#can i just make clear that this would be wildly different if it was just my general opinion on them as protags...

[wirewitchviolet]

So I was already sitting down to ramble about something, and turns out this post and this big reply under it tie in pretty well, so, here we go.

There are enough bespoke issues trans people justifiably feel very passionate about, and enough different experiences different trans people have that it is damn easy to end up in a huge fight because one person tried to make a nice simple statement for a clueless cis audience, but viewed through another person's lens it reads like some kind of attack. And it certainly never helps that bigots are actively out there constantly trying to co-op messages and sew infighting that any statement no matter how clear and good WILL get weaponized.

Before I get into the above, the go-to example I was planning to use was "you don't have to transition to be trans." There's a ton of ways you can read that which are great and worth echoing. For instance, "hey, if you've worked out that people got your gender wrong, you are trans and can come hang out in the trans clubhouse and ask for advice and all that without proving it through medical intervention."

Or, "hey don't be a weird gatekeeping creep who only recognizes people's gender if they don't jump through a particular medical hoop like taking a particular medication or get a particular surgery, which might not be something they even want due to risks, side effects, or not seeing it as a problem to begin with, and/or might not be something they CAN do anything about, because the typical medical treatment would not work on them for any number of reasons/is prohibitively expensive/too socially dangerous to go forward with in their current situation/is only even done by like a couple dozen specialists in the world who are booked out years in advance and many of whom actively discriminate against all sorts of potential patients."

You can see how it's nice to have a short catchy phrase. BUT it's absolutely a reality that awful bigots these days are going with the wildly bad faith and not even remotely true reading of "it's OK to deny transition-related care to trans people, because they don't actually NEED it!"

And you know, regardless of where you're encountering this phrase, you should always bear in mind those points about being totally valid and welcome in the community without a signed doctor's note, and how it's completely valid to be, oh, a woman who's hung like a horse and proud of it and such women shouldn't be treated like they need to go see someone about that, give people the benefit of the doubt that they're using it in such a sense if there's any chance they are, and at the same time be on the lookout for bad faith creeps misusing it and taking whatever steps are necessary to prevent them from to or about any trans person again unless/until they somehow manage to stop being a hateful piece of garbage and somehow become a decent human being.

Phew. All THAT out of the, way, I take a fair deal of issue with seeing the comment above me saying "the 'not transgender' people in the poster are clearly intersex" because holy hell is that a bad faith reading. All the concerns regarding intersex kids following that jumping off point are super valid and worth mention, of course. Doctors are constantly looking at baby's junk, going "huh, that doesn't look right, lemme do a quick surgery I'm not even necessarily trained in to get this looking more like whichever configuration I personally prefer the aesthetics of here, that probably won't cause any long term memory problems or trauma and there's almost a 50/50 shot I'm guessing right about what this kid'll want things looking like down here in a couple decades!" And that is just incredibly messed up. As is the practice of just throwing, say, testosterone boosters at someone perceived to be a teenage boy who doesn't seem "manly enough" to someone, which is a general queer kid concern, sure.

But none of that is going on in this poster. What's going on is kids getting hit with puberty-related symptoms they do not want (specifically boobs beards and voice changes), clearly stating this, and asking for medical help to make them not happen. If we wanna play Occam's Razor with the kids plainly labelled as "not transgender," boys growing breasts is called gynecomastia and a quick Google search confirms that... it is completely useless as a search engine because it's giving me 20 conflicting reputable-looking sources ranging from 1% to 70% of teenage boys. Facial hair on cis women is also really freaking common, to a point where it being relatively rare if you're white specifically makes it feel more like a racism thing than anything.

The real thing to remember though is that the obvious reason this poster exists is to get people who are completely uneducated on any of this and have been steadily exposed to propaganda from transphobes for their entire lives to the point where they have a hard time imagining trans people as actual human beings to consider the concept of HRT from a clear perspective by taking us out of the equation for a moment and just making them try to empathise with kids dealing with some of the same stuff, and it has to make that point in less time than it takes someone to finish walking past this telephone pole or wherever else someone might place this. And... OK if I'm really honest it's probably still too wordy and reliant on people having SOME idea of what being trans even means, but it's pretty good within those restrictions! Don't overthink it! Really don't project stuff that absolutely is not actually on there onto it! Focus more on actual bigots and doing something about what they're doing than nitpicking people who are doing good effective activism work you'd phrase differently!

This is the first time i’ve seen a pro-trans poster in a long time and i hope whoever put it up is having a good day, it made me feel a little less alone.

Hamilton, New Zealand

[kinardsevan]

I find the writing of 806 absolutely wildly awful. First, we have a date that is completely antithetical to what we've been shown a week before; we had an established couple who takes care of each other like it's the most natural thing in the world and evidently spends a lot of time together, we have Tommy 100% integrated in Buck's everyday life both on their own and with the 118 (the hospital scene, the birthday party for Chris) and all of a sudden we get Buck bumbling over a hot girl who doesn't say he's on a date (100% OOC) and who doesn't even know Tommy's gay and not bi. Second idiotic idea, Buck's answering yes to Josh's questions which are evidently things you would only say yes to if you loved someone (you don't put someone's happiness above yours if you're casually dating) and then randomly regurgitating that awkward speech instead of a very simple ' I love you' which he's had no trouble using before with other people. It just DOES NOT MAKE SENSE.

i feel like when y’all send me these messages, you’re expecting the long-winded responses at this point (at least I hope so 😂😂). EIther way, you’re about to get one lolololol.

I won’t disagree with you on the writing entirely. I don’t hate it as much as others do, mostly because I feel like I ~kindof understand what they were going for, but it wasn’t perfect by any measure. It left a lot to be desired, and I think what they were doing could’ve been achieved more effectively in other ways.

I also don’t think you’re wrong about how it feels antithetical, especially when we have Buck suggesting to Eddie in 705 that Tommy is gay, and we’re supposed to believe these two are spending all their spare time together, but are apparently not having real conversations during all that time. To that end, I can’t solve that issue for the writers. However, there are parts of your argument that I have counters to. 

For one thing, I don’t think we can knock the fact that even being in a committed relationship doesn’t stop the best of us from stumbling over ourselves when we see someone we’re attracted to. People get so upset about how Buck acts in this scene that they fail to appreciate the major points that I actually enjoy about it: Buck yes, looks, (and is obvious about it), but he apologizes to his boyfriend about it in a way that makes it clear that he’s not outwardly interested in the women. Tommy also tells him that it’s okay (and we know that there’s a deleted line from this scene where he mentions finding one of the waiters good looking). To that end, we get the distinction that while these two don’t have an interest in stepping out on each other, they’re not blind. 

People also get upset about the lack of Buck’s distinction that he’s on a date. And while there are a million different reasons to complain about it (or explain it away), I’m gonna go with the obvious answer of, he doesn’t owe some random woman in an italian eatery his personal life situation, especially in a place where he may not feel ready to express exactly how he defines himself. There’s a massive difference between accepting things about yourself and actually dignifying it out loud, and the fandom has been so quick to assume one requires the other. Buck knows he’s bisexual; he even knows his feelings for Tommy are deep. That doesn’t necessarily have to mean he’s put a label on who he is. Just speaking from personal experience on reaching a point where I’m comfortably labeling myself as queer,… I even struggle with that. Because people throw around all of these terms (bi, queer, pan, etc.), and it creates this pressure to say exactly what you are, which I don’t think is fair to real people, let alone a fictional character. Some might say his decision to not dignify it verbally suggests fear to, but I don’t think that’s the issue. 

Further, I think the issue of “he doesn’t know Tommy’s gay”… I don’t think that’s the intention with the question. When watching it back, first of all, you have to remember from a writing standpoint, they have to have an entry for how Tommy and Abby were (previously) inclined. Moreover, asking Tommy if he’s ever been with a woman is not the same as asking him if he’s gay. Those are two entirely different questions. I can literally cite from a book to you that I own (Guilded Razors by Sam Lansky) which directly discusses being involved with women even though he knew he was gay. Evan first says that he notices Tommy didn’t look at the women when he did. I imagine that trying to figure out how fluid he is in his own mindset towards both sexes makes it confusing to understand someone who is strictly straight or gay. I can’t conceptualize of it and I’ve known personally that I liked both since I was in middle school. So I don’t think it’s ridiculous for him to ask his boyfriend (who he later will distinguish as someone he’s extremely comfortable with, and would be comfortable asking those kinds of questions to) about his attraction (or lack thereof) to women. I also think it has more to do with the follow-up question (“have you ever been with a woman”). Sometimes we ask questions that we already have the answer to just so we can get to the follow-up. When you intersect that with the “How do we bring Abby in to the conversation” of it all, it makes sense. 

Second, I totally agree that Evan answering those questions points to him being in love with Tommy. When I wrote up my psychology breakdown of the break-up, I referenced two things which tell us they’re in love with one another. 

-The entire “we don’t have to go that far” exchange with Josh. I think there’s a lot to be said about the fact that with Evan still figuring himself out, maybe it’s hard for him to dignify being in love with Tommy verbally. I also think that when you’re an adult and you get into serious relationships like this, there’s a period of time where you’re in love with them but you haven’t put a label on it. 

-“If I were move in with you, you won’t mean to, you wouldn’t plan for it, but you’d end up breaking my heart. And I don’t think that I could deal with that.” THIS ENTIRE FUCKING LINE MY GOD. (Just rip my heart out LFJr.) 

However, I think your argument about the fact that he skips over the “I love you” and straight to “move in with me” negates some serious engagement with the source material. First of all, we have an acknowledgment that Tommy’s clearly responding from a place of trauma. He’s responding from a place of “I love you more and then lose you; better to lose you here and now by my own hand”. From Buck’s side, we’ve seen him struggle with being in love. He was in love with Abby and never got to tell her, and then was strung along for months until he finally ended things in a letter to her. He was left by Ali when she couldn’t deal with his “lifestyle” (job). Love may not have entered the equation there, but he was clearly serious about her. Taylor was messy for him, but he clearly felt deeply for her, and even that blew up in his face. There are competing schools of thought on whether he truly loved her or not, but at the end of the day, that relationship fell apart due to issues with trust. Natalia wasn’t around long enough for him to dignify anything towards her. 

And then there’s the mess with his parents. We’ve never had this acknowledged, but I struggle to believe that Evan grew up in a house where “I love you” was actually said out loud very much (if at all). Based on how absent we know Phillip and Margaret were (and are to some degree still), I feel like they probably lived by the attitude of “we may not have always said it, but we always felt it”….which isn’t really good enough as a parent. Your kids need to hear you say it, and they need to know it’s okay to say it back. When you don’t have that foundation, it’s hard to put those feelings into words towards others, even if you do feel it, because they might burn you. Evan has been burned, and even though we don’t know a lot of his backstory, we know Tommy has too. So while you argue that he’s used those three words towards others in the past, I counter with, did it feel this real? Did stand to lose as much? Because I don’t really view the relationship as Tommy being more in it than Evan is. I think we’re kind-of getting that “grew up in the same house but turned out different” trope.  We see Tommy as someone who wants to take care of the person he loves because he hasn’t had that before, while Buck fumbles his way through wondering if it’s okay to do those things because no one has really shown him how. There’s also been commentary on the fact that he asked Tommy to move in instead of saying “I love you” because this entire relationship has been grand gestures. I think there’s something dignifying in that choice. He’s telling Tommy he sees a future with him. He talks about things like marriage, but from Tommy’s end it reads as out of left field from someone who’s still figuring out who they are in their sexuality. I think (after watching the scene back), that Evan doesn’t necessarily feel that way about himself, but the same way he railroads Tommy with the starry-eyed future, Tommy kind-of does the same thing back to him with the breakup. It’s very…. “I pushed you five steps in the wrong direction and now you’re pushing me ten steps back” (for lack of a better metaphor). And I know people argue about the fact that this entire relationship has been so key with communication from day one, but those forms of communication have never required the two of them to get down into their traumas with one another. It’s really fucking easy to have day-to-day conversations with people that stay on the surface and just keep powering through. Go back to 710 and notice how we don’t go deep into the daddy issues. They both touch on them, and then Evan changes the subject and Tommy goes with him on it. I don’t think it’s unreasonable at six months in to not have done a deep dive on major trauma. You can skate around it if it’s not something you’re ready to talk about. It’s one of my reasons for why these two will ultimately be back together in 8b, because at some point you have to flesh out the unfinished business of it all (ala Wyatt and Judd when Judd’s leg was broken). Now, I don’t know if that happens the involvement of a serial killer, or a truck/jeep/helicopter accident, or trapped in a burning building… I just know that at some point, it has to come to fruition. TM enjoys these kinds of standoffs too much to not have a plan for these two to end up in one. 

That all said, I’ve said before, the general audience doesn’t have a psychology degree or years of trauma counseliing under their belt. They’re not going to look at these two and read it the same way I can. TM probably doesn’t even realize the way he’s writing it is very direct into psychological motives 😂

But, just to cover my own skin… I could always be wrong. One of my very favorite people has a completely different theory on how b/t will be handled, and we agree to disagree 😂😂😂. as I’ve said to him “the best part of this entire scenario is that one of us eventually has to be wrong”. 

(circling back to your “simple i love you” just one last time as I looked at it again…. it feels siimple to us as an audience. however, verbalizing that shit out loud when you fear rejection and abandonment is an entirely different story. we know they had abandonment on the brain for Buck going into the midseason finale, and this obviously would’ve played right into it. So in what world are you going to expect him to give up “I love you” when he’s about to be broken up with. That would’ve been unnecessarily cruel.) 

My last little addition, to circle back to other points I’ve made… there’s a give and take in this relationship that we need (or at least deserve) to see. Personally, I feel like Buck will be the first one to say “I love you”, but my preference would be that Tommy does. It’s the whole issue of stepping beyond the fear for me that makes me feel that way.

By correlation, I feel like Buck has to give up the loft. He asks Tommy to move in, but we’ve had many discussions about the fact that Tommy has a house with a car lift and a muay thai set up. those are not things that would translate well into a loft. Having that trade-off would show a meeting in the middle on things that they both hold close to the vest. Tommy allowing himself to love and be loved would be a major point for him, while Evan giving up the loft would suggest that he’s not just in things for the short-term, because he can also give things up for Tommy. (also, the loft is very bachelor-esque, and these two are not bachelors when they’re with each other so….) 

sorry not sorry. you’re welcome for my rambles lol

[taldigi]

I'm always a big proponent for localizing when necessary so I'm interested to hear your takes. For example, I'd much rather remove things like "senpai" or honorifics. If necessary, fully localize to the setting all the way down to the location (ex: Because Ace Attorney is a game that so heavily focuses on modern day Japan's legal system, there's the chance that could put off American players from buying the game for fear of being lost due to the differences in the systems, even though the game itself has no such issue. So localize to LA to break through that initial barrier and get the player to pick up the game). If not, keep the location (MOST stories don't need their location changed) and explain that which needs explaining, but fully translate all dialogue and speech patterns (I actually approve of P4s decision to use frequent bear puns in place of -kuma).

You don't need Japanese honorifics, English has its own honorific system. It's why children are expected to call all adults Mr/Mrs/Ms/Miss [last name], except when they're family. It's why, if your boss lets you call them by their first name, they're considered more relaxed ("Please, call me [first name]. Mr. [Last name] was my father's name!") but if your university professor does so it's considered a sign of respect. And it's why it's noticeably, but not unprofessional, if someone goes by last name only without an honorific. If you're localizing a game, I believe you should use that language's honorific system. No -sans, -kuns, or -chans.

Same with things like "senpai." You don't need it. Find a way around it. I honestly don't think the solution to Teddie is to add more untranslated words. The problem with Teddie isn't what he's saying. It's dropped context. It's not clear enough that Teddie doesn't really get what he's saying. It reads more as if he doesn't get why what he's saying is wrong. But those are two different things. Knowing what you're saying but not knowing why it's wrong is a different problem than not knowing what you're saying at all and just repeating things you've heard. There isn't anything wrong with Teddie using the word "scoring," it's entirely in the way it's delivered.

Of course, that's just my thought on localization. I'm interested in yours!

I think I understand what you're saying, and I understand the exact sentiment. Normally, I feel that adding honorifics can be annoying- esp if the story doesn't really call for it.

However- Persona is a kind of series where it doesn't come off as annoying- because the story is very Japanese as well as being a game about the relationships between a bunch of super powered teens- so its implementation is more organic than say.. idk, if Pokemon did, where that relationship nuance isn't as needed.

There's a lot of nuance that gets lost when those aspects are translated or localized away. Rules like using a person's last name is wildly different in JP than it is in english. Sure, the relationships between first and lasts name have their own rules in ENG, but referring to someone via their last name can be seen as insulting, mocking, or scolding. Maybe even a bit demeaning depending on the context whereas in JP its seen as respectful and using a first name or lacking those honorifics can be seen as affectionate.

Being able to step into the headspace where these honorifics matter in relation to how the characters relate to one another is an integral part of steeping yourself in the narrative. IMO, Making it digestible for English audiences would be more akin to like... "Do we need child characters to refer to themselves in third person?"

English is no stranger to loan words to express things. American-English especially. Schadenfreude, Safari, Rendezvous. Doppelganger? If using "Senpai" is important in the narrative to define a relationship or denote authority or respect between two characters, then I believe it's important for the narrative. I mean, people don't step away from the game clueless on what a Persona or a Shadow is, right?

How I see it... Using English: If Naoto called Yu "Yu" it feels too personable, if they called him "Narukami" then it could be seen as dismissive. "Mr. Narukami" feels stiff and "Mr. Yu" is childish and unfitting. "Sir"? Maybe. But again, that feels too yielding? (AU where Naoto refers to Yu as "Dude".)

Kanji's use of honorifics is important to his characterization, too. Even though he's rough and easy to anger and slacks in a lot of social rules, he's still respectful and that's a really important.

However, I'm no linguist nor a philosopher- let alone know more than a few japanese terms at best. So that's just a train of thought. I know the balance between pure translation and necessary localization is a fickle one.

thought: If this was a fantasy world with fantasy terms and honorifics, is that annoying too? or is it good worldbuilding?

Localizing the area? N.. No. I fully disagree with that. No matter what. If someone needs to be coddled enough that they cannot handle a location change, they can go play a different game. It's like asking Pathologic to be anywhere but the Russian Steppe. That is a different issue divorced from being able to understand the meanings and implications of language.

That being said, I think most people who would find interest in a game like persona would be smart enough to pick up context in a story to give meanings to words. (imagine if persona or even SMT was localized to Soul Monsters LMAO)

(Topsicle is a translation I don't like, especially when they could have called it.. idk, a "Vanilla Bar" or just "Vanilla Ice Cream". "Animal Crackers" too. It's not hard, like.. make up more accurate names for them. "Nillabar" or "Cheeseas Crackers" idk. They had the copyright granted for them to use the originals. Weird.)

Taking a step sideways: Teddie was absolutely fumbled. And yeah, I think the blame lies less in him specifically and more in how the other characters treat him. You are correct in saying the issue isn't "scoring" vs "gyakunan", but I felt that it was the best way to express the issue curtly. But then, I must further inquire... why Scoring? Why not "I to be [Girl]'s hot stud!". I mean, I know why. but "scoring" has negative implications. Hell, they could have just used "hot wife" or "mistress" smth, which carries the ridiculousness forward more.

"Maybe I can be Yukiko's mistress!" "*gasp* YOSUKE, were you trying to be Sensei's Mistress?"

Just thinking out loud at this point.

(I want to emphasize, tho- that I LOVE Teddie. I think he is SO silly and sweet and he is absolutely in my top 5, if not top three, fellas from 4. And yes, I love his bear puns too. I like to use both them and the "Kuma" tics when writing him.)

They really needed to telegraph that the characters don't take him seriously and think he's silly WAY more. Not even in the sense of "child coded". He's a shadow. It's not that abstract that he's immature. But the rest of the world around him needs to act like he is, otherwise the reader/player isn't going to get it either. This is telegraphed suuuuper clearly ingame by the JP team, whereas the ENG team... does not. It is SO clear how fond the girls are of Kuma it's almost comical- and yeah, it even detracts from Yosuke's interactions with him. His annoyance is a little disagreeable in JP, while way more justified in ENG.

anyway, getting rambly. Hope I was able to express something akin to a reasonable opinion.

[084392]

my personal pokemon protags ratings based solely. SOLELY. on the quality of their official names. NOTHING ELSE

[snowstories]

[Timmy Turner voice] I wish every Links Meet AU that uses Marin as a phantom to haunt and traumatize Link goes to hell no matter what

[apollos-boyfriend]

so my younger cousin is flying in to visit from brazil on sunday, and will be staying here for like, the entirety of july. which, don't get me wrong, is super cool! i love the kid! but it felt like a super weird move, considering his parents are the SUPER strict and borderline helicopter parents. even the smallest prank/roughousing with him/his little sister would lead to a strict talking to from his parents, he couldn't ever do anything without their clear permission, that sort of stuff. so letting him fly at alone at 16 to a whole different country and stay there for a whole month seemed WILDLY out of character. additionally, it just felt like a super last-minute trip. it's not like we have any plans to do when he gets here, and the flight itself and stuff only got booked like, midway through june.

and i was talking to my mom about it, kind of trying to nudge some answers out of her, and after a while she went, "yeah, i think they're sending him over here to get away for his boyfriend. see if the distance breaks them off." which, first of all, surprised me because last i checked, they didn't KNOW he had a boyfriend. literally everyone in the family did EXCEPT for them because while that entire side of the family being semi-conservative, his parents (mostly his dad) are EXTREMELY old-fashioned. so clearly something already went wrong. and considering the only reason the rest of the family knew is because one person found out and it spread like wildfire, i have a sneaking suspicion he wasn't the one to tell them, either.

and second of all. they're sending him HERE. to try to make him forget his homosexuality. i couldn't do anything but just wordlessly gesture to the multiple pride flags scattered around my room, then to myself, because really? he has like two other cousins in the us and they're sending him to me? honey i am about to introduce this kid to queer scenes you have never even heard of. he'll be returning home with labels only shrimp can perceive

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[lizardsfromspace]

The factchecking this cycle has been so profoundly incompetent that it's finally getting some real backlash, but the extent of it really should be clear. So much of factchecking is not based in reality, but in a kind of contorted moon logic that can find true claims to be false and false ones to be true based on wildly inconsistent reasoning.

But this one really shows off some of the base assumptions of modern factchecking, and also bc it got a community note which is funny:

Let's take this one by one

The idea that quotes have any options but "he said it" or "he didn't say it". It is a binary, maybe with a third option of "it was clipped wildly out of context", but something you see constantly now is the idea that quoting someone's direct words without deceptive editing or removal of context can somehow be false

Pointlessly noting that it's from 2016, and that it's not clear if he currently believes it. What the hell does that matter to the question of if he said that in 2016? People understood that the "dig up someone's tweets from when they were 17" thing was inane, but they counter-balanced by apparently deciding that citing anything someone said more than about six months ago is Misinformation if we don't have objective evidence they would say the exact same thing now, even if there's no evidence they believe anything else. Analyzing someone's high school tweets and analyzing something the literal President said seven years ago are not equivalent

Noting that he walked it back following criticism. You see this constantly, too. Again, what does that matter to the question of if he said it? But this is just taken as a given now: if someone gets blowback and says "whoops I didn't mean it", that should be taken at face value. Effectively, Politifact is letting Donald Trump self-factcheck Donald Trump: their only evidence (and I read the article too) this is at all false is that Donald Trump said Donald Trump didn't really mean the words he said, so they must agree with the judgment of Donald Trump that Donald Trump was treated so unfairly here.

A general confusion over what factchecking is. If you're asked "did Donald Trump say this in 2016?", your sole job is to determine if he really said that in 2016. It's not to divine if he, deep in his heart, still believes it now. That's completely irrelevant.

The two guiding principles of modern factchecking are this: one, it's strongly rumored - and also, obvious to everyone literate - that the major factchecking sites have either standing orders to find equal numbers of lies on both sides, or are staffed by people who think it's their job to hold both sides equally to account (the exception is Snopes, whose writers are just terrible at their jobs). In the name of this, Donald Trump can say something on camera only for it to be judged false, while a Democratic politician can be excoriated for mildly rounding down a figure in a speech. A factchecking website once determined that saying climate change was a threat to life on this planet was a lie, because climate change won't kill all life on this planet. Politifact's lie of the year one year was a Democrat saying a Republican plan would "end Medicare as we know it", which was judged to be a lie because it wouldn't literally end Medicare completely. Figurative language needs to be scoured, comments said directly on camera need to be made fuzzy. This makes factchecking sites worthless at factchecking, because what even is this?

It's not true that Donald Trump will refuse to accept the election results, because he's merely said he won't accept, and has said if he loses, it's only because the election was fraudulent. Okay, what, do you demand that people prove he said his plans in exact words? What is the actual, functional difference between "he said he won't accept it" and "he said if he loses it's because he won and they stole it from him, and he won't commit to saying he'll accept it"? What are you talking about, who is this for? When you go to the Logic and Reason Site for Debunking & end up having to puzzle out their convoluted logic and reasoning to understand anything, the plot's been lost a bit

The other is the idea that context is exonerating. Any context at all. If they said they didn't mean it, partially false. If they walked it back, partially false. If they said it was taken out of context, partially false. If they said it a certain number of years ago, partially false. If there's a longer video, even if it shows functionally the same thing, pants on fire, five pinocchios.

Again, we have footage of Trump saying this, and the footage in the ad is unedited, and the factchecking website is declaring something that OBJECTIVELY HAPPENED WITH HARD EVIDENCE IT HAPPENED didn't really happen bc we don't know his heart, maybe he believes something different now, we simply can't know for certain. But we do know for certain. Because "false" at least used to mean "didn't happen". But factchecking sites are now on those Beyond Belief definitions of "true" and "false" I guess

But the real problem here is that they just accept anything someone being factchecked says at face value. Because, and I can't believe I'm saying this

It seems like the people paid to determine if other people are lying...have forgotten that people lie sometimes

[justauthoring]

puppy love.

requested! -> high school nanami please! the reader gets everything she wants from kento 🤷‍♀️

a/n -> slowly trying to work through all the requests yall have sent me ':)

pairing -> teen!nanami kento x f!reader

shoko.

"kento-kun~!"

the words on the tip of nanami's tongue are left unsaid as his entire body freezes, a involuntary flush coating his cheeks as the sweet sound of you calling his name floods his senses.

shoko who's stood in front of him raises a brow at nanami's reaction, the stunned look on the younger boys face not one she's seen before. her underclassmen is normally so composed that it was hard to get a reaction out of him ever, and yet a simple call of his name from your lips seems to have the boy starstruck.

you bound up to him, all bright smiles and twinkling eyes, slightly breathless as you all but ran to make your way over to your classmate. shoko notices the faint pink dusted across your cheeks as well and her interest is further piqued as she watches you smile all prettily up at nanami, peering at him through your lashes as you tuck a strand of hair behind your ear.

"kento-kun," you call again, voice softer but just as sweet now that you've reached him. "are you free right now?"

coughing slightly, shoko notices nanami glances at her out of the corner of his eye, not liking the mischief dancing in her gaze before turning to face you fully. he tries to put off the impression he's annoyed but his gaze remains softened when glancing down at you and the warmth in his gaze is more than obvious to his upperclassman.

"yes." he hums, hand moving to shove in his pocket. "what is it?"

shoko watches as you positively beam, clearly ecstatic at the fact that he was free, hands coming up to clasp in front of you. "would you like to go to this cafe with me?" you ask, head tilted, before reaching for your phone, flipping it open to show off a photo of said new cafe. "yu and i saw it yesterday on our way home from our mission and i think you'd really like it."

the mention of haibara has shoko smirking, clearly noticing the shift in nanami's posture at the mention of his other classmate. something changes in his gaze and shoko has to bite her lips from laughing out loud.

"did you..." and nanami hesitates, looking wildly uncomfortable as he glances at his feet. "did you and haibara go there together yesterday?"

oh, shoko thinks, this was just too good.

nanami? jealous? gojo was going to have a field day with this.

"oh," you blink, momentarily confused before shaking your head. "no. i wanted to go there with you first!"

although he tries to hide it, the pleasure of your words is clear on nanami's face as his entire body eases, no longer tensed as the edges of lips curl upwards just faintly.

shoko snorts.

"okay." he complies, as if the answer would ever be any different. "we can go."

you let out a squeal of excitement, and if it was anyone else, shoko is sure nanami would wince. instead, he watches on with a fond look in his eyes as you start rambling on about how excited you were and what treats you wanted to try all whilst nanami nods, actively listening while letting you lead the conversation.

you wave bye to shoko as you and nanami make your way off the schoolgrounds, and just as you and nanami turn out of view, she sees him shuffle towards you, arms brushing together. she grins when she sees you glance up at him, still beaming, wrapping your hands around his arm and leaning against him, and nanami lets you.

all without complaint.

without hesitation, shoko turns, eyes peeled for a certain white-haired, blind-fold wearing classmate that would love to hear about what she just witnessed.

gojo.

"y/l/n~!"

gojo grins as you turn from your spot at the table to face him, a smile curling on your lips as you wave at your senpai, beckoning him over.

"gojo-senpai," you greet as he reaches the table, "what brings you here?"

gojo smirks as he glances to your left where nanami sits, the two of you having been working on some homework together and registers the rather nasty glare his underclassman was sending him. nanami didn't like him at the best of times, it was true, but there seemed to be an extra edge to his glare that day as gojo took a seat across from you.

"oh, i saw my precious kohai's and i thought i'd come by to say hi," gojo explains with a shrug, playing it off as nonchalant. he feels nanami's gaze narrow at him, obviously expecting there to be more to the story than gojo is letting off.

which is true, of course, but gojo certainly wasn't going to admit to that.

"oh!" you beam, "well, kento-kun was just helping me with my homework." cheeks flushing, you shift in your spot, embarrassed. "i'm not very bright sometimes when it comes to the academic stuff."

"that's not true," nanami cuts in otherwise almost instantly and gojo smirks. "you just need extra time. there's nothing wrong with that."

your cheeks are practically burning at nanami's words, turning to look at your classmate with a doe-eyed expression.

gojo internally laughs. shoko was definitely right.

"hey, y/l/n," gojo calls, pulling your eyes on him as you blink, somewhat dazed, over at him. "i could you help with this stuff, ya know? i am after all your senpai!"

your eyes widen at his offer, obviously not having expected it. gojo was nice enough and he had never been anything but kind with you; maybe a little cocky and he liked to tease, but still nice. he'd never offered to help you with anything school wise though, whether that be training or just homework.

"gojo-senpai, i—"

"that won't be necessary," nanami cuts in, voice sharp. you blink at him in surprise at his sudden change in tone but gojo, having expected it, simply tries to hold back the laugh threatening to burst past his lips.

nanami then turns to you. "don't trust a word this idiot says," he explains to you, and any normal day gojo might be mildly insulted. today though? he's just amused. "he's basically failing everything."

not true, but—

"o-oh," you stammer, eyes flickering nervously between nanami and gojo.

"now, if you'll excuse us," nanami turns back to gojo, glaring at him, "y/n and i need to actually do some work. we can't all just mess around like you."

gojo's eyes flicker to the way you grab onto the sleeve of his shirt, tugging as you mumble worriedly at him, afraid he was actually hurting gojo's feelings. gojo just continues to grin, moving to stand back up as he brushes your concern off.

"no worries, y/l/n," gojo assures, sending you a thumbs up. "have fun, you two. and still, y/l/n, the offer stands."

gojo's running off before nanami can send a slur of insults at him again.

geto.

this was ridiculous, geto realized.

but gojo had begged him and wouldn't shut up until he agreed. so, here he was, standing in front of you, his fingers working to brush a strand of hair behind your ear as you blushed up at him, frazzled and confused, smiling softly down at you as he waited for nanami to make his way down the hall.

he was fully prepared to make gojo suffer for forcing him to do this and the thought that he should've continued to deny, despite how annoying his best friend was, crosses his mind. because now he was not only being forced to do something embarrassing, but to mess around with his underclassmen.

unlike his best friend, geto thought he was a decent role model for the first years. haibara seemed to like him well enough, constantly asking for him to help him train and nanami didn't seem to hate him as much as he hated gojo. and you? you were sweet, too nice for your own good and even geto had to admit, you were rather pretty.

so this? flirting with you when he truly meant nothing by it other than to make nanami jealous? felt incredibly wrong.

"ge-geto-senpai—"

"please, call me suguru," he smiles, internally cringing at himself.

yeah, he was definitely going to make gojo pay for this.

your cheeks burn brighter, "oh, well, i don't—"

"y/n?"

you startle at the sound of nanami's voice, back straightening as you quickly pull yourself out of geto's grasp. geto lets his hands fall by his sides with ease, taking a step back as you rush over to nanami, eyes wide with your hands held out before you desperately.

"kento-kun, what... what are you doing here?"

nanami's eyes flicker to geto, and to his credit, geto tries to offer a small smile in greeting, before he focuses back on you. "looking for you. we were supposed to study together, remember? you were the one who asked in first place."

"oh!" you blink, eyes widening. "yes, sorry, kento-ken. i... we can go now." you send a flustered look back at geto and nanami's eyes narrow, shuffling uncomfortably on the spot.

nanami looks like he wants to argue otherwise, sending a glare at geto that has him wincing (there goes his reputation with the first year). but your hand slipping into his is enough to satiate him, tugging him along with you.

"b-bye, geto-senpai!" you offer faintly to geto, waving at him over your shoulder before grinning brightly up at nanami.

well, it was clear gojo and shoko were right about the two of you but he definitely needed to have a conversation with his friends about not meddling in the first years personal lives.

geto, however, did let a smile curl on his lips when he noticed you'd been very specific about referring to him by his last name, despite his previous words. or the way you'd made sure nanami had heard you refer to him as such.

ah, young love.

haibara.

"are you and y/n dating?"

nanami nearly spits out the water he'd been drinking, feeling the burn of it as some of comes up his nose. he coughs, lowering the water bottle to the table as he tries to gather his bearings. blinking, nanami presses a hand to his chest, before turning to look at haibara with a look of disbelief.

"what?"

haibara, to his credit, looks genuinely confused.

"are you not?" he asks, head tilting. "i just assumed you guys were."

"what—why would you assume that?"

haibara doesn't fail to notice how red his friends cheeks have gotten.

"well, you're always helping her with homework and studying together," he starts off, raising his hand to list off just the few scenarious he's witnessed in the past week alone. "when i ask you for help, you tell me to figure it out myself. and! oh! you guys went to that cafe together the other day and when i asked to stop off somewhere, after a mission not to mention, you told me to go by myself so—"

nanami splutters for a response.

"not to mention," haibara adds, pressing a finger to his chin in thought. "gojo-senpai and shoko-senpai told me you were so—"

"they what?!"

haibara blinks, surprised and confused by nanami's outburst. "yeah? the other day." he hums, nodding. "i went to join you and y/n outside and they pulled me aside, telling me i should leave you two to your date alone... is that not what they meant?"

haibara tilts his head, only then noticing how nanami looks like he's practically about to combust on the spot.

"nanami...?"

pushing himself to a stand, nanami doesn't say anything before he promptly turns and leaves.

stunned and confused, haibara blinks.

"what did i say?"

nanami.

"i need to talk to you."

"oh, kento-kun! what's up?"

truthfully, nanami probably should've taken a moment to think through just exactly what he meant to say to you before all but barging into your room.

he'd been so frazzled and embarrassed that he hadn't really been thinking straight, his feet walking for him until he found himself outside your dorm room. he hadn't even knocked before opening it and oh god, the realization that you could've been... changing crosses his mind as nanami feels himself grow hot from embarrassment.

"kento-kun?" you call out, concerned, as you stand up from your bed. "are you okay?"

he blinks and suddenly you're in front of him. he hadn't even realized you'd been making your way over to him until that moment!

heart pounding, still breathless, nanami meets your gaze, letting his eyes wander across you. before he can stop himself, his eyes lower to your lips, almost involuntarily, and then, with a split second though, he's leaning forward and pressing his lips against your own.

you freeze at the action, body stilling and nanami panics, moving to pull away, but then a second later you're easing into his touch, returning to kiss as your hands move to grip the front of his school uniform. you tug him towards you, holding him in place and nanami practically melts at the spot.

a moment later you pull away, cheeks rosy and breathless, grinning up at nanami.

"i've been waiting for you to do that forever," you confess, breathless.

and nanami's never felt like more of a fool then he does in that moment for waiting so damn long.

yaga.

wordlessly, shoko and gojo stretch their hands out towards their teacher, grinning ear to ear, palms up. geto stands behind them, shaking his head.

"you two are ridiculous." yaga grumbles, "you meddled."

shoko just shrugs; "never said we couldn't meddle."

"besides," gojo snorts. "if anything we helped. who knows how long it would've taken nanami to say something. have you met the boy?"

yaga just rolls his eyes, reaching into his pocket for his wallet.

[melodymidway]

Just a few hard pills to swallow about the Westerosi succession for Team Black stans.

The Greens weren't at all delusional or selfish to expect Aegon to be named heir.

As a matter of fact, the firstborn sons of lords and kings become heirs the moment they were born, and without the need for specification. It doesn't matter if the first wife, or the second, or the tenth, has given birth to said son. So when Otto and Alicent advocated for Aegon's birthright, they asked for a basic thing in their time and society. No matter how much people want to ignore this fact and call Aegon 'usurper', his claim was very real and very strong. This is why he, his sons and his brothers would have found themselves on the Wall at best and dead at worst even if they had adhered to Viserys's whims.

Lucerys has zero claim to Driftmark. And no, being the great-great-whatever grandson of Alyssa Velaryon doesn't make the slightest difference.

Not even legitimisation would have helped Luke retain his Velaryon heirship because he isn't a Velaryon. Period. The argument about his being Alyssa Velaryon's descendant, which is somehow supposed to justify the actual usurpation of the other House's seat, is one of the most nonsensical takes I've seen. Naturally, the noble Houses intermarry all the time. If every lord opened his pedigree and decided that he has a claim to his great-grandmother's family's castle, Westeros would drown in blood. That's why succession laws exist, as unfair as they can be. For some reason, I don't see people saying that Doran Martell should be crowned king because he's descended from Daenerys Targaryen.

Women in Westeros can and do inherit. Rhaenyra isn't special.

As the Andal law goes, a son inherits before a daughter, and a daughter inherits before an uncle. While the male primogeniture is a thing, there's a clear clause of female inheritance. Cersei becomes the Lady of Casterly Rock when her brothers are out of picture. Rhaenys operated on the same law while trying to get her lawful heirship. There are cases when uncles attempt to steal their nieces' birthright (as in the situation with Sansa Stark and her uncle Jonnel), but plenty of women do rule their ancestral seats. Saying that Rhaenyra is the first woman to be named heir is wildly inaccurate.

If Rhaenys had ascended the Iron Throne instead of Viserys, the matters of succession wouldn't have changed.

For some reason many people believe that Rhaenys's ascension would have magically wiped out male primogeniture (same for Jace if he had become king). I'm sorry to disappoint, but Laenor would have been Rhaenys's heir, not Laena. The latter would have been made one only if Laenor had met his canon fate and died with no legitimate issue. As I mentioned earlier, Rhaenys strived to get her inheritance based on Andal law, according to which she does have an advantage over her uncle Baelon and his sons. If she had been the older sister of Viserys and Daemon, she wouldn't have pressed her claim. By the same logic, if Viserys had never remarried, Rhaenyra would have had a legal advantage over Daemon (though Jaehaerys's 'brilliant' management of Rhaenys vs Viserys debate might have gotten in the way).

The Greens are pro Andal law, not anti women in power.

And these are two different things since, as it had already been said, the Andal law does include a clause of female inheritance. So no, it isn't hypocritical of Alicent to offer to make Baela heiress of Driftmark. Laenor is dead without legitimate children. Laena is equally dead. The circumstances make Baela a very viable candidate for the Velaryon heirship.

[hazelfoureyes]

why smut with an ace character?

This person was a minor so I won’t reply directly. I would love to discuss sexual orientation and the wibbly wobbly nature of attraction and pleasure to someone who I think needs a space to discuss it but as an adult stranger? That’s not my place and I would be wildly uncomfortable doing so directly. But! For anyone who does see my blog and wonders why, I’ll have this set on my master list to save me time

Heheheheh MY TIME HAS COME

closing in on 5 months of being on tumblr and this is my first “BUT ACE!” Comment/inbox

so, why?

✦Alastor is canonically Ace! The aro aspect was mentioned by an important staffer but has been left off as a descriptor by Viv herself and no accepted as canon. She gave her explicit permission to write them as we are comfortable with.

✦Asexuals can and do fuck! 💦 (my source? My ace spec partner!)

✦Alastor’s ace spectrum is often times an important aspect of my stories!

I always have Alastor motivated into sexual situations for non-sexual reasons.

Closeness, intimacy, fulfilling a partner’s needs, a biological imperative, for power, for control, putting someone into a submissive to embarrassing position. It’s to see someone break and bend to his will (with consent).

But lets shift into asexuality now --- how I write him isn't a representation of all ace people! It’s just how I view his place on the spectrum. Being Ace doesn't mean you can't ever want sexual pleasure in any form, it doesn't mean you never think about sex or enjoy seeing it.

Letting people explore the range of being asexual is as important as with any other sexual orientation. If you feel people being non-sex repulsed and being Ace is making your own identification harder to make clear to strangers —- well then I wonder if the label itself is more important to you than the community we all desperately seek and need when we publicly acknowledge our sexuality. We publicly say we’re LGBTQIA+ because these labels are for self identification and signal to like minded people and allies we're here. This is how I love and how I want to be loved. Maybe one day a different word will exist to separate the spectrum but we’re living and working with what we have today and how we find each other now. “Why not call him grey ace?” It’s each individuals decision how they wanna identify!

Full circle. Why do I write SO much smut about an ace character? Of course I think that animated deer man’s personality is hot lmao but also because I love this character and identify with him a lot! Being ace doesn't mean he doesn't ever have sex or ever enjoy physical pleasures! Writing about someone seeking out pleasure for non-sexual reasons is very fun for me as someone who doesn't identify with the romantic aspect of sex many people put on it. Do ace people fuck for romantic reasons? Yes! Absolutely! Being Asexual doesn’t mean you’re Aromantic!

Why not write fluff or QPR? Because I'm aromantic and it's harder for me but I am trying and am getting better at it because I want to write more things that meet the needs and wants of many kinds of people. As for QPR, I'm still learning what those relationships look like and learning how to idenfity them in my own life!

And finally— it’s valid to write him as any form of Ace or even not Ace at all! I prefer to keep him Ace spec but that doesn’t mean it’s wrong to make him not. He’s not real and the creator has given us permission to do so. 👌🏼

[lee-laurent]

Screaming 'I Love You' At the Top of My Lungs - Luke Hughes

Summary: Olivia (Oli) Jones grows up with Luke Hughes.

content: angst, fluff, kissing, make out session, mentions of sex but no smut, relationships, growing up, puberty, underage drinking

wc: 8.2k

notes: this one has been chilling in a word doc for almost a year now, unfinished... so here we are! enjoy!!

p.s.: part 6 of done trying is in the works for all the fans out there ;)

Emily Jones had been thrilled when the lake house next to theirs had been purchased by a family. It finally meant that her daughter, Olivia, would have someone her age to spend time with over the summer. She was even more thrilled when she and her husband became friends with the parents, Ellen and Jim. This newly formed friendship quickly created a tradition of spending every summer together, growing up together, and forming a bond that would last a lifetime.

~~

The sun was high in the sky, casting a soft glow over the lake as Luke and Olivia splashed at the edge of the dock. At ten years old, they were inseperable, spending their days swimming, racing, and inventing games that only made sense to them. Today's grand plan was to catch the biggest fish in the lake- a challenge they'd taken seriously for maybe ten minutes.

Jack and Quinn were further down the dockl, attempting to escape the craziness of their younger brother and his best friend. They had their own fishing lines in the water, but their focus was more on the competition than the younger two.

"Luke, you're scaring all the fish away!" Jack complained, glancing over his shoulder as Luke and Olivia chased each other, laughing loudly.

Quinn nodded in agreement, annoyance clear on his face. "Yeah, why don't you go play somewhere else? We're actually trying to fish here."

Luke, undeterred by his brothers' grumbling, grinned at Olivia. "Ignore them. They're just mad 'cause we're going to catch the biggest fish.

Olivia giggled, "Let's show them how it's done, Lu!"

The two of them raced to the end of the dock, their feet dangling over the water, and cast their lines. Jack and Quinn exchanged an eye roll but couldn't help watching as the younger pair got to work.

Minutes ticked up in silence, and just as Jack thought that his peace had returned, Luke jumped up, almost falling into the water. "I got one!" he exclaimed.

Quinn groaned, watching his brother intently. "Here we go..."

Olivia jumped up, her enthusiasm only adding to the noise. "You got it, Luke! Woooo! Go Lu!"

Luke finally pulled it up-- a small, wriggling fish that flopped wildly at the end of his line. He beamed with pride, holding it up for everyone to see.

"See? Told you we'd catch one first!"

Jack and Quinn exchanged a look, half-amused, half-exasperated. "Congratulations," Jack said dryly. "Now can you please be quiet?"

Olivia stuck her tongue out at the older boys, unfazed by their lack of enthusiasm. "You're just jealous, Jacky."

"Whatever you say, Oli."

As the two little fishers planned their next big catch, the older boys sighed in unison, dreading the rest of the summer. But deep down, they these moments-- no matter how annoying-- would become part of the memories that formed their childhoods.

~~

The Michigan sun was bright as ever, but the atmosphere around the house had shifted. At thirteen, Luke Hughes and Olivia Jones had begun to outgrow some of their childhood games, but their bond remained as strong as ever. This summer, though, things were a bit different. Jack had brought his friends, Trevor and Cole, to the lake house for the first time, and their presence quickly added a new dynamic to the house.

Luke watched with irritation as Olivia, his partner in crime, seemed unusually interested in the new arrivals. Especially Trevor. She'd giggle at all his jokes, blush when he looked her way, and do everything she could to be near him. It didn't make any sense to Luke.

It was early afternoon, and the group was gathered by the lake, lounging on the end of dock, soaking up the sun. Trevor was showing off, talking about a trick he could do while wakesurfing, while Olivia hung on his every word.

"Why are you so into him?" Luke asked, his voice laced with frustration. He had finally pulled Olivia away from Trevor, getting some time to sit alone with his best friend.

Oli blushed, brushing her hair behind her ear. "He's cool, Luke. Don't you think so?"

Luke frowned, chucking a stone into the water. "He's just a guy. I don't get what's so special about him."

She shrugged, her eyes drifting back to Trevor, who was now laughing with Jack and Cole. "You wouldn't understand."

Trevor caught her gaze and flashed her a smile, which only made Olivia's cheeks redden further. Luke rolled his eyes, feeling a strange, unwelcome pang in his chest. He was used to having Oli's full attention, and now she was distracted-- by some older guy who didn't even notice her in the way she wanted.

Jack, having noticed his little brother's sour mood, followed Luke into the kitchen.

"Hey, Moose, you jealous or something?"

Luke shot him a glare. "Of what? Trevor? No way."

Jack chuckled, ruffling Luke's hair. "Don't worry, Moosey. She'll get over it. Trev isn't interested."

Luke wanted to snap back, but he just crossed his arms over his chest, staring out the window at the lake. He couldn't quite put his feelings into words, but he knew one thing: he didn't like this change, not one bit.

Even as the group gathered around the firepit, Olivia sat closer to Trevor than to Luke. She always sat next to Luke! Luke watched from across the flames, feeling a simmering of annoyance. It wasn't like Olivia to act like this, and it bothered him way more than he wanted to admit.

Why did he feel like this?

~~

Olivia had never been so excited for a trip to the lake house. She was 15 and finally had her driving permit. She was so eager to show off her new found freedom to her best friend. Her parents had given her permission to drive around the small neighbourhood that their lake house was located in. The moment she arrived, she practically dragged Luke to the driveway where her parents' car was parked, keys in hand, her eyes shining with excitement.

"Come on, Lu! Let's go for a drive," she urged, not giving him a chance to protest.

Luke hestitated for a second, glancing at the car. "Are you sure you're ready for this?" he teased, though he was already following her.

Olivia rolled her eyes, grinning brightly. "I've been practicing for months. Don't worry-- I've got this."

They climbed into the car, and Olivia adjusted the seat and mirrors with exaggerated care. Luke couldn't help but smirk at her seriousness, but he didn't say anything. As she started the engine and pulled out of the driveway, he felt both excitement and nervousness. This was new territory for both of them, and it felt oddly significant.

The road around the lake waws quiet, bordered by tall trees that cast shadows on the asphalt. Olivia kept both hands firmly on the wheel, her brow furrowed in concentration as she navigated the path. Luke found himself sneaking glances at her, noticing how grown up she looked while driving.

"You're really into this driving thing, huh?" he asked, keeping his tone light.

"Are you kidding? It's freedom, Lu! We can go anywhere, do anything... well, not really. But you get the idea," Oli replied, flashing him a grin before turning her eyes back to the street.

Luke nodded, though he wasn't really listening. He couldn't quite shake the feeling that this was more than just a drive. There was something about the way she looked at him, the way she drove with such confidence-- it all felt... different. And he wasn't sure he liked how it made him feel.

They approached a sharp curve in the road, Olivia bit her lip in concentration, turning the wheel with a bit too much speed. The car swerved, and for a split second, Luke's heart leaped into his throat. His hand shot out, gripping the edge of his seat as he tried to steady himself.

"Olivia-!"

"I've got it!" she said quickly, her voice a little higher than normal. She corrected the wheel, and the car straightened out, but they were both still a little shaken.

"Maybe I should slow down a bit," Olivia admitted, still laughing.''

"Maybe," Luke agreed, his heart thundering against his chest.

When they finally returned to the lake house, the sun was beginning to set, casting a warm glow over the water. Olivia parked the car, turning to Luke with a satisfied grin. "Told you I could do it."

"Yeah, you did good," Luke said.

Later that night, as he lay in bed staring at the ceiling, Luke found himself replaying the day over and over in his mind. Olivia's laughter, her excitement-- it was all stuck in his head, and for the first time, he couldn't just brush it off.

What was happening to him? Why did he feel this way?

The summer felt different now, and Luke wasn't sure he was ready for it.

~~

The following day, Luke and Olivia found themselves alone at the lake houses, the others having gone into town to grocery shop. It wasn't unusual for them to spend time together, just the two of them (obviously), but today it felt different-- charged with an unspoken tension neither could quite name.

"Want to go down to the dock?" Oli suggested, trying to keep things normal, though she could feel the shift in the air.

"Sure," Luke agreed, grabbing a couple of towels and a cooler of drinks as they headed outside.

They settled onto the dock, dangling their feet in the water. The familiar sounds of the lake-- water lapping at the shore, birds calling from the tall trees-- usually felt comforting, but today, Luke couldn't shake the nervous energy buzzing inside him.

They sat in companionable silence for a while, sipping on cold sodas and watching the water hit against the dock. But it wasn't long before Olivia broke it.

"Luke," she began hesitantly, her voice softer than normal, "d'you ever think about... growing up? Like, how things are changing?"

Luke turned to her, surprised by her question. "What do you mean?"

"I don't know," she shrugged, fidgeting with the hem of her shorts. "It's just... we're not kids anymore. Y'know? It feels like everything is different, even though we're still here, doing the same things."

He swallowed, suddenly aware of the way her shoulder brushed against his, how close they were sitting. "Yeah, I guess I've been thinking about that too," he admitted.

Olivia turned to face him, her eyes searching his. "D'you think... we'll always be like this? Best friends, I mean. Or do you think we'll grow apart?"

His heart skipped a beat at the thought. The idea of losing what they had-- whatever it was-- was somethinghe couldn't bear. "We won't grow apart," he said firmly, though the words felt heavy on his tongue. "We'll always be best friends, no matter what."

"Promise?"

"Promise," Luke replied, though he wasn't sure if he was trying to convince himself or her.

The sun began to dip lower in the sky, casting long shadows across the water, and Olivia leaned her head on Luke's shoulder, a gesture that had once felt so natural now made his heart race.

"You're my best friend, Lu," she murmured.

Luke hestitated, then put his arm around her, pulling her closer. "You're mine too, Oli," he said, though the words felt like they were only scratching the surface of what he wanted to say.

As the sun set and the sky turned from pink to a deep blue, Luke couldn't help but wonder what the future held for them. He had always thought their friendship would last forever, unchanged, but now he wasn't so sure.

But as they sat there, wrapped together, he couldn't imagine being anyone else.

~~

At 18, Luke and Olivia had slipped back into the easy rhythm of their friendship, though there were moments when things felt different-- charged in a way they hadn't been before. But for the most part, they had grown out of the awkward phase that had defined their relationship two years ago.

This summer, however, one major thing had changed. Olivia and Trevor's feelings for each other, once unrequited, were now undeniably mutual. And it drove Luke insane.

He hated the way that Trevor looked at her-- like she was the only person in the room. And worse, he hated the way Olivia looked back at Trevor, as if she were lost in his gaze. It was if they were silently communicating, undressing each other with their eyes, and it made Luke's stomach churn every time he saw it.

One evening, after a long day on the water, the group gathered in the house for a lowkey night. The parents had gone out for dinner, leaving the boys to their own devices. And Olivia was spending the night watching a movie with her parents. The boys sprawled out in the living room, beers in hand, the sound of crickets filling the quiet spaces between their conversations.

Trevor leaned back in his chair, a smirk playing on his lips. "You know," he began, his voice taking on a tone that immediately put Luke on edge, "Oli's really something else this summer."

Luke's grip on his beer tightened as he shot Trevor a glance. "What do you mean by that?"

Trevor shrugged, his eyes gleaming with mischief. "I mean, she's grown up a lot, hasn't she? Not just in looks, but the way she carries herself. Confident. Sexy."

Luke felt anger rise in his chest. He forced himself to stay calm, but his jaw clenched as he watched Trevor. "She's always been confident," Luke said, his voice steady but edged with warning.

"Yeah, but there's something different about her now," Trevor continued, oblivious to-- or ignoring-- the tension in Luke's voice. "She knows exactly how to get a guy's attention. And trust me, she's got mine."

Luke couldn't take it anymore. "Dude, you need to chill," he snapped, his eyes narrowing at Trevor. "She's not just some girl you can talk about like that. She's my best friend."

Trevor raised an eyebrow, surprised by Luke's reaction. "Relax, Hughes. I'm just saying what everyone's thinking. It's not like I don't care about her."

"That's exactly why you should be more careful with what you say," Luke shot back, his voice lower but still laced with anger. "She deserves more respect than that."

The room went quiet, the tension hanging heavy in the air. Jack and Cole exchanged glances but stayed out of it, sensing this was something Luke needed to handle on his own.

Trevor finally shrugged, raising his hands in mock surrender. "Alright, alright. I didn't mean any harm. I care about her too, y'know."

Luke didn't respond, just stared at Trevor until the other boy looked away, focusing on his drink instead. The conversation moved on, but the uneasy feeling in Luke's chest didn't go away.

As Luke lay in bed later that night, he couldn't stop thinking about the way Trevor had talked about Olivia. He knew his reaction had been intense, but he felt like he couldn't help it. Seeing his best friend with someone else, especially someone who looked at her the way Trevor did, made him want to snap.

He didn't know what it all meant, but one thing was clear: this summer was going to be a lot harder than he'd expected.

~~

The house boomed with the bass of music. With their parents away for the weekend, the boys and Olivia had seized the opportunity to throw a party, and the place was packed with people. Outside, the chaos of beer pong and rowdy games filled the air, while inside, the living room had become a makeshift dance floor.

Luke navigated through the crowd, making his way to the kitchen for a refill. He was in no mood to party- and pretty much wanted to be anywhere else. He slowed when he heard two familiar voices-- Trevor and Olivia. They were standing near the counter, the tension between them palpable. Luke hovered just out of sight, listening closely.

"I can't believe our parents trust us enough to leave us alone for the weekend," Olivia said, her voice carrying a playful tone.

Trevor's laugh was easy, casual. "Yeah, well, they figure we're old enough to handle it. Plus, we've done this before at the Hughes' house, no big deal."

Olivia's soft chuckle followed, and Luke could hear the flirtation in her voice, which made his stomach turn. "You make it sound so harmless, but I know you guys. You're trouble."

"We're not that bad," Trevor replied, his voice dropping a notch, laced with a charm that grated on Luke's nerves. "And besides, trouble's more fun."

There was a brief pause, the kind that made the air feel thick with anticipation. Luke's heart thudded painfully in his chest as he watched Olivia take a step closer to Trevor, her hand reaching out to touch his arm lightly.

"You think you're fun, huh?" her tone was teasing, but there was something more there-- something that made Luke's skin prickle with unease.

Trevor leaned in, his eyes never leaving hers. "Why don't you find out?"

For a moment, Luke thought he might be able to stop what was happening, might be able to step in and pull her away-- pull them apart. But he was frozen, every muscle tense as he watched Olivia smile at Trevor, a soft, almost nervous smile that Luke had seen a thousand times before. But this time, it wasn't meant for him.

"I think I might just do that," she whispered, her voice so quiet that Luke almost didn't hear it. Then, with a slow, deliberate motion, she closed the remaining distance between them. Her lips brushing Trevor's in a kiss that was tentative at first, like she was testing the waters.

Trevor responded immediately, pulling her closer, his hand sliding to the small of her back as he deepened the kiss. And that was when something inside Luke snapped.

It wasn't just a kiss. It was the way she melted into Trevor's arms, the way their bodies fit together like they belonged that way. It was the way Olivia's hands moved up to cup Trevor's face, like she'd wanted to do it for a long time. It was the way Trevor's fingers tangled in her hair, tilting her head to deepen the kiss even further.

Luke's heart pounded so hard he thought it might burst. His vision tunneled, and all he could see was them--Olivia and Trevor-- lost in each other. The rest of the world fell away, the noise of the party fading into the background until all that remained was the two of them, completely oblivious to the fact that they were being watched.

Oli made a soft, contented sound against Trevor's lips, a sound that Luke had never heard her make before. It was intimate, private, and it twisted something deep inside him. He wanted to look away, to give them privacy, but he couldn't. Is feet were glued to the floor, forced to witness something he wasn't meant to see.

Trevor pulled back slightly, just enough to look at her, his hands now resting on her waist. He smiled, and the tenderness of it made Luke's blood boil. "Maybe we should take this somewhere a little less... public," Trevor suggested, his voice husky.

Oli nodded, her eyes still locked on his. "Yeah... let's go upstairs."

The words hit Luke like a punch to the gut, but he still couldn't move, couldn't tear his eyes off them as Trevor took her hand and led her out of the kitchen. Luke's fists clenched at his sides as he watched them head towards the stairs, Olivia glancing back only once before she disappeared from view.

For a long moment, he just stood there, the scene replaying in his mind, the bitter taste of jealousy and anger rising in his throat. He wanted to puke and scream. He wanted to punch something.

He turned and left the hall, weaving through the party, his face masking the storm raging in his mind. The noise of the party, the laughter, and the shouts seemed to mock him as he walked outside. Ignoring the concerned looks from his brothers and Cole, he grabbed a beer and chugged it. All he could think about was Olivia and Trevor, and how they'd left together, their intentions clear. And how he couldn't do anything about it.

~~

The party continued in full swing, with music still blaring and people scattered across the backyard, laughing, drinking, and playing games. Luke sat in a lawn chair near the edge of the group, nursing a drink and pretending to be engaged in the conversation happening around him. But his mind was elsewhere, replaying what he had just witnessed in the kitchen over and over again.

He kept his eyes on the entrance to the house, unable to stop himself from waiting--watching-- for Olivia to return. When she finally did, it was like another punch in the gut. She stepped out onto the back porch, her hair slightly touseled, her shirt askew, and her cheeks flushed. She looked around, her eyes scanning the crowd as if she was looking for something-- or someone.

Luke quickly looked away, trying to focus on anything else. He didn't want to see the confusion in her eyes when she noticed that he was ignoring her, but he knew it was inevitable. He braced himself for it, forcing himself to keep his expression neutral as she finally spotted him.

Her face lit up in recognition, and she started towards him, but her steps faltered when she noticed his lack of reaction. She paused, frowning slightly as she tried to catch his eye, but Luke didn't give her the satisfaction. He kept his gaze fixed on the group in front of him, even though he couldn't hear a word they were saying.

"Hey, Lu," she called out, her voice hopeful.

Luke barely glanced at her, giving her only a nod in acknowledgment before turning back to his drink. She hesitated, her brow furrowing in confusion. She took a step closer, her hand reaching out to touch his shoulder, but he leaned away just enough to make it clear he wasn't interested in talking.

"Luke, what's going on?" she asked, concern creeping into her voice.

He shrugged, his tone detatched. "Nothing, just busy."

Olivia blinked, clearly thrown off by his cold response. She opened her mouth to say something else, but before she could, the back door swung open again, and Trevor emerged, a grin plastered on his face as he joined the group outside. He looked around, his eyes landing on Olivia, and without missing a beat, he made his way over to her.

"Hey, there you are," Trevor said, sliding up behind Olivia and wrapping his arms aorund her waist. He pulled her close, his chin resting on her shoulder as he pressed a kiss to her temple.

Her confusion melted away the instant she felt Trevor's touch. Her race softened, and she leaned back into him, a smile on her lips. For a moment, she seemed to forget all about Luke, her attention fully absorbed by the boy who now had his arms around her.

"Trevor," she said, her voice playful as she tilted her head to look up at him. "You disappeared on me."

Trevor chuckled, his hands resting comfortably on her hips. "Just had to check on a few things. But I'm back now, and I'm not going anywhere."

Olivia beamed at him, her earlier concerns about Luke seemingly forgotten. She reached up to brush a strand of hair out of her face, her fingers lingering on Trevor's arm as if she needed the contact to stay grounded. The tension in her posture was gone, replaced by a relaxed, almost blissful demeanor that made Luke's chest tighten all over again.

Her laugh rang out as Trevor whispered something in her ear, and Luke couldn't help but glance at them. They were completely wrapped in each other, oblivious to everything else. The way Trevor's hands rested possessively on her waist, the way Olivia leaned into his touch--it was like they had forgotten the whole world existed, including Luke.

Any trace of the confusion and worry Olivia had shown just moments before had vanished. It was if Luke's coldness didn't matter anymore, as if she didn't even notice. All she cared about was Trevor, and the realization hit Luke harder than he expected.

He took a long drink from his cup, letting the bitter taste wash away the knot in his throat. The party continued around him, but it all felt distant and unimportant, like white noise. He couldn't stop thinking about what he'd seen, what he'd felt--and how much it hurt to see her look at someone else like that.

But Luke wouldn't let it show, espeically in front of Olivia. He stayed silent, stewing in his own thoughts, while Olivia and Trevor remained lost in their own little world, leaving him on the outside looking in.

~~

The next morning, the house was unusually quiet. Luke was in the kitchen, nursing a cup of coffee, trying to clear his head from the events of the previous night.

His mind was still a mess, replaying the scene of Trevor and Olivia in the kitchen. He hadn't slept well, tossing and turning as he tried to make sense of his emotions, the anger, the jealousy-- everything.

Just as he was starting to lose himself in thought again, Jack strolled into the kitchen, looking surprisingly awake and annoying cheerful. He grabbed a glass of water and leaned against the counter, smirking at his younger brother.

"Well, well, well, Moosey," Jack started, his tone teasing. "I was wondering when you were finally going to make a move on Oli. I gotta say, I'm impressed."

Luke looked up, brow furrowing in confusion. "What are you talking about?"

Jack held up a small, crumpled foil wrapper he'd found discarded on the living room floor. Trevor must've gone to throw it away downstairs. "Found this little guy near the couch. Figure it was about time you two finally, you know... got together."

Luke's stomach twisted at sight of the condom wrapper. He hadn't noticed it earlier, but seeing it now only brought back the memory of Trevor and Olivia all over again. His jaw tightened as he stared at the wrapper, feeling a fresh wave of nausea.

"That's not mine," Luke said flatly, his voice colder than he intended.

Jack's smirk faltered as he raised an eyebrow. "Wait, what? Then whose is it?"

Luke's grip tightened around his coffee mug, his knuckles turning white. He didn't want to say it, didn't want it admit it aloud, but he knew he had to. "It's Trevor's," he finally muttered, the mords tasted bitter in his mouth. "It was him and Olivia."

For a moment, Jack was stunned into silence, his playful expression dropping as he processed what Luke had just said. "Trevor?" he repeated, disbelief evident in his voice. "You're telling me Trevor and Olivia..."

Luke nodded, unable to say it again. The anger and frustration that had been simmering all night was starting to bubble over, and he couldn't keep it in any longer.

"They were in the kitchen last night," Luke said, his voice rough with emotion. "I walked in on them. Didn't even realize I was there."

Jack blinked, trying to wrap his head around the situation. "Shit, Moose... I didn't know." He ran a hand through his hair, trying to figure out how to handle this. "Why didn't you say something? Why didn't you stop them?"

"What was I supposed to do?" Luke snapped. "I didn't want to make a scene. They were all over each other, Jack. She looked so... happy. I just... I couldn't."

Jack sighed, stepping closer to Luke. "I'm sorry, man. I thought... well, I thought it was you and her finally figuring things out."

"Yeah, well, it wasn't," Luke muttered, staring down at the table, the pain of the situation settling in. "And now she's probably going to spend the rest of the summer glued to Trevor, and I'll just have to sit here and watch."

Jack placed a hand on Luke's shoulder, trying to offer some comfort. "Look, maybe it's not as serious as you think. Trevor's... well, he's Trevor. He's probably not thinking long-term, and maybe Olivia's just caught up in the moment. She's getting attention from an older guy. Chicks love that shit."

Luke shurgged off Jack's hand, his frustration too overwhelming to accept any consolation. "I don't care if it's not serious. I just hate seeing them together like that. She's my best friend, Jack. And now... I don't know what we are anymore."

Jack sighed again, understanding his brother’s pain but unsure how to fix it. “Look, Moose, I don’t have all the answers. But if you really care about her, you need to talk to her. Maybe she doesn’t even realize how much this is messing with you.”

Luke shook his head, too angry to think clearly. "What's the point? She's obviously into him, and I'm just... I don't know. It doesn't matter."

"It does matter," Jack insisted. "You can't just sit here and let this eat you up from the inside. If you don't say anything, you'll regret it. Trust me, Moose"

Luke didn't respond, staring down at the coffee cup in his hands, his mind running a mile a minute. He knew Jack was right, but the thought of confronting Olivia--or worse, Trevor--was almost too much to bear.

Jack watched him for a moment longer before sighing and backing off. "Just think about it, okay? I'm here if you need to talk."

With that, Jack left the kitchen, leaving Luke alone with his thoughts. There was still anger and frustration building inside him, but now there was something else--an overwhelming feeling of sadness that made his entire body feel heavy. He wasn't sure what he was supposed to do now. Would things with Olivia ever be the same? Was Jack right and Trevor just wanted a quick fuck? Why was this all so complicated?

~~

Jack had been wrong. Trevor was not looking for something short term with Olivia. And the next summer just proved that even more. It was almost impossible to ignore just how deeply Olivia and Trevor had fallen for each other. From the moment they arrived, they were inseperable. It was like they existed in their own little world, completely unaware of the world around them.

Every morning, Luke would find them wrapped up together on the porch, sharing a cup of coffee as they watched the sunrise. Olivia would sit on Trevor's lap, her arms draped around his neck, as they whispered to each other, their foreheads touching. It was almost as if they'd been superglued together, and it was beyond irritating,

But what really got under Luke's skin were the little things--like the way Trevor would brush a strand of hair behind Olivia's ear before leaning in to kiss her, or how Olivia's laugh seemed louder and brighter when she was with him. Even worse were the marks.

One afternoon, as they all lounged by the lake, Luke noticed a series of faint reddish marks on Olivia's neck when she pulled her hair up into a claw clip. Hickeys.

"Did ya have fun last night?" Jack teased, nudging Oli as they all sat on the dock.

She blushed, giving Jack a playful shove. "Shut up, Jack," she giggled, though she didn't seem embarassed--if anything, she looked pleased.

Trevor smirked, sliding his arm around Olivia's waist and pulling her closer. "Maybe a little too much fun," he joked, kissing her on the temple. Oli just laughed, leaning into him, her fingers absentmindedly tracing circles on his chest.

Luke clenched his fists, staring out at the lake to avoid looking at the happy couple. The sight of them together, so openly affectionate, made him feel like was intruding on something private... something he desperately wished he could unsee, much like the kiss in the kitchen.

As the day went on, it only got worse. During lunch, Trevor fed Olivia bites of his sandwich, and she giggled like it was the most romantic thing in the world. Later, when they were all hanging out in the air conditioned living room, Olivia snuggled up against Trevor's side, her head resting on his shoulder as they watched a movie. Luke tried to focus on the screen, but all he could hear was the soft murmur of their voices as they whispered to each other, completely lost in their own conversation.

When Oli stood up to get a drink, Luke couldn't help but notice the way her shirt had ridden up slightly, revealing another set of hickeys trailing down her side. His jaw tightened, and he quickly looked away, trying to shake the image from his mind.

Late that night, the lake house was quiet, the only sounds coming from the gentle rustling of leaves outside and the occasional creak of the old wooden floors. Luke had finally managed to drift off to sleep when a noise jolted him awake—a muffled laugh, followed by a soft thud against the wall.

His heart sank as he realized the source of the sounds: the room next to his. Trevor’s room.

Luke squeezed his eyes shut, trying to block out the noise, but it was impossible. The hushed giggles, the low murmur of Trevor’s voice, and Olivia’s breathy replies seeped through the thin walls, each sound hitting him like a slap in the face. Then, there was the unmistakable creak of the bed springs, and Luke felt like he was going to be puke.

Luke couldn’t take it anymore. The weight of everything he’d been holding in finally broke through, and he stormed out of his room, needing to get away from the gut-wrenching reality just a few feet away. He found Jack in the kitchen, grabbing a late-night snack, and without warning, the floodgates opened.

Jack turned to see Luke pacing back and forth, his hands tugging at his hair in frustration. “What’s going on with you?” Jack asked, clearly concerned.

Luke stopped pacing and faced his older brother, his face twisted in anger. "You said last summer that it wasn't going to be long-term! That Trevor wasn't looking for anything serious, that he'd move on by now!" he burst out, his voice cracking.

Jack sighed, setting down the bag of chips he's been holding. "I didn't think it would be. I thought they'd have their fun, and it would fizzle out. But I was wrong, Luke. They're clearly serious about each other."

"Serious?" Luke echoed, his voice tinged in disbelief. "They're practically glued together, Jack! They're disgusting, and I don't get it. What does Olivia even see in him?!"

Jack rubbed the back of his neck, not sure how to respond. “Look, I know it sucks to watch them be all lovey-dovey, but Trevor’s a good guy. He makes her happy.”

"Happy?" Luke snapped. "What about me, Jack? I've known her my whole life, and now she's completely forgetten about me because of him. What does she see in Trevor that can't see in anyone else? What's so special about him?"

"Maybe it's just how he makes her feel. Maybe he's the one she needs right now. I don't know, Luke. But it's not like you can force her to feel differently."

"It's not fair! He's always been around, but now it's like he's taken her away from me. And I hate it. I hate seeing them together, hearing them through the damn walls. It's like I'm invisible to her now."

Jack frowned, unsure how to fix his brother's pain. "I get that it's hard, but you've gotta let it go. She's happy, and as much as it sucks, you've gotta accept it. Be there as her best friend. Not a jealous lover."

"I just don't know what he has that I don't."

"Sometimes, people just connect like that. It isn't always about who has known who the longest or who's been there for her through everything. It's about how he makes her feel right now."

Luke just shook his head, not sure how to reply. The thought of Olivia and Trevor being so, so deeply in love made him feel like he was the sickest he'd been in his life. But for Olivia, he'd have to push through.

~~

The following summer brought a strange quiet to the lake. Unlike previous years, Olivia wasn't spending every waking moment with the Hughes family. Instead, she kept to her parents' house next door, avoiding the Hughes' place all together.

Luke noticed her absence immediately. It was hard not to. The usual sounds of her laughter, the sight of her smiling, and the way she'd barge into their house unannouced were all missing. He'd hoped things would return to normal after the last summer, but he was wrong. He felt like he was a wrong a lot when it came to Olivia now.

Jack and Quinn had noticed too, exchanging concerned glances whenever Luke asked if they'd seen her. But Olivia remained elusive, keeping to herself and refusing to join them in any of their usual lake house activities.

Finally, Luke couldn't take it anymore. He needed to get to the bottom of Olivia's disappearance. He made his way to the Jones' cottage, knocking on the door with determination. When Olivia answered, her eyes were red, and she looked like she hadn't slept in days.

"Hey," Luke started softly. "Can we talk?"

She hestitated, but finally stepped to the side to let him in. They sat down, the silence between them heavy.

"I heard that you and Trevor broke up," he wasn't sure how to approach the subject.

She nodded, her hands suddenly becoming the most interesting thing in the room. "Yeah... we did."

Luke waited for her to say more, but she didn't. "Why, Oli? What happened between you two?"

Olivia's face crumpled, and she bit her lip as if holding back tears. "He... he thought I was in love with someone else."

Luke's heart skipped a beat. Who could she possibly be in love with?

"What? Why would he think that?"

She shook her head, voice trembling. "I don't know. I tried to tell him it wasn't true, but he just... he didn't believe me. He said he couldn't be with someone who wasn't all in, who might have feelings for someone else."

"Do you?" he asked cautiously. "Have feelings for someone else, I mean?"

She looked away, wiping at her eyes. "It doesn't matter now, does it? Trevor and I are over."

Luke’s heart ached at her pain, and a surge of protectiveness washed over him. He wanted to ask more, to dig deeper into what she was feeling, but he could see how much it was hurting her to talk about it.

"You know we're here for you, right? No matter what," Luke said softly, reaching over to cover her hand with his.

"I know," she whispered. "I just need some space right now."

"Okay. Just... don't shut us out forever, alright? I'm here whenever you're ready to talk."

"Thanks, Lu. I appreciate that. Especially after I've been such a shit friend."

"Any time, Oli. Any time."

~~

The next night, the Hughes' house was buzzing with laughter and conversation as the boys and few friends hung out on the deck. But Luke couldn't stop staring at the empty seat he'd made the boys save just in case Olivia decided to come over. He hadn't seen her since the day before, and his worry was growing.

Around midnight, the hangout started to wind down, and Luke decided to call it a night. He was halfway up the stairs when he heard the door creak open. Turning around, he saw Olivia stumbling in, her eyes glassy and movements unsteady.

"Olivia?" he called as he hurried back down the stairs.

She looked up at him with sadness and something he couldn't quite place--something desperate. "Luke," she slurred. "There you are. I've been looking for you."

Luke took in her disheveled appearance. Her hair was a mess, her clothes crumpled, and the scent of alcohol clung to her like a cloud. She was drunk, way more than he'd ever seen her.

"Oli, what're you doing here? You should be home, resting," he tried to lead her towards the door.

But she shook her head, pulling away from his grasp. "No, I don't want to be there. I don't want to be alone," her voice cracked. She reached out, her fingers brushing against his arm. "Please, Luke... I need you."

Luke froze, his breath catching in his throat as Olivia leaned in closer, her lips inches from his. She was so close, and for a brief moment, the temptation was almost too much to resist. But then he saw the tears in her eyes, the way her hands trembled, and he knew it wasn't right.

"Oli, you're not okay," he stepped back, taking her hands in his. "You've had too much to drink. Let me take you home."

"You don't want me anymore, do you? Because I'm... used. I'm not good enough now."

"Olivia, no. That's not true. You're amazing and I-" he paused, thinking over his words. "I care about you so much, but this... this isn't the right time. You're hurting, and I don't want to take advantage of that."

Olivia's shoulders slumped in defeat. "I'm sorry, Luke. I just... I don't know what to do anymore."

Luke pulled her into a tight hug, holding her close as he cried into her chest. "It's okay, Oli. I'm here for you, no matter what."

He hated seeing her so broken and lost. She needed time to heal, to find herself again. And he'd just have to be patient.

~~

Olivia woke up with a pounding headache and a foggy memory. She groaned, rubbing her temples as she tried to piece together the events of the previous night. Everything felt like a blur--a messy tangle of emotions, confusion, and too much alcohol.

She shuffled downstairs to the kitchen, hoping a cup of black coffee would clear her head. But as she sat down, a sense of unease settled in her stomach. Something had happened last night, something important maybe, but she couldn't quite grasp it.

But before she could dwell on it, there was a knock at the door. She frowned and set her mug down to answer it. She was surprised to find Luke on the other side, looking quite serious.

"Hey. Can I come in?"

"Uh, yeah, sure," she replied. She watched as he walked into the living room, his hands shoved in his pockets, brow furrowed. "Luke, what's going on?"

"Oli, do you remember anything from last night?"

"Not really... I remember drinking a lot and... that's about it. Why? What happened?"

Luke sighed, running a hand through his hair. "You came over to our place. You were really upset and... you tried to, uh, make a move on me."

"I what?!"

"Yeah," Luke said, his tone gentle but firm. "You were really drunk. And I could tell you weren't in the right headspace, so I stopped you."

She felt her face heat up in embarrassment. "Oh my god, Luke, I'm so sorry. I didn't mean to-"

"Don't apolgize," he stepped closer. "You were hurting, and you needed someone. I just didn't want you to do anything you'd regret."

"But... why did I do that? I mean, why you?"

Luke hesitated, taking a deep breath. "Oli, I think it's time I'm honest with you. I've... had feelings for you for a long time. Probably longer than I even realized. But I didn't want to mess things up between us, so I never said anything. And then you and Z... I thought I'd lost my chance."

"Luke... I didn't know."

"I know," he said quietly. "And last night, when you came to me like that... it wasn't because you wanted me. It's because you were hurting, and I don't want to be the guy you turn to when you're upset."

"I thought... I thought you didn't want me because I'm 'used.' Because I've slept with Trev."

He gently lifted her chin so she could look at him. "That's not true, Oli. I've never thought of you that way. You deserve so much more than what Trevor gave you, and if I could be the one to make you happy, I would. But only if that's what you really want."

"Luke... I- I don't know what to say."

"You don't have to say anything," he whispered. "Just... think about it. If you don't feel the same way, that's okay. But if you do... I'm here."

For a moment, they stood in silence, the weight of Luke's confession hanging in the air. Then, without thinking, Olivia closed the distance between them and pressed her lips to his.

The kiss was slow and tender, filled with all the emotions they'd both been holding back for so long. When they finally pulled away, Luke pressed his forehead to hers, both of them gasping for air.

"Oli," his voice thick with emotion. "I've wanted this for so long."

"Me too," she whispered back, her hands clutching onto the fabric of his shirt. "I just didn't realize it till now."

Olivia gently tugged him towards her bedroom. Luke hesitated for a second, searching her eyes for any sign of doubt.

"Are you sure?"

She nodded, her heart racing. "I'm sure."

And with that, they fell into bed together, finally giving in to the feelings they'd both kept hidden for so long.

~~

Luke and Olivia finally crossed the line they had danced around for years, everything felt different. The sun streamed through the curtains of her bedroom, Olivia stirred awake, feeling content. She must've finally gotten the rest she needed. The warmth of Luke's presence beside her was undeniable. He was already up, sitting on the edge of the bed, his back to hers as he tied up his sneakers.

"Morning," he turned to shoot her a soft smile.

"Morning," Olivia replied, sitting up and pulling the covers up around her.

"Are you okay?" he could sense her hestiation a mile away.

"Yeah, I think so."

"We can talk about this later. Just... take it easy today, alright? No more drinking."

She nodded and he walked over to press a kiss on her forehead before he left.

"I'll see you later?"

"Yeah, sure," she forced a smile. Luke lingered for a moment, as if he wanted to say more, but then just nodded and left, closing the door softly behind him.

As soon as he was gone, Olivia sank back into the pillows, her mind racing. She couldn’t shake the feeling that something was wrong--terribly wrong. The more she thought about it, the more her insecurities began to take hold. She had slept with Trevor, Luke’s friend, and now she had slept with Luke. What did that make her? A puck bunny? The thought made her stomach turn. She didn’t want to be seen that way, didn’t want to be the girl who bounced between hockey players, even if Luke was different, even if she had real feelings for him.

By the time afternoon had rolled around, Olivia was overwhelmed by doubt. Every time her phone buzzed with a new text from Luke, she ignored it, burying herself in the puzzle her parents had started. She couldn't face him when she felt like this.

Luke was growing concerned. The day before had been a turning point, but now he was being ignored again. Her silence was gnawing at him. He sent another text, that she ignored, and decided to make his way to hers.

He knocked on the door, just as he had the day before. Olivia answered, looking even more stressed than she had been.

"Luke, I..."

"Whatever it is just tell me... please."

"I just... I don't want people thinking I'm some sort of... you know... puck bunny."

"What? Olivia, nobody would ever think that about you."

"But they will, Luke! I was with Trevor, and now we're...you know. People are going to judge, they always do."

He placed a hand on her arm, "You're not a puck bunny, Olivia. You're everything to me. I don't care what anyone else thinks. And if they do judge, that's their problem. Not ours."

"You really mean that?"

"Of course I do," he replied without hesitation. "You're not just someone I'm hooking up with. You're my best friend, and I want you to be my... girlfriend."

Her fears melted away almost instantly. "I... I want that too."

Luke pulled her into a tight hug. "Good. Because I'm not letting you go. Ever."

As they held each other, Olivia couldn't believe how perfect things felt. Life wasn't easy, but with Luke by her side, anything was possible.

[cosmicflw3rr]

cash in.

dominik mysterio x fem! reader

summary: you cash in at wrestlemania.

A/N: this is inspired by damian’s cash in, just something to put out while I work on my other things! btw pls request stuff I need to unleash my creativity 😈😈

btw in this short fic, for the inst post at the end im using pics from liv’s cash in, and a pic of bianca and montez but you can imagine yourself however you want it’s just pics i chose for the post :)

your nerves were jumbled up as you watched bayley and iyo sky fight for the title. their feud had been going on for a while now and was finally going to be resolved at the grandest stage of them all.

what they didn’t know was that tonight you’d finally cash in the money in the bank contract you'd been clutching for months. you had never found the perfect moment to make your move. yet, something in the air felt different, electric. today was the day you'd cash it in; you could just feel it.

you had to look away from the screen at the amount of close calls the match had, you moved away from the monitor sitting down on the couch in the little spot the tv crew had for the judgement day. damian, finn, jd and rhea also watched the match intently.

you held your head with your hands, sighing. your leg bouncing up and down anxiously. dominik, your boyfriend sat down next to you placing his hand on your knee to stop it from bouncing.

as soon as dom's hand touched your knee, you paused and locked eyes with him. "hermosa, talk to me," he urged, understanding the weight of the evening on your shoulders, yet not wanting you to be overwhelmed by stress.

leaning back, you let out a groan, the frustration clear in your voice. "what if it doesn’t work? what if I can't cash in the contract?" you shared your fears, the pressure mounting. "I might not get a chance like this ever again." the uncertainty of it all was eating at you.

you were convinced this was a once-in-a-lifetime shot, but dom saw things differently. he knew just how incredible you were in the ring, how you owned every match you fought and put your heart into everything you did. so to hear you think you weren’t ever going to get an opportunity like that again hurt, because he knew you would.

“listen amor.” when you wouldn't meet his gaze, he gently tilted your chin up, eyes meeting yours, and saw the worry glistening there. with a soft, reassuring smile, he whispered, "amor, don't worry. you've got this. you're one of the best wrestlers out there, and no matter what happens, there will be more chances. believe in yourself like I believe in you." his words were the comfort you didn't know you needed.

you eyes met dom’s as you nodded, understanding flickering between you. suddenly, the bell echoed, one, two, three times. your head whipped around to the screen, and there it was—bayley's victory. the members from your faction turned to you, their faces a mix of surprise and disbelief.

aithout a second thought, you grabbed your briefcase and bolted towards the gorilla, heart racing. "I'm cashing in! I'm cashing in!" you shouted at the top of your lungs. the production crew exchanged quick glances, barely able to process your words as you grabbed a referee by his shirt and charged onto the stage, adrenaline fueling your every step.

running down the ramp as your theme blared through the arena, the crowd erupted in cheers, instantly recognizing the moment unfolding. You reached the ring sliding into it with the referee on your heels. you turned thrusting the briefcase into his hands, “I’m cashing in!” you yelled.

he looked down at the briefcase his voice tinged with uncertainty, "are you sure?"

without hesitation, you shouted back, "yes, I'm cashing in, do it!" your hand came down hard on the briefcase, affirming your decision. the buzz from the crowd surged through you, adrenaline coursing wildly through your veins.

bayley staggered to her feet, unsteady. you bounced on the balls of your feet, ready, and as the bell chimed for the third time, you quickly delivered your finisher, the ripcord flatliner.

she hit the mat, motionless. yet, the roar of the crowd told you to keep going. you quickly pulled her to the ring's center, seizing her legs and cinching in a figure four lock, the cheers growing impossibly louder.

the excitement from the crowd was electric and the adrenaline in your body was hard to contain.

with the figure four perfectly locked in, bayley was trapped, dead center of the ring with no hope of grabbing the ropes. you yelled, teeth gritted, tightening the hold. then, the moment came—bayley tapped out, the bell sounding three times.

your music blared out as you released her, you scooted back, your spine meeting the ropes, shock written on your face. your hands flew to cover your eyes, tears leaving paths down your cheeks as you sobbed, the crowd's roar drowning your thoughts, the reality of the moment not quite sinking in.

wiping your tears, you turned to the referee, who held the championship title towards you. grabbing it from, you sat there dazed, just gazing at the title, a fresh wave of tears blurring in your eyes as pride swelled within you.

you got to your feet, lifting your arm, and the cheers from the crowd grew even wilder. you let out a smile, wiping away those involuntary tears. just then, at the top of the ramp, you noticed the judgement day coming out, cheering you on.

without missing a beat, you slipped out of the ring and bolted up the ramp. reaching the top, you found dominik first, waiting for you. the two of you collided into a tight embrace, him lifting and twirling you off the ground.

when your feet touched solid ground, you stepped back, locking eyes with him briefly, then sharing a tender kiss. after the kiss, you both melted into another warm hug, your arms around his neck and his on your waist.

“I’m so proud of you baby. I told you everything would work out.” he whispered, stirring fresh tears in your eyes. you nodded against his shoulder.

"I love you so much," you choked out, voice trembling, tears streaming down. breaking from the embrace, he tenderly held your face, wiping away the tears, then kissed you once more.

a smile broke through as he stepped aside, revealing the judgement day, all hyped up. In an instant, they swept you and dom up in a massive group hug.

you all erupted in cheers, bouncing around with excitement as each one expressed their pride in you, bringing a beam to your face. the group hug ended, and everyone turned towards the ring.

in a swift move, dom and damian hoisted you onto their shoulders, your hands clutching the title as you raised it high, pyro blazing in the background.

with a joyful shout, you took in the cheering crowd. after soaking in the moment, they carefully lowered you back down. you lifted your hand in triumph one last time before Dom draped his arm over your shoulder.

backstage, away from the roaring crowd, the intimacy of the moment enveloped you and dom as the judgment day trailed behind. you wrapped your arms around dom once more, this hug deeper, more personal.

tears freely flowed as the weight of your victory hit you, and dom was there, a comforting presence, rubbing your back gently. "I am so, so proud of you, amor. you've earned this and so much more," he whispered, his words a soothing balm to your overwhelmed emotions.

pulling back from the embrace, you brushed away the lingering tears, offering him a tender kiss. "thank you, babe. for everything," you murmured with heartfelt gratitude.

"this was all you," he replied, his pride in you evident.

"maybe, but your support has been my rock, the thing that's kept me pushing forward," you said, your voice laced with appreciation. his smile then met yours, and he leaned in to seal your shared moment with another kiss.

LIKED BY DOMINIK_35, RHEARIPLEY_WWE, ARCHEROFINFAMY, YAONLIVONCE & 5 MILLION OTHERS

y/n: and your new…

tagged: dominik_35

VIEW COMMENTS

dominik_35: so proud of you amor❤️

y/n: ❤️❤️❤️

rhearipley_wwe: all rise!!

y/n: judgement day is ALWAYS on top!!💜⚖️

yaonlylivonce: so happy for you! you deserve it!! 🥹❤️❤️

y/n: thank you so much liv! I love you so much!!🤍

archerofinfamy: proud of you chiquita💜

y/n: 💜

samanthairvinwwe: by far my fav name to call out tonight! congrats girl! you deserve it!! 👏💗

y/n: shhhh🤫 don’t let them know you have favorites😏

wwelover: was in sm shock watching! congratulations!!

y/n.vsp: the edits I alr have lined up for this😝

wrestlingstan: I KNEW SHED CASH IN! OMG!

WWE: your new women’s champion!

y/n: thank you to all of you who gave me the opportunity❤️.

[maythedreadwolftakeyou]

idk man been sifting through my feelings on all this. and i think what it comes down to is i don't really care/mind that there are non-canonical (BY DEFINITION, if it is not IN the media, it is not in the 'canon', and this info was in tweets) statements about Lucanis' sexuality being demi/ace/him being a virgin. and i'm glad for people who like to incorporate that into their headcanons about the game/interpretation of his character and expand on that more than the game itself does, like, this is our space now baby do what makes you happy!

but personallyyyyyyy i just do not think these new labels are some magic bandaid that solves the flaws in the pacing and writing of his romance. Lucanis never talking to Rook about his feelings as they get to know each other (but sure is willing to talk to Rook about his feelings for Neve if you don't romance him) is not solved, for me, by saying "well he wouldn't be attracted until he got to know you and also has no experience with sex". the same way calling it a "slow burn" did not solve this for me. especially because right up until release he was being advertised as a "bisexual mess". but now was secretly a "panromantic demisexual" the whole time. it just... idk. you can say anything you want online, you know? but if you don't Show Me... well. i also don't like that people who are saying 'well this was Not part of his story in the game so i don't see it' are getting labeled as anti-ace when like, many of the criticisms i am seeing are coming from people who are themselves demi/ace lol. it's not asexual representation bc it is not in the game itself. (though honestly. i AM glad that that was not jammed into his story arc, and that his quests were about his agonizing over his family and the fact that he's now bodysharing with a demon. because his writing was never going to get MORE lines, and to take away any of the ones he had to put in a sexuality arc beyond an offhand mention would have really crashed that because the existing writing barely holds together as is. like there just was not room to have more so personally i am not criticizing Mary Kirby for her decision not to add it. but you can't not add something and then also claim it's a definitive part of his character. plus i dont think a character needs to know/understand/use modern labels anyway).

and personally i DO prefer an awkward/fumbling Lucanis, to be clear. Before Veilguard came out I was never expecting the sexy antivan lover angle because we got that once already: Zevran. I didn't want poor-imitation Zevran, and bioware would not write Lucanis like that to make sure he is a more distinct character anyway. BUT i do think it's reasonable in a bioware game to expect that a romance is going to have romantic content--and the number of times after his cutscenes i literally said aloud "go girl give us nothing" after he failed to react to a flirt was pretty sad. If he's awkward and nervous give him a line where he stutters and doesn't know how to react, not just a blank stare and back to business, or whatever. Or a scene where you can literally ask "you never respond to my flirting do you want me to stop" and for him to say say he likes it but doesn't know how to reciprocate or. ANYTHING. Idk. I have seen 10 different posts/takes on how the Wall Lean Scene fits in, be it that he was imitating a romance novel or it was crow seduction training or he was just pretending because that's how he's seen Illario do it but at the end of the day. It is all just speculation because nothing in the game EVER addresses how wildly different the tone of that scene is from every other one of his romance scenes. And as much as i love the Sexy Wall Lean, given the rest of his characterization in EVERY other romance scene, i think I'm at a point where i think the romance would have been better served by cutting it out and having a different scene where you actually get to talk to him instead.

but! that is not the game we were given. we only have what we have, which is the Veilguard content by Mary Kirby, and The Wigmaker Job written by Courtney Woods (where for reference, he mentions stumbling into an orgy on a previous job, and having an "interesting" time getting out of that, so i already think we have 2 different interpretations of his character between them anyway). but yeah idk man to me "well he's ace" is not an excuse for either gaps in the writing or cut content or whatever was going on. because 1. HE IS NOT AN ACTUAL PERSON he is a storytelling vessel that i felt failed to satisfyingly communicate the entire romance story and 2. even if he was a person saying 'well in ace relationships communication sucks' would also be, not great, you know. everything beyond the text itself is just interpretation and headcanons

[fuckyeahdindjarin]

Buttons

The request from @toomanytookas: I have such fond memories of my grandmother teaching me how to sew on her old Singer. Obviously a WILDLY different context for a million different reasons, but I love the idea of of Pin showing Joel how to sew or just explaining the general mechanics of using the machine. Maybe some physical guidance/touching a la the pottery scene in Ghost?

If you'd prefer to play with other characters, it would be sweet to see her teach Ellie now that she's working at the shop and I imagine she'd be curious about it!

Seams sleepover micro drabble request | 900 words | warnings: rated M for dirty thoughts and slightly dirty talk, outrageous flirting, topless Joel Miller | can be read independently of the series but is part of the Seams universe

‘Nice tits, Miller!’

Joel chokes on his corn chowder as Tommy’s voice rings loud and obnoxious in the half-empty cafeteria, a mischievous glint in his eyes when he makes himself comfortable opposite him, tray hitting the table with a clatter.

‘Seriously though, put them away before Maria sees you. This is a family place, y’know.’

Joel rolls his eyes. ‘Shut up, jackass.’

Tommy studies the familiar green plaid shirt on his brother that is sitting open to the sternum. ‘Buttons fell off, huh?’

‘Aren’t you a regular Sherlock Holmes.’

‘Pin gettin’ a bit rough with ya?’

Joel splutters, raising his fork in what he hopes is a menacing reproach. ‘Hey!’

‘Just jokin’, big bro. And no judgement if she is.’

He scoffs. ‘This is gettin’ real weird, Tommy -’

‘Why don’t you ask her to sew ’em back for you?’

‘She ain’t my seamstress.’

‘She’s a seamstress. And your girlfriend.’

Joel snorts. ‘You ask Maria to do all your chores for you?’

Tommy shrugs and replies around a mouthful of mashed potato. ‘Ask Pin to teach you then. What's that they say about fishermen and fishin’?’

He has a point, Joel has to concede. That’s how he ends up at your studio that afternoon, leaning against the doorframe as he watches you on the sewing machine. He likes the steady, mechanical staccato of the needle, the whirring wheel and the metallic squeak of the pedal as your hands and feet all move in almost nonchalant choreography.

He knows that under that ease lies years of experience, and there’s an understatedness about your movements that makes him stop and stare every time you're at the antique sewing machine. 

He waits patiently for a lull, not wanting to disrupt your rhythm. When you pause to inspect the stitching you’ve been working on, Joel knocks on the doorframe. 

His lips twitch when you startle, eyes wide as your head whips around at him, and it brings him right back to the day you meet, just a few feet from where he stands now.

But then you break into a wide smile. ‘What are you doing sneaking up on me, Joel Miller?’

He closes the distance with three steps, bending down to drop a kiss on your lips. ‘Just wanted to say hello - and to ask for a favour.’

You stare up at him, admiring the way a stray lock curls over his eyes. ‘What is it?’

Joel tugs on the front of his shirt. ‘Was wonderin’ if you can teach me how to sew my buttons back on.’

You eye his neckline, which is suspiciously low. ‘I thought you were just trying something new,’ you quip.

Arching an eyebrow, he asks, ‘Is it workin’ for you, sweetheart?’

Hooking your finger into the open V of the shirt, you grin. ‘I’m not complaining, but it doesn’t hurt to fix it. Take it off.’

Joel huffs, joking, ‘Buy me dinner first, at least?’

You watch his fingers push the little buttons out of the holes, baring broad chest and freckles with every downward inch. You hum when he gets to the bottom of the shirt and it hangs open, nothing but bare skin under it. ‘No undervest?’

‘Feel like showin’ off today,’ he winks and disrobes with a smooth roll of his shoulders.

You can’t help it, your breath catches - at the strong shoulders, the soft belly, the way he has one hand on his hip - and by the self-satisfied curl of his lips, you know he knows.

Clearing your throat, you stand and take his shirt from his grasp, the warmth of the fabric comforting in your hands. ‘Come sit over here.’

‘We’re not using the machine?’

‘Not for sewing buttons,’ you reply, opening a little box to find matching ones for his shirt.

‘Okay, step one,’ you seat yourself next to him and hand him the supplies. ‘Thread the needle.’

The thread looks more like a blade of the most delicate hair in between his thumb and index finger, and the needle comically small. But his hands are remarkably steady, and he surprises you by nimbly pushing the thread through the eye on his second try.

‘Pull the thread through and keep going,’ you instruct, snipping it off with scissors when you’re satisfied with the length. ‘Now, we need to knot the end. Loop the thread around your finger a couple of times, pinch it with your thumb and pull the end through.’

He does so with aplomb, and you remark, more to yourself than anything. ‘Your fingers are really dexterous for their size.’

Joel wriggles his eyebrows suggestively, the corners of his eyes crinkling. ‘You should know that first hand, hmm?’

A comment like that would’ve had you ducking your head a few months ago. But now, you narrow your eyes at him in playful admonishment. ‘So full of yourself, Joel Miller.’

Dragging your chair towards him, he leans in and murmurs against your ear. ‘Ain’t you the one who was full of me last night -’

Heat rushes to your cheek as he noses the sensitive skin behind your ear. ‘Joel, I thought you wanted to fix your shirt -’

Pushing the needle into a pin cushion, he shrugs and pulls you into his lap with a smirk, his skin hot under your touch.

‘Luckily, I don’t really need a shirt for what I want to do right now, sweetheart.’

More notes: Thank you for this adorable prompt @toomanytookas! I hope you don't mind that I tweaked it a little bit. I love that you have such beautiful memories with your grandma. Mine used to sew and do cross-stitch, I miss her so much 🥹

[tossawary]

Recent "Star Trek" reboot universes have really tried to sell me on three different romances for Spock with other TOS characters whom he did not have romantic relationships (at least not positive ones) with in TOS, which makes it particularly annoying when some fans try to squirm away from the idea of ST ever doing a future reboot or remake in which Spock/Kirk are explicitly queer.

Like, "But it's not in the original! They want to be faithful to the original!" really, REALLY does not pass the "I think you might just be discomforted by queerness and you should work on that, rather than making appeals to the authority of textual accuracy to avoid being called a homophobe or transphobe" check here. Because it's not as though these reboots care about perfect faithfulness on pretty much any other front. We'll accept that the costumes and special effects get updated to move with the times, we'll accept wildly different characterization choices that essentially give these characters new personalities, we'll accept new timelines that change the entire political map of the galaxy, but you as a fan draw the line at "What if this character was bisexual this time?" Really???

To be clear, I am not trying to dunk on Spock/Uhura, Spock/Chapel, or Spock/T'Pring here, I am merely trying to illustrate a frustrating double-standard. TOS Uhura does notably flirt with Spock several times! I see it! I remember TOS Chapel's feelings for Spock being one-sided, but I also don't think it's a bad thing to try to update TOS's more misogynistic writing choices regarding female characters. TOS T'Pring did... kind of try to kill Spock because she didn't want to marry him, but again, I don't necessarily think it's immediately a bad thing to try to explore her as a character and her betrothal to Spock. It's fine! It's fine by me to explore new takes in new AUs.

It's just that none of that evidence from TOS for those relationships holds much of a candle to whatever the fuck Kirk and Spock had going on to inspire The Premise. "Amok Time" is an Experience. There's only so many times that Kirk can say something like, "The cost [of abandoning Spock] would have been my soul," before you want to put your face in your hands. They are taking shiny pebbles from TOS and trying their very best to sell them to me as the basis for romantic relationships in reboots, sure, while they are standing in the shadow of Spirk Evidence Mountain (TOS).

(Yes, I have seen the recent "Unification" short film. Yes, I enjoyed it. No, I will not consider Spirk "officially canon" until all plausible deniability for the squirmy folks has been completely, explicitly destroyed by a HUMAN kiss onscreen.)

And okay, I must admit, at the moment, I don't actually want Spirk to eventually happen in "Strange New Worlds" now that they've finally met. I'm mostly indifferent to their Spock and Kirk actors, personally, and the writing for every canonical romantic relationship in both SNW and "Discovery" so far has gotten a solid "well, they certainly are standing next to each other" from me. (Yes, even the gay marriage in "Discovery". I just haven't been into it so far.) I think the writers would fumble Spirk if they tried it in this specific show and then annoying fans would use the fumble as "evidence" never to try to do Spirk or queer retakes on other TOS characters ever again, or as "proof" against other queer ST in other shows characters generally.

I'm mostly just mildly annoyed that I have to keep watching Spock specifically, famously read by many people as a queer man, be straight and messy about it, especially when there has not really been a significant queer relationship onscreen in SNW yet, unless you count M'Benga's daughter Rukiya and her glow cloud friend named Debra, which I personally don't, honestly. I'd like an onscreen relationship with a main character with zero plausible deniability. There's definitely nothing yet that comes remotely close to the screentime that Spock/Chapel, Spock/T'Pring, and Kirk/La'an have all been given so far, unfortunately. (Sulu is not here yet. Scotty has just shown up. If Scotty gets to make out with a guy next season, or Uhura or Ortegas gets to make out with a lady, without it being part of some god-like-being's fantasy world, then I may be satisfied.) (Also, yes, I am aware of queer characters and relationships in other "Star Trek" shows, thanks. I very much enjoyed Mariner having her incredibly silly breakup with her girlfriend in "Lower Decks".)

"Star Trek" is one of those properties where some people's double-standards regarding romantic interpretations of the original series really jump out. "They can't do Kirk/Spock because they want to be faithful to the original!" Get real.