#can be read as romantic tho

[bluestrawberrybunny]

I hope you see the vision I’m going for with this comic

[cj-the-random-artist]

Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.

I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!

(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)

The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.

That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[janetcage]

I’m titling this, Syzoth and Ashrah go to Walmart. Now accept the shenaniganary.

[catgirljaneway]

Tuvok and Kathryn and the time Kathryn destroyed the timeline get Tuvok back.

/I Swear Somewhere This Works - Trista Mateer/

[clownhonkbonk]

hi rqg people i am once again late to the party

[br4e1yn]

“Are you ignoring me?!?”

“-_-”

[zuiz41]

Happy Birthday to Our Dearest Setter! <3

He's 30** this year, can y'all believe that?

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[zhoudadudugongjin]

Knowing Me, Knowing You, It's the Best We Can Do 💔

My C Drama Music Edits [x]

[coyoxxtl]

people joke about fandom shippers creating entire relationship dynamics out of two guys standing next to each other but have y’all ever seen fandom claim a ship has no chemistry and when you actually see this ship in canon it’s like, Fireworks

[wilsons-three-legged-siamese]

another fic of mine woah 😩

fandom; house md

can be interpreted as non slah or slah between house/wilson

summery; wilson is dying, being taken care of a person. but wilson cant remember who they are.

word count; 1.3k

tw; major character death.

a/n: i dont have ao3 so it shall not be put up on there. if it is notify me, ill say if i have given permission as if someone asks i probably will say yes.

this was based on the song "rises the moon - liana flores"

rises the moon.

days seem sometimes as if they'll never end.

its august. the 20th if we're being exact. coming to the close of summer and the opening of autumn, usually being my favourite time of the year. cozy sweaters, warm socks and scarfs, the perfect weather. usually sunny with a nice breeze. well, i wish i could enjoy it. instead, im stuck in bed, my breathing laboured and my body shaking. though, this year, summer was my favourite.. june. i really enjoyed that, when i could walk without aid and just, enjoy life. ever since mid july, ive been deteriorating quicker than an abandoned building, which has been agonising. i want the pain to go away, please. it hurts..

but i dont want to die.

from the bedroom, i hear the singing voice again, a soothing melody. their voice smooth and deep. i sigh softly, it being a sort of comfort for me, knowing at least someone was there and i wasn't alone. their humming and muffled singing drowns out the continuous beeping of the heart monitor besides me. they had stolen the machine after faking being ill in a walk-in clinic, once the doctor had done to complain to the dean about them being an ass, they smuggled the monitor and brought it back. the good ol' days hm? that day was probably the most ive complained and laughed for a long, long time.

a mass than sat on the bed, the weight shifting slightly on the mattress. i ket out an involuntary groan, my back being slightly unsupported.

"hey, i made some broth for you.. its 1, and i think you should at least try and drink it for me," they murmured.

the bowl, of what i assume was broth, was set down on the small table besides me. soon enough, long, lanky arms were wrapped around my middle, gently pulling me up to sit up. wait.. what time did they say again.. 1 was it? only.. 1?

the sun digs its heels to taunt you.

the rim of the bowl was scarcely pressed to my lips, the bowl being slightly hot. i signal them to tip it a little so i can take a sip. and so i do. and holy shit..

thats fucking amazing.

the warm, soupy liquid runs down my throat, a sort of feeling i dont get that often, especially being warm. the way he flavours mix together is phenomenal, the spices and the subtle beef. its flavourful, but not enough to freak my taste buds out, which happens all too often now.

"is it okay?" they ask, their voice soft and gentle.

i hum with a slight nod.

but after sunlit days, one thing stays the same:

rises the moon.

days fade into a watercolour blur.

its been.. maybe a week? my sense of time is so off, it could be a week for a few days.. lets say its been a few days - to make me feel better. im now slipping in and out of consciousness, which is concerning in itself. i dont know how long im out for at a time. theyve been becoming more and more worried about me. i mean, there was always an elephant in the room, hell even when i was first diagnosed. but, the elephant has been growing larger and larger than before, making it hard to ignore. we have to adress it sometime.

but its hard to breathe.

then im awoken by a coughing fit.

it shakes my whole body, racking everything as i shut my eyes tight, desperately trying not to wake them up behind me. but, of course they woke up, they always do. i tried to savour the two, lanky but muscular arms around my abdomen, as they were warm and comforting, but soon, all i could feel was pain.

"are you okay?" they ask, their voice still a bit groggy from sleep.

i hum, my voice still hoarse even though i barely made a sound.

this just reminds me of them, i swear something to do with an infarction to the leg. but i cant quite remember.. or remember them.. their face is slightly recognisable, but not by a lot at all. my memorys been wracked up.. pisses me off, i wanna know whos caring for me. i wanna thank them, using their name, recogising their face.

memories swim up and haunt me.

"hmm.. mm!" i hum, trying to catch their attention.

they run over, quickly turning me on my side and holding the bucket to my mouth. i start to cry as i retch, vomiting harshly into the bucket, they rub my back gently, mumbling words of encouragement and reassurance softly to me. finally, i stop. glancing down at the small puddle of bile and saliva, i frown slightly.

look into the lake, shimmering like smoke.

i look into their eyes. my, coffee like brown into their, ocean like blue. scared and helpless meet concerned and determined. they run their skinny, pianist fingers through my frail hair. they always wanted to care for me, secretly.

rises the moon.

"close your weary eyes, i promise you that soon the autumn comes to darken faded summer skys." they pause for a moment. "breathe, breathe, breathe."

almost immediately after hearing that, i start to cry, just a full on breakdown. they quickly embrace me, wrapping their arms around my middle. i dig my face into theit shoulder, tears still rolling down my pastey cheeks. its nice.

oh to be hugged like this again.

days pull you down just like a sinking ship.

its been a day? maybe.. i dunno anymore. it might've been 2, 3, 4 a week, who knows - not me thats fot sure. it might be september now, i last remember it was august, that seems like yesterday. them, my carer, whatever, i dont know their name anymore. i dont know who they are, i cant see.. its all blurry and fuzzy, so is my memory. i cant remember the last time i ate..

floating is getting harder.

"im sorry.." they mumble, their voice snapping me out of my thoughts - though it was barely above a whisper.

their thin fingers run through my hair again, gently letting it fall between the gaps and repeating.

oh, i forgot to mention, i also cant speak.. or breathe for that matter. i think the tumor - or tumors more like - have begun to press against my trachea and esophagus, making his hard to both eat and breathe. wheezing has become a normal, daily routine.

considering my condition,

i have tonight,

and thats it.

because of my fate, i keep repeating a phrase i once said to a child as they went through chemo. they had no parents, i was the best thing they had..

but thread the water, child, and know that meanwhile: rises the moon.

days pull you up just like a daffodil.

its the next day, i think. its really hard to just think. the weezings gotten worse, i feel awful, like horrendous. its awful... maybe i am ready to die. i can just subtly feek them holding my fraile hand, stroking their thumb over my knuckles. only barely. im scared, terrified more like. i dont even know who they are, but im scared for them.. they'll miss me definitely. what will they do when im gone? i dont know..

uprooted from its garden.

once again, i feel consciousness slip from underneath me. which is normal, very. but this wasn't normal.. i could still hear.

"they'll tell you what you owe," they mumble. "but know even so, rises the moon."

i try to smile, a small twinge of my lips. but nothing happens. i try to tell them i love them, but again, nothing happens.

"you'll be visited by sleep. i promise that the autumn comes to steal away each dream you keep." they choke back a sob.

"breathe, breathe, breathe." houses voice sobs.

they're house.

but its too late to tell him i love him.

[rainytrashh]

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Stop worrying so fucking much

Fic type-> Hurt/ comfort + angst

Warnings*-> Anxiety/ panic attack, PTSD

Word Count-> 1931, a short story

Please check out my other drabbles either on here or on my AO3, the link is at the end <3

~Masterlist~ | Most popular post

*I’ve written Marc’s anxiety/panic attack off of mine that I’ve had in the past but I don’t have PTSD so if there’s anything I wrote wrong please tell me so I can fix it and improve my own understanding of it, thx and enjoy!

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You and Marc were working in the museum together, just chatting, not doing much of anything really. Well except when Donna was watching, which was more or less every five minutes or so because no matter how much you two tried to convince her that you were, in fact, cleaning the floors she just wouldn’t fuck off.

“Steven!”

They haven’t told her about their DID, they don’t think she’d react too well. They’re also glad she hasn’t been bothered to ask about the occasional shift in accents; she hasn’t cared enough to ask anyways.

“Donna-“

“Steven…”

“Donna, I’m cleaning you’re watching me do it.”

Daggers, right into his eyes. You can practically see them.

“Ma- Steven has the mop in his hand?”

-Is your attempt at defending him.

“Really?”

-Is her sarcastic reply.

You turn to Marc and give him a downwards smile, he side-eyes you pretending not to see but he can’t manage to suppress a grin of his own.

“And- I don’t see any mop in yours!”

She snaps, putting her hands on her hips.

“Don’t forget to do the bathroom, y’know the one someone managed to fuckin’ implode-“

“Yes, ok Donna.”

“Water literally everywhere! How does someone even-“

“We’ll. Be. Right. On it. Donna.”

You say stiffly cutting her off once more knowing their sensitivity around the subject, around what happened that day. Wouldn’t you still be a little freaked out if a massive demon dog chased after your alter and left you both just a little shook afterwards; finally making that alter finally aware of you? You know, big plot point in someone’s life to be honest.

Of course him and Steven are cool now, the whole ‘protecting the travellers of the night’ thing being over helps too. What doesn’t help is being able to remember all the bloody, action-packed, I’m-gonna-die moments that came along with it.

You give her the best ‘I’m being as polite as I can to you right now given that you’re my boss and I need this job, desperately’ smile that you have before she slowly turns and walks off.

“Could she’ve gone any earlier?”

“Yes, definitely.”

You catch his gaze after he glanced behind him in the direction of the bathroom.

“You… want me to do the bathroom?”

“No, no you don’t have to. I’ll help just like I’m helping now.”

You smile softly at him.

“Ok, I’ll take the mop. Do you wanna get the rag and spray bottle?”

He hands you the mop, swiping it from him letting the wheelie bucket it’s in trail behind.

“I’ll be back.”

He walks off to the cleaner’s closet.

You make your idle way over to the bathroom, fumbling a bit with your wired earbuds and phone to blast some music while you clean.

—

You see Marc in the corner of your eye, not being able to hear what he’s saying while waving frantically to get your attention. Taking one earbud out, you put the mop in the bucket and turn to face him.

“Sorry what?”

“I’ve got the rag and shit.”

He holds them up so you can see, he’s also oddly far away.

“Oh, ok yea. Just be careful the floor’s wet still. You… good?”

You glance down noticing he hasn’t stepped fully into the bathroom yet.

“Yea, of course.”

Your gaze clings to him worriedly before putting your earbud back in continuing to clean. You know better than to not trust his own judgement, who are you to tell him he’s not ok when he says he is…?

—

Alright Marc, time to do Steven’s job some more.

“You insisted on fronting today!”

As if on cue, an annoyed Steven from the back of his mind.

“I just wanted to talk to Y/n, I didn’t want to do your damn job.”

Marc snaps back almost instantly.

He looks up from the counter he’s wiping down and sees Steven looking back at him, he seems uneasy. A glance is shot in your direction to check you didn’t hear his sudden outburst.

“Marc…”

“What, Steven?”

“Your hands are… all trembly, maybe you should… take a step back from the situation mate.”

He sighs shakily, gripping the rag tighter in hopes to stop the shaking.

“I’m fine, stop worrying so fucking much.”

Steven scoffs. He throws his arms out and furrows his eyebrows obviously confused at how stubborn Marc’s being.

“I can quite literally read your bloody mind, you’re not fine!”

In turn Marc just hangs his head, closes his eyes and takes a few deep breaths blatantly ignoring Steven. Eventually, he pries his eyes open and turns his head to face you, happily bobbing your head to your music trying to get a particularly stubborn mark out the floor- completely oblivious, as you should be.

He tries to focus on you, on grounding himself, as memories of that night weave their way into his head.

“It wasn’t nice for me either, please at least just tell them?”

There’s a sense of urgency to Steven’s voice now.

“Shut- shut the… shut up Steven.”

They both notice his voice beginning to falter despite Marc’s efforts to hide it. Him in particular notices it’s getting harder to speak because of his throat starting to close up, stupid adrenaline.

“Marc, you can’t be in here any longer…”

A plea from Steven- ever so soft, ever so tender, ever so endearing.

He tries to reply but nothing comes out, he ends up just pitifully mouthing Steven’s name. Everything is going so fast somehow, his breathing is getting heavier, sounds seem oddly muffled, and his body feels like it could topple over any second.

“Tell them.”

Marc tries to swallow but can’t get it down, he leans over the sink resting his forearms on the counter. He simply shakes his head and rests it in his hands.

As if Steven had managed to tell you from the mirror something was wrong, you turn around to see how Marc’s doing. Not so well obviously.

“Shit Marc, you ok?”

No reply although you see his shoulders tense up.

You yank your earbuds out and let them hang down from your pocket, the loud music swiftly reduced to a faint hum in the background. Jogging over to him you lean down a bit to try and see his face. He looks so… vulnerable like this. Your nerves begin to build up rapidly as you hear his raspy breathing.

“Marc? Please talk to me are you alright?”

He reluctantly turns his head just so he can see you out the corner of his eye, he’s crying now as you see tears drip down into the sink from his nose. He opens his mouth trying to speak again.

“Ok… come on, let’s get outside, give you some fresh air.”

He takes short gasps of air trying to catch his breath, and half the stuff you’re saying is getting drowned out by his heartbeat rapidly drumming in his ears.

You put a hand on his back as you pry him away from the sinks and lead him out the bathroom and through a backdoor, you have to hold onto him to keep his knees from giving out.

He immediately sits himself down against the wall with your help, you can feel his hands shaking against you.

“It’s gonna be over soon, just hang in there and… do what you need to do.”

You sit down next to him, God you really hope he’s gonna work himself through this. You know he will. You just care about him, a whole lot, and can’t help when you get scared for him whether he likes it or not. Seeing him like this is just so out of character, he’s always so confident and… shielded.

You start to pick your nails anxiously, glancing over at him regularly hoping for any kind of signal that he wants you to help more, that he’ll let you help more. In these situations you know he wants to be left alone, so even though you don’t feel like it you’re doing everything you possibly can.

He brings his knees up and rests his forehead on them, he digs his nails into the back of his head as he tries to calm his breathing down like Steven’s telling him.

“Focus on my voice Marc, don’t think just focus on my voice I’m here ok?”

“Breathe in, breathe out…”

“Don’t think about it think about what’s around you. What can you see, what can you hear, what can you smell…“

He’s trying, he’s really trying and so is Marc but he doesn’t seem to be calming down any time soon. His heart’s getting louder, his breathing’s getting choppier and everything is way more blurry than it was a few minutes ago. He doesn’t know what to do, and everything’s getting worse.

After what feels like forever you check your phone and see it’s barely been two minutes, while doing this you pause your music having forgotten completely about it letting it turn to white noise.

You let your head fall back onto the brick wall behind you. You sigh trying to calm yourself down now, you let the crisp wind hit your features and fill your lungs.

Unexpectedly you hear Marc’s breathing slow down, you whip your head around to face him and watch the grip on his hair let up.

“Marc?”

After a few tense moments you watch as he raises his head and faces you, tear stained face and red puffy eyes meet yours.

“Marc…?”

You furrow your eyebrows confused at his sudden shift in demeanour.

He shakes his head and gives weary smile, he taps his name badge- Steven.

“Oh…”

You nod your head, giving him a weak smile of your own.

“Well, you two good?”

He signals to his throat and nods instead.

Ah, it’s clicked in your head, they may have switched but all the physical things going on with the body would stay the same.

“Good…”

You both sit in a comfortable silence for a while, just letting the tension settle down. Ultimately one of you speaks up.

“Sorry-“

He clears his throat and stretches his legs out on the concrete staring down at his feet.

“Sorry you had to be around for that…”

“No don’t say you’re sorry, it’s not your fault.”

“But, we could’ve prevented it, easily!”

“It’s not Marc’s fault either Steven-“

“No no that’s not what I meant- I just… I could’ve done something. Take control of the legs or something and walked us right out of there, I didn’t. I don’t know why I didn’t, was I scared? Why was I scared to if I was scared? I just don’t bloody understand-“

“Steven.”

Your eyes meet, the calm in yours seeps into his before you look away. You reach to his hand and caress his knuckles comfortingly, oddly rough for someone who should be working in a museum.

“It’s ok now, what’s happened has happened, so try not to think about all these would’ves, could’ves, and should’ves. Just, think about what you’re gonna do about it in the future. Even better, focus on the now.”

Steven exhales weightily and lets his lead fall limp on your shoulder.

“You should tell Marc that.”

—

“Steven! Y/n! Where were you? No, I don’t want to hear it. You’re both getting inventory duty for a week. Yes a week, starting fucking today. Now finish cleaning that sodding bathroom, how long does that take you anyways I’d have it done in half this time already. No, I told you, I don’t want to hear it I’ve got more important things to do—“

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My AO3

[taikk0]

i suck at ship art but i like style so uh yea

this was supposed to stay a sketch to learn how to draw pc kyle 4 the first time but i liked it a lot and thought it came out okay so i ended up actually finishing it :>

[caruliaa]

just bc im a lesbian doesnt mean tht i wont at times become deeply entranced with the beauty of male actor or character. it just means i wld rather be locked in a room with a man with a knife than do anything romantic or sexual with one

[the-voids-lullaby]

this was funny asf to me so I had to draw myself about it