#cartoon kid

[vimbry]

some of my favourite spongebob moments are when they accentuate the gag w/ a live-action punchline

[jellyskink]

You CANNOT tell me Bill Cipher had enough patience to actually learn an instrument

[silvermoon424]

Yes this poll is very biased in favor of North America lol

[happyheidi]

don’t invite me unless these are the plans

[grilledsquids]

delighted to listen to a nine year old discussing his thoughts on star wars. his dad’s been introducing him to the movies in release-date order, and they’re now halfway through The Force Awakens. here are his hot takes:

- best movie: phantom menace. qui gon and obi wan and yoda and anakin are all really cool.

- worst movie: return of the jedi. it took too long to save han solo; jabba is gross to look at and slave leia was weird to watch, ‘and they call it PG!’

- best characters: luke skywalker. anakin skywalker is second-best because he becomes darth vader. (this was very disappointing to discover)

- best villain: darth vader (even if he’s anakin). but dooku was also very good. palpatine is ugly.

- favorite jedi: yoda.

- biggest complaint: it would be better if anakin wasn’t darth vader. and, why did they kill padme? she would be a better vader. they should bring back anakin for the new movies. no, not as a ghost, just bring him back.

[bleepzip]

shooting star 🌟

[liquidstar]

adventure time lore is insane. it starts off just being a goofy kids show that has magic for no reason, but then you learn that all magic users are manic and/or depressed (what betty calls sadness and madness). because it turns out magic is actually a cosmic force beyond mortal comprehension, that itself was learned from cosmic entities that predated the existence of time itself inside a sea of monsters. and "magic" really is just understanding more about the nature of the universe than most people. that, in a way, reality isnt "real" and understanding that allows you to mold it. and thats magic. but that drives you to insanity and/or apathy. and there are beings who hold significant cosmic importance who are more prone to magic. and the reason magic became prevalent on earth is because of a nuclear war a thousand years ago, which released the entity that represents the destruction of all life onto the world. and after a nuclear apocalypse this gave way to a new earth, where magic could thrive. but a lot of the beings we see arent even magical, theyre just mutants from what happened 1000 years ago. and humanity as we know it has been all but wiped out. but everything stays the same because cycles of war and violence continue. and it doesnt matter if its nukes or magic. everything stays the same, but still changes.

[90s-2000s-barbie]

Hot Topic the golden age

[t00thpasteface]

not done messing with their shapes yet actually

[polkasplotch]

they love eachother

[millionsknives]

i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.

aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.

and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.

despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.

and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.

the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.

[raccoonnutella13]

people don’t talk about hilda (from the netflix show) enough and how absolutely insane she is. and by that i mean how she takes the Traditional Hero trope to the absolute extremes. she is filled with overwhelming whimsy; adventure is drawn to her like a goddamn magnet and absolutely NO ONE can stop her from pursuing it. and if they even try to get in her way then fuck them. this kid’s normal tuesday means possibly dying multiple times and fighting The Horrors. everyone around her is concerned for her and the unstoppable magical girl powers that she wields but she absolutely WILL be a little shit about it because she was pulled from her whimsical littol cottage in the woods where she played with trolls and forced to move to fucking Normal Non-Magic Town. turns out going to Normal Town is only a minor setback and soon she’s back on the befriending magical creatures (a GIANT TALKING RAVEN) grind. she’s so Magical Girl Protagonist that even her own mother is terrified for her.

put simply: hilda subverts the magical girl trope in such a way that makes her a threat to normal society. and i love her for that

[visuac]

and there i was, all well up on our tree house thinking this is all there is to the world

[happyheidi]

Tʜᴇ ᴛᴀʟᴇ ᴏғ Pᴇᴛᴇʀ Rᴀʙʙɪᴛ ᴀɴᴅ ғʀɪᴇɴᴅs (1992)

[90ssuperheroes]

[bixels]

Powerpuff Girls is really great.