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alpaca-clouds · 1 year ago

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The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

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alexanderwales · 1 month ago

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One of the software concepts that I found useful to bring over to writing is the concept of technical debt.

Technical debt is the additional work that gets created when you choose a fast option over a good option. It's "debt" because there's a very good chance that at some point you're going to have to repay it: you hardcode in some variables, deciding that you'll figure out the proper way to do it later, and eventually, surprise! It's later. You have to implement the solution you were putting off. And because you've been using the kludge for so long, sometimes that kludge has become load-bearing, and you have to spend quite a bit of time unraveling and refactoring. One of the reasons it's called debt because you have to pay interest on it.

And the thing is, it's not always wrong to accrue technical debt. Sometimes it helps you get to working on the important thing, and can clarify design details or implementation concerns, and sometimes you can just ship without ever having to do it the "right" way. Sometimes you can wriggle out from under that debt and never suffer any consequences from it, even if there were theoretical consequences when you made the decision to do it the fast way.

The way that this applies to writing is mostly in terms of worldbuilding, character building, and plotting. You can sit down and map a whole novel out without writing a single word, whipping up character bibles and setting details and everything that you might possibly need, all before you write a single word.

... or you can accrue some debt and just gun it, writing as you go, making things up, adding them to some kind of tracking document or just not even doing that.

And as with code, there will come times you have to pay that debt back with interest.

Sometimes you skimp on a character's backstory, and then a few chapters down the road you need to make a decision about it, and suddenly there's a bunch of editorial work as you have to make sure that everything you just decided on matches up with what you've already written. A more extreme example would be writing a mystery novel where you haven't decided on what the answer to the mystery will be until very very late: it would either produce a bad mystery or require tons of rewriting.

As with code, the difficulty is knowing when you're incurring technical debt for a good reason and when you're shooting your future self in the foot.

Here are my rules of thumb for writing, in terms of what's acceptable technical debt:

Plot stuff should not wait. You should have a resolution for your story within the first few chapters of writing that story, and ideally, before you even start.

Everyone (and everything) gets a name the first time it appears. You cannot say "the gardener" a dozen times because you don't want to think of a name for the gardener.

All magic systems and superpowers and whatnot should be rigidly defined before they come onscreen. This doesn't need to be known to the characters, and "soft" magic has less of a requirement, but having rules be thought up midway through a fight scene is essentially the definition of generating technical debt.

Descriptions take little effort to bring into alignment, so can be skipped on first draft, so long as there is a description there. Having descriptions written afterward can help to understand mood and requirements of the scene.

Backstory is really variable, depending on how relevant to the plot it is. If it's going to be driving conflict, it needs to be worked out ahead of time. If it's flavor, it can be winged.

I am, of course, not the best follower of my own advice, and sometimes for very long webfic it's impossible to plan that much in advance. And of course I never go into every work having had every idea I'm going to have, and some of those ideas are good enough to include even if they disrupt a plan and require some refactoring.

#writing

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physalian · 8 months ago

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In Defense of Fanfiction (Or the perfect starting point for your original novel)

Fanfic gets a bad rap pretty much everywhere except Tumblr. It’s misunderstood and misrepresented by its average works, seen as juvenile and cringey, or a banal point of contention between a famous person or piece of media and its fans.

Outside of fanfic that writes about real people, especially smut fics of real people, I support the art wholeheartedly. Fictional characters are one thing, but personally, caricaturing a celebrity’s life for public consumption and writing or drawing them in compromising content without their consent is a little weird. You do you. Don’t like, don’t read, as they say.

Fanfic is the perfect starting point for a few reasons:

It places you in a creative box and forces you to work within those constraints

It does all the worldbuilding and character concepts for you

It lets you write way outside your comfort zone

When published and receiving feedback, it boosts your self-confidence

It's incredibly flexible

It’s practice. All practice is good practice

—

Behold your creative box

When I was little I had no idea the majority of fanfic was shipping fics. I always pictured and looked for canon-divergent alternate universes. Like, what if X happened in this episode instead of Y? What if this character never died?

Fanfic demands you work within someone else’s canon, whether it’s an OC in the canonical world, or the canonical characters in an AU. These are like little bowling bumpers saving you from the gutter, but also keeping you on a straight-ish path toward the pins.

The indecisiveness of too many choices can be too intimidating when you’re first starting out. You want to be a writer but you have no idea where to begin, what genre to pick, what characters you want to chronicle, what themes you want to explore.

Even if it sits on your computer never to see the light of day, you still got those creative juices flowing.

Pre-packaged worldbuilding

Sometimes all we want is to get to the good stuff. Maybe I want to write a story about elemental magicians but Last Airbender already exists and I just want to play in a pre-existing sandbox. So I write some OCs into that world and have a free-for-all.

I don’t have to come up with my own lore, world history, magic system rules and mechanics, politics, geography—any of it. I get to just focus on the characters.

Even if you’re writing an AU, like say a coffee shop AU, you don’t have to think about brand new characters, you can just think “What would M do?” and go from there. The trade-off is your readers will expect canonical characters to behave in-character, but I think it’s worth it.

Stretch beyond your comfort zone!

Do you hate writing action scenes? Go practice with a shonen anime fic. Need work on dialogue? Write some high-fantasy fic, or a courtroom drama. Practice a fistfight by watching fistfights and writing what you see, and do it over and over again until what you read makes you feel like you're watching what’s on screen.

But beyond that—practice genres that you aren’t super familiar with. If you’re new to fantasy, write fantasy fic. Or a mystery novel/show, thriller, comedy, satire, adventure, what have you. The nature of fanfic still gives you those “guardrails” and you can get some brutally honest feedback on how you’re doing.

And, of course, the realm of M-rated romance and smut fics. I haven’t because I think I would die of embarrassment if I tried and I never intend to include sex scenes in my works anyway, but if you do want to, use the internet as your test audience. Post it on a throwaway account if you’re nervous.

Build that self-confidence!

The fandoms I used to write for are super dead, so it’s insane how I still get email notifications that so-and-so liked my fic to this day. Comments are as elusive as ever, but random strangers on the internet telling me they liked my work is a magical reassurance that my writing isn’t actually awful.

Random strangers on the internet are, as we all know, beholden to no moral obligation to be kind to your little avatar face, or be kind to be polite. So a rando taking the time to like my work or even leave a positive comment can feel more honest than one of my friends telling me what they think I want to hear.

I tend to avoid the more present aspects of fandom like online communities, forums, social media, what have you, so I get a delayed and diluted aspect of any given fandom through completed works. Which means, in general, I get to avoid the worst and most toxic aspects of fandom and get to sift through positive feedback and critique.

Even if your fanfic isn’t written with stellar prose, it’s fanfic. We don’t expect Pulitzer-prize winning content. And if your work isn’t up to snuff, people are more likely to just ignore it than put you on blast (at least in my experience, I never got a bad comment or a “flame” in the old FFN days).

Fanfic doesn’t care about the rules of published literature

On the one hand, try not to practice bad habits, but with this point I mean that your layout, punctuation, formatting, paragraph styles, chapter length–all of it is beholden to no rules. I get as annoyed as the next reader with giant blocks of paragraphs, or the double-spacing between pages of single-sentence paragraphs, but if the story’s good enough I might ignore it.

There’s more than just straight narrative fics, though. People write “chat” fics, or long streams of text and group chat conversations. The scene breaks can come super rapidly–I’ve seen fics with a single sentence in between line breaks to show the passage of time. And without the polish of a traditionally published novel, I’ve never seen a purer distillation of author voice in any medium more than fanfic.

All practice is good practice

Even if it’s crack fiction, or a one-off one-shot, or something meant to be lighthearted and straightforward and free from complex worldbuilding and intricate plots. It really helps break writer’s block when you can shift gears and headspaces entirely and you can get relatively instant feedback to keep you motivated.

Beyond that, the “guardrails” help you stay consistent as far as character growth and personality if you struggle with designing rich characters.

The most recent fanfic I wrote was just a couple years ago, for a dead fandom I didn’t think would get any traffic whatsoever. It wasn’t my original works, but the feedback on that fic gave me the kick in the butt I needed to get back into writing more seriously.

—

In short, I support fanfic. I may not be proud of my earliest fics' prose now, but I am proud that they walked so I can now run.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #fanfic #fanfiction #archive of our own #ao3 #ffn

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moltengoldveins · 1 month ago

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honestly I’d like to see more weird interesting interpretations of the effects a magical or ‘humans are space orcs’ environment could have on a chronically ill character. Like, I have a Ton of random sensitivities that could absolutely screw me over should I end up in Fantasy/Space/Pandora Land, such as:

Mold sensitivity absolutely SCREWING with someone in Bioluminescent Magical Mushroom Land. They walk through the archway or up the path or whatever into the magical tree place and just Immediately pass out. If they’re brought there unconscious, they simply don’t wake up, and eventually when their friends wake up they puzzle together that the illumination for the whole building is just Mushrooms in the Walls.

Someone dealing with a detox issue who currently has a ton of heavy metals in their system walking underneath a floating island being held aloft by magnetism and just bowling over in agony as the current pulls the metals from where their body stowed them into their bloodstream. I’ve sorta had this happen to me, I tried one of those “run a magnetic current thru your body so the metals are dislodged and your body can flush them out” things, but I didn’t know I was dealing with a complete shutdown of the systems that remove toxins from your body (kidney and liver and sweat and more all of it was in complete shutdown I was actively dying dw about it-) so all it did was shoot a bajillion little capsules of poison into my blood with nowhere for them to go and I almost passed out and felt like crud for the next week.

Moon sensitivity being So Much Worse on a planet with multiple moons. People’s hormones and periods and chronic pain spiking randomly with basically no warning or schedule it would SUCK. A character with bipolar is So Much Worse on that planet and none of her alien friends know what’s happening.

Spikes and drops in barometric pressure due to magically summoned storms causing severe chronic pain flare-ups in either the mage summoning the storm or one of their allies whom they didn’t know had joint problems. Same with a planet with a very unstable atmosphere.

Vitamin or nutrient deficiency, or genetic conditions that prevent someone from metabolizing the nutrients in their food and necessitate supplements. This would be HUGE. Can you imagine a human character with anemia, or low vitamin D, or an issue metabolizing folic acid in space? Or in a medieval world that can’t accommodate their needs? Just an alien crew watching in worried confusion as their human slowly grows sluggish, twitchy, forgetful and snappish during an unexpected long haul to a distant outpost. When asked what’s wrong, they say they’re fine, or that their nutrient intake has just been low recently, but they’ve been eating the same things they always have. The ship medic does a brain scan and realizes their grey matter is cannibalizing itself, and he can’t figure out why. The human stops exercising, and when they do, one of their crew mates notices they aren’t sweating anymore. One day they run into the room of another crewmate with a padded floor nest, curl themselves into it, manage to stammer out a “don’t worry, don’t tell others. I’m ok” before they start thrashing. Finally they arrive on base and the human medic is like “Oh dang. You didn’t refill your folinic supplements before you came here did you? Dang. we’re gonna need to keep you on a higher dose for a bit to try to make sure your immune and detox systems don’t crash. How bad were the seizures?” and every alien in the crew is Horrified.

Someone who needs assistive devices but only occasionally has a bad day halfway through the Magic Quest and realizes in horror that they forgot their cane/ can’t currently access their chair. Someone who takes muscle relaxers or painkillers thrice or so a month having a huge flare-up and being immobile for an entire day while rushing to Stop The Evil Lord.

Someone who needs excess oxygen always walking around in an atmospheric suit, even in human-friendly atmospheres, because they’re self-conscious about the breathing tube.

Someone with POTS trying to keep their salt intake up in fantasy medieval Europe where salt is tricky to get, or a space setting where salt is a minor poison to most species.

#molten rambles #Look I’m right about this this is Fascinating #chronically ill #chronic pain #chronic illness #fantasy #humans are space orcs

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harzilla · 4 months ago

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*slaps hand on table*

Tell me about your Yuusona. Your twst protag. I love seeing people's ideas and concepts. Are they just you? That's awesome! Are they twisted from a Disney character? Sweet! Are they your way to work through your trauma? More power to you!

One of my favorites is @ilmacore 's Maria. Blessed adorable abuelita Yuu.

I have four currently rolling around in my head. Each one is based on a type of genre.

The first is chubby!Yuu, the shoujo/magical girl type. My darling lil chubby gal who is another member of the sunshine team. The best damn support these boys will have. Her nickname from Floyd would be capybara(I originally had it as manatee but capybara fits her more because she's genuinely nice and tries to get along with everybody). I see her wearing a lot of cottage core, florals, etc... soft feminine clothing. Her ending would have her finding a way back home but being able to travel back and forth between Twst and her home world. You can guess which boy(or boys) might have a crush on her based on these pics.

The next one I call punk!Yuu. The one who fits the shonen archetype. Had a shitty life growing up and was a homeless teen. They ended up in Twst after dying from being hit by a car. Most likely to throw hands for pissing them off. Floyd calls them pistol shrimp. Climbed on and smashed the head of an overblot. Threw Jade at Floyd during book 2's investigation. Protective of those they care about. Lots of piercing and punk style clothing. My favorite ship with them is actually Riddle. Very opposites attract situation. But they have a lot in common(Yuu's father was a worse version of Riddle's mother) Yuu teaches Riddle to live life more freely, and Riddle teaches them to be less rebellious. This Yuu stays in Twst when they find out the truth of how they got there because they're genuinely happier then they ever were back home.

The third Yuu is adopted!Yuu. The one from my previous musings. A Yuu that fits the reincarnated! Archetype. This Yuu originally died in the bad ending timeline where Yuu overblots and becomes a calamity class monster who destroys the world. They were given a second chance at life when they finally died in the first timeline. They reincarnated as an infant and was adopted by Crowley. This Yuu is fairly mellow, when asked why they did something the answer is just they felt like it, but is also good at pulling at Crowley's strings to get what they want. They have a preference for loose, casual clothing. Preferring to wear things like oversized t-shirts and hoodies. Their ending is they almost repeat the calamity when their past life memories begin to overtake their current life after all the overblots including Grim's. But the difference is the previous life Yuu has nobody, but this Yuu has their friends, Grim, and Crowley to save them.

The fourth Yuu I call Author!Yuu. They're pretty much a Yuu who gained so much magical power they became the equivalent of a god. Because they were the first anomaly, they don't age at all and have lived thousands of years accumulating magic and knowledge, even out living Malleus. Their life is lonely and they actually don't want to see another person end up like them. Their magic allows them to manipulate the timelines within a certain limitation. They can't rewrite timelines completely, but they figure out a loophole by finding the alternate versions of themselves they think will give the best outcome for the "story" of the world. This Yuu is the one who figured out the precognitive dreams system to help each Yuu out. This version of Yuu exists in a world where ALL the stories of Twst are true. Fanfics, fanart, game, manga, novel, etc... every story is its own world and this Yuu records every one of them within their great library. Every book in the library of their soul is a story somebody has written about the world of Twst.

So, tell me more about your Yuus.

#twisted wonderland #twst #twisted wonderland x reader #twst x reader #yuu twisted wonderland #twisted wonderland au

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stationintern · 8 months ago

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Hello all!

This month was, truly, a beautiful month for me reading-wise. The birds were chirping, I found smut that made me sweat, and I revisited some old favorites. Let's jump right in. I am so excited to share these with you. (Hence why I am posting this a day early.)

Strap in!

Dwelling On Dreams by @the-sinking-ship for H/D Big Bang 2021, 135k, E

I reread this fic this month, and it was just as delicious as I remembered. There are aspects of this fic that felt burned into my memory, so it came as a shock to me when I realized that the last time I'd read this fic was over a year ago. Everything about it feels so vivid. Harry's magic, his raw sexual energy. Draco's ability to make me scream at my phone and throw a mini temper-tantrum. I love flashbacks, and this fic has them in abundance. If you're looking for a thick read with complex characters and an interesting case to solve, look no further!

Hear Me Out by @rainstormradish for @dronarryfest 2024, 5.2k, E

I am pleased to announce that I have officially bought my ticket and jumped on the Dronarry train. You've all convinced me. This fic, in particular, is what really got the ball rolling. This was... immaculate. When I said I found smut that made me sweat, I MEANT IT. I had to, like, physically reconnect with my limbs after I read this. A bit of fake dating to start you off, and it only gets better from there.

The Way You Say My Name by InnerLilith 5.3k, E

Ya'll ever just bark at your phone? Sometimes, a girl just wants to read about Harry Potter going absolutely bonkers over Draco Malfoy calling him sweet little names. Very hot, very important to me.

Please hold. Your call is very important to us./Bloodlust and Bureaucracy by @goblinmatriarch 5k, T/8.5k E

DOUBLE FEATURE! I love the smell of wizarding bureaucracy in the morning. What a little world you have built! Authors who can create a new little piece of the wizarding world to explore mean the world to me. Very interesting in regards to how the medical system in the wizarding world relates to its real-world counterparts. Also, some biting action. Very smart, very hot.

Crossed Wires by @skeptiquewrites 11k, E

Critics are raving. "Literally ripping up the wallpaper in my home," says one reviewer. "Gnawing at the bars of my enclosure," says another. Bureaucracy lovers win forever and ever. Also, Draco gets to wear many suits. Harry Potter the reluctant politician. I couldn't have wished for more.

Our Objective Remains Unchanged by @citrusses 46k, E

BOATS, REPRESSION, MORE BOATS, EDGING (for sports purposes), EVEN MORE REPRESSION, AND WILL YOU BELIEVE ME IF I SAY THERE'S MORE BOATS. I don't know how you've done it, but you've managed to parallel the epic highs and lows of college rowing with the literal wizarding war. If that isn't talent, I don't know what is babe.

Truth or Dare? by @lettersbyelise 3.4k, E

There is truly nothing more intimate than jerking off your childhood rival while a party goes on around you. THAT, my friends, is the key to post-war, inter-house unity.

Borrowed Time by @the-starryknight for @dronarryfest 2024, 7.6k, E

Oh this was fire. What do you know about body swapping threesomes? Would you like to know more? Yes. Yes, you would.

Alrighty, I think that's all for now, folks. Very thankful to be in a fandom with so so so many talented people. You all blow my mind. Here's to another month of fantastic fiction!

See ya!

XX, Moon

#drarry #draco x harry #drarry fic rec #drarry fic #moons monthly fic recs

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artist-issues · 2 months ago

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So if you could tell everyone about your favorite movie, what would you tell them about it?

PS I love your blog and your media deep dives

Thank you! So kind! Anything good I have to say is really just because of Jesus, not me. I'd tarnish and ruin good things, left on my own.

I keep trying to tell everyone about my favorite movie, but I get so choked with all the things I want to say—and knowing that the more deep I make it seem the less they'll like it because they're not accustomed to deep-diving into children's media and that'll skew their enjoyment of it—that I wind up falling back on the tried and true "it's so good, you have to see it, I can't believe you've never seen it before, we have to watch it!"

It's Lilo & Stitch.

Lilo & Stitch is incredible for so many reasons.

It was an underdog in the Disney Studio. One of their lowest-budget movies, in their B-Team Shabby Florida Studio, and only a handful of higher-ups really believed in it. And now it's one of their biggest, longest-lasting, farthest reaching worldwide franchises.

Disney was stuck in a rut of making only a certain handful of movies; Triumph-of-Humans Adventures, or Princess-Fantasies. And Chris Sanders, the guy who basically invented their Story Department during the "renaissance" period, came along and said, "let's break the mold. Let's just try something small, quirky, bold, and new. Let's flip the script on everything except good storytelling." Instead of Princesses, you get Normal Humans Living in a 2002 rural beach town. Instead of Magic you get Sci Fi—but only like five minutes of Sci-Fi. Instead of a Romance you get Family. And when we say "family," no, we don't mean, "Epic Lion King or Tarzan Coming-of-Age Destiny Stories—" we mean "orphans about to be split up by the foster care system, needing a friend." Instead of Lassie (pet movies, like 101 Dalmatians or Lady & the Tramp.) you get something closer to Gremlins meets E.T. Instead of an Epic Adventure, you get Smalltown Sister Tries to Find a Job. Instead of Dashing or Loveable Main Character you get Mildly Disgusting Main Character who picks his nose and pushes little orphan girls down, for fun. Instead of a Namable Famous City on Earth, like New York or London in their old movies, you get Nameless Town in Hawaii. Instead of Hero Triumphs, you get Villain Redeemed.

The style. All the alien ships look like fish, all the alien creatures look like some take on small-town animals like armadillos or pigs or bobcats, or more aquatic life. And then it matches with what? Small Town Hawaiian Imagery. So you get the idea that not only, stylistically, do the visuals of the movie blend well, but, Stitch not only doesn't belong in outer space among those aliens—he doesn't belong on Hawaii, where even the locals have something in common with the Galactic People, and he does not.

Watercolor backgrounds. Nobody was doing that. Nobody is doing that. They didn't have to do that. It's just beautiful, and soft.

Stitch. As a character. Name one other character whose arc starts with "you can never belong; there is nothing inside of you that is good." and then ends with "loved unconditionally, adopted into a family that loves him in spite of the trouble he brings them. In spite of his inability, at first, to love them back."

Lilo. Lilo is loved that same way by Nani. Nani willingly invites trouble into her already fraught life if it'll make Lilo the tiniest bit happier. Even though Lilo already makes Nani's life hard. Lilo, too, is about to go into the next phase of life with nothing—if the social worker takes her away, she'll have lost her parents, her sister, her home, and her hometown, which she's shown to know and love—and we've already seen how feeling lost and like she doesn't belong causes Lilo to act destructively, because her classmates treat her like she doesn't belong and Lilo beats the crap out of them. The directors said it like this: "Lilo is a future Stitch," if she's taken away.

All these characters have holding them together is this commitment to this definition of family: "Nobody gets left behind or forgotten." Lilo and Nani were "left behind" by their parents, because their parents died. Or they could think of it that way. But Nani doesn't. She does whatever she can to keep Lilo with her, and refuse to "leave Lilo behind." She's eighteen, nineteen—she could go on to college, live in a dorm, while her troublemaking sister goes to foster care. She has all these surf trophies on her nightstand—she could've been somebody if she'd left her family behind. But she doesn't. Whether Lilo loves her back or not, she won't leave Lilo behind. And guess what? Whether David, the surfer boy, gets Nani's love back or not, he loves her and is there for her. Whether Stitch loves Lilo back or not, she sticks with him—until she almost doesn't, but guess what, by then it's okay, because he's learned. He's been transformed by the idea "nobody gets left behind," which is just another term for "unconditional love."

The commitment to FOCUS. Chris Sanders is always good at this. But this movie could've been about, or addressed, DOZENS of social issues. It could've picked up the "government worker" flag. It could've picked up the "racism" flag, or the "classism" flag. It easily could've picked up the "feminism" flag, or the "be yourself" flag, or the "find who you truly are," or the "you're worth everything" flag. But it didn't. It CUT OUT previous scenes that would've addressed racism or classism. It JUST later-focused on one, universal, unifying theme that every human on this planet can understand, and relate to, and needs to be reminded of: "family loves unconditionally."

This movie is why I looked into being a storyteller. Just this movie; no other movie did it for me.

#Disney #lilo & stitch #stitch #thanks for asking #asked #answered #lilo #characters #characterization #writing #storytelling #meta #character analysis

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fountainpenguin · 5 months ago

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☁️ Cloudlands AU ☁️

Fairly OddParents

A serious deep-dive into FOP's worldbuilding, with a focus on sewing seemingly conflicting canon together to create consistent lore. Heavy emphasis on non-human biology and complex magical cultures.

#ridwork guides

What Is Cloudlands AU?

An FOP series ft. detailed lore and character relationships. The goal is fanfics that expand on the show's canon without conflicting it if at all possible, even if that means wild explanations.

Why does Crocker's portal to Fairy World have a completely new design every time it appears? Who's that anti-fairy kid Jorgen claims H.P. and Anti-Cosmo raised together? What's up with the Sacred Silver Pencil Sharpener of Canada? And are you telling me Cosmo and Wanda were assigned as godparents to Erg 40,000 years before they were married, presumably while Wanda and Juandissimo were dating? What was that like? We talk about it all!

A carefully considered magic system does a lot of heavy lifting. ❤️

AO3 Series: 130 Station, Rainbow Train, and Other Arcs

FOP blog tag - #FAIRIES!

Tone

Mostly drama with fluff and angst mixed in.

Characters

Mainly Pixies (H.P. & Sanderson), Anti-Fairies (Anti-Cosmo, Anti-Wanda, Foop), & the late modern kids (Poof, Goldie, Goldie's counterpart Anti-Marigold).

Cosmo, Wanda, Timmy, Chloe, and other humans (such as Denzel Crocker, Kevin Crocker, Gary, Betty, and Ed Leadly) also have arcs and messy backstories.

Ships

Canon-compliant, but expanded on. Ex:

- Anti-Cosmo married his childhood betrothed while Anti-Wanda was dating Anti-Juandissimo.

- H.P. and several OCs across his long life. Those romances go... great!

- Shout-out to Mark/Vicky, Poof/Goldie, Foop/Anti-Marigold, Foop/Anti-Coriander, Timmy/Molly & Chloe/Kevin (My beloveds...)

- Also worth mentioning that I treat Wanda/Juandissimo as a sincere and pleasant part of their backstories. They went their separate ways, but had a non-abusive dating life. They were friends :)

- Sanderson has a ton of will o' the wisp dating life issues, but we don't have time to unpack that right now.

Setting

Most works take place in the cloudlands, which include Fairy World, Anti-Fairy World, and Pixie World. Some works takes place in Dimmsdale. Rarely works take place elsewhere, such as alien planets or Unwish Island.

Is It For Me?

This AU is highly detailed. It clings to canon to the point of being ridiculous. It can be tough to get into due to long works and a heavy focus on less popular characters (such as Pixies), but there's a lot to read.

This AU focuses more on magical beings in the supporting cast than it does the main cast, but there are still notable pieces about the mains.

For a breakdown of detailed lore, see the Orange Train post

Major Themes

Growing up, making mistakes, pushing through hard times, recovery, revenge, forgiveness, growth, change, and letting go.

Plot Highlights

- Origin of the Pixies - A young H.P. contracts the real-world bacteria Wolbachia pipientis, which causes wasps to reproduce asexually. Now he's caring for an exponentially increasing amount of pixies he never wanted in the first place, on top of drama like his wife accusing him of cheating and him being kidnapped by Cupid's family because he's the holotype of a brand new species.

- Frayed Knots - Anti-Cosmo, raised in the anti-fairy baby ban era, experiments with Anti-Fairy biology in the hopes he'll discover a loophole to achieve his dream of being a father. In doing so, he finds a breakthrough that could possibly flip biology around so Anti-Fairies are the hosts and Fairies are their reflective counterparts bound to their whims... and he becomes obsessed with fathering a generation whose biology is exactly that.

- 130 Reasons Why I'm Fairy Trash - Happy Peppy Gary and Betty were raised as Pixie tools since they were 10. At age 18, Betty opts to wipe her magical memories, cut ties with Gary, and move to Brightburg. Gary, blindsided and desperate, throws himself down a trainwreck of bad decisions in an attempt to retrieve her memories from Fairy World. Everybody clap for him. (And other stories.)

- Come What May - Kevin Crocker spends the spring with an uncle and grandmother he's never met. Ghosts, the popular kids, an anti-fairy, and his uncle's talking cat make it their personal mission to bother him. It's a good thing he's dead inside.

Ongoing?

This long-term passion project began in March 2016. It is ongoing with intent to wrap up the existing projects in the next several years. Updates tend to come in bursts with breaks in between.

- Want AO3 emails? Subscribing to both the Rainbow Train & 130 Station series will cover everything in Cloudlands AU.

- Or, subscribe to specific plot arcs. Find the list HERE.

Warnings, notes, and explanations below so readers can learn more about this AU. Proceed with caution. Don't like? Don't read.

- There are abused children, neglectful adults, and non-human characters in fanfics for the show about abused children, neglectful adults, and non-human characters?? Scandalous. (Seriously though, this one's a doozy)

👀 Take a Peek

New here? You might like to start with these:

- "Mama's Boy" (G - 3000 words) - A back-and-forth comparison of Cosmo's upbringing against Anti-Cosmo's. Quick and easy read, and definitely a fan-favorite.

- "Make You Proud" (G - 4700 words) - Anti-Wanda is excited that she won a gold medal at the Fairy World Games. She tries to get Anti-Cosmo's attention while he's distracted with the event. Fluffy, silly character study.

- "Step Back" (G - 5600 words) - Foop gets overwhelmed at a party with his extended family. A brief glimpse into Anti-Fairy World and who Foop is shaping up to be as a person. Foop is my favorite to write character studies for and this is an oldie, but a goodie.

- "Solo" (T - 6000 words) - A young pixie answers phones as part of his coming of age trial. Things go awry when Gary and Betty call for help from Florida and the inexperienced pixie is at a loss about how to get them back to California. Takes place during the S4 episode "Baby Face." Huge personal favorite of mine; this is where plot really kicks off. Good introduction to the drama you can expect in a lot of my work.

- "Sentry" (G - 6000 words) - The start of a 3-part arc about Poof, Foop, and their pixie classmate (Finley) at boarding school before transitioning to spring break. The arc starts with Poof getting in trouble for fighting, then moves to Poof reflecting while on the bus, then moves to the three kids spending time with their grandparents.

- Very soft drama with some fluff; a good taste without getting overwhelmed. Also, this arc is more recent than the pieces above, which were posted in 2016. - Takes place at the end of 130 Prompts Arc 2, so it does contain very minor plot spoilers.

Start Reading

Recommended ways to get into the full AU

🌄 First Written - Baby, You're a Rich Man

H.P. and Sanderson got their hands on a baby clown. Now they just have to get him safely back to Pixie World when they've been deprived of magic and damaged their truck.

- Based on the Season 4 episode "School's Out! The Musical" - An introduction to magic basics, biology, and world lore through Sanderson's eyes. - Throws readers directly into the thick of things with Sanderson's meandering thoughts and extremely unhealthy fixation on H.P. and/or taking over as Head Pixie someday

🗑️ 130 Reasons Why I'm Fairy Trash

The 130 Prompts project is a series of one-shots that explores my FOP character ideas and worldbuilding.

- "Excitement" (G - 7500 words) - The first piece written for my series 130 Reasons Why I'm Fairy Trash. It's about the Pixies traumatizing 10-year-old Gary and Betty at an amusement park so they'll cling to safety in the future. From here, you can read the 130 Prompts series in recommended order if you like.

If you're new to my worldbuilding, I recommend reading the prompts in the suggested order instead of chronological order. This way, you'll be given worldbuilding info in order instead of jumping to a piece where that info is assumed.

📅 Chronological Start - "First Things First"

A 10k-word piece (G-rated) about nature spirit OCs, featuring cameos of canon characters like Mother Nature, Father Time, and the Grim Reaper. This piece sets up lore for the Fairy zodiac, which plays a role in Frayed Knots especially.

- Each piece in the 130 Prompts series has Previous and Next links so you can either read in recommended order or you can follow the chronology from start to end. - Reading chronologically is not recommended unless you're already familiar with the worldbuilding - Full timeline chronology (Entire Cloudlands AU)

🗺️ Worldbuilding - So, You're Studying the Cloudlands...

A collection of worldbuilding and meta essays covering subjects like biology, culture, history, holidays, magic, maps, and a handbook on new godkid assignments.

You may also like my @riddledeep blog, where I first posted this meta. I'm currently moving things to the guide linked above. This way, the content is backed up and accessible to those who don't use Tumblr. Posts will remain on the blog.

📋 AU Notes & Warnings

Author writes villain encounters & villain backstories about complex non-human societies and does not inherently condone any viewpoints presented by characters or the societies they live in.

- This series focuses heavily on Pixies, Anti-Fairies, and cloudland or Fae culture. There is less focus on human godchildren or the main characters in the show (like Timmy, Cosmo and Wanda).

- This series is built so that many intricate storylines and worldbuilding elements weave together. There's no shame in skipping pieces you don't want to read, but you may miss plot or worldbuilding details important to the larger story. It can be intimidating to get into such a big project.

- This series does have fluff, but relies on drama. Content may be upsetting, and the order you read things may limit the chance for mental breaks.

- Lots of drama and complicated things going on. I recently changed the rating of my longfics to Not Rated & Creator Chose Not To Use Archive Warnings due to the sheer variety of things, such as:

- Fantastic racism (Fairies, Anti-Fairies, Pixies, genies, and others disliking each other)

-> Show canon heavily implies these races have conflict. Jorgen faced no pushback for calling Norm a "filthy genie" on international TV. Jorgen and others refer to Pixies with rude terms such as "cone-headed freaks", etc.

- Social ladder/caste system (Cupid's ancestors organized fae in a list many generations ago to help Fairies find species with heat cycles that overlapped theirs, but the system has been corrupted into legal discrimination)

- Biologically assigned status (Male Fairies who eat a lot of jelly at a young age will develop into gynes: big, tough, freckled Fairies who fight with each other to defend their turf and drone companions. Think how H.P. and Big Daddy have unique body shapes compared to the other Fairies. They're gynes!)

- Some young bees are fed royal jelly so they develop into queens. The name for these "princesses" is gynes, so I yoinked that

- Most of the pixies are drones, apart from a few gynes. Vice President Longwood is due to succeed H.P. as Head Pixie someday, which Sanderson (a drone) absolutely despises.

- Fairies lick each other in greeting to spread pheromones, mirroring a hive of eusocial bees that gather near the queen to lick her

It's basically a non-sexual A/B/O dynamic, which was completely unintentional and I got a good laugh out of it when I realized what A/B/O was years ago. Convergent evolution...

- Mpreg - It's canon in the show that male Fairies give birth. I don't have anything to say about it; just that it's canon in my work too and treated with the same sincerity as everything else.

- Injury - Includes long-term injury, temporary injuries, and self-harm (Ex: Cutting your palm to stop using magic so you won't age). I don't consider this series bloody or gory. Fairies do have rainbow blood that's mentioned occasionally, but they're very elastic and heal quickly. The humans don't really have bloody moments.

- Character death - Most common when gynes fight to the death, but I've written other deaths as well, such as one where the Pixies caused a car crash on purpose because it benefited them.

-> Fairies are very resilient. Anti-Fairies regenerate if they're killed, as they can't die if their host counterpart (the Fairy) still lives. Death isn't overly common in my 'fics, but I'd feel weird warning for other things and not mentioning this one.

- Sexism (Anti-Fairy World tends to look down on women; Anti-Cosmo in particular tends to parrot the sexist beliefs he grew up with and gets annoyed at pushback)

-> Male bats often mate with many females (up to 30 sometimes). I built Anti-Fairy society around the idea that females outnumber males, but males see it as a sign that many women should be subservient to them because "it's nature." Anti-Cosmo is a product of his culture. Diversity loss! The villain has harmful views!

-> Anti-Fairies tend to be less racist and more sexist than Fairies while Fairies tend to be less sexist and more racist.

- Honey-lock - Anti-Fairies get flooded with hormones and magic 3 months after their counterparts mated. The pair are driven to locate each other, mate, and produce children in reflection of their counterparts.

-> what do you mean that's traumatizing? Dang, you guys live like this?

-> Anti-Cosmo's underlying goal in Frayed Knots is to beat the system so the next generation of Anti-Fairies will be born without the honey-lock's effects.

- Sociosexual Anti-Fairy culture - Anti-Fairies have a touch-based society themed around bonobos because I thought it would be interesting, particularly in a society where pregnancy is out of your control anyway (i.e. you can't accidentally get pregnant- It's in your counterparts' hands).

-> I do think "It feels good and we have few consequences, so why not?" is a reasonable direction for their culture

-> I'm not sure I would make that same choice years later, as it can be quite off-putting, but I'm glad I got to worldbuild with such unique building blocks. I enjoy it, but it's not for everyone.

- Infidelity (Anti-Cosmo cheats on his wife before Anti-Wanda and is implied to sometimes cheat on Anti-Wanda)

-> You're telling me the sexist sociosexual culture has infidelity and the evil villain fell into it? Bummer...

- Iris Virus - Having colored eyes in Anti-Fairy culture is played as an STD that's ceremonially passed to new individuals (because... sociosexual culture).

-> Also, what was I supposed to do with almost every Anti-Fairy having red eyes but Anti-Cosmo, Anti-Wanda, Foop, and the occasional background Anti-Fairy have other colors? Genetics? No way! 😃👍

-> RIP Anti-Cosmo. I'm sorry I find it hilarious that you cheat on all your partners and then sob like your trust's been shattered when your wife chooses to pass the virus on to secure allegiance with a valuable ally. Her body, her choice, dude.

- Child, physical, emotional, and sexual abuse (Frayed Knots in particular is not a hunky-dory story; Anti-Cosmo was often hit as a child. Some characters are cruel to Anti-Cosmo and he is cruel to others as well.

-> There are abuse themes in the Fairly OddParents 'fics?? The TV show about abused kids? what won't they think up next.

-> Cosmo's mother is doting in canon, so I portray Anti-Cosmo's mom as abusive to him.

-> Living in a sexist sociosexual culture sometimes leads to sexual abuse?? Also, belonging to a species that is magically forced to reproduce when your counterparts do even if you didn't consent is probably also sexual abuse? wild.

-> In Origin of the Pixies, H.P. was kidnapped by a will o' the wisp in his younger years and pressured into sex while she was producing milk for newborn Sanderson.

-> H.P. is emotionally distant and not the best at coping with what happened to him. He doesn't necessarily pursue help or get the best closure to this story. Don't hold the villains up as role models.

-> Foop has an alternate personality. This is canon; here's a compilation video I made of his appearances in the series (Note, this compilation includes Foop's Terrific Twos and some scenes where his alter is implied with eye highlights and a high voice to be there, but not confirmed). It's heavily implied he gained this personality due to being isolated in Abracatraz since the day he was born.

-> Cupid's family kills any children that aren't born triplets due to a sacred oath his ancestors took to uphold love all hours of the day. Tradition requires three children to split the magic by way of Morning, Afternoon, and Evening.

-> I would say it's also child abuse that Jorgen was raised with all the pressures of being Keeper of the Rules from the moment he was born, including being pressured to cut off his own wings in line with the tradition of "noble self-sacrifice."

- Young characters & implied offscreen sex - Are you seriously telling me the popular teens might've had sex when they were something like 150,000 years old and they'd been together since childhood? What on earth.

-> In Anti-Fairy society, you're recognized as a full adult at age 150,000.

-> In Fairy World, you're recognized as an adult when you moult your juvenile wings and grow your adult wings. This is generally between ages 140,000 and 180,000.

-> In Pixie World, you're recognized as a full adult at age 250,000. H.P. keeps age of majority high to encourage his pixies to establish themselves in Pixie World instead of leaving. These are non-human cultures that each have their own views.

-> Poof and Goldie have an arc about Goldie having Harm OCD over the fear that she'll fall into her will o' the wisp species stereotype and take advantage of Poof. Meanwhile, Poof has panic attacks because he's pretty sure she did, but blames himself for not being more self-aware. 😬

-> Foop gave his lover Anti-Marigold the iris virus when they were considered young adults in Anti-Fairy society (but still in school) to see if his dad would notice. Years later, he has a breakdown over the fact Anti-Cosmo never did, nor does he seem to care if his son is being reckless.

-> The sexual part of the Celebrity Kids arc is kept off-screen throughout the 130 Prompts. This arc is about the stress of being high schoolers treated like celebrities, ambassadors, royalty, and sports stars.

- Implied incest in H.P.'s family line before he was born (In the old days, it was common to marry cousins to preserve money. This custom has ended in modern times, but comes up on rare occasion)

-> It's implied this family history led to the genetic mutation that gave him wasp biology; that mutation plays a big role in his story.

-> H.P. talks about how he admires his counterpart, whom he considers a cousin. Sometimes other characters mock his admiration because of his infamous family history. It's not even important in his present-day life; it's just that my 'fics are full of jerks.

Some topics may make you uncomfortable. You don't have to read them, but that's part of fleshing out these very detailed, long-lived cultures and their messy underbellies. They're Fae. Were you expecting giddy fluff?

- Summaries for my multi-chapter FOP 'fics

- Summaries for 130 Prompts (with emoji guide)

- Want more info? Send an Ask!

You can create works based on this AU. Please cite me and/or the AU as appropriate (i.e. for things very specific to this AU). You are free to expand on ideas you've thought of thanks to my AU as a jumping off point. I'd love to reblog or link things to my AO3 works if I see them!

I write drama content with morally gray characters. Please don't portray my story events or worldbuilding out of context with intentional malice. In other words, I request you do not post things created for the specific intention of mocking me or the AU. It's not to everyone's tastes, but it's built with sincerity and it is loved <3

#ridwork guides #ridwriting #FAIRIES!#Origin of the Pixies #Frayed Knots #130 Prompts #Come What May #apparently art #Long post #We're Pixies!#Bat cube and associates #Dragonfly parents #Cloudlands AU

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cassimothwin · 2 years ago

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So you're looking for a system other than D&D...

Have you tried solo RPGs? Because it's not just "how can I play D&D alone" there's a whole world of cool stuff out there….And I want to tell you about it.

(I'm quite sick today so please forgive any incoherence or typos.)

First off, it's totally fine if you're more of a party person over a solo person. I just know a lot of people aren't aware of solo games, how they work, or the breadth of diversity you find among them.

If you ask about solo games, the first one mentioned is almost always Ironsworn. It's freeeee and comes with a lot of resources. The PDF is over 200 pages, so I understand if you don't want to dive in with Ironsworn quite yet.

Ironsworn has a large community, including support for Foundry and Roll20, along with many derivative works. It offers a gritty default fantasy setting, but encourages you to ignore that if you prefer another world… maybe one from another RPG you enjoy the lore from…?

BUT maybe you want something that isn't as much of a commitment (and maybe a little sad)?

Many Wretched and Alone games use a tumbling block tower to simulate a random ticking clock. It might represent your failing mental health, the barricade crumbling, the ship sinking…

One of the creators of the system has a great thread highlighting their favorite games. Just search Wretched an Alone on Itch.io to find even more.

And if you don't want to go buy a Jenga tower, there are some great random simulators out there. I've been able to play W&A games on road trips, using a deck simulator, a dice simulator, and a tumbling tower simulator. Here's tower replacement I like. It replicates the odds of a tumbling tower falling without being too complicated.

Carta is another cool system where you use a standard deck of playing cards to create a map that you explore. As you explore, you usually have to manage resourses to avoid something bad, but not always.

Here's a collection of several games made using Carta.

Dead Belt takes this concept and RUNS with it. You have a few things to track as you explore abandoned randomized ship decks, searching for a good payload. Upgrade your gear and do it again.

Does the thought of managing your character sound exciting? Do you enjoy soulslike games, like Elden Ring and Bloodborne?

Rune is a fresh release with a lot of third-party support already. It's pretty easy to pick up and play too.

Apothecaria and Apawthecaria have you making potions for the local village. Go out exploring, collect ingredients, and see if you can solve the greater mysteries of the land.

Interested in horror, but want a more narrative-driven experience? In Dwelling, you'll spend the night sleepless and alone in a haunted house. This is a very neat game.

Songs of the City is a delightful tarot game that you play once a day for a week. It's another narrative-driven game where you draw cards and cast magic to see small neat changes in the city you reside in.

Anamnesis, Anamnesis, Anamnesis. I talk about this game a lot because it's magical in its simplicity. There's nothing to track and it's an incredible way to generate character ideas or tell a story.

And now there are more Anamnesis games coming out (including mine) You don't need the original games to play any of the games you see here.

There are so many more games I want to talk about, but alas, this cold is making me stop there.

If you've written a solo game, streamed one, reviewed one, or have one you really like, I invite you to share it!

#solo rpg #solo journaling game #solo tabletop roleplaying games #writing #writing community #ttrpg #I hate being sick #dnd

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annabelle-creart · 24 days ago

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Dear Trollhunters, Wild Robot, Dragon Prince and Rescue Bots fans

I have this concept of multiverse in my head where all the characters of series, games and movies I have watched exist in different universes, completely separated but united my magic

One of the many characteristics of this multiverse is the fact that some characters share something named essence, this is what souls, sparks and spirits are made, and if someone of another universe has your same essence, is because they are variants

What is my point?

I’m a fan of the four series and movie I just told you, and based in both canon and headcanons, I truly believe Arrrgh, Rozz, Aaravos and Boulder are variants

And the rest is pure headcanons, analysis and shit like the ships across the multiverse I did time ago, so, read if you can or want and if not, oks

I will also talk about Heatwave, Sissi and Salvage’s variants

Also, is stupid to say that this includes spoilers for the ones who doesn’t know about the other media

Ok, so, I think with Rozz, Boulder and Arrrgh is pretty obvious, the three of them didn’t knew a single shit about life, stayed two days and ended up liking it, even getting friends and families out there, so, why Aaravos? The motherfucker who, because of the death of his daughter, made an entire sea with his tears and later got up to fuck the lives of the ones who made that possible, including all the beings who crossed on his way

Well, it’s actually because of that

Let’s remember Arrrg wasn’t always a pacifist, he was a gum gum before, Rozz first was made to be just a robotic maid with programed responses and (mostly headcanons because we never got any info of the bots back on Cybertron) Boulder lived on a society that constantly denigrated the classes depending on the job, Aaravos literrally said “fuck you” to the system and did whatever he wanted, for both love and revenge, Arrrgh, Rozz and Boulder did the same, Arrrgh leave the gum gums and befriended Blinky, Rozz adapted to became mother of Brightbill and Boulder leave behind their past on Cybertron to start a new life painting and gardening, the difference is that Aaravos committed murder and magic crimes while Arrrgh, Rozz and Boulder preferred to be good people :v

So, yes, I truly believe those four are variants and I love them that way so much, and Aaravos could learn a lot about those three, same for the rest from Aaravos, I want to believe Aaravos can still be good but he gave so much priority to his plan revenge that forgot that and now uses his good part to manipulate people

Wrath: you can’t be actually serious

Writer: OH I CAN! WATCH ME, DRAWER!

Drawer: gimme a sec…

(Reminder this was made in a rush with 0 references or sketch, only quick lineart)

Drawer: Done!

Writer: IT’S SO CUTEEEEEE!

They also made a grupal therapy to see if they could help Aaravos with his angry issues!

Even Aaravos was puzzled about looking at Arrrgh act so chilly and laugh about his own trauma as a gum gum general, not even Boulder knew what to say or what to do about it. Rozz could only share a listener shoulder

But hey! They shared a lot of funny tales! And they even discovered their respective partners were also variants!

Because yes, I believe Heatwave, Fink, Blinky and Avizandum are variants too

Researcher: but Avizandum is not Aaravos partner

Writer: not their normal partner, their hate partner! Aaravos was so dammed angry when he found out he’s friend with Avi in another universes! Like, play it please!

——

Aaravos: you can’t be serious!

Boulder: why not?

Aaravos: because we’re not even friends! He caged me in a magic pearl at the button of the sea I did myself!! He’s egotistical and believes he’s more than anyone else for the mere fact he’s a damn dragon!!

Arrrgh: …am

Rozz: Well! Not because we are variants our stories are the same, haha

Boulder: exactly! I’m sorry Avizandum did that, but Rozz is right, my Heatwave would never caged on a pearl… it sounds weird when I say it out loud

Aaravos: I know, right? It took me some centuries to get accomplished to the fact and say it out loud normally

Rozz: Fink had the chance to leave me at my luck but he didn’t… well, whatever, the point is, yes, he did bad things and hurt you but now he can’t, right?

Arrrgh: the best is to let go

Rozz: Exactly!

Aaravos: …hm, you’re right, he’s dead after all, is not like he can do much

Rozz: Exactly- wait, he’s dead?

—

Drawer: Rozz definitely didn’t expected that

—

So… yes, that’s mostly of what I can say about them, I just think they’re cool and I love them, I wanted Rozz, Boulder and Arrgh to be friend and Aaravos deserves to heal. I mean, a domestic robot, an alien transformer, a troll and a touchstar elf in the same room is all I wanted to see today(their dynamic remembers me a lot of those comics where Bill Cipher is sent to Gravity Falls to pay for his shit and heal his traumas)

And also

Aaravos with braids and flowers in his head because of those three is so 🌟 🌟 🌟

And then we have Heatwave fighting the flames Mandrake made because Fink won in poker while Blink is hidden behind the table in the other room :v

And I decided to use Mandrake from the movie Epic instead of Avizandum because I truly believe he and Aaravos are the drama queens of the club and definitely I think they would be good friends (and they both lost a child, so…)

And also because Avi is dead

…

Writer: guys-?

All: no

Writer: But-

Researcher: THEY AREN’T EVEN FROM THE SAME STUDIO, MANDRAKE IS FROM BLUE SKY AND AARAVOS IS FROM WONDERSTORM

Reader: you’re intrusive crack ships thoughts scare me sometimes

Writer: WELL, WHATEVER! THE POINT IS THAT THOSE FOUR ARE SO DIFFERENT FROM EACH OTHER AND THAT’S FUNNY

Like, can you imagine the hothead of Heatwave, Blinky who is such a nerd, Mandrake who is an edgy bitch and Fink the sassy fox?

I just can think of them like (featuring Avi’s ghost)

And then we have Sissi and Salvage talking and playing Five nights at Freddy’s with Brightbill, Zym, Toby, Jim, Dagda and Leola because the fuck, the little girl likes terror and the teens had passed through a lot to get scared easily-

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vibingncrying · 6 days ago

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Okay, okay, hear me out: lavender marriage au

(Rosalyn & Alberu)

Warning: a lot of yapping

This could work with all kinds of ships, main idea is:

What if Rosalyn's parents were just a bit less supportive of her becoming a mage and she decided marrying was better than running off

Alberu and Rosalyn were both crown prince/princess, from all the characters they're some of the most well versed in politics even after Rosalyn throws away her title

The two of them work well together, both are very stubborn tho, especially Rosalyn

Btw this could also work in a way that they agree to pretend to be ready for marriage but make it so Alberu becomes king faster than they'd have to go through with it

Rosalyn as far I've seen didn't show much romantic interest and Alberu would've only married as a political move from the beginning, so what if they end up doing just that with this arrangement?

Rosalyn looking for husband material:

should be reasonable,

should not try to do bad type of funny business,

should let her do research in peace,

preferably near the Breck kingdom,

capable to run things even when she's unavailable,

approves of mages

preferably around her age

Mogoru Empire:

Adin -> big NO, corrupt and an a$$hole

Caro Kingdom:

Valentino -> good(?) guy but absolutely incapable to do anything kingdom related

Whipper Kingdom:

-> bit farther away but not too much

-> they got a pretty cool magic tower, civil war is about to break out tho and they got rid of royals

-> good because she wouldn't have as much influence and responability

-> bad because they're slaughtering the mages and hate anything magic related

Askosan:

-> the Gorge of Death makes it pretty hard to visit family later or just the Breck Kingdom in general

Nordlan and Paerun Kingdom:

-> they're too far in the North, away from everything

-> who is even there to marry? cold duke of the north - part time lunatic - Clopeh Sekka is kinda the only one we know

Jungle:

-> nice one but already got a queen

-> also a bit far

Roan Kingdom:

-> a neighboring kingdom with low expectations to it, average at everything

Alberu -> one year age difference, can be left to his own devices and would allow her to be, can be trusted with politics, has no known disdain for mages

When you look at it like this, ignoring all the no name small kingdoms that her parents would probably not even let her marry into unless it's the one true love of the century, also not counting the Eastern Continent because it's so far away, then it's not all that hard to see what she'd choose

I'd like to mention that yes, it would be her coming up with this idea, I cannot see Alberu doing so, he was too paranoid at the start of story

Pros to this marriage in general:

Rosalyn's brother can be the King in the Breck Kingdom just like he wanted to since she'll be queen elsewhere

She'll be in a neighboring kingdom, not far

It would be beneficial for both kingdoms to have a good support system because of the Mogoru Empire at both of their borders

Alberu would have 1/3 maybe even 2/3 of the backing necessary for him just from this, the current Queen wouldn't be able to mess with him much

Alberu and Rosalyn would make one hell of a duo >;)

They both met before this whole arrangement since in story Alberu could recognize Rosalyn even with dye magic (that also could be from just seeing information on her beforehand)

-> so, let's just say they met in some royal gathering first

Rosalyn was called the sun and rose of her kingdom (it's funny roses are said to be delicate and then there's Rosalyn), guess what Alberu is trying to become, the sun/moon of his kingdom so matchy matchy

Both of them can control a form of mana, Rosalyn only finds out later about it but they basically exchange informations about that

They make a deal that Rosalyn can research whatever she wants to but only if it's not dangerous to the kingdom, must share breakthroughs, Alberu takes care of the paperwork necessary on both their parts

Some ideas for the au:

they would still establish the mage brigade

Rosalyn would have a blast blasting stuff with royal money, would definitely have access to all the magic stones she needs to keep up the good relationship between the kingdoms or smth xd

the marriage would take place before the assassination attempt on her and her group, that's probably why'd she choose this option instead of going away

they can both have someone on the side if they want, just needs to tell the other about it so it's not a surprise

they would sorta just do their own things but act the needed amount of lovey-dovey in front of the public

at the start there wouldn't be much trust between each other since this is just a deal to benefit them both

-> Alberu would have her tailed with some dark elf guards

-> Rosalyn would sense most of them cuz she's just cool like that

gradually, after scheming about stuff like this and working together for a longer time, they come to trust each other with things, still not telling each other everything because we've seen how secretive Alberu can be even with his closest allies but entrust one another with information they wouldn't have otherwise

I feel like Rosalyn would still find a way to befriend Choi han one way or another, Lock as well, but it would probably take longer for them to become so close

if we have a Krs! Cale Henituse in this then Rosalyn would also be made aware of Alberu's dark elf blood, otherwise she'd just suspect stuff

-> in this scenario she'd definitely become one of Cale's number one scheming partners ofc

-> he'd probably even be told about their arrangement after a while, let's be real he kinda sucks at figuring out relationships so that's why he'd be told instead of figuring it out on his own (not like he'd be all that interested in it tbh)

Rosalyn would still want to be a magic tower master, so the plan is something like:

they push off having their wedding till Alberu gets coronated -> after the wars no one dares question their decision on the matter (Alberu and Cale would still need to become sworn brothers tho so he'd have some backing) -> Rosalyn goes her merry way to become tower master (how they'd deal with the public's opinion on the matter? Idk ask them)

an other option is that they marry and Rosalyn just hangs out at the magic tower using a different name or persona, not everyone needs to know what the tower master looks like anyway -> she can just dye her hair and stuff but that's not really her style since she'd want to show off a bit but at the same time the magic tower wouldn't be in a 'free city' if the crown was there now would it -> so if they married she'd be investing in a 'side project' (a lie, it'd be a full time thing) or simply have someone act like the real tower master when in reality it's very much her

it could also be that they marry and they both gather enough influence after the war(s) that they can divorce without political issues -> they can prove that Roslayn is better off as the cool firey mage she is and Alberu is capable enough to run the kingdom on his own, so it should work out probably without as much backslash

not that important but Alberu and Rosalyn would have a rose themed wedding (in case they do go through with it)

-> the color theme would be red and gold, sunset vibes

-> roses would become their marriage's symbol, that or maybe another flower too with some cool meaning that I can't think up rn

-> there'd be a bunch of roses in the garden as well :D

Not connected much but the royal mages would totally envy Rosalyn or look up to her, no in between

Oh, also- imagine Ohn wants to learn ballroom dancing so the whole family just shows up at the royal duo's places that hiiiiii, you guys should know how this works, show us :)

I might expand on this last idea more later on idk

#guys someone adopt this #pls #it would work so well as a set-up #you can also use it for all kinds of ships #rosalyn #tcf rosalyn #alberu crossman #alver crossman #lcf #tcf #lout of the count’s family #au ideas

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