The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they’ve decided to take on one last job – showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
Credits: TheMovieDb.
Film Cast:
Penelope Stamp: Rachel Weisz
Bloom: Adrien Brody
Stephen: Mark Ruffalo
Bang Bang: Rinko Kikuchi
Curator: Robbie Coltrane
Diamond Dog: Maximilian Schell
Narrator (voice): Ricky Jay
Rose: Nora Zehetner
Young Bloom: Zachary Gordon
Young Stephen: Max Records
Charleston: Andy Nyman
The Duke: Noah Segan
Himself: Ram Bergman
Apple Cart Vendor: Craig Johnson
Albino: Dubravko Jovanović
Young Girl: Esme Tyler
Young Boy: Jovan Vitas
Charleston’s Wife: Ana Sofrenović
Chief of Police: Vladimír Kulhavý
Snack Car Attendant: Alek Rodic
Oafish Foster Father: Josif Tatić
Foster Dad: Slobodan Ćustić
Foster Mom: Branka Pujić
Excited Boy: George Bocchetti
Excited Boy: Elis Derham
Bar Patron: Joseph Gordon-Levitt
Bar Patron: Lukas Haas
German Bar Owner (uncredited): Stefan Kapicic
Film Crew:
Casting: Mary Vernieu
Costume Design: Beatrix Aruna Pasztor
Writer: Rian Johnson
Production Design: Jim Clay
Original Music Composer: Nathan Johnson
Director of Photography: Steve Yedlin
Producer: Ram Bergman
Casting: Shannon Makhanian
Executive Producer: Wendy Japhet
Producer: James D. Stern
Editor: Gabriel Wrye
Executive Producer: Douglas Hansen
Music Supervisor: Brian Reitzell
Music Editor: Drew DeAscentis
Stunt Coordinator: Glenn Marks
Set Decoration: Sophie Newman
Script Supervisor: Nada Pinter
Co-Producer: Tom Karnowski
Co-Producer: Matthew J. Birch
Unit Production Manager: Elena Zokas
Unit Production Manager: Richard Sharkey
First Assistant Director: Sean Guest
Second Assistant Director: James Andrew Haven
Hair Designer: Graham Johnston
Supervising Art Director: Paul Kirby
Art Direction: Jasna Dragović
Assistant Art Director: Branislav ‘Bane’ Stevanović
Assistant Art Director: Mladen Lisavac
Assistant Set Decoration: Dejan Anđelković
Property Master: Dave Fisher
Unit Publicist: Alisa Buckley
Still Photographer: Slobodan Pikula
Transportation Coordinator: Nenad Kokot
Post Production Supervisor: Philip Harrelson
Visual Effects Supervisor: Ron Simonson
Sound Designer: Jonathan Miller
Sound Recordist: Jason Gaya
ADR Mixer: Andrew Morgado
ADR Mixer: Judah Getz
Foley Mixer: Zach Michaelis
Foley Mixer: John B. Cormier
Driver: Aleksandar Ilić
Movie Reviews:
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The Great Muppet Caper (1981)
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The Munsters - Season 2, Episode 30 (1966)
Herman’s Sorority Caper
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Peter Lorre in "All Through the Night"
I could not resist making this set (even though there's a sharper gif out there via @peterlorrelove) because -
Darling man Peter Lorre ❤❤❤
The way he looks down at his cigarette in the second one is as alluring as that little nod and finger curl he does in the first one
I am perfectly normal about all this
It's perfectly reasonable to want to be what he's holding
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Peter Sellers as Pearly Gates and Bernard Cribbins as Nervous O'Toole
The Wrong Arm of the Law (1963)
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A Fish Called Wanda (1988). In London, four very different people team up on a jewel heist, then try to double-cross one another for the loot, complicated by their efforts to fool a very proper barrister.
I was really expecting to love this one - particularly as a big Monty Python fan - but I don't know. It didn't really do all that much for me. I didn't mind the silliness or the hijinks, and Kevin Kline really is pretty funny in it, but to me it just felt like it kept changing its mind about what it wanted to be in a way that didn't charm me as much as it seems to have others. So yeah. Just not for me, I guess. 4/10.
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Audio Drama Hub Podfest 2023
More live show and audio shenanigans!
This weekend (Sat 4th Nov) I’ll be performing in a brand new audio comedy GERTRUDE & DOROTHY from Unbound Theatre as part of Audio Drama Hub’s Podfest 2023.
The show will be performed live at Wycombe Swan’s Oak Room on Saturday night, and streamed online.
Tickets for the live shows and audio workshops and panels throughout the day available from the Wycombe Swan website.
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On April 26, 1967, Catalina Caper debuted in San Diego, California.
Here's some new art inspired by the cult classic!
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central london about to be the most hilarious place on the planet when the morocco fans partying the night away meet the england fans considering either violence or mass ritual suicide meet the regular people just going for a lil saturday night out
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i mean idk what else i expected from a british film from the 60s but there’s a whole joke character here whose bit is. he’s attracted to fat women. cue the laughter, what a sick pervert he is, why isn’t he attracted exclusively to bond girls like a normal person
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I Dream of Jeannie (1965–1970) Jeannie and the Marriage Caper
S1E4
When Tony's future father-in-law is accepting an ambassadorship, he offers Tony a prestigious position if he leaves tbroken engagementhe Air Force.
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The Great Muppet Caper (1981)
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The Innocent [L’Innocent] (2022)
Clémence has more improv skill in her left pinkie than your average UCB troupe member. The aquarium worker starts out the film as a chaotic presence, disrupting Abel’s tank talk (the pronunciation of ‘axolotl’ is VERY important and VERY hard for little French kids) and making his early and extremely incompetent surveillance efforts that much more difficult. Not that he isn’t doing a grand job of that himself. Immediately suspicious of the ex-con his over-attached mother married while still in the big house, stick-in-the-mud Abel sets out tailing new stepfather Michel. Very poorly. Michel has a warmly indifferent attitude toward this, wryly commenting on the moped Abel’s car is about to hit while watching him through the window of a diner. His associate in one last heist is less forgiving: get rid of the baggage or he’ll deal with it. For Abel’s suspicions are correct: Michel is pulling a job rather than going totally clean. But he’s a charismatic and charming presence nonetheless. Salsa dancing with his wife in their new flower shop, training Abel and Clémence to improvise a scene compelling enough to keep the truck driver hauling the caviar they intend to steal glued to his truck stop seat rather than returning to his coach on his regular schedule, he’s a winning presence. This is what cements the magic of The Innocent. Crime capers need for us to root for the criminals, to want them to pull it off. And this film pulls that off with ease through the creation of a gaggle of wonderful characters, melding comedy with weight. The haggard, moody defensiveness of Abel. The crazed look in Clémence’s eyes as she commandeers the heist van. The genuine pain when Michel realizes his dream life is slipping away and Sylvie’s hurt at her betrayal. It’s a simple, small story, and all the better for that.
Abel may be the worst improv scene partner in history. Clémence has to absolutely carry them, bringing the trucker into this couple’s pain and then pivoting with all of Abel’s missteps to keep the ship on its course. And when a double-cross threatens things? Why not just grab a traffic cone and impersonate a horde of cops? Absolutely the move.
THE RULES
SIP
Someone says ‘flower’ or ‘axolotl’.
Abel looks disapproving.
Abel’s past is brought up.
The dog starts barking.
Clémence is... not all there.
BIG DRINK
Split screen moment.
Clémence pulls a 5D chess move.
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