#can someone miss me

[khaleesisx]

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[chloesimaginationthings]

What if Mike and Jeremiah are the guards in FNAF 2..

[dkettchen]

cursed construction core hi vis bra that came to me in a dream

In the dream I saw it in the window display of a hardware/DIY/trade shop, implying it was meant to be a practical garment designed for actual female constructions workers in a Female Armour level missed-the-brief attempt at gender inclusion

The practical support from the visible underwire combined with the hi vis implying it’s not meant to be worn as an undergarment, I just-

I blame my binge-reading ND Stevenson’s gender comics talking abt masculinity and femininity incl the one abt Victoria’s Secret lingerie yesterday for this monstrosity x’D

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[boar-cry]

guilt.

for what? (you pray it wasn't something important)

[quantumshade]

can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel

[cerealbishh]

"Good job, Aerith!" "It was nothing compared to you!" // "I'm so glad you're all okay!" "Right back atcha."

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[tarmac-rat]

"I can't believe CDPR made one of the romance options a COP" River is a cop for literally two thirds of a mission that is dedicated to uncovering the depths of police corruption in Night City, gets immediately booted from the force BECAUSE he tried to stand up to said police corruption, spends the rest of the game pursuing detective work outside the law, and in the base game mentions he's going to start work as a private eye so he doesn't have to return to the force in order to keep protecting people.

The only instance where the "River is a Cop" joke is funny is using it in the context of Johnny being pissy about it, which should probably tell you how low hanging that particular fruit probably is.

[souenkun]

I need the pokemas anniversary to come soon so we can hopefully see volo go batshit crazy again for the second time!!!

[thatone-churro]

hang on. there’s no way we’re revitalizing “are [cishet] aro people queer” discourse. it is almost 20-fucking-24. no. say sike right now. you’re all fucking ridiculous. how are we not only not over this, but bringing it up for active discourse again. and acting like the things being said are common discussion and not. blatant aphobia. which is homophobia. it’s queerphobia. did we never fucking learn from the many “they want us to fight amongst ourselves because if we’re divided it’s easier to ruin us” type talks that everyone was making a while ago. or was that a phase too. what happened to “anything not heteronormative is what queer is. anything with romance/sex/gender that’s othered from what society deems the “norm” is what we are. we are a community of outcasts because the greater community doesn’t want us either way.” what the shit.

[the-magpie-collective]

Wyll seems to be the only companion who intentionally and repeatedly uses the mindflayer tadpole to communicate. I did a quick search through the dialogue files and the only other instance I found was at the beginning of Act I, when Lae'zel is captured by the tieflings, she'll use the tadpole to demand you free her.

And yet, Wyll is one of the companions most against using the tadpole's powers. Arguably, I'd say he's more against it than anyone save for Lae'zel. Which is why I find it so interesting that out of all of companions, Wyll is the one to latch onto and make use of this facet of the tadpole's powers.

The first time Wyll can use the tadpole is when Mizora bids him to rescue Zariel's asset. If the Player succeeds on their perception check, they can bargain with Mizora to free Wyll from his pact. Wyll link his mind with the Player's Character in panic, demanding to know "What are you doing?"

Then again when Wyll is finally reunited with his father, he uses the tadpole to show his father why he pacted with Mizora. Instead of explaining in his own words, he shows him the cultists as they attempt to summon Tiamat into Baldur's Gate. He'll do the same for the Player Character if his father isn't saved, even when he is freed from his pact and could say it in his own words. If the PC refuses to let Wyll show them, he will explain it, but clearly prefers to use the tadpole.

Finally, Wyll will also use the tadpole to bid farewell if he has a falling out with the player character, telling the player "Godspeed, and may your journey be true."

For Wyll, who had spent the last seven years under a devil's thumb, this narrative choice to use the tadpoles to communicate is telling. One thing all of these scenes have in common is that they all emotionally charged moments. They are also moments in which, in my opinion, it is very important for Wyll to convey his sincerity. Wyll has spent the last seven years always dancing around the truth and now here comes along a power where not only can he tell the truth, he can show the truth as he sees it, so that there is much less risk of being misunderstood. A power like that has to be irresistible.

Just another thing I wish was explored more in depth in game.

Edit: Thank you to everyone who pointed out instances when other characters also use the tadpoles to communicate <3

Turns out Wyll/Lae'zel's writer is the only one who bothered to use proper tagging in the dialogue system ('MINDMELD' if you're curious). This is why I can never find what I'm looking for in the dialogue files smh

[theerurishipper]

Tim Drake, for no reason at all:

Dick Grayson, Tim's big brother in every conceivable way for the past several years:

[rottengurlz]

"my jugular misses your teeth." 🩸

a collab with @kashisun 🔪

[starry-bi-sky]

Clone^2 - Separation Strikes

"Why do I have to go?" Damian asks, surly and accent-thick, it sounds more like a demand and a whine at the same time. Sitting on the kitchen table with his arms crossed, in a green t-shirt that Danny bought him at a whim when he was at a thrift shop, and black shorts, he's never looked more like a kid. There's a little backpack leaning against the table leg, Damian begrudgingly picked it out when they went shopping.

His English has grown in leaps and bounds since Danny found him -- er, or more accurately; since Damian was spat out in front of him. -- and very little did they have to use the translator on Danny's phone these days.

Which meant one thing: Damian can start attending school comfortably now. And 'go' was the Amity Smiles Child Care Center. Danny and Jazz went as kids until they were twelve, and Mom and Dad actually managed to convince the center director to let Damian enroll for the summer.

And it was summer; Damian starts today.

"Because," Danny says, trying and failing to hide the smile pulling on his face, his heart warm and soft, and also laughing at Damian's expense; "being cooped up in the house all day isn't good for you, and you're starting school in the Fall. And, in Jazz's words: you need to have interactions with other kids your age for the benefit of your social development. And besides, it's only for the morning."

Damian's nose scrunches up, and his eyes roll so violently that for a moment, Danny thinks about joking that he'll get his eyes stuck like that. He holds his tongue; his little brother already looks like he's five seconds away from committing an act of violence.

"I don't need social interaction." Damian sneers, his cheek in his hand; a neverend pool of pride. "I am--"

"The Blood of the Demon Heir, better than everyone else." Danny cuts off, waving his hand in dismissive circles, his voice mockingly deep. Damian's brown skin darkens in embarrassment, and he scowls at Danny. "I know, bud. But Jazz is right, -- don't tell her I said that, -- you should be around kids your age."

Especially when he starts First Grade in the Fall. Honestly -- Danny was a little nervous to send him to the center. Damian's long since cut the habit of trying to kill or otherwise maim people, his palms ache-burn with gentle reminder, but his tongue was as sharp and as cutting as his sword. He still struggles with trying to quell it when he's upset. Vicious child-weapon that he once was, and will never be again.

Danny knows that it comes from a place of fear and defense, that Damian lashes out because that's what he's been taught. That at the end of the day, he doesn't really mean what he says, and he's learning to express himself better. But the other kids don't know that, and kids can be unforgiving and cruel.

Danny just...

His slow beating heart sighs, melancholy settles behind his lungs.

He doesn't want Damian to be outcasted. He doesn't want him to be alone.

Not like he was.

Damian sneers again, but says nothing, his shoulders crawling up to hide his ears like a turtle receding into his shell. Danny watches him silently, leaning against the kitchen counter with his own arms crossed. The clock hanging on the wall ticks in their ears -- it's almost time to go.

He watches Damian, careful, and so he sees it when his little brother's stone-shell pride and petulance shudders, and cracks. The darkened furrow of Damian's brows weakens, and for a moment, slants back.

Ah, Danny thinks, his own shoulders slumping. Epiphany washes over him, and his sad-heart soothes in warm understanding. So that's what it is.

His head tilts, and his hair spills over his shoulders, messy and fluffy, tickling his neck. Some of his bangs fall into his face. "Hal 'ant easabiatan ya habibi?" He asks, voice low and soft. Just as Damian's English has improved, so has Danny's Arabic. He still stumbles over himself some days, and Damian says his accent is trash, but they can have whole conversations now in Damian's mothertongue.

(Danny was incredibly proud of himself for it.)

Damian's face darkens, his blush spreading across the rest of his face, and he ducks his head down. Grown-out curls, black-brown and springy, falls over his eyes. "La!" He yells, loud and indignant, and not at all convincingly. "La 'asheur bialtawaturi!"

He was nervous. Danny can see it now, in the hunch of his shoulders and the tightness of his face, and faintly, he can feel it too. In the ecto-rich air of the Fentonworks House, it thrums, barely-there, like a hummingbird behind his lungs.

Danny can't stop the little, fond smile that forces itself across his lips and upticks the corner of his mouth. "It's okay to be nervous, little brother." He says, he sounds like Jazz when he says that. He doesn't think she'll mind him borrowing the nickname.

He pushes himself off the counter, and Damian refuses to look at him, hiding behind his hair and in his shoulders. It takes three long strides for him to reach the table, and Danny turns, plants his hands on the ledge, and hoists himself up. Right next to Damian.

Damian leans into him easily when Danny's arm wraps around his shoulders and tucks him close to his heart. He can feel his ear against his ribs. Danny hunches over him, resting his chin on Damian's head. "It's so okay to be nervous, actually. I was nervous, Jazz was nervous." He tells him, scratching the blunt edge of his nails across his scalp. "Everyone gets nervous."

"'Ana last aljumiea." Damian mumbles, as small and feeble as he was the night on the OPS Center balcony, realizing that his mom and the League weren't coming for him. Realizing that he was replaceable.

Danny's half-working heart squeezes; in grief, in rage, and his faucet eyes sting. He breathes in carefully, and presses his nose into Damian's hair in a loving faux-kiss. "You're right, you're not everyone." He says, steady and strong, because if he's not a pillar for his family, who else is he?

He can feel Damian's eyes flick up to him, and Danny smiles into his black-brown curls. Tilts his head to squish his cheek against him instead, hand dropping to thumb below Damian's lashes. "You're Damian Fenton," Because the adoption went through a few weeks ago, and he's still riding that high, "You're my baby brother. O' Artist Extraordinaire, Kickass with a Sword, Vegetarian and Wonderful Co-Ghost Hunter."

Damian tries to stifle a smile, and fails. Score! Triumph gathers in Danny's gut, his smile grows wider. He squeezes Damian tight, and only releases him so he can look him in the eyes. "And if anyone gives you a hard time at school, and I mean anyone--"

Danny has bad memories of the teachers looking the other way when the other kids were bullying him, all because he was a Fenton.

And Danny, bleeding heart, bleeding hands, loves his family more than he will ever love himself, will never let Damian experience the same injustice. Not if he can help it.

His eyes narrow, and the buzzy-film of ectoplasm covers his eyes, making them glow, "--You tell me. And as your awesome great big brother-and-technically-dad-but-only-biologically, I will handle it."

Damian, wonderfully made, full of light, his little brother Damian, giggles weakly at him. A sound that's worth it's weight in gold. The scary eyes dissipate, and Danny matches the sound with a cock-eyed, impish grin, dragging Damian into a soul-crushing, too-tight hug. The kind that only annoying older brothers can give. "Got it?"

That gets a proper, if short, laugh out of Damian. He wriggles in Danny's arms, trying to break free. But Danny does calisthenics, his arms are as big as Damian's head, so it doesn't work. "Understood, now, daeni 'adhhab ya 'akhi!"

Danny laughs, loud and bright, and loosens his hold just a smidge, only so he can adjust his grip and hop off the table with Damian still in arm.

"Never!" He crows, hoisting Damian slightly. One eye flick at the clock, and in one quick move, he secures Damian under one arm like a football, and hooks his foot under the strap of his backpack. Kicking it up, he tosses it into the air and catches it with his free hand, and slings it over his shoulder. "Now, to the car, my boy! Before we're late and Mom and Dad get charged."

Damian groans, childish and dramatic and long, but his face is all squished up with a wide grin and glee. Danny can taste his joy beneath his tongue.

"And, if my little pep talk didn't encourage you," He says, reaching the door to the garage, flipping Damian up onto his hip instead. "If you have a good day today, I'll make you bal mithai when you get back."

Like all kids at the promise of sweets, Damian's eyes widen and glitter. Danny loves seeing Damian be a kid, it's his favorite thing in the world. "I will!"

[crows-of-buckets]

Rook: I'm really worried about Davrin and Lucanis, they keep arguing with one another... Its very bad Varric, what if it effects them in battle?

Varric, remembering that one time Fenris broke Ander's nose then took a knife in the back for him in the same night: I'm sure they'll be fine kid. They're barely even arguing if you ask me