People talk about how “overpowered” and freaky some of the physical feats in PJO and HOO are but I think people forget that all demigods inherently have enhanced, speed, agility, and strength. So at lot of these physical feats actually make a lot of sense in their “power scaling.”
And I know a lot of people like talk about the Lois Arc jump because that is insane but there are a lot of other feats that show off the enhanced attributes some of the other demigods have.
Like, Hazel ran after a Arion, the fastest horse alive for a WHOLE day. Hours upon hours on end. And even if Arion WASN’T the fastest horse he’s still. A horse. That Hazel was able to keep up with. And then run all the way home.
Reyna EASILY knocks away giant werewolves with a knife and used her javelin like a pole vault. Annabeth managed to fight Kronos, a whole ass Titan, to a standstill. And she’s been shown to perform moves only professional acrobatic and gymnast can do. Piper threw a fifty pound shield at Medea and was described to move fast as a viper.
Jason had dodged arrows that have appeared out of no where, no warning, and Percy has side stepped bullets. BULLETS.
Not to mention that with the Lycaon and werewolves they were all out running and keeping up with WOLVES.
So, yeah, demigods have freaky physical feats.
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WHY has no one talked about these panels. fuck it its 12 am (at the time of me "finishing" (<- not even close) writing this, its nearly 2 am) im going to talk about them
ahem.
before i get to the Main Point i wanna discuss chils tendency to spiral into his thoughts
like, sure, yeah, he's a reasonable guy. real logical-- but he tends to rush through so many possibilities and in this scene even berates himself for his tiny mistake. every thought in this scene goes so fast to me here, just "snap snap snap, call for help, no thatll attract too much attention- wait is there a switch? crap its too far away- nevermind lets just wait for marcille- but can i trust her with that?? god im so stupid, am i just gonna be trapped here until morning???" and it takes a moment for him to stabilise and snap out of it
like... he even has a little pep talk about it
i guess you could take this as him merely being a quick thinker? but i highly doubt it -- look at this fucking guy.
anyways. hes always got to be eased out of it one way or another, whether that be complainerism (self-explanatory), strategising with another person (that way all the insecure thoughts get pushed to the back in favour of working together), reassuring himself (discussed above) or...
you. could.
distract him.
place a brick wall in front of that zooming train of thought and watch it crash and burn :)
he doesnt even respond in that first pic, by the way. in fact, he doesnt say anything for another 3 (and a bit) pages, and by then the topic has been safely switched (granted those three pages are just marcille and laios making the familiars, but i feel it still stands that there was no response at all, not even visually)
secondly, in that other instance -- see how his eyes go wide as saucers when contact is made? and how they turn into pinpricks once he looks back**? god. and. like.
oh. fuck. ive gottta continue this in a reblog since ive reached the picture limit on mobile -- i am not even a THIRD of a way through all my thoughts on this- we didnt even get to my footnote!! sit tight everyone :)
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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Low energy Devotional Acts for when you don’t have a lot of energy (or time, or money, etc.) pt. 8
💀Hades/Plouton💀
- listen to a devotional playlist for Him
- learn how to budget if able
- if you have a dog- spend some time with them
- if able volunteer at an animal shelter or volunteer to walk dogs
- if able learn about your ancestors
- learn about death magic and spirit work
- learn about death doulas
- learn about the Underworld or afterlives in general
- listen to ‘dark ambient’ soundscapes
- if able visit a cemetery
- learn about cemetery and graveyard etiquette
- learn about funerary practices throughout time and around the world
- wear black (can be as simple as a hair tie or socks to your whole outfit and even makeup!)
- listen to goth music
- carry some coins on you if able
- do Halloween or gothic themed coloring pages
- learn about the roles of hospice workers, funeral directors, morticians, etc.
- honor deceased loved ones (can be pets, friends, family members, etc. doesn’t matter)
- be kind to spirits and respect* them and the dead (*I know there are some folks who don’t deserve respect in death so obviously you don’t have to respect them this is just a more…in general kind of thing)
🌺Persephone🌺
- if able go on a walk (can be as simple as down the driveway and back up if that’s all you can manage)
- if unable to do that try to sit outside or open a window/door to let some fresh air in and open the blinds/curtains to let some sunlight in
- listen to nature soundscapes
- pick some flowers or get a bouquet for yourself or others
- learn about herbalism
- enjoy some pomegranates, pomegranate juice, or something with pomegranate in it
- listen to a devotional playlist for Her
- if able visit a cemetery
- learn, read, watch stuff about ghosts (yes even those weird ghost hunting shows that come on at like 2 am and make you feel like you’re experiencing a fever dream)
- learn about reincarnation
- be kind to Demeter
- if able donate to or volunteer at a battered women’s shelter and learn about their history and importance
- if able do some baking (especially bread)
- learn about the underworld or afterlives in general
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I don’t think people realize how freaked out fanfic readers get when their favorite author(s) doesn’t update their ongoing schedule ON TIME.
And it’s not cause we want the chapter…it’s cause we’re so fucking worried about the Author.
Like— OMG ARE YOU OKAY? YOU’VE BEEN GIVING US THE TRAGIC UPDATES OF YOUR LIFE IN THE NOTES THE PAST 10 CHAPTERS?! WHY STOP? ARE YOU DEAD? DID YOU GET STUCK IN THE WALL LIKE YOUR CAT?? HAVE YOU EATEN?? HAS YOUR BRAIN EXPLODED??
Readers no longer care about the story when they don’t get their usual update. We panic and flag S.O.S as we track down our wayward author who has been both blessed by the universe with a creative mind and cursed all the same with the worst luck.
So any authors who are reading this please understand— when we comment “hey are you okay?” in your comments. No, we are not asking about the chapter.
We are legitimately concerned for your wellbeing. Do not force yourself to shit out a chapter just to appease other ppl when you yourself are not in the mental state to enjoy it or even write it to begin with.
TAKE CARE OF YOURSELF DAMMIT
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I think I've said a couple times that seeing too much radiosilence angst made me want a fluffier qpr version, but tbh I still want all of the angst; it just needs to be framed as eventually leading to a happy ending.
alastor and vox hating each other is thematically inevitable. I am in love with the fake enemies trope; I tried playing around with that, but there is no universe where these characters are remotely close to canon and actually like each other lmao. I think it needs to be more "vox pretends he only hates alastor and alastor pretends he doesn't care about vox but they actually both understand that they really had something and destroyed it because of mutual differences." like, symbolically, it's old vs. new, right? and alastor is good because he values what worked in the past and cares about artistic integrity but bad because he refuses to see progress or accept change; vox is good because he's innovative and ambitious but bad because he's tacky and too profit-driven. that dynamic has way too much potential for us to skip the part where they grow to see the good side of each other's perspectives while keeping their own identities intact.
AUGH the angst would just be too good; vox and alastor kind of being on the same wavelength at first when they weren't too far apart era-wise, alastor not really taking his ambitions seriously and finding them entertaining, vox actually caring at first about making TV as a legitimate creative endeavor and them connecting over a love for entertainment ... but eventually vox gains power, he starts getting distracted by money and takes shortcuts, he stops creating almost completely because it's easier to make contracted souls do it instead. alastor's cute plaything (that maybe was actually interesting to talk to and had good ideas ...) becomes this tacky capitalist that he can't manipulate as easily, so he gets bored of him. vox is so happy when he finally becomes an overlord; alastor is gonna be so proud! only for him to realize that alastor never saw him that way. alastor never actually liked him, did he?
cue them getting mad at each other and starting a feud that is much more comical on the outside than it is privately. vox is still a little confused and very much in pain ... he knows his own flaws but his greed has too much of a hold on him to make him actually change for alastor (vox: I'll do anything! just tell me what to do, what to change, and I will. please just stay. alastor: would you give up your company? power? money? would you stay with *me*? vox: ...). alastor is disappointed and tries to make it seem like he really had no affection for vox, but those memories of drinking together on sunday nights, listening to how excited vox was about a new invention ... maybe, in the very back of his mind, he realizes he misses that. that he feels left behind.
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