#can not trust this man to be alone

[this1person]

POV Stone in the sonic 4 movie if robotnik comes back

[s0fter-sin]

something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line

“you’re compromised johnny; you know what that means?”

“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"

but ghost has never been afraid of venom; spat or dripped straight from bared fangs.

he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.

his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.

ghost doesn't let him.

"it means you give your body to me because your head ain't fucking attached to it anymore."

soap stills, body trembling beneath his hand as he sucks in shaking breaths.

he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."

the ice in soap's eyes fractures.

ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.

“so i can keep you safe ‘til it’s done and i can bring you back.”

[nemaliwrites]

utterly UTTERLY fascinated by Nathalie in the london special (and I say this as someone who wasn’t all that compelled by her before)

I’ve changed, she says - and proves it. When both the miraculouses she’s been looking for are right in front of her, she doesn’t take them. Doesn’t even try to. As though it doesn’t occur to her.

I’m not a mother, she says - but when she sees a child in pain, her first instinct is to hug them.

I’ll go to jail, she says - once again, arguably, taking the easy way out. That way, she doesn’t have to keep looking in Adrien’s eyes every day. She can feel her own guilt in peace, with no one else’s to mingle in with it.

Adrien will be okay because he has you, she says - to a child with the weight of the world on her shoulders. Nathalie doesn’t even try to lessen that burden; instead, she makes it all the more heavier.

I’m here to kill Gabriel, she says - and then what?

[thegreatyin]

I've spent a couple of years lurking on Tumblr in the Arknights tag, and like wow

this story's like *really earnest* and really loves humanity, loves *people*, doesn't it

it's going to be one of those stories that rewrite your brain, change your brain chemistry, stuff like that? Like, I'm going to get into this and I will never be able to leave.

Arknights *really is that good?*

sorry that I'm not making much sense rn, I just had a dream about Arknights today and when I woke up I was like "oh fuck, I think I get why so many people love this thing's story now" lol

*sniffles, wipes a single tear from my eye* i've never been prouder of an anon in my inbox

[mcytegg]

"thank you for everything, ro. i wish we got to work together."

"oh same, but y'know, some things just don't work out."

i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics i hate drastics

[naamahdarling]

.

[shallowseeker]

Oh, the hilarious thought that Ellen and Jo both had the hots for Cas.

(((It tickles me ever since I thought it.)))

As we start the scene in 5x10, Ellen is playing music, a Spanish song, Oye Como Va by Santana.

It's a party!

(Rrr, flavor!) ¡Rrr, sabor! (Hey how it goes) Oye cómo va (my rhythm) Mi ritmo

They're playing a well-known party game, sure. They're bartenders at a roadhouse, so this is an everyday thing for them, maybe, but oh oh oh.

The interest.

Ellen is maybe like, "We'll do shots and see how drunk he gets. Who knows? Maybe it'll make him handsy."

ELLEN: All right, Big Boy. Let's go.

Now, it's true. Ellen is flirty and, like many of the prickly, defensive characters, deals professionally with innuendo.

But something tells me this isn't a game Ellen would play with Dean or Sam.

But a guy she wants to <OMITTED>? Ahem. Well. Yeah.

And Cas mimics Ellen, holding his pinky out, upending the glasses, and holding intense, challenging eye contact.

And Ellen...

This is the face of "Holy crap." But if you squint, it can also be read as "Wow." Or even "Hubba, hubba."

Yeah. No kiddin,' Cas.

So is Ellen, right in the <OMITTED>.

///

And Hell. Maybe Jo feels something, too. That's a slow, spreading, breathless-ey sort of smile that reminds me a little bit of Mick Davies.

"Whooooa."

///

ANYHOO.

The music (Santana) continues in the background while Dean and Sam talk strategy, and it's clear the music is coming FROM the kitchen, from Ellen's and Cas's little impromptu party.

We hear laughter, and Dean looks up at the sound. And yes, Jo looks scrumptious, but there's also... everyone's fawning over friggin' Cas? He's not even trying!

Cas isn't cool!

Right?

In the background, snippets of dialogue come through>>> ELLEN: "Damn, he can drink." JO: "Haha, Mom, but you need to stop." ELLEN: "Drink up!" JO: "I'm gonna get another beer."

///

Dean shoots his shot so so awkwardly that it's endearing.

(((Watch this, Cas. I'm the cool one. Women fall all over me, too.)))

///

Heehee. I love him.

///

And after all that, it book-ends with Cas giving the last-night on earth speech, but in a depressing, earnest, way.

(((Dean voice: Well, Jo. Not that anyone's asking,but it would probably-definitely work on me. Wish it'd work on one of you, though.)))

///

BONUS: The next day, Jo immediately starts pigtail-pulling Cas.

*fiddles with her hair, dons a slight smirk*

*smiley smile* Then, teasing: "Ever heard of a door handle?"

When she sees that Cas has gone into *SERIOUS MODE* she's rattled. She looks to her mom pleadingly, because...

If someone like CAS is unsettled, maybe they should be scared, too.

[ratatatastic]

ekky saying "i didnt know they were coming" in concerns to practise being open either suggest staff do not tell players when it happens (not fucking likely) or ekky just does not pay attention to anything at all which makes this paul quote

even funnier in retrospect and not a "pauls just joking around you know how he is" moment as he tends to do no this man just DOES NOT LISTEN???

[lpsgirl109]

I need to know if anyone else understands the feeling of wanting to spend the rest of your life with someone in ways that Sound very romantic but you aren't into them like that. Fantasizing about living with them. Cooking dinner together every night and watching movies, laying together in silence just because one of you is lonely and wanted comfort. If you have to leave the house before they wake up, you'll make yourself breakfast and leave a plate for them in the fridge. When one of you is sick, the other makes soup and brings them their medicine whenever they need it. Getting home late knowing there will be a warm meal waiting for you, and doing the same for them. But you're not attracted to them, and you know you never will be, but you still want that kind of life with them

[lululeighsworld]

THEY DEVASTATINGLY WALLOPED ME FOR THESE BRIEF FEW SECONDS

[zirkkun]

hazuki is a wild character (at least to me) in the sense that he was in literally only 2 scenes, one of which very short, and he feels so insanely important to the plot in a way where i desperately want to write about him but we have so very little info that i feel as though i am scraping up bread crumbs that are crushed into the earth for a semblance of something to work with

[krotiation]

this soundtrack genuinely makes me so emotional like damn. the jack vs fiona scene at the end of ep 2 is already so perfect and then they had to go make this beautiful as hell ost with it too. those bastards

[zeb-z]

Cellbit who holds his shit together, pieces together the clues, and solves the issue while walking on a tightrope, where if he cannot correct for the mistakes made, the fallout would be catastrophic. He cannot fail to solve the case, he cannot fail to cure his friends, it isn’t an option in how desperate the situation has gotten.

He’s relied upon by everyone as the leader of the order, shoulders heavy with the burden. He is intense when he needs to be, gentle when a soft touch is required, and keeps his head when the situation is so intense the others are speechless.

He gets through Forevers stubbornness, reassures Pac in his sorrow and indecisiveness. It’s a fucked up scene and he handles it well because he has no other choice.

He doesn’t cry until it’s all over. Just for a second, when the moment is over, and he can take a breath of air. And even then he leads the rest of them through clean up. He makes sure Pac gets home, gets Forever to a proper place to rest, ensures the rest of the group is okay after what they just witnessed.

Then the moment he leaves the others, he finds another critical clue that he can’t just ignore or put to the back burner.

Another mystery, another crisis, another billion clues he’ll have to organize and follow up on and solve, because he’s the investigation guy, the leader of the order, and the island is counting on him. The kids are counting on him. He doesn’t get a chance to truly breathe. To fully sit down and let himself crumble, let someone, anyone, else be the strong foundation, because if he can’t solve this, who will?

Even with his family returning to him, it’s no wonder he feels so alone. Out of the frying pan and into the fire, I guess.

[hephaestuscrew]

I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...

Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.

This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.

When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.

Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.

If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.

I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.

In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.

Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.

Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.

Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.

I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.

[ultimat3-lif3form]

idk if you've seen, but a lot of people are hypothesizing that your "man crush" is on sonic. and are trying to convince him. he doesn't quite believe them though.

I’m going to replace the sharks. They aren’t chewing through the fibre optic cables fast enough. I need the internet dead.

[lesbiansanemi]

Currently trying not to vomit over the fact that I essentially just lost almost a thousand dollars brb