that’s why he’s especially defensive to morse

- morse is able to figure people out so easily and jakes knows that and he doesn’t like it

- he doesn’t want to be figured out

- so it makes sense that he would be particularly cold to morse (especially given that morse is presumably the only one who knows about his Blenheim Vale background)

- jakes just appearing in the shadows while morse is talking

- like what r u doing babe??

- this man killing his son after everything gets found out is so??

- and not a single person did anything about it

- jakes 🥰🥰🥰🥰🥰🥰🥰

- finding out where the coin flip thing came from is fucking sickening

- i will say that i enjoy the notion that morse falls in love really easily and that BECAUSE of that he’s a loner

- also the camera lingering on bixby’s face and morse just staring after they lead you to think he’s watching the film for kay???? that’s queer cinema

- “bixby didn’t belong in their world anymore than i do. did. i wanted to tell him that the last night i saw him. he was better than that.”

- morse convincing himself he could have saved bixby if he told them that neither of them belonged in that world

- because he thinks bixby would have gone with him

- like??

- “there’s no real magic in the world. only love. the rest is just smoke and mirrors.”

- him saying that all that was real between them was the love 🫤🫤🫤

- 10/10 for gay this episode

[mariocki]

John Levene pops up as Gene Bradley's co-pilot on his private jet, called Tony, (John Levene's character, not the jet) in The Adventurer: I'll Get There Sometime (1.15, ITC, 1973)

[basingstokemercury]

Wow

It seems I'm going to finish DS9 today

(I'll have to rewatch all my favourite episodes of course)

Don't know what to do with myself afterwards

Voyager is next right? With Robert Picardo?

Might be too spoiled by this to go start any other new shows though

I guess I should start with the rest of the films

Then maybe write those fanfics (reached at least four ideas, one of which is threatening to bud and multiply)

[cosmicspaceslug]

watching “Subspace Rhapsody” for Hugos voting and having my prior belief confirmed that most people hear “musical episode” and assume “good episode” & “good musical” when it is actually neither of those

[hopskiptumbl]

important addition

[britney-rosberg06]

When you go back to episode 2, the way Luke managed to convince other demigods to leave becomes quite clear.

He’s the first face they see, the nice calming presence someone who’s whole world just changed needs. He tells you things. Explains the world, to us the reader he’s exposition, to a camper he’s the leading authority on the demigod world. He controls the narrative these kids hear. Slowly he can even control what they believe—if he gets enough of their trust.

And this isn’t just for new campers, Hermes cabin canonically had the most kids leave. Luke’s kids. The kids who heard his speechs of glory and godly injustice for days, weeks, months, years. And now not only do you have Luke telling you about the gods and the world and their opinions, you also have Chris Rodriguez denouncing the food offerings and Ethan the quiet kid in the back who scoffs at names like “Zeus” and “Poseidon” and so on and so on.

Even if all those kids didn’t believe in what Luke taught, some did. And that’s enough to change the culture inside Cabin 11.

This isn’t to say that there was an oligarchy of some sorts within Cabin 11. With those who didn’t believe in Luke being scared into not talking no the opposite even. They all love him. His speeches are disguised as comforting words his reputation allows for you to put on the rose colored glasses he hands you because “surely the greatest swordsman wouldn’t hurt me” his understanding nature convinces you to vent your frustrations to him. And just like that you’re in it. Without him even having to say the words “i’m evil” your in it

So when he leaves, you all leave. Cuz he was helpful, cuz he was nice, cuz he understood. Because a life under him is certainly better than a life under the gods. Right?

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#52: The Ring Finger (1.06)

gif cred: @machonnes

We’ve arrived at the TOWL finale. 🥹🥳

And y’all, the way this finale kicks off with that opening scene...🔥🔥🔥🔥🔥🔥. Episode 6 hit the ground running by starting with one of Richonne's greatest moments. I love how in the first episode of TOWL, Rick essentially gave his hand for the marriage. And now in the final episode, Michonne gives her hand in marriage. 🥰

Thanks to this gorgeous wedding ring scene and their parting kiss in the woods, this teaser is top tier. Also, Richonne + candle-lit scenes stayed a blessing to the end 🕯😍...

Sometimes there are scenes that make me want to know exactly who came up with the idea so I can thank them personally. And this right here is one of those scenes. 😋 Whoever’s idea it was to have Rick put the ring on Michonne’s finger while making love surrounded by candles needs a medal lol. 👌🏽🏅

So diving into these finale revelings, I noted that the episode description for The Last Time says “Rick and Michonne have to perform a near impossible miracle” And well, since Richonne is blessed and highly favored of course they pull off a miracle. 😇

The episode begins with Rick saying, “I remember it all. What it was like. Who we were. Who we are now.”

If I’m not mistaken, I don’t think we’d heard Rick say this line before this episode. Like the following sound bites from different characters are all lines previously said throughout the miniseries, but I think this opening line from Rick is new. And it hit me on the rewatch that he’s talking about him and Michonne specifically rather than a broader ‘we’.

Like I interpret this as Rick saying how, after all their years apart, he still remembers everything about the life and the love he and Michonne had before and who they were together. You know that man has an excellent memory. Especially when it comes to Michonne. 😋

And I like that he says ‘who we are now’ because even after all they’ve been through apart, after all the ways they’ve grown and changed, who Rick and Michonne are now is still so compatible and connected. Still soulmates. 😌

Also, the episode after Rick left TWD was called 'Who Are You Now' and I love that years later, this miniseries so beautifully illustrated that who Rick and Michonne are now are still wholly each others.

The first shot as Rick says this is a shot of mountains as the helicopter flies over the terrain. And then I adore that when he says “Who we are now” we get to see Richonne in the now as they lay in this setting that always gives me regal medieval vibes fit for TWD's royal couple. 🤩

gif cred: @nerd4music

Now, I always smile when I think about my first time watching this scene. I knew this episode had an S rating going in but I didn’t know what that would entail since I thought Episode 4 would probably be the last time Richonne had a bedroom scene. And so when they cut to this scene, I remember my eyes immediately focused on what items were left on top of the table because it’s the finale so I thought certainly the stuff on the table was intentionally placed.

But then...my eyes started picking up on some motion going on in the background - and I was gagged. 🫠

I quickly realized that the most important thing going on in this scene is those two lovebirds in the back re-consummating the marriage. 👌🏽

gif cred: @nobleriver

I love everything about this. 🥰 The sensual setting with the abundance of candles. (And I just know it was that true blue romantic Rick that lit all those candles for their special 'wedding night.' 😋)

The rich colors, the lighting, the literal and figurative smokiness coming off this scene, the way the camera slowly glides over the table and inches closer to Richonne fully in their element together. 👩🏽‍🍳💋

gif cred: @nobleriver

After Rick had to watch the memory of Michonne burn away in the premiere, it’s beautiful that in the finale Rick gets to be truly back with Michonne surrounded by the far more romantic and uplifting flames of all those candles. 🕯👌🏽

Whenever I see this scene now, Richonne is all I see. 😋 But the items shown really are intentionally placed and all tell the story of their travels: the noodles, the whiskey, the soda, the map and notes, the CRM uniforms and thread. And the sound bites that play from the characters also tell the story of Richonne’s TOWL journey.

At first, I thought the sound bites were simply recapping the journey, but on rewatch I see they have even more intention in both shaping the story thus far and setting up what's to come in this finale. 

First Michonne says, “My name is Michonne. I lost someone. Years ago.” And in the background it’s so sweet seeing all the caressing going on between Rick and Michonne. Once again, it’s a canon fact that he loves being on top of her. And I love the way they’re holding onto each other and the way he’s tenderly touching her face. 🥹

gif cred: @nobleriver

Then Okafor says, “You both possess something I believe the CRM needs to become what it needs to be.” And while Okafor was originally saying that to Rick and Pearl, the line is reiterated here because it’s Richonne who truly possesses something that can change the CRM for good.

(Side note: Y'all, I must admit it's a true challenge for me to try and write and pay attention to what these characters are saying right now when Richonne is back there like that making me distracted. 😋 I keep having to rewind and refocus.🤭

Like I know we all see the way Rick has Michonne's legs hiked up in the air during this part. These talented actors are very good at selling these scenes, that’s all I gotta say lol) 

gif cred: @nobleriver

Then it’s a bit of an audible jump scare when Jadis says, “People are a resource.” Didn’t quite want to hear a snake at a blissful moment like this lol.

But I'm pretty sure that corpse's line was used because Rick and Michonne are about to protect the people from the people with their plan to expose the CRM higher-ups.

Then we get a palette cleanser from hearing Jadis when we hear the best bestie Nat say, “I know how to build things and I know how to burn things, but it takes more than that at the end of the world.” And the intentionality behind using that line here is definitely because Richonne will end up employing Nat’s techniques to take down the CRM's leaders and also because the concept of building vs. burning was explored throughout the show and led to the answer that sometimes you have to do both. 

As Nat says this, we see Richonne’s backpacks and other things spread out on the ground. The way all their stuff is sprawled out...it seems like the second the mood hit and the candles were lit they threw everything off and got down to business lol.

I like how the most significant items are closest to Richonne’s bed. There’s a bloody sword and ax which feel like they pay homage to some of Richonne’s signature weapons. And I like how the blood on the sword and hatchet just adds to the fact that this stunning love story takes place in an apocalypse of all places, between two apocalyptic all-stars.

Along with the weapons, there’s Rick’s prosthetic, the meaningful iPhone, and the Danger lighter.

And best of all, y’all...there’s the wedding ring. 💍😏

gif cred: @coolpartytimefan

As Beale’s voice says, “You tried to escape four times. Why are you here?” Rick slowly grabs the wedding ring, serving as a visual answer to why he’s here - He’s here because of Mrs. Grimes.

And y’all, when I tell you I nearly passed out just seeing that he was slowly grabbing the wedding ring. 🤭 I did not know that this epic love story was going to get this good. #BoundlesslyBlessed.

Along with the visual answer, there's then a verbal answer to why Rick and Michonne are here when Thorne says, “There’s someone you love out there.” I love hearing that play over this visual of Richonne, because truly Rick and Michonne are the one for each other and their love has fueled them to keep going. 

As this is said, Rick proceeds to do the most romantic thing ever when he slowly slides the wedding ring onto Michonne’s ring finger. Just 🫠…our ship is goated for a reason. It just don’t get any better. 👏🏽

gif cred: @msanonships

I love the way Michonne is looking up at him with her hand on his chest and then when she realizes what Rick’s up to she holds up her hand and watches as he puts the ring on her finger all slow and sexy. And Rick is locked in during this moment, honey. 🔥

I adore how honored Rick is to be able to put this ring on Michonne and to be her forever husband and to have her as his wife. She’s Mrs. Grimes...

And I just love that he wanted her to wear the wedding ring for this intimate moment that gives such wedding night vibes. Like there’s something so sacred and majestic about this scene, especially with the lux colors, lush blanket and pillows, and the candlelight glow. 😍

Not only does Rick feel that Michonne deserves the world - he makes it his personal job to give it to her. And he does a damn good job, doesn't he? 👏🏽👏🏽😊

gif cred: @lousolversons

Rick is also very good at making things a moment and this crowning moment very clearly had an affect on Michonne. Because as Rick so tenderly slides his hand down Michonne’s arm and then looks in her eyes, Michonne looks up at her husband like she thinks he is truly the sexiest man on planet earth.

And you know what we always say…Michonne is always right. 😇

gif cred: @coolpartytimefan

I love that Michonne’s journey took her from one; looking quite taken by Rick in their pre-canon seasons of TWD.

To two; lying down alone fiddling with Rick's ring on her finger in her final TWD episode. (Which I've always loved that after Rick's season 9 departure, Michonne wore that ring because she knew that who she and Rick were to each other was 100% husband and wife).

To three; now lying down with Rick over her so lovingly placing her wedding ring on her finger. 🙌🏽🥳

Rick always wants Michonne to know, in every way that he can express, how much he loves her. 🥹 And the abundant love Michonne continuously has for Rick is always written so clearly on her face. 🥹

Also, with Rick not having a ring finger himself it feels like placing this wedding ring on Michonne during a moment where they’re this one and interconnected is almost like placing the ring on them. 

gif cred: @coolpartytimefan

As they have this eye contact moment that is just chemistry on another level, it’s paired with Michonne’s heartrending line from the masterpiece Episode 4 when she asks Rick, “Do you still love me?” And Rick passionately answers, “Always.”

Those are fitting lines to include because this TOWL journey had Richonne having to navigate what their love looks like now and officially see that they truly have always loved each other and always will.

And now here they are in this beautifully intimate moment, one in every way, letting their undying love just fill the entire atmosphere. 🥰

gif cred: @coolpartytimefan

And truly, Rick looks at Michonne like she’s the most beautiful treasure in the world. At this moment, he's looking at her like he’s again thinking “I love you always.” And in all ways. Amen. 👌🏽

I adore how, after he puts the ring on, both Rick and Michonne look like they've somehow managed to fall even deeper in love by the second.

Michonne softly places her ring-clad hand back on Rick's chest and then he leans in as they share another very passionate kiss. And y’all, the only beef I have with this teaser is with that fade-to-black. It comes in too quick lol. 🤭The fade-to-black could’ve waited just a second or two more, because you know some of us be greedy. 😂

But regardless, it’s a great hot-and-heavy kiss and just shows yet again that Rick and Michonne are each other's strongest craving. This whole Richonne ring moment was perfect. 🤩

TOWL really said 'I now pronounce Richonne the hottest husband and wife on television.' 🔥👏🏽

gif cred: @msanonships

Ages ago, I was really eager for Richonne to have rings of their own, and little did I know I’d just have to wait about eight years and then Rick would put a ring on Michonne in a stunning lovemaking scene like this. And once again, it was entirely worth the years-long wait. 😇

I appreciate the way this opening scene just immediately set the tone of how TOWL started as an epic love story and would conclude as an epic love story. What a dream. 👏🏽

And because we’re spoiled, y’all, the teaser doesn’t even end there. 

They then cut to the woods with Rick and Michonne looking like the baddest to ever do it in their black CRM uniforms as they walk forward with the helicopter in the back. Move over Mr. and Mrs. Smith, this is Mr. and Mrs. Grimes on a mission. 🔥

gif cred: @nerd4music

And then as Rick and Michonne walk, they stop and turn to each other and immediately kiss like their life depends on it and I’m always here for it. Like I’ll forever be elated over the fact that there were kisses in every single episode of this 6 episode miniseries, and not just that but most episodes had multiple kissing scenes too. Richonne kissed more in 6 episodes than they did in their four seasons on canon on TWD.

gif cred: @ricksmarlene

And truly, not even just from a shipper perspective but from a story perspective, it makes perfect sense for these characters who are madly in love and haven’t been able to express it for over eight years to be kissing all the time like this. Cuz I mean...

And now that they’re back together, of course these soulmates are going to make up for that lost time every chance they get. It's just realistic. ��👌🏽

So I love that our goated captains came back to make this 6-episode miniseries and said guess how many episodes we can fit kisses into...

All 6, baby. 😋 This particular kiss in the woods is meaningful too because Rick and Michonne are about to part for the first time since agreeing to go home together and you know for magnets going their separate ways isn’t easy or ideal, especially when what they’re parting to do is dangerous.

But I love that because their kisses are communication, this kiss was the two making it so clear to each other that no matter what the CRM tries to do, they are each other's ultimate choice and they’re in it together.

Like I love the reassuring vibe of this passionate kiss and the way Rick holds her face and then the way they stare into each other's eyes afterward and nod, again communicating so much. 🥰 They’re about to reenter the lion's den and this moment just felt like them giving each other the strength to do so. 

gif cred: @nerd4music

And y’all, you know I stay getting distracted by Richonne so I forgot Michonne's voiceover is actually saying something in this scene lol. Lemme go happily rewind a sec. ⏮😋

Okay, so while they share this golden kiss, Michonne gives insight into their plan when she says, “It sounds simple, right? We go in. You get the briefing. I get the dossier she left behind. We bring what we know to the city, then go home. Together.”

As this is said, Michonne holds Rick’s arm until the last second as he turns to go which is sweet. They are really each other's baby, y'all. 🥲And as she watches him, we hear her say, “It’s never that simple.” 

gif cred: @msanonships

I know that this last line is meant to be ominous but one thing I'm grateful for about how TWD & TOWL approached Richonne is that it's not like other relationships and things in the show that have to ultimately end in tragedy. Richonne was built to last and be an actual lasting win for Rick and Michonne in this series, which is why I never feared that the two would split up or die because the love they found with each other is the one thing this franchise allows to be unbreakable and triumphant.

So next, Rick slowly walks up to the gates with his hands up as his voiceover says, “I’m Sergeant Major Rick Grimes. You probably think I’m dead.” I like that line because as we know TOWL was a whole journey of Rick dying and coming back to life through Michonne. So now, for the first time in a long time, it’s Alive Rick rolling up to the CRM. 👌🏽

gif cred: @sowhumpful

Then as the CRM soldiers slowly open the gate for him, the teaser ends with Rick recalling his father's words saying, “He said I didn’t need to be scared. That it was just ‘the burning.’” Then the scene fades to black just like how this teaser started and y’all, I just gotta clap it up for that teaser. That ring moment alone had me overjoyed and then the kiss in the matching uniforms and Rick's fine gait up to the gate was the cherry on top. 👏🏽👏🏽

We were already feasting and the finale was just beginning. I appreciate that since this is ‘the last time,’ this show let Richonne do what they do best one last time and just put their love and chemistry on full display. 👌🏽😌

[unsleepingtales]

FANTASY HIGH JUNIOR YEAR TRAILER CHARACTER ART BREAKDOWN

The character artist credited for this season on the FAQ is Cait May! Without further ado, let's get into it.

Each character card has the PC art, the PC's name, the player's name, and a couple extra details such as an NPC they're connected to and/or plot points from the previous seasons.

Here is Adaine's character card! Boggy gets pride of place of course, with his backpack and ESF (Emotional Support Frog) flag. The sword is possibly a step towards confirming the popular prediction that Adaine will multiclass as a Fighter this season. There's also a small sketch of Jawbone in the corner. Adaine's jacket has an owlbears patch on the sleeve!

Fabian's character card follows a similar formula. There's a small sketch of Bill Seacaster in the upper left corner (titled PA-PA), and there are many references to dancing. Fabian holds his sheet. In several places the words Toxic Masculinity have been crossed out! He dances now! One of Fabian's first defining lines is referenced: "I'm here to be great!"

It's not very clear what this ticket is for, but to me it looks like a ticket to a dance recital!

Kristen's character card is next! The many holy symbols she has previously believed in are seen, a sun has been crossed out, as well as "yes?". Cassandra appears in the upper right corner, while an ear of corn appears in the lower left, not crossed out!

Cassandra looks vaguely worried, which could be their natural state, or it could indicate that Kristen's questions of faith are still just as present as they have been previously.

Riz's character card is a lot more detailed than the previous ones. Trailer analysts far more intense than I will have a field day with this, I'm gonna give the sparknotes. Riz takes front and center, with his (un)license above his shoulder! Next to him is a sketch of Coach Daybreak. Several sticky notes with the words Night Yorb appear, as well as references Riz's previous cases. Drawings of Kalvaxus and a Corn Cutie are next to each other. The photo of Pok and Kalina is shown, as is a drawing of Baron. There's also a sticky note with "Jorjug" on it, which probably isn't as important but I certainly enjoy it.

Fig's character card features her art for the season, a large Anarchy symbol, and her bass guitar. A small sketch of Gilear is shown, as well as a ticket to what's likely a Cig Figs concert, and a skateboard!

The toe of a combat boot is poking out from behind the paper with the skateboard on it. Burn Towns, Get Money is also written in the corner, which is the name of one of Fig and the Cig Figs' hit songs. The Sig Figs Collective put out a fan song version that slaps, which you can find here! (Tbh you should just check out their whole discography)

Gorgug and his greatest hits appear on this character card! The 'are you my dad' bit keeps on running. Keep Going is also written several times. The white streaks are still in his hair, headphones around his neck, and his axe gets the most movement we've seen in one of these cards.

(Gorgug gets a small animation in the transition to his character card!)

The word metal is shown, as well as a sketch of the metal flower from the very first episode.

There are also a couple of group shots!

Look at them go! The Bad Kids are back and I am so excited to see where they go this year.

[iwritenarrativesandstuff]

There's something in the differing emphasis that Brad and Hunter and Charles place on the phrase "good guy" that really affected me on my first watch and hit even harder on my second. I'm going to try and put it into words.

When Brad and Hunter say it, they say "we're good guys", as in, good at everything a guy "should" be good at - good at sports, popular with the ladies, on their way to a good university. But they turn out to be total shitheads. They don't care about being "good", they just care about their reputation, how they're perceived. It's status and power - they're good guys and they feel entitled to do whatever they want.

But when Charles, feeling betrayed by this reveal of their character, says he wanted them to be good guys, the emphasis is completely different. Charles wants to be a "good guy". He doesn't want to be a "bad guy".

The emphasis is on good, because that's really the crux of Charles' greatest fears, isn't it?

When Charles wants to be a good guy, he doesn't mean it the way Brad and Hunter do; that veneer of goodness that comes with popularity. He means that nothing he did was ever good enough for his dad. Doing the good thing and helping that kid his "friends" were beating up literally got him killed. Trying to stop Devlin only got him trapped in the loop, stuck until his friends freed him, only able to watch helplessly as a mother and her innocent children get slashed to death before his eyes.

And it's this helplessness that is the thing that truly sets him off at the end of episode 4.

It always struck me just how much of his breakdown there, for as much as he finally gives a voice to his own hurt at the injustice of his situation, was still about other people. Because he was secure-ish, at one point, when he was Edwin's partner and protector. He thought he did a good job at it anyways, but guess not, because something obviously happened with Edwin and he's not talking to him about it. And he likes to think he did good with solving cases, but Crystal is still hurting and haunted by a demon and nearly threw herself off a cliff earlier that day because she wants her parents so badly, and he's no closer to helping her solve that. And all of it, every single part of it, is a reflection of his own unresolved trauma; that he never "made it better" and he can't, so now he tries to be good enough for other people, but that isn't working anymore either, and now someone is threatening to take Edwin away, and even this final shocking act of anger and violence is still in service of protecting; of saving someone from the suffering he was never able to escape except by fucking dying.

His anger, really, stems from the injustice of it all, and the abuse of power by guys who can get away with it because they're guys, when they should've, could've, been good to others instead. It's a large part of why he projected so strongly onto Brad and Hunter - they did everything right, they were good guys who got screwed over, because even if everyone seems to love you, there's always that one person you can never please, right? Who will hurt you, no matter how good you are. When it's revealed that Brad and Hunter are far more like his bullies, like Devlin, like his dad, than he'd thought - controlling, intolerant, cruel to those who "step out of line" - Charles feels betrayed and horrified because he related to them... so what does that say about him?

But here's one major difference that Charles does not seem to recognize well. Charles has never had the power in these situations. He was the victim, and his being the victim is through no fault of his own, but the fault of those who decided to be cruel. It is certainly not contingent on how good he is. Being good in the eyes of people who want to hurt you will not stop them from hurting you.

When he lashes out at the Night Nurse, it's out of helplessness and rage. Once again, he's pitted against someone who holds more power than he does and is threatening harm, and he's just been bitterly, brutally reminded that a smile and a helping hand and a firm word never, ever worked to make it stop. There's only one other way he can think of to shift the balance of power, and he's finally livid enough to actually do it. This violence is a desperate attempt to finally overcome yet another force much greater than him, a transdimensional entity that has unjustly arrived to take his best friend to Hell. And Charles wins, he did it, he stopped her, at least for the moment. But at what cost, when he looks at his friends and can't tell whether they look more scared for him or of him? And can he blame them, when he's clearly scared of his own anger and how overwhelming it is now that it's been let out?

Because he tries so hard to be good and it's never good enough to stop the suffering. Because that anger rose to the surface so easily and maybe that means he's not good at all.

But of course, Charles once again misses something important here - there is a distinction in why that anger exists. His dad, Devlin, and Brad and Hunter get angry because their power over others makes them feel they have a right to punish when things don't go their way. Charles gets angry because he feels more helpless than he'd care to admit, and seeing cruelty inflicted onto others by those with power makes him want to cut them down to size.

And herein lies the second major difference. Charles... is a kind person, at heart. He's genuine. He really does likes helping out, he likes making people happy, he doesn't turn people away who need help, he's friendly and protective. The scene where Edwin pulls him out of his fear that he's somehow bad even though he really doesn't want to be, is outright one of my favourite scenes for what it brings to both of their characters. Edwin knows exactly what to say. While it's always good to check your behaviour, to apologize and take accountability - because no one can be good all the time, and even the most well-intentioned of us will mess up sometimes - Edwin is right.

"Bad guys do not worry about being bad guys."

[group-dynamic]

*SCREECHING*

I was watching this lovely, bittersweet edit highlighting the short, tragic friendship between Celebrimbor and Elrond as they're portrayed in the Rings of Power, and it got me reflecting (as many of us have) on the prophesy, "My father foresaw that one day Celebrimbor's life would be in my hands" and how it's too bad there wasn't anything that felt like a weighty resolution to that thread. Like, to have a prophesy directly from the foresight of Eärendil that's first mentioned in season one and invented for the show feels so significant to be used merely as a device to compound Elrond's failure, you know? The prophesy works well as foreshadowing and elevates the tragic impact of Elrond's role as commander and his inability to defend Eregion, but that feels so distant to the idiom "life in his hands." Especially since Elrond isn't even in sight of Celebrimbor's death, so how could his life really be so directly in his hands--

IT'S THE RING.

THE RINGS.

Elrond's only direct acts related to "saving" Celebrimbor on screen is trying to save his records and his city, aka the lore and legacy around him. And that fails. The records are burned, the city is reduced to rubble, the smith's greatest achievements are corrupted and certainly going to be twisted further to some evil purpose in Sauron's hands.

And Elrond's been so certain that those rings are corrupted, including the elven rings (which for a while are the only rings the Lindon elves know of in the show). But then suddenly those elven rings are all that's left of Celebrimbor's legacy and in the first and last episode of the season they're LITERALLY in Elrond's hands. When he jumps from the cliff trying to keep them from his friends, and when he finally picks one up and uses it for good--for its intended, healing purpose. I mean, Elrond future lore master has Celebrimbro's life story in his hands. He has Celebrimbor's life's work in his hands, and all the parts of himself and his craft he poured into those rings.

And one day Elrond will literally be one of the bearers and wielders of Celebrimbor's life work and legacy. Yeeeeeeeeeaaaaaaaaaaahhh==

"His life in his hands" indeed.

[mariocki]

Horror icon Ingrid Pitt guest stars as enemy agent Elayna in The Adventurer: Double Exposure (1.20, ITC, 1973)

[paranoid-rhythm]

Fate/Grand Order COMIC à la carte PLUS! SP Showdown!

Ashiya Douman VS Dioscuri

TL & Typeset by yours truly.

Right, so, edited to add AU's commentary below.

Au's commentary

【Douman】

I think that due to his position as an onmyouji and as a bonze, he places an emphasis on formality and rituals. Whatever his motivation may be, he can't help but go through these motions (though there are times that he stops abrubptly), it's like "if he has to do it anyway, it's more interesting to do it this way." In addition, it was a confrontation against the Dioscuri.

The Dioscuri, gods who connect with humans through "rituals" that play an important role in religion and faith, and whose way of being can be influenced and altered by man, in contrast with Ashiya Douman, one who blasphemes even gods themselves, one who guides humans by "looking up to the heavens and divining the stars." The ritual was brought about when Douman thought that he wanted to perform the steps to carry out the purifying ritual (monomi^), but he did not want to be the one to be shut in, so he made someone else disappear instead.

(^物忌み - monomi; an onmyou practice of shutting oneself inside the house on inauspicious days to avoid misfortune.)

In simpler terms, it's an act to purify one's body and soul by cutting off impurities, as such, Castor was furious at not only being suddenly separated from his sister, but also for being judged as "defective." (Although Castor's anger was at the forefront, his bond level is assumed to be high, because he rushed into the scene, out of concern regarding the abnormal situation, and for his Master's safety.)

【Dioscuri】

・Castor's Saint Graph is deficient, due to his separation from Pollux (derived from the Dioscuri interlude). ・In addition, it was difficult to stop Douman with a god's power, as due to Douman's spell, it was a situation where no divinity other than Douman's was functioning.

As for the "stronger truth (for the Master)" that Holmes mentioned, at this part, the Master was reminded of Dioscuri Castor's return gift from Valentine's, St. Elmo's Fire. One aspect of the Dioscuri is being the guardians of navigation, the guiding light, the "star" shining in the heavens.

Castor's return gift, based on the circumstances of the event scenario, is interpreted here as a blessing given by the Dioscuri only to the Master. A "truth" that was clear to the Master, that even if no one else knew about it, without any doubt, they have received this blessing. At that moment, the Master, who is the key figure in this divine ritual, overrode the "Dioscuri" by strongly recognizing them as "stars" rather than the "twin gods". Thus, this is the process that allowed Pollux to be revived.

【The Master of Hell】

Though it has various meanings, it revolves mainly about Seimei's episode with the "Taizanfukugun", and the "Taizanfukugun Festival^".

(^An onmyou festival, revering "Taizanfugun", a god from ancient China that was syncretized with the Buddhist king Enma, and was believed to rule over human lifespan and fortune. It was a popular festival among court nobles during the Heian period, and it was the festival that the onmyou family, the Abe clan, excelled at.)

Taizanfukugun is a major deity in onmyoudo, in Buddhism, considered as one of the ten kings of hell (sometimes equated with King Enma). The main implication of this image is that he is able to interfere with even the forces of hell and use them as if they were his own.

In this sense, Seimei should be the one who's more suited for hell, so what point would there be if the Master falls into hell? Would there be any meaning after that? In the first place, the Master would certainly not fall without a fight. And if they decided to, they would jump in without hestation, which is for Douman, also infuriating.

How does Douman see the greatest onmyouji? Did he collectively likened that person to the emotions swirling around him? Was it through the story of that person's resurrection, their travels through the world of that time, that equated to them easily conquering even Hell? Or is it something else entirely?

Whether he gives it his all or not, I feel that for Douman, there seems to be a fundamental ambiguity in self-affirmation, making him think "If I'm like this, then that person must be even better", regardless of Douman's own level of ability.

【Companion/Attendant】

When the Master pledged that they were determined to take Douman with them, even if it meant dragging him along with them, I wanted to show a "contrast" that showed their difference from Seimei, expressed through the rather exaggerated "Master allowed themselves to be accompanied / Seimei will never allow himself to be accompanied."

It's like "I said I liked apples, but he didn't say he liked apples. So he must hate apples.", something to that extreme. From Douman's point of view, that's how it must have been.

Furthermore, most of the passages in which Douman refers to Seimei are all from his perspective.

-The following is a digression -

・Sanson and Asclepius These two were the ones originally from Showdown Part 1. Originally, there was no scene in which these two talked to each other, but I hope those who read the previous comic will notice it.

This too, is a story about "humans" and "demigods (children of Apollo)".

(By the way, I was able to draw Asclepius in his second ascension for this FGO comicalized series.)

・At the beginning, I wanted to make the Master upset by making (Douman) say, "I killed her,'' but the response got boring so I changed it up.

・Buddha's great vows - this is the Bodhisattva's vast desire to save all sentient beings. In short, this was a hugely sarcastic remark towards the Master, as if to say "Your determination and your theatrical declaration are both truly admirable!" However, it also suggests that even if they would have to get various people to help their cause, the Master might just be able to pull it off.

・I was able to finish Holmes' panels in just one day.

・The last panel I drew was Douman's left side.

[malfoyswand]

𝐫𝐞𝐝 𝐫𝐨𝐬𝐞𝐬

pairing: draco malfoy x reader

summary: your best friend, draco malfoy, plans a surprise to ask you to the yule ball.

word count: 1.8k

genre: fluff

warnings: none, just soft draco :)

author's note: thank you to the lovely reader who requested this, it's my first request so i really hope i did this justice! also yes, i got a little inspired by that one gilmore girls episode with the 1000 flowers for the proposal lol

➪ masterlist | requests

"Mate, I think you're overthinking this."

Blaise Zabini reported his opinion of the matter, but Draco Malfoy barely comprehended a word he had spoken. The only things on his mind were (Y/N) and of course, the bloody Yule Ball.

If he was honest with himself, Draco was at least partially excited for the dance. He knew it was meant to be one of the greatest nights he may ever experience while at Hogwarts, but he wasn't sure if he would. The dance was only a week away and somehow, Draco found himself without a date.

If anything, the Yule Ball was making him nervous.

"I'm not, Zabini!" He spoke quite loudly, then softened his voice as he realized students had looked their way. "This needs to be perfect, alright? This is (Y/N) we're talking about, you know how I feel about her."

Blaise couldn't help but sigh, with a smile on his lips as the two of them walked to their Defense Against the Dark Arts class. It was quite a feat for Malfoy to tell Blaise that he had romantic feelings for his best friend, (Y/N). Blaise knew that Draco dreaded being seen as anything but tough to the world, the fact that a girl had this much control over his emotions spoke volumes. 

"Exactly my point, Malfoy. She's been your best friend since first year, I doubt she would ever be disappointed or angry with whatever you come up with. Besides, she's just a girl. Just ask her to the ball like how you would ask a girl out on a date."

"Er.. well.." Draco began to speak, the hand that wasn't holding his books scratching the back of his neck. The two of them finally stopped walking besides the Defense Against the Dark Arts classroom, Blaise's eyes widening as he tried to hide his laughter.

"You're telling me that Draco Malfoy has never been on a date before? Merlin!" His laughter echoed down the chamber, earning him a scoff and a playful shove inside the classroom by Draco. "Sorry, sorry. I just thought that with every other girl in this school begging to be your date to the dance, you would've taken at least one of them on a date." His voice was spoken quietly, careful that the other students wouldn't hear their conversation.

Draco shook his head as the two of them sat down in their seats, pulling out their books and parchment. "No. I've turned them all down. They're just not her, know what I mean?"

"You're down bad, mate." Blaise smirked slightly to himself, whispering the only advice he could really offer his friend. "Listen, girls like being asked out in a personal way. You know the kind of things (Y/N) likes, all you have to do is make it special and she'll be swooning."

"Right." Draco mumbled to himself as Professor Moody began to teach his lesson. However, he certainly wasn't thinking about Defense Against the Dark Arts. Instead, Draco glanced over to where you sat across the room. He knew you better than anyone, yet he had no idea how to ask you to the Yule Ball.

That was when the idea struck him. The new bag you bought last week caught his eyes, he noticed the way the bag had intricate floral designs sewn into it. A memory replayed in Draco's mind. He couldn't help but smile to himself as he wrote on a spare piece of parchment, folding it into a paper crane before sending it your way.

Your hands caught the paper crane, grinning as you knew exactly who it was from. You tried to ignore the way your heart seemed to skip a beat each time you saw one fly towards you. On the piece of parchment, it read:

Meet me at the Astronomy Tower tomorrow morning before breakfast? - D.M.

You lifted his gaze to meet his awaiting gray eyes, your head nodding before turning back to the professor's lesson. Draco did the same, but his mind was already running through a mental checklist on all the supplies he had to get to make his idea come to life.

The next morning, you woke up wondering why in Godric's name you decided to meet up with Draco this early in the morning. The sun was just starting to rise outside the window, and none of your other roommates were even awake. You groaned as quietly as you could, practically tiptoeing around the dorm bedroom to avoid waking everyone else.

As you brushed your hair in the girls' lavatory, you felt the butterflies in your stomach begin to flutter around again. You cursed yourself under your breath as you tried your best to focus on your breathing.

Lately, being near Draco Malfoy has always made you more excited than you really ought to be. Of course, he was your best friend so you had always been excited. But now, even one glance at him caused a warmth to glow within your chest. The feeling was a foreign one.

As you walked through the castle towards the Astronomy Tower, that warm feeling in your chest arose again as you caught sight of him. He was pacing near the entrance door, mumbling as if he was rehearsing something. You cleared your throat as you walked towards him, Draco stopping in his tracks.

"(Y/N)." He spoke your name, his lips forming into a soft smile. "Thanks for meeting up with me, I know it's a bit early for you." His tone was playful, he knew you were not much of a morning person. 

"About that, why so early in the morning, Malfoy?" You gently shoved his shoulder, he only laughed in response. He opened the Astronomy Tower door entrance, his hand indicating for you to step inside first. 

"You will see."

You walked up the long set of stairs up the tower. You couldn't see the fact that Draco was a nervous wreck behind you, his hands having to wipe themselves on his slacks to remove the sweat from his palms. As much as you hated to wake up this early in the morning, you knew the views up from the tower would be gorgeous. Draco knew that the Astronomy Tower was, quite honestly, your favorite place to admire the landscape.

“Oh my..” Your body stopped in its tracks once the two of you reached the highest level of the tower. Your eyes couldn’t take in your surroundings fast enough it seemed.

It was as if every surface of the tower was covered in red roses. Somehow, someone must have placed hundreds of roses in vases, scattering them around almost every corner of the room. The light shining into the tower only amplified their beauty, it was as if each petal seemed to come alive as the sun continued to rise.

“D-Did you know these flowers were here?” You stuttered as you started to pace around the room slowly, your fingertips grazing upon almost every petal there was. Their beauty took your breath away.

“I did.” Draco bit his bottom slightly as he watched you, desperate to know your reaction. He couldn’t tell if you liked or hated them. “They’re for you, actually.”

Your eyes darted from the roses you were admiring to Draco, your body facing his. Although you were truly flattered, the idea of him doing all of this for you made your head spin with so many questions. You knew Draco Malfoy better than he may ever know himself, you had never seen him do anything this nice or extravagant for anyone before. 

“You said a couple of weeks ago that you wish spring would come along so you can watch the flowers bloom again. Of course, it’s only December, as we can all see.” Draco answered your question, a slight chuckle falling from his lips as he pointed outside of the tower. More snowflakes began to fall, covering the castle with even more snow.

“So, I thought to bring the flowers to you. And I only assumed you liked roses, from your bag.” His eyes went from watching the snowflakes outside to your bag that was decorated with tiny red roses around it. Since when did Draco notice something so mundane, like a new tote bag?

“I just.. don’t know what to say.” Your voice came out as a whisper. Him decorating the entire Astronomy Tower with roses, just because you said you missed the spring and summer flowers, was entirely insane. You couldn’t come up with the words, so all you could do was step forward to hug him tightly.

Within an instant, you felt Draco’s arms wrap around your waist, his head resting in the crook of your neck. He closed his eyes, smiling softly to himself out of relief and joy. He was relieved and happy that you had liked the surprise, but he knew what he must do, even though it terrified him.

“That’s not the end of the surprise.” He said as he slowly pulled away from the hug. All of a sudden, it was as the boy became aware of every heightened emotion he was feeling. “But I must do this properly..”

Your eyebrows raised as you watched him turn around, picking up one of the red roses from their vases. If you weren’t convinced you were dreaming at the moment, you would have sworn you saw a small bit of sweat on Draco’s forehead as he looked towards you.

“I-er..” He took a step forward towards you, any closer and your bodies would have made contact. With a deep breath to calm himself, he handed the rose to you. “Would you want to go to the Yule Ball with me, as more than just a friend?”

Your lips slightly parted as you took the rose from him. You had slowly been falling for your best friend for the past four years, but you had convinced yourself that the Slytherin Prince would never fall for you. For four years, you had thought that he would never settle for you, when every other girl in this school begged for him just to look their way.

Once you realized you had failed to give an answer, you closed your mouth and smiled in his direction. “I would love to, Draco.” You responded, stepping forward once more to close the gap between you two. You pressed your lips softly to his cheek.

When you pulled away, you realized that Draco’s cheeks were slightly pink as his eyes widened. You couldn’t help but laugh slightly at the sight. Draco Malfoy was notorious for being the calm, collected one of the two of you. Seeing him as, essentially, a nervous wreck over you caused that warmth to be felt in your chest again.

“Who would have thought I could make Draco Malfoy this nervous?” You joked, attempting to calm his apparent nerves.

“Who said I was nervous?” He scoffed just as playfully, grabbing a few more roses to hand to you. You took them in your hands, smelling their pleasant aroma as you followed him back down the staircase.

“Malfoy, you were just as red as these roses.”

[spirantization]

I'm surprised at the hate that Sokka's character arc from NATLA is receiving. To me, Sokka's development and characterization was one of the strongest adaptations the series made.

In the original ATLA, Sokka's character arc revolves around him unlearning his own misogyny. He makes pointedly sexist comments throughout the early episodes like "Leave it to a girl to screw things up!", "There's no way a bunch of girls took us down!", etc.

Sokka's comments have a strong narrative purpose: they give a platform for women in the show (Katara & Suki mostly) to refute his attitude. Katara emphasizes traditional "women's work" (cleaning, cooking, sewing, etc), which forces Sokka to confront its inherent value. Suki is able to prove to him that women can fight too and he learns to respect female warriors. It's a great character arc and it's well-executed.

It's also characterization that is in direct response to the culture and feminism of the 90s and early 00s. The representation of women in the media at that time was...oof. It was not great. One-dimensional love interests whose only purpose is being saved by the male protagonist, mostly. Female protagonists were not as common, and certainly not ones who were depicted as being able to fight, and certainly not in cartoons. Female protagonists in animation were almost exclusively princesses.

ATLA was progressive in this regard. Katara was a complex female character in a time when there were not a lot of them, in media in general but especially in animation and kid's shows. (I grew up in the 90s; there were no characters like Katara in animation on screen for me.) ATLA incorporated the zeitgeist directly into the story, which is why we have Sokka learning to overcome his sexism in his interactions with Strong Female Characters.

If you go back and watch the original cartoon now, Sokka's sexism feels a bit dated. It's a very 90s, Girl Power, "girls can fight too" style of social commentary. It doesn't match with the media landscape of today. We've got 20 years of media with female superheroes behind us. If your message is "girls can fight too!" the response for the most part is going to be "yes, we know that. And?"

So imagine you're adapting the original ATLA for a live-action remake. You want to keep Sokka's character arc intact, but you want to update it for the 2020s. So what do you do? You look at the conversations that are happening today.

The 90s were about "girls can do everything boys can do", but the 20s are over that. The conversation is more about gender: gender expression, gender roles, gender dynamics. What does is mean to be a woman? What does it mean to be a man?

Sokka's character arc in NATLA is focused on this question: What does it mean to be a man? At the beginning of the series, it's his identity as a warrior that defines him. He needs to be the warrior, the protector, the leader. He's constantly trying to reaffirm this part of his identity, and it's completely tied up in his perception of his value as a man. Instead of his interactions with Suki being about "how could girls possibly be warriors", it shifts to Sokka saying "I'm ALSO a warrior" and trying to justify that to Suki (and mostly himself).

His arc over the series is about him accepting other aspects of himself and relearning how to define his masculinity. He can still have value as man without being the greatest warrior. He can still have value as a man by using his skills as an engineer. He can still have value as a man by offering compassion and kindness to others, like the little girl with the doll & Yue in her final moments. Instead of rigidly defining himself by a specific set of gender roles & expectations, he learns how to define himself through his own strengths and qualities.

I know there are a lot of people who are upset at this change to Sokka's characterization, and the most common thing I see is that it results in changes to Katara's character and her anger in response to Sokka's comments. I think there are valid criticisms to be made about how the show handled the adaptation of Katara's character, but I won't go there with this. In terms of Sokka and his characterization, it was well-done and thematically consistent with the original. It's not an exact port, and it never needed to be. It's still a feminist arc that centres on unlearning harmful misogynistic worldviews, but the focus has shifted from external (roles of women) to internal (his role as a man). And his journey is one that people would benefit from seeing represented.

[space-manatees]

He was just a humble preacher's son. And yes, he had his demons, but they never stopped him from searching for beauty. Because when you find beauty, you find inspiration. If, that is, you stay as determined as Vincent. Never stop, no matter how many failures. When you know you're doing what you're meant to do, you have to try.

Ted Lasso, Season 3 Episode 6, Sunflowers

Van Gogh is the finest painter of them all. Certainly, the most popular great painter of all time. The most beloved. His command of colour, the most magnificent. He transformed the pain of his tormented life into ecstatic beauty. Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world. No one had ever done it before. Perhaps no one ever will again. To my mind, that strange, wild man who roamed the fields of Provence was not only the world's greatest artist, but also one of the greatest men who ever lived.

Doctor Who, Season 5 Episode 10, Vincent and the Doctor

[thirrith]

A guide to Dream of the Red Chamber for English speakers

I've been posting about a book called Dream of the Red Chamber for a while. I'm kinda obsessed with it but the tags here on tumblr are pretty much barren. I want to get more people to be interested in it, so here's something more informative with minimal screaming.

Dream of the Red Chamber (紅樓夢) is a 18th century Chinese novel by Cao Xueqin. It isn't very well-known outside of the Sinophone aka the Chinese-speaking world, whereas where I come from it's considered a masterpiece and classic and is so well-known and holds so much cultural significance even the people who haven't necessarily read the book make references to it - like, basically everybody knows about the book. It certainly deserves to be known and loved by more people - that's why I'm making a post about it. This post is NOT going to be an attempt to cover everything, though, because there is just so, so much to the book; instead, I am creating a guide to make it easier for people to get started if they are interested.

What is Dream of the Red Chamber about? Why do people love it?

The best way to sum it up is calling it a family saga mixed with a bit of fantasy. It tells the story of the rise and fall of a big and powerful family, focusing on the story of the young girls, the maid servants, and the wives that all live together and run the household. The only male main character Jia Baoyu is a young heir of the family, who grew up among these women and girls. He loves and understands them, loves being surrounded by them, and deeply identifies with them. My dad, who is also a fan of the book, loves saying that Baoyu 'has the heart of a maiden'.

The book is funny and full of drama, and at the same time it's also poetic, tragic and profound, and the tragedy of the characters is written in such a kind way, as if the author wants you to love them and remember how wonderful and alive they are despite the fact that a gloomy fate will claim them all.

The book is also so queer in a way that no other Ming/Qing dynasty Chinese novels can compare. Obviously there are no modern queer labels because it was written in imperial China, but there are characters who are interested in both men and women, characters who are interested in no one, and affairs between boys and between girls; many main characters have the kind of relationships with their gender that make my Chinese transgender heart sing with empathy.

If you want to hear from English speakers who fell in love with the book and learn more about the context and literary/cultural value of the book, I recommend starting with 'Why is China’s greatest novel virtually unknown in the west?' by Michael Wood on The Guardian and 'Why you should read China’s vast, 18th century novel, Dream of the Red Chamber' by Josh Stenberg on The Conversation.

Dream of the Red Chamber is a long novel with many different versions and possibly hundreds of adaptations. How should I begin?

There are two translations that I know have received good reviews:

A Dream of Red Mansions translated by Yang Hsien-yi and Gladys Yang. My partner is reading this version. It's a very faithful translation with footnotes to make up for the language and cultural barriers. (Note: the Yangs finished their translation in prison in China during the Cultural Revolution.)

The Story of the Stone translated by David Hawkes and John Minford. It's a translation that takes more artistic liberties than the Yangs version. For example it differs in the way it translates character names and its writing style. Hawkes wanted to recreate the experience of reading the novel in Chinese for English speaking readers, but it may also be harder for you to talk to those who read the book in Chinese about certain characters and details.

There is also a public domain translation by H. Bencraft Joly, which was first published in the 19th century, and you can find it on Project Gutenberg.

The 1987 36-episode TV adaptation Dream of the Red Chamber is well-loved and considered by many Chinese people to be the best adaptation of the book. Every later adaptation would be compared with the 1987 one and found lacking. I personally love this adaptation a lot, and I think out of all the adaptations I've seen (including TV series, films and Chinese opera) it has the best interpretations of the book and the characters. It also has the best songs, which were adapted from the poems in the book. You can stream the series with English subtitles on the Internet Archive.

If you want something shorter that covers the main romance plot line and includes a few iconic scenes from the book, I recommend the 1977 film adaptation The Dream of the Red Chamber casting legendary actress Brigitte Lin as Jia Baoyu (she also portrayed an iconic classic wuxia character as a trans woman in another film franchise, but I digress). You can find the film with English subtitles on Youtube.

This is not all, but it's a good start. If you ever decide to give it a go, it doesn't matter if you watch one of the adaptations first or read the book first. Don't stress, take your time, and enjoy the ride!