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forgettable-au · 3 months ago
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FORGETTABLE-AU (Page 44-47)
*...
[BEGINNING] [PREVIOUS] [CONTINUE]
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critter-of-habit · 5 months ago
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My Dragon Age ot3 and their long suffering fourth wheel Aveline 😌
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retrogradedreaming · 3 months ago
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Made this for @/ElmoDontDraw's DTIYS on twt! The deadline is in a few days and I'm so pleased with how this turned out <3
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blueberrysan · 7 months ago
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a smiley san for the dash 💜
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starlitmeadows · 7 months ago
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Leaving Behind
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batsplat · 2 months ago
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Wait what’s the tea on Valentino’s sleep patterns 👀👀 (fellow insomniac / recent motogp fan always looking for more representation)
oh yeah, if you're looking for representation for poor sleeping habits you've very much come to the right place. his sleep patterns are pretty remarkable you have to say. way too nocturnal for a professional athlete, reliant on naps to get through the race weekend, all power to him for somehow making that work and winning all those titles. pretty sure I've read somewhere that he's still known for doing sim races at ungodly hours these days, just how he lives his life
tbh I can't remember off the top of my head where I'd actually read about his sleeping patterns, but I've cobbled together a decent selection of quotes from the usual sources. the most interesting stuff he's said on the topic is in his autobiography - where he goes into rather a lot of detail about his preference for the night. given that it's quite a lengthy passage, I've chucked it under the cut. he frames his nocturnal inclination as not only suiting his natural body clock better, but also as a way of escaping the rest of the world - of being able to move around in peace and silence and anonymity. plus, he liked to spend his nights in the garage to... *pinches bridge of nose* have some special personal time with his bike, when it was just the two of them. take that as you will
before that, let's just start with a few more general descriptions of his sleeping patterns. from early in his career, jerez 1998 (from oxley's vr files):
The camper only holds two people, but that's okay. I don't like my dad to sleep with me, because when it gets to ten o'clock he starts saying: "Vale, Vale, got to bed!", but I can't go to sleep before one or two. We did share a motorhome in '96 and it made life very, very difficult for me.
and about brno 1999 (from oxley's vr files):
On weekends when I'm not racing, I never go to bed before six or seven on Sunday morning. If it's a party, maybe even later, but going to bed at six in the morning is quite normal for me! Even when I was 14 I used to go to bed at 4am. Quite often I'd be riding around the local minimoto tracks until after midnight! If I go to sleep at 11 or 12 I just lie there, my eyes wide open. Maybe I would be good for 24-hour racing!
and then a few years into his premier class career, valentino says the following (x):
'I have a lot of energy after 2am,' Rossi agreed. 'I like to sleep in the morning. I have some problems at the start of the day.'
we've also got a description of crew chief jb's influence in terms of making sure valentino wasn't slacking off by sleeping in (from oxley's vr files):
Burgess' talents aren't restricted to getting the best out of a 500. The Aussie has been in GPs for decades and knows how to extract the best from riders as well. He expects 100 per cent commitment both on the track and in the pits, and when he doesn't get that, he gives 'em hell. Some other crew chiefs won't do that - they're too overawed by their riders' superstardom. JB laid down the law last summer when late-sleeper Rossi turned up late for practice. Rossi suggested that in future one of the crew should be despatched to his motorhome each morning to make sure he was out of bed. No way, said Burgess, I'll be there to give you your wake-up call. Rossi's not overslept since.
and from 2001, in valentino's own words:
Q: Tell us about your sleeping habits, JB has had to wake you a few times for practice... VR: I never go to bed before 1 o'clock, and there's no limit on when I go to bed, but even when I go to sleep very late I always wake up at 8.30, though when I do wake up I always have a big confusion for the first five minutes, then after that I remember: "Oh fuck, I'm at world grand prix!" So I have a shower and then I'm okay. I never get up too close to riding time because the 500 is a dangerous bike so it's necessary to be awake when you climb aboard. Back in the afternoon after practice at four or five o'clock I'll sleep for another hour.
only semi-related but valentino's also talked about... you know, this generational shift - where the sport has become more professionalised, which is reflected in certain lifestyle changes (from barker's rossi biography):
"The next generation is always stronger. They are more professional, they put more effort in, they make a perfect life, they eat in a good way, they don't drink, they go to sleep early, they train every day from the morning to the night... I come from an era where the riders drank beer and smoked cigarettes!"
also plenty of talk of jet lag obviously... doesn't struggle with it too much headed westwards because he says he basically lives on american time anyway. the other direction is tougher, but in his youth he decided that he might as well try to continue living on italian time. so he essentially went racing at 5 in the morning (about phillip island 1998, from oxley's vr files):
I don't have a problem with jet lag, I always sleep. Last year in Indonesia I stayed on Italian time for the whole grand prix - so I was racing at five in the morning! But the difference is too great to do that in Australia.
how on earth are you racing motorcycles like that. mind you, he won that 1997 indonesia race
so yeah. king of disordered sleeping. given the nature of motogp schedules and how they do kind of require you to actually get up in the mornings, congrats to him for being remotely functional during race weekends. crazy how he even won the odd race
and here's the autobiography passage:
My day, usually, begins in the afternoon. It’s as if I exist inside my own personal time zone. I live at night, because I love the night. Now, this might make you think I do goodness-knows-what in the wee hours, or that I don’t live the life of a professional athlete. It’s true, I don’t live the life of an athlete in the traditional sense — early to bed, early to rise and all that — but this does not mean that I’m not careful about what I eat and drink or that I don’t train. In fact, I train a lot, both in the gym and on the bike. It’s just that I go to the gym in the afternoon, rather than the morning. Equally, when I’m training on the bike, down at the quarry, I always go in the afternoon, never at nine o'clock in the morning. My body has a certain type of metabolism. It is used to living according to a different body clock. That’s why, even if I’m travelling all over the world, I don’t experience jet lag and I rarely go to bed before 3 a.m. It’s much more likely that I’m just tucking into bed as people are leaving for work. As I say, I have a special relationship with the night. I like moving in it, living in it, thinking in it, relaxing in it. The night fascinates me, because it’s the period of least confusion. The world calms down, it goes quiet. And, besides, I’m Valentino Rossi. I’m wanted... I'm a fugitive. Yes, I’m always running away from my _ beloved countrymen. The Italians. I’m proud to be Italian, I'm proud of our merits and I regret our shortcomings. Italians are exceptional people. In every way. Even when they start loving you. Because that’s actually when problems can arise — if it’s you that the Italian falls in love with. Italian people are warm, empathetic, spontaneous. But they can also be excessive, oppressive and disrespectful. I don’t know who said that Italians will forgive everything except for success. Whoever it was, they were right. Because it’s absolutely true. After the 1997 season, I could tell I was becoming popular. Year after year, that popularity turned into fully fledged love. They’re in love with me now and, as a result, since the 2004 season, I’ve been a man on the run. And there’s no escape, no end in sight, because wherever I go they find me. There are simple things, the little pleasures in life, which I simply can’t engage in when I’m back in Italy. I can’t go to the bar and have a cappuccino, because I would not be able to drink it. To be fair, I can do it in Tavullia, but that's the only place. If I go more than a few kilometres in any direction from the centre of town, that's it, everything changes and I become, once again, a hunted man. I can’t walk into a store, look at something and decide what I want to buy. In fact, I can’t stop anywhere, not even at a petrol station. If I stop, I’m screwed. Somebody will recognise me (Italians are exceptionally good at recognising people), make a lot of noise, call other people and then, before I know it, I’ve been swallowed up by the crowd. If I schedule a meeting with someone, we have to meet in a secret, out-of-the-way location and, even then, we can't linger. I can't go to a restaurant if there are too many people inside. And if I do go, I can't go at a normal time, say eight o'clock. I have to go later, much later, when people are leaving. And I can't sit where I like, I have to hide away in a corner, in the shadows. As for places like cinemas or the beach, forget about it. They are just always off-limits.
Having said that, I do mix with people. I do it because I like doing it. It’s just that I wish I could do it as a normal person, because, deep down, I am a normal human being. This is part of the reason why I have to live at night. It would be that much tougher during the day, with all those people about. Plus, I don’t like the traffic, the chaos, the noise, all those people running all over the place, stressed out and out of breath. The night is different. Everything is softer, there are fewer people around and you are much more free. It’s like a parallel dimension. The world is different at night. Everything is different. That’s why I’ve assimilated the lyrics of a song by the Italian artist Jovanotti, “Gente. della notte” (“People of the night”). It has become my personal anthem. Jovanotti is one of my favourite singers and I find myself agreeing with him on most things. I love his work. What else can I say? The night is my reality. And I don’t change just because Grands Prix are scheduled during the day. My way of being and living is reflected in what I do during races. I don’t really change. Obviously, I don’t go to bed at dawn, but let’s just say that when I do, finally, go to bed, there aren’t many people around. Everything is better at night in the paddock. There is silence, the people _ have disappeared and, with them, the chaos. I can wander around freely, most of all I can enjoy the empty pit area and my bike. Yes, my bike. Because at night I often slip into the team garage. At some races I do it every single night, because I love being with my bike. My night-time activities can be traced back to the years racing in 125cc, and are directly tied to my passion for aesthetics and the stickers, which would later become my obsession. I don’t leave anything to chance'when it comes to choosing the colour or the stickers for my bike. That’s why I’ve always been central to any and all discussions when we were deciding the aesthetics of my racing bikes. I’ve done it always, with every bike, at every level, with every team. And, naturally, I still do it today. Nobody has ever been allowed to attach a single sticker to my bike, unless it was the logo of a technical sponsor. Until a few years ago I was totally inflexible about this. Now, Roby takes care of the number: he attaches it because then he needs to cover it in transparent paint. But apart - from -this, which is primarily a technical procedure anyway, I take care of everything else to do with the stickers. And this takes time and planning, which is why I started going to the garage at night. During the day it is packed with people. There are mechanics, technicians and others around. I would just get in the way, if I wanted to get near the bike just to check the stickers. As I got older and progressed from 125 to 250 and then to 500 and on to MotoGP, I maintained that passion for aesthetics and stickers, as well as the habit of dropping in on the team garage at night. I enjoy the bike during the day _ obviously, but my relationship with the bike is so special that I can spend hours with it, just looking and admiring it, making sure that everything is in order. Those are very personal moments which I find difficult to describe. The Japanese guys, both the executives but also the engineers never knew this, not the guys at Honda, not the ones at Yamaha. I don’t think they would really understand. They would probably view it as a waste of time, since I don’t actually do anything concrete. I never touch anything to do with the bike itself, beyond, obviously, the stickers. And yet I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. It’s a complicated concept to explain: the risk is that people will think that you're crazy.
During the day everything happens so quickly, frenetically, neurotically. However, there is a sacrosanct moment when I need to step away and isolate myself. Once my commitment to the team is over, usually around 5.30 p.m., I retire to my motorhome, relax and take a nap. It usually lasts a couple hours and then I go out. There’s always something to do after dinner. Of course, the range of options depends on how many friends are around. I really start enjoying the paddock around ten o'clock at night. Before going to sleep I check on the bike again and then I go into the team motorhome, which serves as an office. Now that I’m at Yamaha, I have an office all to myself. That’s where I keep all my race gear. I do this for two reasons. My own personal motorhome is an absolute mess, nothing more fits in there and I probably couldn’t find anything amid all the junk. Plus, the office is where I change into my racing suit before going out on to the track. Thus, at night, after going to the pits to see the bike, I go to make sure that all my stuff is where it should be: gloves, suit, socks, boots . . . everything needs to be perfect, because I just don’t have time in the morning to hunt around for stuff. Thus, each morning I have to follow a very precise routine. I’m like a robot, everything is the same each day. Because the truth is that I need to be like clockwork. I just don’t have the time to think. Somebody generally comes to wake me up — usually it’s Jeremy, because he doesn’t trust my ability to wake up on my own! I then get up, wash my face (my eyes are still shut at this point) and try to stay awake as I ride the scooter from the motorhome to the pits. I then go up to the office and get dressed. There too everything is done mechanically. It takes the slightest hiccup to throw everything off, forcing me to be late to the testing.
"I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. it’s a complicated concept to explain: the risk is that people will think that you're crazy" well -
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madamemiz · 6 months ago
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hi all!
my sun and moon peeker stickers are now live on my kofi! they're $6 apiece, or both for $10 :D
everything is now back in stock on my shop, though some items have very limited availability. additionally, i learned a LOT from my first round of sales and made some adjustments! i've dropped prices on all my prints, and untracked shipping is now $1 flat for small prints and stickers in the US and $3 international! sadly large prints will still be $7 tracked and US only since they have to be shipped as a package
if you have any questions, feel free to message me <3
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arlo192 · 5 months ago
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i could not live in griffin rock there's just too much going on. idk how cody survived. he needed a nap episode
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mildarka · 4 months ago
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please I'm begging you, do you have anything more about your reverted au that you can share. I'm honestly obsessed with it
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is this anything??? idk???
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icantdothistodaybruh · 9 months ago
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yeah no I'm so normal about ciel phantomhive from black butler why'd you ask-
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(send help)
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mimenoises456 · 23 days ago
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Little updated Zane design thing
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discoursecatharsis · 1 year ago
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I've noticed this pattern with antis in fandom where, in their attempt to distance themselves from anything and everything "problematic" in their fandoms, they refuse to acknowledge when they DO enjoy something problematic. Therefore, they don't recognize the problematic elements of the ship, character, media, etc. They'll also heavily downplay or deny any problematic. aspects of their favorite fandom thing.
I just saw an example of this and it is blowing my mind right now and I need to share this with y'all.
It involves the comments on this video.
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Some context for Princess and the Frog: the blonde girl is Charlotte, also called Lottie. She's the main character Tiana's best friend. Charlotte's goal was always to marry a prince, and she almost marries (who she believes to be) Prince Naveen, but once she sees that Naveen and Tiana are in love, she tries to help them turn back human so they can be together.
At the end of the movie, Tiana and Naveen get married, and this scene plays after. Charlotte dances with Naveen's kid brother, and says "I've waited this long" in response to him saying that he's 6 and a half years old.
Now Charlotte's line here, if you look at the context clues of her story line, implies that she's saying "I've waited this long for a prince to marry, so I can wait longer for Naveen's younger brother to grow up." It's just a joke. Albeit, a joke that many will find to be very uncomfortable and inappropriate, but a joke nonetheless. I highly doubt Charlotte is actually going to "wait for" this child to grow up to marry him. She's making a joke at her expense, about her desperation of her dream to marry a prince.
BUT FOR SOME REASON.... many of the comments are like "she means that she's been waiting to DANCE with a prince."
I'm completely and utterly serious y'all. Here are some of the comments along those lines, with thousands of thumbs up each.
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If you've seen this movie, you'll realize that these comments make absolutely no sense for more than one reason.
1) Charlotte danced with Prince Naveen (or at least with the villain disguised as him) earlier in the movie. She danced with a prince already. Why would that still be her dream if she already accomplished that?
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2) Lottie speaks multiple times (during her childhood and in present day as a young adult) about her dream of "marrying a prince." Not dancing with a prince. Not meeting one. No, she wants to MARRY A PRINCE AND BE A PRINCESS.
This video has some clips of her saying this, at the time stamps 0:20, 2:52, 4:08, and 5:21.
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Charlotte does give up her dream of marrying Naveen specifically for Tiana, because she see that he makes Tiana happy. But with how she jumps in like a wide receiver to catch the bouquet at Naveen and Tiana's wedding, it's clear she still has her dream of marrying *A* prince, just not Naveen.
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But back to the comments on that video.
The comments seem to be downplaying the actual implication of her line. It's almost like they're desperately trying to ignore what she actually meant and make it more wholesome because they don't want to admit that their favorite movie has an uncomfy and inappropriate joke.
It's disturbing that this is yet another example where people in fandom (who are fantis or have been influenced by that fanti mindset) are downplaying a scene (or a ship, trope, etc) that is ACTUALLY problematic because they personally like the movie or the character and they don't want to admit that it has some issues. Instead of just admitting "yeah that scene/line was kinda fucked up and gross," they are jumping through HOOPS to make it seem more innocent than it was. And this is completely blowing my mind and is honestly concerning.
If you want to personally interpret it in a different way, in a way to make it more palatable to you, be my guest. That's what fandom and fanon is all about and I do that a lot too. But to see so many people outright deny the actual implications of this line is... bizarre af. It's one thing to be like "hmm yeah I don't like that, so I'm going to personally interpret this ship/trope/scene differently so it's more comfortable to me." It's another thing entirely to be in complete denial and ignore the actual context of the character and their story.
Also, so many of the other comments on the video aren't even commenting on the actual scene or on what Charlotte said. They're just generic comments on how much they love Charlotte as a character or how they miss this 2D animation. It's like they're trying reallyyyyyy hard to ignore the joke that's being made.
On the grander scheme, this is concerning because these people are refusing to acknowledge something that's inappropriate at best and predatory at worse (an adult "waiting" for a child to grow up) because they don't want to be caught enjoying/supporting something "bad."
All their talk about normalizing and normalization, but they're the ones kinda normalizing bad things by downplaying them or being in denial of it when it's in THEIR favorite media. And that is very concerning and a big issue.
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hailsatanacab · 11 months ago
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I'll ask after that secret number 8!
I only remembered secret number 8 because I saw your wip here! I'd started this one based on the same prompt, then lost said prompt and stopped working on it 😅
Instead of a snippet, I'm just dropping it all here - maybe that way I'll feel inspired to finish it?
———
It’s a full house for dinner tonight and, really, that should have tipped him off.
Bruce sits at the head of the table, smiling softly as he watches over everyone’s antics. Damian is regaling Dick with everything they saw at the zoo that day (Danny had been so happy to see Delilah the purpleback gorilla again, and her new little additions to the troupe, too!) and how well they are implementing the grant the Wayne Foundation had gifted them. Tim, Steph, Cass, and Duke are all engaged in a thumb-war tournament which Danny has no interest in participating in. It just wouldn’t be fair on them.
Danny loves that look. The one where Bruce’s eyes crinkle when he thinks none of the kids can see him. It oozes love and it makes Danny’s heart, his core, ache. 
It’s been a little over a year since Alfred found him on the street and managed to wrangle him back to the manor to stay—even after the whole biting thing when he realised how rich they were. 
A little over a year here and Danny’s starting to feel like family.
Starting to feel like he might, just maybe, like to make it official.
“Danny,” Bruce says, drawing everyone’s attention. Danny starts at his name, but Bruce’s voice is warm and calm, and his shoulders lose their tension almost immediately. “Danny, I have something I would like to tell you.”
“Uhhh…” is all Danny can croak out, eyes flicking back and forth between Bruce and the rest of them. Smooth. Looking good, Danny.
Except… they’re all happy. All smiles, all relaxed body language, all radiating calm and love and acceptance. Well, not Damian—his face is as thunderous as it always is—which at least means it’s nothing too out of the ordinary.
“Danny, first of all, I just want to impress upon you that this is in no way something you have to do. You are under no obligation to join us and, no matter what, you shall always be welcome with us in the manor.”
Wait, what? Danny squints at Bruce, trying to parse exactly what he’s saying… Is he—is this them asking to adopt him? Do they want to make it official, too? 
It’s been a little over a year and of course Danny has imagined calling Bruce ‘Dad’. Of course he’s imagined being part of the family, of course he wants to make it official!
He can’t help the beaming grin or the bright and bubbling “Yes!” already waiting on his lips. All Bruce has to do is ask, all Danny needs to hear is—
“I’m Batman.”
The smile freezes on Danny’s face.
His lungs stop working, his heart stops working, he stops working, he just—
“And I’m Nightwing,” Dick smiles, breaking the awkward silence. 
Danny’s eyes snap to him, and then down to Tim when he admits to being Red Robin. Duke is Signal, Steph is Spoiler. Damian begrudgingly tells him he’s Robin, but Danny can barely hear it over the ringing in his ears.
“I’m Black Bat.” Cass cocks her head, almost looking concerned. It always felt like she understood him the most. Whenever he was feeling low, too in his memories, or stewing after a nightmare, she was always there, ready to card her fingers through his hair and never mention his tears. It makes his heart ache to think of it now. “It’s okay, Danny.”
It’s meant to be reassuring, but how—how can it be okay? How? 
Danny’s spent a little over a year with them. A little over a year with Batman. 
Batman, who works with the Justice League, who works with…
A little over a year. 
Just under 16 months since he escaped.
“Danny? Are you alright?” Bruce asks
Finally, his lungs kickstart and suck in a shuddering breath, only for everyone to drop their smiles.
Didn’t take them long, did it? Now that their ruse is up, there’s no kindness in their eyes, they’re just… cold, calculating. Evaluating. 
“Why?” Danny gasps, his fingers tingling, his heart in his throat.
Just under 16 months since he—has he escaped? Or was this just another one of their experiments?
"I... I trusted you, why—" Danny chokes back a sob, gritting his teeth as his shoulders shake. Why? Why would they do this? "I was happy here, with you. I thought... Weren't you happy?"
"Danny..." Bruce is looking at him, eyes narrow and eyebrows pinched, in some cruel facsimile of confused concern and all Danny can think is how much of an actor he is. How well he can play the part of a doting father. How much he made him want that.
"I don't understand, why..." 
"I'm sorry we didn't tell you before, I can imagine that it comes as a shock. We shouldn't have lied to you, Danny, but—"
"Stop it!" Danny slams his hands down on the table and pushes himself up on wobbly legs. Even standing, he feels so small. Smaller than Bruce, than all of his adopted siblings. They crowd above him when they all stand, too. "Just stop it! Why are you doing this, why are you still pretending? Stop it!"
It was easier, with Danny's biological parents. The knowledge that they'd do anything to get him on a lab table, to open him up and see what makes him tick, to rip him apart molecule by molecule, had always been there. He knew they hated ghosts. He knew they hated Phantom. He knew they hated him. It was easier because it was something he'd known all his life. When he died, when he became a ghost, he knew what to expect from them. It hurt, of course it did.
But it was easier than this.
"Danny, I'm going to need you to take a deep breath. You're having a panic attack and you need to breathe."
"Breathe?" Danny laughs, the sound harsh and choking, too high pitched in his hysteria. "You're joking, right? Or is this just more of the—the experiment?"
"Danny, please, we don't know what you're talking about, you—"
"You don't know? You're Batman! You work with the Justice League, you work with—" His words choke off as his stomach churns, bile rising in his throat. His whole body itches, screaming at him to leave, he can't go back, he can't, he can't, he can't!
Bruce takes a hesitant step forward and Danny scrambles back, his feet catching on the chair behind him and sending him careening to the floor. Where are the agents? Why aren't they swarming in, ready to apprehend him, strap him back on the table, carve him from the inside out.
"Please, Danny, calm down. We don't—"
Danny stops listening. His back hits the wall and he pulls his knees into his chest, his shoulders dipping down as he begins to sob. His heart throbs inside his throat, too painful to swallow around. Tears fall hot and heavy on his face.
Sure, he could run. He could phase out through the wall and he could be out of Gotham in a couple of hours. He's escaped the GIW once, he can do it again.
But that was before Batman knew who he was. Before he had the World's Greatest Detective on his tail.
Before he... 
He really thought this would be different, you know?
He wanted to make it official.
"Why did... Why were you so nice to me? Why did you make me like you? I really—I really liked you. I-I thought we could be a family."
"Danny, we are a—"
"Don't lie to me!" Danny snaps, but the force of his anger leeches all the fight from him, and suddenly all that's left is a bone-weary tiredness. There’s a lump in his throat that hurts. There’s a line down his chest that burns. "I don't care. I don't care anymore, I don't. Just... don't make me go back there. Please." 
Is it futile? He thought he knew how the GIW operated by now, the depths that they would go to achieve their results, but this... this was a whole new level of pain that Danny thought he had left behind him in Amity.
"We're not going to make you go anywhere, Danny, you're safe here, I promise."
"Safe? Safe? You must have—" he takes a deep breath, tries to stop the quivering of his voice. It’s all starting to make sense, now.  "The reason you're telling me who you are is because you must have told them everything already. I know the Justice League—I know you're working with them, which means the ex-experiment is over now, and they're coming to take me back. And I can't go back."
"Danny—"
"I can’t!” Danny glares at Bruce with all the rage he can, fingernails digging into his skin. “I’m not going back!"
"That's right, you're not going back, Danny. I won't let that happen." Bruce crouches down in front of Danny, his hands open and raised as if he's trying to say he's not a threat. "I don't know who you're talking about, and I'm sorry about that, but I can promise you that you’re not going back there. We will keep you safe."
Danny pulls himself closer, tucks himself further into the wall, eyes flickering all across the room waiting for that tell-tale flash of white as the agents start to swarm.
He should take his chances now and run, he should go, he needs to go!
The rest of them, his brothers and sisters of a little over a year, are spread out, giving him and Bruce some space. The same concern colours all of their faces. Why are they still pretending?
Steph is chewing on her thumb. 
Danny liked Steph and her brash confidence, her jokes. She's been promising to paint his nails for months now, they've just never found the time. He was going to go for green and black, or maybe a galaxy theme, depending on what she felt comfortable doing.
He likes them all.
"You were supposed to be my family." His mouth turns down at the corners and his voice shakes like a child. "You were supposed to—why? Why would you—I don't understand why you would make me like you..."
"This isn't an experiment, Danny," Bruce's voice is steady, soothing. "I promise."
"But you work with them and—"
"Who do I work with?"
"The Justice League."
"Yes, I do, but we—"
"And the Justice League works with them. The GIW." Danny trembles with the name, clutching tightly onto his hoodie. "I'm not going back there, Bruce."
Danny doesn't miss Bruce's look over his shoulder, nor Tim's nod in return. Tim turns slightly to the side to hide his movements, but Danny bets he has his phone in his hand, probably letting them know they can take him now. Guess this is it, then. They'll be here soon, and he'll be gone.
"Kill me."
"Danny? What do—"
"If you ever had any kindness for me, if you ever cared, kill me. Please, Bruce. I can't do it again."
"Danny..."
"End me now. Take my core out and break it, please, before they get here."
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buddiesmutslut · 2 months ago
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I know I've said it before, but I think this upcoming episode is going to be so interesting, even if we don't get Queer Eddie OR BT Bones (neither of which I'm fully convinced are going to happen on Thursday), & it's really for this one interesting phrase that Ryan & Oliver have both used.
They have both mentioned "rose-colored glasses" when it comes to Tommy & Shannon, and I would argue that they each have to reckon with these relationships before we can have any movement towards Buddie.
Eddie thinks that Shannon was the love of his life, that he failed her and has to carry that guilt with him for the rest of his life. I believe that Eddie placing Shannon on a pedestal is partially what's stopping him from realizing his queerness (along with the catholic guilt and repression, but a lot of that is also tied up in Shannon & their failed marriage.)
Buck's convinced that his big feelings last season were all about Tommy, and I'm not saying that some of them weren't, but I don't think it'd be too far of a stretch to say that he figures that he's in this relationship now and that obviously everything is fine now. He figured out this part of himself and he's dating a man and that means everything is Fine and he absolutely does not need to do any further digging or searching or learning, despite the fact that he and Tommy don't really seem to like each other all that much, nor do they seem to be all that compatible.
Buck has to reckon with the fact that realizing his bisexuality and immediately jumping into a relationship with a man that he wasn't even sure he wanted (his speech at the coffee date) might not be the solution to all the problems he's had, and Eddie has to deal with the fact that Shannon was not perfect, that what she did was not the same as what he did, that she's responsible for her own actions and that this romanticized vision he has clung to of their lives is not real and is not consistent with the actual relationship that they had.
There's a Divorce Arc this episode - which I'm begging does something with Eddie - and an uncomfortable truth learned about Tommy's past; it's not completely out of left field to assume that the Rose-Colored Glasses come off this episode.
And the fact that it's happening for them BOTH, at the same time? In the relationships that I think are the biggest obstacles to them realizing/accepting their feelings for each other???
I'm never fully convinced they're actually going to go there with these 2, but it will be SO interesting to see how this episode plays out, regardless.
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karleksmumskladdkaka · 2 months ago
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Diabolik Lovers More, Blood Vol.3 Mukami Ruki Stellaworth Tokuten Bromide & Short Story Paper
Originally, these were tokutens you'd get for buying Ruki's CD through the Stellaworth store. Nowadays you might find them sold at flea markets or second hand stores. The story is written from Ruki's POV, and takes place right after the ending of his CD, with him and Yui still on the rooftop.
Enjoy the angst (*꒦ິ꒳꒦ີ)d
(Don't repost anywhere!)
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roots-symphony · 2 months ago
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I had all and then most of you some and now none of you t a k e m e b a c k t o t h e n i g h t w e m e t
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