#casual affair

[criztyeve]

A lover on the left ...

A sinner on the right

Wh hasn't used Lestat technic ??

[roscoe-me-and-this-fuckin-kid]

Casual affair is one of the best songs panic at the disco ever made and NO ONE talks about it wtf

[warmbeebosoftbeebo]

Speaking of Reddit, I'm reminded of this big ass thread on Diamonds and Daggers and other smutty songs (mostly me and criesinstudent)

https://reddit.com/r/panicatthedisco/s/TQYxutmVWX

Just parts of it :

He's both exhibitionist and voyeur a lot if you think about it eg him being topless on stage, stripping at Summerfest, brallon, ryden, brian aka him and ian, the Christmas mug with him nearly naked, crotch covered with a Santa hat, nipples with bows, GGB video... Him saying in a before doab came out interview that he wants and likes to see couples get it on, same sex or other sex, and the director's cut of GGB. How he intros GGB a lot also hints at that eg "this next one's about girls fucking guys, guys fucking guys, girls fucking girls".

[katnissdoesnotfollowback]

Panic! at the Disco - Casual Affair

[doctorwhommm]

countrycide is truly one of the episodes of all time

[princeloww]

rivals plot summary (including content warnings)

What to expect from the new DT show, basically. Vague spoiler warning.

Tony Baddingham, DT's character, runs a British television company in the Cotswold area. He is a lord and, as you might guess, extremely rich. He tends to manipulate people and spend their money instead of his, so that when his ventures go wrong, other people are left scrambling to pick up their losses, while he's completely fine.

He has a long-lasting rivalry with the tory minister for sport, Rupert Campbell-Black. Rupert is extremely charming and athletic, and has a new mistress every week. He is divorced and does not see his two children very often. He's an athlete at heart, and adores his horses more than people --- but politics are a lot more stable than that.

The plot follows a very large cast of characters, which can be quite confusing at first. I had to go back and work out who Beattie Johnson was, for example, because I'd completely forgotten who she was and who she was involved with. There are lots of wives and husbands and mistresses and children, so it gets a bit complicated. Most of the characters are somehow linked to Corinium, Lord B (Tony Baddingham)'s TV company.

Tony hooks up with and employs an American director/writer, Cameron Cook. She moves to England to work at Corinium. Her arrival and bad attitude forms tension in the Coriunium workspace, and the tension furthers when Declan O'Hara, an Irish TV presenter and author, arrives at Corinium. He is a leftist (in contrast to the conservatives around him) and often discriminated against for being Irish. At times he is accused of having IRA links, mostly just to make him look bad. He and Tony's personalities clash, leading to a fall out at Corinium. Declan, in a drunken rage, quits his job and falls into a bit of a bad state.

Recovering from the publicity of his departure, Declan groups up with Rupert Campbell-Black and a few others (including Tony's brother, Basil Baddingham) to create a rival television company, Venturer, to challenge Corinium and Tony for the franchise.

There is a lot of romance and a LOT of subplots. Declan's daughter, Taggie O'Hara, is a dyslexic cook who struggles to find work due to her inability to read and write. She develops a crush on Rupert, who is considerably older. If I start talking about how much I despise their relationship, I will never stop. Taggie will probably be quite a main character in the show, I'm guessing. Declan also has a wife, Maud, who is a failed actress and spends all of his money.

Tony's wife, Monica, is very charitable and employs Taggie despite Declan and Tony's rivalry. She is aware that Tony is having an affair with Cameron Cook. An affair which, while Cameron is under his employment, becomes extremely toxic and abusive.

I'm sure the show will be rounded out a bit for modern audiences, but warnings wise (at least in the book), Rivals includes themes of sexual assault (particularly groping), misogyny, domestic abuse and much more. A big majority of the characters are rich and extremely corrupt. Tony, the baddie of the story, has some of the worst moments. There is a scene where he hits and throws a woman until she is bleeding, because she's 'betrayed' him. He also threatens to kill somebody. On a separate occasion, he tells a distraught SA victim not to tell anybody, because the attacker is somebody who he needs on his side, for money. There is also, obviously, given the kind of characters we follow, a lot of classism. Valerie Jones, for example, exists as a punching bag for a middle-class Northern woman who wants to be like the rich Southerners.

Tony might be the bad guy, but Rupert, who we're supposed to like, is also awful. He's Jilly Cooper's little golden boy, despite being horrible. I hate him so much but Jilly clearly loves him. He gropes eighteen-year-old girls and objectifies every single woman he speaks to.

Again, I'm sure a lot of this will be toned down, but watch with caution. The story has light moments and lots of romance, comedy and drama --- it just occasionally dips into dark themes. There will probably be lots of dinner parties, as every other scene is a giant social gathering. As much as I have issue with Jilly Cooper, she is absolutely excellent at writing large social scenes with dozens of different subplots combining.

There's also a weird theme of characters describing 14-year-olds (specifically 14-year-olds) in weird predatory ways. It's weird though, because a strange amount of characters do it -- to the degree where I think it's just Jilly Cooper describing them weirdly. She acts as though being a teenage girl is a woman's prime and that she is wasted after that. She has also gone on the record to state that she hates feminists. I'm not a giant fan, frankly.

On a lighter note, if you want to tell who's supposed to be a good guy, just remember that the good guys always quote poetry and like animals.

Despite its many flaws and dark themes, Rivals really is an interesting read. Jilly Cooper says the weirdest, most fucked up things ("she's like a little sister", thinks Rupert, right after staring at the 18-yo's ass) but the story really supports itself. It's interesting, gossipy, raunchy and very well written. Cooper is an expert at big scenes, and works so well with the giant ensemble cast. I disagree with a lot of things she says, but I think the show will be really good. I'm super excited and can't wait to watch it. There's a particular scene with David's character that I'm looking forward to; while in the book it was a bit scary, because we know how Jilly is with teenagers, there's a scene where Tony drives Declan(his enemy)'s daughter home, and is actually very nice to her before realising who she is. I think DT will do this scene a lot better, and it might actually be a bit endearing. Idk, I don't wanna jinx it, but I think it has potential to be a sweet scene, with the charm DT typically brings to these roles.

If anyone has any plot-related questions, or about David's character or anything, please feel free to ask! I'm more than happy to ramble about this book, because I do really like it. I see and dislike its flaws, but personally I am able to look past them and appreciate the story and characters. They're all horrible people, but let's be honest. They're politicians and rich, tory lords in the 1980s. They were always going to be horrible. You can like something that contains problematic characters without necessarily, immediately condoning and agreeing with those things. People online and especially on places like TikTok seem to struggle with this concept, but I'm a firm believer in media literacy and accepting flaws. You can like something that is bad. You can like villains. It's fine.

Declan is my favourite btw. Live laugh love Declan O'Hara

[littleaipom]

the rest of my Blaze-in-that-one-dress-from-the-IDW-comics drawings

[mamawasatesttube]

first, I just wanna say the Kon agonies are making me lose my freaking mind!!!! oh my GOD I’m devouring your writing every single time!!!

second, for my actual ask!! I was wondering how you think timkon’s proposal would be like? If you haven’t already told us, I feel like you have but I’m not sure!

thank you thank you!! i love kon and his issues. he has so many of them. (shameless plug for the kon agonies here again <3)

i love to think abt timkon proposal ideas. many possible ways it could go but i FIRMLY believe the one way it Can't go is "traditionally perfect and cliché and romantic". it has to go sideways at least a little. they're both weirdos with an insane general lifestyle. i have several ideas that i think are all really fun, but the baseline is just that there's no way it goes off without a hitch. therefore, i present:

how DO tim and kon get engaged? (one possibility!)

on a very casual chill date night in, while sharing a pizza while hanging out on the couch in their pajamas and watching star trek, they agree they want to get married. they also both agree it'll still be fun to do a proposal.

yeah each of them is now going "hehehe. i'm gonna surprise him with a nice date and i'll romance him as he deserves and then ask him to marry me and he will be swept off his feet!!!"

so. you know. now it's a race.

one weekend, kon takes tim on a lovely romantic date. by the point kon's got him sitting in his lap way up in the sky, twirling wispy clouds around them both into hearts while he points up at stars way overhead, tim is INCREDIBLY suspicious of what's coming (a proposal) and is SO mad because he was going to propose NEXT WEEKEND.

kon's sappy speech gets interrupted by toyman attacking metropolis and tim is like. oh thank god. i mean uhh... wow... FUCK toyman! i'm SO mad about this! meanwhile kon pouts the entire time he's decimating a small army of toy soldiers with real guns. tim finds this adorable.

kon almost still pops the question anyway, but his vanity stops him. his hair got a little singed by a giant firebomb and he's upset about it. he can't propose like this.

next weekend, tim takes kon on a lovely romantic date. when he goes down on one knee in front of a park fountain under a canopy of string lights (very romantic, kon deserves it), kon starts HOLLERING and pulls his ring box out like NO!!! I DID SO GOOD LAST WEEK IM PROPOSING TO YOU!!!!!

tim: NOT IF I GET THERE FIRST. CONNER KENT YOURE THE LOVE OF MY LIFE—

kon: YOU SHUT THE FUCK UP!!!! TIMOTHY JACKSON DRAKE YOURE THE LOVE OF MY LIFE AND IM GONNA PUNT YOU INTO THIS FOUNTAIN IF YOU DONT LET ME PROPOSE TO YOU FIRST—

tim, yelling over him: —AND I'D BE HONORED TO SPEND THE REST OF MY LIFE WITH YOU—

kon tackles him.

they both fall into the fountain.

they both have to hunt for their ring boxes in the fountain.

passerby are staring.

they are in their nice fancy date clothes. on their hands and knees. crawling around in a big ol park fountain. it's cold. they're a mess. please send help

kon finds his ring box first (tim swears up and down that he cheated by ttking tim's box away every time he almost grabbed it) and tackles tim a second time, sits on him in the fountain, and grabs his face.

tim licks him. kon is, shockingly, undeterred.

"TIM," he says, and squishes tim's cheeks. "you're a STUBBORN ASSHOLE. WILL YOU MARRY ME?"

"I'M a stubborn asshole?!" tim demands. it's muffled because his cheeks are still very squished. "god, obviously yes, but you're the jackass, i planned tonight out so well and you hijacked it—"

kon kisses him. tim kisses him back.

tim's ring box mysteriously happens to brush his fingers then. very convenient, thank you, kon.

they exchange rings still sitting there in the cold water under all the lights. tim's teeth are starting to chatter.

passerby are still staring.

they don't care. they're engaged!

and that's the story of how tim drake gets mild hypothermia and kon fusses and frets over him for the rest of the weekend—uhhh I MEAN, the story of how tim and kon get engaged. yippee!!

[serpentface]

Oh, birthing & midwiferyposting, please

Ok I will Elaborate

(Content warning because this contains discussion of infanticide)

This is speaking about midwifery and childbirth in the Imperial Wardi context (this also should not be taken as ubiquitous for every facet of the Imperial Wardi cultural sphere, but this is a broadly accurate rundown).

Infant mortality rates are high, and pregnancies and births can be very dangerous for the pregnant parent. Midwives serve a vital societal function and the best form of reproductive care available.

Midwives come in many forms. In poor families, the duties are usually performed by a family member and the skillset may be passed from parent to child. Some communities have resident midwives who perform their services for free or at low cost. Professional midwives exist for hire, and are very common in the cities. An upper echelon of midwives are a kind of physician-priestess, who will have received extensive medical training and are considered sanctified and uniquely equipped to fulfill the spiritual needs of childbirth. A few will perform services for free, but they are generally hired and their services are very expensive.

Wealthy families may have their own personal midwives, and VERY wealthy families/royalty have personal physician-priestesses.

Midwives are mostly women, though whether this is an expectation or merely an average tendency is dependent on the specific context. Cases where this is an Expectation tend to be in cultural contexts where the Gaze of a man is believed to have a sexual element that is uniquely powerful and harmful to the nude bodies of women (all Imperial Wardi cultural beliefs include a concept of the spiritually empowered Gaze and disempowered vulnerability in nudity, but exact nuances vary). Physician-priestesshood is, in theory, reserved only for people designated female, though a few throughout history have been known or suspected to be eunuchs.

Physician-Priestesses serve Anmir-Ganmache (an epithet of God as the domestic sphere, close in meaning to Ox-Face of the Hearth). This is not a priesthood specifically devoted to this face of God in the same sense that Odonii are the cult of the Lion-Face and Galenii are the cult of the Lunar-Face, they are merely seen as serving Anmir-Ganmache by performing their duties and being uniquely empowered by this Face's blessing. Most begin their training and education at puberty (though it's possible to join later in life) and are expected to serve for 25 years before retirement. Their primary function is to behave as midwives, but they receive a wide spectrum of medical training and are considered uniquely equipped to tend to the overall health of women.

A midwife is usually expected to not perform their tasks while menstruating (this may not be practical for poorer families who have to take what they can get), during which time a person is considered ritually unclean. Specially dedicated physician-priestesses are usually expected to be virgins and to remain so for the duration of their service (a method to ensure an entirely ritually pure existence). This is not expected of common midwives.

Most of any midwife’s job is typical physical assistance with the pregnancy and birthing process. Births are typically done in a sitting or squatting position, often wearing a special skirt or blanket to shield both parent and child from full view (a spiritual element to reduce unwanted metaphysical vulnerability during the birthing process). Under the best conditions, a midwife has several assistants of their own (in the case of physician priestesses, these are usually priestesses in training) who will physically support the person giving birth and attend to their needs.

The infant is shielded from direct view during its emergence, and is immediately cleaned and wrapped in cloth upon the cutting of the umbilical cord.

Part of the toolset for a physician-priestess is a pair of horns from a pregnant cow sanctified via sacrifice to Anmir-Ganmache. The cow had taken God's role in its sacrifice and its remains are holy relics, and used to put the mother and child under God's full protection. One horn will have been carved into a cup and holds a sanctified oil (usually olive), which is gently daubed over the eyes, mouth, heart, and near the genitals of the child, forming a protective barrier.

The other horn is intact (usually carved with protective imagery, notably a motif of a lioness-headed woman that has protective qualities for children, and an abstract, twisting serpent that represents and encourages the incarnation of the child's soul) and is waved over the child’s body in the form of a blessing. The same is done for the mother, with the addition of anointing the breasts to encourage healthy and clean lactation. Common midwives are unlikely to have easy access to sacred sacrificial relics, but this blessing rite is considered vital and can be accomplished (to a less ideal extent) with any cow's horns, so long as they have been properly purified.

Protecting the helpless, naked infant from the gaze and immediately exposing it to purifying agents is believed to help expel any inborn dagia or other polluting agents. This is believed to support the child's spiritual and physical health and hopes to prevent congenital or otherwise lifelong health conditions.

The midwife performs a thorough inspection of the infant, and will give a recommendation upon whether the child is healthy and fit to rear. Infants deemed at high risk of premature death may be killed, as the cost of care and emotional attachment for a child deemed unlikely to survive will often be seen as too great to warrant the risk. This act (presumably with the parent’s permission) is usually performed by the midwife themself, and is ideally accomplished with a fatal sedative dose (this death is seen as peaceful and painless, while a traumatic death would risk the infant’s soul failing to reincarnate and instead becoming a vengeful wandering ghost).

This obviously may be a difficult and traumatic choice on an emotional level, but infants are not believed to have fully incarnated souls until they begin to speak (it is believed that the soul begins to enter the body upon conception, but takes significant time to fully inhabit it), and will be reincarnated if they die before this occurs. So infanticide in this context is not usually perceived as the murder of a full person or a denial of life, as the infant’s soul will have as many other chances as it takes to become fully incarnated. (There's a variant of 'old soul' beliefs, where an especially precocious child or one that learns to speak early is believed to have had many previous reincarnations)

Intentional abortion of a fetus carries no stigma whatsoever for much the same reasons (though the MOTIVATIONS for this act on the parent’s part may carry stigma, such as to hide an illegitimate pregnancy). Natural abortifiacients are available and widely used in cases of unwanted pregnancy (though these are not by any means as safe or reliable as contemporary abortion procedures).

In all cases (whether an aborted fetus, a miscarriage, a stillbirth, infanticide, or another death before full incarnation), the infant or fetus’ remains are given the standard funeral rite of cremation to ensure their soul is freed from the body and can be properly reincarnated. Basic rites are all that is expected in this situation, but some parents will undergo extensive funerals with lavish offerings to encourage a prosperous and healthy rebirth.

There's also certain rites to encourage the same soul to return to the same parents (as it would otherwise be reincarnated into a human at random), the physical element of which is anointing the body (ideally the lips) with both parent's mingled blood before the cremation, as blood physically contains a person's spirit and the sharing of it can establish a powerful metaphysical bond. This is believed to assist in leading the child's stray soul back to the same source, and may lend a tremendous sense of comfort to parents in the face of a wanted, dead infant.

A pregnant parent who dies in childbirth is given special status and are believed to enter an esteemed afterlife (located within the Lapis Moon, a paradise where they will reside among saints and other esteemed dead). Childbirth is regarded as one of many analogues to God's self-sacrifice to bring forth creation, with the mother symbolically crossing the threshold of death and spilling her blood to bring forth life from nonexistence. To die in such a state is regarded as one of the noblest deaths typically available to women. (This sentiment is also entirely reflective of the typical place ascribed to those designated women in this society, where their chiefmost value is in bearing children). It's still (obviously) ideal for most to survive the birthing process, but this belief may contribute to some choosing to undergo an (almost always fatal) caesarean procedure in a difficult birth if the infant is assumed to be otherwise healthy.

In the case of a healthy birth in which all parties survive, the child will then be presented to its father (who in some contexts is prohibited from attending the birth), who will formally accept it as his own and bestow it with the family name (the child is not given a personal name until a month from birth, and undergoes a formalized naming ceremony at either their first birthday or when they begin to speak, tradition depending). A child born out of wedlock or to an absent father does not receive a family name, though may be formally adopted if the mother marries later on, or be given the family name of the mother's father if he chooses to accept it.

The mother should ideally undergo a full blessing to recover from the metaphysical vulnerability of the birthing state (the physician-priestess can provide this, but otherwise this is done at a temple or family/village shrine).

It's also generally expected to offer sacrifice to Anmir-Ganmache in thanks and to ensure continued protection for parent and child (the best offering is a cow, but offerings of milk or at the very least some grain is acceptable). Most who can afford a physician-priestess can also afford to offer a cow, and it's also expected that the best meat (usually the liver and flank) and the horns should be removed before the rest of the sacrifice is burnt, and gifted to the priestess as a personal thanks.

[pseudoincestuous]

I don't know why more people haven't done something with the saiki doubles in fic. That's freaky and bizarre and there's a lot of interesting potential there. it's very body horror, and think about the implications of so many people who are "you" but they're not. In some cases, they're entirely different. copy #37 is straight body horror. the more he uses his powers, the further he strays from humanity... or something.

also, you can't tell me Kuusuke would not find it fascinating.

[fairyjiu]

Happy New Year!

The besties are back, in their very casual fits, to wish you all a happy new year. Thank you everyone for being with me in 2023 whether it was our first year together or the fifth, I greatly appreciate your companionship and hope we can stay together for the next one. I wish you all an easier year than the last, may we all celebrate the little victories together.

@astronautke @bibitzy @brianskangs @bunsprout @bomnun @dakbees @dinoboos @dongkwan @flops @girlwegottatalk @hohowonho @hoshifromkpop @hui-ing @jisungshotfirst @justdoityo @lunetual @mizugucci @moonsua @ninqz @pinktaeyeon @reveloser @ryudaeng @saerom @sdaywithme6 @seokmingming @seungwoonies @shinwolo @souladies @svngjins @xiaojuun @youthpt2 @yeofi @zeeisblue

& all the lovely people who interact with my creations, the people i couldn't tag for some reason and you if you see this and don't fit in any of these categories <3

[getosugurusbangs]

what if i said i actually love too weird to live, too rare to die and think it’s underrated. what then.

[odyss-sea]

Aeneid Book 8

Virgil: The shield was so awesome I can’t describe it

*Queue three page long description of the shield*

[apricusapollo]

thinking about theo driving around the town after liam breaks up with him and suddenly all too well comes on the radio and he almost crashes the second he hears "you kept me like a secret but I kept you like an oath"

[three-bunnies-in-a-trenchcoat]

I would kill and die for Kachina